Sparks Fly Love Quotes

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In the vaults of our hearts and brains, danger waits. All the chambers are not lovely, light and high. There are holes in the floor of the mind, like those in a medieval dungeon floor - the stinking oubliettes, named for forgetting, bottle-shaped cells in solid rock with the trapdoor in the top. Nothing escapes from them quietly to ease us. A quake, some betrayal by our safeguards, and sparks of memory fire the noxious gases - things trapped for years fly free, ready to explode in pain and drive us to dangerous behavior...
Thomas Harris (Hannibal (Hannibal Lecter, #3))
Book and reader, if they meet up at the right moment, it can make sparks fly, set you alight, change your life. It can, I promise you.
Sophie Divry (The Library of Unrequited Love)
What had sparked them to go from hating each other like these two did, to loving each other like they did now? Some random tumble of Fate, a fly-by jumble of chance. Zane didn't know, but he thanked God for it every day.
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
Wither thou goest, there goest I, two flames sparked from but one ember; both forward and backward doth time fly, wither thou art, remember.
Karen Marie Moning (Kiss of the Highlander (Highlander, #4))
the train plunges on through the pitch-black night I never knew I liked the night pitch-black sparks fly from the engine I didn't know I loved sparks I didn't know I loved so many things and I had to wait until sixty to find it out sitting by the window on the Prague-Berlin train watching the world disappear as if on a journey of no return
Nâzım Hikmet
Fate, with its mysterious and inexorable patience, was slowly bringing together these two beings charged, like thunder-clouds, with electricity, with the latent forces of passion, and destined to meet and mingle in a look as clouds do in a lightning-flash. So much has been made in love-stories of the power of a glance that we have ended by undervaluing it. We scarcely dare say in these days that two persons fell in love because their eyes met. Yet that is how one falls in love and in no other way. What remains is simply what remains, and it comes later. Nothing is more real than the shock two beings sustain when that spark flies between them.
Victor Hugo
To Juan at the Winter Solstice There is one story and one story only That will prove worth your telling, Whether as learned bard or gifted child; To it all lines or lesser gauds belong That startle with their shining Such common stories as they stray into. Is it of trees you tell, their months and virtues, Or strange beasts that beset you, Of birds that croak at you the Triple will? Or of the Zodiac and how slow it turns Below the Boreal Crown, Prison to all true kings that ever reigned? Water to water, ark again to ark, From woman back to woman: So each new victim treads unfalteringly The never altered circuit of his fate, Bringing twelve peers as witness Both to his starry rise and starry fall. Or is it of the Virgin's silver beauty, All fish below the thighs? She in her left hand bears a leafy quince; When, with her right hand she crooks a finger, smiling, How many the King hold back? Royally then he barters life for love. Or of the undying snake from chaos hatched, Whose coils contain the ocean, Into whose chops with naked sword he springs, Then in black water, tangled by the reeds, Battles three days and nights, To be spewed up beside her scalloped shore? Much snow if falling, winds roar hollowly, The owl hoots from the elder, Fear in your heart cries to the loving-cup: Sorrow to sorrow as the sparks fly upward. The log groans and confesses: There is one story and one story only. Dwell on her graciousness, dwell on her smiling, Do not forget what flowers The great boar trampled down in ivy time. Her brow was creamy as the crested wave, Her sea-blue eyes were wild But nothing promised that is not performed.
Robert Graves
Bodies” by Drowning Pool “Breath of Life” by Florence & The Machine “Bullet With a Name” by Nonpoint “Corrupt” by Depeche Mode “Deathbeds” by Bring Me the Horizon “The Devil In I” by Slipknot “Devil’s Night” by Motionless in White “Dirty Diana” by Shaman’s Harvest “Feed the Fire” by Combichrist “Fire Breather” by Laurel “Getting Away with Murder” by Papa Roach “Goodbye Agony” by Black Veil Brides “Inside Yourself” by Godsmack “Jekyll and Hyde” by Five Finger Death Punch “Let the Sparks Fly” by Thousand Foot Krutch “Love the Way You Hate Me” by Like a Storm “Monster” by Skillet “Pray to God (feat. HAIM)” by Calvin Harris “Silence” by Delirium
Penelope Douglas (Corrupt (Devil's Night, #1))
And she arched, screaming, the lightning blazing from her center, sparking through her limbs, flying out her fingertips. She was incandescent. He fell atop her, heavy and male, pulling her legs up around his narrow hips, and ground down into her, once, twice. His cock jerked within her and she could feel every muscle in his body tense. He groaned into her ear like a man dying and then fell senseless and limp. And as she followed him into exhausted slumber she heard his single word: Mine.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
Those clothes are Susie's,' my father said calmly when he reached him. Buckley looked down at my blackwatch dress that he held in his hand. My father stepped closer, took the dress from my brother, and then, without speaking, he gathered the rest of my clothes, which Buckley had piled on the lawn. As he turned in silence toward the house, hardly breathing, clutching my clothes to him, it sparked. I was the only one to see the colors. Just near Buckley's ears and on the tips of his cheeks and chin he was a little orange somehow, a little red. Why can't I use them?' he asked. It landed in my father's back like a fist. Why can't I use those clothes to stake my tomatoes?' My father turned around. He saw his son standing there, behind him the perfect plot of muddy, churned-up earth spotted with tiny seedlings. 'How can you ask me that question?' You have to choose. It's not fair,' my brother said. Buck?' My father held my clothes against his chest. I watched Buckley flare and light. Behind him was the sun of the goldenrod hedge, twice as tall as it had been at my death. I'm tired of it!' Buckley blared. 