Spades Card Quotes

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A joker is a little fool who is different from everyone else. He's not a club, diamond, heart, or spade. He's not an eight or a nine, a king or a jack. He is an outsider. He is placed in the same pack as the other cards, but he doesn't belong there. Therefore, he can be removed without anybody missing him.
Jostein Gaarder (The Solitaire Mystery)
I looked at the cards in my hand, the queen of hearts nestled between the king of clubs and the king of spades. No wonder she was smiling.
Megan Hart (Tempted (Alex Kennedy, #1))
How very kind of her, ' I said. 'I must remember to send her a card.' I'd send her a card alright. It would be the Ace of Spades, and I'd mail it anonymously from somewhere other than Bishop's Lacey.
Alan Bradley (A Red Herring Without Mustard (Flavia de Luce, #3))
Wild card, got it," Duncan said. "Just like in Crazy Eights. I can be a diamond; I can be a spade. Whatever you need me to be, I'm that thing. That is so me.
Christopher Healy (The Hero's Guide to Saving Your Kingdom (The League of Princes, #1))
Does it help if we're so strong-willed, stubborn, ambitious, and selfish that we always overcome everything in our way no matter what?" asked Wang-mu. "I think those are the pertinent virtues, yes," said Peter. "Then let's do it. That's us in spades.
Orson Scott Card (Children of the Mind (Ender's Saga, #4))
He deals the cards to find the answer The sacred geometry of chance The hidden law of a probable outcome The numbers lead a dance I know that the spades Are the swords of a soldier I know that the clubs are weapons of war I know that diamonds Mean money for this art But that's not the shape of my heart
Sting (Shape Of My Heart (Art & Poetry Series))
I wanna hold 'em like they do in Texas, please Fold 'em, let 'em hit me, raise it, baby, stay with me (I love it) Love game intuition, play the cards with spades to start And after he's been hooked, I'll play the one that's on his heart
Eric Cartman
For the man was canny, he was intuitive, he anticipated everything. He continually looked over his shoulders, he looked into the background with mirrors, he locked his sleeping room at night, he could pick out a whisper in the wind, he could register the slightest added value a man put into his words, he could probably read the faltering and perfidy in Bob's face. He once numbered the spades on a playing card that skittered across the street a city block away; he licked his daughter's cut finger and there wasn't even a scar the next day; he wrestled with his son and the two Fords at once one afternoon and rarely even tilted - it was like grappling with a tree. When Jesse predicted rain, it rained; when he encouraged plants, they grew; when he scorned animals, they retreated; whomever he wanted to stir, he astonished.
Ron Hansen (The Assassination of Jesse James by the Coward Robert Ford)
I stare at his forearms. I can make out a naked woman with a snake going up her vagina. She’s holding a knife, slitting her own throat. There are three playing cards on the back of his right hand: the Queen of Spades, the Jack of Hearts and the Joker. Red flames lick his elbow. There’s a watch tattooed on his left wrist with ‘Fuck Time’ inscribed on its face. Fuck o’clock. He’s not that tall, but his body is carefully cut. The lines of his face, his cheekbones and jaw, are sharp and precise. I can see the tufts of his blond underarm hairs and under them the ladder of his ribs. He’s beautiful, in the way that a knife is beautiful.
Kirsty Eagar (Raw Blue)
He'd folded the card into a shape that clearly resembled a lizard, with one spade as its eye.
Virna DePaul (This Magic Moment (Bedding the Bachelors, #1; Dalton Brothers, #1))
One of these days in your travels, a guy is going to show you a brand-new deck of cards on which the seal is not yet broken. Then this guy is going to offer to bet you that he can make the jack of spades jump out of this brand-new deck of cards and squirt cider in your ear. But, son, do not accept this bet, because as sure as you stand there, you're going to wind up with an ear full of cider.
Sky Masterson
You walk down a hallway papered in playing cards, row upon row of clubs and spades. Lanterns fashioned from additional cards hang above, swinging gently as you pass by. A door at the end of the hall leads to a spiraling iron staircase. The stairs go both up and down. You go up, finding a trapdoor in the ceiling. The room it opens into is full of feathers that flutter downward. When you walk through them, they fall like snow over the door in the floor, obscuring it from sight. There are six identical doors. You choose one at random, trailing a few feathers with you. The scent of pine is overwhelming as you enter the next room to find yourself in a forest full of evergreen trees. Only these trees are not green but bright and white, luminous in the darkness surrounding them. They are difficult to navigate. As soon as you begin walking the walls are lost in shadows and branches. There is a sound like a woman laughing nearby, or perhaps it is only the rustling of the trees as you push your way forward, searching for the next door, the next room. You feel the warmth of breath on your neck, but when you turn there is no one there.
