Sparks Will Fly Quotes

I could wait patiently, but I really wish you would: Drop everything now, meet me in the pourin' rain, Kiss me on the sidewalk, take away the pain; Cause I see sparks fly whenever you smile Hit me with those green eyes, baby, as the lights go down, Give me somethin' that'll haunt me when you're not around; Cause I see sparks fly whenever you . . . smile.

Sparks Fly whenever you smile!

It was a dangerous world for a sparkly flying horse.

No it is not easy to write. It is as hard as breaking rocks. Sparks and splinters fly like shattered steel.

What were the odds that she'd turn away at the same instant the ball came flying her way? And that she'd be holding a soda in a crowd at a volleyball game she didn't even want to watch, in a place she didn't want to be? In a million years, the same thing should probably never happen again. With odds like that, she should have bought a lottery ticket.

It’s strange. I felt less lonely when I didn’t know you.

Some people are attracted to sickness, to the kind of madness where sparks fly off the head, to the incoherence of despair, masked by nervous energy, which winds up looking like bewildered joy.

I see sparks fly whenever you smile

In the vaults of our hearts and brains, danger waits. All the chambers are not lovely, light and high. There are holes in the floor of the mind, like those in a medieval dungeon floor - the stinking oubliettes, named for forgetting, bottle-shaped cells in solid rock with the trapdoor in the top. Nothing escapes from them quietly to ease us. A quake, some betrayal by our safeguards, and sparks of memory fire the noxious gases - things trapped for years fly free, ready to explode in pain and drive us to dangerous behavior...

He that blows the coals in quarrels that he has nothing to do with, has no right to complain if the sparks fly in his face. - Ben Franklin

The night crackled ... Everything had turned to static electricity in the heat. I combed my hair to watch the sparks fly from the ends.

Man is born unto the trouble as the sparks fly upwards.' In other words suffering is germane to our existence; indeed, how without it, should we be able to 'fly upwards

Madness will push you anywhere it wants. It never tells you where you're going, or why. It tells you it doesn't matter. It persuades you. It dangles something sparkly before you, shimmering like that water patch on the road up ahead. You will drive until you find it, the treasure, the thing you most desire. You will never find it. Madness may mock you so long you will die of the search. Or it will tire of you, turn its back, oblivious as you go flying. The car is beside you, smoking, belly-up, still spinning its wheels.

Book and reader, if they meet up at the right moment, it can make sparks fly, set you alight, change your life. It can, I promise you.

here and there in the barrios and the favelas, among those who have least, beat hearts of hope, fly sparks of Overcoming.

We looked at each other and just laughed; everything was hysterically funny, even the playground slide was smiling at us, and at some point, deep in the night, when we were swinging on the jungle gym and showers of sparks were flying out of our mouths, I had the epiphany that laughter was light, and light was laughter, and that this was the secret of the universe.

Astonishingly, at some point, a sputtering torch was thrust into her hands. Alma did not see who gave it to her. She had never before been entrusted with fire. The torch spit sparks and sent chunks of flaming tar spinning into the air behind her as she bolted across the cosmos-the only body in the heavens who was not held to a strict elliptical path. Nobody stopped her. She was a comet. She did not know that she was not flying.

Be quiet! Anyone can spit in my face, and call me a criminal and a prostitute. But no one has the right to judge my remorse.

It appears to me impossible that I should cease to exist, or that this active, restless spirit, equally alive to joy and sorrow, should only be organised dust - ready to fly abroad the moment the spring snaps, or the spark goes out, which kept it together. Surely something resides in this heart that is not perishable - and life is more than a dream.

What had sparked them to go from hating each other like these two did, to loving each other like they did now? Some random tumble of Fate, a fly-by jumble of chance. Zane didn't know, but he thanked God for it every day.

The world had been stirred by a hot poker, and sparks of crazy were flying.

That is what exile meant: no one was coming, no one ever would. There was fear in that knowledge, but after my long night of terrors it felt small and inconsequential. The worst of my cowardice had been sweated out. In its place was a giddy spark. I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.

What do you think he did to me to deserve to die?” I ask. He stokes the fire. Sparks fly up. “I assumed he broke your heart. An eye for an eye, a heart for a heart.

The Dying Christian to His Soul (1712) -Vital spark of heav'nly flame! Quit, oh quit, this mortal frame: Trembling, hoping, ling'ring, flying, Oh the pain, the bliss of dying! Stanza 1.

A story wearing another dress every time you hear it - what could be better? A story that grows and puts out flowers like a living thing! But look at the stories people press in books! They may last longer, yes, but they breathe only when someone opens the book. They are sound pressed between the pages, and only a voice can bring them back to life! Then they throw off sparks, Balbulus! Then they go free as birds flying out into the world. Perhaps you're right, and the paper makes them immortal. But why should I care? Will I live on, neatly pressed between the pages with my words? Nonsense! We're none of us immortal; even the finest words don't change that, do they?

Everything was hysterically funny, even the playground slide was smiling at us, and at some point, deep in the night, when we were winging on the jungle gym and showers of sparks were flying out of our mouths, I had the epiphany that laughter was light, and light was laughter, and that this was the secret of the universe.

Eldric turned away from the mirror, holding out his hand. In the cup of his hand lay his fidget of paper clips. But the fidget had blossomed into a crown. An allover-filigree crown, with a twisty spire marking the front. I stared at it for some moments. "It's for you," said Eldric. "If you want it." "I'm seventeen," I said. "I haven't played at princess for years." "Does that matter ?" Eldric set it on my head. It was almost weightless, a true crown for the steam age. In a proper story, antagonistic sparks would fly between Eldric and me, sparks that would sweeten the inevitable kiss on page 324. But life doesn't work that way. I didn't hate Eldric, which, for me, is about as good as things get.

We looked at each other, for a long strange moment that I’ve never forgotten, actually, like two animals meeting at twilight, during which some clear, personable spark seemed to fly up through his eyes and I saw the creature he really was—and he, I believe, saw me. For an instant we were wired together and humming, like two engines on the same circuit.

The idea is to spin the wheel of metaphors and images until sparks of associations begin to fly for the reader.

Not all the sparks that fly when the mortal lands and Faerie meet are bright ones.

I believe anyone could light a cigarette from the sparks that fly from your eyes!

Do you want to know how to write a song? Songwriting is about counterpoint. Counterpoint is the key. Putting two disparate images beside each other and seeing which way the sparks fly. Like letting a small child in the same room as, I don’t know, a Mongolian psychopath or something, and just sitting back and seeing what happens. Then you send in a clown, say, on a tricycle and again you wait and you watch. And if that doesn’t do it, you shoot the clown.

Theresa, remember - you've got nothing to lose. The worst that could possibly happen is that you fly home in a couple of days. That's all. You're not going on a quest to search for a tribe of cannibals. You're just going to find out if your curiosity was warranted.

What’s anyone’s problem? Baggage. People meet, sparks fly, then they spend all their time trying to hide who they really are so they can stay attractive. Then we’re surprised when it doesn’t work out.” She had a point. “If everyone just introduced themselves with their baggage, imagine how much time we’d save.

