Souvenir Important Quotes

Lord, when I feel that what I'm doing is insignificant and unimportant, help me to remember that everything I do is significant and important in your eyes, because you love me and you put me here, and no one else can do what I am doing in exactly the way I do it.

Closing The Cycle One always has to know when a stage comes to an end. If we insist on staying longer than the necessary time, we lose the happiness and the meaning of the other stages we have to go through. Closing cycles, shutting doors, ending chapters - whatever name we give it, what matters is to leave in the past the moments of life that have finished. Did you lose your job? Has a loving relationship come to an end? Did you leave your parents' house? Gone to live abroad? Has a long-lasting friendship ended all of a sudden? You can spend a long time wondering why this has happened. You can tell yourself you won't take another step until you find out why certain things that were so important and so solid in your life have turned into dust, just like that. But such an attitude will be awfully stressing for everyone involved: your parents, your husband or wife, your friends, your children, your sister, everyone will be finishing chapters, turning over new leaves, getting on with life, and they will all feel bad seeing you at a standstill. None of us can be in the present and the past at the same time, not even when we try to understand the things that happen to us. What has passed will not return: we cannot for ever be children, late adolescents, sons that feel guilt or rancor towards our parents, lovers who day and night relive an affair with someone who has gone away and has not the least intention of coming back. Things pass, and the best we can do is to let them really go away. That is why it is so important (however painful it may be!) to destroy souvenirs, move, give lots of things away to orphanages, sell or donate the books you have at home. Everything in this visible world is a manifestation of the invisible world, of what is going on in our hearts - and getting rid of certain memories also means making some room for other memories to take their place. Let things go. Release them. Detach yourself from them. Nobody plays this life with marked cards, so sometimes we win and sometimes we lose. Do not expect anything in return, do not expect your efforts to be appreciated, your genius to be discovered, your love to be understood. Stop turning on your emotional television to watch the same program over and over again, the one that shows how much you suffered from a certain loss: that is only poisoning you, nothing else. Nothing is more dangerous than not accepting love relationships that are broken off, work that is promised but there is no starting date, decisions that are always put off waiting for the "ideal moment." Before a new chapter is begun, the old one has to be finished: tell yourself that what has passed will never come back. Remember that there was a time when you could live without that thing or that person - nothing is irreplaceable, a habit is not a need. This may sound so obvious, it may even be difficult, but it is very important. Closing cycles. Not because of pride, incapacity or arrogance, but simply because that no longer fits your life. Shut the door, change the record, clean the house, shake off the dust. Stop being who you were, and change into who you are.

I like to save things. Not important things like whales or people or the environment. Silly things. Porcelain bells, the kind you get at souvenir shops. Cookie cutters you’ll never use, because who needs a cookie in the shape of a foot? Ribbons for my hair. Love letters. Of all the things I save, I guess you could say my love letters are my most prized possession.

I remembered once, in Japan, having been to see the Gold Pavilion Temple in Kyoto and being mildly surprised at quite how well it had weathered the passage of time since it was first built in the fourteenth century. I was told it hadn’t weathered well at all, and had in fact been burnt to the ground twice in this century. “So it isn’t the original building?” I had asked my Japanese guide. “But yes, of course it is,” he insisted, rather surprised at my question. “But it’s burnt down?” “Yes.” “Twice.” “Many times.” “And rebuilt.” “Of course. It is an important and historic building.” “With completely new materials.” “But of course. It was burnt down.” “So how can it be the same building?” “It is always the same building.” I had to admit to myself that this was in fact a perfectly rational point of view, it merely started from an unexpected premise. The idea of the building, the intention of it, its design, are all immutable and are the essence of the building. The intention of the original builders is what survives. The wood of which the design is constructed decays and is replaced when necessary. To be overly concerned with the original materials, which are merely sentimental souvenirs of the past, is to fail to see the living building itself.

L'essentiel, c'est que ces mots aient été écrits. Le reste n'a pas d`importance. Nous ne devons pas laisser de preuves aux chiens. Il faut ranger nos livres et nos souvenirs en nous.

L`essentiel, c`est que ces mots aient été écrits. Le reste n`a pas d`importance. Nous ne devons pas laisser de preuves aux chiens. Il faut ranger nos livres et nos souvenirs en nous.

L`essentiel, c`est que ces mots aient été écrits. Le reste n`a pas d`importance. Nous ne devons pas laisser de preuves aux chiens. Il faut ranger nos livres et nous souvenirs en nous.

Le sens n’est pas très important. Ce qui l’est, c’est le récit caché au fond des mots. Maintenant, vous êtes en train d’essayer de le faire remonter. Votre cœur est en train de tenter de faire réapparaître des choses qui ont disparu.

