Soul Ties Quotes

There is no such thing as a "broken family." Family is family, and is not determined by marriage certificates, divorce papers, and adoption documents. Families are made in the heart. The only time family becomes null is when those ties in the heart are cut. If you cut those ties, those people are not your family. If you make those ties, those people are your family. And if you hate those ties, those people will still be your family because whatever you hate will always be with you.

A heart worth loving is one you understand, even in silence.

I closed my eyes and listened carefully for the descendants of Sputnik, even now circling the earth, gravity their only tie to the planet. Lonely metal souls in the unimpeded darkness of space, they meet, pass each other, and part, never to meet again. No words passing between them. No promises to keep.

I really believe that there is an invisible red thread tied between him and me, and that it has stretched and tangled for years — across oceans and lifetimes. I know that it won’t break because our souls are tied.

Friendships - and indeed most relationships - are measured in the closeness of hearts, minds and soul ties... not in the distance of physical miles or even the passing of time.

To exist in each other’s souls so strongly that you are bound without a physical tie is the greatest mark of love…

I was unhappy and so is every soul unhappy which is tied to its love for mortal things; when it loses them, it is torn in pieces, and it is then that it comes to realize the unhappiness which was there even before it lost them.

Never presume to know a person based on the one dimensional window of the internet. A soul can’t be defined by critics, enemies or broken ties with family or friends. Neither can it be explained by posts or blogs that lack facial expressions, tone or insight into the person’s personality and intent. Until people “get that”, we will forever be a society that thinks Beautiful Mind was a spy movie and every stranger is really a friend on Facebook.

Our souls were tied a long time ago, I think. We’re just finally admitting it to each other.

The late hour is such a friend; it has been for so many years. There is not a soul around as I carry Riley downstairs and dump him in my trunk. It is good, for I am not in the mood to kill again, and murder, for me, is very much tied to my mood, like making love. Even when it is necessary.

I keep my kindness in my eyes Gently folded around my iris Like a velvety, brown blanket That warms my vision I keep my shyness in my hair Tucked away into a ponytail Looking for a chance to escape On a few loose strands in the air I keep my anger on my lips Just waiting to unleash into the world But trust me; it’s never in my heart It evaporates into words I keep my dignity upon my chin Like a torch held up high For those who have betrayed me Radiating a silent, strong message I keep my gratitude in my smile A glistening waterfall in the sun Gently splashing at that person Who made me happy for some reason I keep my sensitivity in my hands Reaching out for your wet cheek Holding you, with all the love The love I want to share, and feel I keep my passion in my writing My words breathing like fire Screeching against an endless road As I continue to be inspired I keep my simplicity in my soul Spread over me like a clear sky Reflecting all that I am And all that’s ever passed me by And I hope you will look Beyond my ordinary face My simple, tied hair My ordinary tastes And I hope you will see me From everyone...apart As I keep my beauty in my heart.

She’s everything. My past. My present. My future. My twin flame— the one who shares the path of my soul.

I was actually permitting myself to experience a sickening sense of disappointment: but rallying my wits, and recollecting my principles, I at once called my sensations to order; and it was wonderful how I got over the temporary blunder--how I cleared up the mistake of supposing Mr. Rochester's movements a matter in which I had any cause to take vital interest. Not that I humbled myself by a slavish notion of inferiority: on the contrary, I just said-- "You have nothing to do with the master of Thornfield further than to receive the salary he gives you for teaching his protegee and to be grateful for such respectful and kind treatment as, if you do your duty, you have a right to expect at his hands. Be sure that is the only tie he seriously acknowledges between you and him, so don't make him the object of your fine feelings, your raptures, agonies, and so forth. He is not of your order: keep to your caste; and be too self-respecting to lavish the love of the whole heart, soul, and strength, where such a gift is not wanted and would be despised.

It's all tied up with what's inside you. Head and heart, mind and soul. Who you are and what you want-that's what fuels it. That's what shapes it.

Hope is a dream of which we long to have. Don't let anyone ever tell you that you can't hope for something because hope brings joy and joy brings happiness and its all tied up in a big ball of love.

There was a strange but addictive magic to sex. It tied a thin string from his soul to mine with every joining, and I wondered how many times it would take before we were inseparable.

I need not describe the feelings of those whose dearest ties are rent by that most irreparable evil, the void that presents itself to the soul, and the despair that is exhibited on the countenance. It is so long before the mind can persuade itself that she whom we saw every day and whose very existence appeared a part of our own can have departed forever—that the brightness of a beloved eye can have been extinguished and the sound of a voice so familiar and dear to the ear can be hushed, never more to be heard. These are the reflections of the first days; but when the lapse of time proves the reality of the evil, then the actual bitterness of grief commences. Yet from whom has not that rude hand rent away some dear connection? And why should I describe a sorrow which all have felt, and must feel? The time at length arrives when grief is rather an indulgence than a necessity; and the smile that plays upon the lips, although it may be deemed a sacrilege, is not banished. My mother was dead, but we had still duties which we ought to perform; we must continue our course with the rest and learn to think ourselves fortunate whilst one remains whom the spoiler has not seized.

Art is the conversation between lovers. Art offers an opening for the heart. True art makes the divine silence in the soul Break into applause. Art is, at last, the knowledge of Where we are standing – Where we are standing In this Wonderland When we rip off all our clothes And this blind man's patch, veil, That got tied across our brow. Art is the conversation between lovers. True art awakes the Extraordinary Ovation.

souls connect & souls tie. intertwine humbly and with care.

Because you will love him as you love no one else, I tied your magic to your feelings for him. Even so, only you will have the ability to draw it into the open.

The summer I met Lilith Bresson, I had begun to die. Not physically, you understand. I had never been that lucky. But each day a little more of my soul disappeared.

No one's place in this world is guaranteed. Not everyone is going to get a happy ending. But life isn't about how it ends. It's about the moments between. It's about the small things. The way our loved ones laugh. The sight of a butterfly in the sunlight after a year or two in the darkness. The love and support of an old friend. They might not be with us in body, but they are with us in spirit. The feeling of something we'd thought lost to us forever returned in a single, life-changing moment. Yes, that is simple, even though it might be momentous to us as individuals. Because every day, on this planet, people are born and people die and stranger things happen. But I know my place now, and my purpose. And no matter what trial you have to endure to find that out... It's worth it.

Our soul ties were beyond toxic.” ~Love is respect ♥~

Time heals everything, that’s what everyone says. Wounds heal and leave only scars behind. But some wounds run too deep to heal, and pierce the deepest layers of one’s soul. They stay there unhealed and ready to ooze blood at the first sign of grief.

Soul ties. The thing that can make you hear an old-school slow jam and think of somebody you haven’t seen in years. Soul ties. The thing that makes old people who’ve been together for years finish each other’s sentences. Don’t you wish mama had told you when you were young that, when you lie with someone, you lie not just with her body but also with her soul? And whatever condition the other person’s soul is in, you are guaranteed to take a piece with you—whether you want to or not. Instead of being amazed at her booty, you should have focused on her mind.

The girls gave their hearts into their mother’s keeping—their souls into their father’s; and to both parents, who lived and labored so faithfully for them, they gave a love that grew with their growth, and bound them tenderly together by the sweetest tie which blesses life and outlives death.

And I breathe large at home. I drop my cloak, Unclasp my girdle, loose the band that ties My hair...now could I but unloose my soul! We are sepulchred alive in this close world, And want more room.

That illusion of a world so shaped that it echoes every groan, of human beings so tied together by common needs and fears that a twitch at one wrist jerks another, where however strange your experience other people have had it too, where however far you travel in your own mind someone has been there before you - - is all an illusion. We do not know our own souls, let alone the souls of others. Human beings do not go hand in hand the whole stretch of the way. There is a virgin forest in each; a snowfield where even the print of birds' feet is unknown. Here we go alone, and like it better so. Always to have sympathy, always to be accompanied, always to be understood would be intolerable.

