Spacious House Quotes

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This is our goal as writers, I think; to help others have this sense of--please forgive me--wonder, of seeing things anew, things that can catch us off guard, that break in on our small, bordered worlds. When this happens, everything feels more spacious. Try walking around with a child who's going, "Wow, wow! Look at that dirty dog! Look at that burned-down house! Look at that red sky!" And the child points and you look, and you see, and you start going, "Wow! Look at that huge crazy hedge! Look at that teeny little baby! Look at the scary dark cloud!" I think this is how we are supposed to be in the world--present and in awe.
Anne Lamott
I want to think quietly, calmly, spaciously, never to be interrupted, never to have to rise from my chair, to slip easily from one thing to another, without any sense of hostility, or obstacle. I want to sink deeper and deeper, away from the surface, with its hard separate facts.
Virginia Woolf (A Haunted House And Other Short Stories)
Thus the dream house must possess every virtue. How­ ever spacious, it must also be a cottage, a dove-cote, a nest, a chrysalis. Intimacy needs the heart of a nest. Erasmus, his biographer tells us, was long "in finding a nook in his fine house in which he could put his little body with safety. He ended by confining himself to one room until he could breathe the parched air that was necessary to him.
Gaston Bachelard (The Poetics of Space)
After you went, a low wind warbled through the house like a spacious bird, making it high but lonely. When you had gone the love came. I supposed it would. The supper of the heart is when the guest has gone.
Emily Dickinson
Many of the old houses, round about, speak very plainly of those days when Kingston was a royal borough, and nobles and courtiers lived there, near their King, and the long road to the palace gates was gay all day with clanking steel and prancing palfreys, and rustling silks and velvets, and fair faces.  The large and spacious houses, with their oriel, latticed windows, their huge fireplaces, and their gabled roofs, breathe of the days of hose and doublet, of pearl-embroidered stomachers, and complicated oaths.  They were upraised in the days “when men knew how to build.”  The hard red bricks have only grown more firmly set with time, and their oak stairs do not creak and grunt when you try to go down them quietly. Speaking of oak staircases reminds me that there is a magnificent carved oak staircase in one of the houses in Kingston.  It is a shop now, in the market-place, but it was evidently once the mansion of some great personage.  A friend of mine, who lives at Kingston, went in there to buy a hat one day, and, in a thoughtless moment, put his hand in his pocket and paid for it then and there.
Jerome K. Jerome (Three Men in a Boat (To Say Nothing of the Dog))
place I’ve ever lived. Nearly every house is spacious
Karen M. McManus (Two Can Keep a Secret)
A great historian, as he insisted on calling himself, who had the happiness to be dead a hundred and twenty years ago, and so to take his place among the colossi whose huge legs our living pettiness is observed to walk under, glories in his copious remarks and digressions as the least imitable part of his work, and especially in those initial chapters to the successive books of his history, where he seems to bring his armchair to the proscenium and chat with us in all the lusty ease of his fine English. But Fielding lived when the days were longer (for time, like money, is measured by our needs), when summer afternoons were spacious, and the clock ticked slowly in the winter evenings. We belated historians must not linger after his example; and if we did so, it is probable that our chat would be thin and eager, as if delivered from a campstool in a parrot-house. I at least have so much to do in unravelling certain human lots, and seeing how they were woven and interwoven, that all the light I can command must be concentrated on this particular web, and not dispersed over that tempting range of relevancies called the universe.
George Eliot (Middlemarch)
The Albion was a spacious pub, built in the days when a public house with any pretensions to gentility had to have fourteen foot ceilings, brass taps and a polished wooden bar you skate down. ... Bert, in his reflective moments, considered that if heaven didn't have a well-appointed pub where a man could sit down over a beer for a yarn with the other angels, then he didn't want to go there.
Kerry Greenwood (Raisins and Almonds (Phryne Fisher, #9))
This dirty, damp patch of grass—was this really the setting of those years of my childhood, so radiant and winged in my memory? This waste, dreary square with the factory yonder—can this be that quiet corner of earth we called “Home” and which alone amid the waters of destruction out there meant hope to us and salvation from perishing in the flood? Or was it not rather a vision of some far other place than this grey street with its hideous houses that rose up there, over the shell holes, like some wild, sad dream in the grudging intervals between death and death? In my memory was it not far more shining and lovely, more spacious, and abounding with ten thousand things? Is that no longer true, then? Did my blood lie and my memory deceive me?
Erich Maria Remarque (The Road Back)
... The unlimited spaciousness of the horizon affected me as deeply. Once again, as in childhood, I beheld the soft blue of immeasurable distances beckoning to me like an open gate. And the feeling swept over me that I was not born for a normal life at home among my people or in cities and houses, but my fate was to wander through foreign regions and make odysseys on the sea. Darkly, the old melancholy longing rose up in me to throw myself on G**'s mercy and merge my own pitifully insignificant life with the infinite and timeless...
Hermann Hesse (Peter Camenzind)
Rooms in one of those spacious old houses with the large windows facing the sun, and plenty of books—if I were that abstracted but happy form of reptile called a bookworm, which I believed I am prevented from being only by my sex, the genus, I am told, being persistently male, I would take care to spend at least one of my life’s winters in Putbus. How divinely quiet it would be. What a place for him who intends to pass an examination, to write a book, or who wants the crumples got by crushing together too long with his fellows to be smoothed out of his soul.
