Spaced Invaders Quotes

We've searched our database for all the quotes and captions related to Spaced Invaders. Here they are! All 100 of them:

I'd learned a long time ago that one of the finest weapons in my arsenal was my ability to invade personal space
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
It was one of those dreams that invade the space between seconds, proving sleep has its own physics- where time shrinks and swells, lifetimes unspool in a blink, and cities burn to ash in a mere flutter of lashes.
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
It's astrology, and it totally makes sense!" Maritza continued. "His big, obnoxious Scorpio energy is invading your cozy Cancer safe space!
Aiden Thomas (Cemetery Boys (Cemetery Boys, #1))
Sure, humans had invaded an extra-dimensional space with wormholes to points scattered across the galaxy, but they'd remembered to bring ferns.
James S.A. Corey (Cibola Burn (The Expanse, #4))
Having a chronic illness, Molly thought, was like being invaded. Her grandmother back in Michigan used to tell about the day one of their cows got loose and wandered into the parlor, and the awful time they had getting her out. That was exactly what Molly's arthritis was like: as if some big old cow had got into her house and wouldn't go away. It just sat there, taking up space in her life and making everything more difficult, mooing loudly from time to time and making cow pies, and all she could do really was edge around it and put up with it. When other people first became aware of the cow, they expressed concern and anxiety. They suggested strategies for getting the animal out of Molly's parlor: remedies and doctors and procedures, some mainstream and some New Age. They related anecdotes of friends who had removed their own cows in one way or another. But after a while they had exhausted their suggestions. Then they usually began to pretend that the cow wasn't there, and they preferred for Molly to go along with the pretense.
Alison Lurie (The Last Resort: A Novel)
Human rights pale beside the rights of machines. In more and more cities, especially in the great metropolises of the South, people have been banned. Automobiles usurp human space, poison the air, and frequently murder the interlopers who invade their conquered territory -and no one lifts a finger to stop them. Is there a difference between violence that kills by car and that which kills by knife or bullet?" (p.231)
Eduardo Galeano (Upside Down: A Primer for the Looking-Glass World)
You're here." I look up at him. "I am." My voice is soft, but I can tell by the smirk on his face that he hears me just fine. "Does that mean not really is a no then?" His face is serious now. "Ask me again." I grin up at the handsome face that is towering over me, invading my personal space. "Are you seeing anyone?" "No." My response is assertive. "Yes. You are." I'm confused. "I am?" "I don't share Elle." "Oh." Oh my.
Vi Keeland (Worth the Fight (MMA Fighter, #1))
Dangerous when he wanted to invade her personal space like he had the right to without fucking regard for if she wanted him there.
V. Theia (Dirty Salvation (Renegade Souls MC Romance Saga #1))
We met when we were both majoring in Space Invaders with a Pub Etiquette minor at the Happy Harbor Campus of UMass/Boston.
Dennis Lehane (A Drink Before the War (Kenzie & Gennaro, #1))
You, me, together,” he said, his teeth nipping at my earlobe. “Permanently, being as clingy and possessive, jealous, space-invading boyfriend and girlfriend as we want, because this is happening. We are so fucking happening together. Whether you like it or not, you’re mine...just as I’ve been yours for years. So...do you got all that?” - Brandt
Linda Kage (Priceless (Forbidden Men, #8))
I like books cause they don't care if your knickers match your bra If you've washed your hair. I like books cause they don't invade your space They sit on your shelf They don#t get in your face. I like books cause they don't mind Waht your heart contains Who you've left behind. I like a book cause it doesn't give a shirt When you get to the end what you think of it. Books don't care if you've got a degree What you watch on TV. Books don't judge if you've got tattoos If your friends are few. I like books cause they don't care.
Stephanie Butland (Lost For Words)
She rattled around that huge house, growing more and more used to being on her own, resenting his presence more and more when he was back for the weekends, feeling like he was invading her space. They became like strangers, ships that pass in the night, not able to agree on anything, not having any common ground
Jane Green
Love Is the Treasure The temple of love is not love itself; True love is the treasure, Not the walls about it. Do not admire the decoration, But involve yourself in the essence, The perfume that invades and touches you— The beginning and the end. Discovered, this replaces all else, The apparent and the unknowable. Time and space are slaves to this presence.
Rumi (Jalal ad-Din Muhammad ar-Rumi) (The Love Poems of Rumi)
You own me,” he said, water sputtering against his lips as his head bobbed at the surface. “You have lock and key, deed to the house, the welcome mat, all that shit. It’s all yours, baby.” “I’ll have to take good care of my property, then.” “And I’ll have to behave on and off the premises. I may be a little rowdy, but...I’ll use my manners.” I sent him a small splash. “No swearing, invading personal space, or forgetting your pleases and thank-yous.” A glimmer twinkled in his irises, and for a moment, it looked as if he was the one about to drown. “Damn straight,” he pulled me against him abruptly, nose to nose. “Now please get over here and fucking kiss me.
Rachael Wade (Love and Relativity (Preservation))
When you discover yourself lying on the ground, limp and unresisting, head in the dirt, and helpless, the earth seems to shift forward as a presence; hard, emphatic, not mere surface but a genuine force—there is no other word for it but presence. To keep in motion is to keep in time and to be stopped, stilled, is to be abruptly out of time, in another time-dimension perhaps, an alien one, where human language has no resonance. Nothing to be said about it expresses it, nothing touches it, it’s an absolute against which nothing human can be measured…Moving through space and time by way of your own volition you inhabit an interior consciousness, a hallucinatory consciousness, it might be said, so long as breath, heartbeat, the body’s autonomy hold; when motion is stopped you are jarred out of it. The interior is invaded by the exterior. The outside wants to come in, and only the self’s fragile membrane prevents it.
Joyce Carol Oates
In order for good news to be good—like the gospel is good (literally means “good news”)—it must invade bad spaces.
Matt Chandler (Recovering Redemption: A Gospel Saturated Perspective on How to Change)
Her skirts, sleeves, collar, and hat saw to it that none of the young ruffians of the Leased Territories would have the opportunity to invade her body space with their eyes, and lest her distinctive face prove too much of a temptation, she wore a veil too... The veil offered Nell protection from unwanted scrutiny. Many New Atlantis career women also used the veil as a way of meeting the world on their own terms, ensuring that they were judged on their own merits and not on their appearance. It served a protective function as well, bouncing back the harmful rays of the sun...
Neal Stephenson (The Diamond Age: Or, a Young Lady's Illustrated Primer)
Any mother could tell you that a child invades her space from the moment of conception. And for years after, space does not exist. It was one of the things I had missed. I’d even yearned for it. And then Eli died, and I had all the space I had thought I wanted. Not just a little space. Outer space. Galaxies. And I’d floated in it in agony, longing for the days when there had been no such thing.
Amy Harmon (The Law of Moses (The Law of Moses, #1))
And as a writer, one of the things that I've always been interested in doing is actually invading your comfort space. Because that's what we're supposed to do. Get under your skin, and make you react.
Stephen King
The battle over the messy room is a battle over space. When we choose to call it her room but then continue to act like the room belongs to us, we invade our child’s space and eliminate the possibility that she can develop her own sense of respect for her own space.
Hal Edward Runkel (Screamfree Parenting, 10th Anniversary Revised Edition: How to Raise Amazing Adults by Learning to Pause More and React Less)
What people don’t understand about deer is that they’re vermin. They’re giant, furry cockroaches. They invade a space, reproduce like hell, and eat everything in sight.
J. Ryan Stradal (Kitchens of the Great Midwest)
When they’d been children there’d been a fallen log in the river, and John had walked on it, keeping his balance, instructing his brother: If you don’t think about it, you won’t fall.—That would be a perfect epitaph, thought Tyler malevolently, crushing the space invader raindrops with his windshield wipers.
William T. Vollmann (The Royal Family)
I can call them at any time, invading their lives with a series of numbers, like spinning the combination on their locker and suddenly being in their space. It’s so intensely personal it almost feels profane.
Mindy McGinnis (The Female of the Species)
You’ll slip up, just like everyone else who tries to mess with the British Empire. They all get it wrong somehow – forget some detail, make some tiny error, invade Russia – and then it’s all downhill from there.
Toby Frost (Space Captain Smith (Chronicles of Isambard Smith, #1))
Why’s it okay to draw spaceships if you’re seven, but not okay to draw diabolical mazes? Who decides that spending money on Space Invaders is fine, but if you buy a calculator with loads of symbols you’re asking to be picked on? Why’s it okay to listen to the Top 40 on Radio 1 but not okay to listen to stations in other languages?
