Southside Quotes

We've searched our database for all the quotes and captions related to Southside. Here they are! All 55 of them:

And when love is over when the diner of love seems closed from the outside you want all those hours back along with anything you left at the lover’s house and maybe a couple of things which aren’t technically yours on the grounds that you wasted a portion of your life and those hours have all gone southside.
Daniel Handler (Adverbs)
Our Southside is a place apart: each piece of our living is a protest.
Lorraine Hansberry
That's when I realized that as long as you don't broadcast your beefs, you can get away cold with murder. It's even better if you don't allow the beef to take place. If someone disrespects you, you can know in your heard that you're going to get him, but you don't have to show him there's a beef. You can just look at it like, Okay, this nigga must not know. And then you fall back and you put it down.
50 Cent (From Pieces to Weight: Once Upon a Time in Southside Queens)
Contact J. Rabbitte, 118, Chestnut Ave., Dublin 21. Rednecks and southsiders need not apply.
Roddy Doyle (The Commitments (Barrytown Trilogy #1))
There was the Bennett Cocktail (gin, lime juice, bitters), the Bee’s Knees (gin, honey, lemon juice), the Gin Fizz (gin, lemon juice, sugar, seltzer water), and the Southside (lemon juice, sugar syrup, mint leaves, gin, seltzer water).
Deborah Blum (The Poisoner's Handbook: Murder and the Birth of Forensic Medicine in Jazz Age New York)
Southside spoiled the dog the same way he spoiled me, with food and love and tolerance, all of it a silent, earnest plea never to leave him.
Michelle Obama (Becoming)
Each week, I volunteered at K.I.D.S. Community Center in the McCoy neighborhood on the Southside. I forget what the letters stood for, but it could have been Khaotic, Ineffective, and Detrimental Supervision.
Rion Amilcar Scott (Insurrections: Stories)
Some of the city legislators, whose concern for appropriate names and the maintenance of the city's landmarks was the principal part of their political life, saw to it that "Doctor Street" was never used in any official capacity. And since they knew that only Southside residents kept it up, they had notices posted in the stores, barbershops, and restaurants in that part of the city saying that the avenue running northerly and southerly from Shore Road fronting the lake to the junction of routes 6 and 2 leading to Pennsylvania, and also running parallel to and between Rutherford Avenue and Broadway, had always been and would always be known as Mains Avenue and not Doctor Street. It was a genuinely clarifying public notice because it gave Southside residents a way to keep their memories alive and please the city legislators as well. They called it Not Doctor Street, and were inclined to call the charity hospital at its northern end No Mercy Hospital since it was 1931, on the day following Mr. Smith's leap from its cupola, before the first colored expectant mother was allowed to give birth inside its wards and not on its steps.
Toni Morrison (Song of Solomon)
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Chelle Bliss (Maneuver (Men of Inked: Southside, #1))
have stretch marks.” She closes her eyes, and I cradle her face, wanting her to know how I feel. “Baby, look at me,” I say, waiting for her to open her eyes. “I see nothing but a playground built for me. Don’t hide what I’m dying to explore.
Chelle Bliss (Maneuver (Men of Inked: Southside, #1))
But I know, no matter what I say, Michelle’s going to stick her nose right where it doesn’t belong. That’s what we do for each other, and it’s why she’s my best friend. She always has my back. Always. Doesn’t matter if I’m in the wrong, she’s willing to go down with the ship.
Chelle Bliss (Flow (Men of Inked: Southside, #2))
There is always a tradeoff. As music gets disseminated, and distinct regional voices find a way to be more widely heard, certain bands and singers (who might be more creative, or possibly have just been marketed by a bigger company) begin to dominate, and peculiar regional styles—what writer Greil Marcus, echoing Harry Smith, called the “old weird America”—eventually end up getting squashed, neglected, abandoned, and often forgotten. This dissemination/homogenization process runs in all directions simultaneously; it’s not just top-down repression of individuality and peculiarity. A recording by some previously obscure backwoods or southside singer can find its way into the ear of a wide public, and an Elvis, Luiz Gonzaga, Woody Guthrie, or James Brown, can suddenly have a massive audience—what was once a local style suddenly exerts a huge influence. Pop music can be thrown off its axis by some previously unknown and talented rapper from the projects. And then the homogenization process begins again. There’s a natural ebb and flow to these things, and it can be tricky to assign a value judgment based on a particular frozen moment in the never-ending cycle of change.