'Keesha's dad died and she's okay?' Is Keesha a girl at school?' Yes!' My father was frozen. He could feel the dew that had gathered on his bare ankles and feet, could feel the ground underneath him, cold and moist and stirring with possibility. I'm sorry. When did this happen?' That's not the point, Dad! You don't get it.' Buckley turned around on his heel and started stomping the tender tomato shoots with his foot. Buck, stop!' my father cried. My brother turned. You don't get it, Dad,' he said. I'm sorry,' my father said. These are Susie's clothes and I just... It may not make sense, but they're hers-something she wore.' ... You act like she was yours only!' Tell me what you want to say. What's this about your friend Keesha's dad?' Put the clothes down.' My father laid them gently on the ground. It isn't about Keesha's dad.' Tell me what it is about.' My father was now all immediacy. He went back to the place he had been after his knee surgery, coming up out of the druggie sleep of painkillers to see his then-five-year-old son sitting near him, waiting for his eyes to flicker open so he could say, 'Peek-a-boo, Daddy.' She's dead.' It never ceased to hurt. 'I know that.' But you don't act that way.' Keesha's dad died when she was six. Keesha said she barely even thinks of him.' She will,' my father said. But what about us?' Who?' Us, Dad. Me and Lindsey. Mom left becasue she couldn't take it.' Calm down, Buck,' my father said. He was being as generous as he could as the air from his lungs evaporated out into his chest. Then a little voice in him said, Let go, let go, let go. 'What?' my father said. I didn't say anything.' Let go. Let go. Let go. I'm sorry,' my father said. 'I'm not feeling very well.' His feet had grown unbelievably cold in the damp grass. His chest felt hollow, bugs flying around an excavated cavity. There was an echo in there, and it drummed up into his ears. Let go. My father dropped down to his knees. His arm began to tingle on and off as if it had fallen asleep. Pins and needles up and down. My brother rushed to him. Dad?' Son.' There was a quaver in his voice and a grasping outward toward my brother. I'll get Grandma.' And Buckley ran. My father whispered faintly as he lay on his side with his face twisted in the direction of my old clothes: 'You can never choose. I've loved all three of you.
Alice Sebold
For every summer & every summer after. Promise your-self to bare a bit more. To take things to a new level. To reinvent. To reflect back. To keep things humble. To tie up loose ends & Let the Sparks Fly...
Jennifer Pierre
Sparks come from the very source of light and are made of the purest brightness—so say the oldest legends. When a human Being is to be born, a spark begins to fall. First it flies through the darkness of outer space, then through galaxies, and finally, before it falls here, to Earth, the poor thing bumps into the orbits of planets. Each of them contaminates the spark with some Properties, while it darkens and fades. First Pluto draws the frame for this cosmic experiment and reveals its basic principles—life is a fleeting incident, followed by death, which will one day let the spark escape from the trap; there’s no other way out. Life is like an extremely demanding testing ground. From now on everything you do will count, every thought and every deed, but not for you to be punished or rewarded afterward, but because it is they that build your world. This is how the machine works. As it continues to fall, the spark crosses Neptune’s belt and is lost in its foggy vapors. As consolation Neptune gives it all sorts of illusions, a sleepy memory of its exodus, dreams about flying, fantasy, narcotics and books. Uranus equips it with the capacity for rebellion; from now on that will be proof of the memory of where the spark is from. As the spark passes the rings of Saturn, it becomes clear that waiting for it at the bottom is a prison. A labor camp, a hospital, rules and forms, a sickly body, fatal illness, the death of a loved one. But Jupiter gives it consolation, dignity and optimism, a splendid gift: things-will-work-out. Mars adds strength and aggression, which are sure to be of use. As it flies past the Sun, it is blinded, and all that it has left of its former, far-reaching consciousness is a small, stunted Self, separated from the rest, and so it will remain. I imagine it like this: a small torso, a crippled being with its wings torn off, a Fly tormented by cruel children; who knows how it will survive in the Gloom. Praise the Goddesses, now Venus stands in the way of its Fall. From her the spark gains the gift of love, the purest sympathy, the only thing that can save it and other sparks; thanks to the gifts of Venus they will be able to unite and support each other. Just before the Fall it catches on a small, strange planet that resembles a hypnotized Rabbit, and doesn’t turn on its own axis, but moves rapidly, staring at the Sun. This is Mercury, who gives it language, the capacity to communicate. As it passes the Moon, it gains something as intangible as the soul. Only then does it fall to Earth, and is immediately clothed in a body. Human, animal or vegetable. That’s the way it is. —
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
Ode to Joy Joy, beautiful spark of Divinity, Daughter of Elysium, We enter, drunk with fire, Heavenly one, thy sanctuary! Thy magic binds again What custom strictly divided;* All people become brothers,* Where thy gentle wing abides. Whoever has succeeded in the great attempt, To be a friend's friend, Whoever has won a lovely woman, Add his to the jubilation! Yes, and also whoever has just one soul To call his own in this world! And he who never managed it should slink Weeping from this union! All creatures drink of joy At nature's breasts. All the Just, all the Evil Follow her trail of roses. Kisses she gave us and grapevines, A friend, proven in death. Salaciousness was given to the worm And the cherub stands before God. Gladly, as His suns fly through the heavens' grand plan Go on, brothers, your way, Joyful, like a hero to victory. Be embraced, Millions! This kiss to all the world! Brothers, above the starry canopy There must dwell a loving Father. Are you collapsing, millions? Do you sense the creator, world? Seek him above the starry canopy! Above stars must He dwell.
