Scaling Heights Quotes

Somehow I can't believe that there are any heights that can't be scaled by a man who knows the secrets of making dreams come true. This special secret, it seems to me, can be summarized in four Cs. They are curiosity, confidence, courage, and constancy, and the greatest of all is confidence. When you believe in a thing, believe in it all the way, implicitly and unquestionable.

I am Cinna's bird, ignited, flying frantically to escape something inescapable. The feathers of flame that grow from my body. Beating my wings only fans the blaze. I consume myself, but to no end. Finally, my wings begin to falter, I lose height, and gravity pulls me into a foamy sea the color of Finnick's eyes. I float on my back, which continues to burn beneath the water, but the agony quiets to pain. When I am adrift and unable to navigate, that's when they come. The dead. The ones I loved fly as birds in the open sky above me. Soaring, weaving, calling to me to join them. I want so badly to follow them, but the seawater saturates my wings, making it impossible to lift them. The ones I hated have taken to the water, horrible scaled things that tear my salty flesh with needle teeth. Biting again and again. Dragging me beneath the surface. The small white bird tinged in pink dives down, buries her claws in my chest, and tries to keep me afloat. "No, Katniss! No! You can't go!" But the ones I hated are winning, and if she clings to me, she'll be lost as well. "Prim, let go!" And finally she does.

Often, no sooner would the mind begin to scale the heights of Mt. Knowledge than it would receive a frantic call from body base camp, demanding it return to oversee "Operation Masturbate.

...nothing is more blissful than to occupy the heights effectively fortified by the teaching of the wise, tranquil sanctuaries from which you can look down upon others and see them wandering everywhere in their random search for the way of life, competing for intellectual eminence, disputing about rank, and striving night and day with prodigious effort to scale the summit of wealth and to secure power. O minds of mortals, blighted by your blindness! Amid what deep darkness and daunting dangers life’s little day is passed! To think that you should fail to see that nature importantly demands only that the body may be rid of pain, and that the mind, divorced from anxiety and fear, may enjoy a feeling of contentment!

I wanted to be alone with the One. The One who scaled then careened from the heights of the Mount. The One who raised up the man from the mud. The One who fashioned me from a part of the man and knew me more intimately than even the adam.

These memories are the memorials and pledges of the vital hours of a lifetime. These hours of afflatus in the human spirit, the springs of art, are, in their mystery, akin to the epochs of history, when a race which for centuries has lived content, unknown, behind its own frontiers, digging, eating, sleeping, begetting, doing what was requisite for survival and nothing else, will, for a generation or two, stupefy the world; commit all manner of crimes, perhaps; follow the wildest chimeras, go down in the end in agony, but leave behind a record of new heights scaled and new rewards won for all mankind; the vision fades, the soul sickens, and the routine of survival starts again.

The acrobat practices: He steps on the edge of a chair and leaps to the floor, feeling the rush as the air flares up his face as he falls. Then he sets himself on something higher, like a table then jumps. He scales a ladder to the ceiling, climbs a tree, pole, watchtower. He keeps increasing the height until no one sees him and the fear to jump leaves him completely, layer by layer [. . .] The acrobat imagines there is a highest possible point in the sky where if he were to fall from it the fall would never end.

Wafted by a favouring gale As one sometimes is in trances, To a height that few can scale, Save by long and weary dances

It is by rugged paths like these they go That scale the heights of immortality, Unreached by those that falter here below.

Difficulty cannot be handled by being scared of how high the peak is. It can be tackled by drawing a path to the peak, and when you toil in the process of scaling that height, you learn and grow.

Once, when I had not eaten for two days, I determined to go to the Drowned Halls to find some food. I ascended to the Upper Halls. This in itself was not easy for someone in my enfeebled condition. The Staircases, though they vary in size, are mostly built on the same noble scale as the rest of the House and each Step is almost twice the height that is comfortable for me. (It is as though God had originally built the House intending to people it with Giants before inexplicably changing His Mind.)

My theme is memory, that winged host that soared about me one grey morning of war-time. These memories, which are my life--for we possess nothing certainly except the past--were always with me. Like the pigeons of St. Mark's, theywere everywhere, under my feet, singly, in pairs, in little honey-voiced congregations, nodding, strutting, winking, rolling the tender feathers of their necks, perching sometimes, if I stood still, on my shoulder or pecking a broken biscuit from between my lips; until, suddenly, the noon gun boomed and in a moment, with a flutter and sweep of wings, the pavement was bare and the whole sky above dark with a tumult of fowl. Thus it was that morning. These memories are the memorials and pledges of the vital hours of a lifetime. These hours of afflatus in the human spirit, the springs of art, are, in their mystery, akin to the epochs of history, when a race which for centuries has lived content, unknown, behind its own frontiers, digging, eating, sleeping, begetting, doing what was requisite for survival and nothing else, will, for a generation or two, stupefy the world; commit all manner of crimes, perhaps; follow the wildest chimeras, go down in the end in agony, but leave behind a record of new heights scaled and new rewards won for all mankind; the vision fades, the soul sickens, and the routine of survival starts again. The human soul enjoys these rare, classic periods, but, apart from them, we are seldom single or unique; we keep company in this world with a hoard of abstractions and reflections and counterfeits of ourselves -- the sensual man, the economic man, the man of reason, the beast, the machine and the sleep-walker, and heaven knows what besides, all in our own image, indistinguishable from ourselves to the outward eye. We get borne along, out of sight in the press, unresisting, till we get the chance to drop behind unnoticed, or to dodge down a side street, pause, breathe freely and take our bearings, or to push ahead, out-distance our shadows, lead them a dance, so that when at length they catch up with us, they look at one another askance, knowing we have a secret we shall never share.

Scale the heights of your career and break that glass ceiling, but do it very quietly and gingerly, and be sure to make a man think he did it for you.

Oh, these men of former times knew how to dream and did not find it necessary to go to sleep first. And we men of today still master this art all too well, despite all of our good will toward the day and staying awake. It is quite enough to love, to hate, to desire, simply to feel--and right away the spirit and power of the dream overcome us, and with our eyes open, coldly contemptuous of all danger, we climb up on the most hazardous paths to scale the roofs and spires of fantasy--without any sense of dizziness, as if we had been born to climb, we somnambulists of the day! We artists! We ignore what is natural. We are moonstruck and God-struck. We wander, still as death, unwearied, on heights that we do not see as heights but as plains, as our safety.

I wonder if proximity to the Barrel makes merchers more uptight. All that black clothing and restraint, meat only twice a week, lager instead of brandy. Maybe they’re making up for all the fun we’re having.” “Keeping the scales balanced?” “Sure. I mean, just think of the heights of debauchery we could reach if no one kept this city in check. Champagne for breakfast. Naked orgies on the floor of the Exchange.” Wylan made a flustered noise that sounded like a bird with a cough and looked anywhere but at Jesper. He was so wonderfully easy to rattle.

Each spring for a period of weeks the imperial gardens were filled with prize tulips (Turkish, Dutch, Iranian), all of them shown to their best advantage. Tulips whose petals had flexed wide were held shut with fine threads hand-tied. Most of the bulbs had been grown in place, but these were supplemented by thousands of cut stems held in glass bottles; the scale of the display was further compounded by mirrors placed strategically around the garden. Each variety was marked with a label made from silver filigree. In place of every fourth flower a candle, its wick trimmed to tulip height, was set into the ground. Songbirds in gilded cages supplied the music, and hundreds of giant tortoises carrying candles on their backs lumbered through the gardens, further illuminating the display. All the guests were required to dress in colors that flattered those of the tulips. At the appointed moment a cannon sounded, the doors to the harem were flung open, and the sultan's mistresses stepped into the garden led by eunuchs bearing torches. The whole scene was repeated every night for as long as the tulips were in bloom, for as long as Sultan Ahmed managed to cling to his throne.

Montenegro (1877) THEY rose to where their sovereign eagle sails, They kept their faith, their freedom, on the height, Chaste, frugal, savage, arm'd by day and night Against the Turk; whose inroad nowhere scales Their headlong passes, but his footstep fails, And red with blood the Crescent reels from fight Before their dauntless hundreds, in prone flight By thousands down the crags and thro' the vales. O smallest among peoples! rough rock-throne Of Freedom! warriors beating back the swarm Of Turkish Islam for five hundred years, Great Tsernogora! never since thine own Black ridges drew the cloud and brake the storm Has breathed a race of mightier mountaineers. Alfred Lord Tennyson, 1880

Snyder had scaled the rocky heights of the American political landscape by adhering to a simple mantra: Do unto others before they do unto you.

Many paths there be, to scale the mountain's height.But all who journey, see the same moon's light.

If Florian was the wall that guarded Flora, then Evelyn had scaled his heights.

Without the height of the peak and the depth of our commitment to scale it, we will spend the whole of our lives viewing our dreams from the bottom looking up.

Once, centuries ago, a map was a thing of beauty, a testament not to the way things were but to the heights scaled by men's dreams.