David Byrne (How Music Works)
Love is hourly, too. There are stories about people who have loved someone forever after laying eyes on them for a few minutes and then nevermore, but these stories have not happened to anyone we know. No, when you love someone you spend hours and hours with them, and even the mightiest forces in the netherworld could not say whether the hours you spend increase your love or if you simply spend more hours with someone as your love increases. And when the love is over, when the diner of love seems closed from the outside, you want all those hours back, along with anything you left at the lover's house and maybe a couple of things which aren't technically yours on the grounds that you wasted a portion of your life and those hours have all gone southside. Nobody can make this better, it seems, nothing on the menu. It's like what the stewardess offers, even in first class. They come with towels, with drinks, mints, but they never say, "Here's the five hours we took from you when you flew across the country to New York to live with your boyfriend and then one day he got in a taxicab and he never came back, and also you flew back, another five hours, to San Francisco, just in time for a catastrophe." And so you sit like a spilled drink, those missing hours in you like an ache, and you hear stories that aren't true and won't bring anyone back.
Daniel Handler (Adverbs)
On April 1, 1865, in Virginia, Pickett was defending an intersection known as Five Forks, six miles south of the Appomattox River and a good bit closer to the Southside Railroad, the last remaining supply line to Richmond. While thirty thousand Union troops led by Little Phil Sheridan approached from the southeast, Pickett’s twelve thousand, spread two miles wide behind fences and in ditches, braced to meet them. Pickett’s supreme commander, Robert E. Lee, was headquartered ten miles away, near Petersburg. Should Pickett fall to Sheridan, Lee would be forced from Petersburg, the Federals would capture Richmond, and the Confederate cause would be lost. Someone mentioned shad. The spring spawning run was in full penetration of the continent. The fish were in the rivers. Tom Rosser, another Confederate general, had caught some, and on the morning of April 1st ordered them baked for his midday dinner, near Hatcher’s Run, several miles from Five Forks. He invited Pickett and Major General Fitzhugh Lee, nephew of Robert E. Lee, to join him. Pickett readily accepted, and rode off from his battle station with Lee. The historian Shelby Foote continues the narrative (“The Civil War,” vol. 3, p. 870): “Neither told any subordinate where he was going or why, perhaps to keep from dividing the succulent fish too many ways; with the result that when the attack exploded—damped from their hearing, as it was, by a heavy stand of pines along Hatcher’s Run—no one knew where to find them. Pickett only made it back to his division after half its members had been shot or captured, a sad last act for a man who gave his name to the most famous charge in a war whose end was hastened by his threehour absence at a shad bake.