Erin Morgenstern (The Night Circus)
The advisors, on the other hand, were like older brothers and sisters. My favorite was Bill Symes, who'd been a founding member of Fellowship in 1967. He was in his early twenties now and studying religion at Webster University. He had shoulders like a two-oxen yoke, a ponytail as thick as a pony's tail, and feet requiring the largest size of Earth Shoes. He was a good musician, a passionate attacker of steel acoustical guitar strings. He liked to walk into Burger King and loudly order two Whoppers with no meat. If he was losing a Spades game, he would take a card out of his hand, tell the other players, "Play this suit!" and then lick the card and stick it to his forehead facing out. In discussions, he liked to lean into other people's space and bark at them. He said, "You better deal with that!" He said, "Sounds to me like you've got a problem that you're not talking about!" He said, "You know what? I don't think you believe one word of what you just said to me!" He said, "Any resistance will be met with an aggressive response!" If you hesitated when he moved to hug you, he backed away and spread his arms wide and goggled at you with raised eyebrows, as if to say, "Hello? Are you going to hug me, or what?" If he wasn't playing guitar he was reading Jung, and if he wasn't reading Jung he was birdwatching, and if he wasn't birdwatching he was practicing tai chi, and if you came up to him during his practice and asked him how he would defend himself if you tried to mug him with a gun, he would demonstrate, in dreamy Eastern motion, how to remove a wallet from a back pocket and hand it over. Listening to the radio in his VW Bug, he might suddenly cry out, "I want to hear... 'La Grange' by ZZ Top!" and slap the dashboard. The radio would then play "La Grange.
Jonathan Franzen (The Discomfort Zone: A Personal History)
From atop his back, she could see the dazzling spires of Wonderland Palace and the red glow that the palace cast on the land around it. From here she could imagine the small lives taking place; Harris, asleep in the library, glasses sliding off the end of his nose; Sir Gorrann, tossing back some ale as he chuckled among fellow Spades; and Wardley, staring out across the land with a burdened heart, wondering how much he would give for his kingdom.
Colleen Oakes (War of the Cards (Queen of Hearts Saga, #3))
Have you ever played Killer Bunnies?” she asked. “Killer Bunnies?” he repeated, blinking the way people always did when they didn’t follow her brain’s train. “It’s a card game. Not spades and clubs, kings and jacks cards. It’s like a board game, with cards instead of a board. Here. I’ll show you.” She stretched up to the top shelf beside her TV and pulled down a bright blue box. “But I have to warn you, I never hesitate to use the nuclear warheads or the anti-matter raisins. Your bunnies are going down.
Jamie Farrell (Sugared (Misfit Brides, #4))
the way, when I showed this to Leslie, I used real cards, not a bridge diagram. If you find it difficult to follow the diagrams, try using a real deck. For the first hand, you can also try dealing East the king of spades instead of West, and you will see why the finesse won't work. A finesse is a cool play that allows you to win two tricks with the ace and queen of a suit, even though one of your opponents holds the king. It has a 50 percent chance of success, depending on which one of your opponents holds that king.
Louis Sachar (The Cardturner: A Novel about a King, a Queen, and a Joker)
Data that did not fit the commonly accepted assumptions of a discipline would either be discounted or explained away for as long as possible. The more contradictions accumulated, the more convoluted the rationalizations became. 'In science, as in the playing card experiment, novelty emerges only with difficulty,' Kuhn wrote. But then, finally, someone came along who was willing to call a red spade a red spade. Crisis led to insight, and the old framework gave way to a new one. This is how great scientific discoveries or, to use the term Kuhn made so popular, 'paradigm shifts' took place.
Elizabeth Kolbert (The Sixth Extinction: An Unnatural History)
We do not converse. She visits me to talk. My task to murmur. She talks about her grandsons, her daughter who lives in Delphi, her sister or her husband - both gone - obscure friends - dead - obscurer aunts and uncles - lost - ancient neighbors, members of her church or of her clubs - passed or passing on; and in this way she brings the ends of her life together with a terrifying rush: she is a girl, a wife, a mother, widow, all at once. All at once - appalling - but I believe it; I wince in expectation of the clap. Her talk's a fence - shade drawn, window fastened, door that's locked - for no one dies taking tea in a kitchen; and as her years compress and begin to jumble, I really believe in the brevity of life; I sweat in my wonder; death is the dog down the street, the angry gander, bedroom spider, goblin who's come to get her; and it occurs to me that in my listening posture I'm the boy who suffered the winds of my grandfather with an exactly similar politeness, that I am, right now, all my ages, out in elbows, as angular as badly stacekd cards. Thus was I, when I loved you, every man I could be, youth and child - far from enough - and you, so strangely ambiguous a being, met me, h eart for spade, play after play, the whole run of our suits.
