“
O captain! My Captain!
Our fearful trip is done.
The ship has weather'd every wrack
The prize we sought is won
The port is near, the bells I hear
The people all exulting
While follow eyes, the steady keel
The vessel grim and daring
But Heart! Heart! Heart!
O the bleeding drops of red
Where on the deck my captain lies
Fallen cold and dead.
”
”
Walt Whitman
“
She could feel the press of Kaz’s fingers against her skin, feel the bird’s wing brush of his mouth against her neck, see his dilated eyes. Two of the deadliest people the Barrel had to offer and they could barely touch each other without both of them keeling over. But they’d tried. He’d tried. Maybe they could try again. A foolish wish, the sentimental hope of a girl who hadn’t had the firsts of her life stolen, who hadn’t ever felt Tante Heleen’s lash, who wasn’t covered in wounds and wanted by the law. Kaz would have laughed at her optimism.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
If one makes a mistake, then an apology is usually sufficient to get things back on an even keel. However-and this is a big ‘however’- most people do not ever know why their apology did not seem to have any effect. It is simply that they did not make a mistake; they made a choice…and never understood the difference between the two.
”
”
Andy Andrews (The Noticer: Sometimes, All a Person Needs Is a Little Perspective)
“
The vagaries of love with all its unpredictable and capricious meanders may be a hurdle in keeping life on an even keel. Rational thinking and irrational feeling don’t always get along very well. ( "Love as dizzy as a cathedral”)
”
”
Erik Pevernagie
“
Researchers from Britain's Keele University have found that swearing after an injury may help alleviate pain. Evidently, the pain that you feel is inversely proportional to the number of middle names you give Jesus.
”
”
Stephen Colbert
“
So the final conclusion would surely be that whereas other civilizations have been brought down by attacks of barbarians from without, ours had the unique distinction of training its own destroyers at its own educational institutions, and then providing them with facilities for propagating their destructive ideology far and wide, all at the public expense. Thus did Western Man decide to abolish himself, creating his own boredom out of his own affluence, his own vulnerability out of his own strength, his own impotence out of his own erotomania, himself blowing the trumpet that brought the walls of his own city tumbling down, and having convinced himself that he was too numerous, labored with pill and scalpel and syringe to make himself fewer. Until at last, having educated himself into imbecility, and polluted and drugged himself into stupefaction, he keeled over--a weary, battered old brontosaurus--and became extinct.
”
”
Malcolm Muggeridge (Vintage Muggeridge: Religion and Society)
“
O CAPTAIN! my Captain! our fearful trip is done,
The ship has weather'd every rack, the prize we sought is won,
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring;
But O heart! heart! heart!
O the bleeding drops of red,
Where on the deck my Captain lies,
Fallen cold and dead.
O Captain! my Captain! rise up and hear the bells;
Rise up - for you the flag is flung - for you the bugle trills,
For you bouquets and ribbon'd wreaths - for you the shores
a-crowding,
For you they call, the swaying mass, their eager faces turning;
Here Captain! dear father!
This arm beneath your head!
It is some dream that on the deck,
You've fallen cold and dead.
My Captain does not answer, his lips are pale and still,
My father does not feel my arm, he has no pulse nor will,
The ship is anchor'd safe and sound, its voyage closed and done,
From fearful trip the victor ship comes in with object won;
Exult O shores, and ring O bells!
But I with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.
”
”
Walt Whitman (Leaves of Grass)
“
Simon whispered to me, “But is everything okay?”
“No,” Tori said. “I kidnapped her and forced her to escape with me. I’ve been using her as a human shield against those guys with guns, and I was just about to strangle her and leave her body here to throw them off my trail. But then you showed up and foiled my evil plans. Lucky for you, though. You get to rescue poor little Chloe again and win her undying gratitude.”
“Undying gratitude?” Simon looked at me. “Cool. Does that come with eternal servitude? If so, I like my eggs sunnyside up.”
I smiled. “I’ll remember that.”
***
“Oh, right. You must be starving.” Simon reached into his pockets. “I can offer one bruised apple and one brown banana. Convenience stores aren’t the place to buy fruit, as I keep telling someone.”
“Better than these. For you, anyway, Simon.” Derek passed a bar to Tori.
“Because you aren’t supposed to have those, are you?” I said. “Which reminds me…” I took out the insulin. “Derek said it’s your backup.”
“So my dark secret is out.”
“I didn’t know it was a secret.”
“Not really. Just not something I advertise.”
...
“Backup?” Tori said. “You mean he didn’t need that?”
“Apparently not,” I murmured.
Simon looked from her to me, confused, then understanding. “You guys thought…”
“That if you didn’t get your medicine in the next twenty-four hours, you’d be dead?” I said. “Not exactly, but close. You know, the old ‘upping the ante with a fatal disease that needs medication’ twist. Apparently, it still works.”
“Kind of a letdown, then, huh?”
“No kidding. Here we were, expecting to find you minutes from death. Look at you, not even gasping.”
“All right, then. Emergency medical situation, take two.”
He leaped to his feet, staggered, keeled over, then lifted his head weakly.
“Chloe? Is that you?” He coughed. “Do you have my insulin?”
I placed it in his outstretched hand.
“You saved my life,” he said. “How can I ever repay you?”
“Undying servitude sounds good. I like my eggs scrambled.”
He held up a piece of fruit. “Would you settle for a bruised apple?”
I laughed.
”
”
Kelley Armstrong (The Awakening (Darkest Powers, #2))
“
Did you know that every time a country song is played, a cute little puppy keels over dead?
”
”
Nicole Williams (Lost & Found (Lost & Found, #1))
“
Two of the deadliest people the Barrel had to offer and they could barely touch each other without both of them keeling over. But they tried. He tried. Maybe they could try again.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Selection is the very keel on which our mental ship is built. And in this case of memory its utility is obvious. If we remembered everything, we should on most occasions be as ill off as if we remembered nothing.
”
”
William James
“
Miranda rolls her eyes. "Passing over," she says. "That's nice. Is that anything like kicking the bucket? Keeling over, taking a dirt nap, biting the big one?
”
”
Kelly Braffet (Last Seen Leaving)
“
These better be my size,” Nina said grumpily. She was tempted to strip down in the middle of the tomb, but she thought Matthias might keel over from the sheer impropriety of it all. She grabbed a lantern and marched into one of the side catacombs to change. She didn’t have a mirror, but she could tell the dress was spectacularly dowdy, and she had no words for the little knitted vest. When she emerged from the passage, Jesper doubled over laughing, Kaz’s brows shot up, and even Inej’s lips twitched.
“Saints,” Nina said sourly. “How bad is it?”
Inej cleared her throat. “You do look a bit …”
“Enchanting,” said Matthias.
Nina was about to snap that she didn’t appreciate the sarcasm when she saw the expression on his face. He looked like someone had just given him a tuba full of puppies.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
You have to ask it something it knew when it was alive. People don't become omniscient just because they have keeled over.
”
”
Lish McBride (Hold Me Closer, Necromancer (Necromancer, #1))
“
All right,’ Nico relented. ‘Maybe a little …’ He managed to take off his aviator jacket and wad it into a pillow before he keeled over and began to snore.
”
”
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
“
Say I Am You
I am dust particles in sunlight.
I am the round sun.
To the bits of dust I say, Stay.
To the sun, Keep moving.
I am morning mist, and the breathing of evening.
I am wind in the top of a grove, and surf on the cliff.
Mast, rudder, helmsman, and keel,
I am also the coral reef they founder on.
I am a tree with a trained parrot in its branches.
Silence, thought, and voice.
The musical air coming through a flute,
a spark of a stone, a flickering in metal.
Both candle and the moth crazy around it.
Rose, and the nightingale lost in the fragrance.
I am all orders of being, the circling galaxy,
the evolutionary intelligence, the lift,
and the falling away. What is, and what isn't.
