Soundtrack Best Quotes

believe that this way of living, this focus on the present, the daily, the tangible, this intense concentration not on the news headlines but on the flowers growing in your own garden, the children growing in your own home, this way of living has the potential to open up the heavens, to yield a glittering handful of diamonds where a second ago there was coal. This way of living and noticing and building and crafting can crack through the movie sets and soundtracks that keep us waiting for our own life stories to begin, and set us free to observe the lives we have been creating all along without ever realizing it. I don’t want to wait anymore. I choose to believe that there is nothing more sacred or profound than this day. I choose to believe that there may be a thousand big moments embedded in this day, waiting to be discovered like tiny shards of gold. The big moments are the daily, tiny moments of courage and forgiveness and hope that we grab on to and extend to one another. That’s the drama of life, swirling all around us, and generally I don’t even see it, because I’m too busy waiting to become whatever it is I think I am about to become. The big moments are in every hour, every conversation, every meal, every meeting. The Heisman Trophy winner knows this. He knows that his big moment was not when they gave him the trophy. It was the thousand times he went to practice instead of going back to bed. It was the miles run on rainy days, the healthy meals when a burger sounded like heaven. That big moment represented and rested on a foundation of moments that had come before it. I believe that if we cultivate a true attention, a deep ability to see what has been there all along, we will find worlds within us and between us, dreams and stories and memories spilling over. The nuances and shades and secrets and intimations of love and friendship and marriage an parenting are action-packed and multicolored, if you know where to look. Today is your big moment. Moments, really. The life you’ve been waiting for is happening all around you. The scene unfolding right outside your window is worth more than the most beautiful painting, and the crackers and peanut butter that you’re having for lunch on the coffee table are as profound, in their own way, as the Last Supper. This is it. This is life in all its glory, swirling and unfolding around us, disguised as pedantic, pedestrian non-events. But pull of the mask and you will find your life, waiting to be made, chosen, woven, crafted. Your life, right now, today, is exploding with energy and power and detail and dimension, better than the best movie you have ever seen. You and your family and your friends and your house and your dinner table and your garage have all the makings of a life of epic proportions, a story for the ages. Because they all are. Every life is. You have stories worth telling, memories worth remembering, dreams worth working toward, a body worth feeding, a soul worth tending, and beyond that, the God of the universe dwells within you, the true culmination of super and natural. You are more than dust and bones. You are spirit and power and image of God. And you have been given Today.

Because I hate the ocean, theme parks and airplanes, talking with strangers, waiting in line. I'm through with these pills that make me sit still, are you feeling fine? Yes, I feel just fine.

Give me a reason, to end this discussion, to break with tradition, to fall and divide. So let's not get carried, away with the process, of healing relations, I don't want to waste your time!

A Broken Record can still play the best soundtrack. Broken can be beautiful when you allow God work on you.

My world shattered that day. I lost my best friend. I lost my heart. My shield. My soul. And buried it right along with his body. The boy who hadn’t been who he said he was — the boy who’d protected me from my own family. The boy who took two bullets for me and paid with his life. Bang, Bang was the new soundtrack to my life. Welcome to the Mafia.

Only a mediocre man is always at his best.

Have you ever listened to a song from a long time ago; from your past; a song that was filled with so many memories tied to it, that you felt it so deeply- that it made you cry? And did you listen to it again, intentionally, for a second time? So you could travel back in time through that song; back when everything seemed so much simpler, basic, carefree? Those are the songs that are the soundtracks of our lives… the ones that bring back childhood memories, deep feelings, snapshots of our lives (or short videos), best friends, first loves, first heartbreaks… births, deaths. Our lives are like the record albums that we used to play just a few years ago; just yesterday. We played some of the songs over and over again- to the point of which we can sing along with every word as we play it. Other songs seem somewhat unfamiliar, as we rarely go back to listen to them; we skip over them or we barely listen to the start of it before we turn off the record player. But just like on a record album and just like in our memories, you can't cut a song out off an album... just like you can't cut out a memory. The songs and memories remain there, side by side; the good ones, the bad ones, the ones that thrill us and the ones that hurt. Those are the songs that our lives are composed of. Those are the songs that we chase back, back into our our own memories in our private and personal musical time machines.