William H. Gass (In the Heart of the Heart of the Country and Other Stories)
The old woman sat in her leather recliner, the footrest extended, a dinner tray on her lap. By candlelight, she turned the cards over, halfway through a game of Solitaire. Next door, her neighbors were being killed. She hummed quietly to herself. There was a jack of spades. She placed it under the queen of hearts in the middle column. Next a six of diamonds. It went under the seven of spades. Something crashed into her front door. She kept turning the cards over. Putting them in their right places. Two more blows. The door burst open. She looked up. The monster crawled inside, and when it saw her sitting in the chair, it growled. “I knew you were coming,” she said. “Didn’t think it’d take you quite so long.” Ten of clubs. Hmm. No home for this one yet. Back to the pile. The monster moved toward her. She stared into its small, black eyes. “Don’t you know it’s not polite to just walk into someone’s house without an invitation?” she asked. Her voice stopped it in its tracks. It tilted its head. Blood—from one of her neighbor’s no doubt—dripped off its chest onto the floor. Belinda put down the next card. “I’m afraid this is a one-player game,” she said, “and I don’t have any tea to offer you.” The monster opened its mouth and screeched a noise out of its throat like the squawk of a terrible bird. “That is not your inside voice,” Belinda snapped. The abby shrunk back a few steps. Belinda laid down the last card. “Ha!” She clapped. “I just won the game.” She gathered up the cards into a single deck, split it, then shuffled. “I could play Solitaire all day every day,” she said. “I’ve found in my life that sometimes the best company is your own.” A growl idled again in the monster’s throat. “You cut that right out!” she yelled. “I will not be spoken to that way in my own home.” The growl changed into something almost like a purr. “That’s better,” Belinda said as she dealt a new game. “I apologize for yelling. My temper sometimes gets the best of me.
Blake Crouch (The Last Town (Wayward Pines, #3))
For whom are you preserving your secret? For your grandsons? They are rich enough without it; they do not know the worth of money. Your cards would be of no use to a spendthrift. He who cannot preserve his paternal inheritance, will die in want, even though he had a demon at his service. I am not a man of that sort; I know the value of money. Your three cards will not be thrown away upon me. Come!” ... He paused and tremblingly awaited her reply. The Countess remained silent; Hermann fell upon his knees. “If your heart has ever known the feeling of love,” said he, “if you remember its rapture, if you have ever smiled at the cry of your newborn child, if any human feeling has ever entered into your breast, I entreat you by the feelings of a wife, a lover, a mother, by all that is most sacred in life, not to reject my prayer. Reveal to me your secret. Of what use is it to you? . . . May be it is connected with some terrible sin, with the loss of eternal salvation, with some bargain with the devil.... Reflect,—you are old; you have not long to live—I am ready to take your sins upon my soul. Only reveal to me your secret. Remember that the happiness of a man is in your hands, that not only I, but my children, and grandchildren will bless your memory and reverence you as a saint. . . .” The old Countess answered not a word. Hermann rose to his feet. “You old hag!” he exclaimed, grinding his teeth, “then I will make you answer!” With these words he drew a pistol from his pocket. At
Alexander Pushkin (The Queen of Spades and Other Stories)
I think one of the reasons my family survived its difficult times and is so close today is because we are always laughing at one another’s faults and mistakes, and despite whatever injustices are done, we have a good time doing it. We aren’t afraid to poke fun at one another and no one ever takes it personal for long. My brothers and I are highly competitive and world-class trash-talkers, and if you ever walk in while we are playing cards or dominoes--just like our games with Granny and Pa--you probably would think someone is fixing to die. Our neighbor, who was about my parents’ age, came over to our house once looking for my mom. She found my brothers and me playing the card game hearts. She offered to be the fourth. But about midway through the second hand, we looked up and she had tears streaming down her face. She threw her cards in the middle of the table, declared she didn’t want to play anymore, and left the house. We were a bit miffed about it and didn’t realize until later that our trash talking had led to her emotional exit. Another time, I brought a girl from high school down to my parents’ house for supper and cards because she told me she was quite the spades player. Halfway through the game, she was crying hysterically. Her sister later stood nose to nose with me and gave me quite the tongue-lashing. I came to realize that our banter was a bit extreme to people outside of our family. Maybe that is one of the reasons I married a woman who couldn’t care less about winning or losing any game.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
For example, if you are dealt a 13-card hand and get all 13 spades, you might wonder if that was an accident or the result of a fixed deck because the odds against that happening by chance are 635-billion-to-one. Yet every specific randomized deal of 13 unique cards had the same odds against happening by chance. So unlikely events, like unlikely card hands, can and do happen by chance.