Elizabeth von Arnim (The Elizabeth von Arnim Collection)
Give Me The Simple Life" I don't believe in frettin' and grievin' Why mess around with strife' I never was cut out to step and strut out Give me the simple life Some find it pleasant dining on pheasant Those things roll off my knife Just serve me tomatoes and mashed potatoes Give me the simple life A cottage small if all I'm after Not one that's spacious and wide A house that rings with joy and laughter And the ones you love inside Some like the high road, I like the low road Free from the care and strife Sounds corny and seedy, but yes, indeed Give me the simple life
Ella Fitzgerald
First to find out a spacious house and ground about it fit for an academy, and big enough to lodge a hundred and fifty persons, whereof twenty or thereabout may be attendants, all under the government of one, who shall be thought of desert sufficient, and ability either to do all, or wisely to direct, and oversee it done. This place should be at once both school and university, not heeding a remove to any other house of scholarship, except it be some peculiar College of Law, or Physic, where they mean to be practitioners; but as for those general studies which take up all our time from Lilly 21 to the commencing,
Benjamin Franklin (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
London, December 1915. In the master bedroom (never was the estate agent's epithet more appropriate) of Flat 21, Carlyle Mansions, Cheyne Walk, Chelsea, the distinguished author is dying - slowly, but surely. In Flanders, less than two hundred miles away, other men are dying more quickly, more painfully, more pitifully - young men, mostly, with their lives still before them, blank pages that will never be filled. The author is seventy-two. He has had an interesting and varied life, written many books, travelled widely, enjoyed the arts, moved in society (one winter he dined out 107 times), and owns a charming old house in Rye as well as the lease of this spacious London flat with its fine view of the Thames. He has had deeply rewarding friendships with both men and women. If he has never experienced sexual intercourse, that was by his own choice, unlike the many young men in Flanders who died virgins either for lack of opportunity or because they hoped to marry and were keeping themselves chaste on principle.
David Lodge (Author, Author)
had said, “I want to remember Bonnie the way Bonnie was—and all of them.”) He said, “Maybe the boys ought to stay with Mother.” His mother, a widow, lived not far off, in a house she thought too spacious and silent; the grandchildren were always welcome. “For just a few days. Until—well, until.” “Alvin, do you think we’ll ever get back to normal living?” Mrs. Dewey
Truman Capote (In Cold Blood)
The sky hangs like lead over the low shrubbery of the Luisenplatz, the trees are bare, a loose window is clashing in the wind, and amid the frowsy alder bushes in the garden of the square squats the November twilight, dank and cheerless. I peer over into it; and suddenly it is as if I saw it all today for the first time, so unfamiliar that I hardly know it again. This dirty, damp patch of grass—was this really the setting of those years of my childhood, so radiant and winged in my memory? This waste, dreary square with the factory yonder—can this be that quiet corner of earth we called “Home” and which alone amid the waters of destruction out there meant hope to us and salvation from perishing in the flood? Or was it not rather a vision of some far other place than this grey street with its hideous houses that rose up there, over the shell holes, like some wild, sad dream in the grudging intervals between death and death? In my memory was it not far more shining and lovely, more spacious, and abounding with ten thousand things? Is that no longer true, then? Did my blood lie and my memory deceive me? I
Erich Maria Remarque (The Road Back)
In the year 1824, in a pleasant town located between Schenectady and Albany, stood the handsome colonial residence of Hamilton Van Rensselaer. Solemn hedges shut in the family pride and hid the family sorrow, and about the borders of its spacious gardens, where even the roses seemed subdued, there played a child. The stately house oppressed her, and she loved the sombre garden best.
Grace Livingston Hill (Dawn of the Morning)
Much depended on how rapidly it would prove feasible to mass-produce inflatable structures; these made it possible to create much more spacious volumes by housing people in what amounted to thick-skinned balloons. But making balloons that could withstand atmospheric pressure indefinitely while also standing up to solar radiation, thermal swings, and micrometeoroids was no small project.
Neal Stephenson (Seveneves)
The ideal of quiet and of genteel retirement, in 1835, was found in Washington Square, where the Doctor built himself a handsome, modern, wide-fronted house, with a big balcony before the drawing-room windows, and a flight of marble steps ascending to a portal which was also faced with white marble. This structure, and many of its neighbours, which it exactly resembled, were supposed, forty years ago, to embody the last results of architectural science, and they remain to this day very solid and honourable dwellings. In front of them was the Square, containing a considerable quantity of inexpensive vegetation, enclosed by a wooden paling, which increased its rural and accessible appearance; and round the corner was the more august precinct of the Fifth Avenue, taking its origin at this point with a spacious and confident air which already marked it for high destinies. I know not whether it is owing to the tenderness of early associations, but this portion of New York appears to many persons the most delectable. It has a kind of established repose which is not of frequent occurrence in other quarters of the long, shrill city; it has a riper, richer, more honourable look than any of the upper ramifications of the great longitudinal thoroughfare—the look of having had something of a social history.
Henry James (Washington Square (Signet Classics))
People are built like houses inside- they have stairwells, spacious halls, vestibules that are always too weakly lit to count the doors into the rooms, row upon row of apartments, damp chambers, slimy, tiled bathrooms with cast-iron baths, steps with handrails taut as veins, artery-like corridors, joint-like landings, passages, guest rooms, draughty chambers into which a sudden current of warm air flows, closets, twists and turns and cubby-holes, and larders full of forgotten supplies.
