β
Only people who are capable of loving strongly can also suffer great sorrow, but this same necessity of loving serves to counteract their grief and heals them.
β
β
Leo Tolstoy
β
Sorrow is how we learn to love. Your heart isn't breaking. It hurts because it's getting larger. The larger it gets, the more love it holds.
β
β
Rita Mae Brown (Riding Shotgun)
β
Good night, good night! parting is such sweet sorrow,
That I shall say good night till it be morrow.
β
β
William Shakespeare (Romeo and Juliet)
β
Do not apologize for crying. Without this emotion, we are only robots.
β
β
Elizabeth Gilbert (Eat, Pray, Love)
β
Deep in earth my love is lying
And I must weep alone.
β
β
Edgar Allan Poe
β
Someday, weβll run into each other again, I know it.
Maybe Iβll be older and smarter and just plain better. If that happens,
thatβs when Iβll deserve you. But now, at this moment, you canβt hook
your boat to mine, because Iβm liable to sink us both.
β
β
Gabrielle Zevin (Memoirs of a Teenage Amnesiac)
β
No truth can cure the sorrow we feel from losing a loved one. No truth, no sincerity, no strength, no kindness can cure that sorrow. All we can do is see it through to the end and learn something from it, but what we learn will be no help in facing the next sorrow that comes to us without warning.
β
β
Haruki Murakami (Norwegian Wood)
β
Hearts united in pain and sorrow
will not be separated by joy and happiness.
Bonds that are woven in sadness
are stronger than the ties of joy and pleasure.
Love that is washed by tears
will remain eternally pure and faithful.
β
β
Kahlil Gibran (Love Letters in the Sand: The Love Poems of Khalil Gibran)
β
The Uses Of Sorrow
(In my sleep I dreamed this poem)
Someone I loved once gave me
a box full of darkness.
It took me years to understand
that this, too, was a gift.
β
β
Mary Oliver (Thirst)
β
If you can learn to endure pain, you can survive anything. Some people learn to embrace it- to love it. Some endure it through drowning it in sorrow, or by making themselves forget. Others turn it into anger.
β
β
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
β
The most confused you will ever get is when you try to convince your heart and spirit of something your mind knows is a lie.
β
β
Shannon L. Alder
β
I have so much in me, and the feeling for her absorbs it all; I have so much, and without her it all comes to nothing.
β
β
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
β
I remember watching the mascara tears flood the ivories and I thought, "It's OK to be sad." I've been trained to love my darkness.
β
β
Lady Gaga
β
Inventory:
"Four be the things I am wiser to know:
Idleness, sorrow, a friend, and a foe.
Four be the things I'd been better without:
Love, curiosity, freckles, and doubt.
Three be the things I shall never attain:
Envy, content, and sufficient champagne.
Three be the things I shall have till I die:
Laughter and hope and a sock in the eye.
β
β
Dorothy Parker (The Complete Poems of Dorothy Parker)
β
A fight is going on inside me," said an old man to his son. "It is a terrible fight between two wolves. One wolf is evil. He is anger, envy, sorrow, regret, greed, arrogance, self-pity, guilt, resentment, inferiority, lies, false pride, superiority, and ego. The other wolf is good. he is joy, peace, love, hope, serenity, humility, kindness, benevolence, empathy, generosity, truth, compassion, and faith. The same fight is going on inside you."
The son thought about it for a minute and then asked, "Which wolf will win?"
The old man replied simply, "The one you feed.
β
β
Wendy Mass (Jeremy Fink and the Meaning of Life)
β
A best friend is the only one that walks into your life when the world has walked out.
β
β
Shannon L. Alder
β
She hardly ever thought of him. He had worn a place for himself in some corner of her heart, as a sea shell, always boring against the rock, might do. The making of the place had been her pain. But now the shell was safely in the rock. It was lodged, and ground no longer.
β
β
T.H. White (The Once and Future King)
β
Deep grief sometimes is almost like a specific location, a coordinate on a map of time. When you are standing in that forest of sorrow, you cannot imagine that you could ever find your way to a better place. But if someone can assure you that they themselves have stood in that same place, and now have moved on, sometimes this will bring hope
β
β
Elizabeth Gilbert (Eat, Pray, Love)
β
Love makes us such fools.
β
β
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
β
Itβs what happens when two people become one: they no longer only share love. They also share all of the pain, heartache, sorrow, and grief.
β
β
Colleen Hoover (Hopeless (Hopeless, #1))
β
What was it like to love him? Asked Gratitude.
It was like being exhumed, I answered, and brought to life in a flash of brilliance.
What was it like to be loved in return? Asked Joy.
It was like being seen after a perpetual darkness, I replied. To be heard after a lifetime of silence.
What was it like to lose him? Asked Sorrow. There was a long pause before I responded:
It was like hearing every goodbye ever said to meβsaid all at once.
β
β
Lang Leav (Love & Misadventure)
β
When You Are Old"
WHEN you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;
How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face;
And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.
β
β
W.B. Yeats
β
What greater thing is there for two human souls, than to feel that they are joined for life--to strengthen each other in all labor, to rest on each other in all sorrow, to minister to each other in all pain, to be one with each other in silent unspeakable memories at the moment of the last parting?
β
β
George Eliot (Adam Bede)
β
Just because love don't look the way you think it should, don't mean you don't have it.