Cris Putnam (Exo-Vaticana: Petrus Romanus, Project LUCIFER, and the Vatican's Astonishing Exo-Theological Plan for the Arrival of an Alien Savior)
Each king in a deck of playing cards represents a great king from history. Spades - King David, Clubs - Alexander the Great, Hearts - Charlemagne, and Diamonds - Julius Caesar.
Scott Matthews (3666 Interesting, Fun And Crazy Facts You Won't Believe Are True - The Knowledge Encyclopedia To Win Trivia (Amazing World Facts Book Book 4))
Marriage is like a deck of playing cards. When you first wed, all you need is two hearts and a diamond. After a spell, all you need is a club and a spade.
Michael Scott Garvin (Aunt Sookie & Me)
I wanna hold 'em like they do in Texas, please Fold 'em, let 'em hit me, raise it, baby, stay with me (I love it) Love game intuition, play the cards with spades to start And after he's been hooked, I'll play the one that's on his heart Oh, whoa, oh, oh Oh, oh-oh I'll get him hot, show him what I got Oh, whoa, oh, oh Oh, oh-oh I'll get him hot, show him what I got Can't read my, can't read my No, he can't read my poker face (She's got me like nobody) Can't read my, can't read my No, he can't read my poker face (She's got me like nobody) P-p-p-poker face, f-f-fuck her face (mum-mum-mum-mah) P-p-p-poker face, f-f-fuck her face (mum-mum-mum-mah) I wanna roll with him, a hard pair we will be A little gamblin' is fun when you're with me (I love it) Russian roulette is not the same without a gun And baby, when it's love, if it's not rough, it isn't fun (fun) Oh, whoa, oh, oh Oh, oh-oh I'll get him hot, show him what I got Oh, whoa, oh, oh Oh, oh-oh I'll get him hot, show him what I got Can't read my, can't read my No, he can't read my poker face (She's got me like nobody) Can't read my, can't read my No, he can't read my poker face (She's got me like nobody) P-p-p-poker face, f-f-fuck her face (mum-mum-mum-mah) P-p-p-poker face, f-f-fuck her face (mum-mum-mum-mah) (Mum-mum-mum-mah) (Mum-mum-mum-mah) I won't tell you that I love you, kiss or hug you 'Cause I'm bluffin' with my muffin I'm not lyin', I'm just stunnin' with my love-glue-gunnin' Just like a chick in the casino Take your bank before I pay you out I promise this, promise this Check this hand 'cause I'm marvelous Can't read my, can't read my No, he can't read my poker face (She's got me like nobody) Can't read my, can't read my No, he can't read my poker face (She's got me like nobody) Can't read my, can't read my No, he can't read my poker face (She's got me like nobody) Can't read my, can't read my No, he can't read my poker face (She's got me like nobody) Can't read my, can't read my No, he can't read my poker face (She's got me like nobody) Can't read my, can't read my No, he can't read my poker face (She's got me like nobody) P-p-p-poker face, p-p-poker face P-p-p-poker face, f-f-fuck her face (she's got me like nobody) P-p-p-poker face, f-f-fuck her face (mum-mum-mum-mah) P-p-p-poker face, f-f-fuck her face (mum-mum-mum-mah) P-p-p-poker face, f-f-fuck her face (mum-mum-mum-mah) P-p-p-poker face, f-f-fuck her face (mum-mum-mum-mah)
Eric Cartman
Did you know that each king in a deck of playing cards represents a great king from history? Spades is King David, Clubs is Alexander the Great, Hearts is Charlemagne, and Diamonds is Julius Caesar.
Fun Books (Did You Know - The Awesome Book of Useless Information: 162 Pages Jampacked With Totally Useless Information! About Every Topic you can Imagine!)