The New Anthem For thirty days, every morning and every night, find a mirror, stand up straight, and confidently say the following out loud: I, [your name], choose my thoughts. I know that doing my best starts with thinking my best. Like laying a path for an adventure, these thoughts will set the course for my actions. I’m confident that what I think matters. I’m excited to see what happens next. I’m disciplined and dedicated to stick with it. Here are ten things I know: Today is brand-new and tomorrow is too. I’ve got a gift worth giving. The only person standing in my way is me, and I quit doing that yesterday. I am the CEO of me, and I am the best boss. Winning is contagious. When I help others win, I win too. Feeling uncomfortable is just a sign that my old comfort zone is having a hard time keeping up with me. Momentum is messy. Everything is always working out for me. I am my biggest fan. The best response to obstacles is to do it anyway. In the morning I’ve pulled the slingshot back. I’m not leaving this room, I’m launching from it, ready for a day of untold opportunities. I’ve packed honesty, generosity, laughter, and bravery for the road ahead. Watch out, world! It’s time to step up, step out, and step in. In the evening What a day! The best part is I left myself a lot of fun things to work on tomorrow. When my head hits that pillow, I’m off the clock, storing up energy and excitement for a brand-new day.

When it comes to people we admire, it is in our nature to be selective with information, to load with personal associations, to elevate and make heroic. That is especially true after their deaths, especially if those deaths have been in any way untimely and/or shocking. It is hard to hold onto the real people, the true story. When we think of the Clash, we tend to forget or overlook the embarrassing moments, the mistakes, the musical filler, the petty squabbles, the squalid escapades, the unfulfilled promises. Instead, we take only selected highlights from the archive-the best songs, the most flatteringly-posed photographs, the most passionate live footage, the most stirring video clips, the sexiest slogans, the snappiest soundbites, the warmest personal memories-and from them we construct a near-perfect rock 'n' roll band, a Hollywood version of the real thing. The Clash have provided us with not just a soundtrack, but also a stock of images from which to create a movie we can run in our own heads. The exact content of the movie might differ from person to person and country to country, but certain key elements will remain much the same; and it is those elements that will make up the Essential Clash of folk memory. This book might have set out to take the movie apart scene by scene to analyse how it was put together; but this book also believes the movie is a masterpiece, and has no intention of spoiling the ending. It's time to freeze the frame. At the very moment they step out of history and into legend: the Last Gang In Town.

My interest in comics was scribbled over with a revived, energized passion for clothes, records, and music. I'd wandered in late to the punk party in 1978, when it was already over and the Sex Pistols were history. I'd kept my distance during the first flush of the new paradigm, when the walls of the sixth-form common room shed their suburban-surreal Roger Dean Yes album covers and grew a fresh new skin of Sex Pistols pictures, Blondie pinups, Buzzcocks collages, Clash radical chic. As a committed outsider, I refused to jump on the bandwagon of this new musical fad, which I'd written off as some kind of Nazi thing after seeing a photograph of Sid Vicious sporting a swastika armband. I hated the boys who'd cut their long hair and binned their crappy prog albums in an attempt to join in. I hated pretty much everybody without discrimination, in one way or another, and punk rockers were just something else to add to the shit list. But as we all know, it's zealots who make the best converts. One Thursday night, I was sprawled on the settee with Top of the Pops on the telly when Poly Styrene and her band X-Ray Spex turned up to play their latest single: an exhilarating sherbet storm of raw punk psychedelia entitled "The Day the World Turned Day-Glo" By the time the last incandescent chorus played out, I was a punk. I had always been a punk. I would always be a punk. Punk brought it all together in one place for me: Michael Moorcock's Jerry Cornelius novels were punk. Peter Barnes's The Ruling Class, Dennis Potter, and The Prisoner were punk too. A Clockwork Orange was punk. Lindsay Anderson's If ... was punk. Monty Python was punk. Photographer Bob Carlos Clarke's fetish girls were punk. Comics were punk. Even Richmal Crompton's William books were punk. In fact, as it turned out, pretty much everything I liked was punk. The world started to make sense for the first time since Mosspark Primary. New and glorious constellations aligned in my inner firmament. I felt born again. The do-your-own-thing ethos had returned with a spit and a sneer in all those amateurish records I bought and treasured-even though I had no record player. Singles by bands who could often barely play or sing but still wrote beautiful, furious songs and poured all their young hearts, experiences, and inspirations onto records they paid for with their dole money. If these glorious fuckups could do it, so could a fuckup like me. When Jilted John, the alter ego of actor and comedian Graham Fellows, made an appearance on Top of the Pops singing about bus stops, failed romance, and sexual identity crisis, I was enthralled by his shameless amateurism, his reduction of pop music's great themes to playground name calling, his deconstruction of the macho rock voice into the effeminate whimper of a softie from Sheffield. This music reflected my experience of teenage life as a series of brutal setbacks and disappointments that could in the end be redeemed into art and music with humor, intelligence, and a modicum of talent. This, for me, was the real punk, the genuine anticool, and I felt empowered. The losers, the rejected, and the formerly voiceless were being offered an opportunity to show what they could do to enliven a stagnant culture. History was on our side, and I had nothing to lose. I was eighteen and still hadn't kissed a girl, but perhaps I had potential. I knew I had a lot to say, and punk threw me the lifeline of a creed and a vocabulary-a soundtrack to my mission as a comic artist, a rough validation. Ugly kids, shy kids, weird kids: It was okay to be different. In fact, it was mandatory.