John McPhee (The Founding Fish)
Real Quick" [Intro:] Valuable lesson, man I had to grow up That's why I never ask for help I'll do it for you niggaz and do it for myself [Chorus:] I go 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga! [50 Cent:] I'll run my blade 'cross a nigga ass {"real quick"} I'm so for real I'm on some real real nigga shit You playin boy I'll get you hit {"real quick"} You better hope the parademics come {"real quick"} Got me fucked up you think it's different now a nigga rich Before I get to cuttin know you niggaz better cut the shit Boy, you gon' have ya head popped, pull a trigger for me And my lil' niggaz trigger op' like it's legal homie No game when I bang, boy I empty the clip You run like a bitch, you ain't 'bout that shit Hey hey hey hey, I'll catch you another day day day day It's the Unit back to the bullshit [Tony Yayo:] Yeah! Nothin in life is out of bounds AK hold about a hundred rounds 60 shots like K.D. at the Rucker's Okay! When I see you on respirators Southside nigga 'til the day I'm gone Indulge in the violence when the drama on Yeah, these rap niggaz lukewarm I'm two sleeves of dope, when the mic on [Chorus] [Kidd Kidd:] Real quick, Rida Gang fuck nigga, huh! Don't Tweet me, see me when you see me Down to make the news just to say that I'm on TV (Kidd Kidd) This clip rated R, niggaz PG Them shells burn like a bootleg CD (huh?) Fuck love, I want the money When you get too much of it they gon' say you actin funny "Kidd, how you feel now that the Unit's back?" Like a million bucks, muh'fucker do the math! [Young Buck:] Cold-blooded, boy my heart don't feel shit Get with me, ask 50, I'll take the hit {"real quick"} Balenciagas, you can still get ya ass kicked Take a rapper nigga bitch and make a real flick I know I'm different from what you usually be dealin with Don't need a mic, give me some white to make a million with Single borough, six shots on the Brooklyn Bridge I'll let the nigga Drake tell you what I just did (yeah) [Chorus] [Lloyd Banks:] Nigga gettin money new to you (uh) I give a fuck if shit get ugly, there'll be a beautiful funeral You fit the script I'm gon' assume it's true Can't manuever through the street without a strategy, ain't nobody to tutor you And man was lucky Unit's through, you know why he flows 15 years, switchin dealers like casinos And my goon'll clip you on the arm (uhh) I'm out the country every week and dumpin ash out on the Autobahn Auto-pilot's always on Rather better livin, I've been [?] green bills callin me all day long This is homicide, more tears in your mama eyes More reason to wake up, real niggaz arrive [Chorus]
G-Unit
This piece of land was our original sin, except we had found no baptismal rite to expunge it from our lives. That green-purple field of new cane was rooted in rib cage and eye socket. But what of the others whose lives had begun here and ended in other places? The ones who became prostitutes in cribs on Hopkins Street in New Iberia and Jane’s Alley in New Orleans, sliced their hands open with oyster knives, laid bare their shin bones with the cane sickle, learned the twelve-string blues on the Red Hat gang and in the camps at Angola with Leadbelly and Hogman Matthew Maxey, were virtually cooked alive in the castiron sweatboxes of Camp A, and rode Jim Crow trains North, as in a biblical exodus, to southside Chicago and the magic of 1925 Harlem, where they filled the air with the music of the South and the smell of cornbread and greens and pork chops fixed in sweet potatoes, as though they were still willing to forgive if we would only acknowledge their capacity for forgiveness. Tolstoy asked how much land did a man need. Just enough to let him feel the pull of the earth on his ankles and the claim it lays on the quick as well as the dead.
James Lee Burke (Burning Angel (Dave Robicheaux #8))
Sleeping, as Nietzsche put it, ‘is no mean art; you need to stay awake all day to do it’,
Kieran Conway (Southside Provisional: From Freedom Fighter to the Four Courts)
Real Quick [Intro:] Valuable lesson, man I had to grow up That's why I never ask for help I'll do it for you niggaz and do it for myself [Chorus:] I go 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga! [50 Cent:] I'll run my blade 'cross a nigga ass {"real quick"} I'm so for real I'm on some real real nigga shit You playin boy I'll get you hit {"real quick"} You better hope the parademics come {"real quick"} Got me fucked up you think it's different now a nigga rich Before I get to cuttin know you niggaz better cut the shit Boy, you gon' have ya head popped, pull a trigger for me And my lil' niggaz trigger op' like it's legal homie No game when I bang, boy I empty the clip You run like a bitch, you ain't 'bout that shit Hey hey hey hey, I'll catch you