Friedrich Schiller
[Patricia Highsmith] went on to recommend that aspiring writers keep a notebook in which to jot down thoughts or ideas, that they should trust in the power of the unconscious and that they shouldn't force inspiration. In addition, it was important to avoid those who negated the creative process, sometimes people per se. 'The plane of social intercourse,' she said, 'is not the plane of creation, not the plane on which creative ideas fly [...] This is a curious thing, because sometimes the very people we are attracted to or in love with act as effectively as rubber insulators to the spark of inspiration.
Andrew Wilson (Patricia Highsmith, ζωή στο σκοτάδι)
Once when Boughton and I had spent an evening going through our texts together and we were done talking them over, I walked him out to the porch, and there were more fireflies out there than I had ever seen in my life, thousands of them everywhere, just drifting up out of the grass, extinguishing themselves in midair. We sat on the steps a good while in the dark and the silence, watching them. Finally Boughton said, “Man is born to trouble as the sparks fly upward.” And really, it was that night as if the earth were smoldering. Well, it was, and it is. An old fire will make a dark husk for itself and settle in on its core, as in the case of this planet. I believe the same metaphor may describe the human individual, as well. Perhaps Gilead. Perhaps civilization. Prod a little and the sparks will fly. I don’t know whether the verse put a blessing on the fireflies or the fireflies put a blessing on the verse, or if both of them together put a blessing on trouble, but I have loved them both a good deal ever since.
Marilynne Robinson (Gilead)
So much has been made in love-stories of the power of a glance that we have ended by undervaluing it. We scarcely dare say in these days that two persons fell in love because their eyes met. Yet that is how one falls in love and in no other way. What remains is simply what remains, and it comes later. Nothing is more real than the shock two beings sustain when that spark flies between them.
Victor Hugo (Les Misérables)
Epistle to Miss Blount, On Her Leaving the Town, After the Coronation" As some fond virgin, whom her mother’s care Drags from the town to wholesome country air, Just when she learns to roll a melting eye, And hear a spark, yet think no danger nigh; From the dear man unwillingly she must sever, Yet takes one kiss before she parts for ever: Thus from the world fair Zephalinda flew, Saw others happy, and with sighs withdrew; Not that their pleasures caused her discontent, She sighed not that They stayed, but that She went. She went, to plain-work, and to purling brooks, Old-fashioned halls, dull aunts, and croaking rooks, She went from Opera, park, assembly, play, To morning walks, and prayers three hours a day; To pass her time ‘twixt reading and Bohea, To muse, and spill her solitary tea, Or o’er cold coffee trifle with the spoon, Count the slow clock, and dine exact at noon; Divert her eyes with pictures in the fire, Hum half a tune, tell stories to the squire; Up to her godly garret after seven, There starve and pray, for that’s the way to heaven. Some Squire, perhaps, you take a delight to rack; Whose game is Whisk, whose treat a toast in sack, Who visits with a gun, presents you birds, Then gives a smacking buss, and cries – No words! Or with his hound comes hollowing from the stable, Makes love with nods, and knees beneath a table; Whose laughs are hearty, tho’ his jests are coarse, And loves you best of all things – but his horse. In some fair evening, on your elbow laid, Your dream of triumphs in the rural shade; In pensive thought recall the fancied scene, See Coronations rise on every green; Before you pass th’ imaginary sights Of Lords, and Earls, and Dukes, and gartered Knights; While the spread fan o’ershades your closing eyes; Then give one flirt, and all the vision flies. Thus vanish scepters, coronets, and balls, And leave you in lone woods, or empty walls. So when your slave, at some dear, idle time, (Not plagued with headaches, or the want of rhyme) Stands in the streets, abstracted from the crew, And while he seems to study, thinks of you: Just when his fancy points your sprightly eyes, Or sees the blush of soft Parthenia rise, Gay pats my shoulder, and you vanish quite; Streets, chairs, and coxcombs rush upon my sight; Vexed to be still in town, I knit my brow, Look sour, and hum a tune – as you may now.
Alexander Pope
I began to laugh uncontrollably, so hard I nearly fell off the swing, because I knew then for sure he saw the same thing I did. More than that: we were creating it. Whatever the drug was making us see, we were constructing it together. And, with that realization, the virtual-reality simulator flipped into color. It happened for both of us at the same time, pop! We looked at each other and just laughed; everything was hysterically funny, even the playground slide was smiling at us, and at some point, deep in the night, when we were swinging on the jungle gymand showers of sparks were flying out of our mouths, I had the epiphany that laughter was light, and light was laughter, and that this was the secret of the universe. For hours, we watched the clouds rearranging themselves into intelligent patterns; rolled in the dirt, believing it was seaweed; lay on our backs and sang "Dear Prudence" to the welcoming and appreciative stars. It was a fantastic night: one of the great nights of my life.