I like to save things. Not important things like whales or people or the environment. Silly things. Porcelain bells, the kind you get at souvenir shops. Cookie cutters you’ll never use, because who needs a cookie in the shape of a foot? Ribbons for my hair. Love letters. Of all the things I save, I guess you could say my love letters are my most prized possession. I keep my letters in a teal hatbox my mom bought me from a vintage store downtown. They aren’t love letters that someone else wrote for me; I don’t have any of those. These are ones I’ve written. There’s one for every boy I’ve ever loved—five in all. When I write, I hold nothing back. I write like he’ll never read it. Because he never will. Every secret thought, every careful observation, everything I’ve saved up inside me, I put it all in the letter. When I’m done, I seal it, I address it, and then I put it in my teal hatbox. They’re not love letters in the strictest sense of the word. My letters are for when I don’t want to be in love anymore. They’re for good-bye. Because after I write my letter, I’m no longer consumed by my all-consuming love. I can eat my cereal and not wonder if he likes bananas over his Cheerios too; I can sing along to love songs and not be singing them to him. If love is like a possession, maybe my letters are like my exorcisms. My letters set me free. Or at least they’re supposed to.

Il y a des moments de bonheur parfait, quelquefois dans la solitude dont le souvenir, plus que celui de n’importe qui d’extérieur, peut, en cas de crise, vous sauver du désespoir. Car on sait qu’on a été heureux seul et sans raison. On sait que c’est possible. Et le bonheur – qui vous semble si lié à quelqu’un lorsqu’on est malheureux par lui, si irrévocablement, organiquement presque, dépendant de lui – vous réapparaît comme une chose lisse, ronde, intacte et à jamais libre, à votre merci (lointaine, bien sûr, mais forcément possible). Et ce souvenir est plus réconfortant que celui d’un bonheur partagé avant, avec quelqu’un d’autre, car ce quelqu’un d’autre, ne l’aimant plus, vous apparaît comme une erreur et ce souvenir heureux basé sur rien.

There are moments that occur, that draw our memories, that seem denser than the string of moments before and after them. Years later, in your mind, you are drawn to them by an offhand comment, a flash of color, a scent, a texture, a taste, a feeling. But seldom do you realize the importance at the time that you were experiencing them, the memory’s equivalent of a bauble or souvenir.

And lastly — I hope you are not too sleepy to pay attention to this, Harry — the young Tom Riddle liked to collect trophies. You saw the box of stolen articles he had hidden in his room. These were taken from victims of his bullying behavior, souvenirs, if you will, of particularly unpleasant bits of magic. Bear in mind this magpie-like tendency, for this, particularly, will be important later

A woman named Cynthia once told me a story about the time her father had made plans to take her on a night out in San Francisco. Twelve-year-old Cynthia and her father had been planning the “date” for months. They had a whole itinerary planned down to the minute: she would attend the last hour of his presentation, and then meet him at the back of the room at about four-thirty and leave quickly before everyone tried to talk to him. They would catch a tram to Chinatown, eat Chinese food (their favourite), shop for a souvenir, see the sights for a while and then “catch a flick” as her dad liked to say. Then they would grab a taxi back to the hotel, jump in the pool for a quick swim (her dad was famous for sneaking in when the pool was closed), order a hot fudge sundae from room service, and watch the late, late show. They discussed the details over and over again before they left. The anticipation was part of the whole experience. This was all going according to plan until, as her father was leaving the convention centre, he ran into an old college friend and business associate. It had been years since they had seen each other, and Cynthia watched as they embraced enthusiastically. His friend said, in effect: “I am so glad you are doing some work with our company now. When Lois and I heard about it we thought it would be perfect. We want to invite you, and of course Cynthia, to get a spectacular seafood dinner down at the Wharf!” Cynthia’s father responded: “Bob, it’s so great to see you. Dinner at the wharf sounds great!” Cynthia was crestfallen. Her daydreams of tram rides and ice cream sundaes evaporated in an instant. Plus, she hated seafood and she could just imagine how bored she would be listening to the adults talk all night. But then her father continued: “But not tonight. Cynthia and I have a special date planned, don’t we?” He winked at Cynthia and grabbed her hand and they ran out of the door and continued with what was an unforgettable night in San Francisco. As it happens, Cynthia’s father was the management thinker Stephen R. Covey (author of The Seven Habits of Highly Effective People) who had passed away only weeks before Cynthia told me this story. So it was with deep emotion she recalled that evening in San Francisco. His simple decision “Bonded him to me forever because I knew what mattered most to him was me!” she said.5 One simple answer is we are unclear about what is essential. When this happens we become defenceless. On the other hand, when we have strong internal clarity it is almost as if we have a force field protecting us from the non-essentials coming at us from all directions. With Rosa it was her deep moral clarity that gave her unusual courage of conviction. With Stephen it was the clarity of his vision for the evening with his loving daughter. In virtually every instance, clarity about what is essential fuels us with the strength to say no to the non-essentials. Stephen R. Covey, one of the most respected and widely read business thinkers of his generation, was an Essentialist. Not only did he routinely teach Essentialist principles – like “The main thing is to keep the main thing the main thing” – to important leaders and heads of state around the world, he lived them.6 And in this moment of living them with his daughter he made a memory that literally outlasted his lifetime. Seen with some perspective, his decision seems obvious. But many in his shoes would have accepted the friend’s invitation for fear of seeming rude or ungrateful, or passing up a rare opportunity to dine with an old friend. So why is it so hard in the moment to dare to choose what is essential over what is non-essential?