David Mitchell (The Bone Clocks)
WHAT MAKES A GOOD LISTENER? 1. Not interrupting. 2. Showing that you empathize: not criticizing, arguing, or patronizing. 3. Establishing a physical sense of closeness without invading personal space. 4. Observing body language and letting yours show you are not distracted but attentive. 5. Offering your own self-disclosures, but not too many, or too soon. 6. Understanding the context of the other person’s life. 7. Listening from all four levels: body, mind, heart, and soul.
Deepak Chopra (The Soul of Leadership: Unlocking Your Potential for Greatness)
Like nearly every race of evil alien invaders in the history of science fiction, the Sobrukai were somehow technologically advanced enough to construct huge warships capable of crossing interstellar space, and yet still not smart enough to terraform a lifeless world to suit their needs, instead of going through the huge hassle of trying to conquer one that was already inhabited—especially one inhabited by billions of nuke-wielding apes who generally don’t cotton to strangers being on their land.
Ernest Cline (Armada)
These are lines from my asteroid-impact novel, Regolith: Just because there are no laws against stupidity doesn’t mean it shouldn’t be punished. I haven’t faced rejection this brutal since I was single. He smelled trouble like a fart in the shower. If this was a kiss of gratitude, then she must have been very grateful. Not since Bush and Cheney have so few spent so much so fast for so long for so little. As a nympho for mind-fucks, Lisa took to politics like a pig to mud. She began paying men compliments as if she expected a receipt. Like the Aerosmith song, his get-up-and-go just got-up-and-went. “You couldn’t beat the crap out of a dirty diaper!” He embraced his only daughter as if she was deploying to Iraq. She was hotter than a Class 4 solar flare! If sex was a weapon, then Monique possessed WMD I haven’t felt this alive since I lost my virginity. He once read that 95% of women fake organism, and the rest are gay. Beauty may be in the eyes of the beholder, but ugly is universal. Why do wives fart, but not girlfriends? Adultery is sex that is wrong, but not necessarily bad. The dinosaurs stayed drugged out, drooling like Jonas Brothers fans. Silence filled the room like tear gas. The told him a fraction of the truth and hoped it would take just a fraction of the time. Happiness is the best cosmetic, He was a whale of a catch, and there were a lot of fish in the sea eager to nibble on his bait. Cheap hookers are less buck for the bang, Men cannot fall in love with women they don’t find attractive, and women cannot fall in love with men they do not respect. During sex, men want feedback while women expect mind-reading. Cooper looked like a cow about to be tipped over. His father warned him to never do anything he couldn’t justify on Oprah. The poor are not free -- they’re just not enslaved. Only those with money are free. Sperm wasn’t something he would choose on a menu, but it still tasted better than asparagus. The crater looked alive, like Godzilla was about to leap out and mess up Tokyo. Bush follows the Bible until it gets to Jesus. When Bush talks to God, it’s prayer; when God talks to Bush, it’s policy. Cheney called the new Miss America a traitor – apparently she wished for world peace. Cheney was so unpopular that Bush almost replaced him when running for re-election, changing his campaign slogan to, ‘Ain’t Got Dick.’ Bush fought a war on poverty – and the poor lost. Bush thinks we should strengthen the dollar by making it two-ply. Hurricane Katrina got rid of so many Democratic voters that Republicans have started calling her Kathleen Harris. America and Iraq fought a war and Iran won. Bush hasn’t choked this much since his last pretzel. Some wars are unpopular; the rest are victorious. So many conservatives hate the GOP that they are thinking of changing their name to the Dixie Chicks. If Saddam had any WMD, he would have used them when we invaded. If Bush had any brains, he would have used them when we invaded. It’s hard for Bush to win hearts and minds since he has neither. In Iraq, you are a coward if you leave and a fool if you stay. Bush believes it’s not a sin to kill Muslims since they are going to Hell anyway. And, with Bush’s help, soon. In Iraq, those who make their constitution subservient to their religion are called Muslims. In America they’re called Republicans. With great power comes great responsibility – unless you’re Republican.
Brent Reilly
Abruptly invading someone’s personal or intimate space will be seen as an act of aggression, and from this act stems the expression, “get in someone’s face.” You definitely do not want to do that to a woman you like, so make sure she is comfortable before you move in.
W. Anton (The Manual: What Women Want and How to Give It to Them)
I’ve tried it a few times, when I’m alone in the car. But I never get past small talk. I feel sort of like I’m invading the baby’s space or like it’s going to wonder, after two months of respectful silence, why I’ve suddenly decided we need to get all personal with each other.
Rainbow Rowell (Attachments: Is there such a thing as love before first sight? The romantic comedy we all need to read in 2024)
I want to invade the space all around you until everywhere you look all you see is me.” I trace my tongue along the delicate curves of her ear and she sighs. “I want to occupy the space inside you until you don’t know the difference between my heartbeat and yours. I want to be your everything.
Cassia Leo (Forever Ours (Shattered Hearts, #1))
Isaiah pushes off his car and invades my personal space. His dark scent envelops me and my heart literally trips several times as it tries to continue to beat. Even though he doesn’t touch me, it’s like Isaiah is everywhere. Only centimeters separate us, but his warmth surrounds me like a bubble. I have to force myself to lift my chin to look at him. His gray eyes soften, and there’s this playful aura to him, accompanied by a devious tilt of his mouth.
Katie McGarry (Crash into You (Pushing the Limits, #3))
Naturally, no professional man of our time bases his arguments on those of philosophy and theology, but as perspectives—empty, like space, and yet, like space, telescoping the objects in it—these two rivals for the last word of wisdom persist everywhere in invading the optics of each special field of knowledge.
Robert Musil (The Man Without Qualities)
The hills below crouched on all fours under the weight of the rainforest where liana grew and soldier ants marched in formation. Straight ahead they marched, shamelessly single-minded, for soldier ants have no time for dreaming. Almost all of them are women and there is so much to do - the work is literally endless. So many to be born and fed, then found and buried. There is no time for dreaming. The life of their world requires organization so tight and sacrifice so complete there is little need for males and they are seldom produced. When they are needed, it is deliberately done by the queen who surmises, by some four-million-year-old magic she is heiress to, that it is time. So she urges a sperm from the private womb where they were placed when she had her one, first and last copulation. Once in life, this little Amazon trembled in the air waiting for a male to mount her. And when he did, when he joined a cloud of others one evening just before a summer storm, joined colonies from all over the world gathered fro the marriage flight, he knew at last what his wings were for. Frenzied, he flied into the humming cloud to fight gravity and time in order to do, just once, the single thing he was born for. Then he drops dead, having emptied his sperm into his lady-love. Sperm which she keeps in a special place to use at her own discretion when there is need for another dark and singing cloud of ant folk mating in the air. Once the lady has collected the sperm, she too falls to the ground, but unless she breaks her back or neck or is eaten by one of a thousand things, she staggers to her legs and looks for a stone to rub on, cracking and shedding the wings she will never need again. Then she begins her journey searching for a suitable place to build her kingdom. She crawls into the hollow of a tree, examines its walls and corners. She seals herself off from all society and eats her own wing muscles until she bears her eggs. When the first larvae appear, there is nothing to feed them, so she gives them their unhatched sisters until they are old enough and strong enough to hunt and bring their prey back to the kingdom. That is all. Bearing, hunting, eating, fighting, burying. No time for dreaming, although sometimes, late in life, somewhere between the thirtieth and fortieth generation she might get wind of a summer storm one day. The scent of it will invade her palace and she will recall the rush of wind on her belly - the stretch of fresh wings, the blinding anticipation and herself, there, airborne, suspended, open, trusting, frightened, determined, vulnerable - girlish, even, for and entire second and then another and another. She may lift her head then, and point her wands toward the place where the summer storm is entering her palace and in the weariness that ruling queens alone know, she may wonder whether his death was sudden. Or did he languish? And if so, if there was a bit of time left, did he think how mean the world was, or did he fill that space of time thinking of her? But soldier ants do not have time for dreaming. They are women and have much to do. Still it would be hard. So very hard to forget the man who fucked like a star.