You who know Jelaluddin, You the one in all,
say who I am. Say I am You.
”
”
Jalal ad-Din Muhammad ar-Rumi
“
This situation was a heart attack waiting to happen. He just knew it. The stress of the job, now this. Yep, he was going to keel over. He could see the writing on his tombstone now: Sloane Brodie departed this world at age 37 due to massive coronary trauma as a result of idiot partner Dexter J. Daley.
--Sloane
”
”
Charlie Cochet (Hell & High Water (THIRDS, #1))
“
My best friend nods solemnly. Then he keels over. Asshole.
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
Belief is the enemy.
”
”
John A. Keel
“
There was no sense to life, to the structure of things. D.H. Lawrence had known that. You needed love, but not the kind of love most people used and were used up by. Old D.H. had known something. His buddy Huxley was just an intellectual fidget, but what a marvelous one. Better than G.B. Shaw with that hard keel of a mind always scraping bottom, his labored wit finally only a task, a burden on himself, preventing him from really feeling anything, his brilliant speech finally a bore, scraping the mind and the sensibilities. It was good to read them all though. It made you realize that thoughts and words could be fascinating, if finally useless.
”
”
Charles Bukowski (Ham on Rye)
“
All right, then. Emergency medical situation, take two.” He leaped to his feet, staggered, keeled over, then lifted his head weakly. “Chloe? Is that you?” He coughed. “Do you have my insulin?” I placed it in his outstretched hand. “You saved my life,” he said. “How can I ever repay you?”
“Undying servitude sounds good. I like my eggs scrambled.” He held up a piece of fruit. “Would you settle for a bruised apple?” I laughed.
”
”
Kelley Armstrong (The Awakening (Darkest Powers, #2))
“
The FBI and the CIA hate each other, and they both hate the telephone company. The telephone company, in turn, seems to hate everybody.
”
”
John A. Keel (The Mothman Prophecies: A True Story)
“
Two of the deadliest people the Barrel had to offer and they could barely touch each other without both of them keeling over.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Two of the deadliest people the Barrel had to offer and they could barely touch each other without both of them keeling over. But they'd tried. He'd tried. Maybe they could try again.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
He'd watched a falcon fall down the long blue wall of the mountain and break with the keel of its breastbone the midmost from a flight of cranes and take it to the river below all gangly and wrecked and trailing its loose and blowsy plumage in the still autumn air.
”
”
Cormac McCarthy (The Road)
“
She had never told her friends this, not in so many words, but they were her safety net. Every time she stumbled or keeled over, they were there for her, supporting her or softening the impact of the fall. On nights when she was mistreated by a client, she would still find the strength to hold herself up, knowing that her friends, with their very presence, would come with ointment for her scrapes and bruises; and on days when she wallowed in self-pity, her chest cracking open, they would gently pull her up and breathe life into her lungs.
”
”
Elif Shafak (10 Minutes 38 Seconds in This Strange World)
“
In political activity . . . men sail a boundless and bottomless sea; there is neither harbour for shelter nor floor for anchorage, neither starting-place nor appointed destination. The enterprise is to keep afloat on an even keel; the sea is both friend and enemy, and the seamanship consists in using the resources of a traditional manner of behaviour in order to make a friend of every hostile occasion.
”
”
Michael Oakeshott (Rationalism in Politics and other essays)
“
It was odd–talking to the trees, so I made a joke out of it. While sitting by a pawpaw tree, I whispered, “Is this where you grew up? . . . (Yes, and I never left home) . . . I hope to leave home . . . (Wish I could).” I laughed so hard at a tree wanting to leave home, I keeled over. Then I cried. I knew why but I couldn’t think about it or I’d cry all day.
”
”
G.M. Monks (Iola O)
“
They are not from outer space. There is no need for them to be. They have always been here.
”
”
John A. Keel (The Mothman Prophecies)
“
If you can't put magnolia on a wall then there are always a million other colors you can use, if you can't pay your phone bill then just write letters telling them. I'm not playing down the importance of these things, yes you need money for food, yes you need food to survive, but you also need sleep to have energy, to smile to be happy, and to be happy so you can laugh, just so you don't keel over with a heart attack. People forget they have options. And they forget that those things really don't matter. They should concentrate on what they have and not what they don't have. And by the way, wishing and dreaming doesn't mean concentrating on what you don't have, it's positive thinking that encourages hoping and believing, not whining and moaning.
”
”
Cecelia Ahern (If You Could See Me Now)
“
She is the swelling sail, trim rigging and bust sunlit deck of our matrimonial yacht. I am the low hull, with the invisible ballast and keel.
”
”
Alasdair Gray (Poor Things)
“
As you probably know, for every piece of subpar work you accept, for every missed deadline you let slip, you begin to feel resentment and then anger. You no longer just think the work is bad: you think the person is bad. This makes it harder to have an even-keeled conversation. You start to avoid talking to the person at all.
”
”
Kim Malone Scott (Radical Candor: Be a Kick-Ass Boss Without Losing Your Humanity)
“
I don't want to hide. I don't want to be alone. I don't want to wander off into the desert in shame and die and become vulture food. Or end up keeling over just because I'm too self-conscious to leave the house. Cause of Death: Unnecessary Loneliness.
”
”
Anne Clendening (Bent: How Yoga Saved My Ass)
“
Ronan pointed at the cart. "Get in there."
"What?"
He just continued pointing.
Adam said, "Give me a break. This is a public parking lot."
"Don't make this ugly, Parrish."
As an old lady headed past them, Adam sighed and climbed into the basket of the shopping cart. He drew his knees up so that he would fit. He was full of the knowledge that this was probably going to end with scabs.
Ronan gripped the handle with the skittish concentration of a motorcycle racer and eyed the line between them and the BMW parked on the far side of the lot. "What do you think the grade is on this parking lot?"
"C plus, maybe a B. Oh. I don't know. Ten degrees?" Adam held the sides of the cart and then thought better of it. He held himself instead.
With a savage smile, Ronan shoved the cart off the curb and belted towards the BMW. As they picked up speed, Ronan called out a joyful and awful swear and then jumped on to the back of the cart himself. As they hurtled towards the BMW, Adam realised that Ronan, as usual, had no intention of stopping before something bad happened. He cupped a hand over his nose just as they glanced off the side of the BMW. The unseated cart wobbled once, twice, and then tipped catastrophically on to its side. It kept skidding, the boys skidding along with it.
The three of them came to a stop.
"Oh, God," Adam said, touching the road burn on his elbow. It wasn't that bad, really. "God, God. I can feel my teeth."
Ronan lay on his back a few feet away. A box of toothpaste rested on his chest and the cart keeled beside him. He looked profoundly happy.
"You should tell me what you've found out about Greenmantle," Ronan said, "so that I can get started on my dreaming."
Adam picked himself up before he got driven over. "When?"
Ronan grinned.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
I think, in order to have or appreciate the very best, you have to go through the very worst. Living your life always looking to be on an even keel is safe, but it’s boring.
”
”
S.E. Jakes (Ties that Bind (Men of Honor #3))
“
The revelation of loneliness, the omnipresent, unanswerable feeling that I was in a state of lack, that I didn't have what people were supposed to, and that this was down to some grave and no doubt externally unmistakable failing in my person: all this had quickened lately, the unwelcome consequence of being so summarily dismissed. I don't suppose it was unrelated, either, to the fact that I was keeling towards the midpoint of my thirties, an age at which female aloneness is no longer socially sanctioned and carries with it a persistent whiff of strangeness, deviance and failure.
”
”
Olivia Laing (The Lonely City: Adventures in the Art of Being Alone)
“
There is, in the early period of love, a measure of sheer relief at being able, at last, to reveal so much of what needed to be kept hidden for the sake of propriety. We can admit to not being as respectable or as sober, as even-keeled or as ‘normal’, as society believes. We can be childish, imaginative, wild, hopeful, cynical, fragile and multiple – all of this our lover can understand and accept us for.