Olga Tokarczuk (House of Day, House of Night (Writings From An Unbound Europe))
Barrett opened the door and stepped into the large, spacious corner office of Cordell Hull, the U.S. secretary of state. “What’s the matter, Bill?” Hull asked, looking up from the stack of papers on his large oak desk. “Looks like you’ve seen a ghost.” “It’s the Czechs, sir,” Barrett said. “What about them?” “Hitler’s forces just crossed their border.” Hull was aghast. “Germany has invaded Czechoslovakia?” “I’m afraid so, sir.” “This is confirmed?” Barrett nodded. “Very well,” Hull said. “Get the White House on the line. I need to see the president.
Joel C. Rosenberg (The Auschwitz Escape)
Yes, for here was one of the final strongholds of true yuppieism, a place where man was free to practice the religion of eighties greed, greed at all costs, without pretense of doing otherwise. No hypocrisy here. Investment houses were not about helping the world. They were not about providing a service to mankind or doing what was best for all. This haven had a simple, clear-cut, basic goal. Making money. Period. Win had a spacious corner office overlooking Park and Fifty-second Street. A prime-time view for the company’s number one producer. Myron knocked on the door.
Harlan Coben (Drop Shot (Myron Bolitar, #2))
He blinks several times. The house is spacious and beautiful but feels sterile to him, just like their lives. He doesn’t notice it as much when Asha fills it with her chatter and laughter, but even then, it never feels as full and rich as the family get-togethers he remembers from childhood. This is the life he envisioned, the life he hoped for, but somehow the American dream now seems hollow to him. Just a few weeks ago, his family back home was all gathered for Diwali dinner at his parents’ home, at least two dozen people in all. Krishnan was the only one missing, so they called him, passing the phone around so each could wish him a happy Diwali. He had been rushing out the door that day when the phone rang, but after hanging up, he sat motionless at the kitchen table with the phone in hand. It was evening in Bombay, and he could close his eyes and picture the millions of diyas, the tiny clay pots holding small flames lining the balconies, the street stalls, and the shop windows. Visitors came to exchange boxes of sweets and good wishes. Schools closed and children stayed up to enjoy fireworks. Ever since he was a child, it had been one of his favorite nights of the year, when the whole of Bombay took on a magical feel.
Shilpi Somaya Gowda (Secret Daughter)
had spent more than a year writing a second draft of his book during the hours he wasn’t at one of his jobs. He worked late at night in a small room we’d converted to a study at the rear of our apartment—a crowded, book-strewn bunker I referred to lovingly as the Hole. I’d sometimes go in, stepping over his piles of paper to sit on the ottoman in front of his chair while he worked, trying to lasso him with a joke and a smile, to tease him back from whatever far-off fields he’d been galloping through. He was good-humored about my intrusions, but only if I didn’t stay too long. Barack, I’ve come to understand, is the sort of person who needs a hole, a closed-off little warren where he can read and write undisturbed. It’s like a hatch that opens directly onto the spacious skies of his brain. Time spent there seems to fuel him. In deference to this, we’ve managed to create some version of a hole inside every home we’ve ever lived in—any quiet corner or alcove will do. To this day, when we arrive at a rental house in Hawaii or on Martha’s Vineyard, Barack goes off looking for an empty room that can serve as the vacation hole. There, he can flip between the six or seven books he’s reading simultaneously and toss his newspapers on the floor. For him, the Hole is a kind of sacred high place, where insights are birthed and clarity comes to visit. For me, it’s an off-putting and disorderly mess. One requirement has always been that the Hole, wherever it is, have a door
Michelle Obama (Becoming)
Althorpe threw open a set of heavy double doors to reveal the spacious in-house movie theater, furnished with about twenty high-end leather couches and captains’ seats that had their own tables for snacks. Lacey and I were agog. The Cubs—my Cubs—were about to play for their lives on the wall of Buckingham Palace. “An immense moment demands an immense screen,” came Eleanor’s voice. When she rose with some effort from her seat, I blinked. It looked familiar. But it couldn’t be. “Eleanor,” I said, dropping all formality. “Is that…?” “A Coucherator,” she said. “Nicholas spoke to your mother and had one flown in. There is a treat in it for you.” She opened the refrigerated compartment of my dad’s life’s work, so roundly mocked by the British press and Eleanor alike. Inside was a perfectly chilled case of Miller Lite. It was only then that I noticed a side table stuffed with Cracker Jack, Doritos, Pop-Tarts, and hot dog condiments. “Althorpe will deliver the tube meat momentarily,” Eleanor said.