S'il m'arrive de perdre une nuit qui aurait pu être consacrée au sommeil, au plaisir, ou tout simplement à la solitude, à causer sur la terrasse d'un café avec des intellectuels atteints de désespoir, je les étonne toujours en leur affirmant que j'ai connu le bonheur, le vrai, l'authentique, la pièce d'or inaltérable qu'on peut échanger contre une poignée de gros sous ou contre une liasse de marks d'après-guerre, mais qui n'en demeure pas moins semblable à elle-même, et qu'aucune dévaluation n'atteint. Le souvenir d'un d'un tel état de choses guérit de la philosophie allemande ; il aide à simplifier la vie, et aussi son contraire. Et si ce bonheur émanait de Conrad, ou seulement de ma jeunesse, c'est ce qui importe peu, puisque ma jeunesse et Conrad sont morts ensemble. (p. 145)

I want to be married,” I blurted. “I want you to marry me.” Fuuuuuuuck. And so my entire carefully constructed speech was thrown out the window. My grandmother’s antique ring was in a box in the dresser—nowhere near me—and my plan to kneel and do everything right just evaporated. In the circle of my arms, Chloe grew very still. “What did you just say?” I had completely botched the plan, but it was too late to turn back now. “I know we have only been together for a little over a year,” I explained, quickly. “Maybe it’s too soon? I understand if it’s too soon. It’s just that how you feel about the way we kiss? I feel that way about everything we do together. I love it. I love to be inside you, I love working with you, I love watching you work, I love fighting with you, and I love just sitting on the couch and laughing with you. I’m lost when I’m not with you, Chloe. I can’t think of anything, or anyone, who is more important to me, every second. And so for me, that means we’re already sort of married in my head. I guess I wanted to make it official somehow. Maybe I sound like an idiot?” I looked over at her, feeling my heart try to jackhammer its way up my throat. “I never expected to feel this way about someone.” She stared at me, eyes wide and lips parted as if she couldn’t believe what she was hearing. I stood and ran over to the dresser, pulling the box from the drawer and carrying it over to her. When I opened the box and let her see my grandmother’s antique diamond and sapphire ring, she clapped a hand over her mouth. “I want to be married,” I said again. Her silence was unnerving, and fuck, I’d completely botched this with my rambling nonsense. “Married to you, I mean.” Her eyes filled with tears and she held them, unblinking. “You. Are such. An ass.” Well, that was unexpected. I knew it might be too soon, but an ass? Really? I narrowed my eyes. “A simple ‘It’s too soon’ would have sufficed, Chloe. Jesus. I lay my heart out on the—” She pushed off the bed and ran over to one of her bags, rummaging through it and pulling out a small blue fabric bag. She carried it back to me with the ribbon hooked over her long index finger, and dangled the bag in my face. I ask her to marry me and she brings me a souvenir from New York? What the fuck is that? “What the fuck is that?” I asked. “You tell me, genius.” “Don’t get smart with me, Mills. It’s a bag. For all I know you have a granola bar, or your tampons, in there.” “It’s a ring, dummy. For you.” My heart was pounding so hard and fast I half wondered if this was what a heart attack felt like. “A ring for me?” She pulled a small box out of the bag and showed it to me. It was smooth platinum, with a line of coarse titanium running through the middle. “You were going to propose to me?” I asked, still completely confused. “Do women even do that?” She punched me, hard, in the arm. “Yes, you chauvinist. And you totally stole my thunder.” “So, is that a yes?” I asked, my bewilderment deepening. “You’ll marry me?” “You tell me!” she yelled, but she was smiling. “Technically you haven’t asked yet.” “Goddamnit, Bennett! You haven’t, either!” “Will you marry me?” I asked, laughing. “Will you marry me?” With a growl, I took the box and dropped it on the floor, flipping her onto her back.