another day day day day It's the Unit back to the bullshit [Tony Yayo:] Yeah! Nothin in life is out of bounds AK hold about a hundred rounds 60 shots like K.D. at the Rucker's Okay! When I see you on respirators Southside nigga 'til the day I'm gone Indulge in the violence when the drama on Yeah, these rap niggaz lukewarm I'm two sleeves of dope, when the mic on [Chorus] [Kidd Kidd:] Real quick, Rida Gang fuck nigga, huh! Don't Tweet me, see me when you see me Down to make the news just to say that I'm on TV (Kidd Kidd) This clip rated R, niggaz PG Them shells burn like a bootleg CD (huh?) Fuck love, I want the money When you get too much of it they gon' say you actin funny "Kidd, how you feel now that the Unit's back?" Like a million bucks, muh'fucker do the math! [Young Buck:] Cold-blooded, boy my heart don't feel shit Get with me, ask 50, I'll take the hit {"real quick"} Balenciagas, you can still get ya ass kicked Take a rapper nigga bitch and make a real flick I know I'm different from what you usually be dealin with Don't need a mic, give me some white to make a million with Single borough, six shots on the Brooklyn Bridge I'll let the nigga Drake tell you what I just did (yeah) [Chorus] [Lloyd Banks:] Nigga gettin money new to you (uh) I give a fuck if shit get ugly, there'll be a beautiful funeral You fit the script I'm gon' assume it's true Can't manuever through the street without a strategy, ain't nobody to tutor you And man was lucky Unit's through, you know why he flows 15 years, switchin dealers like casinos And my goon'll clip you on the arm (uhh) I'm out the country every week and dumpin ash out on the Autobahn Auto-pilot's always on Rather better livin, I've been [?] green bills callin me all day long This is homicide, more tears in your mama eyes More reason to wake up, real niggaz arrive [Chorus]
Drake
It’s better than a unicorn,” he tried. Now, that, I found hard to believe. Not that I’d been into unicorns since I was six or seven years old—but still, a real, live unicorn in the SouthSide Mall parking lot would be pretty unbeatable when it came to surprises.
Anna Humphrey (Rhymes with Cupid)
breaths escaped from parted lips. “Why did you decide to come?” Flynn asked. Lilly didn’t answer. He traced a finger from her cheek, down the softness of her neck, and over the mole that settled right at her nape. He could feel her blood moving below his touch. His eyes
Dani Wyatt (Push (Southside Brotherhood, #2))
Get rich or die trying
50 Cent (From Pieces to Weight: Once Upon a Time in Southside Queens)
Tree Lopping Logan Co is the team in tree lopping Logan, Beenleigh, Gold Coast and Brisbane Southside residents trust. What sets us apart from other tree removal and stump grinding companies is our 20 plus years of tree services experience and state of the arborist equipment. Our team excels in all areas of tree services such as tree trimming, tree pruning, tree stump grinding, and removal, together with 24-hour emergency service.
Tree Lopping Logan Co
Edited by Silently Correcting Your Grammar Proofreader by Julie Deaton & Rosa Sharon Cover Photo © Harry Leonard Imagery Cover Model: Mitch Goebel
Chelle Bliss (Maneuver (Men of Inked: Southside, #1))
I just need to make a phone call.” I bite my tongue to stop myself from saying something about his late-night middle-of-the-week drinking, clearly doing it often based on the size of his beer belly. Instead, I look at the floor and head toward the other end of the bar.
Chelle Bliss (Maneuver (Men of Inked: Southside, #1))
Walking quickly, I head toward the doorway the couple just walked away from, glancing from side to side because, in all honesty, I am scared as hell. Light from inside streams out of the windows lining the front of the building, falling on the sidewalk near my feet as if signaling to me like a beacon. I step forward, peering through the glass to get a better look before I dare walk through the door.
Chelle Bliss (Maneuver (Men of Inked: Southside, #1))
She’s hot as hell for a mom.
Chelle Bliss (Maneuver (Men of Inked: Southside, #1))
Lulu is in the back seat, oblivious to everything and somehow sleeping through my father’s tirade. My father has kicked me out plenty of times, or at least, that’s what he’d say, but I always had my credit cards and bank account to fall back on. He has never cut me off completely.
Chelle Bliss (Maneuver (Men of Inked: Southside, #1))
What do Northsiders use for protection when having sex? Bus shelters. What's the difference between a Northsider and Batman? Batman can go into a shop without robbin'. What do you call a Northsider in a suit? The defendant.
Ella Griffin (The Flower Arrangement)
Para mí, Southside era tan grande como el cielo. Y el cielo, tal como yo lo imaginaba, tenía que ser un lugar rebosante de jazz.