Heather Cocks (The Heir Affair (Royal We, #2))
A Favorite start to a book [sorry it's long!]: "In yesterday’s Sunday Times, a report from Francistown in Botswana. Sometime last week, in the middle of the night, a car, a white American model, drove up to a house in a residential area. Men wearing balaclavas jumped out, kicked down the front door, and began shooting. When they had done with shooting they set fire to the house and drove off. From the embers the neighbors dragged seven charred bodies: two men, three women, two children. Th killers appeared to be black, but one of the neighbors heard them speaking Afrikaans among themselves. And was convinced they were whites in blackface. The dead were South Africans, refugees who had moved into the house mere weeks ago. Approached for comment, the SA Minister of Foreign Affairs, through a spokesman, calls the report ‘unverified’. Inquiries will be undertaken, he says, to determine whether the deceased were indeed SA citizens. As for the military, an unnamed source denies that the SA Defence Force had anything to do with the matter. The killings are probably an internal ANC matter, he suggests, reflecting ‘ongoing tensions between factions. So they come out, week after week, these tales from the borderlands, murders followed by bland denials. He reads the reports and feels soiled. So this is what he has come back to! Yet where in the world can one hide where one will not feel soiled? Would he feel any cleaner in the snows of Sweden, reading at a distance about his people and their latest pranks? How to escape the filth: not a new question. An old rat-question that will not let go, that leaves its nasty, suppurating wound. Agenbite of inwit. ‘I see the Defense Force is up to its old tricks again,’ he remarks to his father. ‘In Botswana this time.’ But his father is too wary to rise to the bait. When his father picks up the newspaper, he cares to skip straight to the sports pages, missing out the politics—the politics and the killings. His father has nothing but disdain for the continent to the north of them. Buffoons is the word he uses to dismiss the leaders of African states: petty tyrants who can barely spell their own names, chauffeured from one banquet to another in their Rolls-Royces, wearing Ruritanian uniforms festooned with medals they have awarded themselves. Africa: a place of starving masses with homicidal buffoons lording over them. ‘They broke into a house in Francistown and killed everyone,’ he presses on nonetheless. ‘Executed them .Including the children. Look. Read the report. It’s on the front page.’ His father shrugs. His father can find no form of words spacious enough to cover his distaste for, on one hand, thugs who slaughter defenceless women and children and, on the other, terrorists who wage war from havens across the border. He resolves the problem by immersing himself in the cricket scores. As a response to moral dilemma it is feeble; yet is his own response—fits of anger and despair—any better?" Summertime, Coetzee
J.M. Coetzee
The people like me, finally, after years and years of agitation, made deeply moving and eloquent speeches against the wrongness of your domination over us, and then finally, after the mutilated bodies of you, your wife, and your children were found in your beautiful and spacious bungalow at the edge of your rubber plantation—found by one of your many house servants (none of it was ever yours; it was never, ever yours)—you say to me, “Well, I wash my hands of all of you, I am leaving now,” and you leave, and from afar you watch as we do to ourselves the very things you used to do to us. And you might feel that there was more to you than that, you might feel that you had understood the meaning of the Age of Enlightenment (though, as far as I can see, it had done you very little good); you loved knowledge, and wherever you went you made sure to build a school, a library (yes, and in both of these places you distorted or erased my history and glorified your own). But then again, perhaps as you observe the debacle in which I now exist, the utter ruin that I say is my life, perhaps you are remembering that you had always felt people like me cannot run things, people like me will never grasp the idea of Gross National Product, people like me will never be able to take command of the thing the most simpleminded among you can master, people like me will never understand the notion of rule by law, people like me cannot really think in abstractions, people like me cannot be objective, we make everything so personal. You will forget your part in the whole setup, that bureaucracy is one of your inventions, that Gross National Product is one of your inventions, and all the laws that you know mysteriously favour you.
Jamiaca Kincaid
Do you remember…(doesn’t that appear in each of my letters?), do you remember that you spoke of how eagerly you experienced that period when for the first time autumn and winter were to meet you not in the city, but among the trees whose happiness you knew, whose spring and summer rang in your earliest memories and were mingled with everything warm and dear and tender and with the infinitely blissful melancholies of summer evenings and of long, yearning nights of spring. You knew just as much of them as of the dear people in your surroundings, among whom also summer and spring, kindness and happiness were dedicated to you and whose influence held sway above your growing up and maturing, and whose other experiences would touch you only by report and rarely like a shot in the wood of which superstitious folk tell for a long time. But now you were to remain out in the country house that was growing lonely and were to see the beloved trees suffer in the rising wind, and were to see how the dense park is torn apart before the windows and becomes spacious and everywhere, even in very deep places, discloses the sky which, with infinite weariness, lets itself rain and strikes with heavy drops on the aging leaves that are dying in touching humility. And you were to see suffering where until now was only rapture and anticipation, and were to learn to endure dying in the very place where the heart of life had beaten most loudly upon yours. And you were to behave like the grownups who all at once may know everything, yes, who become grown up just because of the fact that even the darkest and saddest things do not have to be hidden from them, that one does not cover up the dead when they enter, nor hide those whose faces are sawed and torn by a sharp pain.” ―from letter to Clara Westhoff Schmargendorf (Sunday, November 18, 1900)
Rainer Maria Rilke
While the following tragedy may be revolting to read, it must not be forgotten that the existence of it is far more revolting. In Devonshire Place, Lisson Grove, a short while back died an old woman of seventy-five years of age. At the inquest the coroner's officer stated that all he found in the room was a lot of old rags covered with vermin. He had got himself smothered with the vermin. The room was in a shocking condition, and he had never seen anything like it. Everything was absolutely covered with vermin.' The doctor said: 'He found deceased lying across the fender on her back. She had one garment and her stockings on. The body was quite alive with vermin, and all the clothes in the room were absolutely gray with insects. Deceased was very badly nourished and was very emaciated. She had extensive sores on her legs, and her stockings were adherent to those sores. The sores were the result of vermin. Over her bony chest leaped and rolled hundreds, thousands, myriads of vermin.' A man present at the inquest wrote; 'I had the evil fortune to see the body of the unfortunate woman as it lay in the mortuary; and even now the memory of that gruesome sight makes me shudder. There she lay in the mortuary shell, so starved and emaciated that she was a mere bundle of skin and bones. Her hair, which was matted with filth, was simply a nest of vermin. If it is not good for your mother and my mother so to die, then it is not good for this woman, whosoever's mother she might be, so to die. Bishop Wilkinson, who has lived in Zululand, recently said, 'No headman of an African village would allow such a promiscuous mixing of young men and women, boys and girls.' He had reference to the children of the overcrowded folk, who at five have nothing to learn and much to unlearn which they will never unlearn. It is notorious that here in the Ghetto the houses of the poor are greater profit earners than the mansions of the rich. Not only does the poor worker have to live like a beast, but he pays proportionately more for it than does the rich man for his spacious comfort. A class of house-sweaters has been made possible by the competition of the poor for houses. There are more people than there is room, and numbers are in the workhouse because they cannot find shelter elsewhere. Not only are houses let, but they are sublet, and sub-sublet down to the very rooms.