J’ai d’ailleurs un ami qui, ces jours-ci, m’a affirmé que nous ne savons même pas être paresseux. Il prétend que nous paressons lourdement, sans plaisir, ni béatitude, que notre repos est fiévreux, inquiet, mécontent ; qu’en même temps que la paresse, nous gardons notre faculté d’analyse, notre opinion sceptique, une arrière-pensée, et toujours sur les bras une affaire courante, éternelle, sans fin. Il dit encore que nous nous préparons à être paresseux et à nous reposer comme à une affaire dure et sérieuse et que, par exemple, si nous voulons jouir de la nature, nous avons l’air d’avoir marqué sur notre calendrier, encore la semaine dernière, que tel et tel jour, à telle et telle heure, nous jouirons de la nature. Cela me rappelle beaucoup cet Allemand ponctuel qui, en quittant Berlin, nota tranquillement sur son carnet. « En passant à Nuremberg ne pas oublier de me marier. » Il est certain que l’Allemand avait, avant tout, dans sa tête, un système, et il ne sentait pas l’horreur du fait, par reconnaissance pour ce système. Mais il faut bien avouer que dans nos actes à nous, il n’y a même aucun système. Tout se fait ainsi comme par une fatalité orientale. Mon ami a raison en partie. Nous semblons traîner notre fardeau de la vie par force, par devoir, mais nous avons honte d’avouer qu’il est au-dessus de nos forces, et que nous sommes fatigués. Nous avons l’air, en effet, d’aller à la campagne pour nous reposer et jouir de la nature. Regardez avant tout les bagages rien laissé de ce qui est usé, de ce qui a servi l’hiver, au contraire, nous y avons ajouté des choses nouvelles. Nous vivons de souvenirs et l’ancien potin et la vieille affaire passent pour neufs. Autrement c’est ennuyeux ; autrement il faudra jouer au whist avec l’accompagnement du rossignol et à ciel ouvert. D’ailleurs, c’est ce qui se fait. En outre, nous ne sommes pas bâtis pour jouir de la nature ; et, en plus, notre nature, comme si elle connaissait notre caractère, a oublié de se parer au mieux. Pourquoi, par exemple, est-elle si développée chez nous l’habitude très désagréable de toujours contrôler, éplucher nos impressions – souvent sans aucun besoin – et, parfois même, d’évaluer le plaisir futur, qui n’est pas encore réalisé, de le soupeser, d’en être satisfait d’avance en rêve, de se contenter de la fantaisie et, naturellement, après, de n’être bon à rien pour une affaire réelle ? Toujours nous froisserons et déchirerons la fleur pour sentir mieux son parfum, et ensuite nous nous révolterons quand, au lieu de parfum, il ne restera plus qu’une fumée. Et cependant, il est difficile de dire ce que nous deviendrions si nous n’avions pas au moins ces quelques jours dans toute l’année et si nous ne pouvions satisfaire par la diversité des phénomènes de la nature notre soif éternelle, inextinguible de la vie naturelle, solitaire. Et enfin, comment ne pas tomber dans l’impuissance en cherchant éternellement des impressions, comme la rime pour un mauvais vers, en se tourmentant de la soif d’activité extérieure, en s’effrayant enfin, jusqu’à en être malade, de ses propres illusions, de ses propres chimères, de sa propre rêverie et de tous ces moyens auxiliaires par lesquels, en notre temps, on tâche, n’importe comment, de remplir le vide de la vie courante incolore. Et la soif d’activité arrive chez nous jusqu’à l’impatience fébrile. Tous désirent des occupations sérieuses, beaucoup avec un ardent désir de faire du bien, d’être utiles, et, peu à peu, ils commencent déjà à comprendre que le bonheur n’est pas dans la possibilité sociale de ne rien faire, mais dans l’activité infatigable, dans le développement et l’exercice de toutes nos facultés.

The Cats in the City Location: an Arab city. Time: the age of defeat. The twenty-first century. General atmosphere: “fancy” neighborhoods. Expensive houses painted in tombstone colors. Beautiful and well-maintained gardens. Flowers that no one dares to smell. Imported cars. Imported devices. Imported clothes. Imported foods. Endless consumer shops for anything and everything. Between every other restaurant, there are shops selling cosmetics and souvenirs. Between every other consumer market, There is a worship place. All consumer shops are built skillfully On the scab of the same old wound; A wound that can flood the city with blood and death With the slightest fingernail scratch. As I walk farther from the city, The consumer shops vanish. The lights are suddenly dimmed. The cheering and the hustle and bustle of the consumers go silent. I see myself in total darkness. I am alone hearing nothing but the sounds of my footsteps, And the meows of hungry stray street cats, Covered with the ashes of daily existence. A thin and hungry cat approaches me, She meows in despair and starvation, Begging me for her bite of the day (or the week?) I throw her a small piece of my sandwich. She picks it up and runs away To celebrate her temporary gains! She leaves me alone wondering in darkness: What reflects the reality of this city more The 'fancy' neighborhoods I saw earlier, Or the starving cats in the darkness? June 8, 2014

Richard nodded. “I wrote Chasing Girls.” He took a deep breath and licked his lips. Chasing Girls was about his way of life. With one important difference: he didn’t kill women like the protagonist in his story. But he kept souvenirs in his private photo album as a tribute of love to the women he slept with. On some pages he’d even glued underpants and pubic hair. It was lost with the bomb explosion in downtown London.