Toni Morrison (Tar baby)
He keeps saying he doesn’t want to get personal, yet he has no problem asking me personal questions or invading my personal space,
Jodi Ellen Malpas (Promised (One Night, #1))
The child must not invade the parents’ whole universe . . . for family balance, the parents also need personal space,
Pamela Druckerman (Bringing Up Bébé: One American Mother Discovers the Wisdom of French Parenting)
The invaders would have to navigate around the eight-kilometer-wide rock, which would provide cover for UN forces and serve as a launch point for surface-to-space missiles. General
Greg Spry (Beyond Cloud Nine (Beyond Saga #1))
We pick and choose who to love. We pick and choose who to hate. We pick and choose our friends and ignore those that invade our space. We pick and choose who should live. We pick and choose who should die. We pick and choose who we say hello to and ignore a dying loners cry. We pick and choose who to be real to. We pick and choose to be fake to. We pick and choose who is worthy of our affections or beneath us or we can relate to. We pick and choose our dreams. We pick and choose our destiny. We pick and choose what we think will bring out the best in me. We pick and choose to reach the pinnacle. We pick and choose because of our power of choice. We sometimes pick and choose while never really considering the consequences of our voice.
Delaine Robins
When it got to be time to design the week—a period of time, unlike the day, month, and year, with no intrinsic astronomical significance—it was assigned seven days, each named after one of the seven anomalous lights in the night sky. We can readily make out the remnants of this convention. In English, Saturday is Saturn’s day. Sunday and Mo[o]nday are clear enough. Tuesday through Friday are named after the gods of the Saxon and kindred Teutonic invaders of Celtic/Roman Britain: Wednesday, for example, is Odin’s (or Wodin’s) day, which would be more apparent if we pronounced it as it’s spelled, “Wedn’s Day”; Thursday is Thor’s day; Friday is the day of Freya, goddess of love. The last day of the week stayed Roman, the rest of it became German.
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
Here’s who it’s not okay to share a bed with: Anyone who makes you feel like you’re invading their space. Anyone who tells you that they “just can’t be alone right now.” Anyone who doesn’t make you feel like sharing a bed is the coziest and most sensual activity they could possibly be undertaking (unless, of course, it is one of the aforementioned relatives; in that case, they should act lovingly but also reserved/slightly annoyed). Now, look over at the person beside you. Do they meet these criteria? If not, remove them or remove yourself. You’re better off alone.
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
What are you doing?" I whisper. "Thinking." "You're thinking very deep into my personal space." "Should I move?" I lift my hand and rest it on his abdomen. "No, I like it when you invade my personal space.
Ivy Owens (Scandalized)
But my parents understood that the world that they made within the walls of our house was what constituted home. So I grew up in spaces framed by art and color, filled with candlelight, marked by beauty. I grew up within a rhythm of time made sacred by family devotions in the morning and long conversations in the evening. I grew up with the sense of our daily life as a feast and delight; a soup-and-bread dinner by the fire, Celtic music lilting in the shadows, and the laughter of my siblings gave me a sense of the blessedness of love, of God's life made tangible in the food and touch and air of our home. It was a fight for my parents, I know. Every day was a battle to bring order to mess, peace to stressful situations, beauty to the chaos wrought by four young children. But that's the reality of incarnation as it invades a fallen world....What my parents-bless them-knew...is that to make a home right in the midst of the fallen world is to craft out a space of human flesh and existence in which eternity rises up in time, in which the kingdom comes, in which we may taste and see the goodness of God.
Sally Clarkson (The Lifegiving Home: Creating a Place of Belonging and Becoming)
We usually believe that the tamer is attacked by the lion and that the tamer stops his attack by raising his whip or firing a blank. Wrong: the lion was fed and sedated before it entered the cage and doesn't feel like attacking anybody. Like all animals, it has its own space; if you don't invade that space, the lion remains calm. When the tamer steps forward, invading it, the lion roars; the tamer then raises his whip, but also takes a step backward (as if in expectation of a charge), whereupon the lion calms down.
Umberto Eco (Foucault’s Pendulum)
Though his mind is not for rent Don't put him down as arrogant His reserve, a quiet defense Riding out the day's events What you say about his company Is what you say about society Catch the mist, catch the myth Catch the mystery, catch the drift The world is, the world is Love and life are deep Maybe as his skies are wide Today's Tom Sawyer He gets high on you And the space he invades He gets by on you No his mind is not for rent To any god or government Always hopeful, yet discontent He knows changes aren't permanent But change is What you say about his company Is what you say about society The world is, the world is Love and life are deep Maybe as his eyes are wide Exit the warrior Today's Tom Sawyer He gets high on you And the energy you trade He gets right on to the friction of the day
Neil Peart
Because transsexuals have lost their physical “members” does not mean that they have lost their ability to penetrate women—women’s mind, women’s space, women’s sexuality. Transsexuals merely cut off the most obvious means of invading women so that they seem noninvasive.
Janice G. Raymond (The Transsexual Empire: The Making of the She-Male (Athene Series))
Here’s who it’s not okay to share a bed with: Anyone who makes you feel like you’re invading their space. Anyone who tells you that they “just can’t be alone right now.” Anyone who doesn’t make you feel like sharing a bed is the coziest and most sensual activity they could possibly be undertaking (unless, of course, it is one of the aforementioned relatives; in that case, they should act lovingly but also reserved/slightly annoyed). Now, look over at the person beside you. Do they meet these criteria? If not, remove them or remove yourself. You’re better off alone.
Anonymous
But statistics, like any other technology, has a tendency to run out of control, to occupy more of our mental space than it warrants, to invade realms of discourse where it can only wreak havoc. When it is out of control, statistics buries in a heap of trivia what is necessary to know.
Neil Postman (Technopoly: The Surrender of Culture to Technology)
Maybe it wasn’t rational, but she didn’t like the idea of Leo invading her little world. Yesterday, Brooklyn had belonged to her. The Long Island ’burbs where she’d grown up had felt far away from the brick streets and renovated factory spaces of Brooklyn. In this job, she’d felt truly independent, putting down her own fragile roots in a new place. Fast forward twenty-four hours, and her daddy had joined the workplace and her ex-boyfriend had shown up to remind her of all that she’d lost. Really, a girl could be forgiven for feeling slightly hysterical. Not that there was any time to panic.
Sarina Bowen (Rookie Move (Brooklyn Bruisers, #1))
Minerals! The invaders had virtually wiped out our entire race for minerals. But then, who were we to complain, when for centuries elements of mankind had wiped out other races and peoples over oil, land and space, and differing beliefs about the hereafter? It was chilling to think we had anything in common with an alien race implementing genocide, but perhaps they were doing on a galactic scale what we had — at least so far — confined to our own species. In another hundred years, perhaps two-hundred, would we have been exporting our own prejudices across the cosmos? We would never know, now that humanity had been all but erased.
Bobby Underwood (Saturday's Children)
We drew lots for the sleeping spaces,” he pointed out, striving to keep a reasonable tone. Ulf shrugged petulantly. “Well, if I’d known I was going to be so close to the door, I would have drawn a different one.” Hal gave up trying to be reasonable. He glared at Ulf. “Do you realize how abysmally stupid that statement is?” he demanded.
John Flanagan (The Invaders (Brotherband Chronicles, #2))
There was a time—the year after leaving, even five years after when this homely street, with its old-fashioned high crown, its sidewalk blocks tugged up and down by maple roots, its retaining walls of sandstone and railings of painted iron and two-family brickfront houses whose siding imitates gray rocks, excited Rabbit with the magic of his own existence. These mundane surfaces had given witness to his life; this cup had held his blood; here the universe had centered, each downtwirling maple seed of more account than galaxies. No more. Jackson Road seems an ordinary street anywhere. Millions of such American streets hold millions of lives, and let them sift through, and neither notice nor mourn, and fall into decay, and do not even mourn their own passing but instead grimace at the wrecking ball with the same gaunt facades that have outweathered all their winters. However steadily Mom communes with these maples—the branches’ misty snake-shapes as inflexibly fixed in these two windows as the leading of stained glass—they will not hold back her fate by the space of a breath; nor, if they are cut down tomorrow to widen Jackson Road at last, will her staring, that planted them within herself, halt their vanishing. And the wash of new light will extinguish even her memory of them. Time is our element, not a mistaken invader. How stupid, it has taken him thirty-six years to begin to believe that.
John Updike (Rabbit Redux (Rabbit Angstrom, #2))
We pick and choose who to love. We pick and choose who to hate. We pick and choose our friends and ignore those that invade our space. We pick and choose who should live. We pick and choose who should die. We pick and choose who we say hello to and ignore a dying loners cry. We pick and choose who to be real to. We pick and choose to be fake to. We pick and choose who is worthy of our affections or beneath us or we can relate to. We pick and choose our dreams. We pick and choose our destiny. We pick and choose what we think will bring out the best in me. We pick and choose to reach the pinnacle. We pick and choose because of our power of choice. We sometimes pick and choose while never really considering the consequences of our voice.
