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Jacopetti’s Mondo Cane series of documentary films enjoyed a huge vogue in the 1960s. They cunningly mixed genuine film of atrocities, religious cults and ‘Believe-it-or-not’ examples of human oddity with carefully faked footage. The fake war newsreel (and most war newsreels are faked to some extent, usually filmed on manoeuvres) has always intrigued me - my version of Platoon, Full Metal Jacket or All Quiet on the Western Front would be a newsreel compilation so artfully faked as to convince the audience that it was real, while at the same time reminding them that it might be wholly contrived. The great Italian neo-realist, Roberto Rossellini, drew close to this in Open City and Paisa.
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J.G. Ballard (The Atrocity Exhibition)