”
”
Alain de Botton (The Course of Love)
“
Leni was afraid to stay and afraid to leave. It was strange—stupid, even—but she often felt like the only adult in her family, as if she were the ballast that kept the creaky Allbright boat on an even keel.
”
”
Kristin Hannah (The Great Alone)
“
In that long ago somewhere very near this place he'd watched a falcon fall down the long blue wall of the mountain and break with the keel of its breastbone the midmost from a flight of cranes and take it to the river below all gangly and wrecked and trailing its loose and blowsy plumage in the still autumn air.
”
”
Cormac McCarthy (The Road)
“
When icicles hang by the wall,
And Dick the shepherd blows his nail,
And Tom bears logs into the hall,
And milk comes frozen home in pail,
When blood is nipp'd, and ways be foul,
Then nightly sings the staring owl,
To-whit! To-who!—a merry note,
While greasy Joan doth keel the pot.
When all aloud the wind doe blow,
And coughing drowns the parson's saw,
And birds sit brooding in the snow,
And Marian's nose looks red and raw,
When roasted crabs hiss in the bowl,
Then nightly sings the staring owl,
To-whit! To-who!—a merry note,
While greasy Joan doth keel the pot.
”
”
William Shakespeare (Love's Labour's Lost)
“
She could feel the press of Kaz’s fingers against her skin, feel the bird’s-wing brush of his mouth against her neck, see his dilated eyes. Two of the deadliest people the Barrel had to offer and they could barely touch each other without both of them keeling over. But they’d tried. He’d tried. Maybe they could try again.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
And the fetus hears music, as was recently discovered by Alexandra LaMont of Keele University in the U.K. She found that children recognize and prefer music they were exposed to in the womb, a year after they are born.
”
”
Daniel J. Levitin (This Is Your Brain on Music)
“
Despina can be reached in two ways: by ship or by camel. The city displays one face to the traveler arriving overland and a different one to him who arrives by sea.
When the camel driver sees, at the horizon of the tableland, the pinnacles of the skyscrapers come into view, the radar antennae, the white and red wind-socks flapping, the chimneys belching smoke, he thinks of a ship; he knows it is a city, but he thinks of it as a vessel that will take him away from the desert, a windjammer about to cast off, with the breeze already swelling the sails, not yet unfurled, or a steamboat with its boiler vibrating in the iron keel; and he thinks of all the ports, the foreign merchandise the cranes unload on the docks, the taverns where crews of different flags break bottles over one another’s heads, the lighted, ground-floor windows, each with a woman combing her hair.
In the coastline’s haze, the sailor discerns the form of a camel’s withers, an embroidered saddle with glittering fringe between two spotted humps, advancing and swaying; he knows it is a city, but he thinks of it as a camel from whose pack hang wine-skins and bags of candied fruit, date wine, tobacco leaves, and already he sees himself at the head of a long caravan taking him away from the desert of the sea, toward oases of fresh water in the palm trees’ jagged shade, toward palaces of thick, whitewashed walls, tiled courts where girls are dancing barefoot, moving their arms, half-hidden by their veils, and half-revealed.
Each city receives its form from the desert it opposes; and so the camel driver and the sailor see Despina, a border city between two deserts.
”
”
Italo Calvino (Invisible Cities)
“
I heard word
Of bellied sailcloth,
Creak of oars,
And gold in Eastland.
Then I smelled
A smell remembered:
Salt of spray
And black-pitched boat's keel.
”
”
Frans G. Bengtsson (The Long Ships)
“
The messages between Emira and this new person were of that cool and careful variety that only exists at the beginning of something, as you try to exude spontaneity and effortless humor, and space out responses to appear busy and even-keeled.
”
”
Kiley Reid (Such a Fun Age)
“
The Tomorrow Man theory. It’s pretty basic. Today, right here, you are who you are. Tomorrow, you will be who you will be. Each and every night, we lie down to die, and each morning we arise, reborn. Now, those who are in good spirits, with strong mental health, they look out for their Tomorrow Man. They eat right today, they drink right today, they go to sleep early today–all so that Tomorrow Man, when he awakes in his bed reborn as Today Man, thanks Yesterday Man. He looks upon him fondly as a child might a good parent. He knows that someone–himself–was looking out for him. He feels cared for, and respected. Loved, in a word. And now he has a legacy to pass on to his subsequent selves…. But those who are in a bad way, with poor mental health, they constantly leave these messes for Tomorrow Man to clean up. They eat whatever the hell they want, drink like the night will never end, and then fall asleep to forget. They don’t respect Tomorrow Man because they don’t think through the fact that Tomorrow Man will be them. So then they wake up, new Today Man, groaning at the disrespect Yesterday Man showed them. Wondering why does that guy–myself–keep punishing me? But they never learn and instead come to settle for that behavior, eventually learning to ask and expect nothing of themselves. They pass along these same bad habits tomorrow and tomorrow and tomorrow, and it becomes psychologically genetic, like a curse. Looking at you now, Maven, I can see exactly where you fall on this spectrum. You are a man constantly trying to fix today what Yesterday Man did to you. You make up your bed, you clean those dirty dishes from the night before, and pledge not to start drinking until six, thinking that’s the way to keep an even keel. But in reality you’re always playing catch-up. I know this because I’ve been there. The thing is–you can’t fix the mistakes of Yesterday. Yesterday Man is dead, he’s gone forever, and blame and atonement aren’t worth a damn. What you can do is help yourself today. Eat a vegetable. Read a book. Cut that hair of yours. Leave Tomorrow Man something more than a headache and a jam-packed colon. Do for Tomorrow Man what you would have wanted Yesterday Man to do for you.
”
”
Chuck Hogan
“
Backup?" Tori said. "You mean he didn't need that?"
"Apparently not," I murmured.
Simon looked from her to me, confused, then understanding. "You guys thought..."
"That if you didn't get your medicine in the next twenty-four hours, you'd be dead?" I said. "Not exactly, but close. You know, the old 'upping the ante with a fatal disease that needs medication' twist. Apparently, it still works."
"Kind of a letdown, then, huh?"
"No kidding. Here we were, expecting to find you minutes from death. Look at you, not even gasping."
"All right, then. Emergency medical situation, take two."
He leaped to his feet, staggered, keeled over, then lifted his head weakly.
"Chloe? Is that you?" He coughed. "Do you have my insulin?"
I placed it in his outstretched hand.
"You saved my life," he said. "How can I ever repay you?"
"Undying servitude sounds good. I like my eggs scrambled."
He held up a piece of fruit. "Would you settle for a bruised apple?
”
”
Kelley Armstrong (The Awakening (Darkest Powers, #2))
“
For what is life but a succession of change; of one thing after another; painful beginnings, fearful setting out into the unknown, leaving what we are for what we have not yet become. We sail forth boldly, keeping a steady keel and a keen eye on the horizon, to reach islands, land whose fragrance we sniff at at the edge of our dreams; and so we sail on, hoping that the next landfall will be our own bit of earth.
”
”
Suchen Christine Lim (A Bit of Earth)
“
There's an enormous difference between being a story writer and being a regular person. As a person, it's your duty to stay on a straight and even keel, not to break down blubbering in the streets, not to pull rude drivers from their cars, not to swing from the branches of trees. But as a writer it's your duty to lie and to view everything in life, however outrageous, as an interesting possibility. You may need to be ruthless or amoral in your writing to be original. Telling a story straight from real life is only being a reporter, not a creator. You have to make your story bigger, better, more magical, more meaningful than life is, no matter how special or wonderful in real life the moment may have been.
”
”
Rick Bass
“
Simple doesn't have to mean easy.
”
”
Philipp Keel
“
Wide sea, that one continuous murmur breeds
Along the pebbled shore of memory!