Willis Robinson
I'm no longer willing to bend over backwards for this unprovoked violence, no longer willing (to) take responsibility for the consequences of their rage when it invades my space and threatens my life. I will help the overwhelmed when I can, and I will live with love and mercy in my heart, but don't come at me as a screaming, rage-filled zombie and expect to be babysat. Not any longer.
Chuck Tingle (Straight)
Unfortunately the hostility that the European displayed toward the native cultures he encountered he carried even further into his relations with the land. The immense open spaces of the American continents, with all their unexploited or thinly utilized resources, were treated as a challenge to unrelenting war, destruction, and conquest. The forests were there to be cut down, the prairie to be plowed up, the marshes to be filled, the wildlife to be killed for empty sport, even if not utilized for food or clothing. In the act of 'conquering nature' our ancestors too often treated the earth as contemptuously and as brutally as they treated its original inhabitants, wiping out great animal species like the bison and the passenger pigeon, mining the soils instead of annually replenishing them, and even, in the present day, invading the last wilderness areas, precious just because they are still wildernesses, homes for wildlife and solitary human souls. Instead we are surrendering them to six-lane highways, gas stations, amusement parks, and the lumber interests, as in the redwood groves, or Yosemite, and Lake Tahoe-though these primeval areas, once desecrated, can never be fully restored or replaced.
Lewis Mumford (The Pentagon of Power (The Myth of the Machine, Vol 2))
Wait." Walter went to the basket, taking what was a gray sleeve, drawing it out fro the middle of the heap. "Oh," He said. He held the shapeless wool sweater to his chest. Joyce had knit for months the year Daniel died, and here was the result, her handiwork, the garment that would fit a giant. It was nothing more than twelve skeins of yarn and thousands of loops, but it had the power to bring back in a flash the green-tiled walls of the hospital, the sound of an ambulance trying to cut through city traffic in the distance, the breathing of the dying boy, his father staring at the ceiling, the full greasy bucket of fried chicken on he bed table. "I'll take this one," Walter said, balling up the sweater as best he could, stuffing it into a shopping bag that was half full of the books he was taking home, that he was borrowing. "Oh, honey," Joyce said. "You don't want that old scrap." "You made it. I remember your making it." Keep it light, he said to himself, that's a boy. "There's a use for it. Don't you think so, Aunt Jeannie? No offense, Mom, but I could invade the Huns with it or strap the sleeves to my car tires in a blizzard, for traction, or protect our nation with it out in space, a shield against nuclear attack." Jeannie tittered in her usual way in spite of herself. "You always did have that sense of humor," she said as she went upstairs. When she was out of range, Joyce went to Walter's bag and retrieved the sweater. She laid it on the card table, the long arms hanging down, and she fingered the stitches. "Will you look at the mass of it," she exclaimed. "I don't even recall making it." ""'Memory -- that strange deceiver,'" Walter quoted.
Jane Hamilton (The Short History of a Prince)
A rustle of wings and a hawk feather drifts down to me. Snatching it from the air, I look up into the trees, but nothing’s there. So I tuck the feather into my hair. “What are you doing?” My stomach leaps into my throat, and I jump up, stumbling backward, and fall on my butt in the middle of the path. In the tree above me, a teenage boy perches on a branch. He’s dressed in traditional deerskin breeches, a talon necklace around his neck, but rather than moccasins, his feet are bare. He is shirtless, and lean muscles cord his body. His intense eyes capture my attention. They’re like golden fathomless pools. I could get lost in them. “Don’t your feet get hurt, walking barefoot on the forest floor?” I ask. “I rarely walk.” He drops down in front of me. His face is so close that I take a step back and thump into a tree. He leans toward me and sniffs. “You smell different. What are you?” “I’m a girl.” I can’t take my gaze from his. “No, humans stink. You smell…” He sniffs my hair and grins. “You smell good.” “Is there a reason that you’re invading my space? I have somewhere to be.” My voice cracks. He tugs one of my braids and winks at me. My pulse quickens, and my breath catches in my throat. His eyes study me with intensity, and he leans closer. Is he going to kiss me?
Rita J. Webb (Transcendent: Tales of the Paranormal)
Those who knew Dazai didn’t dare come near his home—not even his Port Mafia subordinates—and not because of how eerie the area was. Rather, nobody knew how Dazai would react when someone invaded his private space. Perhaps he would tear off their limbs and kill them, or perhaps he would welcome them with open arms and a cup of tea. Nobody could understand how Dazai worked. The black wraith of the Port Mafia: That was what people called him.
Kafka Asagiri (文豪ストレイドッグス STORM BRINGER)
I want to be here with you and not worry about what comes next.” He steps closer, my heart whirring as he invades my space. “Nora,” he says gently. “It’s okay if you don’t want that,” I say. “But I’m thinking about you way too much. And the more space I try to put between us, the worse it is.” His lips twist; his eyes glint. “So you’re trying to get this out of your system?” “Maybe,” I admit. “But maybe I also just want something that’s easy for once.” His brow lifts, teasing. “Now I’m easy?” Yes,I think, to me, you are the easiest person in the world. But I say, “God, I hope.
Emily Henry (Book Lovers)
She attempted to turn again; I held on. I wasn’t holding tight enough to keep her, but she wasn’t pulling hard enough to get away, so we stayed as we were... Letting go of her, I stood up so that we were face-to-face. I’d learned a long time ago that one of the finest weapons in my arsenal was my ability to invade personal space. She turned to look at me and it was her eyes and my eyes and I felt a surging sensation of rightness, of saying the right thing at the right time to the right person, that too-rare sensation of having the right thing to say and believing it, too... "I am looking for a cure.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
In the Judeo-Christian tradition, we carry forward the basic insight our fundamental relationship to the world is one of love. Christians say that “God is Love,” that God created the universe out of love. The source of God’s Creation is love, and our relationship to the possibility of meaning within this created world is in and through love. The Christian community is a reciprocal relationship among subjects who love and are loved. The subject maintains the meaning of God’s Creation by taking up a Christ-like love toward others. The appearance of meaning in the world—love’s product—is always a manifestation of the divine. Liberalism turns away from this entire tradition of thought, in party because of its association with religion, and in part because this tradition resists the analytic form of reason. For liberalism, religion is individualized and privatized, and thus it cannot be used in the explanation or justification of a public space. If it does invade the public, it threatens irrationality. But religion is no less an effort to understand the character of our experience, and even a secular philosophy must not ignore that experience. We cannot simply deny what we cannot place within our categories of analysis. (221)
Paul W. Kahn (Putting Liberalism in Its Place)
If you ask me, houses shouldn't have been built down here. These little block-long streets cease abruptly at the open space that remains on the side of the hill, and the hill is angry that development has crept so close. It whips these pathetic homes with a battering, constant wind. It sends soggy clouds to sit damply atop the roofs, trickling stagnant moisture, birthing deep green molds. It sends its monsters, the horrifying Jerusalem crickets, up from the soil to invade basement apartments, looking like greasy, translucent alien insects. They drive me crying into the bathroom to strategize their eviction from my home.
Michelle Tea
Simply put, within AS, there is a wide range of function. In truth, many AS people will never receive a diagnosis. They will continue to live with other labels or no label at all. At their best, they will be the eccentrics who wow us with their unusual habits and stream-of-consciousness creativity, the inventors who give us wonderfully unique gadgets that whiz and whirl and make our life surprisingly more manageable, the geniuses who discover new mathematical equations, the great musicians and writers and artists who enliven our lives. At their most neutral, they will be the loners who never now quite how to greet us, the aloof who aren't sure they want to greet us, the collectors who know everyone at the flea market by name and date of birth, the non-conformists who cover their cars in bumper stickers, a few of the professors everyone has in college. At their most noticeable, they will be the lost souls who invade our personal space, the regulars at every diner who carry on complete conversations with the group ten tables away, the people who sound suspiciously like robots, the characters who insist they wear the same socks and eat the same breakfast day in and day out, the people who never quite find their way but never quite lose it either.
