Spare Weird Quotes

Angela spared a glare for Kami, and then resumed her marathon glaring session at Jared. 'It's too weird. I'm going to call you Carl.' Jared scowled. 'I don't want you to call me Carl.' 'That's interesting, Carl,' said Angela, cheering up.

I'm going to be sick. I'm going to vomit that weird eggplant tapenade I had for dinner, and everyone will hear, and no one will invite me to watch the mimes escape from their invisible boxes, or whatever it is people do here in their spare time.

HELLO. Hello hello hello hello hello hello. Hello? Damn, now I've gone and done it. I've made hello go all abstract and weird. It looks like an alien rune now, something an astronaut would find engraved on a moon rock and go, A strange moon word! I must bring this back to Earth as a gift for my deaf son! And which would then--of course--hatch flying space piranhas and wipe out humanity in less than three days, SOMEHOW sparing the astronaut just so he could be in the final shot, weeping on his knees in the ruins of civilization and crying out to the heavens, It was just helloooooooo! Oh. Huh. It's totally back to normal now. No more alien doom. Astronaut, I just kept you from destroying Earth, YOU'RE WELCOME.

Grief is a weird thing. It’s the only emotion in the world people claim to understand yet treat as an inconvenience. “Time heals all wounds, Evie.” Spare me. Time heals nothing. Just gives things more space to grow and fester and rot.

Grief is a weird thing. It’s the only emotion in the world people claim to understand yet treat as an inconvenience. “Time heals all wounds, Evie.” Spare me.

I feel it coming, but I can't stop it. PANIC. They left me.My parents actually left me! IN FRANCE! Meanwhile, Paris is oddly silent.Even the opera singer has packed it in for the night. I cannot lose it.The walls here are thinner than Band-Aids, so if I break down, my neighbors-my new classmates-will hear everything. I'm going to be sick.I'm going to vomit that weird eggplant tapenade I had for dinner, and everyone will hear,and no one will invite me to watch the mimes escape from their invisible boxes, or whatever it is people do here in their spare time.

Dr. Rush made patients ingest the solution until they drooled, and often people’s teeth and hair fell out after weeks or months of continuous treatment. His “cure” no doubt poisoned or outright killed swaths of people whom yellow fever might have spared. Even so, having perfected his treatment in Philadelphia, ten years later he sent Meriwether and William off with some prepackaged samples. As a handy side effect, Dr. Rush’s pills have enabled modern archaeologists to track down campsites used by the explorers. With the weird food and questionable water they encountered in the wild, someone in their party was always queasy, and to this day, mercury deposits dot the soil many places where the gang dug a latrine, perhaps after one of Dr. Rush’s “Thunderclappers” had worked a little too well.

There’s a big default notion that “spare,” or “precise” prose is somehow better. I keep insisting to them that while such prose is completely legitimate, it’s in no way intrinsically more accurate, more relevant, or better than lush prose. That adjective “precise,” for example, needs unpicking. If a “minimalist” writer describes a table, and a metaphor-ridden adjective-heavy weird fictioneer describes a table, they are very different, but the former is in absolutely no way closer to the material reality than the latter. Both of them are radically different from that reality. They’re just words. A table is a big wooden thing with my tea on it.

For unbelievers, badminton is a namby-pamby version of squash for overweight men afraid of heart attacks. For true believers there is no other sport. Squash is slash and burn. Badminton is stealth, patience, speed and improbable recovery. It’s lying in wait to unleash your ambush while the shuttle describes its leisurely arc. Unlike squash, badminton knows no social distinctions. It is not public school. It has nothing of the outdoor allure of tennis or five-a-side football. It does not reward a beautiful swing. It offers no forgiveness, spares the knees, is said to be terrible for hips. Yet, as a matter of proven fact, it requires faster reactions than squash. There is little natural conviviality between us players, who tend on the whole to be a lonely lot. To fellow athletes, we’re a bit weird, a bit friendless.

The #1 reason why I love school . . . Our wonderful teachers! I love teachers because they are so nice to devote their lives to children (not even their own children!). Maybe I’ll be a teacher when I grow up. Or maybe I’ll be a veterinarian. Or a singer. Or a dancer. Maybe I’ll be a singing and dancing veterinarian who teaches in her spare time! I’m really not sure what I want to be when I grow up. But I don’t have to decide that right now, do I? If you ask me, a teacher should win the Nobel Prize. That’s a prize they give out to people who do something good for the world. What, you thought it was for something else?