People meet, sparks fly, then they spend all their time trying to hide who they really are so they can stay attractive. Then we’re surprised when it doesn’t work out.

The boys were dancing. The pile was so rotten, and now so tinder-dry, that whole limbs yielded passionately to the yellow flames that poured upwards and shook a great beards of flame twenty feet in the air. For yards round the fire the heat was like a blow, and the breeze was a river of sparks. Trunks crumbled to a white dust.

Fighter pilot is an attitude. It is cockiness. It is aggressiveness. It is self-confidence. It is a streak of rebelliousness, and it is competitiveness. But there's something else - there's a spark. There's a desire to be good. To do well; in the eyes of your peers, and in your own mind.

Wither thou goest, there goest I, two flames sparked from but one ember; both forward and backward doth time fly, wither thou art, remember.

Do you want to know how to write a song? Songwriting is about counterpoint. Counterpoint is the key. Putting two disparate images beside each other and seeing which way the sparks fly. Like letting a small child in the same room as… I don’t know, a Mongolian psychopath or something, and just sitting back and seeing what happens. Then you send in a clown, say, on a tricycle and again you wait and you watch. And if that doesn’t do it, you shoot the clown.

Sparks do not fly. Chills do not run through my body. I do not suddenly recognize this man as my soulmate based on a handshake. Such bullshit. His hand is nice though. Firm, large. His thumb caresses the back of my hand and fine, that touch alone is enough to make me recognize that he’s probably good in bed. But that’s it.

You see, when you change your attitude, sparks fly in the universe. You’re energized. You begin to see new possibilities. You move into action. You achieve extraordinary results. That’s why I say when you change your attitude, you change your life!

The Bible says that man is born to trouble as the sparks fly upward. Well, trouble followed me like sharks trailing a slave ship. Even when I tried to get away it was there swirling in a vortex around me.

She’d hoped to close her eyes and dream of sparkly winged horses flying through a bright blue sky. Instead, black-cloaked figures haunted her mind, snatching her from the shadows and dragging her away in a drugged haze. Sharp bonds sliced her wrists and ankles as someone shouted questions she didn’t know the answers to. Then fiery hands seared her skin and ghostly whispers swirled through the blackness. They would find her. She would never escape them again .

In the context of stress, the great paradox of the modern age may be that there is not more hardship, just more news—and too much of it. The 24/7 streaming torrent of tragedy and demands flashing at us from an array of digital displays keeps the amygdala flying.

Do you want to know how to write a song? Songwriting is about counterpoint. Counterpoint is the key - putting two disparate images beside each other and seeing which way the sparks fly. Like letting a small child in the same room as, I don’t know, a Mongolian psychopath or something, and just sitting back and seeing what happens. Then you send in a clown, say, on a tricycle and again you wait and you watch. And if that doesn’t do it, you shoot the clown.

No, war is never about killing the enemy. War is about remaking the world to suit the whims of some powerful group over the whims of some other powerful group. The dead are just the sparks that fly from the metal as they grind it down.

A firefly landed on Honor’s sleeve and began walking up her shoulder, its tail still blinking. As she craned her neck to look down at it, Jack chuckled. “Don’t be scared. It’s just a lightning bug.” He placed his finger in its path. Honor tried not to think about the pressure of his touch. When the firefly crawled onto his finger, he lifted it up and let it fly off, signaling its escape route with sparks of light.

Yet man is born to trouble as surely as sparks fly upward.

Le secret douloureux des Dieux et des rois: c'est que les hommes sont libres. Ils sont libres Egisthe. Tu le sais, et ils ne le savent pas.

She’s my light—she illuminates my sky. My world. When we’re together, sparks fly, igniting us both, and no one could dull our shine

She wants him like she wanted to fly from the rooftop when she was ten, wants to throw her whole body into that catastrophe until she is utterly exhausted and dried up.

In every change, ignite the new levels of creativity from the golden state of mind shake up long-standing beliefs with conviction and allow the sparks to fly.

Without getting up he threw deadwood on the fire, the sparks flying up with their truths and lies, a few hot points of fire landing on their hands and faces, not for the first time, and they rolled down into the dirt. One thing never changed: the brilliant charge of their infrequent couplings was darkened by a sense of time flying, never enough time, never enough.

War is about remaking the world to suit the whims of some powerful group over the whims of some other powerful group. The dead are just the sparks that fly from the metal as they grind it down.

I can't help but recall, at this point, a horribly elitist but very droll remark by one of my favorite writers, the American "critic of the seven arts", James Huneker, in his scintillating biography of Frédéric Chopin, on the subject of Chopin's étude Op. 25, No. 11 in A minor, which for me, and for Huneker, is one of the most stirring and most sublime pieces of music ever written: “Small-souled men, no matter how agile their fingers, should avoid it.” "Small-souled men"?! Whew! Does that phrase ever run against the grain of American democracy! And yet, leaving aside its offensive, archaic sexism (a crime I, too, commit in GEB, to my great regret), I would suggest that it is only because we all tacitly do believe in something like Hueneker's' shocking distinction that most of us are willing to eat animals of one sort or another, to smash flies, swat mosquitos, fight bacteria with antibiotics, and so forth. We generally concur that "men" such as a cow, a turkey, a frog, and a fish all possess some spark of consciousness, some kind of primitive "soul" but by God, it's a good deal smaller than ours is — and that, no more and no less, is why we "men" feel that we have the perfect right to extinguish the dim lights in the heads of these fractionally-souled beasts and to gobble down their once warm and wiggling, now chilled and stilled protoplasm with limitless gusto, and not feel a trace of guilt while doing so.

A lot of things in the house were broken or forgotten: the kitchen clock stopped, a closet doorknob coming off in my hand. The sparkly mess of flies I'd swept from the corners. It took sustained, constant living to ward off decay.

the train plunges on through the pitch-black night I never knew I liked the night pitch-black sparks fly from the engine I didn't know I loved sparks I didn't know I loved so many things and I had to wait until sixty to find it out sitting by the window on the Prague-Berlin train watching the world disappear as if on a journey of no return

God the horror of watching yourself from the outside as everything you know about yourself gets stripped away and demolished. Not just the loss of power over your body, but power over your mind. Rape in the deepest, most hellish sense of the word. But wait, there's a spark. Inside that hollowed out woman there's a place they can't touch. There's more to me than I thought there was. Something that no one and nothing can take away from me. They can't break me. I won't cease. I'm strong, and I am never going to go away until I've gotten what I came for. I might have been lost for awhile but I was never gone. WHO THE FUCK ARE YOU? With an explosive inhalation I snap upright in bed, and my eyes fly open like coming alive after being dead and interred in a coffin. I AM Mac and I am BACK!

Je ne suis ni le maître ni l'esclave, Jupiter. Je suis ma liberté! À peine m'as-tu créé que j'ai cessé de t'appartenir

And how is His Great Fussiness today?” Derek’s eyes sparked a bit. “His Majesty is in an ill humor. Rumors are flying that his mate almost got herself shot.

Sparks fly everywhere, Parker. The world’s practically on fire. You need something more solid in your relationships than some silly little spark.