Liane Holliday Willey (Pretending to be Normal: Living with Asperger's Syndrome (Autism Spectrum Disorder) Expanded Edition)
He looked behind me to Bernardo. "Can you think of anything else she needs to know?" "Only that he brags about the rape and what he did to her." "All right," I said, "you've both made your point. I only have one question." Edward just looked at me expectantly, Bernardo said, "Shoot." "If I kill another one of your backups, do I owe you another favor?" "Not if he deserves it." I dumped the bag on the doorsill. "Shit, Edward, if you keep putting me together with fucking crazies and I keep having to defend myself, I'll be owing you favors until we're in our graves." Bernardo said, "You're serious. You really killed his last backup." I glanced at him. "Yeah, I'm serious. And I want permission to off Olaf if he gets out of hand, without having to owe Edward another pound of flesh." "Who'd you kill?" Bernardo asked. "Harley," Edward said. "Shit, really?" I walked up to Edward, invading his space, trying to read past the blank blue of his eyes. "I want permission to kill Olaf if he gets out of hand, without owing you another favor." "And if I don't give it?" he asked, voice low. "Drive me to a hotel because I'm not staying in a house with a bragging rapist if I can't kill him." Edward looked at me for a long slow moment, then gave a small nod. "Done, as long as he's in this house. Outside the house, play nice.
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
Why is it so delusional to think that a person who feels someone else’s grief or pain isn’t hampered by that excess of emotion? Or that imitating others in order to fit in to the crowd is more acceptable than doing what interests you at any given moment? Why isn’t it considered rude to look a total stranger in the eye when you first meet him, or to invade his personal space by shaking hands? Couldn’t it be considered a flaw to veer off topic based on a comment someone else makes instead of sticking to your original subject? Or to be oblivious when something in your environment changes—like a piece of clothing that gets moved from a drawer to a closet?” That
Jodi Picoult (House Rules)
Just as you cannot invade your children’s emotional space, you cannot give them a room (or any physical space in the home, even a small corner), call it theirs, and then continue to act as if it belongs to you. If it is indeed their room, then it is up to them to keep, explore, clean (or not clean), and organize. That means no barging in. Knock. And ask if you may come in. Wait for them to invite you in. I know it seems weird; their room is in your house, after all. But this is what it means to extend respect for another person’s space. You’d like them to give you the same respect, right? But you cannot expect that respect when you don’t initiate and model it for your child.
Hal Edward Runkel (Screamfree Parenting, 10th Anniversary Revised Edition: How to Raise Amazing Adults by Learning to Pause More and React Less)
In the elevator, he held silent, but she saw him twice look at her blouse. She could feel his gaze, damn it, deep inside herself. And she knew what he was looking at. Without the binding, her boobs were far too noticeable. The damned buttons gaped and the material strained. “Enjoying yourself?” she asked with a heavy dose of sarcasm. If anything, her jibe only made him intensify his study. He stood there, negligence personified, his hands clasped behind his back, his stance casual and relaxed. “I can see the outline of your nipples.” She nearly strangled on her fury. “Go to hell!” “What are you? C cup? Maybe even a D?” Oh, God, she did not want to stand here alone with him, closed up in such a small space with his heat and scent invading her lungs. “None of your damn business.” He lifted his hand in front of him, not to touch her, but to imagine it covering her right breast. His face screwed up while he pretended to heft her. “I’d say a full C.” A fine trembling started in her neck and went down her spine. She needed to stay composed to face off with Murray Coburn, but for whatever reason, this man wanted to demolish her control. “I say go kill yourself.” He cracked a smile. And what that smile did for him . . . She couldn’t deny that he was devastatingly handsome. Probably a cutthroat villain, but still gorgeous. That disheveled fair hair and those intense, oddly colored eyes . . . she shivered. He lifted a brow. “Cold?” “No.” She had to distract him. “So I didn’t catch your name.” “No one gave you my name.” “It’s a secret, then?” She tried to hunch her shoulders to make her chest less noticeable. “How strange.” “That doesn’t help,” he said of her posture, “and if you’re really interested?” He held out a hand. “Trace Miller.” She disdained touching him again. “Is that your real name or an alias?” With a grin, he retracted his proffered hand. “What do you think?” “I think you took my driver’s license.” He went still for a heartbeat, giving her a small measure of satisfaction. Lifting her hands in a “woo woo” way, she intoned,” I know all, see all.” Then she curled her lip. “And besides, you suck at stealth.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
It had never occurred to the lords of the consumer society that consumerism as a political philosophy might one day manifest the grave systemic instabilities that Communism had. But as those instabilities multiplied, the country had cracked. Civil society shriveled in the pitiless reign of cash. As the last public spaces were privatized, it became harder and harder for American culture to breathe. Not only were people broke, but they were taunted to madness by commercials, and pitilessly surveilled by privacy-invading hucksters. An ever more aggressive consumer-outreach apparatus caused large numbers of people to simply abandon their official identities. ¶ It was no longer any fun to be an American citizen.
Bruce Sterling (Distraction)
Lignin is a linkage of three aromatic alcohols—coumaryl, coniferyl, and sinapyl—which fill the spaces in cell walls that are not already occupied by other substances, even ousting water molecules to do so. It thus forms a very strong hydrophobic net, cementing all the cell-wall elements in place and providing strength and rigidity to the xylem. It also provides an important barrier to fungal and bacterial infections. When a tree is invaded by disease, it seals off the infected section with a wall of lignin so that the disease cannot spread. Lignin is so tough that getting rid of it is a costly process in pulp-and-paper plants. The acids needed to break down lignin in pulpwood are the chief pollutants such mills contribute to the environment.
David Suzuki (Tree: A Life Story)
Katarina wasn’t afraid of Baden. Not anymore. He took a step to the side, intending to move around her. Oh, no. She flattened her hands on his shoulders, keeping him in place. “I want to know what’s wrong with you.” She said. “Tell me.” He snapped his teeth at her in a show of dominance. “You think you want to know my problem. You’re wrong.” Her tone dry, she said, “I’m so glad you know my mind better than I do.” “Very well. I need sex.” He threw the words at her as if they were weapons. “Badly.” Whoa. Blindside! Heart pounding, she jerked her hands away from him. “Sex...from me?” “Yesss.” A hiss. “Only from you.” Only. Amazing how one little word could send pleasure soaring through her, warming her. “You told me never to touch you.” Which she’d just done, she realized. My bad. “I’ve changed my mind.” His gaze dropped, lingered on her lips. Burning her... “But you and I...we’re a different species.” As if that mattered to her body. Gimme!
 He took a step closer, invading her personal space. “We’ll fit, I promise you.”
 Tristo hrmenych! The raspy quality of his voice, all smoke and gravel...she shivered with longing. Must resist his allure. But...but...why? Before she’d committed to Peter, she’d dated around, had made out in movie theaters, cars and on couches. She’d liked kissing and touching and “riding the belt buckle,” as her friends had called it. Then, after committing to Peter, she’d gifted him with her virginity. At first, he hadn’t known what to do with her—he’d been just as inexperienced—and she’d left each encounter disappointed. When finally she’d gathered the courage to tell him what she wanted, he’d satisfied her well. She missed sex. But connection...intimacy...she thought she missed those more. The dogs barked, jolting her from her thoughts. They’d cleaned their food bowls, and now wanted to play. She clasped Baden’s hand to lead him out of the kennel. He jerked away, severing contact. One action. Tons of hurt. “I’m allowed to touch you and you want to have sex with me, but you’re still disgusted by me.” She stomped outside the kennel, done with him. “Well, I’m leaving. Good riddance! Your do-what-I-say-or-else attitude was annoying, anyway.” He darted in front of her, stopping her. Breath caught in her throat as sunlight streamed over him, paying his chiseled features absolute tribute, making his bronzed skin glimmer. So beautiful. Too beautiful. “I’m not disgusted by you. You need me. I’ve come to accept it,” he admitted, looking away from her. “But being skin-to-skin with another is painful for me. We’ll have to proceed carefully. And you’ll get over your annoyance.” Another order! She would show him the error of his ways.