He (the Shah) liked to cite one of his favorite quotes, ‘Ingratitude is the prerogative of the people,’ and on another occasion said, ‘If the Iranian people were fair and compared their situation with other countries and how Iran was fifty years ago, they would see that they were living in peace. They had it so easy that they decided to have a revolution to supposedly further improve their lives. But this was not a revolution of the Iranian people. In fact it was collective suicide on a national scale that took place at the height of prosperity.

Pilgrims Tuscan reds and ochre hues Olive greens and skies of blue Sunlit valleys full of charm Secluded homestead and hilltop farm Over hills skim birds in flight Aromas whet the appetite Autumn rustle fills the air Revealing grace of trees laid bare Pathways meander through the vale Inviting travelers its height to scale Sunset rewards as evening ends And pilgrims to the night descend

...the petrel, mindless of such height, scales each watery hill that rises up, adapting to the shape of each impediment, each low escape instinct in it, the scope of its flight fitted to its will.

Junghuhn saw an immense field entirely covered with skeletons, and took it to be a battlefield. However they were nothing but skeletons of large turtles, five feet long, three feet broad, and of equal height. These turtles come this way from the sea, in order to lay their eggs, and are then seized by wild dogs (canis rutilans); with their united strength, these dogs lay them on their backs, tear open their lower armour, the small scales of the belly, and devour them alive. But then a tiger often pounces on the dogs. Now all this misery is repeated thousands and thousands of times, year in, year out. For this then, are these turtles born. For what offence must they suffer this agony? What is the point of the whole scene of horror? The only answer is that the will-to-live [the world-will] thus objectifies itself.

December 31 YOUR DEDICATION The way of Love, upon which you may step at any moment—at this moment if you like—requires no formal permit, has no entrance fee, and no conditions whatever. You need no expensive laboratory in which to train, because your own daily life, and your ordinary daily surroundings, are your laboratory. You need no reference library, no professional training; no external acts of any kind. All you need is to begin steadfastly to reject from your mentality everything that is contrary to the law of love. You must build up by faithful daily exercise the true Love Consciousness. Love will heal you. Love will comfort you. Love will guide you. Love will illumine you. Love will redeem you from sin, sickness, and death, and lead you into your promised land. Say to yourself: “My mind is made up; I have counted the cost; and I am resolved to attain the Goal by the path of Love. Others may pursue knowledge, or organize great enterprises for the benefit of humanity, or scale the austere heights of asceticism; but I have chosen the path of Love. My own heart is to be my workshop, my laboratory, my great enterprise, and love is to be my contribution to humanity.

It is the duty of us, the founders, then, said I, to compel the best natures to attain the knowledge which we pronounced the greatest, and to win to the vision of good, to scale the ascent, and when they have reached the heights and taken an adequate view, we must not allow what is now permitted. What is that? That they should linger there, I said, and refuse to go down again among those bondsmen and share their labors and honors, whether they are of less or of greater worth.

It may be he was born to fire The world with good, or earn at least A gloried name; his silenced lyre Might well have raised, before it ceased, A call to ring throughout the ages. Perhaps, upon the world's great stages, He might have scaled a loft height. His martyred shade, condemned to night, Perhaps has carried off forever Some sacred truth, a living word, Now doomed by death to pass unheard; And in the tomb his shade shall never Receive our race's hymns of praise, Nor hear the ages bless his days.

There is one type of scientific illustration in which this effect of scale on impression is acknowledged officially, as it were. Geographers who draw sections of mountain ranges will exaggerate the relation of height to width according to a stated proportion. They have found that a true rendering of vertical relationship looks false. Our mind refuses to accept the fact that the distance of 28,000 feet to which Mount Everest soars from sea level is no more than the distance of just over 5 miles which a car traverses in a matter of minutes.

But we must not do this often, in case the mind acquires a bad habit; yet at times it must be stimulated to rejoice without restraint and austere soberness must be banished for a while. For whether we agree with the Greek poet that ‘Sometimes it is sweet to be mad,’ or with Plato that ‘A man sound in mind knocks in vain at the doors of poetry,’ or with Aristotle that ‘No great intellect has been without a touch of madness,’ only a mind that is deeply stirred can utter something noble and beyond the power of others. When it has scorned everyday and commonplace thoughts and risen aloft on the wings of divine inspiration, only then does it sound a note nobler than mortal voice could utter. As long as it remains in its senses it cannot reach any lofty and difficult height: it must desert the usual track and race away, champing the bit and hurrying its driver in its course to a height it would have feared to scale by itself.

It completely conveyed the idea of a man who had been born, not to say with a silver spoon, but with a scaling-ladder, and had gone on mounting all the heights of life one after another, until now he looked, from the top of the fortifications, with the eye of a philosopher and a patron, on the people down in the trenches.

Once there were three tribes. The Optimists, whose patron saints were Drake and Sagan, believed in a universe crawling with gentle intelligence—spiritual brethren vaster and more enlightened than we, a great galactic siblinghood into whose ranks we would someday ascend. Surely, said the Optimists, space travel implies enlightenment, for it requires the control of great destructive energies. Any race which can't rise above its own brutal instincts will wipe itself out long before it learns to bridge the interstellar gulf. Across from the Optimists sat the Pessimists, who genuflected before graven images of Saint Fermi and a host of lesser lightweights. The Pessimists envisioned a lonely universe full of dead rocks and prokaryotic slime. The odds are just too low, they insisted. Too many rogues, too much radiation, too much eccentricity in too many orbits. It is a surpassing miracle that even one Earth exists; to hope for many is to abandon reason and embrace religious mania. After all, the universe is fourteen billion years old: if the galaxy were alive with intelligence, wouldn't it be here by now? Equidistant to the other two tribes sat the Historians. They didn't have too many thoughts on the probable prevalence of intelligent, spacefaring extraterrestrials— but if there are any, they said, they're not just going to be smart. They're going to be mean. It might seem almost too obvious a conclusion. What is Human history, if not an ongoing succession of greater technologies grinding lesser ones beneath their boots? But the subject wasn't merely Human history, or the unfair advantage that tools gave to any given side; the oppressed snatch up advanced weaponry as readily as the oppressor, given half a chance. No, the real issue was how those tools got there in the first place. The real issue was what tools are for. To the Historians, tools existed for only one reason: to force the universe into unnatural shapes. They treated nature as an enemy, they were by definition a rebellion against the way things were. Technology is a stunted thing in benign environments, it never thrived in any culture gripped by belief in natural harmony. Why invent fusion reactors if your climate is comfortable, if your food is abundant? Why build fortresses if you have no enemies? Why force change upon a world which poses no threat? Human civilization had a lot of branches, not so long ago. Even into the twenty-first century, a few isolated tribes had barely developed stone tools. Some settled down with agriculture. Others weren't content until they had ended nature itself, still others until they'd built cities in space. We all rested eventually, though. Each new technology trampled lesser ones, climbed to some complacent asymptote, and stopped—until my own mother packed herself away like a larva in honeycomb, softened by machinery, robbed of incentive by her own contentment. But history never said that everyone had to stop where we did. It only suggested that those who had stopped no longer struggled for existence. There could be other, more hellish worlds where the best Human technology would crumble, where the environment was still the enemy, where the only survivors were those who fought back with sharper tools and stronger empires. The threats contained in those environments would not be simple ones. Harsh weather and natural disasters either kill you or they don't, and once conquered—or adapted to— they lose their relevance. No, the only environmental factors that continued to matter were those that fought back, that countered new strategies with newer ones, that forced their enemies to scale ever-greater heights just to stay alive. Ultimately, the only enemy that mattered was an intelligent one. And if the best toys do end up in the hands of those who've never forgotten that life itself is an act of war against intelligent opponents, what does that say about a race whose machines travel between the stars?

Somehow I can’t believe there are any heights that can’t be scaled by a man who knows the secret of making dreams come true. This special secret, it seems to me, can be summarized in four C’s. They are Curiosity, Confidence, Courage, and Constancy and the greatest of these is Confidence. When you believe a thing, believe it all the way, implicitly and unquestionably.

I was sure that if I could just scale this fortress I would reach a height with a sunny blue sky and fresh air. I would stand there and experience myself as redeemable rather than ruined. I had no idea what kind of animal I was facing. If you had suggested to me at the time that my problems were due to some faulty wiring, some chemistry experiment gone wrong in my brain, I'd have said you were suggesting that I not take responsibility for my own choices. Now I know I was wrong. Now when I'm haunted by the specter of depression, I recognize it for what it is. I don't systematically dismantle my life every time depression pops out from behind a tree. But at that time, I was sure it was fixable if the world would just change faster, or if I would.

Seen from an aeroplane high in the air, even the most gigantic skyscraper is only a tall stone black, a mere sculptural form, not a real building in which people can live. But as the plane descends from the great heights there will be one moment when the buildings change character completely. Suddenly, they take on human scale, become houses for human beings like ourselves, not the tiny dolls observed from the heights. This strange tranformation takes place at the instant when the contours of the buildings begin to rise above the horizon so that we get a side view of them instead of looking down on them. The buildings pass into a new stage of existence, become architecture in place of neat toys -- for architecture means shapes formed around man, formed to be lived in, not merely to be seen from outside.