Many old rotten-timber'd boats there be
Upon thy vaporous bosom, magnified
To goodly vessels; many a sail of pride,
And golden keel'd, is left unlaunch'd and dry.
”
”
John Keats (Endymion: A Poetic Romance)
“
though the only spout in sight was that of a Fin-Back, belonging to the species of uncapturable whales, because of its incredible power of swimming. Nevertheless, the Fin-Back’s spout is so similar to the Sperm Whale’s, that by unskilful fishermen it is often mistaken for it. And consequently Derick and all his host were now in valiant chase of this unnearable brute. The Virgin crowding all sail, made after her four young keels, and thus they all disappeared far to leeward, still in bold, hopeful chase.
Oh! many are the Fin-Backs, and many are the Dericks, my friend.
”
”
Herman Melville (Moby-Dick or, The Whale)
“
Writers and artists know that ethereal moment, when just one, fleeting something--a chill, an echo, the click of a lamp, a question—-ignites the flame of an entire work that blazes suddenly into consciousness.
”
”
Nadine C. Keels
“
Stephen nodded. 'Tell me,' he said, in a low voice, some moments later. 'Were I under naval discipline, could that fellow have me whipped?'He nodded towards Mr Marshall.
'The master?' cried Jack, with inexpressible amazement.
'Yes,' said Stephen looking attentively at him, with his head slightly inclined to the left.
'But he is the master...' said Jack. If Stephen had called the sophies stem her stern, or her truck her keel, he would have understood the situation directly; but that Stephen should confuse the chain of command, the relative status of a captain and a master, of a commissioned officer and a warrant officer, so subverted the natural order, so undermined the sempiternal universe, that for a moment his mind could hardly encompass it. Yet Jack, though no great scholar, no judge of a hexameter, was tolerably quick, and after gasping no more than twice he said, 'My dear sir, I beleive you have been lead astray by the words master and master and commander- illogical terms, I must confess. The first is subordinate to the second. You must allow me to explain our naval ranks some time. But in any case you will never be flogged- no, no; you shall not be flogged,' he added, gazing with pure affection, and with something like awe, at so magnificent a prodigy, at an ignorance so very far beyond anything that even his wide-ranging mind had yet conceived.
”
”
Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
“
To meditate is to sail a course, to navigate, among problems many of which we are in the process of clearing up. After each one looms another, whose shores are even more attractive, more suggestive. Certainly, it requires strength and perseverance to get to windward of problems, but there is no greater delight than to reach new shores, and even to sail, as Camoëns says, “through seas that keel has never cut before.” If you will now open a bank-account of attention for me, I foretell sun-smitten landscapes and promise archipelagoes.
”
”
José Ortega y Gasset (Man and People (Norton Library (Paperback)))
“
The standard definition of God, “God is light,” is just a simple way of saying that God is energy. Electromagnetic energy. He is not a He but an It; a field of energy that permeates the entire universe and, perhaps, feeds off the energy generated by its component parts.
”
”
John A. Keel (THE EIGHTH TOWER: On Ultraterrestrials and the Superspectrum)
“
Hell was a translation of sheol, which meant “invisible world” or “the land of the dead.
”
”
John A. Keel (THE EIGHTH TOWER: On Ultraterrestrials and the Superspectrum)
“
You’ll have to decide what’s more important to you at this point. Love or fear.
”
”
Nadine C. Keels (Reviving the Commander (Crowns Legacy #1))
“
There are a few things to keep in mind when faced with a seemingly insurmountable obstacle. We must try:
To be objective
To control emotions and keep an even keel
To choose to see the good in a situation
To steady our nerves
To ignore what disturbs or limits others
To place things in perspective
To revert to the present moment
To focus on what can be controlled
”
”
Ryan Holiday (The Obstacle Is the Way: The Timeless Art of Turning Trials into Triumph)
“
Marcus couldn’t believe it. Dead. A dead duck. OK, he'd been trying to hit it on the head with a piece of sandwich, but he tried to do all sorts of things, and none of them had ever happened before. He'd tried to get te highest score on the Stargazer machine in the kebab shop on Hornsey Road--nothing. He's tried to read Nicky’s thoughts by staring at the back of his head every maths lesson for a week--nothing. It really annoyed him that the only thing he'd ever achieved was something he hadn't really wanted to do that much in the first place. And anyway, since when did hitting a bird with a sandwich kill it? Kids must spend half their lives throwing things at the ducks in Regent's Park. How come he managed to pick a duck that pathetic? There must have been something wrong with it. It was probably about to die from a heart attack or something; it was just a coincidence. But if it was, nobody would believe him. If there were any witnesses, they'd only have seen the bread hit the duck right on the back of the head, and then seen it keel over. saw it die. They'd put two and two together and make five, and he'd be imprisoned for a crime he never committed.
... "What's that floating next to it?" Will asked. "Is that the bread you threw at it?"
Marcus nodded unhappily.
"That's not a sandwich, that's a bloody french loaf. No wonder it keeled over. That would've killed me.
”
”
Nick Hornby (About a Boy)
“
The loss of connection between churches and neighborhoods creates a corresponding loss of localized imagination and creates an addictive-like dependence on acontextual experts who scan the physical and spiritual horizon for 'success.
”
”
Tim Keel (Intuitive Leadership: Embracing a Paradigm of Narrative, Metaphor, and Chaos (ēmersion: Emergent Village resources for communities of faith))
“
Eddie had never noticed how much of his own speech derived from the sea, from “keeled over” to “learning the ropes” to “catching the drift” to “freeloader” to “gripe” to “brace up” to “taken aback” to “leeway” to “low profile” to “the bitter end,” or the very last link on a chain.
”
”
Jennifer Egan (Manhattan Beach)
“
Finding happiness isn’t a matter of creating a perfectly even-keeled experience of the world, where no sadness ever intrudes. Instead it means riding the waves of joy, and trying to find our way back upward when we’ve been knocked down. In renewal we find a kind of resilience, an ability to bounce back from difficulty by reigniting the optimism and hope that rises within us when we believe that joy will return.
”
”
Ingrid Fetell Lee (Joyful: The Surprising Power of Ordinary Things to Create Extraordinary Happiness)
“
In post-Christendom, the church is that community of people who look to discover what God is actively doing in the world around them and then join themselves to that work. The church is that community of people gathered around Jesus Christ in order to participate in his life and incarnate it into the context where he has placed them.
”
”
Tim Keel (Intuitive Leadership: Embracing a Paradigm of Narrative, Metaphor, and Chaos (ēmersion: Emergent Village resources for communities of faith))
“
Any man's measure is determined by what he will do when he is faced with his own deep need. Not how high he may reach but how low he may kneel.
”
”
J. Otis Yoder (When You Pray)
“
The earth’s magnetic field is probably the culprit in many cases of seemingly inexplicable phenomena. Our planet is pockmarked with magnetic anomalies and aberrations.
”
”
John A. Keel (THE EIGHTH TOWER: On Ultraterrestrials and the Superspectrum)
“
It is difficult to resist the conclusion that 20th century man has decided to abolish himself, tired of the struggle to be himself, he has created boredom out of his own affluence, impotence out of his own erotomania and vulnerability out of his own strength. He himself blows the trumpet that brings the walls of his own cities crashing down, until at last having educated himself into imbecility, having drugged and polluted himself into stupefaction, he keels over a weary old Brontosaurus and becomes extinct.
”
”
Malcom Muggeridge
“
What rhymes with insensitive?” I tap my pen on the kitchen table, beyond frustrated with my current task. Who knew rhyming was so fucking difficult?
Garrett, who’s dicing onions at the counter, glances over. “Sensitive,” he says helpfully.
“Yes, G, I’ll be sure to rhyme insensitive with sensitive. Gold star for you.”