β
β
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
β
I love you. I love you. I send this message through my fingers and into his, up his arm and into his heart. Hear me. I love you. And I'm sorry to leave you.
β
β
Jenny Downham (Before I Die)
β
It doesn't interest me what you do for a living. I want to know what you ache for, and if you dare to dream of meeting your heart's longing.
It doesn't interest me how old you are. I want to know if you will risk looking like a fool for love, for your dream, for the adventure of being alive.
It doesn't interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow, if you have been opened by life's betrayals or have become shriveled and closed from fear of further pain!I want to know if you can sit with pain, mine or your own, without moving to hide it or fade it, or fix it.
I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human.
It doesn't interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithlessand therefore trustworthy.
I want to know if you can see beauty even when it's not pretty, every day,and if you can source your own life from its presence.
I want to know if you can live with failure, yours and mine, and still stand on the edge of the lake and shout to the silver of the full moon, βYes!β
It doesn't interest me to know where you live or how much money you have. I want to know if you can get up, after the night of grief and despair, weary and bruised to the bone, and do what needs to be done to feed the children.
It doesn't interest me who you know or how you came to be here. I want to know if you will stand in the center of the fire with me and not shrink back.
It doesn't interest me where or what or with whom you have studied. I want to know what sustains you, from the inside, when all else falls away.
I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.
β
β
Oriah Mountain Dreamer
β
Half the night I waste in sighs,
Half in dreams I sorrow after
The delight of early skies;
In a wakeful dose I sorrow
For the hand, the lips, the eyes,
For the meeting of the morrow,
The delight of happy laughter,
The delight of low replies.
β
β
Alfred Tennyson (Maud, and other poems)
β
How many loved your moments of glad grace,
And loved your beauty with love false or true;
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face.
β
β
W.B. Yeats (The Collected Poems of W.B. Yeats)
β
When someone you love says goodbye you can stare long and hard at the door they closed and forget to see all the doors God has open in front of you.
β
β
Shannon L. Alder
β
Most of us can't help but live as though we've got two lives to live, one is the mockup, the other the finished version, and then there are all those versions in between. But there's only one, and before you know it, your heart is worn out, and, as for your body, there comes a point when no one looks at it, much less wants to come near it. Right now there's sorrow. I don't envy the pain. But I envy you the pain. (p. 225)
β
β
AndrΓ© Aciman (Call Me by Your Name)
β
I hold it true, whate'er befall;
I feel it when I sorrow most;
'Tis better to have loved and lost
Than never to have loved at all.
Verse XXVII
β
β
Alfred Tennyson (In Memoriam)
β
Through the blur, I wondered if I was alone or if other parents felt the same way I did - that everything involving our children was painful in some way. The emotions, whether they were joy, sorrow, love or pride, were so deep and sharp that in the end they left you raw, exposed and yes, in pain. The human heart was not designed to beat outside the human body and yet, each child represented just that - a parent's heart bared, beating forever outside its chest.
β
β
Debra Ginsberg
β
And there in the dark, he asks if it was really worth it.
Were the instants of joy worth the stretches of sorrow?
Were the moments of beauty worth the year of pain?
And she turns her head, and looks at him, and says 'Always.
β
β
Victoria E. Schwab (The Invisible Life of Addie LaRue)
β
Time Does Not Bring Relief
Time does not bring relief; you all have lied
Who told me time would ease me of my pain!
I miss him in the weeping of the rain;
I want him at the shrinking of the tide;
The old snows melt from every mountain-side,
And last yearβs leaves are smoke in every lane;
But last yearβs bitter loving must remain
Heaped on my heart, and my old thoughts abide.
There are a hundred places where I fear
To go,βso with his memory they brim.
And entering with relief some quiet place
Where never fell his foot or shone his face
I say, βThere is no memory of him here!β
And so stand stricken, so remembering him.
β
β
Edna St. Vincent Millay (Collected Poems)
β
They'll say you are bad
or perhaps you are mad
or at least you
should stay undercover.
Your mind must be bare
if you would dare
to think you can love
more than one lover.
β
β
David Rovics
β
All men have stars, but they are not the same things for different people. For some, who are travelers, the stars are guides. For others they are no more than little lights in the sky. For others, who are scholars, they are problems... But all these stars are silent. You-You alone will have stars as no one else has them... In one of the stars I shall be living. In one of them I shall be laughing. And so it will be as if all the stars will be laughing when you look at the sky at night..You, only you, will have stars that can laugh! And when your sorrow is comforted (time soothes all sorrows) you will be content that you have known me... You will always be my friend. You will want to laugh with me. And you will sometimes open your window, so, for that pleasure... It will be as if, in place of the stars, I had given you a great number of little bells that knew how to laugh
β
β
Antoine de Saint-ExupΓ©ry (The Little Prince)
β
Bitter love, a violet with it's crown of thorns in a thicet of spiky passions, spear of sorrow, corolla of rage: how did you come to conquer my soul? What brought you?
β
β
Pablo Neruda (100 Love Sonnets/Cien sonetos de amor)
β
Sometimes I don't understand how another can love her, is allowed to love her, since I love her so completely myself, so intensely, so fully, grasp nothing, know nothing, have nothing but her!
β
β
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
β
But sorry is the Kool-Aid of human emotions. [...] True sorrow is as rare as true love.
β
β
Stephen King (Carrie)
β
What was it like to lose him?" Asked Sorrow.