Haven't I told you scores of times, that you're always beginners, and the greatest satisfaction was not in being at the top, but in getting there, in the enjoyment you get out of scaling the heights? That's something you don't understand, and can't understand until you've gone through it yourself. You're still at the state of unlimited illusions, when a good, strong pair of legs makes the hardest road look short, and you've such a mighty appetite for glory that the tiniest crumb of success tastes delightfully sweet. You're prepared for a feast, you're going to satisfy your ambition at last, you feel it's within reach and you don't care if you give the skin off your back to get it! And then, the heights are scaled, the summits reached, and you've got to stay there. That's when the torture begins; you've drunk your excitement to the dregs and found it all too short and even rather bitter, and you wonder whether it was really worth the struggle. From that point there is no more unknown to explore, no new sensations to experience. Pride has had its brief portion of celebrity; you know that your best has been given and you're surprised it hasn't brought a keener sense of satisfaction. From that moment the horizon starts to empty of all hopes that once attracted you towards it. There's nothing to look forward to but death. But in spite of that you cling on, you don't want to feel you're played out, you persist in trying to produce something, like old men persist in trying to make love, with painful, humiliating results. ... If only we could have the courage to hang ourselves in front of our last masterpiece!

As for having reached the top, with only one way to go from there, Lee had a point, no? I mean, if you cannot repeat a once-in-a-lifetime miracle—if you can never again reach the top—then why bother creating at all? Well, I can actually speak about this predicament from personal experience, because I myself was once “at the top”—with a book that sat on the bestseller list for more than three years. I can’t tell you how many people said to me during those years, “How are you ever going to top that?” They’d speak of my great good fortune as though it were a curse, not a blessing, and would speculate about how terrified I must feel at the prospect of not being able to reach such phenomenal heights again. But such thinking assumes there is a “top”—and that reaching that top (and staying there) is the only motive one has to create. Such thinking assumes that the mysteries of inspiration operate on the same scale that we do—on a limited human scale of success and failure, of winning and losing, of comparison and competition, of commerce and reputation, of units sold and influence wielded. Such thinking assumes that you must be constantly victorious—not only against your peers, but also against an earlier version of your own poor self. Most dangerously of all, such thinking assumes that if you cannot win, then you must not continue to play. But what does any of that have to do with vocation? What does any of that have to do with the pursuit of love? What does any of that have to do with the strange communion between the human and the magical? What does any of that have to do with faith? What does any of that have to do with the quiet glory of merely making things, and then sharing those things with an open heart and no expectations?

And this whole sunny region—these easily scaled coastal heights, these laughing rock-bound pools, and the sea itself, as far as the islands where boats sailed past now and then—was populated in all directions: people, children of the sea and sun, were stirring and resting everywhere, intelligent, cheerful, beautiful, young humanity, so fair to gaze upon. And at the sight, Hans Castorp's whole heart opened wide—painfully, lovingly wide.

Waist-to-Height Ratio, or WHtR.120 Instead of a scale, grab a simple measuring tape. Stand up straight and take a deep breath, exhale, and let it all hang out. The circumference of your belly (halfway between the top of your hip bones and the bottom of your rib cage) should be half your height—ideally, less. If that measurement is more than half your height, it’s time to start eating healthier and exercising more regardless of your weight.121

Once, aeons ago, the Appalachians were of a scale and majesty to rival the Himalayas—piercing, snow-peaked, pushing breathtakingly through the clouds to heights of four miles or more. New Hampshire’s Mount Washington is still an imposing presence, but the stony mass that rises from the New England woods today represents, at most, the stubby bottom one-third of what was ten million years ago. That the Appalachian Mountains present so much more modest an aspect today is because they have had so much time in which to wear away. The Appalachians are immensely old—older than the oceans and continents (at least in their present configurations), far, far older than most other mountain chains, older indeed than almost all other landscape features on earth. When simple plants colonized the land and the first creatures crawled gasping from the sea, the Appalachians were there to greet them.

The scale of the misery was so vast in America — as elsewhere — that I find it impossible to understand why I didn’t learn more about it in school, or through memorials or stories. As many as twenty thousand Americans died in a week during the height of the Spanish flu. Steam shovels were used to dig mass graves. Health authorities today fear precisely such an event. Many insist that a pandemic based on the H5N1 virus strain is inevitable, and the question is really one of when it will strike and, most important, just how severe it will be.

Do you have any cheese preferences?” Jack asked. “All cheese is good cheese, Lend said. “True dat.” I nodded solemnly. “You did not just say ‘true dat,’” Arianna said, walking into the kitchen. “Because if you think you have any ability whatsoever to pull that off, we are going to have to have a long, long talk.” “Can I at least use it ironically? Or ‘dude.’ Can I use ‘dude?’ Because I really want to be able to use ‘dude.’” “No. No, you cannot, but thank you for asking. Besides, ironic use always segues into non-ironic use, and unless you suddenly become far cooler or far more actually Californian than you are now, I simply cannot allow it.” “But on Easton Heights—” “You are not going to bring up Cary’s cousin Trevyn’s multiepisode arc where he’s sent there as punishment for his pot-smoking surf-bum ways, are you? Because that arc sucked, and he wasn’t even very hot. Also, what’s the lunatic doing?” She jerked her head toward Jack. He flipped a gorgeous looking omelet onto a plate and placed it with a flourish in front of Lend. “I am providing insurance against frying pan boy deciding to enact all the very painful fantasies he’s no doubt entertained about me for the last few weeks. An omelet this good should rule out any dismemberment vengeance.” “Have you been reading his diary?” I asked. “Because I’ll bet he got really creative with the violence ideas.” “No, I only ever read yours. But let me tell you, one more exclamation mark dotted with a heart while talking about how good a kisser Lend is and I was about ready to do myself in. You’re rather single-minded when it comes to adoring him.” “True dat,” Arianna said, nodding. “How come you can use ‘true dat’ if I can’t?” I asked, rightfully outraged. “Because I’m dead, and none of the rules apply anymore.” Lend ate his omelet, refusing to answer Jack’s questions about just how delicious it was on a scale from cutting off limbs to just breaking his nose. I gave Jack full points for flavor but noted the texture was slightly off, exempting him from name-calling but not from dirty looks. Arianna lounged against the counter, and when I finished first we debated the usage rules of “dude,” “true dat,” and my favorite, “for serious.” “I kind of wish they’d shut up,” Jack said. “Dude, true dat,” Lend answered. Jack nodded solemnly. “For serious.

IT IS POSSIBLY WORTH MENTIONING THAT IN FAT CHARLIE’S world, women did not simply turn up. You needed to be introduced to them; you needed to pluck up the courage to talk to them; you needed to find a subject to talk about when you did, and then, once you had achieved those heights, there were further peaks to scale. You needed to dare to ask them if they were doing anything on Saturday night, and then when you did, mostly they had hair that needed washing that night, or diaries to update, or cockatiels to groom, or they simply needed to wait by the phone for some other man not to call.

Sometimes authors do know better. As previously mentioned, in After the Fact, a book aimed at college history majors, James Davidson and Mark Lytle do a splendid job telling of the Indian plagues, demonstrating that they understand their geopolitical significance, their devastating impact on Indian culture and religion, and their effect on estimates of the precontact Indian population. In After the Fact, looking down from the Olympian heights of academe, Davidson and Lytle even write, “Textbooks have finally begun to take note of these large-scale epidemics.” Meanwhile, their own high school history textbooks leave them out.57

God is the most obvious thing in the world. He is absolutely self-evident - the simplest, clearest and closest reality of life and consciousness. We are only unaware of him because we are too complicated, for our vision is darkened by the complexity of pride. We seek him beyond the horizon with our noses lifted high in the air, and fail to see that he lies at our very feet. We flatter ourselves in premeditating the long, long journey we are going to take in order to find him, the giddy heights of spiritual progress we are going to scale, and all the time are unaware of the truth that "God is nearer to us than we are to ourselves." We are like birds flying in quest of the air, or men with lighted candles searching through the darkness for fire.

Ideally, Screwtape's advice to Wormwood should have been balanced by archangelical advice to the patient's guardian angel. Without this the picture of human life is lopsided. But who could supply the deficiency? Even if a man—and he would have to be a far better man than I—could scale the spiritual heights required, what answerable style could he use? For the style would really be part of the content. Mere advice would be no good; every sentence would have to smell of Heaven. And nowadays even if you could write pros like Johanna's, you wouldn't be allowed to for the canon of functionalism has disabled literature for half its functions. At bottom, every idealist style dictates not only how we should say things, but what sort of things we may say.

that one cannot grow strong without being humble. One cannot do great things while self-interest rules. You, my son, have gained one great victory this week over self. I hope it may go on. There are still greater heights to scale. You will have set backs. You’ll find that self is a hard thing to conquer. It will come alive. But if you have really found that you can set self aside and do the thing well that is hardest for you, you have reached a great place in life. There is but one thing higher than that, and that is to let the Lord Christ come in and take Self’s place. If you can learn those two things I shall know why God let all this reversal come to us. I have known all along that there must be some reason why we should thank Him for what has come, and now I begin to see a possible reason.