3- You are the true meaning of beauty Scarlett Johansson, your beauty inspired me to create the best soundtracks ever. love and noble respect to your magical Soul.

In the last decade and a half a revival of plant behavior research had brought countless new realizations to botany, more than forty years after an irresponsible best-selling book nearly snuffed out the field for good. The Secret Life of Plants, published in 1973, captured the public imagination on a global scale. Written by Peter Tompkins and Christopher Bird, the book was a mix of real science, flimsy experiments, and unscientific projection. In one chapter, Tompkins and Bird suggested that plants could feel and hear—and that they preferred Beethoven to rock and roll. In another, a former CIA agent named Cleve Backster hooked up a polygraph test to his houseplant and imagined the plant being set on fire. The polygraph needle went wild, which would mean the plant was experiencing a surge in electrical activity. In humans, a reading like that was believed to denote a surge of stress. The plant, according to Backster, was responding to his malevolent thoughts. The implication was that there existed not only a sort of plant consciousness but also plant mind-reading. The book was an immediate and meteoric success on the popular market, surprising for a book about plant science. Paramount put out a feature film about it. Stevie Wonder wrote the soundtrack. The first pressings of the album version were sent out scented with floral perfume. To its many astonished readers, the book offered a new way to view the plants all around them, which up until then had seemed ornamental, passive, more akin to the world of rocks than animals. It also aligned with the advent of New Age culture, which was ready to inhale stories about how plants were as alive as we are. People began talking to their houseplants, and leaving classical music playing for their ficus when they went out. But it was a beautiful collection of myths.

Nature always makes the best soundtrack.

Amazon.com is world best book marketing platform as I found, for in the beginning Jeff Bezos was founded the Amazon on book marketing focused channel and now Amazon Publishing Family increased it’s capacity & scope of books publication, distribution, sales and overall marketing around the world included ACX soundtrack production for audiobooks distribute through Audible, Amazon and iTunes.

Back at home in New York, I pulled up a recording of Bonnie’s hit Keep Fit / Be Happy album on YouTube and felt an invisible cord of connection to the newlywed who, more than eighty years ago, lived up the street. And as I bent and stretched to the dulcet tones of her conditioning cues and the cheerful instrumental soundtrack, I felt the stresses and anxieties particular to my own twenty-first-century life, liberated as it may be, begin to lessen. I felt my shoulders relax. And I realized: Bonnie’s work, from the start, was always about finding—and then offering—a refuge from pain. At its best, the fitness movement she launched would do just that.