On the other side of the kitchen, Tucker finishes loading the dishwasher and turns to frown at me. “What the hell are you doing over there, anyway? You’ve been scribbling on that notepad for the past hour.”
“I’m writing a love poem,” I answer without thinking. Then I slam my lips together, realizing what I’ve done.
Dead silence crashes over the kitchen.
Garrett and Tucker exchange a look. An extremely long look. Then, perfectly synchronized, their heads shift in my direction, and they stare at me as if I’ve just escaped from a mental institution. I may as well have. There’s no other reason for why I’m voluntarily writing poetry right now. And that’s not even the craziest item on Grace’s list.
That’s right. I said it. List. The little brat texted me not one, not two, but six tasks to complete before she agrees to a date. Or maybe gestures is a better way to phrase it...
“I just have one question,” Garrett starts.
“Really?” Tuck says. “Because I have many.”
Sighing, I put my pen down. “Go ahead. Get it out of your systems.”
Garrett crosses his arms. “This is for a chick, right? Because if you’re doing it for funsies, then that’s just plain weird.”
“It’s for Grace,” I reply through clenched teeth.
My best friend nods solemnly.
Then he keels over. Asshole. I scowl as he clutches his side, his broad back shuddering with each bellowing laugh. And even while racked with laughter, he manages to pull his phone from his pocket and start typing.
“What are you doing?” I demand.
“Texting Wellsy. She needs to know this.”
“I hate you.”
I’m so busy glaring at Garrett that I don’t notice what Tucker’s up to until it’s too late. He snatches the notepad from the table, studies it, and hoots loudly. “Holy shit. G, he rhymed jackass with Cutlass.”
“Cutlass?” Garrett wheezes. “Like the sword?”
“The car,” I mutter. “I was comparing her lips to this cherry-red Cutlass I fixed up when I was a kid. Drawing on my own experience, that kind of thing.”
Tucker shakes his head in exasperation. “You should have compared them to cherries, dumbass.”
He’s right. I should have. I’m a terrible poet and I do know it.
“Hey,” I say as inspiration strikes. “What if I steal the words to “Amazing Grace”? I can change it to…um…Terrific Grace.”
“Yup,” Garrett cracks. “Pure gold right there. Terrific Grace.”
I ponder the next line. “How sweet…”
“Your ass,” Tucker supplies.
Garrett snorts. “Brilliant minds at work. Terrific Grace, how sweet your ass.” He types on his phone again.
“Jesus Christ, will you quit dictating this conversation to Hannah?” I grumble. “Bros before hos, dude.”
“Call my girlfriend a ho one more time and you won’t have a bro.”
Tucker chuckles. “Seriously, why are you writing poetry for this chick?”
“Because I’m trying to win her back. This is one of her requirements.”
That gets Garrett’s attention. He perks up, phone poised in hand as he asks, “What are the other ones?”
“None of your fucking business.”
“Golly gee, if you do half as good a job on those as you’re doing with this epic poem, then you’ll get her back in no time!”
I give him the finger. “Sarcasm not appreciated.” Then I swipe the notepad from Tuck’s hand and head for the doorway. “PS? Next time either of you need to score points with your ladies? Don’t ask me for help. Jackasses.”
Their wild laughter follows me all the way upstairs. I duck into my room and kick the door shut, then spend the next hour typing up the sorriest excuse for poetry on my laptop. Jesus. I’m putting more effort into this damn poem than for my actual classes.
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
More than a few people, some of whom think they know me quite well, have remarked that they are struck that I, who can seem so even-keeled and imperturbable, would choose to write a book about anxiety. I smile gently while churning inside and thinking about what I’ve learned is a signature characteristic of the phobic personality: “the need and ability”—as described in the self-help book Your Phobia—“to present a relatively placid, untroubled appearance to others, while suffering extreme distress on the inside.”c
”
”
Scott Stossel (My Age of Anxiety: Fear, Hope, Dread, and the Search for Peace of Mind)
“
Sail, sail thy best, ship of democracy,
Of value is thy freight, 'tis not the present only,
The past is also stored in thee,
Thou holdest not the venture of thyself alone, not of the western continent alone,
Earth's resume entire floats upon thy keel, O ship, is steadied by thy spars,
With thee Time voyages in trust, the antecedent nations sink or swim with thee,
With all their ancient struggles , martyrs, heroes, epics, wars, thou bear'st the other continents,
Theirs, theirs as much as thine, the destination-port triumphant..
”
”
Walt Whitman
“
Keel. He said he was not so well versed in Scripture as to dispute, or words to that purpose. And said, moreover, that they could not wait upon me any longer; but said to me, Then you confess the indictment, do you not? Now, and not till now, I saw I was indicted. Bun. I said, This I confess, we have had many meetings together, both to pray to God, and to exhort one another, and that we had the sweet comforting presence of the Lord among us for our encouragement; blessed be His name therefore. I confessed myself guilty no otherwise.
”
”
John Bunyan (Grace Abounding to the Chief of Sinners)
“
Journalist and author of "The Mothman Prophecies" (made into a film starring Richard Gere) John A. Keel was adamant when he stated: ". . ..The UFOs do not seem to exist as tangible manufactured objects. They do not conform to the accepted natural laws of our environment. . .The UFO manifestations seem to be, by and large, merely minor variations of the age-old demonological phenomenon."(Conspiracy Journel)
”
”
John A. Keel
“
There is, in the early period of love, a measure of sheer relief at being able, at last, to reveal so much of what needed to be kept hidden for the sake of propriety. We can admit to not being as respectable or as sober, as even-keeled, or as “normal” as society believes. We can be childish, imaginative, wild, hopeful, cynical, fragile, and multiple; all of this our lover can understand and accept us for. At
”
”
Alain de Botton (The Course of Love)
“
The concept of a supermind running the universe objectively, without compassion, is not new. Several religions are built around it. Thinking of God in these terms is not heresy but is advanced theology. The old-time God—the big bearded man sitting on a throne in the sky—is dead.
”
”
John A. Keel (THE EIGHTH TOWER: On Ultraterrestrials and the Superspectrum)
“
I keeled over sideways.
The world turned fluffy, bleached of all color. Nothing hurt anymore.
I was dimly aware of Diana’s face hovering over me, Meg and Hazel peering over the goddess’s shoulders.
“He’s almost gone,” Diana said.
Then I was gone. My mind slipped into a pool of cold, slimy darkness.
“Oh, no, you don’t.” My sister’s voice woke me rudely.
I’d been so comfortable, so nonexistent.
Life surged back into me—cold, sharp, and unfairly painful. Diana’s face came into focus. She looked annoyed, which seemed on-brand for her.
As for me, I felt surprisingly good. The pain in my gut was gone. My muscles didn’t burn. I could breathe without difficulty. I must have slept for decades.
“H-how long was I out?” I croaked.
“Roughly three seconds,” she said. “Now, get up, drama queen.”
She helped me to my feet. I felt a bit unsteady, but I was delighted to find that my legs had any strength at all. My skin was no longer gray. The lines of infection were gone. The Arrow of Dodona was still in my hand, though he had gone silent, perhaps in awe of the goddess’s presence. Or perhaps he was still trying to get the taste of “Sweet Caroline” out of his imaginary mouth.
I beamed at my sister. It was so good to see her disapproving I-can’t-believe-you’re-my-brother frown again. “I love you,” I said, my voice hoarse with emotion.
She blinked, clearly unsure what to do with this information. “You really have changed.”
“I missed you!”
“Y-yes, well. I’m here now. Even Dad couldn’t argue with a Sibylline invocation from Temple Hill.”
“It worked, then!” I grinned at Hazel and Meg. “It worked!”
“Yeah,” Meg said wearily. “Hi, Artemis.”
“Diana,” my sister corrected. “But hello, Meg.” For her, my sister had a smile. “You’ve done well, young warrior.”