Jack London (The People of the Abyss)
He ran long at the White House, and arrived late to his next meeting with Hillary Clinton, Jake Sullivan and Frank Ruggiero—their first major strategy session on Taliban talks after the secret meeting with A-Rod. She was waiting in her outer office, a spacious room paneled in white and gilt wood, with tasseled blue and pink curtains and an array of colorfully upholstered chairs and couches. In my time reporting to her later, I only ever saw Clinton take the couch, with guests of honor in the large chair kitty-corner to her. She’d left it open for him that day. “He came rushing in. . . . ” Clinton later said. “And, you know, he was saying ‘oh I’m so sorry, I’m so sorry.’ ” He sat down heavily and shrugged off his coat, rattling off a litany of his latest meetings, including his stop-in at the White House. “That was typical Richard. It was, like, ‘I’m doing a million things and I’m trying to keep all the balls in the air,’ ” she remembered. As he was talking, a “scarlet red” flush went up his face, according to Clinton. He pressed his hands over his eyes, his chest heaving. “Richard, what’s the matter?” Clinton asked. “Something horrible is happening,” he said. A few minutes later, Holbrooke was in an ambulance, strapped to a gurney, headed to nearby George Washington University Hospital, where Clinton had told her own internist to prepare the emergency room. In his typically brash style, he’d demanded that the ambulance take him to the more distant Sibley Memorial Hospital. Clinton overruled him. One of our deputies on the SRAP team, Dan Feldman, rode with him and held his hand. Feldman didn’t have his BlackBerry, so he scrawled notes on a State Department expense form for a dinner at Meiwah Restaurant as Holbrooke dictated messages and a doctor assessed him. The notes are a nonlinear stream of Holbrooke’s indomitable personality, slashed through with medical realities. “Call Eric in Axelrod’s office,” the first read. Nearby: “aortic dissection—type A . . . operation risk @ > 50 percent”—that would be chance of death. A series of messages for people in his life, again interrupted by his deteriorating condition: “S”—Secretary Clinton—“why always together for medical crises?” (The year before, he’d been with Clinton when she fell to the concrete floor of the State Department garage, fracturing her elbow.) “Kids—how much love them + stepkids” . . . “best staff ever” . . . “don’t let him die here” . . . “vascular surgery” . . . “no flow, no feeling legs” . . . “clot” . . . and then, again: “don’t let him die here want to die at home w/ his fam.” The seriousness of the situation fully dawning on him, Holbrooke turned to job succession: “Tell Frank”—Ruggiero—“he’s acting.” And finally: “I love so many people . . . I have a lot left to do . . . my career in public service is over.” Holbrooke cracked wise until they put him under for surgery. “Get me anything you need,” he demanded. “A pig’s heart. Dan’s heart.
Ronan Farrow (War on Peace: The End of Diplomacy and the Decline of American Influence)
Contrary to what many may believe about these horses and the environment that they live in, the horses are in good health and are living in an appropriate stable with excellent care. These horses are being treated with pride and compassion, often by their individual owners/drivers." He found the horses were housed in comfortable, clean, spacious box stalls that allowed them to lie down in comfortable bedding. They are provided, he said, with quality food and water throughout the day. After his first visit, Dr. Jordan returned a second time unannounced and examined the stables again. He also went to Central Park to look at the horses there. "The horses at Central Park were all in good weight, well shod, and prepared for their work." None appeared to be overworked." It was clear, Dr. Jordan said, that the horses are "living happy lives with owners who truly care for their well-being.
Jon Katz (Who Speaks for the Carriage Horses: The Future of Animals in Our World)
The first time I walked through the spacious house, I didn't see possibility or a new start. I saw a big, empty space. These rooms looked like all I did not have, every room a challenge, rather than an opportunity.