The Sewing Machine Charm To A Life Bound by Family, The Thread That Ties Us All Together

In a way, my definition of home has shifted. My soul no longer feels anchored to a piece of land or a body of water. It's now tied to all the people I love, across the Zodiac.

I wanted to be responsible for igniting a feeling in a soul just as lonely and broken as my own.

The woman has great power. Se can tie knots in your chest that only God's breathing loosens. Don't take her appeal lightly.

I want to understand the strings that are tied between me and certain other people and if they really can stretch through infinite time and space without ever breaking. Are soul mates real, and is my life ever going to make sense?

I’ve turned waiting into a form of art. Tied twisted lines around my broken heart. To keep me hanging on for one more day. I’ve painted on a crooked smile. Hung the tears to dry awhile. Because I knew that you’d come back to stay. But my … arms are empty. And my … heart’s in pieces. And my … soul is twisting. And my … throat is aching. Because I’ve finally woken up to find: That I’ve been Left Behind. The

The more of the broken pieces of her that are given to my unwilling and undeserving soul, the more that I find myself turning towards her and falling under her siren’s call

The girl who tied his guts into physical knots. His Achilles heel. If Paige was the magnet, then Reaper was the metal. There was no circumstance he could ever think of that would sway him from being drawn to her.

No one's place in this world is guaranteed. Not everyone is going to get a happy ending. But life isn't about how it ends. It's about the moments between. It's about the small things. The way our loved ones laugh. The sight of a butterfly in the sunlight after a year or two in the darkness. The love and support of an old friend. They might not be with us in body, but they are with us in spirit. ... Because every day, on this planet, people are born and people die and stranger things happen.(Armintrout, All Souls' Night, 367)

Of all my old associations, of all my old pursuits and hopes, of all the living and the dead world, this one poor soul alone comes natural to me, and I am fit for.  There is a tie of many suffering years between us two, and it is the only tie I ever had on earth that Chancery has not broken!

In my opinion, the definition of soul ties is darkness in a dreadful and fearful place. Someone that is unhealthy for you, however, feeds you fear, because they know you will believe it.” ~Love is respect ♥~

I will not let a political party tell me how to live, when to die or what to believe in. Our souls are linked to the universe, but we can never see heaven, because our flesh ties us to the earth and the people around us. But when the people around you have lost their will to be free, then earth becomes a hell.

She wants your secrets. She wants your soul. You've got to crack yourself open and find that broken, shameful piece of your heart that you'd hide from the world and God Himself if you could manage it. And then serve it up to her on a platter.

But feel what happens in the soul when you imagine children saying to their parents, "What you gave me, first of all, wasn't the right thing, and secondly, it wasn't enough. You still owe me." What do children have from their parents when they feel that way? Nothing. And what do the parents have from their children? Also nothing. Such children cannot separate from their parents. Their accusations and demands tie them to their parents so that, although they are bound to their parents, the children have no parents. They then feel empty, needy and weak. This is the second Order of Love, that children take what their parents give in addition to life as it comes.

Some ties were hard to break, harder to severe, devastating to forget.

The people we love fall into two distinct camps, it seems to me. First, those whom we are obliged to care for, connected to us through ties of blood and, occasionally, other people’s marriages. Then there are those few souls who suit us so perfectly that we cannot help but love them. Those whose very presence seems to lift our spirits, soothe our ruffled feathers, tilt the disturbed world so that its axis is true again.

It can hardly be a coincidence that no language on Earth has ever produced the expression "as pretty as an airport". Airports are ugly. Some are very ugly. Some attain a degree of ugliness that can only be the result of a special effort. This ugliness arises because airports are full of people who are tired, cross, and have just discovered that their luggage has landed in Murmansk (...) and the architects have on the whole tried to reflect this in their designs. They have sought to highlight the tiredness and crossness motif with brutal shapes and nerve jangling colours, to make effortless the business of separating the traveller from his or her luggage or loved ones, to confuse the traveller with arrows that appear to point at the windows, distant tie racks, or the current position of the Ursa Minor in the night sky, and wherever possible to expose the plumbing on the grounds that it is functional, and conceal the location of the departure gates, presumably on the grounds that they are not".

You have soul ties with the people you sleep with and even when you are no longer in bed with them, they remain in your head. Your thoughts are consumed by their absence in your life. We feel disconnected from something when we give away our most prized bodily asset to a person that can’t even spell our last name correctly

A more common explanation for the feeling of being Old in Soul is tied up in Buddhist and Hindu ideas of reincarnation, or metempsychosis. Interestingly, this is most likely where the origin of the phrase “Old Soul” came from in the first place.

and what the picture is in reality is this spirit, that’s what a picture really is, neither matter nor soul but both parts at the same time and together they make up what I think of as spirit, and maybe that’s why my good paintings, yes, all good paintings, have something to do with what I, what Christians, call The Holy Spirit, because all good art has this spirit, good pictures, good poems, good music, and what makes it good is not the material, not matter, and it’s not the content, the idea, the thought, no, what makes it good is just this unity of matter and form and soul that becomes spirit, that’s what culture is, probably, he says, it’s probably just one person being like another person that creates a culture, for example wearing a suit and tie, while what art is, yes, art is everyone just being like themselves, and totally themselves

Now you understand. Your tie to this world had nothing to do with the vengeance, or anger, or justice. It is not revenge that keeps you here, but longing. Love." He shook his head. "The most dangerous of human emotions.

After you walked into my life, I was living and walking in fear every single day. You hypnotized me, and once upon a time, you were my favorite sin. I was exposed to evil in the worst way ever, but I know whether I survive in this coma or not, I have released any blocks, roots, soul ties, and attachments that once held me down.” ~Love is respect ♥~

[E]scaping is its own special brand of pain, and tied to you always are the strings of the souls who didn't save themselves. ~ "The Worst You Ever Feel

I need not describe the feelings of those whose dearest ties are rent by that most irreparable evil, the void that presents itself to the soul, and the despair that is exhibited on the countenance. It is so long before the mind can persuade itself that she whom we saw everyday and whose very existence appeared a part of our own can have departed forever - that the brightness of a beloved eye can have been extinguished and the sound of a voice so familiar and dear to the ear can be hushed, never more to be heard. (...) The time at length arrives when grief is rather an indulgence than a necessity; and the smile that plays upon the lips, although it may be deemed a sacrilege, is not banished.

My father also told me that people had always suffered from being tied to the ground, from not being able to detach themselves from it. But they had dreamed of leaving it, and so they had invented the garden of paradise, which had in it everything they yearned for but lacked in their lives, and they had dreamed up creatures similar to themselves but equipped with wings. But what in the past had only been dreamed of was now beginning to materialize, my father said, pointing to the sky. Angels did not exist, but people could now fly. There was no paradise for human souls to dwell in, but one day I would understand that it was more important for people to live well and happily here on earth.

And when Siddhartha was listening attentively to this river, this song of a thousand voices, when he neither listened to the suffering nor the laughter, when he did not tie his soul to any particular voice and submerged his self into it, but when he heard them all, perceived the whole, the oneness, then the great song of the thousand voices consisted of a single word, which was Om: the perfection.