Catching creativity is like catching butterflies – fast-flying, bright-colored sparks darting here and there, it requires quick wits, good eyes and desire to net them. And once you have them, you need to act fast. An idea, like a butterfly doesn’t last long: it is ephemeral. It is here, and now it is gone – so quick, grab your laptop, your pen and paper, your Dictaphone, your sketch pad, whatever your mode of expression or recording, swoop and catch.

the first archer lets his arrow fly, soaring over the crowd and hitting it's mark in a shower of sparks. The bonfire ignites in an eruption of yellow flame. Then second chime follows. the second archer sends his arrow into the yellow flames, and they become a clear sky-blue. A third chime with a third arrow. and the flames are a warm bright pink. Flames the color of a ripe pumpkin follow the fourth arrow. A fifth, and the flames are scarlet-red. A sixth brings a deeper, sparkling crimson. Seven, and the fire is soaked in a color like an incandescent wine. Eight, and the flames are shimmering violet. Nine, and violet shift to indigo. A tenth chime, a tenth arrow, and the bonfire turns deepest midnight blue.

Fate, with its mysterious and inexorable patience, was slowly bringing together these two beings charged, like thunder-clouds, with electricity, with the latent forces of passion, and destined to meet and mingle in a look as clouds do in a lightning-flash. So much has been made in love-stories of the power of a glance that we have ended by undervaluing it. We scarcely dare say in these days that two persons fell in love because their eyes met. Yet that is how one falls in love and in no other way. What remains is simply what remains, and it comes later. Nothing is more real than the shock two beings sustain when that spark flies between them.

It’s me,” he says softly. “Stop listening to everything else. Remember the way you feel when I’m kissing you and touching you. Don’t think with your head. You know me. And when my lips are on yours, you trust me.” As if to make his point, he dips his head and brushes his mouth over mine. Sparks fly between us. As always. “You trust me, when my hands are on your skin.” He runs his palms down my arms and then over to my waist where he pushes them up under the edge of my shirt. Chills break out down my back. “You trust me when you turn your mind off, when you just feel.

At ten seconds before the hour, they raise their bows and aim the flaming arrows at the waiting well of curling iron. As the clock begins to chime near the gates, the first archer lets his arrow fly, soaring over the crowd and hitting its mark in a shower of sparks. The bonfire ignites in an eruption of yellow flame. Then the second chime follows, the second archer sends his arrow into the yellow flames, and they become a clear sky-blue. A third chime with a third arrow, and the flames are a warm bright pink. Flames the color of a ripe pumpkin follow the fourth arrow. A fifth, and the flames are scarlet-red. A sixth brings a deeper, sparkling crimson. Seven, and the fire is soaked in a color like incandescent wine. Eight, and the flames are shimmering violet. Nine, and the violet shifts to indigo. A tenth chime, a tenth arrow, and the bonfire turns deepest midnight blue. On the penultimate chime, the dancing flames change from blue to black, and for a moment, it is difficult to discount the fire from its cauldron. And on the final strike, the dark flames are replaced with a blinding white, a shower of sparks falling like snowflakes around it. Huge curls of dense white smoke swirl up into the night sky.

Come, fly with me!" cried the goddess, as she sped ahead of them, her extremities flaming with a comet tail of sparks in the supernatural wind. Her bubbling voice again echoed, her laughter bounced in the crystalline void, and she flew onward, unto eternity.... "Stop!" cried Elasirr. "Come back with us to the true world, O Tilirreh!" At which the orange one laughed, throwing her head back, saying, "Oh, but don’t you know this is the one true world? It is but yours that is a pale specter, that is the dying place of dwindling truth?" "Then come back with us, lady," whispered Ranhé, "and restore the truth as it once was.

To Juan at the Winter Solstice There is one story and one story only That will prove worth your telling, Whether as learned bard or gifted child; To it all lines or lesser gauds belong That startle with their shining Such common stories as they stray into. Is it of trees you tell, their months and virtues, Or strange beasts that beset you, Of birds that croak at you the Triple will? Or of the Zodiac and how slow it turns Below the Boreal Crown, Prison to all true kings that ever reigned? Water to water, ark again to ark, From woman back to woman: So each new victim treads unfalteringly The never altered circuit of his fate, Bringing twelve peers as witness Both to his starry rise and starry fall. Or is it of the Virgin's silver beauty, All fish below the thighs? She in her left hand bears a leafy quince; When, with her right hand she crooks a finger, smiling, How many the King hold back? Royally then he barters life for love. Or of the undying snake from chaos hatched, Whose coils contain the ocean, Into whose chops with naked sword he springs, Then in black water, tangled by the reeds, Battles three days and nights, To be spewed up beside her scalloped shore? Much snow if falling, winds roar hollowly, The owl hoots from the elder, Fear in your heart cries to the loving-cup: Sorrow to sorrow as the sparks fly upward. The log groans and confesses: There is one story and one story only. Dwell on her graciousness, dwell on her smiling, Do not forget what flowers The great boar trampled down in ivy time. Her brow was creamy as the crested wave, Her sea-blue eyes were wild But nothing promised that is not performed.

It was an old hunter in camp and the hunter shared tobacco with him and told him of the buffalo and the stands he'd made against them, laid up in a sag on some rise with the dead animals scattered over the grounds and the herd beginning to mill and the riflebarrel so hot the wiping patches sizzled in the bore and the animals by the thousands and the tens of thousands and the hides pegged out over actual square miles of ground the teams of skinners spelling one another around the clock and the shooting and shooting weeks and months till the bore shot slick and the stock shot loose at the tang and their shoulders were yellow and blue to the elbow and the tandem wagons groaned away over the prairie twenty and twenty-two ox teams and the flint hides by the hundred ton and the meat rotting on the ground and the air whining with flies and the buzzards and ravens and the night a horror of snarling and feeding with the wolves half-crazed and wallowing in the carrion. I seen Studebaker wagons with six and eight ox teams headed out for the grounds not hauling a thing but lead. Just pure galena. Tons of it. On this ground alone between the Arkansas River and the Concho there were eight million carcasses for that's how many hides reached the railhead. Two years ago we pulled out from Griffin for a last hunt. We ransacked the country. Six weeks. Finally found a herd of eight animals and we killed them and come in. They're gone. Ever one of them that God ever made is gone as if they'd never been at all. The ragged sparks blew down the wind. The prairie about them lay silent. Beyond the fire it was cold and the night was clear and the stars were falling. The old hunter pulled his blanket about him. I wonder if there's other worlds like this, he said. Or if this is the only one.

Quand une fois la liberté a explosé dans une âme d’homme, les Dieux ne peuvent plus rien contre cet homme-là. Car c’est une affaire d’homme, et c’est aux autres hommes — à eux seuls — qu’il appartient de le laisser courir ou de l’étrangler.