Jill Talbot (Loaded: Women and Addiction)
house, not the least being the renovation of the guest bedroom into a spacious nursery. Now David still
Daniel Leston (The Amun Chamber)
Financial freedom is important. MONEY IS GOOD. There is no doubt about it. I have NO quarrel with things, with new cars (that smell so good!) or spacious houses. I believe in success, prosperity and abundance: it is what The Creator wants for everyone: part of our legitimate aspirations for a better life and a great help to fulfill our purpose. Fat cows are better than skinny cows. I have been through fat cows, SO FAT they seemed to be on hormones; but have also experienced the lean cows, the scrawny and ugly ones! Worst, there was a time in my life when THERE WERE NO COWS!!! Times so bad that I became like a cow myself… Unable to think, just brooding and waiting for miracles! So, believe me, I know and understand the importance of money.,. However, to forget the real WHY’s and WHAT FOR’s of money, is a dangerous business... The real problem, the terrible thing, is that too many are willing to do whatever it takes, even if they harm others, to find the dollar, to get the money, to obtain the cash… Orison Swett Marden, father of personal motivation in the nineteenth century, masterfully warned us: Often what is called success is failure. When men love money so much, that they sacrifice their friendships, their family, their home life; sacrifice position, honor, health, everything for the dollar, their life is a failure, although they may have accumulated money. In other words, SUCCESS IS NOT how much money you have in the bank, with little care for anything else. “The greatest success, in the end, is to live a good life”, said Jim Rohn. Just to accumulate things does not get you a happy and fulfilled life… Those things come from living a balanced life.
Mauricio Chaves Mesén (YES! TO SUCCESS)
Suddenly he thought he had lived over stores long enough, he wanted someplace to stretch his long limbs, someplace where he belonged, where he wasn't always ducking to keep out of peoples' way. Gardens, chateaux- Morry saw them laid out like spangled Christmas cards- vividly colored invitations to a fairytale world. He felt homesick for spacious houses set in spreading lawns fringed with great calm shade trees-he was homesick for things he had never known, for families he had only read about, he missed people-old friends that had lived only in the novels he had read. Homesick... for a Lamptown that Hogan has just created out of six beers.
Dawn Powell (Dance Night)
They sat in the spacious living room, reached by a series of steps that plunged the area below ground level. A glass roof opened onto a limpid, deep blue sky. It reminded Lucie of a kind of giant vivarium. Luc Szpilman uncapped a beer; his interlocutor opted for water. Somewhere in the house someone was playing a musical instrument. The notes danced, light and mesmerizing.
Franck Thilliez (Syndrome E)
I stand by the door I neither go too far in nor stay too far out The door is the most important door in the world. It is the door through which men walk when they find God. There's no use in my going way inside and staying there ​ When so many are still outside and they, as much as I, crave to know where the door is And all that so many ever find is only the wall where a door ought to be. They creep along the wall like blind men with outstretched, groping hands Feeling for a door, knowing there must be a door, yet they never find it. So I stand by the door. The most tremendous thing in the world is for men to find that door - The door to God. The most important thing any man can do Is to take hold of one of those blind, groping hands and put it on the latch - The latch that only clicks and opens to the man's own touch. Men die outside that door As starving beggars die on cold nights in cruel cities in the dead of winter Die for want of what is within their grasp They live on the other side of it, live because they have found it Nothing else matters compared to helping them find it And open it and walk in and find Him. So I stand by the door. Go in great saints, go all the way in Go way down in the cavernous cellars and way into the spacious attics It is a vast roomy house, this house where God is. Go into the deepest of hidden casements of withdrawal, of silence, of sainthood Some must inhabit those inner rooms, And know the depths and heights of God And call outside to the rest of us how wonderful it is Sometimes I take a deeper look in, sometimes venture in a little farther But my place seems close to the opening So I stand by the door… I admire the people who go way in, But I wish they would not forget how it was before they got in Then they would be able to help the people who have not yet even found the door Or the people who want to run away from God again You can go in too deeply and stay in too long and forget the people outside the door As for me, I shall take my old accustomed place Near enough to God to hear Him and know He is there But not far from men as to not hear them and remember that they are there too. Where? Outside the door. Thousands of them, millions of them But more important for me, one of them, two of them, ten of them Whose hands I am intended to put on the latch So I shall stand by the door and wait for those who seek it. I had rather be a doorkeeper, so I stand by the door. — Samuel Shoemaker
Creston Mapes (Nobody)
Dane liked luxury weapons, and taxidermy, in that order, and displayed all three in her spacious underground bedchamber. She liked women too, but she yelled for her wives to fly elsewhere the minute she entered with Cent in her hand.
Jeanne G'Fellers (Cleaning House (Appalachian Elementals #1))
For Vanni and Paul, Joe designed a larger version of Paul’s house, but with changes that although slight, gave it a different appearance altogether, so it didn’t look like a copy and was better suited for a growing family. The features they loved were there—the wide hallways, spacious rooms, high ceilings, large garage. And it had to have more bedrooms—Paul was going to fill her with babies. He
Robyn Carr (Second Chance Pass)
Where the baobab tree was the soul of the village, the palace was its heart, the inner machinations of what we were. Anarchic, mystical, complete. It was a hut the size of three houses and just as spacious inside. There were sleeping and cooking and bathing spaces, all separated by piles of strategically grouped books. It was the chaos of Nimm organized into one large space. You could walk through the open entranceway and see across the huge palace. My way was blocked by a great stack of vertically organized books.
Nnedi Okorafor (Akata Woman (The Nsibidi Scripts, #3))
The Manor, Old Windsor, (a curiously incongruous name and address for a house entirely Spanish in character) was looking very lovely when we drove up to it that morning. The sun was shining on its pale walls and the ‘shrubberies’—really, a beautifully laid-out plantation. The house, although rather near to a road, is perfectly secluded from it. The small park into which the plantation gradually recedes gives the whole a feeling of great spaciousness. I notice that I am writing as if it all still existed, but in fact I believe that after it was sold the land was cut up and that a number of houses were built on it. It seems very sad when once it was so perfect, and whenever I have subsequently been in the neighbourhood I have made a point of never going to see it and never driving in that direction.