[Jesus] stands between us and God, and for that very reason he stands between us and all other men and things. He is the Mediator, not only between God and man, but between man and man, between man and reality. Since the whole world was created through him and unto him (John 1:3; 1st Cor. 8:6; Heb. 1:2), he is the sole Mediator in the world... The call of Jesus teaches us that our relation to the world has been built on an illusion. All the time we thought we had enjoyed a direct relation with men and things. This is what had hindered us from faith and obedience. Now we learn that in the most intimate relationships of life, in our kinship with father and mother, bothers and sisters, in married love, and in our duty to the community, direct relationships are impossible. Since the coming of Christ, his followers have no more immediate realities of their own, not in their family relationships nor in the ties with their nation nor in the relationships formed in the process of living. Between father and son, husband and wife, the individual and the nation, stands Christ the Mediator, whether they are able to recognize him or not. We cannot establish direct contact outside ourselves except through him, through his word, and through our following of him. To think otherwise is to deceive ourselves. But since we are bound to abhor any deception which hides the truth from our sight, we must of necessity repudiate any direct relationship with the things of this world--and that for the sake of Christ. Wherever a group, be it large or small, prevents us from standing alone before Christ, wherever such a group raises a claim of immediacy it must be hated for the sake of Christ. For every immediacy, whether we realize it or not, means hatred of Christ, and this is especially true where such relationships claim the sanctions of Christian principles.,, There is no way from one person to another. However loving and sympathetic we try to be, however sound our psychology, however frank and open our behavior, we cannot penetrate the incognito of the other man, for there are no direct relationships, not even between soul and soul. Christ stands between us, and we can only get into touch with our neighbors through him. That is why intercession is the most promising way to reach our neighbors, and corporate prayer, offered in the name of Christ, the purest form of fellowship.

There is something quite amazing and monstrous about the education of upper-class women. What could be more paradoxical? All the world is agreed that they are to be brought up as ignorant as possible of erotic matters, and that one has to imbue their souls with a profound sense of shame in such matters until the merest suggestion of such things triggers the most extreme impatience and flight. The "honor" of women really comes into play only here: what else would one not forgive them? But here they are supposed to remain ignorant even in their hearts: they are supposed to have neither eyes nor ears, nor words, nor thoughts for this -- their "evil;" and mere knowledge is considered evil. And then to be hurled as by a gruesome lightning bolt, into reality and knowledge, by marriage -- precisely by the man they love and esteem most! To catch love and shame in a contradiction and to be forced to experience at the same time delight, surrender, duty, pity, terror, and who knows what else, in the face of the unexpected neighborliness of god and beast! Thus a psychic knot has been tied that may have no equal. Even the compassionate curiosity of the wisest student of humanity is inadequate for guessing how this or that woman manages to accommodate herself to this solution of the riddle, and to the riddle of a solution, and what dreadful, far-reaching suspicions must stir in her poor, unhinged soul -- and how the ultimate philosophy and skepsis of woman casts anchor at this point! Afterward, the same deep silence as before. Often a silence directed at herself, too. She closes her eyes to herself. Young women try hard to appear superficial and thoughtless. The most refined simulate a kind of impertinence. Women easily experience their husbands as a question mark concerning their honor, and their children as an apology or atonement. They need children and wish for them in a way that is altogether different from that in which a man may wish for children. In sum, one cannot be too kind about women.

Siddhartha listened. He was now nothing but a listener, completely concentrated on listening, completely empty, he felt, that he had now finished learning to listen. Often before, he had heard all this, these many voices in the river, today it sounded new. Already, he could no longer tell the many voices apart, not the happy ones from the weeping ones, not the ones of children from those of men, they all belonged together, the lamentation of yearning and the laughter of the knowledgeable one, the scream of rage and the moaning of the dying ones, everything was one, everything was intertwined and connected, entangled a thousand times. And everything together, all voices, all goals, all yearning, all suffering, all pleasure, all that was good and evil, all of this together was the world. All of it together was the flow of events, was the music of life. And when Siddhartha was listening attentively to this river, this song of a thousand voices, when he neither listened to the suffering nor the laughter, when he did not tie his soul to any particular voice and submerged his self into it, but when he heard them all, perceived the whole, the oneness, then the great song of the thousand voices consisted of a single word, which was Om: the perfection.

All that has to do with life is repugnant to me; everything that draws me to it horrifies me. I should like never to have been born, or to die. I have within me, deep within me, a distaste which keeps me from enjoying anything and which fills my soul to the point of suffocating it. It reappears in relation to everything, like the bloated bodies of dogs which come back to the surface of the water despite the stones that have been tied to their necks to drown them.

One of my constant preoccupations is trying to understand how it is that other people exist, how it is that there are souls other than mine and consciousnesses not my own, which, because it is a consciousness, seems to me unique. I understand perfectly that the man before me uttering words similar to mine and making the same gestures I make, or could make, is in some way my fellow creature. However, I feel just the same about the people in illustrations I dream up, about the characters I see in novels or the dramatis personae on the stage who speak through the actors representing them. I suppose no one truly admits the existence of another person. One might concede that the other person is alive and feels and thinks like oneself, but there will always be an element of difference, a perceptible discrepancy, that one cannot quite put one's finger on. There are figures from times past, fantasy-images in books that seem more real to us than these specimens of indifference-made-flesh who speak to us across the counters of bars, or catch our eye in trams, or brush past us in the empty randomness of the streets. The others are just part of the landscape for us, usually the invisible landscape of the familiar. I feel closer ties and more intimate bonds with certain characters in books, with certain images I've seen in engravings, that with many supposedly real people, with that metaphysical absurdity known as 'flesh and blood'. In fact 'flesh and blood' describes them very well: they resemble cuts of meat laid on the butcher's marble slab, dead creatures bleeding as though still alive, the sirloin steaks and cutlets of Fate. I'm not ashamed to feel this way because I know it's how everyone feels. The lack of respect between men, the indifference that allows them to kill others without compunction (as murderers do) or without thinking (as soldiers do), comes from the fact that no one pays due attention to the apparently abstruse idea that other people have souls too.

The love she felt for Rider never quit. He was handsome and then some. The kind of sexy that tied her belly in knots just having his blue eyes rake over her. It banked a fire from within and spread out with just one of his signature smiles. The kind that was part smug-bastard and charming Romeo.

Cut the toxic ties that force you to mask your true feelings. - Gowri Bhargav

don’t tap out. My gift never taps out. The souls I take just give me more power.

Relationship ties heart of two souls eager to fly freely soaring to sky feats in full-fledged wings unrestrained passions to a realm in which both remain invisible.

I AM ROWING (a hex poem) i have cursed your forehead, your belly, your life i have cursed the streets your steps plod through the things your hands touch i have cursed the inside of your dreams i have placed a puddle in your eye so that you cant see anymore an insect in your ear so that you cant hear anymore a sponge in your brain so that you cant understand anymore i have frozen you in the soul of your body iced you in the depths of your life the air you breathe suffocates you the air you breathe has the air of a cellar is an air that has already been exhaled been puffed out by hyenas the dung of this air is something no one can breathe your skin is damp all over your skin sweats out waters of great fear your armpits reak far and wide of the crypt animals drop dead as you pass dogs howl at night their heads raised toward your house you cant run away you cant muster the strength of an ant to the tip of your feet your fatigue makes a lead stump in your body your fatigue is a long caravan your fatigue stretches out to the country of nan your fatigue is inexpressible your mouth bites you your nails scratch you no longer yours, your wife no longer yours, your brother the sole of his foot bitten by an angry snake someone has slobbered on your descendents someone has drooled in the mouth of your laughing little girl someone has walked by slobbering all over the face of your domain the world moves away from you i am rowing i am rowing i am rowing against your life i am rowing i split into countless rowers to row more strongly against you you fall into blurriness you are out of breath you get tired before the slightest effort i row i row i row you go off drunk tied to the tail of a mule drunkenness like a huge umbrella that darkens the sky and assembles the flies dizzy drunkenness of the semicircular canals unnoticed beginnings of hemiplegia drunkeness no longer leaves you lays you out to the left lays you out to the right lays you out on the stony ground of the path i row i row i am rowing against your days you enter the house of suffering i row i row on a black blinfold your life is unfolding on the great white eye of a one eyed horse your future is unrolling I AM ROWING