Donna Tartt (The Goldfinch)
Chapter One: The Dawn and the Dread Heartbeat, heartbeat comes from Valhallan way, To meet down in judgment, to ply its trade. Two →swords← to join in worthy cross, Actions to be rendered, one to be lost. She did come now from ’yond northern slope, A day of reckoning did she again once hope. A devout meeting was her qwesterly bane, To stay her hand was to go insane. St. Kari of the Blade to meet her past, A wicked enemy, peerless of match. Rode Kari she her charger on down, Past the Dead Land where Gaul sat crowned. A killing job, yea, she desired to lastly kill, To set things right so her heart might lie still. Upon the mist and roaring plain, She entered in, a soul uncontained. A fierce wind in deed, and forever freed, Enemies she annihilhates (’tis hur’ creed). Her own advanced guard of a sort, Multitudes to follow in her report. Know this Valkyrie from on cold, An ancient maiden soft and bold. A warrior spirit from Ages past, A fragmented mind like broken glass. Solid in stature this eternal framed being, Yet crippled within from internaled bleedings. A sword saint so refined in the poetic art, A noble character yet with a banshee’s heart. Rhythmed horse now to the beats, Kari emboldened amid the sleet. Beyond the mountain she does come, Unto southern fields wherein rules hot sun. Far from that murderous Deadlands ground, The land up swells; the dead still abound. Traverses she those bygones of leprous civilizations Those cities crumbled by the exhalted of oblivions. Stark traces etched now bare in the land, That are no more again, save dust in the hand. A cool stream now in desert sans (Does more good when one is damned). Stopped she her mount to admire the flow, A lovely stream with skeletons packed below. Blue air whisps; dragon flied motion. Flintsteel striking!!! Sparked of commotion. Cold water chortles rushtish with tint, Told of past carnage, it whetted her glint. Fallen warriors, they are no more, Swirls and eddies mark their discord. Gurgled shouts slung and gathered, Faces glazed while steel lathered. Refreshing though it was to her mouth, She smelled an air; she flared about. Came up that ridge of loud, sanded hill, Below a man and his half-score of kills. Kari’s eyes waxed in smug contempt, Possibilities ran deep with no repent . . . On Kari, Valkyrie, Cold Steel Eternity Vol. II
Douglas M. Laurent
Now that we've come up with all the obvious answers to our problem, it's time to come up with some truly ridiculous ones." "Ridiculous?" asked Brasque. "Yes, ridiculous. Think of something impossible, improbable or downright ridiculous and go from there." "Like we all flap our arms and fly out of here," said Katherine. "Exactly!" said Spider. "How about we form a long line all the way to the mountains and pass the charges along it?" said Brasque. "Excellent," said Spider. "Keep it coming." "What if we each carry one charge, run back, carry another, and so on?" said Tom, getting into the swing of things. "Lovely!" laughed Spider. "Now we're cooking." The shower of sparks shot out of the top of the Amadragon. Joe shielded his eyes with his hand. "Yeah, and we can all climb on the Amadragon and ride out of here," he said. "What was that, Joe?" said Spider, suddenly dropping the jokey manner. "What's the Amadragon?" Katherine's eyes glittered. "He means that," she said, pointing at the excavator. Everyone except Spider turned and looked. "He's talking about the giant machine, the one that keeps shooting sparks in the air." Spider cocked his ear and listened to the rumble of the Amadragon's engine. "So Orlemann built the dragon, did he?" he said. "I'd been wondering what the noise was. If they built it to the original specifications, it should get us out of here within an hour. Let's pray that will give us enough time!
Carol Hughes (Dirty Magic)
We reached the bushes beside the porch without being seen. Crouched in the dirt, we were so close I could have reached up and grabbed Hannah’s ankle. To keep from giggling, Theo pressed his hands over his mouth. Sick with jealousy, I watched John put his arm around Hannah and draw her close. As his lips met hers, I felt Theo jab my side. I teetered and lost my balance. The bushes swayed, the leaves rustled, a twig snapped under my feet. “Be quiet,” Theo hissed in my ear. “Do you want to get us killed?” We backed out of the bushes, hoping to escape, but it was too late. Leaving John in the swing, Hannah strode down the porch steps, grabbed us each by an ear, and shook us like rats. “Can’t a body have a second of privacy?” Theo and I begged her to forgive us, but Hannah’s dander was up. If she hadn’t noticed the fireflies under our shirts, I don’t know what she would’ve done to us. Snatching my jar, she gazed at my captives. The flickering glow lit her face. I wanted to tell her she was beautiful, I wanted to tell her I’d love her forever, but all I could say was “These are for you, I caught them just for you, Hannah.” “Poor things,” she said softly, her temper gone without a trace. “I’ll have to let them go, Andrew. They’ll die if I don’t.” Before I could stop her, she removed the lid and held the jar high over her head. “Fly away, fly away,” she cried. Like sparks from a bonfire, the fireflies escaped in a sparkling green mist. Theo handed his jar to Hannah. “Set mine free too.” In moments, Theo’s fireflies rose and scattered across the dark sky. “They’re going to the moon,” Theo shouted. “They’re going to the stars!” “I wish I could send the pair of you with them,” Hannah muttered. “Maybe I’d have some peace and quiet then.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
The morning was already setting up to be hectic, and Jon thanked his lucky stars that Jessie was so good at his job and a constant spark-plug of activity. Oh god, you did not just think Jessie was a spark-plug? You really are getting old. Next thing you know you’ll being saying whipper-snappers and break a hip getting out of bed. He shook his head. I guess I had a good run. Jessie quickly re-entered the office. “Alright. Elisabeth has her caffeine fix and said she’ll be down to say goodbye in a few. So let’s get this bad boy going for the week. Travel plans are done for next month and meetings for the week are in you planner so I’m assuming they’ll be no more complaining about flying coach class this time?” Jessie gave a sly wink and kept organizing his desk. “Yes. And for that I thank you for that my color-coding, hyper computer organized planner. We have to make sure the next presentation for Chicago is ready in three weeks; the storyboards for the new campaign ideas have to be finished by Tuesday the 16th so we can get them shipped before I head out there.” “And let’s not forget our important morning ritual.” Jon looked at Jessie with a question about to form before the realization hit him. His expression changed from confused to stern. “No cat videos Jessie. I swear. Enough of the cat videos.” “C’mon. You know you love them and they brighten your dour moods. Look at this one.” Jessie turned his screen and Jon begrudgingly looked at the cute little puppy and kitten with captions over them. “How can you not love this?” Jessie smiled. “The cute little kitty tells the playful puppy not to do it and yet the puppy bonks the little kitty on the head with his little puppy paw. “Boop Boop.” And then the cat swipes at the puppy and it falls off the bed. You know this is internet gold.” Jon smiled. “Can we get back to work?” Jessie nodded and then walked up to Jon - without hesitating, he bonked him lightly on the head. “Boop.” He paused and added, “I think this puppy is onto something.” Jessie grinned ear to ear still. “I pledge, from now on if something makes me as happy as this bonking picture I’m just going to say Boop boop.” Jon stood stone-faced but a second later, could not stop his smile. “I am not amused.” Jon shook the smile away. “Now, if you’re done boop booping me, there is something else I want to talk with you about.” Jessie looked at Jon with a quizzical smile. “Not to blow my own horn but I have a new and brilliant thought my young apprentice.” Jessie opened his mouth to comment on the blowing horn, but Jon held up his hand and cut him off. “Stop it.” Jessie closed his mouth and swallowed the sexual innuendo-laced comment he had forming on the tip of his tongue.