Michelle Obama (Becoming)
This particular form of discrimination altered the destinies of generations of African Americans, including many of the men in my family, limiting their income, their opportunity, and, eventually, their aspirations. As a carpenter, Southside wasn’t allowed to
Michelle Obama (Becoming)
Maybe you don’t know the southside of Chicago....I grew up in a house of addiction, poverty, Government assistance, Divorce, neglect, abandonment, and violence. This wasn’t a unique experience in my neighborhood. There was a club in my school, and everyone knew who its members were: there was no hiding it. From the stink of your unwashed clothes, to Kids cracking Jokes in the lunchroom about your mom or dad being an addict, or worse. Some kids came to school with fresh bruises every week. If you were in this club, other students would rip on you. This was to be expected I suppose. But the teachers also looked at you differently. Not with empathy or even pity. More like they looked through you, As if your future was already written on your dirty clothes, and your weary eyes, on your dark skin.
Gianno Caldwell (Taken for Granted: How Conservatism Can Win Back the Americans That Liberalism Failed)
This may be the fundamental problem with caring a lot about what others think: It can put you on the established path—the my-isn’t-that-impressive path—and keep you there for a long time. Maybe it stops you from swerving, from ever even considering a swerve, because what you risk losing in terms of other people’s high regard can feel too costly. Maybe you spend three years in Massachusetts, studying constitutional law and discussing the relative merits of exclusionary vertical agreements in antitrust cases. For some, this might be truly interesting, but for you it is not. Maybe during those three years you make friends you’ll love and respect forever, people who seem genuinely called to the bloodless intricacies of the law, but you yourself are not called. Your passion stays low, yet under no circumstance will you underperform. You live, as you always have, by the code of effort/result, and with it you keep achieving until you think you know the answers to all the questions—including the most important one. Am I good enough? Yes, in fact I am. What happens next is that the rewards get real. You reach for the next rung of the ladder, and this time it’s a job with a salary in the Chicago offices of a high-end law firm called Sidley & Austin. You’re back where you started, in the city where you were born, only now you go to work on the forty-seventh floor in a downtown building with a wide plaza and a sculpture out front. You used to pass by it as a South Side kid riding the bus to high school, peering mutely out the window at the people who strode like titans to their jobs. Now you’re one of them. You’ve worked yourself out of that bus and across the plaza and onto an upward-moving elevator so silent it seems to glide. You’ve joined the tribe. At the age of twenty-five, you have an assistant. You make more money than your parents ever have. Your co-workers are polite, educated, and mostly white. You wear an Armani suit and sign up for a subscription wine service. You make monthly payments on your law school loans and go to step aerobics after work. Because you can, you buy yourself a Saab. Is there anything to question? It doesn’t seem that way. You’re a lawyer now. You’ve taken everything ever given to you—the love of your parents, the faith of your teachers, the music from Southside and Robbie, the meals from Aunt Sis, the vocabulary words drilled into you by Dandy—and converted it to this. You’ve climbed the mountain. And part of your job, aside from parsing abstract intellectual property issues for big corporations, is to help cultivate the next set of young lawyers being courted by the firm. A senior partner asks if you’ll mentor an incoming summer associate, and the answer is easy: Of course you will. You have yet to understand the altering force of a simple yes. You don’t know that when a memo arrives to confirm the assignment, some deep and unseen fault line in your life has begun to tremble, that some hold is already starting to slip. Next to your name is another name, that of some hotshot law student who’s busy climbing his own ladder. Like you, he’s black and from Harvard. Other than that, you know nothing—just the name, and it’s an odd one. Barack.
Becoming
into creating an environment where we were always well fed and entertained, likely with the hope we’d never want to move away from it. He even got me a dog, an affable, cinnamon-colored shepherd mutt we called Rex. Per my mother’s orders, Rex wasn’t allowed to live at our house, but I’d visit him all the time at Southside’s, lying on the floor with my face buried in his soft fur, listening to his tail thwap appreciatively anytime Southside walked past. Southside spoiled the dog the same way he spoiled me, with food and love and tolerance, all of it a silent, earnest plea never to leave him. My father’s family, meanwhile, sprawled across
Michelle Obama (Becoming)
Fine,” Castor sighed. With his chin still resting on his paws, he mumbled, “I’m ‘Castor German Shepherd, Descendent of the Mexican Wolf and Third Dog of the Trash Mountain Pack on the Southside of Lion’s Head.