She died calmly; and her countenance expressed affection even in death. I need not describe the feelings of those who dearest ties are rent by that most irreparable evil, the void that presents itself to the soul, and the despair that is exhibited on the countenance. It is so long before the mind can persuade itself that she, whom we saw every day, and whose very existence appeared a part of our own, can have departed for ever - that the brightness of a beloved eye can have been extinguished, and the sound of a voice so familiar, and dear to the ear can be hushed, never more to be heard. These are the reflections of the first days; but when the lapse of time proves the reality of the evil then the actual bitterness of grief commences. Yet from whom has not that rude hand rent away some dear connexion; and why should I describe a sorrow which all have felt, and must feel? The time at length arrives when grief is rather an indulgence than a necessity; and the smile that plays upon the lips, although it may be deemed sacrilege, is not banished. My mother was dead, but we had still duties which we ought to preform; we must continue our course with the rest, and learn to think ourselves fortunate, whilst one remains whom the spoiler has not seized.

I know how it wears on a soul. How it eats little pieces of your heart at unexpected times. How you can go whole weeks happily occupied, feeling no melancholy or deprivation, and then the smallest thing . . . Someone opens a letter, perhaps. Or stitches up a ripped garment that belongs to someone else. And it makes you realize how . . . adrift you are. Not tied to anyone.

My blood, sweat and tears My last dance Take it away My blood, sweat and tears My cold breath Take it away My blood, sweat and tears Even my blood, sweat and tears Even my body, heart and soul I know that it’s all yours This is a spell that’ll punish me Peaches and cream Sweeter than sweet Chocolate cheeks And chocolate wings But your wings are wings of the devil In front of your sweet is bitter bitter Kiss me, I don’t care if it hurts, Hurry and choke me So I can’t hurt any more Baby, I don’t care if I get drunk, I’ll drink you in now Your whiskey, deep into my throat My blood, sweat and tears My last dance Take it away My blood, sweat and tears My cold breath Take it away I want you a lot, a lot, a lot I want you a lot, a lot, a lot I want you a lot, a lot, a lot I want you a lot, a lot, a lot I don’t care if it hurts, tie me up So I can’t run away Grab me tightly and shake me So I can’t snap out of it Kiss me on the lips lips, Our own little secret I wanna be addicted to your prison So I can’t serve anyone that’s not you Even though I know, I drink the poisonous Holy Grail My blood, sweat and tears My last dance Take it away My blood, sweat and tears My cold breath Take it away I want you a lot, a lot, a lot I want you a lot, a lot, a lot I want you a lot, a lot, a lot I want you a lot, a lot, a lot Kill me softly Close my eyes with your touch I can’t even reject you anyway I can’t run away anymore You’re too sweet, too sweet Because you’re too sweet My blood, sweat and tears My blood, sweat and tears

What I did… running away from your Bonded, the people fated to be with you, that isn’t something that happens a lot. Or ever, really. Running away from the people that complete your soul, only a fucking crazy person would do that. I am that crazy person.

What I want is to tie you up and blindfold you and make you learn my touch, so you can't come with anyone else touching you, can't sleep in the dark without remembering my hand on you." Javier's voice drops even further, hushed, secret, only between them. "What I want is to ruin you for anyone else, shape you into something only my hands can hold.

No, you don’t remember, and sometimes it’s best that way. Sometimes it’s best to start fresh. Every day, fresh. Living always in the present, unburdened by the pain of the past. Most of us drag around our misdeeds like giant dead birds tied to our necks; we condemn ourselves to telling every stranger we meet the story of our anguish and inadequacies, hoping that one day we will be forgiven, hoping that we will find a person who will look at us and pretend to ignore the ridiculous dead birds hanging from our sunburned and weather-beaten necks. And if we find that person, and if we don’t hate him for not hating us, if we don’t hold him in contempt for not treating us contemptuously, as we expect to be treated—nay, as we demand to be treated—well, that person will be something of a soul mate, I imagine.

In so much firm, pleasure-loving flesh, we cannot find the merest trace of a moral nervous system. That explains the whole enigma of Casanova's subtle genius. Lucky man that he is, he has only sensuality, and lacks the first beginnings of a soul. Bound by no ties, having no fixed aim, restrained by no prudent considerations, he can move at a different tempo from his fellow mortals, who are burdened with moral scruples, who aim at an ethical goal, who are tied by notions of social responsibility. That is the secret of his unique impetus, of his incomparable energy.

Has it never occurred to you that that miserable clown may have a soul–a living, struggling human soul, tied down into that crooked hulk of a body and forced to slave for it? You that are so tender-hearted to everything–you that pity the body in its fool’s dress and bells–have you never thought of the wretched soul that has not even motley to cover its horrible nakedness? Think of it shivering with cold, stilled with shame and misery, before all those people–feeling their jeers that cut like a whip–their laughter, that burns like red-hot iron on the bare flesh! Think of it looking round–so helpless before them all–for the mountains that will not fall on it–for the rocks that have not the heart to cover it–envying the rats that can creep into some hole in the earth and hide; and remember that a soul is dumb–it has no voice to cry out–it must endure, and endure, and endure.

This is my brother we’re talking about, Maximus.” “You’ll take his part before mine?” Oh, he knew it was a mistake even before the words left his lips. Her shoulders squared. “If I must. We shared a womb. We’re flesh and blood, tied together forever, both physically and spiritually. I love my brother.” “As you don’t me?” She stopped, her chemise in her hands before her. For a moment her shoulders slumped and then she raised her head. His goddess. His Diana. “When you’ve tired of me,” she said softly, precisely, “Apollo will still be my brother. Will still be there for me.” “I’ll never tire of you,” he said, knowing with every thread of his soul that he spoke the absolute truth.

Raw emotions and the need to hold him close overwhelmed me. Every part of ached for him-my mind, my soul and my body. Without hesitation, i closed the gap between us and pressed my lips eagerly to his. Noah's hands were everywhere, my hair, my face, my back, and for the love of all things holy, my breasts. My hands roamed his glorious body just as greedily. After drugging me with delicious kisses for not nearly long enough, his warm lips skimmed my throat and kissed down the center of my breasts, causing me to arch my back and lose my ever loving mind. Without meaning to, i moaned and whispered his name when his hands wandered to my thighs and set my world and blood on fire. Noah eased me back into the bed and my hair sprawled all around me. "I love how you smell," he whispered as he suckled my earlobe. "I love how beautiful you are." I reclaimed his lips and hooked a leg around his as we moved in rhythm with each other. In between frantic kisses, i whispered the words, "I love you". Because i did. Noah listened to me. He made me laugh and he made me feel special. He was strong and warm and caring and...everything. I loved him. I loved him more than i'd ever loved another person in my life. Every muscle in my body froze when Noah stopped kissing and stare down at me with wide eyes. He caressed my cheek twice over and tilted his head. "Make love to me, Echo. I've never made love." No way. Noah's experienced reputation walked down the hallway before he did. "But..." Noah cut me off with a kiss. "Yes, but never love. Just girls who didn't mean anything" You..." His tongue teased my bottom lip, thawing my body. "Are everything. I got tested over winter break and i'm clean and i've got protection." He reached to the side of the bed and magically produced a small orange square. I froze again. Sensing my hesitation, Noah kissed my lips slowly while stroking my cheek. "And since break?" I asked. "There's been no one," he whispered against my lips. "I met you soon after and i could never think of touching anyone else." I loved him and we were together. I entwined my fingers in his hair and pulled his head back to mine, but the second his hand touched the waist of my jeans, my heart shook and my hands snapped out to stop him. "Please. Wait. Noah..." Oh, God, i was actually going to say it. "I'm a virgin." Now Noah froze. "But you were with Luke." A faint smile grew on my lips. I was typically the tongue-tied one and found it amusing to see him confused for once. "That's why we broke up. I wasn't ready." He shifted his body off of mine and tuckled me close against his warmth. I laid my head on his chest and listened to the comforting sound of his beating heart. Noah ran his hand through my hair. "I'm glad you told me. This needs to be right for you and i'll wait, for as long as you need.