Meg blushed. She kicked at the scattered zombie dust on the floor and shrugged. “Eh.”
I checked my stomach, which was easy, since my shirt was in tatters. The bandages had vanished, along with the festering wound. Only a thin white scar remained. “So…I’m healed?” My flab told me she hadn’t restored me to my godly self. Nah, that would have been too much to expect.
Diana raised an eyebrow. “Well, I’m not the goddess of healing, but I’m still a goddess. I think I can take care of my little brother’s boo-boos.”
“Little brother?”
She smirked.
”
”
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
“
He blinked in the gloom. He was wearing heavy black trousers and a waistcoat over a stiff white shirt. His exoself, having chosen an obsession which would have been meaningless in a world of advanced computers, had dressed him for the part of a Victorian naturalist.
The drawers, he knew, were full of beetles. Hundreds of thousands of beetles. He was free, now, to do nothing with his time but study them, sketch them, annotate them, classify them: specimen by specimen, species by species, decade after decade. The prospect was so blissful that he almost keeled over with joy.
”
”
Greg Egan
“
O Captain! my Captain! our fearful trip is done,
The ship has weather’d every rack, the prize we sought is won,
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring;
But O heart! heart! heart!
O the bleeding drops of red,
Where on the deck my Captain lies,
Fallen cold and dead.
O Captain! my Captain! rise up and hear the bells;
Rise up—for you the flag is flung—for you the bugle trills,
For you bouquets and ribbon’d wreaths—for you the shores a-crowding,
For you they call, the swaying mass, their eager faces turning;
Here Captain! dear father!
This arm beneath your head!
It is some dream that on the deck,
You’ve fallen cold and dead.
My Captain does not answer, his lips are pale and still,
My father does not feel my arm, he has no pulse nor will,
The ship is anchor’d safe and sound, its voyage closed and done,
From fearful trip the victor ship comes in with object won;
Exult O shores, and ring O bells!
But I with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.
”
”
Walt Whitman (Oh Captain! My Captain!)
“
We imagine that our theological/conceptual systems are the means by which we know God as God is. I truly believe that such postures and perspectives put us in danger of conceptual idolatry, worshiping our ideas of and frameworks for God.
”
”
Tim Keel (Intuitive Leadership: Embracing a Paradigm of Narrative, Metaphor, and Chaos (ēmersion: Emergent Village resources for communities of faith))
“
I remember when I was a kid at school having to learn a poem of sorts about a fellow named Pig-something—a sculptor he would have been, no doubt—who made a statue of a girl, and what should happen one morning but that the bally thing suddenly came to life. A pretty nasty shock for the chap, of course, but the point I'm working round to is that there were a couple of lines that went, if I remember correctly: She starts. She moves. She seems to feel The stir of life along her keel. And what I'm driving at is that you couldn't get a better description of what happened to Gussie as I spoke these heartening words. His brow cleared, his eyes brightened, he lost that fishy look, and he gazed at the slug, which was still on the long, long trail with something approaching bonhomie. A marked improvement.
”
”
P.G. Wodehouse (Right Ho, Jeeves)
“
The real problem here is that we’re all dying. All of us. Every day the cells weaken and the fibres stretch and the heart gets closer to its last beat. The real cost of living is dying, and we’re spending days like millionaires: a week here, a month there, casually spunked until all you have left are the two pennies on your eyes.
Personally, I like the fact we’re going to die. There’s nothing more exhilarating than waking up every morning and going ‘WOW! THIS IS IT! THIS IS REALLY IT!’ It focuses the mind wonderfully. It makes you love vividly, work intensely, and realise that, in the scheme of things, you really don’t have time to sit on the sofa in your pants watching Homes Under the Hammer.
Death is not a release, but an incentive. The more focused you are on your death, the more righteously you live your life. My traditional closing-time rant – after the one where I cry that they closed that amazing chippy on Tollington Road; the one that did the pickled eggs – is that humans still believe in an afterlife. I genuinely think it’s the biggest philosophical problem the earth faces. Even avowedly non-religious people think they’ll be meeting up with nana and their dead dog, Crackers, when they finally keel over. Everyone thinks they’re getting a harp.
But believing in an afterlife totally negates your current existence. It’s like an insidious and destabilising mental illness. Underneath every day – every action, every word – you think it doesn’t really matter if you screw up this time around because you can just sort it all out in paradise. You make it up with your parents, and become a better person and lose that final stone in heaven. And learn how to speak French. You’ll have time, after all! It’s eternity! And you’ll have wings, and it’ll be sunny! So, really, who cares what you do now? This is really just some lacklustre waiting room you’re only going to be in for 20 minutes, during which you will have no wings at all, and are forced to walk around, on your feet, like pigs do.
If we wonder why people are so apathetic and casual about every eminently avoidable horror in the world – famine, war, disease, the seas gradually turning piss-yellow and filling with ringpulls and shattered fax machines – it’s right there. Heaven. The biggest waste of our time we ever invented, outside of jigsaws.
Only when the majority of the people on this planet believe – absolutely – that they are dying, minute by minute, will we actually start behaving like fully sentient, rational and compassionate beings. For whilst the appeal of ‘being good’ is strong, the terror of hurtling, unstoppably, into unending nullity is a lot more effective. I’m really holding out for us all to get The Fear. The Fear is my Second Coming. When everyone in the world admits they’re going to die, we’ll really start getting some stuff done.
”
”
Caitlin Moran
“
Knowledge of the earth’s magnetic fields of force may have been universal in ancient times and considered so important to the human condition that men spent years of their lives in hard labor charting those fields and erecting huge monuments along them.
”
”
John A. Keel (THE EIGHTH TOWER: On Ultraterrestrials and the Superspectrum)
“
What is an obsession? It is a form of programming that has gotten completely out of hand. Religious fanatics are a prime example, as are those people who become enveloped in a political concept. Most of man’s progress has come about as a result of obsessions. The Wright brothers were not just tinkerers with an idea; their idea swallowed them up. Most leaders are obsessed with power or possessed by egos so large their only concern is their place in history. I have known writers obsessed with a single subject. Like Bobby Fischer and chess, anything and everything outside their subject seems meaningless. Any art form—music, painting, dance—is done best by those who are completely possessed by it. Such possession often borders on madness. This world would be a sorry place without such madmen.
”
”
John A. Keel (THE EIGHTH TOWER: On Ultraterrestrials and the Superspectrum)
“
For better of for worse the church in the West bought modernity's claims. We were baptized in its story (even though it said it did not have one) and accepted its categories and definitions. But somewhere along the way we also began to believe that the ways in which we accessed knowledge about God or Jesus or the Spirit or Christianity were those things themselves.
”
”
Tim Keel (Intuitive Leadership: Embracing a Paradigm of Narrative, Metaphor, and Chaos (ēmersion: Emergent Village resources for communities of faith))
“
Ancient priests and builders must have known about the earth’s magnetism and its strange fluctuations. They located their temples, mounds, and pyramids in the dead center of magnetic anomalies. And they laid out long, arrow-straight tracks or “leys” between these magnetic points.
”
”
John A. Keel (THE EIGHTH TOWER: On Ultraterrestrials and the Superspectrum)
“
A fine statue of a naked Theseus stands proudly today in Athens' central place of assembly, the city's hub, Syntagma Square. Even today he is a focus of Athenian identity and pride. The ship he brought back from his adventures in the Labyrinth of Crete remained moored in the harbour at Piraeus, a visitor attraction right up to the days of historical ancient Athens, the time of Socrates and Aristotle. Its continuous presence there for such a long time caused the Ship of Theseus to become a subject of intriguing philosophical speculation. Over hundreds of years, its rigging, its planks, its hull, deck, keel, prow, stern and all its timbers had been replaced so that not one atom of the original remained. Could one call it the same ship? Am I the same person I was fifty years ago? Every molecule and cell of my body has been replaced many times over.