Devon Hughes (Unnaturals: The Battle Begins)
She’s in elementary school.” I wave to Tate as she glides by, a little steadier this time. “Look, Grandma.” Tate smiles, but her eyes are quickly forced back on the path when the handlebars start to turn. “You’re doing good, sweetheart.” Ma claps as Tate speeds by. “Angelo, I remember being out here with you when you were her age. It feels like yesterday. It all went by in the blink of an eye.” “Time doesn’t pass so fast for me, Ma,” I confess. Every day since Marissa died has felt like a year, passing ever so torturously slow. Ma wraps her arm around my middle and places her head on my arm. “Now that Michelle’s gone, it’s time for you to move forward. That was fun while it lasted, but you need to get serious about your future.” Jesus. “I liked Michelle, Ma, but…
Chelle Bliss (Hook (Men of Inked: Southside, #3))
MAMA Well, little boys’ hides ain’t as tough as Southside roaches. You better get over there behind the bureau. I seen one marching out of there like Napoleon yesterday.
Lorraine Hansberry (A Raisin in the Sun)
I, meanwhile, was an in-your-face sort of person—brought up on Sunday dinners at Southside’s, where you sometimes had to shout to be heard.
Michelle Obama (Becoming)
It was okay to make my leap into the unknown, because—and this would count as startling news to most every member of the Shields/Robinson family, going back all the way to Dandy and Southside—the unknown wasn’t going to kill me. Don’t worry, Barack was saying. You can do this. We’ll figure it out.
Michelle Obama (Becoming)
Memories are our legacy. We’re not remembered for how many hours we worked or the size of our bank account. Our actions are our imprint on people’s souls. How we treat others, the time we spend listening, and the way we love deeply are what will stay with a person long after we’re gone. I want the memories to be sustaining, lasting well beyond my lifetime. I want to be remembered for touching their souls and leaving a lasting imprint on their hearts.
Chelle Bliss (Flow (Men of Inked: Southside, #2))
Lulu is in the back seat, oblivious to everything and somehow sleeping through my father’s tirade. My father has kicked me out plenty of times, or at least, that’s what he’d say, but I always had my credit cards and bank
Chelle Bliss (Maneuver (Men of Inked: Southside, #1))
Leave her with me,” he snaps and leans over me, pushing open my car door. “But you gotta go.” His lip curls as he says the last word, showing the wildness the alcohol has soaked into his veins as he settles back into the driver’s seat. My eyes fill
Chelle Bliss (Maneuver (Men of Inked: Southside, #1))
This is a work of fiction. Names, characters, businesses, places, events, and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.
Chelle Bliss (Maneuver (Men of Inked: Southside, #1))
least forty-three organized boy gangs treaded Richmond’s landscape, twelve of them from Southside (across the river at Manchester): Gamble’s Hill Cats, Grace Street Cats, Oregon Hill Cats (also Terribles), Sidney Cats, Harveytown Cats, First, Second, and Third Street Cats, Tenth Street Gang, Fourth Street Horribles, Fifth Street Gang, Shockoe Hill Gang, Butchertown Gang, Rocketts Gang, Church Hill Gang, Union Hill Gang, Old Market Gang, Gully Nation Gang, Sheep Hill Gang, Brook Road Gang, Hobo Gang, Lulu Gang, Clyde Row Gang, Park Sparrows Gang, Bumtown Gang, Basin Bank Cats, Twenty-Seventh Street Gang, Thirtieth Street Gang, Grace Street Gang, West End Gang, and Male Orphan Asylum Cats; from Manchester—Terrapin Hill Cats, Baconsville Cats, Goat Hill Cats, Battery Cats, Diamond Hill Cats, Swampoodle Cats, Hull Street Cats, Decatur Street Cats, Oak Grove Cats, Marx’s Field Cats, Belle Isle Cats, and Swansboro Gang.