If Holland recovers consciousness, tell him we'll get him to a healer just as soon as we can," I told them. "You may not want to let him see his arm lying there, though. That's an awfully startling thing to see when you just come to your senses." - Ysolde

Bodies” by Drowning Pool “Breath of Life” by Florence & The Machine “Bullet With a Name” by Nonpoint “Corrupt” by Depeche Mode “Deathbeds” by Bring Me the Horizon “The Devil In I” by Slipknot “Devil’s Night” by Motionless in White “Dirty Diana” by Shaman’s Harvest “Feed the Fire” by Combichrist “Fire Breather” by Laurel “Getting Away with Murder” by Papa Roach “Goodbye Agony” by Black Veil Brides “Inside Yourself” by Godsmack “Jekyll and Hyde” by Five Finger Death Punch “Let the Sparks Fly” by Thousand Foot Krutch “Love the Way You Hate Me” by Like a Storm “Monster” by Skillet “Pray to God (feat. HAIM)” by Calvin Harris “Silence” by Delirium

Just a week ago, I felt like a butterfly that had spent years inside some sort of cocoon. I'd been afraid to venture out into the world on my own. But I flapped my wings a few times, and once I started to fly, the isolated darkness I'd been in for so long seemed more like a punishment than a place of protection. Now I desperately wanted to crawl back into that cocoon, yet it seemed I could no longer fit.

The poem you brought yesterday,’ said Balbulus in a bored voice as he bent over his work again, ‘it was good. You ought to write such things more often, but I know you prefer writing stories for children or songs for the Motley Folk. And why? Just for the wind to sing your words? The spoken word is nothing, it hardly lives longer than an insect! Only the written word is eternal!’ ‘Eternal?’ Fenoglio made the word sound as if there could be nothing more ridiculous in the world. ‘Nothing is eternal- and what happier fate could words have than to be sung by minstrels? Yes, of course they change the words, they sing them slightly differently every time, but isn’t that in itself wonderful? A story wearing another dress every time you hear it- what could be better? A story that grows and puts out flowers like a living thing! But look at the stories people press in books! They may last longer, yes, but they breathe only when someone opens the book. They are sound pressed between the pages, and only a voice can bring them back to life! Then they throw off sparks, Balbulus! Then they go free as birds flying out into the world. Perhaps you’re right, and the paper makes them immortal. But why should I care? Will I live on, neatly pressed between the pages with my words? Nonsense! We’re none of us immortal; even the finest words don’t change that, do they?

So the candle flickers and goes out. We have a piece of flint, and a spark. This singing art is sea foam. The graceful movements come from a pearl somewhere on the ocean floor. Poems reach up like spin drift and the edge of driftwood along the beach, wanting! They derive from a slow and powerful root that we can’t see. Stop the words now. Open the window in the center of your chest, and let the spirits fly in and out.

We went hand in hand across four lines of avenues. At the corner she was to go right, and I left. "I'd like so much to come to your place today and let the blinds down. Today-right this minute" said O, and shyly looked up at me with her round crystal-blue eyes. she's a funny one. But what could I say? She was with me only yesterday, and she knows as well as I do that our next Sex Day is the day after tomorrow. It's just more of her thought getting ahead of itself, like a spark that flies too early in the ignition, which can do some harm at times. Saying goodbye, I kissed her twice-no, I'll tell the truth-three times on those wonderful blue eyes of hers that not the least little cloud ever troubled.

And she arched, screaming, the lightning blazing from her center, sparking through her limbs, flying out her fingertips. She was incandescent. He fell atop her, heavy and male, pulling her legs up around his narrow hips, and ground down into her, once, twice. His cock jerked within her and she could feel every muscle in his body tense. He groaned into her ear like a man dying and then fell senseless and limp. And as she followed him into exhausted slumber she heard his single word: Mine.

Once when Boughton and I had spent an evening going through our texts together and we were done talking them over, I walked him out to the porch, and there were more fireflies out there than I had ever seen in my life, thousands of them everywhere, just drifting up out of the grass, extinguishing themselves in midair. We sat on the steps a good while in the dark and the silence, watching them. Finally Boughton said, “Man is born to trouble as the sparks fly upward.” And really, it was that night as if the earth were smoldering. Well, it was, and it is. An old fire will make a dark husk for itself and settle in on its core, as in the case of this planet. I believe the same metaphor may describe the human individual, as well. Perhaps Gilead. Perhaps civilization. Prod a little and the sparks will fly. I don’t know whether the verse put a blessing on the fireflies or the fireflies put a blessing on the verse, or if both of them together put a blessing on trouble, but I have loved them both a good deal ever since.

Paris has a child, and the forest has a bird; the bird is called the sparrow; the child is called the gamin. Couple these two ideas which contain, the one all the furnace, the other all the dawn; strike these two sparks together, Paris, childhood; there leaps out from them a little being. Homuncio, Plautus would say. This little being is joyous. He has not food every day, and he goes to the play every evening, if he sees good. He has no shirt on his body, no shoes on his feet, no roof over his head; he is like the flies of heaven, who have none of these things. He is from seven to thirteen years of age, he lives in bands, roams the streets, lodges in the open air, wears an old pair of trousers of his father's, which descend below his heels, an old hat of some other father, which descends below his ears, a single suspender of yellow listing; he runs, lies in wait, rummages about, wastes time, blackens pipes, swears like a convict, haunts the wine-shop, knows thieves, calls gay women thou, talks slang, sings obscene songs, and has no evil in his heart. This is because he has in his heart a pearl, innocence; and pearls are not to be dissolved in mud. So long as man is in his childhood, God wills that he shall be innocent. If one were to ask that enormous city: "What is this?" she would reply: "It is my little one.

Those clothes are Susie's,' my father said calmly when he reached him. Buckley looked down at my blackwatch dress that he held in his hand. My father stepped closer, took the dress from my brother, and then, without speaking, he gathered the rest of my clothes, which Buckley had piled on the lawn. As he turned in silence toward the house, hardly breathing, clutching my clothes to him, it sparked. I was the only one to see the colors. Just near Buckley's ears and on the tips of his cheeks and chin he was a little orange somehow, a little red. Why can't I use them?' he asked. It landed in my father's back like a fist. Why can't I use those clothes to stake my tomatoes?' My father turned around. He saw his son standing there, behind him the perfect plot of muddy, churned-up earth spotted with tiny seedlings. 'How can you ask me that question?' You have to choose. It's not fair,' my brother said. Buck?' My father held my clothes against his chest. I watched Buckley flare and light. Behind him was the sun of the goldenrod hedge, twice as tall as it had been at my death. I'm tired of it!' Buckley blared. 'Keesha's dad died and she's okay?' Is Keesha a girl at school?' Yes!' My father was frozen. He could feel the dew that had gathered on his bare ankles and feet, could feel the ground underneath him, cold and moist and stirring with possibility. I'm sorry. When did this happen?' That's not the point, Dad! You don't get it.' Buckley turned around on his heel and started stomping the tender tomato shoots with his foot. Buck, stop!' my father cried. My brother turned. You don't get it, Dad,' he said. I'm sorry,' my father said. These are Susie's clothes and I just... It may not make sense, but they're hers-something she wore.' ... You act like she was yours only!' Tell me what you want to say. What's this about your friend Keesha's dad?' Put the clothes down.' My father laid them gently on the ground. It isn't about Keesha's dad.' Tell me what it is about.' My father was now all immediacy. He went back to the place he had been after his knee surgery, coming up out of the druggie sleep of painkillers to see his then-five-year-old son sitting near him, waiting for his eyes to flicker open so he could say, 'Peek-a-boo, Daddy.' She's dead.' It never ceased to hurt. 'I know that.' But you don't act that way.' Keesha's dad died when she was six. Keesha said she barely even thinks of him.' She will,' my father said. But what about us?' Who?' Us, Dad. Me and Lindsey. Mom left becasue she couldn't take it.' Calm down, Buck,' my father said. He was being as generous as he could as the air from his lungs evaporated out into his chest. Then a little voice in him said, Let go, let go, let go. 'What?' my father said. I didn't say anything.' Let go. Let go. Let go. I'm sorry,' my father said. 'I'm not feeling very well.' His feet had grown unbelievably cold in the damp grass. His chest felt hollow, bugs flying around an excavated cavity. There was an echo in there, and it drummed up into his ears. Let go. My father dropped down to his knees. His arm began to tingle on and off as if it had fallen asleep. Pins and needles up and down. My brother rushed to him. Dad?' Son.' There was a quaver in his voice and a grasping outward toward my brother. I'll get Grandma.' And Buckley ran. My father whispered faintly as he lay on his side with his face twisted in the direction of my old clothes: 'You can never choose. I've loved all three of you.