Gena Showalter (The Darkest Torment (Lords of the Underworld, #12))
Is it necessary to recall that the earth is not infinite, and that our civilization is close to having invaded all of it? The end of the world, this great terror of the Middle Ages, is destined to become a source of anguish again in another sense. It is no longer in time but in space that this terrestrial globe reveals itself as inextensible; and the deluge of civilized humanity already hurls itself at its limits, at its new Pillars of Hercules, these ones insurmountable. What are we going to do when soon we will no longer be able to count on external markets, Asian, African, to serve as a palliative or derivative for our discords, as outlets for our merchandise, for our instincts of cruelty, of pillage and of prey, for our criminality as well as for our overflowing birthrate? How will we manage to reestablish among ourselves a relative peace which has had as its condition for so long our conquering projection outside ourselves, far from ourselves?" -1902
Gabriel Tarde (Psychologie Économique, Vol. 1 (Classic Reprint) (French Edition))
A horror of great darkness fell upon me; I felt my chamber invaded by one I had known formerly, but had thought for ever departed. I was temporarily a prey to hypochondria. She had been my acquaintance, nay, my guest, once before in boyhood; I had entertained her at bed and board for a year; for that space of time I had her to myself in secret; she lay with me, she ate with me, she walked out with me, showing me nooks in woods, hollows in hills, where we could sit together, and where she could drop her drear veil over me, and so hide sky and sun, grass and green tree; taking me entirely to her death-cold bosom, and holding me with arms of bone. What tales she would tell me at such hours! What songs she would recite in my ears! How she would discourse to me of her own country—the grave—and again and again prom- ise to conduct me there ere long; and, drawing me to the very brink of a black, sullen river, show me, on the other side, shores unequal with mound, monument, and tablet, standing up in a glimmer more hoary than moonlight. “Necropolis!” she would whisper, pointing to the pale piles, and add, “It contains a mansion prepared for you.
Charlotte Brontë (The Professor)
He knew, without knowing how it had happened, that he lay on the floor, in the dusty space before the altar which he and Elisha had cleaned; and knew that above him burned the yellow light which he had himself perched on. Dust was in his nostrils, sharp and terrible, and the feet of the saints, shaking the floor beneath him, raised small clouds of dust that filmed his mouth. He heard their cries, so far, so high above him - he could never rise that far. He was like a rock, a dead man's body, a dying bird, fallen from an awful height; something that had no power of itself, any more, to turn. And something moved in John's body which was not John. He was invaded, set at naught, possessed. This power had stuck John, in the head or in the heart, and, in a moment, wholly, filling him with an anguish that he could not endure, that even now he could not believe, had opened him up; had cracked him open, as wood beneath the axe cracks down the middle, as rocks break up; had ripped him and felled him in a moment, so that John had not felt the wound, but only the agony; had not felt the fall, but only the fear; and lay here, now, helpless, screaming, at the very bottom of darkness.
James Baldwin (Go Tell It on the Mountain)
The hard part is dealing with other people’s reactions. We live in a society that prides itself on diversity, yet has ironically narrow definitions of which types of diversity it will tolerate. People who would never dream of pulling their eyes into slants to make faces at Asians will point at me and give voice to the most ridiculous stereotypes imaginable of the nineteenth century. No politically correct American would dream of fondling a Muslim woman through her hijab, yet they’ll stride up and start groping my waist. I’ve even been in situations where people started screaming (literally screaming) at me for removing their hands from my body. People can display an appalling lack of compunction when encountering a lifestyle outside their narrow frame of tolerance. With the exception of a glancing reference to some of the hate mail we’ve received, I’ve refrained in this text from mentioning the vitriol we’re subjected to on a constant basis. This has primarily been a story of our home, our sanctuary from a hostile world. Here I tend our household gods and look for the angels in the details. The Victorians were fond of saying that home is our heaven; I will not allow the demons of ignorance to invade this sacred space. I
Sarah A. Chrisman (This Victorian Life: Modern Adventures in Nineteenth-Century Culture, Cooking, Fashion, and Technology)
Diddy, not really alive, had a life. Hardly the same. Some people are their lives. Others, like Diddy, merely inhabit their lives. Like insecure tenants, never knowing exactly the extent of their property or when the lease will expire. Like unskilled cartographers, drawing and redrawing erroneous maps of an exotic continent. Eventually, for such a person, everything is bound to run dow. The walls sag. Empty spaces bulge between objects. The surfaces of objects sweat, thin out, buckle. The hysterical fluids of fear deposited at the core of objects ooze out along the seams. Deploying things and navigating through space becomes laborious. Too much effort to amble from kitchen to living room, serving drinks, turning on the hi-fi, pretending to be cheerful . . . Everything running down: suffusing the whole of Diddy's well-tended life. Like a house powered by one large generator in the basement. Diddy has an almost palpable sense of the decline of the generator's energy. Or, of the monstrous malfunctioning of that generator, gone amok. Sending forth a torrent of refuse that climbs up into Diddy's life, cluttering all his floor space and overwhelming his pleasant furnishings, so that he's forced to take refuge. Huddle in a narrow corner. But however small the space Diddy means to keep free for himself, it won't remain safe. If solid material can't invade it, then the offensive discharge of the failing or rebellious generator will liquefy; so that it can travel everywhere, spread like a skin. The generator will spew forth a stream of crude oil, grimy and malodorous, that coats all things and persons and objects, the vulgar as well as the precious, the ugly as well as what little still remains beautiful. Befouling Diddy's world and rendering it unusable. Uninhabitable. This deliquescent running-down of everything becomes coexistent with Diddy's entire span of consciousness, undermines his most minimal acts. Getting out of bed is an agony unpromising as the struggles of a fish cast up on the beach, trying to extract life from the meaningless air. Persons who merely have a life customarily move in a dense fluid. That's how they're able to conduct their lives at all. Their living depends on not seeing. But when this fluid evaporates, an uncensored, fetid, appalling underlife is disclosed. Lost continents are brought to view, bearing the ruins of doomed cities, the sparsely fleshed skeletons of ancient creatures immobilized in their death throes, a landscape of unparalleled savagery.
Susan Sontag (Death Kit)
unrest has invaded science.”47 Indirectly, driven by popular misunderstandings rather than a fealty to Einstein’s thinking, relativity became associated with a new relativism in morality and art and politics. There was less faith in absolutes, not only of time and space, but also of truth and morality. In a December 1919 editorial about Einstein’s relativity theory, titled “Assaulting the Absolute,” the New York Times fretted that “the foundations of all human thought have been undermined.”48 Einstein would have been, and later was, appalled at the conflation of relativity with relativism. As noted, he had considered calling his theory “invariance,” because the physical laws of combined spacetime, according to his theory, were indeed invariant rather than relative. Moreover, he was not a relativist in his own morality or even in his taste. “The word relativity has been widely misinterpreted as relativism, the denial of, or doubt about, the objectivity of truth or moral values,” the philosopher Isaiah Berlin later lamented. “This was the opposite of what Einstein believed. He was a man of simple and absolute moral convictions, which were expressed in all he was and did.”49 In both his science and his moral philosophy, Einstein was driven by a quest for certainty and deterministic laws. If his theory of relativity produced ripples that unsettled the realms of morality and culture, this was caused not by what Einstein believed but by how he was popularly interpreted.