There was a long pause before I responded:
It was like hearing every goodbye ever said to
meβsaid all at once.
β
β
Lang Leav (Love & Misadventure)
β
Though we are incomplete, God loves us completely. Though we are imperfect, He loves us perfectly. Though we may feel lost and without compass, God's love encompasses us completely. ... He loves every one of us, even those who are flawed, rejected, awkward, sorrowful, or broken.
β
β
Dieter F. Uchtdorf
β
What does love look like? It has the hands to help others. It has the feet to hasten to the poor and needy. It has eyes to see misery and want. It has the ears to hear the sighs and sorrows of men. That is what love looks like.
β
β
Augustine of Hippo (Confessions)
β
The person who risks nothing, does nothing, has nothing, is nothing, and becomes nothing. He may avoid suffering and sorrow, but he simply cannot
learn, feel, change, grow or love.
Chained by his certitude, he is a slave; he has forfeited his freedom.
Only the person who risks is truly free.
β
β
Leo F. Buscaglia
β
Un-winged and naked, sorrow surrenders its crown to a throne called grace.
β
β
Aberjhani (The River of Winged Dreams)
β
The unqualified truth is, that when I loved Estella with the love of a man, I loved her simply because I found her irresistible. Once for all; I knew to my sorrow, often and often, if not always, that I loved her against reason, against promise, against peace, against hope, against happiness, against all discouragement that could be. Once for all; I love her none the less because I knew it, and it had no more influence in restraining me, than if I had devoutly believed her to be human perfection.
β
β
Charles Dickens (Great Expectations)
β
Once you embrace your value, talents and strengths, it neutralizes when others think less of you.
β
β
Rob Liano
β
If you know someone who tries to drown their sorrows, you might tell them sorrows know how to swim.
β
β
H. Jackson Brown Jr. (P.S. I Love You)
β
People in the real world always say, when something terrible happens, that the sadness and loss and aching pain of the heart will βlessen as time passes,β but it isnβt true. Sorrow and loss are constant, but if we all had to go through our whole lives carrying them the whole time, we wouldnβt be able to stand it. The sadness would paralyze us. So in the end we just pack it into bags and find somewhere to leave it.
β
β
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
β
It's true that nothing in this world makes us so necessary to others as the affection we have for them.
β
β
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
β
The highly sensitive [introverted] tend to be philosophical or spiritual in their orientation, rather than materialistic or hedonistic. They dislike small talk. They often describe themselves as creative or intuitive. They dream vividly, and can often recall their dreams the next day. They love music, nature, art, physical beauty. They feel exceptionally strong emotions--sometimes acute bouts of joy, but also sorrow, melancholy, and fear. Highly sensitive people also process information about their environments--both physical and emotional--unusually deeply. They tend to notice subtleties that others miss--another person's shift in mood, say, or a lightbulb burning a touch too brightly.
β
β
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
β
With her Florentino Ariza learned what he had already experienced many times without realizing it: that one can be in love with several people at the same time, feel the same sorrow with each, and not betray any of them. Alone in the midst of the crowd on the pier, he said to himself in a flash of anger: 'My heart has more rooms than a whorehouse.
β
β
Gabriel GarcΓa MΓ‘rquez (Love in the Time of Cholera)
β
My child, the troubles and temptations of your life are beginning, and may be many; but you can overcome and outlive them all if you learn to feel the strength and tenderness of your Heavenly Father as you do that of your earthly one. The more you love and trust Him, the nearer you will feel to Him, and the less you will depend on human power and wisdom. His love and care never tire or change, can never be taken from you, but may become the source of lifelong peace, happiness, and strength. Believe this heartily, and go to God with all your little cares, and hopes, and sins, and sorrows, as freely and confidingly as you come to your mother.
β
β
Louisa May Alcott (Little Women (Little Women, #1))
β
One can be in love with several people at the same time, feel the sorrow with each, and not betray any of them.
β
β
Gabriel GarcΓa MΓ‘rquez
β
Though sorrow may impede my heart,
It is of great love to have known you.
β
β
C. Elizabeth
β
Chase away sorrow by living
β
β
Melissa Marr (Darkest Mercy (Wicked Lovely, #5))
β
Love, as most know, follows its own timeline. Disregarding our intentions or well rehearsed plans.
β
β
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
β
Life is fragile and temporary. The faces of today quickly become the faces of the past. Sorrow, pain, and anger... it all fades-
except love. Love is forever and there after, even when we've fallen to our graves.
β
β
Lee Argus
β
Helmer: I would gladly work night and day for you. Nora- bear sorrow and want for your sake. But no man would sacrifice his honor for the one he loves.
Nora: It is a thing hundreds of thousands of women have done.
β
β
Henrik Ibsen (A Doll's House)
β
Itβs not that we have to quit this life one day, itβs how many things we have to quit all at once: holding hands, hotel rooms, music, the physics of falling leaves, vanilla and jasmine, poppies, smiling, anthills, the color of the sky, coffee and cashmere, literature, sparks and subway trains... If only one could leave this life slowly!
β
β
Roman Payne (Hope and Despair)
β
Words are flowing out like endless rain into a paper cup,
They slither wildly as they slip away across the universe
Pools of sorrow, waves of joy are drifting through my open mind,
Possessing and caressing me.