Pour résumer : chaque jour, je ressemblais davantage à la vieille paysanne russe attendant le train. Peu après la révolution, ou après une guerre ou une autre, la confusion règne au point que personne n'a idée de quand va pointer la nouvelle aube, et encore moins de quand va arriver le prochain train, mais la campagnarde chenue a entendu dire que celui-ci est prévu pour tantôt. Vu la taille du pays, et le désordre de ces temps, c'est une information aussi précise que toute personne douée de raison est en droit d'exiger, et puisque la vieille n'est pas moins raisonnable que quiconque, elle rassemble ses baluchons de nourriture, ainsi que tout l’attirail nécessaire au voyage, avant de se oser à côté de la voie ferrée. Quel autre moyen d'être sûre d'attraper le train que de se trouver déjà sur place lorsqu'il se présentera ? Et le seul moyen d'être là à l'instant voulu, c'est de rester là sans arrêt. Évidemment, il se peut que ce convoi n'arrive jamais, ni un autre. Cependant, sa stratégie a pris en compte jusqu'à cette éventualité : le seul moyen de savoir s'il y aura un train ou pas, c'est d'attendre suffisamment longtemps ! Combien de temps ? Qui peut le dire ? Après tout, il se peut que le train surgisse immédiatement après qu'elle a renoncé et s'en est allée, et dans ce cas, toute cette attente, si longue eût-elle été, aurait été en vain. Mouais, pas très fiable, ce plan, ricaneront certains. Mais le fait est qu'en ce monde personne ne peut être complètement sûr de rien, n'est-ce pas ? La seule certitude, c'est que pour attendre plus longtemps qu'une vieille paysanne russe, il faut savoir patienter sans fin. Au début, elle se blottit au milieu de ses baluchons, le regard en alerte afin de ne pas manquer la première volute de fumée à l'horizon. Les jours forment des semaines, les semaines des mois, les mois des années. Maintenant, la vieille femme se sent chez elle : elle sème et récolte ses modestes moissons, accomplit les tâches de chaque saison et empêche les broussailles d'envahir la voie ferrée pour que le cheminot voie bien où il devra passer. Elle n'est pas plus heureuse qu'avant, ni plus malheureuse. Chaque journée apporte son lot de petites joies et de menus chagrins. Elle conjure les souvenirs du village qu'elle a laissé derrière elle, récite les noms de ses parents proches ou éloignés. Quand vous lui demandez si le train va enfin arriver, elle se contente de sourire, de hausser les épaules et de se remettre à arracher les mauvaises herbes entre les rails. Et aux dernières nouvelles, elle est toujours là-bas, à attendre. Comme moi, elle n'est allée nulle part, finalement ; comme elle, j'ai cessé de m'énerver pour ça. Pour sûr, tout aurait été différent si elle avait pu compter sur un horaire de chemins de fer fiable, et moi sur un procès en bonne et due forme. Le plus important, c'est que, l'un comme l'autre, nous avons arrêté de nous torturer la cervelle avec des questions qui nous dépassaient, et nous nous sommes contentés de veiller sur ces mauvaises herbes. Au lieu de rêver de justice, j'espérais simplement quelques bons moments entre amis ; au lieu de réunir des preuves et de concocter des arguments, je me contentais de me régaler des bribes de juteuses nouvelles venues du monde extérieur ; au lieu de soupirer après de vastes paysages depuis longtemps hors de portée, je m'émerveillais des moindres détails, des plus intimes changements survenus dans ma cellule. Bref, j'ai conclus que je n'avais aucun pouvoir sur ce qui se passait en dehors de ma tête. Tout le reste résidait dans le giron énigmatique des dieux présentement en charge. Et lorsque j'ai enfin appris à cesser de m'en inquiéter, l'absolution ainsi conférée est arrivée avec une étonnante abondance de réconfort et de soulagement.

26 avril (1996). {Les lieux, les dates et les personnages évoqués dans les pages qui suivent sont aussi authentiques que possible.} Les souvenirs sont encore là, les impressions plutôt (les chiens la nuit, les trottoirs et la chaussée crevée après l'hiver, les sons de la langue roumaine…) qui ne sont pas encore des souvenirs, mais semblent disponibles, mobilisées, présentes. Ce n'est pas que je me souviens : je sais comment faire pour descendre au rez-de-chaussée après le réveil, traverser le terrain qui sépare la Casa de Oaspeți [la Maison d'hôtes de l'Université] de la rue, entre les voitures abandonnées (un car allemand immobilisé là sans doute depuis longtemps) ou en cours de réparation sur un pont rudimentaire, passer devant l'Academia de Arte devant laquelle de bon matin sont déjà rassemblés des étudiants en musique, à côté du robinet vissé à un simple tuyau planté dans le sol, et qui coule toujours (les chiens viennent périodiquement y boire). Tout cela m'est présent. Mais je sens aussi comment ces diverses sensations s'écartent les unes des autres, se désolidarisent déjà : certaines prennent de l'importance aux dépens des autres, forment de petits groupes, s'organisent en "souvenirs" aptes à entrer dans la mémoire profonde.

Soir. Encore la bouteille entière de champagne, un peu moins de whisky pour lui que la fois dernière. L'invention, continuelle, des positions, des gestes. Je renverse du champagne sur son sexe, à peu près sûre qu'on ne lui a jamais fait de telles choses. Sodomie. Garder le souvenir de son visage bouleversé quand je lui dis : « N'importe où, n'importe quand, tu peux me demander n'importe quoi, je te le donnerai, je le ferai pour toi. » Presque des larmes dans ses yeux. Je prends dans ma bouche un morceau de ce qu'il mange, il en est touché.

Les maires, les communes et leurs municipalités sont la cible de prédilection des islamistes. C'est contre le bloc communal que les musulmans radicalisés vont concentrer les efforts de leur action militante. Avec des constantes obsessionnelles : les piscines plutôt que les patinoires. Pourquoi les piscines ? Parce que la nudité relative de leurs usagers en ferait un lieu de perdition aux yeux des hommes touchés par la beauté du divin. Bizarre... Je n'ai personnellement pas le souvenir que le moindre fait divers sordide, que le moindre attentat à la pudeur ait entaché l'activité d'une piscine municipale, mais peu importe. Je pense surtout que l'idée de la femme occidentale que se fabriquent et que véhiculent ces individus est indigne. Et que nous sommes priés, nous, pays d'accueil de ne pas être scandalisés -au nom du respect que l'on doit aux différences culturelles - par ces discours injurieux. Nous ne sommes autorisés à nous scandaliser, nous sommes même exhortés à le faire, lorsque les mêmes jugements sont portés par les ultra-conservateurs de la chrétienté.