Matthew Alan
Have no anxiety about anything,' Paul writes to the Philippians. In one sense it is like telling a woman with a bad head cold not to sniffle and sneeze so much or a lame man to stop dragging his feet. Or maybe it is more like telling a wino to lay off the booze or a compulsive gambler to stay away from the track. Is anxiety a disease or an addiction? Perhaps it is something of both. Partly, perhaps, because you can't help it, and partly because for some dark reason you choose not to help it, you torment yourself with detailed visions of the worst that can possibly happen. The nagging headache turns out to be a malignant brain tumor. When your teenage son fails to get off the plane you've gone to meet, you see his picture being tacked up in the post office among the missing and his disappearance never accounted for. As the latest mid-East crisis boils, you wait for the TV game show to be interrupted by a special bulletin to the effect that major cities all over the country are being evacuated in anticipation of a nuclear attack. If Woody Allen were to play your part on the screen, you would roll in the aisles with the rest of them, but you're not so much as cracking a smile at the screen inside your own head. Does the terrible fear of disaster conceal an even more terrible hankering for it? Do the accelerated pulse and the knot in the stomach mean that, beneath whatever their immediate cause, you are acting out some ancient and unresolved drama of childhood? Since the worst things that happen are apt to be the things you don't see coming, do you think there is a kind of magic whereby, if you only can see them coming, you will be able somehow to prevent them from happening? Who knows the answer? In addition to Novocain and indoor plumbing, one of the few advantages of living in the twentieth century is the existence of psychotherapists, and if you can locate a good one, maybe one day you will manage to dig up an answer that helps. But answer or no answer, the worst things will happen at last even so. 'All life is suffering' says the first and truest of the Buddha's Four Noble Truths, by which he means that sorrow, loss, death await us all and everybody we love. Yet "the Lord is at hand. Have no anxiety about anything," Paul writes, who was evidently in prison at the time and with good reason to be anxious about everything, 'but in everything by prayer and supplication with thanksgiving let your requests be made known to God.' He does not deny that the worst things will happen finally to all of us, as indeed he must have had a strong suspicion they were soon to happen to him. He does not try to minimize them. He does not try to explain them away as God's will or God's judgment or God's method of testing our spiritual fiber. He simply tells the Philippians that in spite of them—even in the thick of them—they are to keep in constant touch with the One who unimaginably transcends the worst things as he also unimaginably transcends the best. 'In everything,' Paul says, they are to keep on praying. Come Hell or high water, they are to keep on asking, keep on thanking, above all keep on making themselves known. He does not promise them that as a result they will be delivered from the worst things any more than Jesus himself was delivered from them. What he promises them instead is that 'the peace of God, which passes all understanding, will keep your hearts and your minds in Christ Jesus.' The worst things will surely happen no matter what—that is to be understood—but beyond all our power to understand, he writes, we will have peace both in heart and in mind. We are as sure to be in trouble as the sparks fly upward, but we will also be "in Christ," as he puts it. Ultimately not even sorrow, loss, death can get at us there. That is the sense in which he dares say without risk of occasioning ironic laughter, "Have no anxiety about anything." Or, as he puts it a few lines earlier, 'Rejoice in the Lord always. I will say, Rejoice!
Frederick Buechner
What will emerge from this paused emptiness? What emotions will spark? Which hopes ignite And burst like fire weaves from nothingness A fierce blooming in the desperate night. Quick bursting light, souls reaching in the dark Where love can take form, unfurl wings, be born And burn like the stars, silver, spare and stark Or fail to fly, crash, lie bloody and torn Lie broken, forlorn, or take wing, fly free Explode in to life, with Tairen roar Rending the air. Rending her. Rending me. To leave us gasping, stunned, searching for more Forged, anvilled, hammered, tempered, together, True mated. Loved. Forever. Forever. Shei’tanitsa Sonnet, by Ellysetta Feyreisa
C.L. Wilson (Crown of Crystal Flame (Tairen Soul, #5))
For every summer & every summer after. Promise your-self to bare a bit more. To take things to a new level. To reinvent. To reflect back. To keep things humble. To tie up loose ends & Let the Sparks Fly...
sincerely jennp
Common Elements of this Trope Here are some elements that are common to stories using the marriage-of-convenience trope: Characters choose to get married, either due to their personal circumstances or because of their goals. Marriage generally happens before the hero and heroine fall in love. Sex often happens before there is any emotional intimacy between the couple. The hero and heroine will usually come together in a way that is certain to generate conflict—so initially the sparks will fly but eventually an amazing love story will emerge. There is an immense romantic arc – from two strangers with no romantic aspirations through to them being fully committed to each other. There is strong attractional tension – our couple do not want to be attracted to each other. It can be challenging for a writer to come up with plausible story scenarios since there are relatively few situations or reasons for a couple to contemplate entering into this type of relationship—especially with contemporary stories where the couple could simply opt to live together. Additional tropes are often incorporated into the plot.