Images of broken light which dance before me like a million eyes,
They call me on and on across the universe,
Thoughts meander like a restless wind inside a letter box
They tumble blindly as they make their way
Across the universe
Sounds of laughter shades of love are
Ringing through my open ears inciting and inviting me
Limitless undying love which shines around me like a
Million suns, and calls me on and on
Across the universe
β
β
John Lennon
β
Love entered in my heart one day
A sad, unwelcome guest.
But when it begged that it might stay
I let it stay and rest
It broke my nights with sorrowing
It filled my heart with fears
And, when my soul was prone to sing,
It filled my eyes with tears.
But...now that it has gone its way,
I miss the dear ole pain.
And, sometimes, in the night I pray
That Love might come again.
β
β
J. California Cooper
β
I may have come close, but I never had what you had. Something always held me back or stood in the way. How you live your life is your business. But remember, our hearts and our bodies are given to us only once. Most of us can't help but live as though we've got two lives to live, one is the mockup, the other the finished version, and then there are all those versions in between. But there's only one, and before you know it, your heart is worn out, and, as for your body, there comes a point when no one looks at it, much less wants to come near it. Right now there's sorrow. I don't envy the pain. But I envy you the pain.
β
β
AndrΓ© Aciman (Call Me by Your Name)
β
Go into yourself. Find out the reason that commands you to write; see whether it has spread its roots into the very depths of your heart; confess to yourself whether you would have to die if you were forbidden to write.
This most of all: ask yourself in the most silent hour of your night: must I write? Dig into yourself for a deep answer. And if this answer rings out in assent, if you meet this solemn question with a strong, simple βI must,β then build your life in accordance with this necessity; your whole life, even into its humblest and most indifferent hour, must become a sign and witness to this impulse. Then come close to Nature. Then, as if no one had ever tried before, try to say what you see and feel and love and lose...
...Describe your sorrows and desires, the thoughts that pass through your mind and your belief in some kind of beauty - describe all these with heartfelt, silent, humble sincerity and, when you express yourself, use the Things around you, the images from your dreams, and the objects that you remember. If your everyday life seems poor, donβt blame it; blame yourself; admit to yourself that you are not enough of a poet to call forth its riches; because for the creator there is not poverty and no poor, indifferent place. And even if you found yourself in some prison, whose walls let in none of the worldβs sounds β wouldnβt you still have your childhood, that jewel beyond all price, that treasure house of memories? Turn your attentions to it. Try to raise up the sunken feelings of this enormous past; your personality will grow stronger, your solitude will expand and become a place where you can live in the twilight, where the noise of other people passes by, far in the distance. - And if out of this turning-within, out of this immersion in your own world, poems come, then you will not think of asking anyone whether they are good or not. Nor will you try to interest magazines in these works: for you will see them as your dear natural possession, a piece of your life, a voice from it. A work of art is good if it has arisen out of necessity. That is the only way one can judge it.
β
β
Rainer Maria Rilke
β
I have only one friend, and that is echo. Why is it my friend? Because I love my sorrow, and echo does not take it away from me. I have only one confidant, and that is the silence of night. Why is it my confidant? Because it remains silent.
β
β
SΓΈren Kierkegaard (Entweder - Oder (Kommentierte Gold Collection) (German Edition))
β
It is not so incomprehensible as you pretend, sweet pea. Love is the feeling we have for those we care deeply about and hold in high regard. It can be light as the hug we give a friend or heavy as the sacrifices we make for our children. It can be romantic, platonic, familial, fleeting, everlasting, conditional, unconditional, imbued with sorrow, stoked by sex, sullied by abuse, amplified by kindness, twisted by betrayal, deepened by time, darkened by difficulty, leavened by generosity, nourished by humor and βloaded with promises and commitmentsβ that we may or may not want or keep.
The best thing you can possibly do with your life is to tackle the motherfucking shit out of it.
β
β
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
β
Unending Love
I seem to have loved you in numberless forms, numberless times...
In life after life, in age after age, forever.
My spellbound heart has made and remade the necklace of songs,
That you take as a gift, wear round your neck in your many forms,
In life after life, in age after age, forever.
Whenever I hear old chronicles of love, it's age old pain,
It's ancient tale of being apart or together.
As I stare on and on into the past, in the end you emerge,
Clad in the light of a pole-star, piercing the darkness of time.
You become an image of what is remembered forever.
You and I have floated here on the stream that brings from the fount.
At the heart of time, love of one for another.
We have played along side millions of lovers,
Shared in the same shy sweetness of meeting,
the distressful tears of farewell,
Old love but in shapes that renew and renew forever.
Today it is heaped at your feet, it has found its end in you
The love of all man's days both past and forever:
Universal joy, universal sorrow, universal life.
The memories of all loves merging with this one love of ours -
And the songs of every poet past and forever.
β
β
Rabindranath Tagore (Selected Poems)
β
One of the reasons why we crave love, and seek it so desperately, is that love is the only cure for loneliness, and shame, and sorrow. But some feelings sink so deep into the heart that only loneliness can help you find them again. Some truths about yourself are so painful that only shame can help you live with them. And some things are just so sad that only your soul can do the crying for you.
β
β
Gregory David Roberts (Shantaram)
β
I wept because I could not believe anymore and I love to believe. I can still love passionately without believing. That means I love humanly. I wept because from now on I will weep less. I wept because I have lost my pain and I am not yet accustomed to its absence.