From all journeys, be they imaginative or geographic, the most important souvenirs to be collected are the reminders that people's lives are fortified by family and friends; by our ability to create our lives like a piece of art; and our efforts to reconcile our material needs with the importance of our connections to each other.

Discussing the wedding created a perplexing hollow in Veblen. She had picked up a copy of Brides magazine since the whole idea came into play; it wanted to fill her mind with wedding souvenirs and makeovers and cake toppers and what she would wear on her head, but none of that stuff captivated her the way she knew it was supposed to, and she wondered if she should make it an actual goal to start relating to all the bridal fanfare in a more happy-go-lucky way so she wouldn’t miss out on something important. How do you know if you’re stubbornly missing out, or if it’s just not for you and that’s perfectly okay?

It is exactly what you expected it to be. You know this rock. You know it in a way that has nothing to do with calendars and the covers of souvenir books. Your knowledge of this rock is grounded in something much more elemental. In some odd way that you don’t understand and can’t begin to articulate you feel an acquaintance with it—a familiarity on an unfamiliar level. Somewhere in the deep sediment of your being some long-dormant fragment of primordial memory, some little severed tail of DNA, has twitched or stirred. It is a motion much too faint to be understood or interpreted, but somehow you feel certain that this large, brooding, hypnotic presence has an importance to you at the species level—perhaps even at a sort of tadpole level—and that in some way your visit here is more than happenstance. I’m not saying that any of this is so. I’m just saying that this is how you feel. The other thought that strikes you—that struck me anyway—is that Uluru is not merely a very splendid and mighty monolith but also an extremely distinctive one. More than this, it is an extremely recognizable one—very possibly the most immediately recognizable natural object on earth. I’m suggesting nothing here, but I will say that if you were an intergalactic traveler who had broken down in our solar system, the obvious directions to rescuers would be: “Go to the third planet and fly around till you see the big red rock. You can’t miss it.” If ever on earth they dig up a 150,000-year-old rocket ship from the galaxy Zog, this is where it will be.

And lastly – I hope you are not too sleepy to pay attention to this, Harry – the young Tom Riddle liked to collect trophies. You saw the box of stolen articles he had hidden in his room. These were taken from victims of his bullying behaviour, souvenirs, if you will, of particularly unpleasant bits of magic. Bear in mind this magpie-like tendency, for this, particularly, will be important later.

Il me manque tellement. Ça ne devient pas plus facile. Peu importe ce que les gens disent, le temps ne guérit pas les blessures. Il vous montre simplement de nouvelles, et encore plus douloureuses manières de souffrir de l'absence de quelqu'un. Plus cette personne est partie depuis longtemps, pire c'est, parce qu'on commence à oublier son sourire, sa façon de pencher la tête lorsqu'elle réfléchissait, de vous regarder et de deviner ce à quoi vous pensiez. Bientôt, on se met même à avoir la sensation que les souvenir sont étés remplacés par des images photographiques - comme si la seule façon de se rappeler cette personne se trouvait désormais sur un cliché, et qu'elle devenait bidimensionnelle. Et comme ça déchiré le cœur rien que d'y penser, on évite de le faire.

Nous sommes prisonniers des images, des représentations, dirait Sarah, et seuls ceux qui, comme elle ou comme le colporteur, font le choix de se défaire de leur vie (si une telle chose est réellement possible) peuvent parvenir à autrui. Je me rappelle le bruit de mon urine tombant sur les pierres dans le silence enivrant du désert ; je me rappelle mes petites pensées, bien futiles au regard de l'infinité des êtres ; je n'avais pas conscience des fourmis et des araignées que je noyais dans l'urée. Nous sommes condamnés, comme dit Montaigne dans son dernier Essai, à penser comme on pisse, en chemin, vite et furtivement, en espions. Seul l'amour, pensai-je en regagnant la tente, en frémissant de froid et de désir au souvenir de la nuit précédente, nous ouvre vers autrui ; l'amour comme renoncement, comme fusion - rien d'étonnant à ce que ces deux absolus, le désert et l'amour, se soient rencontrés pour donner un des monuments les plus importants de la littérature universelle, la folie de Majnoun qui hurla sa passion pour Leyla aux cailloux et aux vipères à cornes, Leyla qu'il aima, aux environs de l'an 750, dans une tente toute pareille.

Elle dit elle-même qu’elle ne s’en souvient pas, et que cela de toute façon ne l’a pas empêchée de naître et ne l’empêchera pas de mourir.