KNIGHTS, KNAVES, POPES, AND PENTACLES: THE HISTORY OF THE HOLY GRAIL THROUGH TAROT “Not surprising,” Langdon said to Sophie. “Some of our keywords have the same names as individual cards.” He reached for the mouse to click on a hyperlink. “I’m not sure if your grandfather ever mentioned it when you played Tarot with him, Sophie, but this game is a ‘flash-card catechism’ into the story of the Lost Bride and her subjugation by the evil Church.” Sophie eyed him, looking incredulous. “I had no idea.” “That’s the point. By teaching through a metaphorical game, the followers of the Grail disguised their message from the watchful eye of the Church.” Langdon often wondered how many modern card players had any clue that their four suits—spades, hearts, clubs, diamonds—were Grail-related symbols that came directly from Tarot’s four suits of swords, cups, scepters, and pentacles. Spades were Swords—The blade. Male. Hearts were Cups—The chalice. Feminine. Clubs were Scepters—The Royal Line. The flowering staff. Diamonds were Pentacles—The goddess. The sacred feminine.
Dan Brown (The da Vinci Code (Robert Langdon, #2))
We both laugh, but when she gets closer and his eyes drift over her long, tanned legs, the laugh clogs in my throat. “For real, Matty, I’m gonna fuck you up you keep looking at her like that.” Our eyes connect again and I can’t even hold on to my ire, not with him. Second to Amir, he’s been my ace boom since diaper days. I’d trust him with my life. Growing up in these streets, I’ve had to more than once. Bristol reaches us at the table and stands beside me. I capture her hand and bring it to my lips. “You wanna sit?” I ask her. She looks at the full card table, smiling at the other three guys playing Spades with me. “There’s nowhere to sit.” “As long as I got a lap,” I say, patting my leg, “you got a place to sit.
Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))
We were a deck of cards, a club, a heart, a diamond and a spade, all of us made for dealing in death. I had my Joker, my Jack, my King, and my scruffy little pooch of an Ace. Somehow, I’d become the Queen of all that, and together we made a full house, even if it didn’t look like anyone else’s version, even if it was a jumble of suits and colours. It didn’t make us any less real.
Caroline Peckham (Society of Psychos (Dead Men Walking, #2))
Marriage is like a deck of cards. In the beginning all you need is two hearts and a diamond. By the end you wish you had a club and a spade.
A.J. Stewart (Devil's Backbone (Miami Jones Private Investigator Mystery Book 15))
Friends take care of each other, Alice. - Claude (King of Spades)
Bethany Anne Lovejoy (Alice in the Land of Clovers (Alice: Pick a Card #1))
Things are much more entertaining with friends. - Claude (King of Spades)
Bethany Anne Lovejoy (Alice in the Land of Clovers (Alice: Pick a Card #1))
I don't know how to tend this garden full of wild red things. Before, I would have gone running. Now, the thing I do to stay calm are things a stranger would do: ride the bus play card games on my phone: poker, spades, Razz memorize street maps play music so loud it makes my head hurt and never songs I like. Anything to escape my brain, body. Anything to be somewhere someone else.
Olivia A. Cole
Unable to think about anything but shuffling, math, and magic, I became convinced that the secrets of the universe were found inside a pack of playing cards. For starters, there’s a curious symbolism encoded in a deck of cards. There are two colors (red and black) symbolizing day and night; four suits—spades, hearts, clubs, and diamonds—one for each season (or seasons of the magician's life cycle, if you like). The twelve court cards correspond to the months of the Gregorian calendar. Each suit contains thirteen cards, for the thirteen lunar cycles. There are fifty-two cards in a deck, those being the fifty-two weeks in a year. And if you add up the values of all 52 cards, including the joker, you get exactly 365. Add to this the seven shuffles and the surprising reach of the Bayer-Diaconis model—how shuffling mimics the behavior of everything from kneading dough to mixing chemicals—and cards really do start to look like cosmic instruments.
Alex Stone (Fooling Houdini: Magicians, Mentalists, Math Geeks, and the Hidden Powers of the Mind)
Though a gamester at heart, he never touched a card, for he considered his position did not allow him—as he said— "to risk the necessary in the hope of winning the superfluous,
Alexander Pushkin (The Queen of Spades)
Mike, have you ever heard that marriage is like a deck of playing cards?” Badde said. “Rappe . . . ?” Jan said, her tone warning. “No, can’t say that I have heard that,” Santos said. Badde grinned. “Yeah,” he said, “in the beginning of a marriage you just need two hearts and a diamond . . .” “Ha,” Santos said. “. . . But in the end you want a club and a spade.