The largest, and most provocative, sense in which a technological singularity might be an existential opportunity can only be grasped by stepping outside the human perspective altogether and adopting a more cosmological point of view. It is surely the height of anthropocentric thinking to suppose that the story of matter in this corner of the universe climaxes with human society and the myriad living brains embedded in it, marvelous as they are. Perhaps matter still has a long way to go on the scale of complexity. Perhaps there are forms of consciousness yet to arise that are, in some sense, superior to our own. Should we recoil from this prospect, or rejoice in it? Can we even make sense of such an idea? Whether or not the singularity is near, these are questions worth asking, not least because in attempting to answer them we shed new light on ourselves and our place in the order of things. Murray Shanahan

We aren’t simply looking at a demographically induced economic breakdown; we are looking at the end of a half millennium of economic history. At present, I see only two preexisting economic models that might work for the world we’re (d)evolving into. Both are very old-school: The first is plain ol’ imperialism. For this to work, the country in question must have a military, especially one with a powerful navy capable of large-scale amphibious assault. That military ventures forth to conquer territories and peoples, and then exploits said territories and peoples in whatever way it wishes: forcing conquered labor to craft products, stripping conquered territories of resources, treating conquered people as a captive market for its own products, etc. The British Empire at its height excelled at this, but to be honest, so did any other post-Columbus political entity that used the word “empire” in its name. If this sounds like mass slavery with some geographic and legal displacement between master and slave, you’re thinking in the right general direction. The second is something called mercantilism, an economic system in which you heavily restrict the ability of anyone to export anything to your consumer base, but in which you also ram whatever of your production you can down the throats of anyone else. Such ramming is often done with a secondary goal of wrecking local production capacity so the target market is dependent upon you in the long term. The imperial-era French engaged in mercantilism as a matter of course, but so too did any up-and-coming industrial power. The British famously product-dumped on the Germans in the early 1800s, while the Germans did the same to anyone they could reach in the late 1800s. One could argue (fairly easily) that mercantilism was more or less the standard national economic operating policy for China in the 2000s and 2010s (under American strategic cover, no less). In essence, both possible models would be implemented with an eye toward sucking other peoples dry, and transferring the pain of general economic dislocation from the invaders to the invaded. Getting a larger slice of a smaller pie, as it were. Both models might theoretically work in a poorer, more violent, more fractured world—particularly if they are married. But even together, some version of imperialist mercantilism faces a singular, overarching, likely condemning problem: Too many guns, not enough boots.

We love Mary for one reason: because we love Jesus. The more we love Jesus, the more we love Mary. If we could grade Catholics on a scale of sainthood, a kind of spiritual graph, three lines would be almost identical in height or depth: how saintly you are, how much you love Jesus, and how much you love Mary. That’s the empirical fact. Here comes the explanation. Look at the Hail Mary prayer. It stops halfway through. The speaker has to take a silence break before and after the name “Jesus.” He’s at the heart of that prayer as He was at the heart of her body, her womb. Look at the title we give her in that prayer: “Mother of God.” Unbelievable, astonishing, incredible, amazing, infinitely wonderful! What? Jesus in Mary, Jesus incarnating, Jesus coming down to us in Mary. Suppose He had chosen to come in another way. He could have. He could have appeared instantly as a full-grown man descending from the sky, the reverse of the Ascension. He could have come down on a mountaintop, or in the Temple. And if he had, every Christian in the world who adored Him would make a pilgrimage to that mountain or that Temple. They would love that place above all places in the universe. They would make a very big deal of it. Why? Because they make a very big deal about Him.

Let us pause for a moment and consider the structure of the atom as we know it now. Every atom is made from three kinds of elementary particles: protons, which have a positive electrical charge; electrons, which have a negative electrical charge; and neutrons, which have no charge. Protons and neutrons are packed into the nucleus, while electrons spin around outside. The number of protons is what gives an atom its chemical identity. An atom with one proton is an atom of hydrogen, one with two protons is helium, with three protons is lithium, and so on up the scale. Each time you add a proton you get a new element. (Because the number of protons in an atom is always balanced by an equal number of electrons, you will sometimes see it written that it is the number of electrons that defines an element; it comes to the same thing. The way it was explained to me is that protons give an atom its identity, electrons its personality.) Neutrons don't influence an atom's identity, but they do add to its mass. The number of neutrons is generally about the same as the number of protons, but they can vary up and down slightly. Add a neutron or two and you get an isotope. The terms you hear in reference to dating techniques in archeology refer to isotopes—carbon-14, for instance, which is an atom of carbon with six protons and eight neutrons (the fourteen being the sum of the two). Neutrons and protons occupy the atom's nucleus. The nucleus of an atom is tiny—only one millionth of a billionth of the full volume of the atom—but fantastically dense, since it contains virtually all the atom's mass. As Cropper has put it, if an atom were expanded to the size of a cathedral, the nucleus would be only about the size of a fly—but a fly many thousands of times heavier than the cathedral. It was this spaciousness—this resounding, unexpected roominess—that had Rutherford scratching his head in 1910. It is still a fairly astounding notion to consider that atoms are mostly empty space, and that the solidity we experience all around us is an illusion. When two objects come together in the real world—billiard balls are most often used for illustration—they don't actually strike each other. “Rather,” as Timothy Ferris explains, “the negatively charged fields of the two balls repel each other . . . were it not for their electrical charges they could, like galaxies, pass right through each other unscathed.” When you sit in a chair, you are not actually sitting there, but levitating above it at a height of one angstrom (a hundred millionth of a centimeter), your electrons and its electrons implacably opposed to any closer intimacy.

Think about it. Think about how we start off . . . as this set thing. Like the seed of a tree planted in the ground. And then we . . . we grow . . . we grow . . . and at first we are a trunk . . .’ Absolutely nothing. ‘But then the tree – the tree that is our life – develops branches. And think of all those branches, departing from the trunk at different heights. And think of all those branches, branching off again, heading in often opposing directions. Think of those branches becoming other branches, and those becoming twigs. And think of the end of each of those twigs, all in different places, having started from the same one. A life is like that, but on a bigger scale. New branches are formed every second of every day. And from our perspective – from everyone’s perspective – it feels like a . . . like a continuum. Each twig has travelled only one journey. But there are still other twigs. And there are also other todays. Other lives that would have been different if you’d taken different directions earlier in your life. This is a tree of life. Lots of religions and mythologies have talked about the tree of life. It’s there in Buddhism, Judaism and Christianity. Lots of philosophers and writers have talked about tree metaphors too. For Sylvia Plath, existence was a fig tree and each possible life she could live – the happily-married one, the successful-poet one – was this sweet juicy fig, but she couldn’t get to taste the sweet juicy figs and so they just rotted right in front of her. It can drive you insane, thinking of all the other lives we don’t live.

Good friendship, in Buddhism, means considerably more than associating with people that one finds amenable and who share one's interests. It means in effect seeking out wise companions to whom one can look for guidance and instruction. The task of the noble friend is not only to provide companionship in the treading of the way. The truly wise and compassionate friend is one who, with understanding and sympathy of heart, is ready to criticize and admonish, to point out one's faults, to exhort and encourage, perceiving that the final end of such friendship is growth in the Dhamma. The Buddha succinctly expresses the proper response of a disciple to such a good friend in a verse of the Dhammapada: 'If one finds a person who points out one's faults and who reproves one, one should follow such a wise and sagacious counselor as one would a guide to hidden treasure' If we associate closely with those who are addicted to the pursuit of sense pleasures, power, riches and fame, we should not imagine that we will remain immune from those addictions: in time our own minds will gradually incline to these same ends. If we associate closely with those who, while not given up to moral recklessness, live their lives comfortably adjusted to mundane routines, we too will remain stuck in the ruts of the commonplace. If we aspire for the highest — for the peaks of transcendent wisdom and liberation — then we must enter into association with those who represent the highest. Even if we are not so fortunate as to find companions who have already scaled the heights, we can well count ourselves blessed if we cross paths with a few spiritual friends who share our ideals and who make earnest efforts to nurture the noble qualities of the Dhamma in their hearts. When we raise the question how to recognize good friends, how to distinguish good advisors from bad advisors, the Buddha offers us crystal-clear advice. In the Shorter Discourse on a Full-Moon Night (MN 110) he explains the difference between the companionship of the bad person and the companionship of the good person. The bad person chooses as friends and companions those who are without faith, whose conduct is marked by an absence of shame and moral dread, who have no knowledge of spiritual teachings, who are lazy and unmindful, and who are devoid of wisdom. As a consequence of choosing such bad friends as his advisors, the bad person plans and acts for his own harm, for the harm of others, and the harm of both, and he meets with sorrow and misery. In contrast, the Buddha continues, the good person chooses as friends and companions those who have faith, who exhibit a sense of shame and moral dread, who are learned in the Dhamma, energetic in cultivation of the mind, mindful, and possessed of wisdom. Resorting to such good friends, looking to them as mentors and guides, the good person pursues these same qualities as his own ideals and absorbs them into his character. Thus, while drawing ever closer to deliverance himself, he becomes in turn a beacon light for others. Such a one is able to offer those who still wander in the dark an inspiring model to emulate, and a wise friend to turn to for guidance and advice.