It becomes baggage that they carry everywhere with them. Look at all the stuff you had before. It’s gone now. Do you miss it? People have garages and sheds full of boxes. If you asked them what’s in the boxes, they often wouldn’t know. “If everything was destroyed in a fire or something, you’d probably be hard put to say what was missing. Then, every ten years or so, you decide to go through the boxes intending to get rid of most of the contents. You open it up and say, ‘Oh there’s that theatre ticket I had when I took Martha to the movies for the first time. I can’t throw that out!’ So you put it back in the box and put it away and forget about it until ten years later, when you go through the whole process again. “It’s like we have to hang on to everything in our past because somehow all that stuff, all those souvenirs, all those memories, add up to who we are. When we forget who we really are and identify with our stories, we become attached. But what happens when we die? The relatives go through the boxes, they find the old movie ticket and it means nothing to them. They say, ‘Hmmm … what do you want to do with this old ticket? You want it? I don’t want it, do you want it? Nah, chuck it out.’ A lifetime of hoarding and protecting and hanging on means nothing. Wasted energy. Sure, the memory is nice, but you don’t need an old piece of paper to remind you of that. If the memory of the first time you took Martha to the movies is important, you will keep it in your heart. But it’s not more important than the present moment. And if you constantly compare the good old days to what is happening today, then you will find that you are never satisfied, never happy with the way things are now.

Jimmy may well have read the front-page banner in late August exhorting readers to “Go and Register.” The accompanying article extolled the dual power of the franchise: “When we register and go to the polls in large numbers … we not only perform thereby a duty which is obligatory upon good citizens, but our votes make public officials more obligated to give us the recognition and consideration to which we are entitled.” 109 This paper and others sought to whip up excitement about the recent passage of a civil rights bill championed by Democratic state senator Charles C. Diggs. Declaring with some hyperbole that the bill would be the “New Emancipation,” the black Democratic organization Michigan Federated Democratic Clubs sought to use the bill to both galvanize the community and shore up support for Diggs with the “First Annual Emancipation Picnic and Dance” in his honor on August 1, 1937. Attendees received “a small pocket-size souvenir-copy of Senator Diggs Civil Rights Bill” along with “a statement of what to do if the Bill is violated.” 110 More than a decade later, Jimmy would be among a group of activists associated with the Detroit NAACP and the United Auto Workers (UAW) who mounted an effort to enforce this law by “breaking down” restaurants that discriminated against African Americans. By that time, black Detroiters had made important inroads into the UAW, and a strong coalition emerged between labor and civil rights organizations.

« Ce qui est important, c'est de ne pas être aigri par les déceptions de la vie. Apprendre à oublier le passé et savoir que chaque journée ne sera pas ensoleillée. Et quand vous vous retrouvez perdu dans l'obscurité du désespoir, il faut se souvenir que c'est seulement dans la nuit noire que vous pouvez voir les étoiles, et ces étoiles vous reconduiront chez vous. »

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En quatre bonds j’eus dégringolé les marches de l’escalier de pierre. J’avais besoin de me purifier les poumons au grand air de la nuit : je volai d’une course, à travers les landiers, jusqu’aux roches de l’extrême Pointe, et là, couché sur le dos parmi le romarin, les bras en croix sous ma tête, avec, au-dessus de moi, le ruissellement infini de la Voie lactée, j’achevai de me préciser à moi-même, méthodiquement, mathématiquement en quelque sorte, tout le détail du plan de vengeance conçu à Kérudavel et dont j’avais, dans ma conversation avec ma femme, posé les premiers jalons. Jamais je ne m’étais senti la pensée aussi énergiquement lucide. Il semblait que la vie de mon cœur broyé se fût réfugiée dans mon cerveau et qu’elle en décuplât les puissances. J’étais presque confondu de voir avec quelle aisance, quelle solidité, tous les fils de ma combinaison se tramaient et se nouaient comme de soi. Il m’en vint une espèce d’exaltation héroïque, l’orgueil de l’homme qui non seulement n’est plus le jouet des événements, mais, au contraire, les tient à sa merci. En me relevant, j’aperçus par-delà les courants du Raz, tout pailletés d’un scintillement d’astres, l’œil vert de Gorlébella qui me regardait. — Salut à toi, m’écriai-je dans un accès d’enthousiasme farouche, salut à toi, nocturne émeraude des mers du ponant, gardienne incorruptible du feu, image vivante de Vesta ! Tu sais si je t’ai consciencieusement servie. Parmi les hommes attachés à ton culte, il n’en est pas un qui t’ait donné des gages plus forts de constance et de fidélité. Je ne crois pas que tu aies à me reprocher une seule défaillance. Deux années durant, et bien qu’en proie aux pires obsessions de l’amour, j’ai monté autour de toi une faction sacrée. Tu m’es témoin que jamais le sommeil ne m’a surpris à mon poste. Tout mon honneur, je le mettais à ce que ta flamme brûlât haut et clair et qu’elle resplendît au loin, dans l’espace, multipliée par le rayonnement des prismes, comme la veilleuse des eaux immenses, comme la lampe de l’infini… Si j’ai bien mérité de toi, le moment est proche où tu vas pouvoir m’en récompenser. Te l’ai-je assez murmuré, le nom de cette Adèle à qui tu m’arrachais huit mois sur douze ! Te l’ai-je assez murmuré, dis-moi, le jour, en astiquant tes délicats rouages, la nuit, pieusement assis à mon banc de quart, ainsi qu’un cénobite dans sa stalle de chêne, devant le maître-autel ! Confidente de mes souvenirs passionnés et de mes larmes, tu as vu de quel cœur je l’idolâtrais. Tandis que j’entretenais ta pure lumière sur les eaux, c’était comme si j’eusse attisé en moi-même l’ardeur dévorante dont cette femme m’avait embrasé. Elle, cependant… Mais que t’importe ! Apprends seulement ceci : comme tu fus associée à mon amour, tu vas l’être à ma haine. L’œuvre de justice et de châtiment, c’est à toi que je la réserve. La Trégorroise au front romanesque a souvent exprimé le vœu de dormir, bercée par les grandes voix du Raz, à l’abri de tes murs inébranlables : elle y dormira !… Elle y dormira, côte à côte avec son complice, d’un sommeil plus profond que les abîmes qui t’environnent, et tu flamboieras au-dessus de leur couche, tel qu’un cierge d’hymen, le plus beau qui se puisse rêver à des noces humaines, fût-ce à des noces d’éternité !… L’œil vert clignota, comme en signe d’acquiescement, puis se voila d’une paupière d’ombre, enfin s’éteignit. Je n’attendis pas que l’œil rouge commençât de poindre, et, agitant une dernière fois mon bonnet de peau dans la direction du phare : — A bientôt, vieille Gorlébella !… Mes compliments au Louarn, jusqu’à ce que je lui serve le festin promis ! p157p158