β
β
AnaΓ―s Nin
β
I found it ironic that I should be blessed with wings and yet feel so constrained, so trapped. It was because of my condition, I believe, that I noticed life's ironies a bit more often than the average person. I collected them: how love arrived when you least expected it, how someone who said he didn't want to hurt you eventually would.
β
β
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
β
Read it with sorrow and you will feel hate.
Read it with anger and you will feel vengeful.
Read it with paranoia and you will feel confusion.
Read it with empathy and you will feel compassion.
Read it with love and you will feel flattery.
Read it with hope and you will feel positive.
Read it with humor and you will feel joy.
Read it with God and you will feel the truth.
Read it without bias and you will feel peace.
Don't read it at all and you will not feel a thing.
β
β
Shannon L. Alder
β
Do you think itβs easy for me? No, I donβt remember you. I donβt remember holding you or talking to you or falling in love with youβbut I walk around with a giant hole in my heart all the time. I feel your absence every second of the day. It aches and nothing soothes it. Losing you is bad enough, but I donβt even get the comfort of remembering that I had you once.
-Haden
β
β
Gwen Hayes (Falling Under (Falling Under, #1))
β
How could I have been so ignorant? she thinks. So stupid, so unseeing, so given over to carelessness. But without such ignorance, such carelessness, how could we live? If you knew what was going to happen, if you knew everything that was going to happen nextβif you knew in advance the consequences of your own actionsβyou'd be doomed. You'd be as ruined as God. You'd be a stone. You'd never eat or drink or laugh or get out of bed in the morning. You'd never love anyone, ever again. You'd never dare to.
β
β
Margaret Atwood (The Blind Assassin)
β
From childhood's hour I have not been
As others were; I have not seen
As others saw; I could not bring
My passions from a common spring.
From the same source I have not taken
My sorrow; I could not awaken
My heart to joy at the same tone;
And all I loved, I loved alone.
Then- in my childhood, in the dawn
Of a most stormy life- was drawn
From every depth of good and ill
The mystery which binds me still:
From the torrent, or the fountain,
From the red cliff of the mountain,
From the sun that round me rolled
In its autumn tint of gold,
From the lightning in the sky
As it passed me flying by,
From the thunder and the storm,
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view.
β
β
Edgar Allan Poe (Alone)
β
He recognized her despite the uproar, through his tears of unrepeatable sorrow at dying without her, and he looked at her for the last and final time with eyes more luminous, more grief-stricken, more grateful than she had ever seen them in half a century of a shared life, and he managed to say to her with his last breath: βOnly God knows how much I loved you
β
β
Gabriel GarcΓa MΓ‘rquez (Love in the Time of Cholera)
β
The unqualified truth is, that when I loved Estella with the love of a man, I loved her simply because I found her irresistible. Once for all; I knew to my sorrow, often and often, if not always, that I loved her against reason, against promise, against peace, against hope, against happiness, against all discouragement that could be. Once for all; I love her none the less because I knew it, and it had no more influence in restraining me, than if I had devoutly believed her to be human perfection .
β
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Charles Dickens (Great Expectations)
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I will go,β he said. βI will go to Troy.β
The rosy gleam of his lip, the fevered green of his eyes. There was not a line anywhere on his face, nothing creased or graying; all crisp. He was spring, golden and bright. Envious death would drink his blood, and grow young again.
He was watching me, his eyes as deep as earth.
βWill you come with me?β he asked.
The never-ending ache of love and sorrow. Perhaps in some other life I could have refused, could have torn my hair and screamed, and made him face his choice alone. But not in this one. He would sail to Troy and I would follow, even into death. βYes,β I whispered. βYes.β
Relief broke in his face, and he reached for me. I let him hold me, let him press us length to length so close that nothing might fit between us.
Tears came, and fell. Above us, the constellations spun and the moon paced her weary course. We lay stricken and sleepless as the hours passed.
β
β
Madeline Miller (The Song of Achilles)
β
at first, when we truly love someone, our greatest fear is that the loved one will stop loving us. what we should fear and dread, of course, is that we wont stop loving them, even after they are dead and gone. for i still love you with the whole of my heart. i still love you. and sometimes, my friend, the love that i have and cant give to you, crushed the breast from my chest. soemtimes, even now, my heart is drowning in a sorrow that has no stars without you, and no laughter, and no sleep.
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β
Gregory David Roberts (Shantaram)
β
When you love a city and have explored it frequently on foot, your body, not to mention your soul, gets to know the streets so well after a number of years that in a fit of melancholy, perhaps stirred by a light snow falling ever so sorrowfully, you'll discover your legs carrying you of their own accord toward one of your favourite promontories
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β
Orhan Pamuk (My Name Is Red)
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The Weaverβ
βMy life is but a weaving
Between my God and me.
I cannot choose the colors
He weaveth steadily.
Oftβ times He weaveth sorrow;
And I in foolish pride
Forget He sees the upper
And I the underside.
Not βtil the loom is silent
And the shuttles cease to fly
Will God unroll the canvas
And reveal the reason why.
The dark threads are as needful
In the weaverβs skillful hand
As the threads of gold and silver
In the pattern He has planned
He knows, He loves, He cares;
Nothing this truth can dim.
He gives the very best to those
Who leave the choice to Him.