It's hard to trust your child to find his or her own path, especially when we're told everyday by professionals that children must fit into rigid boxes. We all want to give our kids the best opportunities we can, which is why it feels like such a disservice if we don't push them in the "right" direction. Celebrating you children's passions rather than redirecting them, especially when those passions don't line up neatly with a checklist for future success, can feel like jumping off a cliff. It certainly did for me. But that leap of faith is necessary if your kids are going to fly.

She had forgotten this: the way your senses exploded and your pulse raced, as if you were properly awake after a long sleep. She had forgotten the thrill, the desire, the melting sensation. It just wasn’t possible after ten years of marriage. Everyone knew that. It was part of the deal. She’d accepted the deal. It had never been a problem. She hadn’t even known she’d missed it. If she ever thought about it, it felt childish, silly—“sparks flying”—whatever, who cares, she had a child to care for, a business to run. But, my God, she’d forgotten the power of it. How nothing else felt important.

Sparks come from the very source of light and are made of the purest brightness—so say the oldest legends. When a human Being is to be born, a spark begins to fall. First it flies through the darkness of outer space, then through galaxies, and finally, before it falls here, to Earth, the poor thing bumps into the orbits of planets. Each of them contaminates the spark with some Properties, while it darkens and fades. First Pluto draws the frame for this cosmic experiment and reveals its basic principles—life is a fleeting incident, followed by death, which will one day let the spark escape from the trap; there’s no other way out. Life is like an extremely demanding testing ground. From now on everything you do will count, every thought and every deed, but not for you to be punished or rewarded afterward, but because it is they that build your world. This is how the machine works. As it continues to fall, the spark crosses Neptune’s belt and is lost in its foggy vapors. As consolation Neptune gives it all sorts of illusions, a sleepy memory of its exodus, dreams about flying, fantasy, narcotics and books. Uranus equips it with the capacity for rebellion; from now on that will be proof of the memory of where the spark is from. As the spark passes the rings of Saturn, it becomes clear that waiting for it at the bottom is a prison. A labor camp, a hospital, rules and forms, a sickly body, fatal illness, the death of a loved one. But Jupiter gives it consolation, dignity and optimism, a splendid gift: things-will-work-out. Mars adds strength and aggression, which are sure to be of use. As it flies past the Sun, it is blinded, and all that it has left of its former, far-reaching consciousness is a small, stunted Self, separated from the rest, and so it will remain. I imagine it like this: a small torso, a crippled being with its wings torn off, a Fly tormented by cruel children; who knows how it will survive in the Gloom. Praise the Goddesses, now Venus stands in the way of its Fall. From her the spark gains the gift of love, the purest sympathy, the only thing that can save it and other sparks; thanks to the gifts of Venus they will be able to unite and support each other. Just before the Fall it catches on a small, strange planet that resembles a hypnotized Rabbit, and doesn’t turn on its own axis, but moves rapidly, staring at the Sun. This is Mercury, who gives it language, the capacity to communicate. As it passes the Moon, it gains something as intangible as the soul. Only then does it fall to Earth, and is immediately clothed in a body. Human, animal or vegetable. That’s the way it is. —

And now?" I touched Baltic's cheek, drawing his attention away from tragic memories. "Is he being coldly mad now?" "No. I thought at first he was, but I see now that the act of being raised as a shade has changed him, leached the madness out of him." Behind us, present-day Constantine yelled, "You call me a douche canoe? I am not the douche canoe -- you are. No, you are more than that -- you are a douche speed-boat!" "Most of the madness," Baltic qualified.

Alas! what are you, after all, my written and painted thoughts! Not long ago you were so variegated, young and malicious, so full of thorns and secret spices, that you made me sneeze and laugh — and now? You have already doffed your novelty, and some of you, I fear, are ready to become truths, so immortal do they look, so pathetically honest, so tedious! And was it ever otherwise? What then do we write and paint, we mandarins with Chinese brush, we immortalizers of things which lend themselves to writing, what are we alone capable of painting? Alas, only that which is just about to fade and begins to lose its odour! Alas, only exhausted and departing storms and belated yellow sentiments! Alas, only birds strayed and fatigued by flight, which now let themselves be captured with the hand — with our hand! We immortalize what cannot live and fly much longer, things only which are exhausted and mellow! And it is only for your afternoon, you, my written and painted thoughts, for which alone I have colours, many colours, perhaps, many variegated softenings, and fifty yellows and browns and greens and reds; — but nobody will divine thereby how ye looked in your morning, you sudden sparks and marvels of my solitude, you, my old, beloved — evil thoughts!

Or… maybe I’m not going crazy. “Maybe I’m some sort of android-cyborg-clone-thing, and I’m just breaking down. I’m not sure which way is worse. Dad laughs. “You’re not in your right mind, dear,” he says. “No, no, no, you’re not.” And then— —Silence. Dad fades away. The reverie chair disappears. There’s just blackness. I remember then that I am in the reverie of something dead. Whatever that thing was, it was dead. And, just as I’m starting to wonder if, perhaps, I have died, too, I see a light, far away in the corner of the dreamscape. The light isn’t soft; it’s not glowing. It crackles like silent lightning, burning with electricity, sparks flying out and fizzling in the dark. I don’t know why—it makes no sense, the way dreams often don’t—but I want to touch the light. So I do.

Ode to Joy Joy, beautiful spark of Divinity, Daughter of Elysium, We enter, drunk with fire, Heavenly one, thy sanctuary! Thy magic binds again What custom strictly divided;* All people become brothers,* Where thy gentle wing abides. Whoever has succeeded in the great attempt, To be a friend's friend, Whoever has won a lovely woman, Add his to the jubilation! Yes, and also whoever has just one soul To call his own in this world! And he who never managed it should slink Weeping from this union! All creatures drink of joy At nature's breasts. All the Just, all the Evil Follow her trail of roses. Kisses she gave us and grapevines, A friend, proven in death. Salaciousness was given to the worm And the cherub stands before God. Gladly, as His suns fly through the heavens' grand plan Go on, brothers, your way, Joyful, like a hero to victory. Be embraced, Millions! This kiss to all the world! Brothers, above the starry canopy There must dwell a loving Father. Are you collapsing, millions? Do you sense the creator, world? Seek him above the starry canopy! Above stars must He dwell.