Walter Isaacson (Einstein: His Life and Universe)
The American republic now extended across a third of a continent, and was unlikely to stop there. How then could the British time bomb of generosity—the ocean of land ceded in 1783—fail to revive familiar protests of “no taxation without representation”? Where, if that happened, would Hamilton’s “UNION” be? Madison solved these issues of time and space by shifting scale. In doing so he drew, knowingly or not, 65 on Machiavelli. For only in republics, the Florentine had observed, could the “common good” be “looked to properly.” By expanding the number who benefited, the influence of the few who didn’t could be reduced: not all parts, submerged in wholes, need drown. 66 Scale could be the life preserver. There were, Madison acknowledged, dangers in this: By enlarging too much the number of electors [voters], you render the representative too little acquainted with all their local circumstances and lesser interests; as by reducing it too much, you render him unduly attached to these, and too little fit to comprehend and pursue great and national objects. But surely there existed “a mean, on both sides of which inconveniences will be found to lie.” In this way balancing factions—a Burkean enterprise—could put “inconveniences” to good use: Extend the sphere, and you take in a greater variety of parties and interests; you make it less probable that a majority of the whole will have a common motive to invade the rights of other citizens; or if such a common motive exists, it will be more difficult for all who feel it to discover their own strength, and to act in unison with each other. The proposed Constitution “forms a happy combination in this respect; the great and aggregate interests being referred to the national, the local and particular to the State legislatures.” 67
John Lewis Gaddis (On Grand Strategy)
Two kinds of development help explain how a readiness built up to kill all Jews, including women and children. One is a series of “dress rehearsals” that served to lower inhibitions and provided trained personnel hardened for anything. First came the euthanasia of incurably ill and insane Germans, begun on the day when World War II began. Nazi eugenics theory had long provided a racial justification for getting rid of “inferior” persons. War provided a broader justification for reducing the drain of “useless mouths” on scarce resources. The “T-4” program killed more than seventy thousand people between September 1939 and 1941, when, in response to protests from the victims’ families and Catholic clergy, the matter was left to local authorities. Some of the experts trained in this program were subsequently transferred to the occupied east, where they applied their mass killing techniques to Jews. This time, there was less opposition. The second “dress rehearsal” was the work of the Einsatzgruppen, the intervention squads specially charged with executing the political and cultural elite of invaded countries. In the Polish campaign of September 1939 they helped wipe out the Polish intelligentsia and high civil service, evoking some opposition within the military command. In the Soviet campaign the Einsatzgruppen received the notorious “Commissar Order” to kill all Communist Party cadres as well as the Jewish leadership (seen as identical in Nazi eyes), along with Gypsies. This time the army raised no objections. The Einsatzgruppen subsequently played a major role, though they were far from alone, in the mass killings of Jewish women and children that began in some occupied areas in fall 1941. A third “dress rehearsal” was the intentional death of millions of Soviet prisoners of war. It was on six hundred of them that the Nazi occupation authorities first tested the mass killing potential of the commercial insecticide Zyklon-B at Auschwitz on September 3, 1941. Most Soviet prisoners of war, however, were simply worked or starved to death. The second category of developments that helped prepare a “willingness to murder” consisted of blockages, emergencies, and crises that made the Jews become a seemingly unbearable burden to the administrators of conquered territories. A major blockage was the failure to capture Moscow that choked off the anticipated expulsion of all the Jews of conquered eastern Europe far into the Soviet interior. A major emergency was shortages of food supplies for the German invasion force. German military planners had chosen to feed the invasion force with the resources of the invaded areas, in full knowledge that this meant starvation for local populations. When local supplies fell below expectations, the search for “useless mouths” began. In the twisted mentality of the Nazi administrators, Jews and Gypsies also posed a security threat to German forces. Another emergency was created by the arrival of trainloads of ethnic Germans awaiting resettlement, for whom space had to be made available. Faced with these accumulating problems, Nazi administrators developed a series of “intermediary solutions.” One was ghettos, but these proved to be incubators for disease (an obsession with the cleanly Nazis), and a drain on the budget. The attempt to make the ghettos work for German war production yielded little except another category of useless mouths: those incapable of work. Another “intermediary solution” was the stillborn plan, already mentioned, to settle European Jews en masse in some remote area such as Madagascar, East Africa, or the Russian hinterland. The failure of all the “intermediary solutions” helped open the way for a “final solution”: extermination.
Robert O. Paxton (The Anatomy of Fascism)
I’m first up, love,” Arion says as he starts invading my space again. “I thought the only thing holding you back was your fear. Clearly the fear is absent if you’re willing to turn yourself over to the very darkest part of me. It’s amazing you’re in one piece, so clearly you played submissive very well, Violet. It’s because you were ready for me to save you and overcame your fear of me. Now we can be together.” When I say nothing and simply stare at him like he’s forever losing his mind more and more when we speak, he frowns like he’s genuinely perplexed. “Arion, no matter what you did, I couldn’t have endured another second of those cries. And you were at Abby’s mercy while in that state. You ripped my throat out and told me to put on some healing potion so you could sit down and watch the fight.” Apparently, I guess right, because his pupils widen marginally. “I held your hand when you finished,” he says like he’s defending himself. “So you could watch the fight.” “Vance was focused. It’s been ages since he focused. Thing of beauty while it happens,” he says as if that’s important information. I gesture between us. “That’s sort of the problem. I feel like the conduit for your feelings for them because you have heterosexual body parts with a homosexual mentality. I’m not sure I’m okay with simply being a conduit,” I carefully explain, causing his eyes to widen a little more, as several muffled sounds of amusement spring from somewhere else in the room. “I’m sorry, love, but you’ve really lost me,” Arion says very seriously, brow crinkling. “You want this to be a thing between you and me, even though Idun is returning, because you want them back. It looks like you’re getting that without me, so we can be friends,” I suggest, completely rambling. I don’t think I’m explaining this very well, since they’re all muffling laughter down the hall. Even Vance makes a choked sound of amusement. Or they’re just really immature about these things… That’s definitely possible. Arion scrubs a hand over his face, as someone struggles to cover a surprise laugh with a cough. “I’m so sorry. I shouldn’t be having this conversation right now. It’s inappropriate to do with an audience,” I babble. “But you’re really intense. And I’ve just survived an apocalyptic wolf storm with your mostly naked beta, whose threads are still in my bra because one set of clothes ended up being enough.” The look of frustrated confusion on his face doubles. “I could use a small break before we discuss curses, some really confusing relationship statuses, and the somewhat terrifying woman you’ve all loved rising very soon. And those wolves stole my oranges, so I need to go back and get all of them.” “I’ve already returned them to your cellar,” Emit says from somewhere behind Arion. “Then I need to go start using them while they’re useable,” I say as I quickly disentangle myself from Arion and attempt to escape. “I’ll return the shirt.” “Keep it,” he says quietly from behind me, as I finally take in the other three all standing somewhat close together, smirking at me. “I’ll drive you home,” Damien says with a slow grin. “I’m not talking to you, and if you’re a smart man, you’ll figure out why,” I state firmly. “Only when you figure it out will we discuss it.” “I’ll take you—” “I don’t want to talk to you right now, because I need to get my cool back,” I tell Emit, whose eyes immediately flick away, as his jaw tics. He’s had multiple opportunities to explain to me why he told Damien I was a monster, and yet didn’t even bother telling me what I was. All this time, I’ve been patiently waiting, refusing to get too angry. Now…I’m getting sort of freaking angry, because he still hasn’t said one word about it. “Guess that just leaves me,” Vance says as he puts his hand at the small of my back and starts guiding me out.
Kristy Cunning (Gypsy Moon (All The Pretty Monsters, #4))
I want to invade the space all around you until everywhere you look all you see is me. ...I want to occupy the space inside you until you don't know the difference between my heartbeat and yours. I want to be your everything.
Cassia Leo (Forever Ours (Shattered Hearts, #1))
No doubt the High King of Highhandedness was behind my extreme home makeover. He was the only man I knew ballsy enough to invade my space—and totally redecorate it—without asking permission first.
Amanda Bonilla (Against the Dawn (Shaede Assassin, #4))
We are similar, Kennedy. We keep to ourselves, preserving that preciously safe space around us, denying others entry. We make it painful for others so they won’t think about invading it. We make ourselves invisible or unreceptive so they won’t consider trying. I’ve watched you do it for a year. But we do this for different reasons. You do it so that others can’t hurt you. I do it so that I can’t hurt others.
Laury Falter (Haven (Apocalypse Chronicles, #1))
It’s not really possible to understand the threat posed not only to the survival of America, but to all free nations in the world, without perceiving that Islam has a simple and single goal . . . To conquer the world.          Yes, that may sound like something from Hitler’s Mein Kampf, or the script of a space invaders movie, but conquering the world for the radical Jihadist movement is their stated overriding commitment and unshakeable life goal. Again, Dr. Gabriel warns us:            “Jihad is carried out in order to achieve the ultimate goal of Islam – to establish Islamic authority over the whole world. Islam is not just a religion; it is a government, too. That is why it always gets down to politics. Islam teaches that Allah is the only authority; therefore,           political systems must be based on Allah’s teaching and nothing else…(Jihadists) consider themselves to have succeeded when a nation declares Islam as both their religion and their form of government.” (Islam and Terrorism, Charisma House, 2002).
John Price (The End of America: The Role of Islam in the End Times and Biblical Warnings to Flee America)
She shot him an annoyed look. “There’s no need for sarcasm. And I was keeping my eyes off you just fine.” He leaned forward, invading her personal space. “Liar. I got eyes too, you know. They were observing just as much.
Mila Rossi (Lost & Found)
God’s work is not complete in a person until the private, personal space has been invaded, and he or she is willing to be forged in the anvil of community.
Joel Comiskey (Making Disciples in the Twenty-First Century Church: How the Cell-Based Church Shapes Followers of Jesus)
She’d been invading his space, all right, and the worst part was that he was starting to be okay with it.
Kit Rocha (Beyond Solitude (Beyond, #4.5))
The day the earth-moving machines arrived, it was as if aliens had invaded Earth. Overnight they appeared, diggers with huge scoops, plodding their slow and ancient ways across the landscape. By the next week they had multiplied and evolved into diverse forms—cranes with long arms, bulldozers and levellers, an assortment of lorries. All day they worked towards some unseen design, creating and removing debris, their latticework of tracks remaking and writing over the space. Untenanted and vulnerable, the attap huts offered no resistance.