Karen Winter (Romance Tropes: Marriage of Convenience: A reference tool for plotting romance stories (Romance Writers' Bookshelf Book 5))
I have couples to set up. Matches to make. Love to create and sparks to fly.” “Right. You have to shoot Cupid’s bow.
Olivia Hayle (Saved by the Boss (New York Billionaires, #2))
There is considerable physical evidence compared to other emotions (pleasure, sadness, anger), and hormonal activity becomes very strong when you feel love. When you fall in love, the brain secretes various chemicals, including pheromones, dopamine, norepinephrine, serotonin, oxytocin, and vasopressin. Just hugging a loved one or simply looking at a picture of a lover releases a hormone called oxytocin in the body, acting as a painkiller for headaches. Biochemically, phenylethylamine [18] secreted by the brain limbic system works, which is a kind of natural amphetamine, a stimulant. It's because phenylethylamine is the first step, but other hormones work, which are hormones such as adrenaline, dopamine, endorphin, oxytocin, and serotonin that are used in stimulants. The expression "love is a drug" is actually the opposite because drugs imitate love. However, the secretion of phenylethylamine has a shelf life, so it generally does not exceed two years. There are individual differences in this, so many of them are over in three months, and in some cases, it lasts up to three years. If two sparks fly at the same time and one person finishes at three months, and the other goes for two years and three years, tragedy will occur from then on. In other words, after that period, the brain, which had been exhausted by drugs, will regain its grip. Link to bean pods off. From this point on, love ends the chemistry phase and moves on to the sociology phase. Some say that the two-and-a-half years are meant to build and strengthen ties and intimacy with the other, and that the couple who don't become a parrot couple will sink in a moment of excitement and fall into ennui. At this time, the secretion of phenylethylamine decreases, but [19] oxytocin is actively secreted, resulting in comfort with each other. Link
There is considerable physical evidence compared to other emotions (pleasure, sadness, anger), and h
The very concept that dragons can recall their previous lives is so hard for humans to grasp. I should so dearly love to listen to whatever you wished to tell me, and to make a complete record of all you recall. Such conversations alone would make a journey worthwhile! Oh, please, say that you will!” A taut quiet followed her words. “Alise,” Sedric said warningly, “I think you should come away from the railing.” But she clung there, even though she, too, could feel the wave of uneasiness that swept through the ship. The smoothness went out of the sailing; the deck under her feet shifted subtly. Surely it was her imagination that the wind flowed more chill than it had? Paragon spoke into the roaring silence. “I choose not to remember,” he said. Alise felt as if his words broke a spell. Sound and life came suddenly back to the world. It included the sudden thud of feet on the deck behind her. A woman’s voice said, without preamble, “I fear you’re upsetting my ship. I’ll have to ask you to leave the foredeck.” “She’s not upsetting me, Althea,” Paragon interjected as Alise turned to see the captain’s wife advancing on her. Alise had met her when they embarked and had spoken with her several times, but still did not feel at ease with her. She was a small woman who wore her hair in a long black pigtail down her back. She dressed in sailor’s garb; it was well tailored and of quality fabric, but for all that, she was a woman in trousers and a jacket. Less feminine garb Alise could not imagine, and yet the very inappropriateness of it seemed to emphasize her female form. Her eyes were very dark, and right now they sparked with either anger or fear. Alise retreated a step and put her hand on Sedric’s arm. For his part, he turned his body so that he stood almost between them and said, “I’m sure the lady meant no harm. The ship asked us to come up and speak with him.” “That I did,” Paragon confirmed. He twisted to look over his shoulder at all of them. “No harm done, Althea, I assure you. We were speaking of dragons, and quite naturally, she asked me what I recalled of being one. I told her that I chose to recall nothing at all.” “Oh, Ship,” the woman said, and Alise felt as if she had disappeared. Althea Trell did not even glance at her as she moved forward to take Alise’s place at the bow. She leaned on the railing and stared far ahead up the river as if sharing the ship’s thoughts. “Par’gon!” A child’s voice piped up suddenly behind them. Alise turned to watch a small boy of three or four clambering onto the raised foredeck. He was bare armed and bare legged and baked dark by the sun. He scampered forward, dropped to his hands and knees, and thrust his head out under the ship’s railing. Alise gasped, expecting him to pitch overboard at any moment. Instead he demanded the ship’s attention with a strident, “Par’gon? You awright?” His babyish voice was full of concern. The ship swung his head around to stare at the child. His mouth puckered oddly and then suddenly he smiled, an expression that transformed his face. “I’m fine.” “Catch me!” the boy commanded, and before his mother could even turn to him, he launched himself into the figurehead’s waiting hands. “Fly me!” the imp commanded the ship. “Fly me like a dragon!” And without a word, the ship obeyed him. He cupped the child in his two immense hands and lifted him high and forward. The boy leaned fearlessly against the ship’s laced fingers and spread his small arms wide as if they were wings. The figurehead gently wove his hands through the air, swaying the youngster from left to right. A squeal of glee drifted back to them. Abruptly the charge of tension in the air vanished. Alise wondered if Paragon even recalled they were there. “Let’s leave them shall we?” Althea suggested quietly. “Is it safe for the child?” Sedric objected in horror. “It’s the safest place the boy can possibly be,” Althea replied with certainty. “And for the ship, it’s the best place, too.
