Singer Pink Quotes

I can turn heartbreak into songs that help other people

Hush!’ said the Cabby. They all listened. In the darkness something was happening at last. A voice had begun to sing. It was very far away and Digory found it hard to decide from what direction it was coming. Sometimes it seemed to come from all directions at once. Sometimes he almost thought it was coming out of the earth beneath them. Its lower notes were deep enough to be the voice of the earth herself. There were no words. There was hardly even a tune. But it was, beyond comparison, the most beautiful noise he had ever heard. It was so beautiful he could hardly bear it… ‘Gawd!’ said the Cabby. ‘Ain’t it lovely?’ Then two wonders happened at the same moment. One was that the voice was suddenly joined by other voices; more voices than you could possibly count. They were in harmony with it, but far higher up the scale: cold, tingling, silvery voices. The second wonder was that the blackness overhead, all at once, was blazing with stars. They didn’t come out gently one by one, as they do on a summer evening. One moment there had been nothing but darkness; next moment a thousand, thousand points of light leaped out – single stars, constellations, and planets, brighter and bigger than any in our world. There were no clouds. The new stars and the new voices began at exactly the same time. If you had seen and heard it , as Digory did, you would have felt quite certain that it was the stars themselves who were singing, and that it was the First Voice, the deep one, which had made them appear and made them sing. ‘Glory be!’ said the Cabby. ‘I’d ha’ been a better man all my life if I’d known there were things like this.’ …Far away, and down near the horizon, the sky began to turn grey. A light wind, very fresh, began to stir. The sky, in that one place, grew slowly and steadily paler. You could see shapes of hills standing up dark against it. All the time the Voice went on singing…The eastern sky changed from white to pink and from pink to gold. The Voice rose and rose, till all the air was shaking with it. And just as it swelled to the mightiest and most glorious sound it had yet produced, the sun arose. Digory had never seen such a sun…You could imagine that it laughed for joy as it came up. And as its beams shot across the land the travellers could see for the first time what sort of place they were in. It was a valley through which a broad, swift river wound its way, flowing eastward towards the sun. Southward there were mountains, northward there were lower hills. But it was a valley of mere earth, rock and water; there was not a tree, not a bush, not a blade of grass to be seen. The earth was of many colours: they were fresh, hot and vivid. They made you feel excited; until you saw the Singer himself, and then you forgot everything else. It was a Lion. Huge, shaggy, and bright it stood facing the risen sun. Its mouth was wide open in song and it was about three hundred yards away.

Sarah sits up and reaches over, plucking a string on my guitar. It’s propped against the nightstand on her side of the bed. “So . . . do you actually know how to play this thing?” “I do.” She lies down on her side, arm bent, resting her head in her hand, regarding me curiously. “You mean like, ‘Twinkle, Twinkle, Little Star,’ the ‘ABC’s,’ and such?” I roll my eyes. “You do realize that’s the same song, don’t you?” Her nose scrunches as she thinks about it, and her lips move as she silently sings the tunes in her head. It’s fucking adorable. Then she covers her face and laughs out loud. “Oh my God, I’m an imbecile!” “You shouldn’t be so hard on yourself, but if you say so.” She narrows her eyes. “Bully.” Then she sticks out her tongue. Big mistake. Because it’s soft and pink and very wet . . . and it makes me want to suck on it. And then that makes me think of other pink, soft, and wet places on her sweet-smelling body . . . and then I’m hard. Painfully, achingly hard. Thank God for thick bedcovers. If this innocent, blushing bird realized there was a hot, hard, raging boner in her bed, mere inches away from her, she would either pass out from all the blood rushing to her cheeks or hit the ceiling in shock—clinging to it by her fingernails like a petrified cat over water. “Well, you learn something new every day.” She chuckles. “But you really know how to play the guitar?” “You sound doubtful.” She shrugs. “A lot has been written about you, but I’ve never once heard that you play an instrument.” I lean in close and whisper, “It’s a secret. I’m good at a lot of things that no one knows about.” Her eyes roll again. “Let me guess—you’re fantastic in bed . . . but everybody knows that.” Then she makes like she’s playing the drums and does the sound effects for the punch-line rim shot. “Ba dumb ba, chhhh.” And I laugh hard—almost as hard as my cock is. “Shy, clever, a naughty sense of humor, and a total nutter. That’s a damn strange combo, Titebottum.” “Wait till you get to know me—I’m definitely one of a kind.” The funny thing is, I’m starting to think that’s absolutely true. I rub my hands together, then gesture to the guitar. “Anyway, pass it here. And name a musician. Any musician.” “Umm . . . Ed Sheeran.” I shake my head. “All the girls love Ed Sheeran.” “He’s a great singer. And he has the whole ginger thing going for him,” she teases. “If you were born a prince with red hair? Women everywhere would adore you.” “Women everywhere already adore me.” “If you were a ginger prince, there’d be more.” “All right, hush now smartarse-bottum. And listen.” Then I play “Thinking Out Loud.” About halfway through, I glance over at Sarah. She has the most beautiful smile, and I think something to myself that I’ve never thought in all my twenty-five years: this is how it feels to be Ed Sheeran.