Karen Kwek (Best New Singaporean Short Stories: Volume One)
Concerning the earth, God asked Job, “To what were its foundations fastened?” What an awesome scientific question. But God answers His own question in the book of Job: “God stretches the northern sky over empty space [tohu] and hangs the earth on nothing! (Job 26:7
Phil Mason (Quantum Glory: The Science of Heaven Invading Earth)
wheelchair in the mall and bringing healing. Learning how to find people at work where you invade their space and minister to them. You go to the poor parts of town and feed people. Giving words of knowledge and prophetic words to the waitress. We do all these sorts of things that are very strong and bold externally. We have to train in that element because the overt ministry helps to displace powers that have influenced our cities. Once you start moving in the miraculous, you start driving out powers that influence the minds of people because you have brought in another worldview. Exposing a city to the miraculous shifts the people's consciousness. Covert ministry, by contrast, is more about getting into the business, into the Babylonian systems and bringing change from the inside because we are kingdom people. It’s realizing that everyone’s life on the ship is saved because
Bill Johnson (Discovering Your Purpose: A Short Interview with Bill Johnson)
Untangling himself from her, he slid an arm around her waist, actively touching her for the first time since she’d shown up. She uttered another of those content sounds that tugged deep inside him. Human again, he planted a kiss on the top her head. “I’m sorry.” The words were rusty on his tongue, and he realized he couldn’t remember the last time he’d uttered them. “Me too,” she said, far too quickly. “You have nothing to be sorry for, Maddie.” He squeezed her tightly, hating how she took responsibility for everything. “I’m the one who fucked up, not you.” She shrugged one small shoulder, as though it didn’t really matter. “I should have listened when you said you wanted to be alone.” “Yeah, well, I can understand why your temper got riled.” A small laugh bubbled from her. “It was the head pat that pushed me over the edge.” “Not my best move. I’m sorry I took off the way I did.” “Don’t be,” she said, her voice soft as the summer breeze. “I don’t know what came over me, but I shouldn’t have invaded your space.” “I want you in my space, Princess.
Jennifer Dawson (Take a Chance on Me (Something New, #1))
games like Taito’s Space Invaders were not designed with the peculiarities of the Atari VCS in mind. Sprites were different in many post-1977 arcade games. Most important, there were often more than two per screen! When faced with the rows of aliens in Space Invaders or the platoon of ghosts that chases Pac-Man, VCS programmers needed to discover and use methods of drawing more than two sprites, even though only two one-byte registers were available.
Nick Montfort (Racing the Beam: The Atari Video Computer System (Platform Studies))
The other desk is just-dusted shiny and clean-save for the closed silver MacBook Pro laptop sitting dead center. I'm sure some parents would feel guilty about invading their kid's private space, but I'm not one of them. Kids can have privacy when they move out.
Emma Chase (Sidebarred (The Legal Briefs, #3.5))
Every time you get mad you go stomping off like an angry child. Afraid to lose an argument?” he accused, invading my space so that we were toe-to-toe. “I didn’t lose anything,” I seethed. His chest was nearly touching mine, eyes blazing with the very same anger that I felt. There was no reason for him to be so upset with me. Other than when I’d punched him. Okay, that was probably a reasonable source of anger.
Melissa Copeland (Solitary (Solitary, #1))
Here’s who it’s okay to share a bed with: Your sister if you’re a girl, your brother if you’re a boy, your mom if you’re a girl, and your dad if you’re under twelve or he’s over ninety. Your best friend. A carpenter you picked up at the key-lime-pie stand in Red Hook. A bellhop you met in the business center of a hotel in Colorado. A Spanish model, a puppy, a kitten, one of those domesticated minigoats. A heating pad. An empty bag of pita chips. The love of your life. Here’s who it’s not okay to share a bed with: Anyone who makes you feel like you’re invading their space. Anyone who tells you that they “just can’t be alone right now.” Anyone who doesn’t make you feel like sharing a bed is the coziest and most sensual activity they could possibly be undertaking (unless, of course, it is one of the aforementioned relatives; in that case, they should act lovingly but also reserved/slightly annoyed). Now, look over at the person beside you. Do they meet these criteria? If not, remove them or remove yourself. You’re better off alone.
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
Ian Bogost writes about a ‘rhetoric of failure’ in games designed so that the player cannot win (2007, 85). One could put Tetris or Space Invaders in such a category – the blocks or missiles keep falling until the player fails to keep them at bay, meaning that you will always, ultimately, lose the game. The winning situation, if there is one, is to get a higher score than your friends. Perhaps, as Janet Murray wrote of Tetris, this is a metaphor for a typical American life (1997, 144).
Jill Walker Rettberg (Seeing Ourselves Through Technology: How We Use Selfies, Blogs and Wearable Devices to See and Shape Ourselves)
Sitting there, I remembered two things about going to mass with my father: he never took Communion because of his and my mother's divorce, and he always tapped his heart three times, with solemn insistence, after the recitation of the Apostles' Creed. I asked him about his ritual once. His eyes filled with such alarm that I instantly knew his heart tapping had something to do with a loss or devastation: his parents' early death, his divorce, his wounding in Vietnam. There was no reason for me to invade that space. Maybe that was the best simple explanation for religion: it filled our spaces.
Tom Bissell (Apostle: Travels Among the Tombs of the Twelve)
PC Police Next time you fuckers invade my private space I want to see some kinda warrant.
Beryl Dov
You might be playing hard to get, but we both know where this is going to end up,” he said, once again invading her space bubble as if she were in a Pepe Le Pew cartoon in which she starred as the unfortunate cat with a white stripe painted down her tail. “You, me, the moonlight…” “And my vomit all over you,
Annabel Joseph (Bound, Spanked and Loved: Fourteen Kinky Valentine's Day Stories)
Humans enter available space, regardless of fashion, tradition or superstition,’ William says. ‘And often they invade unavailable space,’ he continues, glancing at de Flunkl.
Oisín Fagan (Nobber: A John Murray Original)
If a guy can successfully invade your space and get you to back down, he’s won—he’s alpha and you’re beta.
Marc MacYoung (Violence, Blunders, and Fractured Jaws: Advanced Awareness Techniques and Street Etiquette)
There are many stories about seagoing cats. My research indicates that cats were domesticated about 9,500 years ago. I really don’t know anyone who was around at that time to verify this, but I also don’t have any reason to doubt this little bit of trivia. It is documented that the Egyptians who kept cats around to bring the good luck, also used them to catch thicket birds that lived in the tall grass along the riverbanks. I guess that these small birds were a treat and a welcome substitute for the usual river fish that the sailors would catch with hooks fashioned from bones. In time it was the Phoenicians who inadvertently brought cats from the middle east to Europe. It seems that sailors had cats with them on their ships from the beginning of recorded history. They successfully used the excuse that the cats would keep the rat population under control. I don’t believe that this was really true since there are stories of where the cat befriended the rats, but in most cases the cats did keep the rats from invading their living spaces. Six-toed cats were thought to be better hunters and to this day many islands in remote areas are overrun by these cats and rats that managed to get ashore from ships that foundered along the island’s shore. Sailors are notoriously superstitious and have always believed that cats can predict the weather and bring luck. There are many accounts concerning this and there may be some truth to this but you’ll have to be the judge. Because of their sensitive inner ears cats can sense barometric pressure drops, indicating foul weather and being warned frequently crawl into their safe hidey-hole prior to a storm. A cat named Oscar, or Oskar in German, was the mascot on the German Battle Cruiser Bismarck when she was sunk by the British. Found floating on a wooden plank, Oskar was rescued by the crew of the British ship the HMS Cossack. No sooner recued and with Oskar renamed Oscar, the HMS Cossack was sunk by the Germans. This time Oscar was rescued by the crew of the HMS Arc Royal, which was then also sunk by the German navy. Not believing their bad luck the Brit’s blamed poor Oscar and renamed the cat to the German Oskar. Thinking Oskar to be the harbinger of bad luck they contacted the German Navy and offered to return their cat. The Germans refused the offer, so the British retired Oskar to a home in Plymouth, England. This time they banned poor Oskar from ever sailing on a British Naval Vessel again and changed his name to Sam. The British Navy banned cats from sailing on British war ships in 1975. Even though the British Navy has banned cats from their ships, other countries and merchant ships still have cats aboard.
Hank Bracker