Elizabeth Eliot (Cecil)
Scarce had the rubicund Apollo spread o’er the face of the broad spacious earth the golden threads of his bright hair, scarce had the little birds of painted plumage attuned their notes to hail with dulcet and mellifluous harmony the coming of the rosy Dawn, that, deserting the soft couch of her jealous spouse, was appearing to mortals at the gates and balconies of the Manchegan horizon, when the renowned knight Don Quixote of La Mancha, quitting the lazy down, mounted his celebrated steed Rocinante and began to traverse the ancient and famous Campo de Montiel;
Book House (100 Books You Must Read Before You Die - volume 1 [newly updated] [Pride and Prejudice; Jane Eyre; Wuthering Heights; Tarzan of the Apes; The Count of ... (The Greatest Writers of All Time))
The Antebellum South was filled with romantic legends in which handsome young men left baronial halls and came to the New World to establish spacious manor houses of their own and to preserve the chivalry and gallantry of Sir Walter Scott’s fantastic novels. Coats of arms were duly supplied to bolster these outlandish claims, and they hang today on thousands of walls, attesting to the hereditary splendor of imaginary ancestors. But, alas, in contrast the Southern mountaineer is by his very name fenced off from such pretensions, for his cognomen has come down with him from his first outcast ancestors on these shores and marks him indelibly as the son of a penniless laborer whose forebears, in turn, had been, more often than not, simply serfs.
Harry M. Claudill (Night Comes To The Cumberlands: A Biography Of A Depressed Area)
Walter had seen failing bodies in the convalescent homes where his mom worked. But he didn’t imagine pushing a syringe into papery skin when he thought of his future. He didn’t think about what doctors actually did. He needed some profession. He’d once walked over a lawn to a classmate’s house. (The boy’s father, whom Walter had never met, was a cardiologist.) A recently groomed dog thumped its tail against the door, which opened to a spacious room of light and warm clutter. Walter wanted that.
Mona Simpson (Commitment)
In addition to the Catholic Church’s ban on contraception, a ban which had added force because of the religious cohesion of the ethnic neighborhood, one of the main things which fueled this demographic increase in Philadelphia was the rowhouse. It was cheap enough for a worker to own. It was more spacious than an apartment, and instead of paying rent and being at the mercy of landlords, a man could own his home free and clear in the time it took him to pay off his mortgage. Since it was located in the city near public transportation, the rowhouse did not require the expense of owning a car. Since it was surrounded on both sides by other houses, it was cheap to heat. As a result, it allowed the working-class Catholic family to have a large family, and over a period of time, it allowed him to benefit from the political power which followed demographic increase, which is precisely what was causing Blanshard and the Phillips crowd concern. The attack on the rowhouse which the Better Philadelphia Exhibition orchestrated meant an attack on all of the cultural attributes that went with the rowhouse, a building which symbolized the cultural independence of the ethnic neighborhood based on religious cohesion and the economic independence of immigrant workers who could own their own homes. The attack on the rowhouse in Philadelphia was a covert attack on the Catholics who lived in them, orchestrated by a ruling class that knew, as good Darwinians, that demography was destiny and that they, because of their all but universal adoption of contraception, were on the losing end of the demographic equation. Urban renewal, like the sexual revolution which followed it eighteen years later, was the WASP ruling class’s attempt to keep “the United States from becoming a Catholic country by default.
E. Michael Jones (The Slaughter of Cities: Urban Renewal as Ethnic Cleansing)
When we are married - and we will be married, I know we will, I see the long years of our marriage ahead like a great spacious welcoming firelit room - when we are married we shall have a house in London because I want to show you off. I want to wave you around in pride. We'll have that - but we'll also have Porlock, or somewhere like Porlock because we're going to want to be alone, and work, and shut the door on people...
Penelope Lively (According to Mark)
It occurred to him, not for the first time, that London was more than one city. There was the one he was taxied comfortably about in, whose views were spacious and spoke in agreeable accents of wealth and plenty, while the other was cramped, soiled and barbarous, peopled by a feral race who’d strip you bare and chew the bones.
Mick Herron (Real Tigers (Slough House, #3))
Hausen himself, whose chief concern, second only to his reverence for titles, was a passionate attention to the amenities offered by each night’s billets, was equally annoyed. On August 27, his first night in France, no château was available for himself and the Crown Prince of Saxony who accompanied him. They had to sleep in the house of a sous-préfet which had been left in complete disorder; “even the beds had not been made!” The following night was worse: he had to endure quarters in the house of a M. Chopin, a peasant! The dinner was meager, the lodgings “not spacious,” and the staff had to accommodate itself in the nearby rectory whose curé had gone to war. His old mother, who looked like a witch, hung around and “wished us all at the devil.” Red streaks in the sky showed that Rocroi, through which his troops had just passed, was in flames. Happily the following night was spent in the beautifully furnished home of a wealthy French industrialist who was “absent.” Here the only discomfort suffered by Hausen was the sight of a wall covered by espaliered pear trees heavy with fruit that was “unfortunately not completely ripe.” However, he enjoyed a delightful reunion with Count Munster, Major Count Kilmansegg, Prince Schoenburg-Waldenburg of the Hussars, and Prince Max, Duke of Saxe, acting as Catholic chaplain, to whom Hausen was able to convey the gratifying news that he had just received by telephone the best wishes for success of the Third Army from his sister, the Princess Mathilda.