I briefly considered giving the Myerson kids the same lecture I’d given the other first graders on the playground: Unicorns are man-eating monsters. They don’t have wings, they aren’t lavender or sparkly, and you could never catch one to ride without its goring you through the sternum. And even if it somehow managed to miss your major arteries—and it never missed—you’d still die from the deadly poison in its horn. But don’t worry. My great-great-great-great-great-great-aunt Clothilde killed the last one a hundred and fifty years ago. Except now I guessed it would be more like a hundred and sixty. How time doth fly in a unicorn-free world.

The smallest spark may here kindle into the greatest flame; because the materials are always prepared for it. The avidum genus auricularum, the gazing populace, receive greedily, without examination, whatever sooths superstition, and promotes wonder. 31 How many stories of this nature have, in all ages, been detected and exploded in their infancy? How many more have been celebrated for a time, and have afterwards sunk into neglect and oblivion? Where such reports, therefore, fly about, the solution of the phenomenon is obvious; and we judge in conformity to regular experience and observation, when we account for it by the known and natural principles of credulity and delusion. And shall we, rather than have recourse to so natural a solution, allow of a miraculous violation of the most established laws of nature?

She tightened her inner muscles around him, feeling his swift inhalation of breath at the movement. Then his magical fingers joined the action at her clit. “Oh, my God.” Jada could no longer concentrate. Could no longer maintain that careful, measured rhythm. She could only feel as the storm raged through her as she raced toward the end. She yelped in surprise when Donovan flipped them. Never stopping the glorious motion of his hips, he guided her leg over his hip and amazingly reached deeper inside her with an expert thrust. She held on for the ride, the sparks flying high and bright throughout her entire body, as his pace quickened. He rolled his hips, pressing against her clit, and his mouth swallowed her cry as she fell headlong over the edge. At her encouragement, he pistoned a few more times, shocking another climax out of her before finally throwing his head back in a hoarse shout as an orgasm claimed him.

Epistle to Miss Blount, On Her Leaving the Town, After the Coronation" As some fond virgin, whom her mother’s care Drags from the town to wholesome country air, Just when she learns to roll a melting eye, And hear a spark, yet think no danger nigh; From the dear man unwillingly she must sever, Yet takes one kiss before she parts for ever: Thus from the world fair Zephalinda flew, Saw others happy, and with sighs withdrew; Not that their pleasures caused her discontent, She sighed not that They stayed, but that She went. She went, to plain-work, and to purling brooks, Old-fashioned halls, dull aunts, and croaking rooks, She went from Opera, park, assembly, play, To morning walks, and prayers three hours a day; To pass her time ‘twixt reading and Bohea, To muse, and spill her solitary tea, Or o’er cold coffee trifle with the spoon, Count the slow clock, and dine exact at noon; Divert her eyes with pictures in the fire, Hum half a tune, tell stories to the squire; Up to her godly garret after seven, There starve and pray, for that’s the way to heaven. Some Squire, perhaps, you take a delight to rack; Whose game is Whisk, whose treat a toast in sack, Who visits with a gun, presents you birds, Then gives a smacking buss, and cries – No words! Or with his hound comes hollowing from the stable, Makes love with nods, and knees beneath a table; Whose laughs are hearty, tho’ his jests are coarse, And loves you best of all things – but his horse. In some fair evening, on your elbow laid, Your dream of triumphs in the rural shade; In pensive thought recall the fancied scene, See Coronations rise on every green; Before you pass th’ imaginary sights Of Lords, and Earls, and Dukes, and gartered Knights; While the spread fan o’ershades your closing eyes; Then give one flirt, and all the vision flies. Thus vanish scepters, coronets, and balls, And leave you in lone woods, or empty walls. So when your slave, at some dear, idle time, (Not plagued with headaches, or the want of rhyme) Stands in the streets, abstracted from the crew, And while he seems to study, thinks of you: Just when his fancy points your sprightly eyes, Or sees the blush of soft Parthenia rise, Gay pats my shoulder, and you vanish quite; Streets, chairs, and coxcombs rush upon my sight; Vexed to be still in town, I knit my brow, Look sour, and hum a tune – as you may now.

Though I am sometimes reluctant to admit it, there really is something 'timeless' in the Tyndale/King James synthesis. For generations, it provided a common stock of references and allusions, rivalled only by Shakespeare in this respect. It resounded in the minds and memories of literate people, as well as of those who acquired it only by listening. From the stricken beach of Dunkirk in 1940, faced with a devil’s choice between annihilation and surrender, a British officer sent a cable back home. It contained the three words 'but if not…' All of those who received it were at once aware of what it signified. In the Book of Daniel, the Babylonian tyrant Nebuchadnezzar tells the three Jewish heretics Shadrach, Meshach, and Abednego that, if they refuse to bow to his sacred idol, they will be flung into a 'burning fiery furnace.' They made him an answer: 'If it be so, our god whom we serve is able to deliver us from the burning fiery furnace, and he will deliver us out of thy hand, o King. But if not, be it known unto thee, O king, that we will not serve thy gods, nor worship the golden image which thou hast set up.' A culture that does not possess this common store of image and allegory will be a perilously thin one. To seek restlessly to update it or make it 'relevant' is to miss the point, like yearning for a hip-hop Shakespeare. 'Man is born unto trouble as the sparks fly upward,' says the Book of Job. Want to try to improve that for Twitter?

Attends. Laisse-moi dire adieu à cette légèreté sans tache qui fut la mienne. Laisse-moi dire adieu à ma jeunesse. Il y a des soirs, des soirs de Corinthe ou d'Athènes, pleins de chants et d'odeurs qui ne m'appartiendront plus jamais. Des matins, pleins d'espoir aussi... Allons adieu! adieu! (Il vient vers Electre.) Viens, Electre, regarde notre ville. Elle est là, rouge sous le soleil, bourdonnante d'hommes et de mouches, dans l'engourdissement têtu d'un après-midi d'été; elle me repousse de tous ses murs, de tous ses toits, de toutes ses portes closes. Et pourtant elle est à prendre, je le sens depuis ce matin. Et toi aussi, Electre, tu es à prendre. Je vous prendrai. Je deviendrai hache et je fendrai en deux ces murailles obstinées, j'ouvrirai le ventre de ces maisons bigotes, elles exhaleront par leurs plaies béantes une odeur de mangeaille et d'encens; je deviendrai cognée et je m enfoncerai dans le cœur de cette ville comme la cognée dans le cœur d'un chêne.