Filming was done outside San Antonio, Texas. The scale of the production was vast and complex. Whole battlefields were scrupulously re-created on the plains of Texas. Wellman deployed as many as five thousand extras and sixty airplanes in some scenes—an enormous logistical exercise. The army sent its best aviators from Selfridge Field in Michigan—the very men with whom Lindbergh had just flown to Ottawa—and stunt fliers were used for the more dangerous scenes. Wellman asked a lot of his airmen. One pilot was killed, another broke his neck, and several more sustained other serious injuries. Wellman did some of the more dangerous stunt flying himself. All this gave the movie’s aerial scenes a realism and immediacy that many found almost literally breathtaking. Wellman captured features of flight that had never been caught on film before—the shadows of planes moving across the earth, the sensation of flying through drifting smoke, the stately fall of bombs, and the destructive puffs of impact that follow. Even the land-bound scenes were filmed with a thoughtfulness and originality that set Wings apart. To bring the viewer into a Parisian nightclub, Wellman used a boom shot in which the camera traveled through the room just above table height, skimming over drinks and between revelers, before arriving at the table of Arlen and Rogers. It is an entrancing shot even now, but it was rivetingly novel in 1927. “Wings,” wrote Penelope Gilliatt simply in The New Yorker in 1971, “is truly beautiful.” Wings was selected as best picture at the very first Academy Awards ceremony in 1929. Wellman, however, wasn’t even invited to the ceremony.

One day, at a quiet hour, I found myself alone in a certain gallery, wherein one particular picture of pretentious size set up in the best light, having a cordon of protection stretched before it, and a cushioned bench duly set in front for the accommodation of worshipping connoisseurs, who, having gazed themselves off their feet, might be fain to complete the business sitting. This picture, I say, seemed to consider itself the queen of the collection. It represented a woman, considerably larger, I thought, than the life. I calculated that this lady, put into a scale of magnitude suitable for the reception of a commodity of bulk, would infallibly turn from fourteen to sixteen stone. She was indeed extremely well fed, very much butcher's meat, to say nothing of bread, vegetables, and liquids must she have consumed to attain that breadth and height, that wealth of muscle, that affluence of flesh. She lay half reclined on a couch – why, it would be difficult to say. Broad daylight blazed round her. She appeared in hearty health, strong enough to do the work of two plain cooks. She could not plead a weak spine. She ought to have been standing, or at least sitting bolt upright. She had no business to lounge away the noon on a sofa. She ought likewise to have worn decent garments – a gown covering her properly, which was not the case. Out of abundance of material, seven and twenty yards I should say, of drapery, she managed to make inefficient raiment. Then, for the wretched untidiness surrounding her, there could be no excuse. Pots and pans – or perhaps I ought to say, vases and goblets – were rolled here and there on the foreground, a perfect rubbish of flowers was mixed amongst them, and an absurd and disorderly mass of curtain upholstery smothered the couch and cumbered the floor. On referring to the catalog, I found that this this notable production bore name: 'Cleopatra.

Sharon passed around a handout: "Triangle of Self-Actualization" by Abraham Maslow. The levels of human motivation. It resembled the nutrition triangle put out by the FDA, with five horizontal levels of multiple colors. I vaguely remembered it from my one college psychology course in the 1970's. "Very applicable with refugees," Sharon said. "Maslow theorized that one could not move to a higher level until the prior level was satisfied. The first level, the triangle base, is physiological needs. Like food and water. Until a person has enough to eat and drink, that's all one would be concerned with." I'd never experienced not being able to satisfy my thirst or hunger, but it sounded logical that that would be my only concern in such a situation. For the Lost Boys, just getting enough food and water had been a daily struggle. I wondered what kind of impact being stuck at the bottom level for the last fourteen years would have on a person, especially a child and teen. "The second level is safety and security. Home. A sanctuary. A safe place." Like not being shot at or having lions attack you. They hadn't had much of level two, either. Even Kakuma hadn't been safe. A refugee camp couldn't feel like home. "The third level is social. A sense of belonging." Since they'd been together, they must have felt like they belonged, but perhaps not on a larger scale, having been displaced from home and living in someone else's country. "Once a person has food, shelter, family and friends, they can advance to the fourth level, which is ego. Self-esteem." I'd never thought of those things occurring sequentially, but rather simultaneously, as they did in my life. If I understood correctly, working on their self-esteem had not been a large concern to them, if one at all. That was bound to affect them eventually. In what way remained to be seen. They'd been so preoccupied with survival that issues of self-worth might overwhelm them at first. A sure risk for insecurity and depression. The information was fascinating and insightful, although worrisome in terms of Benson, Lino, and Alepho. It also made me wonder about us middle-and upper-class Americans. We seldom worried about food, except for eating too much, and that was not what Maslow had been referring to. Most of us had homes and safety and friends and family. That could mean we were entirely focused on that fourth level: ego. Our efforts to make ourselves seem strong, smart, rich, and beautiful, or young were our own kind of survival skill. Perhaps advancing directly to the fourth level, when the mind was originally engineered for the challenges of basic survival, was why Prozac and Zoloft, both antidepressants, were two of the biggest-selling drugs in America. "The pinnacle of the triangle," Sharon said, "is the fifth level. Self-actualization. A strong and deeply felt belief that as a person one has value in the world. Contentment with who one is rather than what one has. Secure in ones beliefs. Not needing ego boosts from external factors. Having that sense of well-being that does not depend on the approval of others is commonly called happiness." Happiness, hard to define, yet obvious when present. Most of us struggled our entire lives to achieve it, perhaps what had brought some of us to a mentoring class that night.

By the late 1950s millions of Americans were enjoying the bounties of affluence and the consumer culture, the likes of which they had scarcely imagined before. In the process they were developing larger expectations about life and beginning to challenge things that had seemed set in stone only a few years earlier. Older cultural norms, however, still remained strong until the 1960s, when expectations ascended to new heights and helped to facilitate social unrest on a new and different scale.

It is an unfortunate truth of our society that whatever heights a man might scale, his caste is never cast off; it remains an inseparable part of his identity. His caste always remains a cause for scorn or contempt. Only the type of humiliation changes.

Steven and Louise were a cute match but came nowhere near the sizzling altitude and heights that Giovanni and Zoe reached, upon the scale of romantic couplings and that was totally obvious to any human being on earth, computers and romantic love matching technology aside.

Awake. Oh, ye blessed, ye children of the dawn, open your eyes to this new sun. Dress the sky in blue and light. Dress your souls in beauty to scale the heights. Awake ye beloved, ye who praise the dawn. Show strength for this new day, be strong, carry on.

See if you can figure out why they call me Four.” The door closes behind us, and the room is black. She moves closer to me and says, “What’s your real name?” “See if you can figure that out, too.” The simulation begins. The room opens up to a wide blue sky, and we are on the roof of the building, surrounded by the city, sparkling in the sun. It’s beautiful for just a moment before the wind starts, fierce and powerful, and I put my arm around her because I know she’s steadier than I am, in this place. I’m having trouble breathing, which is normal for me, here. I find the rush of air suffocating, and the height makes me want to curl into a ball and hide. “We have to jump off, right?” she says, and I remember that I can’t curl into a ball and hide; I have to face this now. I nod. “On three, okay?” I nod again. All I have to do is follow her, that’s all I have to do. She counts to three and drags me behind her as she runs, like she’s a sailboat and I’m an anchor, pulling us both down. We fall and I struggle against the sensation with every inch of me, terror shrieking in every nerve, and then I’m on the ground, clutching my chest. She helps me to my feet. I feel stupid, remembering how she scaled that Ferris wheel with no hesitation. “What’s next?” I want to tell her it’s not a game; my fears aren’t thrilling rides she gets to go on. But she probably doesn’t mean it that way.