The other evening, in that cafe-cabaret in the Rue de la Fontaine, where I had run aground with Tramsel and Jocard, who had taken me there to see that supposedly-fashionable singer... how could they fail to see that she was nothing but a corpse? Yes, beneath the sumptuous and heavy ballgown, which swaddled her and held her upright like a sentry-box of pink velvet trimmed and embroidered with gold - a coffin befitting the queen of Spain - there was a corpse! But the others, amused by her wan voice and her emaciated frame, found her quaint - more than that, quite 'droll'... Droll! that drab, soft and inconsistent epithet that everyone uses nowadays! The woman had, to be sure, a tiny carven head, and a kind of macabre prettiness within the furry heap of her opera-cloak. They studied her minutely, interested by the romance of her story: a petite bourgeoise thrown into the high life following the fad which had caught her up - and neither of them, nor anyone else besides in the whole of that room, had perceived what was immediately evident to my eyes. Placed flat on the white satin of her dress, the two hands of that singer were the two hands of a skeleton: two sets of knuckle-bones gloved in white suede. They might have been drawn by Albrecht Durer: the ten fingers of an evil dead woman, fitted at the ends of the two overlong and excessively thin arms of a mannequin... And while that room convulsed with laughter and thrilled with pleasure, greeting her buffoonery and her animal cries with a dolorous ovation, I became convinced that her hands no more belonged to her body than her body, with its excessively high shoulders, belonged to her head... The conviction filled me with such fear and sickness that I did not hear the singing of a living woman, but of some automaton pieced together from disparate odds and ends - or perhaps even worse, some dead woman hastily reconstructed from hospital remains: the macabre fantasy of some medical student, dreamed up on the benches of the lecture-hall... and that evening began, like some tale of Hoffmann, to turn into a vision of the lunatic asylum. Oh, how that Olympia of the concert-hall has hastened the progress of my malady!

Years before MTV, the system was for a band to appear on one of the celebrity shows then current. The presenter, usually a popular singer of a certain age anxious to extend his career, would sing a couple of numbers, and then bring guests on to chat, with musical interludes from the likes of us. With Syd approaching a catatonic state, you might think this was not a recipe for success, and you’d be right.

That drummer is hot,” Sam says. He’s still watching the footage with no sound, since we play the TV with subtitles for Logan all the time. “I would have thought you’d like the lead singer best,” Emily says, watching his face. He shakes his head. “Not my type.” “Not enough ass,” Pete tosses out. “He’s not into skinny chicks.” Pete looks over at Emily. “No offense, Em.” Emily rolls her eyes and points to her very pregnant belly. Sam shoots Pete a look and shoves Pete’s legs out of his lap. Pete makes a move like he’s grabbing and squeezing. “Sam likes a girl he can hold on to.” Sam’s face goes pink as he shrugs. “I like curves,” he says. “I can’t help it.” Pete shoves him again. “He wants tits and ass,” he says, making that squeezing motion again. “And a brain,” Sam says, holding up his finger. “And an appetite,” I add. Sam raises his brow. “I like to cook. So I like a girl who likes to eat. Go figure.” Emily laughs. Sam must feel the need to explain himself because he goes on. “I hate taking a girl to dinner and having her order a salad. Or having her tell me she can’t eat one of my famous cupcakes because she’s on a diet.” He shivers like he’s repulsed by the very idea of it. He draws an hourglass figure in the air with his hands. “I’ll take tits, ass, and thighs, please,” he says, as though he’s ordering dinner. “And, dammit, if there’s icing that can be licked off places, I want her to be able to partake without thinking about calories.” “TMI, Sam!” Emily cries, covering her ears. Sam laughs, so I throw a remote at his head. “Act like a gentleman,” I warn, because I feel like I should. But that shit’s funny as hell.

could not continue with Syd in this state, coupled to which it just was not fun any more – and doubtless no fun for Syd either. We did not want to lose Syd. He was our songwriter, singer, guitarist, and – although you might not have known from our less than sympathetic treatment of him – he was our friend.

The music pealed on under the Chinese lanterns and the pink spotlight featured the singer holding the microphone closer to his starched shirt. ‘You been in love?’ the Boy asked sharply and uneasily. ‘Oh yes,’ Rose said. The Boy retorted with sudden venom, ‘You would have been. You’re green. You don’t know what people do.