Robin Hobb (The Dragon Keeper (Rain Wild Chronicles, #1))
I take his phone and thumb my number in. As I hand it back to him, I notice the case. A light purple, with a giant rainbow across the back, and there’s a unicorn flying over the rainbow with sparkly glitter adorning the horn. It’s quite possibly the gayest thing I’ve ever seen.
M.A. Wardell (Mistletoe and Mishigas (Teachers in Love, #2))
Hey,” he said. She turned around and, as quickly, turned back. There had been tears on her face. He frowned. What was this? Trouble in paradise? “Hey,” he said, walking up behind her, squeezing her upper arm with his left hand. “What’s going on?” he asked her. “Nothing,” she said with a sniff. He turned her around to face him. He looked down at her pretty face and for the hundredth time thought, that damn Preacher. I bet he doesn’t know what he has here. “This isn’t nothing,” he said, wiping a tear from her cheek. “I can’t talk about it,” she said. “Sure you can. Seems like maybe you’d better. You’re all upset.” “I’ll work it out.” “Preacher do something to hurt you?” She immediately started to cry and leaned forward, her head falling on his chest. He put his good arm around her and said, “Hey, hey, hey. It’s okay.” “It’s not okay,” she cried. “I don’t know what I’m doing wrong.” “Maybe if you talk to me, I can help. I’m so good with free advice, you’ll be impressed.” “It’s just that...I care about him. But he just doesn’t find me...” Mike lifted her chin. “What, Paige?” “He doesn’t find me attractive.” “Bull.” “Desirable.” “Paige, that’s nonsense. The way he looks at you, he eats you with his eyes. He’s wacko for you.” “He won’t touch me,” she said, a large tear spilling over. That almost knocked Mike down. “No way.” She nodded pathetically. “Oh, man,” Mike said. He’d thought, everyone thought, they were doing it all night long. The way they looked at each other, like they couldn’t wait for everyone to leave so they could be alone, get it on. Those sweet little kisses on the cheek, the forehead. The way they touched—careful, so no one would see the sparks fly, but the sparks were flying all over this bar! The sexual tension was electric. “Oh, man,” he said again. He put his arm around her. “Paige, he wants you. Wants you so bad it’s showing all over him.” “Then why?” “I don’t know, honey. Preacher’s strange. He’s never been good with women, you know? When we served together, we all managed to find us a woman somewhere. I killed two marriages that way. But not Preacher. It was very rare for him to—” He stopped himself. He was trying to remember—were there women at all? He wasn’t sure; he knew Preacher never had a steady girl. He thought he remembered a woman here, there. It’s not as though he was focused on Preacher’s love life; he was too busy taking care of his own. He probably lacks sexual confidence, Mike thought. It would be hard for him to put the moves on anyone he felt he had to win over. “I bet he’s scared,” Mike heard himself say. “How can he be? I’ve practically thrown myself at him! He knows he isn’t going to face rejection!” She dropped her gaze, lowered her voice to a whisper. “He has to know how much I—” “Oh, brother,” Mike said. “I bet he’s not worried about rejection. Aw, Paige, Preacher’s so shy, sometimes it’s just plain ridiculous. But I promise you, Paige, I’ve known the man a long time—” “He said he’d trust you with his life. That he has...” “Yeah, we have that, it’s true. It’s funny with men—you can trust each other with your lives and never talk about anything personal, you know? Sometimes Preacher seems a little naive in the ways of the world.
Robyn Carr (Shelter Mountain (Virgin River, #2))
In Job, it says, "Man is born for trouble, as sparks fly upward" (Job 5:7). We women have seen sparks fly upward, around, and upside down. We've seen the spark of love that ignites the beating of a heart and the spark of pain that stops it. We know the trouble we've had with man, and man with us.
Tina Samples (Messed Up Men of the Bible)
Love Hurts. I daresay there’s two or three poems, six novels and at least twelve songs on the subject. That’s how the Janus-faced beast of poetry gets written in the first place, in all its myriad of magical forms. So; why cover this hitherto uncharted and highly original territory? Why leap fearlessly into the unknown, nostrils flared, eyes flashing fire? Well, in the name of love, lust and limerence, why on earth not? Suffering is gratuitous and pointless, yet also vital, valuable and necessary. My last tête à tête gave me plenty, incorporating elements of the forbidden, of rebellion, pornography, pregnancy, parental approval – followed by fury – of infidelity, friend estrangement, life on one island that was heavenly and a second that veered between purgatorial and infernal, of violence, miscarriage, masturbating Indians, pepper spray, antipathy, disloyalty, evictions, a planned future, failed globetrotting and habitual lies, whilst being indicative of a wider, all-encompassing social corrosion, and while the story itself may remain merely hinted at or alluded to in the course of this generalised polemic, it’s as worthy or valid as any other such tale told round the campfire and whispered across the beaches of the world. All life’s a roll of the dice, tiger; ride into the bastard storm and if your wounds hurt, be grateful you survived to lick them, even in the darkest nights of the soul when the sun is a mattress fire the god of your love died in. Love Hurts, and in a stupendous and savage cosmos, it’s my right to sit at the keyboard and bleed. Besides, love, poverty and war are the necessary accoutrements to a fulfilled life; this is the all-encompassing theme of our human condition and the crooning, persuasive symphony of that philosophically unfathomable miracle of life itself… especially as love leads to poverty and war. Man is born unto trouble as the sparks fly upward, after all. I certainly am… we choose our own chains... ~excerpt, "Love Hurts
Daniel S. Fletcher