W.E.B. Griffin (Deadly Assets (Badge of Honor Book 12))
In a psychological experiment that deserves to be far better known outside the trade, Bruner and Postman asked experimental subjects to identify on short and controlled exposure a series of playing cards. Many of the cards were normal, but some were made anomalous, e.g., a red six of spades and a black four of hearts. Each experimental run was constituted by the display of a single card to a single subject in a series of gradually increased exposures. After each exposure the subject was asked what he had seen, and the run was terminated by two successive correct identifications.12 Even on the shortest exposures many subjects identified most of the cards, and after a small increase all the subjects identified them all. For the normal cards these identifications were usually correct, but the anomalous cards were almost always identified, without apparent hesitation or puzzlement, as normal. The black four of hearts might, for example, be identified as the four of either spades or hearts. Without any awareness of trouble, it was immediately fitted to one of the conceptual categories prepared by prior experience. One would not even like to say that the subjects had seen something different from what they identified. With a further increase of exposure to the anomalous cards, subjects did begin to hesitate and to display awareness of anomaly. Exposed, for example, to the red six of spades, some would say: That’s the six of spades, but there’s something wrong with it—the black has a red border. Further increase of exposure resulted in still more hesitation and confusion until finally, and sometimes quite suddenly, most subjects would produce the correct identification without hesitation. Moreover, after doing this with two or three of the anomalous cards, they would have little further difficulty with the others. A few subjects, however, were never able to make the requisite adjustment of their categories. Even at forty times the average exposure required to recognize normal cards for what they were, more than 10 per cent of the anomalous cards were not correctly identified. And the subjects who then failed often experienced acute personal distress. One of them exclaimed: “I can’t make the suit out, whatever it is. It didn’t even look like a card that time. I don’t know what color it is now or whether it’s a spade or a heart. I’m not even sure now what a spade looks like. My God!”13 In the next section we shall occasionally
Thomas S. Kuhn (The Structure of Scientific Revolutions)
Eve taught me to look at the overall picture, to read the cards as art and intuition as much as a science. Women were more in touch with that innate sense than men. Women resonated with the cards. Rather than read the cards in order, I let the entire pattern seep in. I understood the 8 of Clubs and the Ace of Spades. The Queen of Diamonds, I sensed, would be a real person to provide the essentials of life. Then my heart sank when I saw the two Jacks, the Pretenders, the Liars who would upset my balance on the one hand, and try to exert power over me on the other. They framed the 2 of hearts. The Jacks would jeopardize my love life. I’d have to be wary in that domain. It had been quite a while since I had taken a lover. With this news, I would wait. I’d return to New York City, and meet two people who would be my Ace and my Queen. I took the calendar from the wall near the telephone, and sat down on Nestor’s chair. I stared at it, unbelieving; it had been six months since Nestor’s passing. I had spent half a year sorting through Nestor’s things, working, making no new friends, and taking no lovers. I had performed my duties, including marking the calendar mechanically. I operated in a daze. Several people had asked me if they could help. I didn’t understand, but now I knew. I had lost all sense of time and of myself, and I needed to rejoin life. My nineteenth birthday was just six months away. I would stay in Key West until then. In the interim, I would decide what I wanted to keep from Nestor’s legacy and, as he wished, place the rest.
Robin Ader (Lovers' Tarot)
He had been shuffled out so quickly he didn’t even realize what he was wearing, like a King of Spades who wanted to file a complaint to the playing card company manufacturer for not drawing him a garden tool like he specifically asked for.
J.S. Mason (The Ghost Therapist...And Other Grand Delights)
Respect the suit and its cards beyond all others. Keep the secrets of the suit and all its cards. Once a Spade, always a Spade. Always be ready to help a fellow card. Never aid a Club suit card.
Angela Marsons (Dying Truth (D.I. Kim Stone, #8))
I’m stacking days, building a house of cards made from nothing but days. Monday is the Ace of Hearts. Saturday is the Four of Spades. Wednesday is the Seven of Clubs. Thursday night is, I suspect, the Seven of Diamonds, and it might be heavy enough to bring the whole precarious thing tumbling down around my ears. I would spend an entire hour watching cards fall, because time would stretch, the same way it stretches out to fill in awkward pauses, the way it stretched thin in that thundering moment of a car crash. Or at the edges of a wound.
Caitlín R. Kiernan (Beneath an Oil-Dark Sea: The Best of Caitlín R. Kiernan, Volume 2)