This time he kicked the other shin. I felt tears in my eyes and blinked to keep them back. He backed across the kitchen to the gas stove, turned on one of the burners and the pilot lit it. On top of the oven was a soldering iron, the old fashioned kind with a wooden handle and a heavy point. He stuck the pointed end in the flame of the burner and left it there. His eyes didn’t leave my face. “All right,” he said. “Donna’s in your apartment at the motor court. Later, if you can still talk, you’ll call her up and tell her to meet you someplace. But right now I’ve got another question. What are you and your hick friend looking for up here?” “Dolly Spangler’s murderer,” I said. “Who do you figure that might be?” “I haven’t figured. Singer Batts does the figuring. Where did you take him?” “Forget about him. Just concentrate on what I say. I want the paper—the report out of the Control Board files that you and your hick friend are looking for. Where is it?” “What makes you think we found it?” He lifted the soldering iron out of the burner and looked at it. It was pink. He stuck it back in the flame. “I think you did,” he said. “If you didn’t, you know where it is.” “All right,” I said. “Franklin Hollander’s got it. Bonnie Claire and her boys planted it on him.” One of his eyebrows flickered. “If you know that much,” he said, “you know Hollander doesn’t have it any more. Where is it?” He lifted the iron out of the fire. It was nice and red now. He spat on it and it sizzled. He walked my way. “You win,” I said. “I’ve got the paper. It’s in my pocket. You want me to reach in and get it?” He stopped and looked me over, looked at my pockets and back at my face. He didn’t want to come close enough to reach in my pocket. He would have to put down either the gun or the iron and he didn’t want to do that either. “Yeah,” he said finally. “Reach for it slow. Pull it out and drop it on the floor.

When Mom says “bong,” she means her nebulizer. It turns water into vapor, and she huffs it all day like a singer breathing hot mist before a performance. Except Mom’s machine is handheld. I’m surprised she doesn’t carry it in a gun sling. But my mom is not just inhaling water. “Let’s get some colloidal silver in those lungs,” she says. Second to prayer, colloidal silver is Mom’s insurance policy on life. She makes her own, soaking two silver rods in a glass vat of water that sits next to her kitchen sink. I’ll let her explain it. This is from one of her emails telling me how to live forever: “I use distilled water and 99% pure silver rods. The rods are connected to a positive and negative charge (think of a jumper cable for your car) and they are immersed in the distilled water. Some people leave the rods in the water 2–4 hours. I leave mine in for 8–12 hours so my silver water is extra strength and powerful…I drink ¼ cup colloidal silver in a glass of water before bed, and have for years and years. RARELY am I ever sick. I take a bottle of colloidal silver on every trip (especially overseas) in case I pick up a stomach bug or am around anyone who is sick. I use it on wounds, use it for pink eye, ear infections, the flu, and more because it kills over 600 viruses and most bacteria, including MRSA. There are also studies that show the benefits of colloidal silver against cancer.” Every time I’m home, she gives me a bottle of the stuff to take back to Los Angeles. I, like a good millennial, googled its effectiveness. The scientific establishment seems to believe that colloidal silver does approximately nothing good, and in large quantities, some bad. Perhaps you’ve seen the viral meme of the old blue man? He consumed so much colloidal silver that his skin dyed blue from the inside. He looks like a Smurf with a white beard. Well, he looked like a Smurf. He’s dead. Maybe from something common like heart failure, but… When I told my mother this, she wouldn’t hear it. “I know it works. I’ve been using it for years. I don’t care what those articles say. I’ve read hundreds of articles about it.

is the strength of the songwriting. Dark Side contained strong, powerful songs. The overall idea that linked those songs together – the pressures of modern life – found a universal response, and continues to capture people’s imagination. The lyrics had depth, and had a resonance people could easily relate to, and were clear and simple enough for non-native-English speakers to understand, which must have been a factor in its international success. And the musical quality spearheaded by David’s guitar and voice and Rick’s keyboards established a fundamental Pink Floyd sound. We were comfortable with the music, which had had time to mature and gestate, and evolve through live performances – later on we had to stop previewing work live as the quality of the recording equipment being smuggled into gigs reached near-studio standards. The additional singers and Dick Parry’s sax gave the whole record an extra commercial sheen. In addition, the sonic quality of the album was state of the art – courtesy of the skills of Alan Parsons and Chris Thomas. This is particularly important, because at the time the album came out, hi-fi stereo equipment had only recently become a mainstream consumer item, an essential fashion accessory for the 1970s home. As a result, record buyers were particularly aware of the effects of stereo and able to appreciate any album that made the most of its possibilities. Dark Side had the good fortune to become one of the definitive test records that people could use to show off the quality of their hi-fi system. The packaging for the album by Storm and Po at Hipgnosis was clean, simple, and immediately striking, with a memorable icon in the shape of the prism.

Clare Torry, who did the track in the end, was pursuing a career as a solo singer – Alan had worked with her in the past and recommended her. We were looking for a more European sound than the soul singers we used for some of the other backing tracks, and directed primarily by David and Rick, she delivered some terrific performances. She was embarrassed by having let herself go so much during one of the takes and came into the control booth to apologise, only to find that everyone was delighted.

As a band we were also demonstrating a distinct lack of commitment to the necessary input required. We seemed to be more interested in booking squash courts, for example, than perfecting the set. As a result our shows were a wildly erratic mix of the good and bad (and occasionally ugly) both technically and musically. The exception to this state of affairs was provided by the two backing singers, Carlena Williams and Venetta Fields, who always performed wonderfully, looked great and went to sleep whenever the band started arguing or sulking.