marriage would necessitate a change of religion, the still-hesitant Alix at first refused. But the otherwise impassive Nicky was nothing if not determined. The very day after Ernie and Ducky were married, the overwhelmed princess finally agreed to become both Russian Orthodox and wife of the heir to the Russian throne. Just as Queen Victoria, the preeminent guest at the festivities, was finishing her breakfast, Ella burst in on her grandmother with the dramatic announcement that “Alix and Nicky are to be engaged.” The wedding was planned for the spring of 1895, but the death of Nicky’s father changed all the elaborate arrangements, including sufficient time for Alix to become literate in the Russian language. Alix had just joined her future husband at the imperial summer palace of Livadia in the Crimea when Tsar Alexander III died on November 1, 1894. His widow Minnie, the princess of Wales’s sister, became the dowager empress; and her son Nicky the new tsar, Nicholas II. The morning after her fiancé’s accession, Alix was received into the Orthodox faith and at the same time given the new name of Alexandra Feodorovna. The imperial family decided the wedding should follow the late tsar’s funeral within the week. Like her mother’s wedding at Osborne in 1862, Alix’s was far more funereal in tone than joyous. All that saved it from complete gloom was the depth of the young bride and groom’s love for each other. During the years when Alice’s children were marrying their cousins and producing a multitude of little second cousins, Vicky had moved from the hurricane’s eye to near oblivion. Though she had been wounded by Fritz’s illness and Willy’s uncivil behavior, until June 1888 she at least had a loving and sympathetic husband to share her distress and lighten her sometimes intolerable burden. After his death, Vicky was left to face her martyrdom stripped of that unfaltering support. With her widowhood, her difficulties centered, inevitably, on the new emperor. Such was the exquisite release Willy experienced in succeeding his father to the throne that he took vainglory to new heights. To the horror of his mother and English grandmother, he jettisoned the standard symbols of mourning that were obligatory for a son in so visible a role, notably refusing to refrain from travel for pleasure. On a grander scale, in his eagerness to test his new powers, Willy made the most disastrous mistake of his early reign only two years after coming

The world is captivated by Hollywood superstars, music artists, and sports personalities. Hollywood is portrayed as the epitome of beauty and fashion capital of the world. Whatever the actors and actresses are wearing dictate the fashion trends and lifestyle being followed by fans in a global scale. The said movie and music characters never fail to amuse and amaze us with their clothes, shoes, bags, and hairstyles. The most popular shoes are the high heel booties studded with gems, gold, and anything sparkling in-between. You certainly wonder how they can perform dance and stage stunts with these booties heels. Women look so attractive donning high heel booties. They get few extra inches in height and look stunning from head to toe. If you are going for mall shopping or walking long distances, stay away from heeled bootiesas your feet will surely get hurt. However, if you are attending special occasions and corporate functions, heel bootiesis the perfect footwear.

So, we recommend specifying the width and height in the tag attributes, and not setting those properties in CSS unless you really mean to scale the canvas.

Fortunately, there may be an even better tool than BMI that we can use to gauge the health risks of body fat. It’s called Waist-to-Height Ratio, or WHtR.120 Instead of a scale, grab a simple measuring tape. Stand up straight and take a deep breath, exhale, and let it all hang out. The circumference of your belly (halfway between the top of your hip bones and the bottom of your rib cage) should be half your height—ideally, less. If that measurement is more than half your height, it’s time to start eating healthier and exercising more regardless of your weight.

Continuous variables can take on almost any numeric value and can be meaningfully divided into smaller increments, including fractional and decimal values. You often measure a continuous variable on a scale. For example, when you measure height, weight, and temperature, you have continuous data. Categorical variables have values that you can put into a countable number of distinct groups based on a characteristic. Categorical variables are also called qualitative variables or attribute variables. For example, college major is a categorical variable that can have values such as psychology, political science, engineering, biology, etc.

Roaring he swept back over the town. A hail of dark arrows leaped up and snapped and rattled on his scales and jewels, and their shafts fell back kindled by his breath burning and hissing into the lake. No fireworks you ever imagined equalled the sights that night. At the twanging of the bows and the shrilling of the trumpets the dragon’s wrath blazed to its height, till he was blind and mad with it. No one had dared to give battle to him for many an age; nor would they have dared now, if it had not been for the grim-voiced man (Bard was his name), who ran to and fro cheering on the archers and urging the Master to order them to fight to the last arrow.

He was tall, towering over her, and broad shouldered. He was a monolith of a man, and he surpassed her by easily a foot or more, and she was of average height. Long black hair reached past his shoulders in dark tendrils. They were a sharp contrast to his skin, which was so pale it was almost gray. Full lips were barely a shade darker. His ears were slightly pointed at the tips, accentuating his incredibly inhuman appearance. For while all the rest might be in the right places—he did not have a third eye, nor horns or scales—there was no mistaking what he was.

Fox News scaled new heights of shrill paranoia. Then they built a stair lift to the top for their predominantly white, elderly audience.

I can’t believe that there are any heights that can’t be scaled by a man who knows the secrets of making dreams come true,” Walt Disney said. “This special secret, it seems to me, can be summarized in four Cs. They are curiosity, confidence, courage, and constancy, and the greatest of all is confidence.

It is comforting, when winds are whipping up the waters of the vast sea, to watch from land the severe trials of another person: not that anyone’s distress is a cause of agreeable pleasure; but it is comforting to see from what troubles you yourself are exempt. It is comforting also to witness mighty clashes of warriors embattled on the plains, when you have no share in the danger. But nothing is more blissful than to occupy the heights effectively fortified by the teaching of the wise, tranquil sanctuaries from which you can look down upon others and see them wandering everywhere in their random search for the way of life, competing for intellectual eminence, disputing about rank, and striving night and day with prodigious effort to scale the summit of wealth and to secure power. (2:1–13)

They were conquerors, and for that you want only brute force — nothing to boast of, when you have it, since your strength is just an accident arising from the weakness of others. They grabbed what they could get for the sake of what was to be got. It was just robbery with violence, aggravated murder on a great scale, and men going at it blind — as is very proper for those who tackle a darkness.

You wish what? You wish to explore the common bonds we share as outsiders in our society?” He waved an arm in the air for emphasis, his voice drenched in sarcasm. “Well, then, that much we have in common. Hooray for your insightfulness. But I’m afraid that’s where our similarities end. You’re a beast who beats the walls of its prison, but what would you do if you were free? What heights, pray tell, are you just waiting to scale?” Allander shook his head, making sounds of disappointment deep in his throat. “I must confess, darling, I find you a bit tiresome.

I mean, if you cannot repeat a once-in-a-lifetime miracle—if you can never again reach the top—then why bother creating at all? Well, I can actually speak about this predicament from personal experience, because I myself was once “at the top”—with a book that sat on the bestseller list for more than three years. I can’t tell you how many people said to me during those years, “How are you ever going to top that?” They’d speak of my great good fortune as though it were a curse, not a blessing, and would speculate about how terrified I must feel at the prospect of not being able to reach such phenomenal heights again. But such thinking assumes there is a “top”—and that reaching that top (and staying there) is the only motive one has to create. Such thinking assumes that the mysteries of inspiration operate on the same scale that we do—on a limited human scale of success and failure, of winning and losing, of comparison and competition, of commerce and reputation, of units sold and influence wielded. Such thinking assumes that you must be constantly victorious—not only against your peers, but also against an earlier version of your own poor self. Most dangerously of all, such thinking assumes that if you cannot win, then you must not continue to play.

FOLLOW ME ONE STEP AT A TIME. That is all I require of you. In fact, that is the only way to move through this space/time world. You see huge mountains looming, and you start wondering how you’re going to scale those heights. Meanwhile, because you’re not looking where you’re going, you stumble on the easy path where I am leading you now. As I help you get back on your feet, you tell Me how worried you are about the cliffs up ahead. But you don’t know what will happen today, much less tomorrow. Our path may take an abrupt turn, leading you away from those mountains. There may be an easier way up the mountains than is visible from this distance. If I do lead you up the cliffs, I will equip you thoroughly for that strenuous climb. I will even give My angels charge over you, to preserve you in all your ways. Keep your mind on the present journey, enjoying My Presence. Walk by faith, not by sight, trusting Me to open up the way before you.

Deep inside me, something began to tighten. Too deep. That deep. Oh Jesus. Oh no. Please, please don’t let Sebastian Pryce own the one cock that can reach The Spot. But he did. The tip of Sebastian’s cock was hitting The Spot, territory uncharted, unknown, unreachable by all prior cock owners who’d attempted to scale the surrounding heights. This couldn’t be. No! No! No! “Yes, yes, yes,” I breathed against his neck, my entire lower body seizing up, my nails clawing at his skin. Fucking hell, Sebastian…you’re so amazing and generous and hard and deep and fuck—“Oh God, you’re perfect. Don’t stop, don’t stop, don’t stop!