Wing claws are effective weapons, but difficult to clean. Use them sparingly, unless you want to always be picking blood off of them. - The Malwatch

November 30th What do you know? For once I favourably surprise myself. After I'd read Howard's exemplary "White Ship" on Friday night and spent yesterday idling about in Providence - woolgathering, I suppose - I've finally made up my mind to sit down and attempt to lick this novel into some kind of functional shape. The central character I'm thinking, is a young man in his early thirties. He's well educated, but if forced by economic circumstance to leave his home in somewhere like Milwaukee (on the principle of writing about somewhere that you know) to seek employment further east. I feel I should give him a name. I know that details of this sort could wait until much later in the process, but I don't feel able to flesh out his character sufficiently until I've at least worked out what he's called. There's been a twenty minute pause between the end of the foregoing sentence and the start of this one, but I think his first name should be Jonathan. Jonathan Randall is the name that comes to me, perhaps by way of Randall Carver. Yes, I think I like the sound of that. So, young Jonathan Randall realises that his yearnings for a literary life have to be put aside to spare his parents dwindling resources, and that he must make his own way in the world, through manual labour if needs be, in order to become the self-sufficient grownup he aspires to be. During an early scene, perhaps in a recounting of Jonathan's childhood, there should be some striking incident which foreshadows the supernatural or psychological weirdness that will dominate the later chapters. Thinking about this, it seems to me that this would be the ideal place to introduce the bridge motif I've toyed with earlier in these pages: since I'm quite fond of the opening paragraphs that I've already written, with that long description of America as a repository for all the world's religious or else occult visionaries, I think what I'll do is largely leave that as it is, to function as a kind of prologue and establish the requisite mood, and then open the novel proper with Jonathan and a school friend playing truant on a summer's afternoon at some remote and overgrown ravine or other, where there's a precarious and creaking bridge with fraying ropes and missing boards that joins the chasm's two sides. I could probably set up the story's major themes and ideas in the two companions' dialogue, albeit simply expressed in keeping with their age and limited experience. Perhaps they're talking in excited schoolboy tones about some local legend, ghost story or piece of folklore that's connected with the bridge or the ravine. This would provide a motive - the eternal boyish fascination with the ghoulish - for them having come to this ill-omened spot while playing hooky, and would also help establish Jonathan's obsession with folkloric subjects as explored in the remainder of the novel.

I feel like crying for the first time in many years, and there’s nobody in the room to witness it, so I give in to the urge and let the tears come freely. In the afternoon, I go back down to the chow lounge to see if Sergeant Fallon is around. I spot her in a corner by one of the projection windows, flexing her right knee and looking at her lower leg. When she sees me approaching, she smirks and raps her knuckles on her new shin, which has the dull gleam of anodized metal. “Titanium alloy,” she says as I sit down in the chair across the table from her. “Feels weird, but it’s much stronger than the old leg. Maybe I should have the other one replaced, too.” “That was fast. Didn’t they just fit you for that yesterday?” “Day before yesterday. They bumped me to the top of the spare-parts queue. I’ll have to suffer some dog-and-pony show with a few people from Army Times in return.

We are hopping into strangers’ cars (Lyft, Sidecar, Uber), welcoming them into our spare rooms (Airbnb), dropping our dogs off at their houses (DogVacay, Rover), and eating food in their dining rooms (Feastly). We are letting them rent our cars (RelayRides, Getaround), our boats (Boatbound), our houses (HomeAway), and our power tools (Zilok). We are entrusting complete strangers with our most valuable possessions, our personal experiences—and our very lives. In the process, we are entering a new era of Internet-enabled intimacy. ~ Jason Tanz Not so long ago, activities like these would have been viewed as weird, if not downright dangerous. Today, they are familiar to millions, thanks to the trust-building mechanisms established by platform businesses.