β
β
Grant Colfax Tullar
β
By living our lives, we nurture death. True as this might be, it was only one of the truths we had to learn. What I learned from Naoko's death was this: no truth can cure the sorrow we feel from losing a loved one. No truth, no sincerity, no strength, no kindness can cure that sorrow. All we can do is see it through to the end and learn something from it, but what we learn will be no help in facing the next sorrow that comes to us without warning.
β
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Haruki Murakami (Norwegian Wood)
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It is the mundanes who look at me and see something they do not understandβa boy who is not quite white and not quite foreign either."
"Just as I am not human, and not demon either," Tessa said softly.
His eyes softened. "You are human," he said. "Never think you are not. I have seen you with your brother; I know how you care for him. If you can feel hope, guilt, sorrow, loveβthen you are human.
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Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
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To many, I was myth incarnate, the embodiment of a most superb legend, a fairy tale. Some considered me a monster, a mutation. To my great misfortune, I was once mistaken for an angel. To my mother, I was everything. To my father, nothing at all. To my grandmother, I was a daily reminder of loves long lost. But I knew the truthβdeep down, I always did.
I was just a girl.
β
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Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
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I think our last kiss was meant to be quick and chaste, but after the first touch of his lips fire leaped up and roared through my belly. My fingers yanked him close, digging into his back, and his arms crushed me to him as if wanting to meld us together. I knotted my fingers in his hair and bit down on his bottom lip, making him groan. His lips parted, and my tongue swept in to dance with his. There was nothing sweet or gentle in our last kiss; it was filled with sorrow and desperation, of the bitter knowledge that we could've had something perfect, but it just wasn't meant to be.
β
β
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
β
Sometimes I remember that I can't always protect those I love." Under his fingers, her hair was soft and silky.
She didn't try to tell him that he wasn't God, that he couldn't protect everyone. He knew that.
But knowing and believing were two different things. What she did say succeeded in stopping his heart. "I wish you'd love me."
"Why?"
"Because then maybe you could protect me, too." Haunting sorrow whispered through her tone.
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β
Nalini Singh (Slave to Sensation (Psy-Changeling, #1))
β
We hug, but there are no tears. For every awful thing that's been said and done, she is my sister. Parents die, daughters grow up and marry out, but sisters are for life. She is the only person left in the world who shares my memories of our childhood, our parents, our Shanghai, our struggles, our sorrows, and, yes, even our moments of happiness and triumph. My sister is the one person who truly knows me, as I know her. The last thing May says to me is 'When our hair is white, we'll still have our sister love.
β
β
Lisa See (Shanghai Girls (Shanghai Girls, #1))
β
Love Sorrow
Love sorrow. She is yours now, and you must
take care of what has been
given. Brush her hair, help her
into her little coat, hold her hand,
especially when crossing a street. For, think,
what if you should lose her? Then you would be
sorrow yourself; her drawn face, her sleeplessness
would be yours. Take care, touch
her forehead that she feel herself not so
utterly alone. And smile, that she does not
altogether forget the world before the lesson.
Have patience in abundance. And do not
ever lie or ever leave her even for a moment
by herself, which is to say, possibly, again,
abandoned. She is strange, mute, difficult,
sometimes unmanageable but, remember, she is a child.
And amazing things can happen. And you may see,
as the two of you go
walking together in the morning light, how
little by little she relaxes; she looks about her;
she begins to grow.
β
β
Mary Oliver (Red Bird)
β
I look at the blanked-out faces of the other passengers--hoisting their briefcases, their backpacks, shuffling to disembark--and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful.
Only what is that thing? Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet--for me, anyway--all that's worth living for lies in that charm?
A great sorrow, and one that I am only beginning to understand: we don't get to choose our own hearts. We can't make ourselves want what's good for us or what's good for other people. We don't get to choose the people we are.
Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart."
Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?
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β
Donna Tartt (The Goldfinch)
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Lastly, she pictured to herself how this same little sister of hers would, in the after-time, be herself a grown woman; and how she would keep, through all her riper years, the simple and loving heart of her childhood: and how she would gather about her other little children, and make their eyes bright and eager with many a strange tale, perhaps even with the dream of Wonderland of long ago: and how she would feel with all their simple sorrows, and find a pleasure in all their simple joys, remembering her own child-life, and the happy summer days.
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β
Lewis Carroll (Alice in Wonderland)
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As I focus on diligent joy, I also keep remembering a simple idea my friend Darcey told me once -- that all the sorrow and trouble of this world is caused by unhappy people. Not only in the big global Hitler-'n'-Stalin picture, but also on the smallest personal level. Even in my own life, I can see exactly where my episodes of unhappiness have brought suffering or distress or (at the very least) inconvenience to those around me. The search for contentment is, therefore, not merely a self-preserving and self-benefiting act, but also a generous gift to the world. Clearing out all your misery gets you out of the way. You cease being an obstacle, not only to yourself but to anyone else. Only then are you free to serve and enjoy other people.
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β
Elizabeth Gilbert (Eat, Pray, Love)
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Some catastrophic moments invite clarity, explode in split moments: You smash your hand through a windowpane and then there is blood and shattered glass stained with red all over the place; you fall out a window and break some bones and scrape some skin. Stitches and casts and bandages and antiseptic solve and salve the wounds. But depression is not a sudden disaster. It is more like a cancer: At first its tumorous mass is not even noticeable to the careful eye, and then one day -- wham! -- there is a huge, deadly seven-pound lump lodged in your brain or your stomach or your shoulder blade, and this thing that your own body has produced is actually trying to kill you. Depression is a lot like that: Slowly, over the years, the data will accumulate in your heart and mind, a computer program for total negativity will build into your system, making life feel more and more unbearable. But you won't even notice it coming on, thinking that it is somehow normal, something about getting older, about turning eight or turning twelve or turning fifteen, and then one day you realize that your entire life is just awful, not worth living, a horror and a black blot on the white terrain of human existence. One morning you wake up afraid you are going to live.