Barbara W. Tuchman (The Guns of August)
This being human is a guest house. Every morning a new arrival. A joy, a depression, a meanness, some momentary awareness comes as an unexpected visitor. Welcome and entertain them all! —Rumi
Stephanie Bennett Vogt (Your Spacious Self: Clear the Clutter and Discover Who You Are)
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First Encounters with Joy At some point around this time, Lewis’s already rich imaginative life took a new turn. Lewis later recalled three early experiences which he regarded as shaping one of his life’s chief concerns. The first of these took place when the fragrance of a “flowering currant bush” in the garden at Little Lea triggered a memory of his time in the “Old House”—Dundela Villas, which Albert Lewis had then rented from a relative.[29] Lewis speaks of experiencing a transitory, delectable sense of desire, which overwhelmed him. Before he had worked out what was happening, the experience had passed, leaving him “longing for the longing that had just ceased.” It seemed to Lewis to be of enormous importance. “Everything else that had ever happened to me was insignificant in comparison.” But what did it mean? The second experience came when reading Beatrix Potter’s Squirrel Nutkin (1903). Though Lewis admired Potter’s books in general at this time, something about this work sparked an intense longing for something he clearly struggled to describe—“the Idea of Autumn.”[30] Once more, Lewis experienced the same intoxicating sense of “intense desire.” The third came when he read Henry Wadsworth Longfellow’s translation of a few lines from the Swedish poet Esaias Tegnér (1782–1846):[31] I heard a voice that cried, Balder the beautiful Is dead, is dead— Lewis found the impact of these words devastating. It was as if they opened a door that he did not know existed, allowing him to see a new realm beyond his own experience, which he longed to enter and possess. For a moment, nothing else seemed to matter. “I knew nothing of Balder,” he recalled, “but instantly I was uplifted into huge regions of northern sky, [and] I desired with almost sickening intensity something never to be described (except that it is cold, spacious, severe, pale, and remote).”[32] Yet even before Lewis had realised what was happening to him, the experience passed, and left him longing to be able to reenter it.
Alister E. McGrath (C. S. Lewis: A Life: Eccentric Genius, Reluctant Prophet)
In April 1653 Johannes Reijniersz Vermeer married a Catholic girl, Catharina Bolenes. The blessing took place in a nearby and quiet village Schipluiden. For the groom it was a good match. His mother-in-law, Maria Thins, was significantly wealthier than he, and it was probably she who insisted Vermeer convert to Catholicism before the marriage on 5 April. Some scholars doubt that Vermeer became Catholic, but one of his paintings, The Allegory of Catholic Faith, made between 1670 and 1672, reflects the belief in the Eucharist. Walter Liedtke in Dutch Paintings in the Metropolitan Museum of Art suggests it was made for a Catholic patron, or for a schuilkerk, a hidden church. At some point the couple moved in with Catharina’s mother, who lived in a rather spacious house at Oude Langendijk, almost next to a hidden Jesuit church.
Johannes Vermeer (Masters of Art: Johannes Vermeer)
High up, crowning the grassy summit of a swelling mound whose sides are wooded near the base with the gnarled trees of the primeval forest, stands the old chateau of my ancestors. For centuries its lofty battlements have frowned down upon the wild and rugged countryside about, serving as a home and stronghold for the proud house whose honoured line is older even than the moss-grown castle walls. These ancient turrets, stained by the storms of generations and crumbling under the slow yet mighty pressure of time, formed in the ages of feudalism one of the most dreaded and formidable fortresses in all France. From its machicolated parapets and mounted battlements Barons, Counts, and even Kings had been defied, yet never had its spacious halls resounded to the footsteps of the invader.
H.P. Lovecraft (H.P. Lovecraft: The Ultimate Collection)
Charles Dickens, visiting the United States five years earlier, had described Washington as “the City of Magnificent Intentions,”12 with “spacious avenues, that begin in nothing, and lead nowhere; streets, mile-long, that only want houses, roads, and inhabitants; public buildings that need but a public to be complete.
Ronald C. White Jr. (A. Lincoln)
know my way around here now!” The group, impressed, followed Kells. “Why can’t I go, too?” Belinda asked. “Because I have plans for you, Miss Jessup,” he drawled. He caught her hand in his and led her toward the white frame house. “What sort of plans?” she asked suspiciously. He paused with a secretive grin. “What do you think?” He leaned closer, threatening her mouth with his, so that when he spoke she felt his clean, minty breath on her lips. “Well, I could be thinking about how big and soft the sofa in the living room is,” he murmured. “And how well two people would fit on it.” She could barely breathe. Her heart was thumping madly against her rib cage. “Or,” he added, lifting his head, “I might have something purely innocent in mind. Why not come with me and find out?” He tugged at her hand and she fell into step beside him, just when she’d told herself she wasn’t about to do that. He led her up the steps and into the house. It was cool and airy, with light colored furniture and sedate throw rugs. There were plain white priscilla curtains at the windows, and the kitchen was spacious and furnished in white and yellow. “It’s very nice,” she said involuntarily, turning around to look at her surroundings.
Diana Palmer (Love With a Long, Tall Texan (Long, Tall Texans Book 21))