Life has an uncanny way of tying up a host of loose ends. Not in the neat, all-creases-matching, hospital corner-to-corner kind of way, but in a cloudy, murky, uncertain mish-mash collection of what ifs, could haves, and a bus load of should haves kind of way. But what happens when all the magnificent stars in the heavens and all the resolute planets in the galaxy agree to simultaneously align? What happens when the glorious birds of prey in the sky and the steadfast worker ants of the ground all decide to ally? And more intriguingly, what happens when the settling of old hurts and scores becomes so alluring, so certain, with the whispered promise of everlasting, as to lure with it a collection of hardly surviving, barely functioning, scattered, and damaged souls together once again? As one door finally seemed to close tightly shut, two others flung wide open, and the darkness of life’s most protected secrets and haunts invited the crippling unknown to bask once again in the glaring, naked light.

Wild eyes were another sign. It is something I have seldom seen — the expression of an ecstatic state — though much is foolishly written of them, as if they grew like Jerusalem artichokes along the road. The eyes are black, right enough, whatever their normal color is; they are black because their perception is condensed to a coal, because the touch and taste and perfume of the lover, the outcry of a dirty word, a welcome river, have been reduced in the heat of passion to a black ash, and this unburnt residue of oxidation, this calyx, replaces the pupil so it no longer receives but sends, and every hair is on end, though perhaps only outspread on a pillow, and the nostrils are flared, mouth agape, cheeks sucked so the whole face seems as squeezed as a juiced fruit; I know, for once Lou went into that wildness while we were absorbing one another, trying to kiss, not merely forcefully, not the skull of our skeleton, but the skull and all the bones on which the essential self is hung, kiss so the shape of the soul is stirred too, that's what is called the ultimate French, the furtherest fuck, when a cock makes a concept cry out and climax; I know, for more than once, though not often, I shuddered into that other region, when a mouth drew me through its generosity into the realm of unravel, and every sensation lay extended as a lake, every tie was loosed, and the glue of things dissolved. I knew I wore the wild look then. The greatest gift you can give another human being is to let them warm you till, in passing beyond pleasure, your defenses fall, your ego surrenders, its structure melts, its towers topple, lies, fancies, vanities, blow away in no wind, and you return, not to the clay you came from — the unfired vessel — but to the original moment of inspiration, when you were the unabbreviated breath of God.

It was better to die like a man; to die like a sailor in blue water no man can object. But I am captain, and must not leave my ship. But I shall baffle this fiend or monster, for I shall tie my hands to the wheel when my strength begins to fail, and along with them I will tie that which He- It!- dare not touch; and then, come good wind or foul, I shall save my soul, and my honour as captain.

The Silken Tent She is as in a field a silken tent At midday when the sunny summer breeze Has dried the dew and all its ropes relent, So that in guys it gently sways at ease, And its supporting central cedar pole, That is its pinnacle to heavenward And signifies the sureness of the soul, Seems to owe naught to any single cord, But strictly held by none, is loosely bound By countless silken ties of love and thought To every thing on earth the compass round, And only by one's going slightly taut In the capriciousness of summer air Is of the slightest bondage made aware.

To Marry One's Soul Being true to who we are means carrying our spirit like a candle in the center of our darkness. If we are to live without silencing or numbing essential parts of who we are, a vow must be invoked and upheld within oneself. The same commitments we pronounce when embarking on a marriage can be understood internally as a devotion to the care of one's soul: to have and to hold … for better or for worse … in sickness and in health … to love and to cherish, till death do us part. This means staying committed to your inner path. This means not separating from yourself when things get tough or confusing. This means accepting and embracing your faults and limitations. It means loving yourself no matter how others see you. It means cherishing the unchangeable radiance that lives within you, no matter the cuts and bruises along the way. It means binding your life with a solemn pledge to the truth of your soul. It is interesting that the nautical definition of marry is “to join two ropes end to end by interweaving their strands.” To marry one's soul suggests that we interweave the life of our spirit with the life of our psychology; the life of our heart with the life of our mind; the life of our faith and truth with the life of our doubt and anxiety. And just as two ropes that are married create a tie that is twice as strong, when we marry our humanness to our spirit, we create a life that is doubly strong in the world.

We are all tied to a lineage of love that has existed since time immemorial. Even if we haven't had a direct experience of that love, we know that it exists and has made an indelible imprint on our souls. It's remarkable to think that the entire span of human life exists within each one of us, going all the way back to the hands of the Creator. In our bodies we carry the blood of our ancestors and the seeds of the future generations. We are a living conduit to all life. When we contemplate the vastness of the interwoven network that we are tied to, our individual threads of life seem far less fragile. We are strengthened by who we come from and inspired by the those who will follow. ~ Sacred Instructions; Indigenous Wisdom for Living Spirit-Based Change.

No one’s place in this world is guaranteed. Not everyone is going to get a happy ending. But life isn’t about how it ends. It’s about the moments between. It’s about the small things. The way our loved ones laugh. The sight of a butterfly in the sunlight after a year or two in the darkness. The love and support of an old friend. They might not be with us in body, but they are with us in spirit. The feeling of something we’d thought lost to us forever returned in a single, life-changing moment. Yes, that is simple, even though it might be momentous to us as individuals. Because every day, on this planet, people are born and people die and stranger things happen. But I know my place now, and my purpose. And no matter what trial you have to endure to find that out… It's worth it.

There is something very strange and unaccountable about a tow-line. You roll it up with as much patience and care as you would take to fold up a new pair of trousers, and five minutes afterwards, when you pick it up, it is one ghastly, soul-revolting tangle. I do not wish to be insulting, but I firmly believe that if you took an average tow-line, and stretched it out straight across the middle of a field, and then turned your back on it for thirty seconds, that, when you looked round again, you would find that it had got itself altogether in a heap in the middle of the field, and had twisted itself up, and tied itself into knots, and lost its two ends, and become all loops; and it would take you a good half-hour, sitting down there on the grass and swearing all the while, to disentangle it again. That is my opinion of tow-lines in general. Of course, there may be honourable exceptions; I do not say that there are not. There may be tow-lines that are a credit to their profession—conscientious, respectable tow-lines—tow-lines that do not imagine they are crochet-work, and try to knit themselves up into antimacassars the instant they are left to themselves. I say there may be such tow-lines; I sincerely hope there are. But I have not met with them.

I cannot explain how two souls join. No man or element or god ever could. But you are tied to each other. Because of that—because of your true, consuming, pure love—you will thrive together . . . or you will perish together. “I don’t understand.” I swallowed, trying to make sense of it all. If he hadn’t heard your voice, he’d be fine. But once he aged, however many years from now that might come, you would have found yourself deteriorating then. Or if you had disobeyed Me so fully that I had to kill you, he’d have died in the same breath. You are tied through your souls. Now, what happens to one body happens to the other. And since your voice has taken hold of him, killing him slowly, you fall down with him. Slower, of course, as you are still Mine. But it will consume you eventually, all the same.