Something dangerous is beginning: I am coming late to my own self. I made an appointment with my thoughts- the thoughts were snatched from me. I made an appointment with Faulkner- but they made me go to a banquet. I made an appointment with history, but a grass-widow dragged me into bed. Worse than barbed wire are birthday parties, mine and others', and roasted suckling pigs hold me like a sprig of parsley between their teeth! Led away for good to a life absolutely not my own, everything that I eat, eats me, everything that I drink, drinks me. I made an appointment with myself, but they invite me to feast on my own spareribs. I am garlanded from all sides not by strings of bagels, but by the holes of bagels, and I look like an anthology of zeros. Life gets broken into hundreds of lifelets, that exhaust and execute me. In order to get through to myself I had to smash my body against others', and my fragments, my smithereens, are trampled by the roaring crowd. I am trying to glue myself together, but my arms are still severed. I'd write with my left leg, but both the left and the right have run off, in different directions. I don't know- where is my body? And soul? Did it really fly off, without a murmured 'good-bye! '? How do I break through to a faraway namesake, waiting for me in the cold somewhere? I've forgotten under which clock I am waiting for myself. For those who don't know who they are, time does not exist. No one is under the clock. On the clock there is nothing. I am late for my appointment with me. There is no one. Nothing but cigarette butts. Only one flicker- A lonely, dying, spark...

I stick to the road out of habit, but it’s a bad choice, because it’s full of the remains of those who tried to flee. Some were incinerated entirely. But others, probably overcome with smoke, escaped the worst of the flames and now lie reeking in various states of decomposition, carrion for scavengers, blanketed by flies. I killed you, I think as I pass a pile. And you. And you. Because I did. It was my arrow, aimed at the chink in the force field surrounding the arena, that brought on this firestorm of retribution. That sent the whole country of Panem into chaos. In my head I hear President Snow’s words, spoken the morning I was to begin the Victory Tour. “Katniss Everdeen, the girl who was on fire, you have provided a spark that, left unattended, may grow to an inferno that destroys Panem.” It turns out he wasn’t exaggerating or simply trying to scare me. He was, perhaps, genuinely attempting to enlist my help. But I had already set something in motion that I had no ability to control. Burning. Still burning, I think numbly. The fires at the coal mines belch black smoke in the distance. There’s no one left to care, though. More than ninety percent of the district’s population is dead. The remaining eight hundred or so are refugees in District 13 — which, as far as I’m concerned, is the same thing as being homeless forever. I know I shouldn’t think that; I know I should be grateful for the way we have been welcomed. Sick, wounded, starving, and empty-handed. Still, I can never get around the fact that District 13 was instrumental in 12’s destruction. This doesn’t absolve me of blame — there’s plenty of blame to go around. But without them, I would not have been part of a larger plot to overthrow the Capitol or had the wherewithal to do it. The citizens of District 12 had no organized resistance movement of their own. No say in any of this. They only had the misfortune to have me. Some survivors think it’s good luck, though, to be free of District 12 at last. To have escaped the endless hunger and oppression, the perilous mines, the lash of our final Head Peacekeeper, Romulus Thread. To have a new home at all is seen as a wonder since, up until a short time ago, we hadn’t even known that District 13 still existed.

Just as summer-killed meat draws flies, so the court draws spurious sages, philosophists, and acosmists who remain there as long as their purses and their wits will maintain them, in the hope (at first) of an appointment from the Autarch and (later) of obtaining a tutorial position in some exalted family. At sixteen or so, Thecla was attracted, as I think young women often are, to their lectures on theogony, thodicy, and the like, and I recall one particularly in which a phoebad put forward as an ultimate truth the ancient sophistry of the existence of three Adonai, that of the city (or of the people), that of the poets, and that of the philosophers. Her reasoning was that since the beginning of human consciousness (if such a beginning ever was) there have been vast numbers of persons in the three categories who have endeavored to pierce the secret of the divine. If it does not exist, they should have discovered that long before; if it does, it is not possible that Truth itself should mislead them. Yet the beliefs of the populace, the insights of the rhapsodists, and the theories of the metaphysicians have so far diverged that few of them can so much as comprehend what the others say, and someone who knew nothing of any of their ideas might well believe there was no connection at all between them. May it not be, she asked (and even now I am not certain I can answer), that instead of traveling, as has always been supposed, down three roads to the same destination, they are actually traveling toward three quite different ones? After all, when in common life we behold three roads issuing from the same crossing, we do not assume they all proceed toward the same goal. I found (and find) this suggestion as rational as it is repellent, and it represents for me all that monomaniacal fabric of argument, so tightly woven that not even the tiniest objection or spark of light can escape its net, in which human minds become enmeshed whenever the subject is one in which no appeal to fact is possible. As a fact the Claw was thus an incommensurable. No quantity of money, no piling up of archipelagoes or empires could approach it in value any more than the indefinite multiplication of horizontal distance could be made to equal vertical distance. If it was, as I believed, a thing from outside the universe, then its light, which I had seen shine faintly so often, and a few times brightly, was in some sense the only light we had. If it were destroyed, we were left fumbling in the dark.

Ode to the West Wind I O wild West Wind, thou breath of Autumn’s being, Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilence-stricken multitudes: O thou, Who chariotest to their dark wintry bed The winged seeds, where they lie cold and low, Each like a corpse within its grave, until Thine azure sister of the Spring shall blow Her clarion o’er the dreaming earth, and fill (Driving sweet buds like flocks to feed in air) With living hues and odours plain and hill: Wild Spirit, which art moving everywhere; Destroyer and preserver; hear, oh hear! II Thou on whose stream, mid the steep sky’s commotion, Loose clouds like earth’s decaying leaves are shed, Shook from the tangled boughs of Heaven and Ocean, Angels of rain and lightning: there are spread On the blue surface of thine aëry surge, Like the bright hair uplifted from the head Of some fierce Maenad, even from the dim verge Of the horizon to the zenith’s height, The locks of the approaching storm. Thou dirge Of the dying year, to which this closing night Will be the dome of a vast sepulchre, Vaulted with all thy congregated might Of vapours, from whose solid atmosphere Black rain, and fire, and hail will burst: oh hear! III Thou who didst waken from his summer dreams The blue Mediterranean, where he lay, Lull’d by the coil of his crystàlline streams, Beside a pumice isle in Baiae’s bay, And saw in sleep old palaces and towers Quivering within the wave’s intenser day, All overgrown with azure moss and flowers So sweet, the sense faints picturing them! Thou For whose path the Atlantic’s level powers Cleave themselves into chasms, while far below The sea-blooms and the oozy woods which wear The sapless foliage of the ocean, know Thy voice, and suddenly grow gray with fear, And tremble and despoil themselves: oh hear! IV If I were a dead leaf thou mightest bear; If I were a swift cloud to fly with thee; A wave to pant beneath thy power, and share The impulse of thy strength, only less free Than thou, O uncontrollable! If even I were as in my boyhood, and could be The comrade of thy wanderings over Heaven, As then, when to outstrip thy skiey speed Scarce seem’d a vision; I would ne’er have striven As thus with thee in prayer in my sore need. Oh, lift me as a wave, a leaf, a cloud! I fall upon the thorns of life! I bleed! A heavy weight of hours has chain’d and bow’d One too like thee: tameless, and swift, and proud. V Make me thy lyre, even as the forest is: What if my leaves are falling like its own! The tumult of thy mighty harmonies Will take from both a deep, autumnal tone, Sweet though in sadness. Be thou, Spirit fierce, My spirit! Be thou me, impetuous one! Drive my dead thoughts over the universe Like wither’d leaves to quicken a new birth! And, by the incantation of this verse, Scatter, as from an unextinguish’d hearth Ashes and sparks, my words among mankind! Be through my lips to unawaken’d earth The trumpet of a prophecy! O Wind, If Winter comes, can Spring be far behind?