In my case, I was not frightened in the least bit at the thought that I might live because I was certain, quite certain, that I was already dead. The actual dying part, the withering away of my physical body, was a mere formality. My spirit, my emotional being, whatever you want to call all that inner turmoil that has nothing to do with physical existence, were long gone, dead and gone, and only a mass of the most fucking god-awful excruciating pain like a pair of boiling hot tongs clamped tight around my spine and pressing on all my nerves was left in its wake.
That's the thing I want to make clear about depression: It's got nothing at all to do with life. In the course of life, there is sadness and pain and sorrow, all of which, in their right time and season, are normal -- unpleasant, but normal. Depression is an altogether different zone because it involves a complete absence: absence of affect, absence of feeling, absence of response, absence of interest. The pain you feel in the course of a major clinical depression is an attempt on nature's part (nature, after all, abhors a vacuum) to fill up the empty space. But for all intents and purposes, the deeply depressed are just the walking, waking dead.
And the scariest part is that if you ask anyone in the throes of depression how he got there, to pin down the turning point, he'll never know. There is a classic moment in The Sun Also Rises when someone asks Mike Campbell how he went bankrupt, and all he can say in response is, 'Gradually and then suddenly.' When someone asks how I love my mind, that is all I can say too
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β
Elizabeth Wurtzel (Prozac Nation)
β
You know, if we understand one question rightly, all questions are answered. But we don't know how to ask the right question. To ask the right question demands a great deal of intelligence and sensitivity. Here is a question, a fundamental question: is life a torture? It is, as it is; and man has lived in this torture centuries upon centuries, from ancient history to the present day, in agony, in despair, in sorrow; and he doesn't find a way out of it. Therefore he invents gods, churches, all the rituals, and all that nonsense, or he escapes in different ways. What we are trying to do, during all these discussions and talks here, is to see if we cannot radically bring about a transformation of the mind, not accept things as they are, nor revolt against them. Revolt doesn't answer a thing. You must understand it, go into it, examine it, give your heart and your mind, with everything that you have, to find out a way of living differently. That depends on you, and not on someone else, because in this there is no teacher, no pupil; there is no leader; there is no guru; there is no Master, no Saviour. You yourself are the teacher and the pupil; you are the Master; you are the guru; you are the leader; you are everything. And to understand is to transform what is.
I think that will be enough, won't it?
β
β
J. Krishnamurti
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When someone you love dies, you are given the gift of "second chances". Their eulogy is a reminder that the living can turn their lives around at any point. Youβre not bound by the past; that is who you used to be. Youβre reminded that your feelings are not who you are, but how you felt at that moment. Your bad choices defined you yesterday, but they are not who you are today. Your future doesnβt have to travel the same path with the same people. You can start over. You donβt have to apologize to people that wonβt listen. You donβt have to justify your feelings or actions, during a difficult time in your life. You donβt have to put up with people that are insecure and want you to fail. All you have to do is walk forward with a positive outlook, and trust that God has a plan that is greater than the sorrow you left behind. The people of quality that were meant to be in your life wonβt need you to explain the beauty of your heart. They already understand what being human is----a roller coaster ride of emotions during rainstorms and sunshine, sprinkled with moments when you can almost reach the stars.
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β
Shannon L. Alder
β
Here is your flaw, Shaitan, Lord of the Dark, Lord of Envy, Lord of Nothing, here is why you fail. It was not about me. Itβs never been about me.β
It was about a woman, torn and beaten down, cast from her throne and made a puppet. A woman who had crawled when she had to. That woman still fought.
It was about a man that love repeatedly forsook. A man who found relevance in a world that others would have let pass them by. A man who remembered stories and who took fool boys under his wing when the smarter move would have been to keep on walking. That man still fought.
It was about a woman with a secret, a hope for the future. A woman who had hunted the truth before others could. A woman who had given her live, then had it returned. That woman still fought.
It was about a man whose family was taken from him, but who stood tall in his sorrow and protected those he could.
It was about a woman who refused to believe that she could not help, could not heal those who had been harmed.
It was about a hero who insisted with every breath that he was anything but a hero.
It was about a woman who would not bend her back while she was beaten, and who shown with a light for all who watched, including Rand.
It was about them all.
~Rand al Thor
β
β
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
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I Like For You To Be Still
I like for you to be still
It is as though you are absent
And you hear me from far away
And my voice does not touch you
It seems as though your eyes had flown away
And it seems that a kiss had sealed your mouth
As all things are filled with my soul
You emerge from the things
Filled with my soul
You are like my soul
A butterfly of dream
And you are like the word: Melancholy
I like for you to be still
And you seem far away
It sounds as though you are lamenting
A butterfly cooing like a dove
And you hear me from far away
And my voice does not reach you
Let me come to be still in your silence
And let me talk to you with your silence
That is bright as a lamp
Simple, as a ring
You are like the night
With its stillness and constellations
Your silence is that of a star
As remote and candid
I like for you to be still
It is as though you are absent
Distant and full of sorrow
So you would've died
One word then, One smile is enough
And I'm happy;
Happy that it's not true
β
β
Pablo Neruda
β
I have loved in life and I have been loved.