(Verse 1) In the glow of a **dawn's early light**, With the dew on the grass, shining so bright, A cup of coffee, a **gentle breeze**, These little things, oh how they please. (Chorus) **Grab your hat and dance in the rain,** **Kick off your boots, forget the pain,** **Laugh with friends, under the sun's reign,** **Life's a sweet ride, hop on the train!** **Raise your glass to the stars above,** **Sing with heart, push and shove,** **Every little moment, fit like a glove,** **It's the simple things that we love!** (Verse 2) A **dog's wagging tail**, a **porch swing's sway**, The **colors of flowers** that brighten the day, A **song on the radio** that takes you back, To the **sweet old memories** that never lack. (Bridge) **Lights down low, we're just starting up,** **Fill up the tank, let's raise our cup,** **To the moments that feel like a live wire,** **Simple sparks igniting our fire.** **Sync to the beat of the city's pulse,** **Every little win, every single result,** **We're living loud in the here and now,** **In the simple life, we take our bow.** (Verse 3) **Under the wide-open sky so blue,** **Life's painting scenes, each one anew,** **A simple hello, a wave goodbye,** **In these little things, our dreams fly high.** **With every sunrise, we start again,** **Finding joy in the whisper of the wind,** **A hearty laugh, a warm embrace,** **In the simple life, we find our grace.** (Chorus) **Turn it up, let the bass line roll,** **Simple life's got that rock 'n' roll soul,** **Snap your fingers, tap your feet,** **Living for the moment, life's so sweet.** **Catch the vibe, let it take control,** **These little things are how we roll,** **From the heartland to the city's grip,** **It's the simple life that makes us flip.** (Verse 4) **The jukebox plays a tune that's bittersweet,** **Echoing tales of love and deceit,** **But in the neon glow, we find our truth,** **In simple things, we reclaim our youth.** **A twist of fate, a turn of the key,** **Life's full of surprises, as we can see,** **A chance encounter, a new beginning,** **In the simple life, we keep on winning.**
James Hilton-Cowboy
Something surreal was happening in the background when she and I met. She was looking at me, and I could feel that she wanted to tell me many things. So, I started deciphering the vocabulary of her eyes. She felt the understanding in my eyes to read her unsaid words. Her eyes told me things that perhaps she may not have been able to say in words. When two sensitive people meet, then words become unnecessary. The eyes speak their own language. And sparks fly in the air.
Avijeet Das
Oh, you savvy conversationalist, you know it! Communication is like a magnet for connection—pulling in all the witty banter, charming dialogue, and engaging repartees. It's the language of attraction, the charm offensive, that turns heads and keeps the sparks flying! So, let those words dance on your tongue, and watch how your irresistible charisma steals the show!
lifeispositive.com
the Spirit of Love is not in you till it is the Spirit of your Life, till you live freely, willingly, and universally according to it. For every Spirit acts with Freedom and Universality according to what it is. It needs no command to live its own Life, or be what it is, no more than you need bid Wrath be wrathful. And therefore when Love is the Spirit of your Life, it will have the Freedom and Universality of a Spirit; it will always live and work in Love, not because of This or That, Here or There, but because the Spirit of Love can only love, wherever it is or goes or whatever is done to it. As the Sparks know no Motion but that of flying upwards, whether it be in the Darkness of the Night or in the Light of the Day, so the Spirit of Love is always in the same Course; it knows no Difference of Time, Place, or Persons, but whether it gives or forgives, bears or forbears, it is equally doing its own delightful Work, equally blessed from itself. For the Spirit of Love, wherever it is, is its own Blessing and Happiness because it is the Truth and Reality of God in the Soul, and therefore is in the same Joy of Life and is the same Good to itself, everywhere and on every Occasion.
William Law (The Spirit of Love and The Spirit of Prayer)
The Finns also have a rather lovely word for the aurora borealis: revontulet, which translates as ‘foxfire’. The origins are supposedly in a Finnish fable, in which an Arctic fox, running through snow, sprayed up crystals with his tail, causing sparks to fly off into the night sky.
Lucy Jones (Foxes Unearthed: A Story of Love and Loathing in Modern Britain)
An old fire will make a dark husk for itself and settle in on its core, as in the case of this planet. I believe the same metaphor may describe the human individual, as well. Perhaps Gilead. Perhaps civilization. Prod a little and the sparks will fly. I don’t know whether the verse put a blessing on the fireflies or the fireflies put a blessing on the verse, or if both of them together put a blessing on trouble, but I have loved them both a good deal ever
Marilynne Robinson (Gilead)
Romance is strange in this way. It's an attraction that can't be analyzed rationally with any sense of honesty. You either fall for a guy, or you don't. This is why people always say that love is based on chemistry and sparks flying. After all, "love at first sight" happens a lot, and you don't know a person when you first see him.
Lois H. Gresh (The Twilight Companion: The Unauthorized Guide to the Series)
If you ever see me with a man, it's because waking up in the morning with that person makes me feel more alive than waking up in the morning on my own. If I feel more free and more alive on my own, you're not going to see me with a man. I have no fear of loneliness but I have a fear of having to wake up beside anyone who makes me feel less sparkly, less able to fly. I have a fear of not really drinking in life deeply; of merely sipping it politely.
C. JoyBell C.
If the soul was in the habit of flying away to a star after death, it meant that it was made up essentially of light. Which meant that in every individual, even the most disagreeable, there was a spark, a little flame that made him unique and precious.
Jacques Poulin (Translation Is a Love Affair)
If the soul was in the habit of flying away to a star after death, it meant that it was made up essentially of light. Which meant that in every individual, even the most disagreeable, there was a spark, a little flame that made him unique and precious.
Jacques Poulin (Translation Is a Love Affair)