This she? no, this is Diomed's Cressida: If beauty have a soul, this is not she; If souls guide vows, if vows be sanctimonies, If sanctimony be the gods' delight, If there be rule in unity itself, This is not she. O madness of discourse, That cause sets up with and against itself! Bi-fold authority! where reason can revolt Without perdition, and loss assume all reason Without revolt: this is, and is not, Cressid. Within my soul there doth conduce a fight Of this strange nature that a thing inseparate Divides more wider than the sky and earth, And yet the spacious breadth of this division Admits no orifex for a point as subtle As Ariachne's broken woof to enter. Instance, O instance! strong as Pluto's gates; Cressid is mine, tied with the bonds of heaven: Instance, O instance! strong as heaven itself; The bonds of heaven are slipp'd, dissolved, and loosed; And with another knot, five-finger-tied, The fractions of her faith, orts of her love, The fragments, scraps, the bits and greasy relics Of her o'er-eaten faith, are bound to Diomed.

I sense that the thing I am seeking is higher than love and higher than the joy of life and higher than science and glory and higher even than starts. Don’t keep my wings tied in Your embrace. You are only a shadow and only a smile in the great journey of my soul. Your eyes are the two clear springs where my thoughts came to drink and rest for a moment. And between Your breasts hides the soft pillow where I slept for a moment in order to waken again. Don’t hold me bound. The enigma is not hidden in Your Lions nor in Your enormous eyes. And Your arms are small and weak and do not embrace my entire soul. There is a magnet above the stars that pulls me. And my entire body shudders, magnetized by the Great Nostalgia and the Great Longing. Someone is pulling at me from the stars. Do not hold me bound. The thing I am seeking is higher than love and higher than the joy of life.

I turned faceup on the slab of stone, gazed at the sky, and thought about all the man-made satellites spinning around the earth. The horizon was still etched in a faint glow, and stars began to blink on in the deep, wine-colored sky. I gazed among them for the light of a satellite, but it was still too bright out to spot one with the naked eye. The sprinkling of the stars looked nailed to the spot, unmoving. I closed my eyes and listened carefully for the descendants of Sputnik, even now circling the earth, gravity their only tie to the planet. Lonely metal souls in the unimpeded darkness of space, they meet, pass each other, and part, never to meet again. No words passing between them. No promises to keep.

No, he said softly. "They love each other. They know what the other likes, they know what the other needs to feed whatever is hungry in their soul and they give it to them. At least Penny does but Evan does too with only a minimal of bitching." I put my hands on his chest and asked :"What's your drug of choice ?" "I've no idea", he answered. "It's not up to me to figure it out. But whoever I decide to share my life with needs to be a woman who ties herself in knots to give it to me. But only because I know I'm a man who'll figure hers out and give it to her in return.

I am in terrible ignorance of everything. I know not what my body is, nor my senses, nor my soul, not even that part of me which thinks what I say, which reflects on all and on itself, and knows itself no more than the rest. I see those frightful spaces of the universe which surround me, and I find myself tied to one corner of this vast expanse, without knowing why I am put in this place rather than in another, nor why the short time which is given me to live is assigned to me at this point rather than at another of the whole eternity which was before me or which shall come after me. I see nothing but infinites on all sides, which surround me as an atom and as a shadow which endures only for an instant and returns no more. All I know is that I must soon die, but what I know least is this very death which I cannot escape.

To that point, he had always found the vicomtesse overflowing with friendly politeness, that sweet-flowing grace conferred by an aristocratic education, and which is never truly there unless it comes, automatically and unthinkingly, straight from the heart. [...] For anyone who had learned the social code, and Rastignac had absorbed it all in a flash, these words, that gesture, that look, that inflection in her voice, summed up all there was to know about the nature and the ways of men and women of her class. He was vividly aware of the iron hand underneath the velvet glove; the personality, and especially the self-centeredness, under the polished manners; the plain hard wood, under all the varnish. [...] Eugène had been entirely too quick to take this woman's word for her own kindness. Like all those who cannot help themselves, he had signed on the dotted line, accepting the delightful contract binding both benefactor and recipient, the very first clause of which makes clear that, as between noble souls, perfect equality must be forever maintained. Beneficience, which ties people together, is a heavenly passion, but a thoroughly misunderstood one, and quite as scarce as true love. Both stem from the lavish nature of great souls.

Filth, filth, filth, from morning to night. I know they're poor but they could wash. Water is free and soap is cheap. Just look at that arm, nurse.' The nurse looked and clucked in horror. Francie stood there with the hot flamepoints of shame burning her face. The doctor was a Harvard man, interning at the neighborhood hospital. Once a week, he was obliged to put in a few hours at one of the free clinics. He was going into a smart practice in Boston when his internship was over. Adopting the phraseology of the neighborhood, he referred to his Brooklyn internship as going through Purgatory, when he wrote to his socially prominent fiancee in Boston. The nurse was as Williamsburg girl... The child of poor Polish immigrants, she had been ambitious, worked days in a sweatshop and gone to school at night. Somehow she had gotten her training... She didn't want anyone to know she had come from the slums. After the doctor's outburst, Francie stood hanging her head. She was a dirty girl. That's what the doctor meant. He was talking more quietly now asking the nurse how that kind of people could survive; that it would be a better world if they were all sterilized and couldn't breed anymore. Did that mean he wanted her to die? Would he do something to make her die because her hands and arms were dirty from the mud pies? She looked at the nurse... She thought the nurse might say something like: Maybe this little girl's mother works and didn't have time to wash her good this morning,' or, 'You know how it is, Doctor, children will play in the dirt.' But what the nurse actuallly said was, 'I know, Isn't it terrible? I sympathize with you, Doctor. There is no excuse for these people living in filth.' A person who pulls himself up from a low environment via the bootstrap route has two choices. Having risen above his environment, he can forget it; or, he can rise above it and never forget it and keep compassion and understanding in his heart for those he has left behind him in the cruel upclimb. The nurse had chosen the forgetting way. Yet, as she stood there, she knew that years later she would be haunted by the sorrow in the face of that starveling child and that she would wish bitterly that she had said a comforting word then and done something towards the saving of her immortal soul. She had the knowledge that she was small but she lacked the courage to be otherwise. When the needle jabbed, Francie never felt it. The waves of hurt started by the doctor's words were racking her body and drove out all other feeling. While the nurse was expertly tying a strip of gauze around her arm and the doctor was putting his instrument in the sterilizer and taking out a fresh needle, Francie spoke up. My brother is next. His arm is just as dirty as mine so don't be suprised. And you don't have to tell him. You told me.' They stared at this bit of humanity who had become so strangely articulate. Francie's voice went ragged with a sob. 'You don't have to tell him. Besides it won't do no godd. He's a boy and he don't care if he is dirty.'... As the door closed, she heard the doctor's suprised voice. I had no idea she'd understand what I was saying.' She heard the nurse say, 'Oh, well,' on a sighing note.