THE PROMINENCE AND PROSPERITY of educated black Washingtonians attracted a racist backlash after the turn of the twentieth century. As legal disfranchisement shut down persistent pockets of black and Republican voting in the South, as racist thinking scaled the heights of modern science, as disputes between capital and labor grew more urgent, and as Reconstruction-era politicians—black and white—exited the stage, white Republicans began to shed their egalitarianism. White supremacy then arrived in Washington in full force with Woodrow Wilson and his Democrats in 1913.

a temporary solution to the city’s sectarian bloodletting. Now they were a permanent feature of its geography—indeed, their number, length, and scale had actually increased since the signing of the Good Friday accords. On Springfield Road the barricade was a transparent green fence about ten meters in height. But on Cupar Way, a particularly tense part of the Ardoyne, it was a Berlin Wall–like structure topped by razor wire. Residents on both sides had covered it in murals. One likened it to the separation fence between Israel and the West Bank. “Does this look like peace to you?” asked Keller. “No,” answered Gabriel. “It looks like home.” Finally, at half past one, Keller turned into Stratford Gardens. Number 8, like its neighbors, was a two-level redbrick house with a white door and a single window on each floor. Weeds flourished in the forecourt; a green rubbish bin lay toppled by the wind. Keller pulled to the curb and switched off the engine.

For example, even if a human hasn’t ever been in contact with a snake, and doesn’t know that snakes can be venomous, the human will have an innate fear of slithering, hissing, scale-covered creatures on the ground. Likewise, most humans will fear heights even if they are properly strapped into a harness, or mutated to have wings.

FOLLOW ME ONE STEP AT A TIME. That is all I require of you. In fact, that is the only way to move through this space/time world. You see huge mountains looming, and you start wondering how you’re going to scale those heights. Meanwhile, because you’re not looking where you’re going, you stumble on the easy path where I am leading you now. As I help you get back on your feet, you tell Me how worried you are about the cliffs up ahead. But you don’t know what will happen today, much less tomorrow. Our path may take an abrupt turn, leading you away from those mountains. There may be an easier way up the mountains than is visible from this distance. If I do lead you up the cliffs, I will equip you thoroughly for that strenuous climb. I will even give My angels charge over you, to preserve you in all your ways. Keep your mind on the present journey, enjoying My Presence. Walk by faith, not by sight, trusting Me to open up the way before you. For He will give His angels [especial] charge over you to accompany and defend and preserve you in all your ways [of obedience and service]. They shall bear you up on their hands, lest you dash your foot against a stone. PSALM 91:11–12 (AMP) For we walk by faith, not by sight. 2 CORINTHIANS 5:7 (NKJV) FOR REFLECTION: PSALM 18:29

Contrary to the widespread conventional belief -that the Great Pyramid can be scaled down, the Divine Proportions contributing in the Great Pyramid's geometry cannot be embedded linearly into its structure, hence, the pyramid's size does indeed matter. Therefore, the ratio between its height and its base perimeter is irrelevant in the context of its scalability.

FOLLOW ME ONE STEP AT A TIME. That is all I require of you. In fact, that is the only way to move through this space/time world. You see huge mountains looming, and you start wondering how you’re going to scale those heights. Meanwhile, because you’re not looking where you’re going, you stumble on the easy path where I am leading you now. As I help you get back on your feet, you tell Me how worried you are about the cliffs up ahead. But you don’t know what will happen today, much less tomorrow. Our path may take an abrupt turn, leading you away from those mountains. There may be an easier way up the mountains than is visible from this distance. If I do lead you up the cliffs, I will equip you thoroughly for that strenuous climb. I will even give My angels charge over you, to preserve you in all your ways. Keep your mind on the present journey, enjoying My Presence. Walk by faith, not by sight, trusting Me to open up the way before you. PSALM 18:29; PSALM 91:11–12 AMP; 2 CORINTHIANS 5:7 NKJV

It doesn’t matter how smart you are – you can only accomplish finite with two hands and one brain. To scale heights, you need help from others.

Everything begins in your Mind. If you want to scale the utmost height and be the person God meant you to be, you must cultivate a Mindset that supports that

Wolfgang was a mountain. One I wanted to climb every day for the rest of my life. Scaling his heights and knowing his steady rock center would be there to hold me through every slip.

Standing at the end of the line is a small golden dragon. Sunlight reflects off its scales and horns as it stands to its full height, flicking a feathered tail around the side of its body. The feathertail.

I am filled with hope for the generation to come that will once again be given permission to delight in a cloudless ski, a tender playmate, an afternoon of joy to swing upside down among the leaves. For a growing movement of children who will dance without TikTok. Who will live and love without commentary. Who will smile--widely and freely--without a filter. And I am filled with gratitude for the bold, brave, and unapologetic parents who will point their children to the heights of presence and admiration and innocence that Silicon Valley can never scale.

God is the most obvious thing in the world. He is absolutely self-evident-the simplest, clearest and closest reality of life and consciousness. We are only unaware of him because we are too complicated, for our vision is darkened by the complexity of pride. We seek him beyond the horizon with our noses lifted high in the air, and fail to see that he lies at our very feet. We flatter ourselves in premeditating the long, long journey we are going to take in order to find him, the giddy heights of spiritual progress we are going to scale, and all the time are unaware of the truth that “God is nearer to us than we are to ourselves." We are like birds flying in quest of the air, or men with lighted candles searching through the darkness for fire. (p. 90)

I’ve fallen into the thought process of “I’ll be happy when I’m a size _____.” This is shallow and untrue. We cannot find our self-worth or happiness in our size. There is no such thing as a “size happy.” Large or small, Jesus loves us all. Friend, please stop looking for your validation in the mirror or on a scale. Your identity cannot be found there no matter how long you stare. Your worth cannot be found on the tag inside your jeans or leggings. Your beauty cannot be measured. Your appearance does not define you. Your identity is found in something that no one but God can truly see. Check out what God said when the prophet Samuel saw David’s impressive elder brother and thought Eliab must be the man God had chosen to be king: The LORD said to Samuel, “Do not consider his appearance or his height, for I have rejected him. The LORD does not look at the things people look at. People look at the outward appearance, but the LORD looks at the heart.” (1 Samuel 16:7) God looks at the heart. Your weight will fluctuate, your body will change, but his love for you remains the same. Your body is a vessel. It’s a tool. It does not determine your value. Only Christ can do that. Your body is not an object for others to look at for pleasure. Your identity is safely hidden in God’s care. The apostle Paul said it this way: “You died to this life, and your real life is hidden with Christ in God” (Colossians 3:3 NLT). No amount of Photoshop can change who we are in Christ. It’s time to remove the filters we hide behind and allow God to reveal our identity in him.

Wandered I have at the Kumbh, seeking salvation from the bondages of a painful past Dipped in its holy waters with a million sinners, cleansing me of the sin of having failed in love Burnt in the eternal pyres of Manikarnika, and of my mind, memories of a grim yesterday, and hopes of a colourful tomorrow Offered my self to the Lord of death, hoping to be reborn at the charnel grounds Scaled I have the mighty Himalayas, seeking solace in its serene peaks; Peaks with herbs so potent that they burned many a man’s grief into smokes of joy, With heights so cold that it froze rivers over, and with it, a man’s burning tears, too. In your love I learnt that the salvation, the hope, and the serenity they all offered, was right there where I was Or maybe, this realisation is the blessing these places offer a man – for hither, yonder and beyond.

If at any point of time you are short of confidence, pause and remind yourself of all that you have done. Tasks which you did and only you can do. Sketching, writing a poem, taking care of plants, helping your friend through his difficult time. Celebrate the unique person you are and be proud of your uniqueness. We are all uniquely gifted to do things in a beautiful manner. All that we require is someone to believe in us in order for us to scale the heights.

That hunting by fire was still practiced by the natives on a large scale, and it had been his lot to stumble on six baby elephants, victims of a fire from which only fully grown animals had managed to escape thanks to their size and speed? That whole herds of elephants sometimes escaped from the blazing savanna with bums up to their bellies, and that they suffered for weeks? Many a night he had lain awake in the bush listening to their cries of agony. That the contraband traffic in ivory was still practiced on a large scale by Arab and Asiatic merchants, who drove the tribes to poaching? Thirty thousand elephants a year— was it possible to think for a moment of what that meant, without shame? Did she know that a man like Haas, who was the favorite supplier of the big zc^s, saw half the young elephants he captured die under his eyes? The natives, at least, had an excuse: they needed proteins. For them, elephants were only meat. To stop them, they only had to raise the standard of living in Africa: this was the first step in any serious campaign for the protection of nature. But the whites? The so-called “civilized” people? They had no excuse. They hunted for what they called “trophies,” for the excitement of it, for pleasure, in fact. The flame that attracted him so irresistibly burned him in the end. He was the first to recognize the enemy and to cry tally-ho, and he had gone on the attack with all the passion of a man who feels himself challenged by everything that makes too-noble demands upon human nature, as if humanity began somewhere around. thirty thousand feet above the surface of the earth, thirty thousand feet above Orsini. He was determined to defend his own height, his own scale, his own smallness. "Listen to me,” he said. "All right, you're a priest A missionary. As such, you've always had your nose right in it I mean, you have all the sores, all the ugliness before your eyes all day long. All right. All sorts of open wounds— naked human wretchedness. And then, when you’ve well and truly wiped the bottom of mankind, don’t you long to climb a hill and take a good look at something different, and big, and strong, and free?”“When I feel like taking a good look at something different and big and strong and free,” roared Father Fargue, giving the table a tremendous bang with his fist, “it isn't elephants I turn to, it's God I” The man smiled. He licked his cigarette and stuck it in his mouth. “Well, it isn't a pact with the Devil I'm asking you to sign. It's only a petition to stop people from killing elephants. Thirty thousand of them are killed each year. Thirty thousand, and that's a .small e.stimate. You can’t deny it . . . And remember—'* there was a spark of gaiety in his eyes— “and remember. Father, remember: they haven’t sinned.” He was stabbing me in the back, aiming straight at my faith. Original sin, and the whole thing— you know all that better than I do. You know me. I’m a man of action: give me a good case of galloping syphilis and I'm all right. But theory . . . this is between ourselves. Faith, God— I've got all that in my heart, in my guts, but not in my brain. I’m not one of the brainy ones. So I tried offering him a drink, but he refused.” The Jesuit’s face lit up for a moment, and its wrinkles seemed to disappear in the youthfulness of a smile. Fargue suddenly remembered that he was rather frowned upon in his Order; he had several times been forbidden to publish his scientific papers; it was even whispered that his stay in Africa was not entirely voluntary He had heard tell that Father Tassin, in his writings, represented salvation as a mere biological mutation, and humanity, in the form in which we still know it, as an archaic species doomed to join other vanished species in the obscurity of a prehistoric past. His face clouded over: that smacked of heresy.