”
”
Stephen Fry (Heroes: Mortals and Monsters, Quests and Adventures (Stephen Fry's Great Mythology, #2))
“
As for my faith: I've become my father's son-that is, I've become the kind of believer that Pastor Merrill used to be. Doubt one minute, faith the next-sometimes inspired, sometimes in despair. Canon Campbell taught me to ask myself a question when the latter state settles upon me. Whom do I know who's alive whom I love? Good question-one that can bring you back to life. These days, I love Dan Needham and the Rev. Katherine Keeling; I know I love them because I worry about them-Dan should lose some weight, Katherine should gain some! What I feel for Hester isn't exactly love; I admire her-she's certainly been a more heroic survivor than I've been, and her kind of survival is admirable. And then there are those distant, family ties that pass for love-I'm talking about Noah and Simon, about Aunt Martha and Uncle Alfred. I look forward to seeing them every Christmas.
”
”
John Irving (A Prayer for Owen Meany)
“
But when fall comes, kicking summer out on its treacherous ass as it always does one day sometime after the midpoint of September, it stays awhile like an old friend that you have missed. It settles in the way an old friend will settle into your favorite chair and take out his pipe and light it and then fill the afternoon with stories of places he has been and things he has done since last he saw you. It stays on through October and, in rare years, on into November. Day after day the skies are a clear, hard blue, and the clouds that float across them, always west to east, are calm white ships with gray keels. The wind begins to blow by the day, and it is never still. It hurries you along as you walk the roads, crunching the leaves that have fallen in mad and variegated drifts. The wind makes you ache in some place that is deeper than your bones. It may be that it touches something old in the human soul, a chord of race memory that says Migrate or die – migrate or die. Even in your house, behind square walls, the wind beats against the wood and the glass and sends its fleshless pucker against the eaves and sooner or later you have to put down what you were doing and go out and see. And you can stand on your stoop or in your dooryard at mid-afternoon and watch the cloud shadows rush across Griffen’s pasture and up Schoolyard Hill, light and dark, light and dark, like the shutters of the gods being opened and closed. You can see the goldenrod, that most tenacious and pernicious and beauteous of all New England flora, bowing away from the wind like a great and silent congregation. And if there are no cars or planes, and if no one’s Uncle John is out in the wood lot west of town banging away at a quail or pheasant; if the only sound is the slow beat of your own heart, you can hear another sound, and that is the sound of life winding down to its cyclic close, waiting for the first winter snow to perform last rites.
”
”
Stephen King ('Salem's Lot)
“
The most fearsome monsters of all may inhabit the dark corners of our mind waiting for us to release them through our believes and gullibility. the phenomenon feeds on fear and believe. Sometimes it destroys us altogether other times it leads us upwards into the labyrinth of electromagnetic frequencies that form a curtain in the area we call windows and stalk us to drink our blood and create all kinds of mischievous beliefs and misconceptions in our feeble little terrestrial minds.
”
”
John A. Keel (The Best of John Keel: Volume I)
“
O Captain! my Captain! our fearful trip is done,
The ship has weather’d every rack, the prize we sought is won,
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring;
But O heart! heart! heart!
O the bleeding drops of red,
Where on the deck my Captain lies,
Fallen cold and dead.
O Captain! my Captain! rise up and hear the bells;
Rise up—for you the flag is flung—for you the bugle trills,
For you bouquets and ribbon’d wreaths—for you the shores a-crowding,
For you they call, the swaying mass, their eager faces turning;
Here Captain! dear father!
This arm beneath your head!
It is some dream that on the deck,
You’ve fallen cold and dead.
My Captain does not answer, his lips are pale and still,
My father does not feel my arm, he has no pulse nor will,
The ship is anchor’d safe and sound, its voyage closed and done,
From fearful trip the victor ship comes in with object won;
Exult O shores, and ring O bells!
But I with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.
”
”
null
“
To All My Mariners in One
Forget the many who talk much, say little, mean less and matter least
Forget we live in times when broadcasts of Tchaikovsky's 5th
precede announcements of the death of tyrants.
Forget that life for governments is priced war cheap but kidnap high
Our seamanship is not with such.
From port to port we learn that "depths last longer than heights",
that years are meant to disappear like wakes,
that nothing but the sun stands still.
We share the sweeter alphabets of laughter and the slower languages of pain.
Common as coal, we find in one another's eyes
the quiet diamonds that are worth the world.
Drawn by the song of our keel, who are we but horizons coming true?
Let others wear their memories like jewelry
We're of the few who work apart so well,
together when we must.
We speak cathedrals when we speak and
trust no promise but the pure supremacy of tears.
What more can we expect?
The sea's blue mischief may be waiting for its time and place,
but still we have the stars to guide us,
we have the winds for company.
We have ourselves.
We have the sailor's faith that not even dying can divide us.
”
”
Samuel Hazo (The Holy Surprise of Right Now: Selected and New Poems)
“
When on that shivering winter’s night, the Pequod thrust her vindictive bows into the cold malicious waves, who should I see standing at her helm but Bulkington! I looked with sympathetic awe and fearfulness upon the man, who in mid-winter just landed from a four years’ dangerous voyage, could so unrestingly push off again for still another tempestuous term. The land seemed scorching to his feet. Wonderfullest things are ever the unmentionable; deep memories yield no epitaphs; this six-inch chapter is the stoneless grave of Bulkington. Let me only say that it fared with him as with the storm-tossed ship, that miserably drives along the leeward land. The port would fain give succor; the port is pitiful; in the port is safety, comfort, hearthstone, supper, warm blankets, friends, all that’s kind to our mortalities. But in that gale, the port, the land, is that ship’s direst jeopardy; she must fly all hospitality; one touch of land, though it but graze the keel, would make her shudder through and through. With all her might she crowds all sail off shore; in so doing, fights ’gainst the very winds that fain would blow her homeward; seeks all the lashed sea’s landlessness again; for refuge’s sake forlornly rushing into peril; her only friend her bitterest foe!
Know ye now, Bulkington? Glimpses do ye seem to see of that mortally intolerable truth; that all deep, earnest thinking is but the intrepid effort of the soul to keep the open independence of her sea; while the wildest winds of heaven and earth conspire to cast her on the treacherous, slavish shore?
But as in landlessness alone resides highest truth, shoreless, indefinite as God—so, better is it to perish in that howling infinite, than be ingloriously dashed upon the lee, even if that were safety! For worm-like, then, oh! who would craven crawl to land! Terrors of the terrible! is all this agony so vain? Take heart, take heart, O Bulkington! Bear thee grimly, demigod! Up from the spray of thy ocean-perishing—straight up, leaps thy apotheosis!
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Herman Melville (Moby-Dick or, The Whale)
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This is the way it ought to be, he thought to himself, to be able to dance with a girl you like and really get a kick out of it because everything’ on an even keel and one’s worries are of the usual ones of unpaid bills and sickness in the family and being late to work too often. Wh can’t it be that way for me? Nobody’s looking twice at us. Nobody’s asking me where I was during the war or what the hell I am doing back on the coast. There’s no trouble to be had without looking for it. Everything’s the same, just as it used to be. No bad feelings except for those that have always been and probably always will. It’s a matter of attitude. Mine needs changing. I’ve got to love the world the way I used to. I’ve got to love it and the people so I’ll feel good, and feeling good will make life worthwhile. There’s no point in crying about what’s done. There’s a place for me and Emi and Freddie here on the dance floor and out there in the hustle of things if we’ll let it be that way. I’ve been fighting it and hating it and letting my bitterness against myself and Ma and Pa and even Taro throw the whole universe out of perspective. I want only to go on living and be happy. I’ve only to let myself do so.