Man, I’m good! Come on, Sandor, you can say it. Who’s the Lord of Awesome?” Sandor gritted his teeth. “I’ll save any compliments for when we’re safely back at Havenfield five minutes early.” Which definitely would’ve been the smart thing for them to do. But Sophie had spotted a cluttered shop and decided that cheering up Keefe was a better use of that extra time. So with Dex’s help at a nearby ATM, she was able to make a very creative withdrawal through her elvin birth fund, and she used that cash to buy all the weird British biscuits that Keefe had requested—plus some called Hobnobs, and some called Custard Creams, and several bars of Cadbury chocolate, and a few boxes of proper English tea. And as they leaped home—with thirty seconds to spare—she couldn’t believe how easy it had been.

November 30th What do you know? For once I favourably surprise myself. After I'd read Howard's exemplary "White Ship" on Friday night and spent yesterday idling about in Providence - woolgathering, I suppose - I've finally made up my mind to sit down and attempt to lick this novel into some kind of functional shape. The central character I'm thinking, is a young man in his early thirties. He's well educated, but is forced by economic circumstance to leave his home in somewhere like Milwaukee (on the principle of writing about somewhere that you know) to seek employment further east. I feel I should give him a name. I know that details of this sort could wait until much later in the process, but I don't feel able to flesh out his character sufficiently until I've at least worked out what he's called. There's been a twenty minute pause between the end of the foregoing sentence and the start of this one, but I think his first name should be Jonathan. Jonathan Randall is the name that comes to me, perhaps by way of Randall Carver. Yes, I think I like the sound of that. So, young Jonathan Randall realises that his yearnings for a literary life have to be put aside to spare his parents' dwindling resources, and that he must make his own way in the world, through manual labour if needs be, in order to become the self-sufficient grownup he aspires to be. During an early scene, perhaps in a recounting of Jonathan's childhood, there should be some striking incident which foreshadows the supernatural or psychological weirdness that will dominate the later chapters. Thinking about this, it seems to me that this would be the ideal place to introduce the bridge motif I've toyed with earlier in these pages: since I'm quite fond of the opening paragraphs that I've already written, with that long description of America as a repository for all the world's religious or else occult visionaries, I think what I'll do is largely leave that as it is, to function as a kind of prologue and establish the requisite mood, and then open the novel proper with Jonathan and a school friend playing truant on a summer's afternoon at some remote and overgrown ravine or other, where there's a precarious and creaking bridge with fraying ropes and missing boards that joins the chasm's two sides. I could probably set up the story's major themes and ideas in the two companions' dialogue, albeit simply expressed in keeping with their age and limited experience. Perhaps they're talking in excited schoolboy tones about some local legend, ghost story or piece of folklore that's connected with the bridge or the ravine. This would provide a motive - the eternal boyish fascination with the ghoulish - for them having come to this ill-omened spot while playing hooky, and would also help establish Jonathan's obsession with folkloric subjects as explored in the remainder of the novel.

Liv- ‘Dear sweet baby Jesus I think you’re without a drought the worst driver on the planet!’ I said- ‘You think?’ Maddie sniggers. And Liv spit sprays some of my hot on the back of my headrest. Liv, she has become a real squirter she is always sparing one of us girls down, yet Maddie the most! I said- ‘I don’t want to die like this today!’ ‘Please- please be more alert, please,’ I stammered, I’m clutching the sides of my seat without meaning to. Jenny said- ‘Kar, it’s all good. Hey- It’s not like I am going to crash, I have never even been in a car wreck yet.’ I said- ‘That’s amazing!’ I start to think as I close my eyes, trying so hard not to hold my breath. Like it’s so weird how life works, isn’t it? Like how I always wanted one thing, all my life, and I waited and waited for it but it never comes. And then it did happen last night, yet it was not what I hoped for all, however, all you want to do is curl back up at that moment before things change. And see if he is the one for me or if I should fall back into the arm of Ray, after all, I am his girl. One thing I have resized from dying: Every person you have dependencies on, and every person you need to count on, will ultimately upset you. No matter how much they try not to, nothing in life is ever going to be perfect, so maybe you have to forgive and forget, or trust and move on? In my deepening delusional thoughts, I ask myself these questions.

You’re still weird,’ Frost said. ‘And you’re still a bitch. Both facts are unlikely to change just cos you’re kipping in my spare room for the night,’ Kim said.