You wrote to me. Do not deny it. I’ve read your words and they evoke My deep respect for your emotion, Your trusting soul… and sweet devotion. Your candour has a great appeal And stirs in me, I won’t conceal, Long dormant feelings, scarce remembered. But I’ve no wish to praise you now; Let me repay you with a vow As artless as the one you tendered; Hear my confession too, I plead, And judge me both by word and deed. 13 ’Had I in any way desired To bind with family ties my life; Or had a happy fate required That I turn father, take a wife; Had pictures of domestication For but one moment held temptation- Then, surely, none but you alone Would be the bride I’d make my own. I’ll say without wrought-up insistence That, finding my ideal in you, I would have asked you—yes, it’s true— To share my baneful, sad existence, In pledge of beauty and of good, And been as happy … as I could! 14 ’But I’m not made for exaltation: My soul’s a stranger to its call; Your virtues are a vain temptation, For I’m not worthy of them all. Believe me (conscience be your token): In wedlock we would both be broken. However much I loved you, dear, Once used to you … I’d cease, I fear; You’d start to weep, but all your crying Would fail to touch my heart at all, Your tears in fact would only gall. So judge yourself what we’d be buying, What roses Hymen means to send— Quite possibly for years on end! 15 ’In all this world what’s more perverted Than homes in which the wretched wife Bemoans her worthless mate, deserted— Alone both day and night through life; Or where the husband, knowing truly Her worth (yet cursing fate unduly) Is always angry, sullen, mute— A coldly jealous, selfish brute! Well, thus am I. And was it merely For this your ardent spirit pined When you, with so much strength of mind, Unsealed your heart to me so clearly? Can Fate indeed be so unkind? Is this the lot you’ve been assigned? 16 ’For dreams and youth there’s no returning; I cannot resurrect my soul. I love you with a tender yearning, But mine must be a brother’s role. So hear me through without vexation: Young maidens find quick consolation— From dream to dream a passage brief; Just so a sapling sheds its leaf To bud anew each vernal season. Thus heaven wills the world to turn. You’ll fall in love again; but learn … To exercise restraint and reason, For few will understand you so, And innocence can lead to woe.

Call me Ishmael. Some years ago--never mind how long precisely--having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off--then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me. There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs--commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there. Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?--Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster--tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here? But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand--miles of them--leagues. Inlanders all, they come from lanes and alleys, streets and avenues--north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither? Once more. Say you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries--stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.

As soon as you are filled with awareness, the first thing that will happen is you will begin to see misery, the hell around you. Because you are the one who has created it. However, if you remain courageous and pass through the misery consciously, you will have cut the crop. You won’t have to go through the same miseries again. Once you have gone through this chain of miseries – the chain of karmas, the chain tied around your soul.... If you could pass through it without losing your consciousness, courageously, unworried; if you could determine, ”whatever misery I have created, I’ll go through it, I’ll go to the end of it. I want to arrive at that initial moment when I was innocent and the journey of suffering had not started yet, when my soul was absolutely pure and I had not gathered any misery – I am determined to penetrate up to that point regardless of any consequences, pain, or sorrow.

To his Own Beloved Self The Author Dedicates These Lines" Six. Ponderous. The chimes of a clock. “Render unto Caesar ... render unto God...” But where’s someone like me to dock? Where’11 I find a lair? Were I like the ocean of oceans little, on the tiptoes of waves I’d rise, I’d strain, a tide, to caress the moon. Where to find someone to love of my size, the sky too small for her to fit in? Were I poor as a multimillionaire, it’d still be tough. What’s money for the soul? – thief insatiable. The gold of all the Californias isn’t enough for my desires’ riotous horde. I wish I were tongue-tied, like Dante or Petrarch, able to fire a woman’s heart, reduce it to ashes with verse-filled pages! My words and my love form a triumphal arch: through it, in all their splendour, leaving no trace, will pass the inamoratas of all the ages! Were I as quiet as thunder, how I’d wail and whine! One groan of mine would start the world’s crumbling cloister shivering. And if I’d end up by roaring with all of its power of lungs and more – the comets, distressed, would wring their hands and from the sky’s roof leap in a fever. If I were dim as the sun, night I’d drill with the rays of my eyes, and also all by my lonesome, radiant self build up the earth’s shriveled bosom. On I’ll pass, dragging my huge love behind me. On what feverish night, deliria-ridden, by what Goliaths was I begot – I, so big and by no one needed?

Shakespeare's plays do not present easy solutions. The audience has to decide for itself. King Lear is perhaps the most disturbing in this respect. One of the key words of the whole play is 'Nothing'. When King Lear's daughter Cordelia announces that she can say 'Nothing' about her love for her father, the ties of family love fall apart, taking the king from the height of power to the limits of endurance, reduced to 'nothing' but 'a poor bare forked animal'. Here, instead of 'readiness' to accept any challenge, the young Edgar says 'Ripeness is all'. This is a maturity that comes of learning from experience. But, just as the audience begins to see hope in a desperate and violent situation, it learns that things can always get worse: Who is't can say 'I am at the worst?' … The worst is not So long as we can say 'This is the worst.' Shakespeare is exploring and redefining the geography of the human soul, taking his characters and his audience further than any other writer into the depths of human behaviour. The range of his plays covers all the 'form and pressure' of mankind in the modern world. They move from politics to family, from social to personal, from public to private. He imposed no fixed moral, no unalterable code of behaviour. That would come to English society many years after Shakespeare's death, and after the tragic hypothesis of Hamlet was fulfilled in 1649, when the people killed the King and replaced his rule with the Commonwealth. Some critics argue that Shakespeare supported the monarchy and set himself against any revolutionary tendencies. Certainly he is on the side of order and harmony, and his writing reflects a monarchic context rather than the more republican context which replaced the monarchy after 1649. It would be fanciful to see Shakespeare as foretelling the decline of the Stuart monarchy. He was not a political commentator. Rather, he was a psychologically acute observer of humanity who had a unique ability to portray his observations, explorations, and insights in dramatic form, in the richest and most exciting language ever used in the English theatre.

And you might also remember you are the greatest healer among us. That is unchallenged by anyone." "I am the greatest killer, also unchallenged." He tried to give her truth again. She touched his hard mouth. "I will hunt with you then,lifemate." His heart slammed against his ribs. Her smile was mysterious, scretive, and so beautiful,it broke his heart. "What is behind this smile,bebe." His hand caught and spanned her throat, his thumb brushing her lips in a gentle caress. "What do you know that I do not?" His mind slipped into hers, a sensuous thrust, the ultimate intimacy, not unlike the way his tongue sometimes dueled with her-or his body took possession of hers. She was familiar with his touch in her mind. She knew he tried to keep its invasiveness to a minimum. He allowed her to set the bounderies and never pushed beyond any barrier she erected, even though he could do so easily. Both of them needed the intimate union of their minds merging, Savannah as much as Gregori. And her newfound knowledge of him was secure behind a miniature barricade she had hastily erected. Wide-eyed and innocent, she looked at him. His thumb pressed into her lower lip, half mesmerized by the satin perfection of it. "You will never hunt vampires, ma cherie, not ever.And if I were ever to catch you attempting such a thing,there would be hell to pay." She didn't look scared. Rather, amusement crept into the deep blue of her eyes. "Surely you aren't threatening me,Dark One, bogey man of the Carpathians." She laughed softly, a sound that feathered down his spine and somehow took away the sting of that centuries-old designation. "Stop looking so serious, Gregori-you haven't lost your reputation entirely. Everyone else is still terrified of the big bad wolf." His eyebrows shot up. She was teasing him. About his dark reputation, of all things. Her gaze was clear and sparkling, hinting at mischeif. Savannah wasn't railing against her fate, of being tied to him, a monster. She was too filled with life and laughter, with joy. He felt it in her mind, in her heart, in her very soul. He wished it could somehow rub off on him,make him a more compatible lifemate for her. "You are the only one who needs to worry about the big bad wolf, mon amour," he threatened with mock gravity. She leaned over to stare up into his eyes, a smile curving her soft mouth. "You cracked a joke, Gregori. We're making progress.Why,we're practically friends." "Practically?" he echoed gently. "Getting there fast," she told him firmly with her chin up,daring him to contradict her. "Can one be friends with a monster?" He said casually, as if he were simply musing out loud,but there was a shadow in his silver eyes. "I was being childish, Gregori, when I made such an accusation," she said softly, her eyes meeting his squarely.