We stood in the wings together, side by side. Reed's mouth was still agape. "It makes sense when you think about it," I mused. "You get two people together who have you-know-what, and sparks are going to fly." Reed's cue was about to start. He pointed at me and said, "Tonight. There's a party. And we're going to talk." "Yes" "Because this is crazy." "Totally." "Okay. Well." He tugged a strand of my hair. "Good luck out there." "You're not supposed to say that." "Fine. How about..." He squinted at me. "Here's looking at you kid." The smile melted off my face. "What did you say?" "It's a line. From a movie." He shrugged and burst onto the stage with a hee-haw. It was a line. From Casablanca. The same line KARL had said to me when I was Elsa. The same like Karl didn't recognize when I said it to him as Floressa. Which meant... nothing. Right? Lots of people know that line. Just because Reed said it, and Reed was a sub, it didn't mean he was... he was... "You're on," the stage manager whispered. I stumbled onto the stage. The lights were too bright. The theater was packed. Reed gave me a quick, crooked smile, and I knew. My crush on Karl was less complicated than I thought, because it wasn't Karl I'd been with that day in the garden. Now my crush on Reed... ? THAT was a scandal all on its own.

Chapter One: The Dawn and the Dread Heartbeat, heartbeat comes from Valhallan way, To meet down in judgment, to ply its trade. Two →swords← to join in worthy cross, Actions to be rendered, one to be lost. She did come now from ’yond northern slope, A day of reckoning did she again once hope. A devout meeting was her qwesterly bane, To stay her hand was to go insane. St. Kari of the Blade to meet her past, A wicked enemy, peerless of match. Rode Kari she her charger on down, Past the Dead Land where Gaul sat crowned. A killing job, yea, she desired to lastly kill, To set things right so her heart might lie still. Upon the mist and roaring plain, She entered in, a soul uncontained. A fierce wind in deed, and forever freed, Enemies she annihilhates (’tis hur’ creed). Her own advanced guard of a sort, Multitudes to follow in her report. Know this Valkyrie from on cold, An ancient maiden soft and bold. A warrior spirit from Ages past, A fragmented mind like broken glass. Solid in stature this eternal framed being, Yet crippled within from internaled bleedings. A sword saint so refined in the poetic art, A noble character yet with a banshee’s heart. Rhythmed horse now to the beats, Kari emboldened amid the sleet. Beyond the mountain she does come, Unto southern fields wherein rules hot sun. Far from that murderous Deadlands ground, The land up swells; the dead still abound. Traverses she those bygones of leprous civilizations Those cities crumbled by the exhalted of oblivions. Stark traces etched now bare in the land, That are no more again, save dust in the hand. A cool stream now in desert sans (Does more good when one is damned). Stopped she her mount to admire the flow, A lovely stream with skeletons packed below. Blue air whisps; dragon flied motion. Flintsteel striking!!! Sparked of commotion. Cold water chortles rushtish with tint, Told of past carnage, it whetted her glint. Fallen warriors, they are no more, Swirls and eddies mark their discord. Gurgled shouts slung and gathered, Faces glazed while steel lathered. Refreshing though it was to her mouth, She smelled an air; she flared about. Came up that ridge of loud, sanded hill, Below a man and his half-score of kills. Kari’s eyes waxed in smug contempt, Possibilities ran deep with no repent . . . On Kari, Valkyrie, Cold Steel Eternity Vol. II

Last Thoughts On Woody Guthrie When yer head gets twisted and yer mind grows numb When you think you're too old, too young, too smart or too dumb When yer laggin' behind an' losin' yer pace In a slow-motion crawl of life's busy race No matter what yer doing if you start givin' up If the wine don't come to the top of yer cup If the wind's got you sideways with with one hand holdin' on And the other starts slipping and the feeling is gone And yer train engine fire needs a new spark to catch it And the wood's easy findin' but yer lazy to fetch it And yer sidewalk starts curlin' and the street gets too long And you start walkin' backwards though you know its wrong And lonesome comes up as down goes the day And tomorrow's mornin' seems so far away And you feel the reins from yer pony are slippin' And yer rope is a-slidin' 'cause yer hands are a-drippin' And yer sun-decked desert and evergreen valleys Turn to broken down slums and trash-can alleys And yer sky cries water and yer drain pipe's a-pourin' And the lightnin's a-flashing and the thunder's a-crashin' And the windows are rattlin' and breakin' and the roof tops a-shakin' And yer whole world's a-slammin' and bangin' And yer minutes of sun turn to hours of storm And to yourself you sometimes say "I never knew it was gonna be this way Why didn't they tell me the day I was born" And you start gettin' chills and yer jumping from sweat And you're lookin' for somethin' you ain't quite found yet And yer knee-deep in the dark water with yer hands in the air And the whole world's a-watchin' with a window peek stare And yer good gal leaves and she's long gone a-flying And yer heart feels sick like fish when they're fryin' And yer jackhammer falls from yer hand to yer feet And you need it badly but it lays on the street And yer bell's bangin' loudly but you can't hear its beat And you think yer ears might a been hurt Or yer eyes've turned filthy from the sight-blindin' dirt And you figured you failed in yesterdays rush When you were faked out an' fooled white facing a four flush And all the time you were holdin' three queens And it's makin you mad, it's makin' you mean Like in the middle of Life magazine Bouncin' around a pinball machine And there's something on yer mind you wanna be saying That somebody someplace oughta be hearin' But it's trapped on yer tongue and sealed in yer head And it bothers you badly when your layin' in bed And no matter how you try you just can't say it And yer scared to yer soul you just might forget it And yer eyes get swimmy from the tears in yer head And yer pillows of feathers turn to blankets of lead And the lion's mouth opens and yer staring at his teeth And his jaws start closin with you underneath And yer flat on your belly with yer hands tied behind And you wish you'd never taken that last detour sign And you say to yourself just what am I doin' On this road I'm walkin', on this trail I'm turnin' On this curve I'm hanging On this pathway I'm strolling, in the space I'm taking In this air I'm inhaling Am I mixed up too much, am I mixed up too hard Why am I walking, where am I running What am I saying, what am I knowing On this guitar I'm playing, on this banjo I'm frailin' On this mandolin I'm strummin', in the song I'm singin' In the tune I'm hummin', in the words I'm writin' In the words that I'm thinkin' In this ocean of hours I'm all the time drinkin' Who am I helping, what am I breaking What am I giving, what am I taking But you try with your whole soul best Never to think these thoughts and never to let Them kind of thoughts gain ground Or make yer heart pound ...