OvO Dimensions: A New Era of Parkour Platforming OvO Dimensions is the newest chapter in the legendary OvO game series, taking the fast-paced parkour gameplay fans love and pushing it into a multidimensional adventure from doodle-jump.co . Whether you’re new to OvO or a veteran of precision platformers, OvO Dimensions will challenge your reflexes, puzzle-solving skills, and ability to think across space and time. What is OvO Dimensions? OvO Dimensions is a 2D platformer that introduces a unique twist—dimensional switching. While classic OvO games focused on agility and timing, this installment adds depth by letting players hop between alternate dimensions to bypass obstacles, solve environmental puzzles, and uncover hidden routes. Each dimension is styled with its own visuals, music, and physics, making transitions not only a gameplay feature but a key part of the game’s identity. This multi-layered design forces players to think beyond traditional movement, creating a rewarding learning curve that constantly evolves. Core Features of OvO Dimensions Dimension Shifting: Instantly switch between two or more versions of the same level. Tight Controls: Responsive parkour mechanics like wall-jumping, sliding, and dashing remain as sharp as ever. Puzzle Platforming: Combine speed and strategy to navigate traps, moving platforms, and spatial challenges. Visual Variety: Each dimension features distinct art styles, ranging from minimalistic neon themes to rich, futuristic landscapes. Sound Design: A dynamic soundtrack that shifts with your dimensional changes, enhancing immersion and tension. How OvO Dimensions Evolves the Series The original OvO was praised for its clean mechanics and precision-based gameplay. OvO Dimensions builds on that with added complexity, smarter level design, and layered exploration. For players familiar with earlier OvO titles, you’ll immediately feel at home—but you’ll also face new mechanics that test your adaptability and logic. Where earlier games rewarded speed, OvO Dimensions rewards awareness. Sometimes the best move isn’t jumping forward—it’s switching dimensions to find an entirely different path. This new mechanic turns every level into a mental and physical puzzle. Who Should Play OvO Dimensions? If you enjoy games like Celeste, Super Meat Boy, or Geometry Dash, OvO Dimensions will fit right into your collection. It’s built for players who love tight control, fast movement, and challenging mechanics that demand both reaction and reasoning. It’s also ideal for fans of the original OvO series who want something familiar yet refreshing. The dimension-switching system is intuitive but deep, providing hours of gameplay and replayability for those chasing 100% completion. Conclusion: A Must-Play for Platformer Fans OvO Dimensions is more than just a sequel—it's a bold evolution of the OvO formula. With refined mechanics, dimensional gameplay, and visually stunning design, it offers a fresh experience in a genre that thrives on challenge and creativity. If you're ready to shift your perspective and test your limits, OvO Dimensions is the game for you. Master the jump. Master the shift. Master the dimensions.

But here's what I've learned after spending time in maybe four VIP areas in the history of my time on this planet: they make me want to die. They are not special. I am not special because I am in them. The VIP section is just an area with free snacks (maybe) and a security dude who did not see his night playing out like this. The best VIP section is always your or your friend's car with the Hamilton soundtrack playing as you eat McDonald's.

**“When you wait for others to do the important things for you, nothing truly gets done. Dreams fade, plans stall, and time slips through your fingers. I learned early on: if it matters, I do it myself. No delays, no excuses. Whatever needs to be done — I handle it, and I do it my way — the best way. Perfection isn’t found in waiting for help, it’s found in the fire of doing. I don’t delegate my destiny. I create it, step by step, track by track, move by move. That’s how I’ve built my world — through action, consistency, and trust in my own hands. Every masterpiece I’ve made, every song, every soundtrack, every release — all of it came from refusing to wait for someone else to care as much as I do. Because no one will ever fight for your dream like you will. So rise. Do it now. Do it right. Do it with all your heart.”** — Sami Abouzid

If the soundtracks you listen to are positive, your thoughts can be your best friend, propelling you on new adventures with creativity and hope. If your day is spent overthinking broken soundtracks, your thoughts can be your worst foe, holding you back from ever taking action on all the things you want in life.

By Sami Abouzid I have never been to music school. I went to the Sami Abouzid School—the best school in life. I taught myself everything I needed to know to create symphonies, compose soundtracks, and produce hits in many languages. I am the best teacher I ever had. No one in this life will ever teach you something truly powerful for your soul. The majority in this field chase money, business, and ego—no emotions, no artistic vision, no eternal goals. In music, jealousy runs deep. When you create something amazing, they don’t say, “Well done.” They look away. I’ve never met a musician who reached out with genuine happiness for me. Years ago, singers walked into my family store, heard my music, and left in shock when they learned it was mine. That’s why I have no friends in music—I am my own best friend. And I’m lucky for that. This month, on my birthday, I will reward myself by releasing 10 albums worldwide in one shot—to show every person who said, “You can’t,” that I can. I came to America with one song. Now I have 1,000 songs, 10,000 versions, and 672 soundtracks—created my way, not theirs. God bless America. Thanks to Allah, I conquered my dreams.

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