En quatre bonds j’eus dégringolé les marches de l’escalier de pierre. J’avais besoin de me purifier les poumons au grand air de la nuit : je volai d’une course, à travers les landiers, jusqu’aux roches de l’extrême Pointe, et là, couché sur le dos parmi le romarin, les bras en croix sous ma tête, avec, au-dessus de moi, le ruissellement infini de la Voie lactée, j’achevai de me préciser à moi-même, méthodiquement, mathématiquement en quelque sorte, tout le détail du plan de vengeance conçu à Kérudavel et dont j’avais, dans ma conversation avec ma femme, posé les premiers jalons. Jamais je ne m’étais senti la pensée aussi énergiquement lucide. Il semblait que la vie de mon cœur broyé se fût réfugiée dans mon cerveau et qu’elle en décuplât les puissances. J’étais presque confondu de voir avec quelle aisance, quelle solidité, tous les fils de ma combinaison se tramaient et se nouaient comme de soi. Il m’en vint une espèce d’exaltation héroïque, l’orgueil de l’homme qui non seulement n’est plus le jouet des événements, mais, au contraire, les tient à sa merci. En me relevant, j’aperçus par-delà les courants du Raz, tout pailletés d’un scintillement d’astres, l’œil vert de Gorlébella qui me regardait. — Salut à toi, m’écriai-je dans un accès d’enthousiasme farouche, salut à toi, nocturne émeraude des mers du ponant, gardienne incorruptible du feu, image vivante de Vesta ! Tu sais si je t’ai consciencieusement servie. Parmi les hommes attachés à ton culte, il n’en est pas un qui t’ait donné des gages plus forts de constance et de fidélité. Je ne crois pas que tu aies à me reprocher une seule défaillance. Deux années durant, et bien qu’en proie aux pires obsessions de l’amour, j’ai monté autour de toi une faction sacrée. Tu m’es témoin que jamais le sommeil ne m’a surpris à mon poste. Tout mon honneur, je le mettais à ce que ta flamme brûlât haut et clair et qu’elle resplendît au loin, dans l’espace, multipliée par le rayonnement des prismes, comme la veilleuse des eaux immenses, comme la lampe de l’infini… Si j’ai bien mérité de toi, le moment est proche où tu vas pouvoir m’en récompenser. Te l’ai-je assez murmuré, le nom de cette Adèle à qui tu m’arrachais huit mois sur douze ! Te l’ai-je assez murmuré, dis-moi, le jour, en astiquant tes délicats rouages, la nuit, pieusement assis à mon banc de quart, ainsi qu’un cénobite dans sa stalle de chêne, devant le maître-autel ! Confidente de mes souvenirs passionnés et de mes larmes, tu as vu de quel cœur je l’idolâtrais. Tandis que j’entretenais ta pure lumière sur les eaux, c’était comme si j’eusse attisé en moi-même l’ardeur dévorante dont cette femme m’avait embrasé. Elle, cependant… Mais que t’importe ! Apprends seulement ceci : comme tu fus associée à mon amour, tu vas l’être à ma haine. L’œuvre de justice et de châtiment, c’est à toi que je la réserve. La Trégorroise au front romanesque a souvent exprimé le vœu de dormir, bercée par les grandes voix du Raz, à l’abri de tes murs inébranlables : elle y dormira !… Elle y dormira, côte à côte avec son complice, d’un sommeil plus profond que les abîmes qui t’environnent, et tu flamboieras au-dessus de leur couche, tel qu’un cierge d’hymen, le plus beau qui se puisse rêver à des noces humaines, fût-ce à des noces d’éternité !… L’œil vert clignota, comme en signe d’acquiescement, puis se voila d’une paupière d’ombre, enfin s’éteignit. Je n’attendis pas que l’œil rouge commençât de poindre, et, agitant une dernière fois mon bonnet de peau dans la direction du phare : — A bientôt, vieille Gorlébella !… Mes compliments au Louarn, jusqu’à ce que je lui serve le festin promis ! p157-p158

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