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John Okada (No-No Boy (Classics of Asian American Literature))
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Further, in the modern story, reality is that which is observable, measurable, and repeatable - the kinds of phenomena available, accessible, and verifiable to the five senses. Thus, reality comes to equal the scientific method. It should come as no surprise that in such a world the life of the spirit is ignored or marginalized (as well as a great many other nonmaterial things.) This view of life subsequently birthed in human beings a ravenous materialism as matters of the soul were ignored or reinterpreted within this tightly controlled version of reality. When the life of the spirit is ignored, people will seek to feed the hunger of a neglected soul with the only nourishment available: in our context, the consumptive acquisition of material goods.
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Tim Keel (Intuitive Leadership: Embracing a Paradigm of Narrative, Metaphor, and Chaos (ēmersion: Emergent Village resources for communities of faith))
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If you had dared to suggest one hundred years ago that God and the devil were in cahoots, you would he invited to attend a barbecue in the public square, and you would be the barbecuee. But today it is apparent that the same force that answers some prayers also causes it to rain anchovies and is behind everything from sea serpents to flying saucers. It distorts our reality whimsically, perhaps out of boredom, or perhaps because it is a little crazy. God may be a crackpot.
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John A. Keel (THE EIGHTH TOWER: On Ultraterrestrials and the Superspectrum)
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WAS THERE STILL SOMETHING MURMURING? WAS IT still the kind murmuring of Plotius, protecting and kind and strong? oh, Plotius, oh, that it might endure, oh, that it might endure murmuringly, quiet and quieting, welling up from the unfathomable depths within and without, now that the labor was over, now that the labor sufficed, now that nothing need follow, oh, that it might go on forever! and verily it went on, murmuring and murmuring, rolling in softly in endlessness, murmur-wave after murmur-wave, each of them tiny yet all of them radiating in a boundless cycle; it was simply there, no sort of hearkening, no effort whatsoever was needed to hold on to it, indeed this murmurousness was not to be held onto, for it strove onward, mingled with the trickling of the fountain, with the trickling of the waters, merged with them in the vast and colorless might of a rest-bearing stream, itself the thing carried, itself rest, itself a moving stream, softly lapping the keel and sides of the boat with slithering foam.
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Hermann Broch (Death of Virgil (Vintage International))
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. . . I realized with a growing and startling sense of clarity that the seminary was educating and training me for a world that no longer existed. Moreover, the posture of this particular brand of Christianity toward the surrounding culture was one of enormous suspicion and at times hostility. It seemed that part of this evolving designation involved a posture of entrenchment and argument toward culture. But I loved culture. I loved the freedom to engage with people for the purpose of friendship and dialogue, not simply evangelism.
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Tim Keel (Intuitive Leadership: Embracing a Paradigm of Narrative, Metaphor, and Chaos (ēmersion: Emergent Village resources for communities of faith))
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O Captain! my Captain! our fearful trip is done,
The ship has weather’d every rack, the prize we sought is won,
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring;
But O heart! heart! heart!
O the bleeding drops of red,
Where on the deck my Captain lies,
Fallen cold and dead.
O Captain! my Captain! rise up and hear the bells;
Rise up—for you the flag is flung—for you the bugle trills,
For you bouquets and ribbon’d wreaths—for you the shores a-crowding,
For you they call, the swaying mass, their eager faces turning;
Here Captain! dear father!
This arm beneath your head!
It is some dream that on the deck,
You’ve fallen cold and dead.
My Captain does not answer, his lips are pale and still,
My father does not feel my arm, he has no pulse nor will,
The ship is anchor’d safe and sound, its voyage closed and done,
From fearful trip the victor ship comes in with object won;
Exult O shores, and ring O bells!
But I with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.
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Walt Witman
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We live in a culture of reductionism. Or better, we are living in the aftermath of a culture of reductionism, and I believe we have reduced the complexity and diversity of the Scriptures to systematic theologies that insist on ideological conformity, even when such conformity flattens the diversity of the Scriptural witness. We have reduced our conception of gospel to four simple steps that short-circuit biblical narratives and notions of the kingdom of God on earth as it is in heaven in favor of a simplified means of entrance to heaven. Our preaching is often wed to our materialistic, consumerist cultural assumptions, and sermons are subsequently reduced to delivering messages that reinforce the worst of what American culture produces: self-centered end users who believe that God is a resource that helps an individual secure what amounts to an anemic and culturally bound understanding of the 'abundant life.
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Tim Keel (Intuitive Leadership: Embracing a Paradigm of Narrative, Metaphor, and Chaos (ēmersion: Emergent Village resources for communities of faith))
“
Wonderfullest things are ever the unmentionable; deep memories yield no epitaphs; this six-inch chapter is the stoneless grave of Bulkington. Let me only say that it fared with him as with the storm-tossed ship, that miserably drives along the leeward land. The port would fain give succor; the port is pitiful; in the port is safety, comfort, hearthstone, supper, warm blankets, friends, all that's kind to our mortalities. But in that gale, the port, the land, is that ship's direst jeopardy; she must fly all hospitality; one touch of land, though it but graze the keel, would make her shudder through and through. With all her might she crowds all sail off shore; in so doing, fights 'gainst the very winds that fain would blow her homeward; seeks all the lashed sea's landlessness again; for refuge's sake forlornly rushing into peril; her only friend her bitterest foe! Know ye, now, Bulkington? Glimpses do ye seem to see of that mortally intolerable truth; that all deep, earnest thinking is but the intrepid effort of the soul to keep the open independence of her sea; while the wildest winds of heaven and earth conspire to cast her on the treacherous, slavish shore? But as in landlessness alone resides the highest truth, shoreless, indefinite as God—so, better is it to perish in that howling infinite, than be ingloriously dashed upon the lee, even if that were safety! For worm-like, then, oh! who would craven crawl to land! Terrors of the terrible! is all this agony so vain? Take heart, take heart, O Bulkington! Bear thee grimly, demigod! Up from the spray of thy ocean-perishing—straight up, leaps thy apotheosis!
”
”
Herman Melville (Moby-Dick or, The Whale)
“
Marriage is a paradox second only to life itself. That at the age of twenty or so, with little knowledge of each other and a dangerous overdose of self-confidence, two human beings should undertake to commit themselves for life – and that church and state should receive their vows with a straight face – all this is absurd indeed. And it is tolerable only if it is reveled in as such. A pox on all the neat little explanations as to why it is reasonable that two teenagers should be bound to each other until death. It is not reasonable. It happens to be true to life, but it remains absurd. Down with the books that moralize reasonably on the subject of why divorce is wrong. Divorce is not a wrong; it is a metaphysical impossibility. It is an attempt to do something about life rather than with it - to work out the square root of –I rather than to use it.
Up with the absurdity of marriage then. Let the peasant rejoice. He is a very odd ball on a very odd pool table, and his marriage is one of the few things left to him that will roll properly in this game. And up with the marriage service. Let the peasant go back and read it while he rejoices - preferably in the old unbowdlerized version still used by the Church of England. It is full of death and cast iron. And it is one of the great remaining sanity markers. The world is going mad because it has too many reasonable options, and not enough interest or nerve to choose anything for good. In such a world, the marriage service is not reasonable, but it is sane; which is quite another matter. The lunatic lives in a world of reason, and he goes mad without making sense; it is precisely paradox that keeps the rest of us sane. To be born, to love a woman, to cry at music, to catch a cold, to die – these are not excursions on the narrow road of logic; they are blind launchings on a trackless sea. They are not bargains, they are commitments, and for ordinary people, marriage is the very keel of their commitment, the largest piece of ballast in their small and storm-tossed boat. Its unqualified hurling of two people into their deathbead is absurd, but so is the rest of that welter of unqualified hurlings we call life. You cannot contract out of being born, out of crying, out of loving, out of dying; you cannot contract out of marriage. It may be uncomfortable, it certainly is absurd; but it is not abnormal.
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Robert Farrar Capon (Bed and Board: Plain Talk About Marriage)