The climb We all climb mountains high and low, On days when there is darkness and when there is a bright glow, It cannot be established who invites who, But climb them we do, Many of us climb them within us, scaling their every peak, Most of us scale them outside us where our minds new heights seek, These mountains never rise higher than our own fancies, Often men and women have evinced these tendencies, By subjecting themselves to emotional highs and lows, Where what one is feeling exactly no one knows, Because all of us stand on our own mountains, Few bearing hopes, few bearing desires, few bearing endless wishes, but noone is free from life’s stains, Life that paints us all in many ways and places us on these mountains that lie within us or outside us, And we climb them, few from this end, few from the other end, but we all climb them without a hiatus, The climb ends, but the mountain never seems to end, because a new one is formed always, And humanity is compelled to invent new ways, to climb them on dark nights and bright days, For you only stop when the mountain of life transforms into a flat land, And then there is nowhere to go, it is the moment to wait and stand, For that final mountain of life to reappear and challenge you once more, Few choose to climb it no more and a few cannot ignore, The mountain and its lure, Because from the mountains high they deduce a feeling of thrill that is so pure, That it makes them forsake the flat land and its pace, Where you can stand, walk or run, but on a mountain you climb the contours of the place, and feel its true space!

Monty inclines his head in my direction, then says to Felicity, as though I can’t hear him, “Isn’t he tall?” “Should I be amazed?” Felicity asks without looking up. “I was hoping for outrage. Be outraged with me! Every precious centimeter you and I would have coveted got shaved off and reallocated to him.” “Speak for yourself,” Felicity replies, tipping the wormwood onto a scale and adjusting the weights. “Not all of us are so cripplingly insecure about our height.” “I’m not insecure.” “You were delivered to my house with a broken leg, wearing heels.” “You didn’t throw them out, did you?” “Are those the only shoes you brought for a voyage to Morocco?” “No. But they were the least formal.

From ‘Kokor Hekkus the Killing Machine’, Chapter IV of The Demon Princes, by Caril Carphen (Elucidarian Press, New Wexford, Aloysius, Vega): If Malagate the Woe can be characterized by the single word ‘grim’ and Howard Alan Treesong by ‘incomprehensible’, then Lens Larque, Viole Falushe and Kokor Hekkus all lay claim to the word ‘fantastic’. Which one exceeds the other two in ‘fantasy’? It is an amusing if profitless speculation. Consider Viole Falushe’s Palace of Love, Lens Larque’s monument, the vast and incredible outrages Kokor Hekkus has visited upon humanity: such extravagances are impossible to comprehend, let alone compare. It is fair to say, however, that Kokor Hekkus has captured the popular imagination with his grotesque and eerie humor. Let us listen to what he has to say in an abstract from the famous telephoned address, The Theory and Practice of Terror, to the students of Cervantes University: “… To produce the maximum effect, one must identify and intensify those basic dreads already existing within the subject. It is a mistake to regard the fear of death as the most extreme fear. I find a dozen other types to be more poignant, such as: The fear of inability to protect a cherished dependent. The fear of disesteem. The fear of noisome contact. The fear of being made afraid. “My goal is to produce a ‘nightmare’ quality of fright, and to maintain it over an appreciable duration. A nightmare is the result of the under-mind exploring its most sensitive areas, and so serves as an index for the operator. Once an apparently sensitive area is located the operator to the best of his ingenuity employs means to emphasize, to dramatize this fear, then augment it by orders of magnitude. If the subject fears heights, the operator takes him to the base of a tall cliff, attaches him to a slender, obviously fragile or frayed cord and slowly raises him up the face of the cliff, not too far and not too close to the face. Scale must be emphasized, together with the tantalizing but infeasible possibility of clinging to the vertical surface. The lifting mechanism should be arranged to falter and jerk. To intensify claustrophobic dread the subject is conveyed into a pit or excavation, inserted head-foremost into a narrow and constricted tunnel which slants downward, and occasionally changes direction by sharp and cramping angles. Whereupon the pit or excavation is filled and subject must proceed ahead, for the most part in a downward direction.

He was soft and compassionate, and at the same time, he was the most masculine force of nature I'd ever met. Wolfgang was a mountain. One I wanted to climb every day for the rest of my life. Scaling his heights and knowing his steady rock center would be there to hold me through every slip.

Life and its occasions Time is infinite but occasions are not as many, While you maybe dealing with life and its moments so many, There will arise an occasion only created for you, A moment in time that bears your signature, because it has been designed for you, So, believing time will last forever is not untrue, It will be so, nothing can undo this fact, but believing it will be so for you, is certainly untrue, Therefore seek that occasion that has been created for you, And do not shy away from doing what you ought to do, everything is fine as long as you believe in you, For time gallops inexhaustibly, always forward, And men and women are born to rise upward because that is their only way forward, But realising the occasion born for you and taking it along, Is what shall lead you where you belong, just take yourself and your beliefs along, And as you get busy rising high, do not be bothered by the rest always moving forward, Because only from the highest points you can see the limits of what lies behind and what defines the forward, At that height let your eyes see what your conscience reveals, Because it is only at these pinnacles in one’s life, that life it's true colour reveals, Then let yourself bathe in its shades, all shades of life, And time shall be your never ending occasion, because now you are aware of realities of life, Which are the same whether you are at the highest point or at the farthest reaches of the forward most point, Because life was not born just for you and me , it was born for all alike; and that is the most critical point, Realise it and you shall scale every height, and you shall cross every farthest destiny, And then you shall always live your life in the custodianship of your destiny!

Life is strange,’ she said. ‘How we live it all at once. In a straight line. But really that’s not the whole picture. Because life isn’t simply made of the things we do, but the things we don’t do too. And every moment of our life is a . . . kind of turning.’ Still nothing. ‘Think about it. Think about how we start off . . . as this set thing. Like the seed of a tree planted in the ground. And then we . . . we grow . . . we grow . . . and at first we are a trunk . . .’ Absolutely nothing. ‘But then the tree – the tree that is our life – develops branches. And think of all those branches, departing from the trunk at different heights. And think of all those branches, branching off again, heading in often opposing directions. Think of those branches becoming other branches, and those becoming twigs. And think of the end of each of those twigs, all in different places, having started from the same one. A life is like that, but on a bigger scale. New branches are formed every second of every day. And from our perspective – from everyone’s perspective – it feels like a . . . like a continuum. Each twig has travelled only one journey. But there are still other twigs. And there are also other todays. Other lives that would have been different if you’d taken different directions earlier in your life. This is a tree of life. Lots of religions and mythologies have talked about the tree of life. It’s there in Buddhism, Judaism and Christianity. Lots of philosophers and writers have talked about tree metaphors too. For Sylvia Plath, existence was a fig tree and each possible life she could live – the happily-married one, the successful-poet one – was this sweet juicy fig, but she couldn’t get to taste the sweet juicy figs and so they just rotted right in front of her. It can drive you insane, thinking of all the other lives we don’t live.

I find that I never did have a really clear idea of her at any time. I had an image of her, but that is not the same thing. An image is a stop the mind makes between uncertainties. I had gathered, of course, a good deal from you, and later, after she went away, from others, but this only strengthened my confusion. The more we learn of a person, the less we know. It does not, for instance, help me to know anything of Chartres above the fact that it possesses a cathedral, unless I have lived in Chatres and so keep the relative heights of the cathedral and the lives of its population in proportion. Otherwise it would only confuse me to learn that Jean of that city stood his wife upright in a well; the moment I visualize this, the deed will measure as high as the building; just as children who have a little knowledge of life will draw a man and a barn on the same scale.