I told Father Maximos that what he just said reminded me of Plato’s parable of the cave. Most human beings, Plato wrote, live in a dark cave. They are tied to a pole facing the wall. The light that comes from the opening of the cave creates shadows on the wall. These shadows are taken for reality by the people tied to the poles. A few brave souls manage to untie themselves and with great difficulty and effort crawl out and experience the sunlight. They become ecstatic with their discovery. These liberated few set as their life’s mission to return to the cave and tell their friends of the good news, that there is life and light outside the cave, that they don’t have to spend their lives in the dark. Yet, when they announce their discovery hardly anybody believes them. The overwhelming majority prefer to stay tied to their poles, taking the reflection of their shadows as the only real world. “Plato’s light outside the cave,” Father Maximos pointed out, “is in reality Christ, and those who see the light are the saints who have been witnesses to the light through the aeons. The cave dwellers who do not respond to the message are those whose hearts are shut and who therefore are nonreceptive to the good news. That is why the holy elders advise that before you speak to someone about God, you must pray for that person so that Grace may proceed ahead of you and prepare the ground. But even so, people whose heart is shut cannot experience the light, no matter what.” Father

Homer's Hymn to Venus Published by Garnett, "Relics of Shelley", 1862; dated 1818. Verses 1-55, with some omissions. Muse, sing the deeds of golden Aphrodite, Who wakens with her smile the lulled delight Of sweet desire, taming the eternal kings Of Heaven, and men, and all the living things That fleet along the air, or whom the sea, Or earth, with her maternal ministry, Nourish innumerable, thy delight All seek ... O crowned Aphrodite! Three spirits canst thou not deceive or quell:— Minerva, child of Jove, who loves too well Fierce war and mingling combat, and the fame Of glorious deeds, to heed thy gentle flame. Diana ... golden-shafted queen, Is tamed not by thy smiles; the shadows green Of the wild woods, the bow, the... And piercing cries amid the swift pursuit Of beasts among waste mountains,—such delight Is hers, and men who know and do the right. Nor Saturn's first-born daughter, Vesta chaste, Whom Neptune and Apollo wooed the last, Such was the will of aegis-bearing Jove; But sternly she refused the ills of Love, And by her mighty Father's head she swore An oath not unperformed, that evermore A virgin she would live mid deities Divine: her father, for such gentle ties Renounced, gave glorious gifts—thus in his hall She sits and feeds luxuriously. O'er all In every fane, her honours first arise From men—the eldest of Divinities. These spirits she persuades not, nor deceives, But none beside escape, so well she weaves Her unseen toils; nor mortal men, nor gods Who live secure in their unseen abodes. She won the soul of him whose fierce delight Is thunder—first in glory and in might. And, as she willed, his mighty mind deceiving, With mortal limbs his deathless limbs inweaving, Concealed him from his spouse and sister fair, Whom to wise Saturn ancient Rhea bare. but in return, In Venus Jove did soft desire awaken, That by her own enchantments overtaken, She might, no more from human union free, Burn for a nursling of mortality. For once amid the assembled Deities, The laughter-loving Venus from her eyes Shot forth the light of a soft starlight smile, And boasting said, that she, secure the while, Could bring at Will to the assembled Gods The mortal tenants of earth's dark abodes, And mortal offspring from a deathless stem She could produce in scorn and spite of them. Therefore he poured desire into her breast Of young Anchises, Feeding his herds among the mossy fountains Of the wide Ida's many-folded mountains,— Whom Venus saw, and loved, and the love clung Like wasting fire her senses wild among.

And under the cicadas, deeper down that the longest taproot, between and beneath the rounded black rocks and slanting slabs of sandstone in the earth, ground water is creeping. Ground water seeps and slides, across and down, across and down, leaking from here to there, minutely at a rate of a mile a year. What a tug of waters goes on! There are flings and pulls in every direction at every moment. The world is a wild wrestle under the grass; earth shall be moved. What else is going on right this minute while ground water creeps under my feet? The galaxy is careening in a slow, muffled widening. If a million solar systems are born every hour, then surely hundreds burst into being as I shift my weight to the other elbow. The sun’s surface is now exploding; other stars implode and vanish, heavy and black, out of sight. Meteorites are arcing to earth invisibly all day long. On the planet, the winds are blowing: the polar easterlies, the westerlies, the northeast and southeast trades. Somewhere, someone under full sail is becalmed, in the horse latitudes, in the doldrums; in the northland, a trapper is maddened, crazed, by the eerie scent of the chinook, the sweater, a wind that can melt two feet of snow in a day. The pampero blows, and the tramontane, and the Boro, sirocco, levanter, mistral. Lick a finger; feel the now. Spring is seeping north, towards me and away from me, at sixteen miles a day. Along estuary banks of tidal rivers all over the world, snails in black clusters like currants are gliding up and down the stems of reed and sedge, migrating every moment with the dip and swing of tides. Behind me, Tinker Mountain is eroding one thousandth of an inch a year. The sharks I saw are roving up and down the coast. If the sharks cease roving, if they still their twist and rest for a moment, they die. They need new water pushed into their gills; they need dance. Somewhere east of me, on another continent, it is sunset, and starlings in breathtaking bands are winding high in the sky to their evening roost. The mantis egg cases are tied to the mock-orange hedge; within each case, within each egg, cells elongate, narrow, and split; cells bubble and curve inward, align, harden or hollow or stretch. And where are you now?

To the door of an inn in the provincial town of N. there drew up a smart britchka—a light spring-carriage of the sort affected by bachelors, retired lieutenant-colonels, staff-captains, land-owners possessed of about a hundred souls, and, in short, all persons who rank as gentlemen of the intermediate category. In the britchka was seated such a gentleman—a man who, though not handsome, was not ill-favoured, not over-fat, and not over-thin. Also, though not over-elderly, he was not over-young. His arrival produced no stir in the town, and was accompanied by no particular incident, beyond that a couple of peasants who happened to be standing at the door of a dramshop exchanged a few comments with reference to the equipage rather than to the individual who was seated in it. "Look at that carriage," one of them said to the other. "Think you it will be going as far as Moscow?" "I think it will," replied his companion. "But not as far as Kazan, eh?" "No, not as far as Kazan." With that the conversation ended. Presently, as the britchka was approaching the inn, it was met by a young man in a pair of very short, very tight breeches of white dimity, a quasi-fashionable frockcoat, and a dickey fastened with a pistol-shaped bronze tie-pin. The young man turned his head as he passed the britchka and eyed it attentively; after which he clapped his hand to his cap (which was in danger of being removed by the wind) and resumed his way. On the vehicle reaching the inn door, its occupant found standing there to welcome him the polevoi, or waiter, of the establishment—an individual of such nimble and brisk movement that even to distinguish the character of his face was impossible. Running out with a napkin in one hand and his lanky form clad in a tailcoat, reaching almost to the nape of his neck, he tossed back his locks, and escorted the gentleman upstairs, along a wooden gallery, and so to the bedchamber which God had prepared for the gentleman's reception. The said bedchamber was of quite ordinary appearance, since the inn belonged to the species to be found in all provincial towns—the species wherein, for two roubles a day, travellers may obtain a room swarming with black-beetles, and communicating by a doorway with the apartment adjoining. True, the doorway may be blocked up with a wardrobe; yet behind it, in all probability, there will be standing a silent, motionless neighbour whose ears are burning to learn every possible detail concerning the latest arrival. The inn's exterior corresponded with its interior. Long, and consisting only of two storeys, the building had its lower half destitute of stucco; with the result that the dark-red bricks, originally more or less dingy, had grown yet dingier under the influence of atmospheric changes. As for the upper half of the building, it was, of course, painted the usual tint of unfading yellow. Within, on the ground floor, there stood a number of benches heaped with horse-collars, rope, and sheepskins; while the window-seat accommodated a sbitentshik[1], cheek by jowl with a samovar[2]—the latter so closely resembling the former in appearance that, but for the fact of the samovar possessing a pitch-black lip, the samovar and the sbitentshik might have been two of a pair.