Harry M. Ward (Children of the Streets of Richmond, 1865-1920)
Loyalty-Over-Love; Trust No One! Take No Shorts, Take No Prisoners!
Lyric Hawkins (Rott3n Apple: Decisions Of A Wall Street Thug)
Love Worn In a tavern on the Southside of Chicago a man sits with his wife. From their corner booth each stares at strangers just beyond the other's shoulder, nodding to the songs of their youth. Tonight they will not fight. Thirty years of marriage sits between them like a bomb. The woman shifts then rubs her right wrist as the man recalls the day when they sat on the porch of her parents' home. Even then he could feel the absence of something desired or planned. There was the smell of a freshly tarred driveway, the slow heat, him offering his future to folks he did not know. And there was the blooming magnolia tree in the distance— its oversized petals like those on the woman's dress, making her belly even larger, her hands disappearing into the folds. When the last neighbor or friend leaves their booth he stares at her hands, which are now closer to his, remembers that there had always been some joy. Leaning closer, he believes he can see their daughter in her eyes
Lita Hooper
Sleeping, as Nietzsche put it, ‘is no mean art; you need to stay awake all
Kieran Conway (Southside Provisional: From Freedom Fighter to the Four Courts)
To me, Southside was as big as heaven. And heaven, as I envisioned it, had to be a place full of jazz.
Michelle Obama (Becoming)
It was a year-round, full-service lodge nestled away in one of the southside canyons, with snowmobiling, cross-country skiing, horseback riding, trout fishing, and hunting in season.
Craig Johnson (Hell Is Empty (Walt Longmire, #7))
Alabama was not - and I don't think is - an abortion-friendly state. Remember: Birmingham is where a man made the FBI's Ten Most Wanted list by bombing a Southside abortion clinic, killing a security guard. The bomber's brother was so upset by the manhunt that to protest, he cut off his own hand with a circular saw. And he videotaped it. And then he drove himself to the hospital. EMTs were sent to his house to collect the hand, and a surgeon reattached it. This is Southern Gothic country. Our zealots don't play.
Helen Ellis (Southern Lady Code: Essays)
She’s his pet. His property. His fucktoy. She likes being owned, used, and powerless.
Chelle Bliss (Hustle (Men of Inked: Southside, #4))
...erase the worries and go toward whatever I thought would make me happy. It was ok to make my leap into the unknown, because - and this would count as startling news to most every member of the Shields/Robinson family, going back all the way to Dandy and Southside - the unknown wasn't going to kill me.
Michelle Obama (Becoming)
I woke up the next morning, and the house smelt delicious. Mike was making me breakfast. I was so happy because at the time I was so hungry.
Hydiea (In Love with A Southside Nigga)
This dissemination/homogenization process runs in all directions simultaneously; it’s not just top-down repression of individuality and peculiarity. A recording by some previously obscure backwoods or southside singer can find its way into the ear of a wide public, and an Elvis, Luiz Gonzaga, Woody Guthrie, or James Brown can suddenly have a massive audience—what was once a local style suddenly exerts a huge influence. Pop music can be thrown off its axis by some previously unknown and talented rapper from the projects. And then the homogenization process begins again. There’s a natural ebb and flow to these things, and it can be tricky to assign a value judgment based on a particular frozen moment in the never-ending cycle of change.
David Byrne (How Music Works)
Memories are our legacy. We’re not remembered for how many hours we worked or the size of our bank account. Our actions are our imprint on people’s souls. How we treat others, the time we spend listening, and the way we love deeply are what will stay with a person long after we’re gone. I want the memories to be sustaining, lasting well beyond my lifetime. I want to be remembered for touching their souls and leaving a lasting
Chelle Bliss (Flow (Men of Inked: Southside, #2))
The only constant in life is time. One second drips into the next, drifting to minutes, hours, days, and so on. The older we grow, the quicker each year passes into an endless blur of memories and moments we can never re-live.
Chelle Bliss (Love (Men of Inked: Southside, #5))