I have drunk the bowl of poison from the hands of love as nectar,
and have been raised above life's joy and sorrow.
My heart, aflame in love, set afire every heart that came in touch with it.
My heart has been rent and joined again;
My heart has been broken and again made whole;
My heart has been wounded and healed again;
A thousand deaths my heart has died, and thanks be to love, it lives yet.
I went through hell and saw there love's raging fire,
and I entered heaven illumined with the light of love.
I wept in love and made all weep with me;
I mourned in love and pierced the hearts of men;
And when my fiery glance fell on the rocks, the rocks burst forth as volcanoes.
The whole world sank in the flood caused by my one tear;
With my deep sigh the earth trembled, and when I cried aloud the name of my beloved,
I shook the throne of God in heaven.
I bowed my head low in humility, and on my knees I begged of love,
"Disclose to me, I pray thee, O love, thy secret."
She took me gently by my arms and lifted me above the earth, and spoke softly in my ear,
"My dear one, thou thyself art love, art lover,
and thyself art the beloved whom thou hast adored.
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Hazrat Inayat Khan (The Dance of the Soul: Gayan, Vadan, Nirtan (Sufi Sayings))
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She Was A Phantom of Delight
She was a Phantom of delight
When first she gleam'd upon my sight;
A lovely Apparition, sent
To be a moment's ornament:
Her eyes as stars of twilight fair;
Like twilight's, too, her dusky hair;
But all things else about her drawn
From May-time and the cheerful dawn;
A dancing shape, an image gay,
To haunt, to startle, and waylay.
I saw her upon nearer view,
A Spirit, yet a Woman too!
Her household motions light and free,
And steps of virgin liberty;
A countenance in which did meet
Sweet records, promises as sweet;
A creature not too bright or good
For human nature's daily food,
For transient sorrows, simple wiles,
Praise, blame, love, kisses, tears, and smiles.
And now I see with eye serene
The very pulse of the machine;
A being breathing thoughtful breath,
A traveller between life and death:
The reason firm, the temperate will,
Endurance, foresight, strength, and skill;
A perfect Woman, nobly plann'd
To warn, to comfort, and command;
And yet a Spirit still, and bright
With something of an angel light.
β
β
William Wordsworth
β
Man was born for society. However little He may be attached to the World, He never can wholly forget it, or bear to be wholly forgotten by it. Disgusted at the guilt or absurdity of Mankind, the Misanthrope flies from it: He resolves to become an Hermit, and buries himself in the Cavern of some gloomy Rock. While Hate inflames his bosom, possibly He may feel contented with his situation: But when his passions begin to cool; when Time has mellowed his sorrows, and healed those wounds which He bore with him to his solitude, think you that Content becomes his Companion? Ah! no, Rosario. No longer sustained by the violence of his passions, He feels all the monotony of his way of living, and his heart becomes the prey of Ennui and weariness. He looks round, and finds himself alone in the Universe: The love of society revives in his bosom, and He pants to return to that world which He has abandoned. Nature loses all her charms in his eyes: No one is near him to point out her beauties, or share in his admiration of her excellence and variety. Propped upon the fragment of some Rock, He gazes upon the tumbling waterfall with a vacant eye, He views without emotion the glory of the setting Sun. Slowly He returns to his Cell at Evening, for no one there is anxious for his arrival; He has no comfort in his solitary unsavoury meal: He throws himself upon his couch of Moss despondent and dissatisfied, and wakes only to pass a day as joyless, as monotonous as the former.
β
β
Matthew Gregory Lewis (The Monk)
β
Dear Child,
Sometimes on your travel through hell, you meet people that think they are in heaven because of their cleverness and ability to get away with things. Travel past them because they don't understand who they have become and never will. These type of people feel justified in revenge and will never learn mercy or forgiveness because they live by comparison. They are the people that don't care about anyone, other than who is making them feel confident. They donβt understand that their deity is not rejoicing with them because of their actions, rather he is trying to free them from their insecurities, by softening their heart. They rather put out your light than find their own. They don't have the ability to see beyond the false sense of happiness they get from destroying others. You know what happiness is and it isnβt this. Donβt see their success as their deliverance. It is a mask of vindication which has no audience, other than their own kind. They have joined countless others that call themselves βsurvivorsβ. They believe that they are entitled to win because life didnβt go as planned for them. You are not like them. You were not meant to stay in hell and follow their belief system. You were bound for greatness. You were born to help them by leading. Rise up and be the light home. You were given the gift to see the truth. They will have an army of people that are like them and you are going to feel alone. However, your family in heaven stands beside you now. They are your strength and as countless as the stars. It is time to let go!
Love,
Your Guardian Angel
β
β
Shannon L. Alder
β
Once, very long ago, Time fell in love with Fate. This, as you might imagine, proved problematic. Their romance disrupted the flow of time. It tangled the strings of fortune into knots.Β The stars watched from the heavens nervously, worrying what might occur. What might happen to the days and nights were time to suffer a broken heart? What catastrophes might result if the same fate awaited Fate itself? The stars conspired and separated the two. For a while they breathed easier in the heavens. Time continued to flow as it always had, or perhaps imperceptibly slower. Fate weaved together the paths that were meant to intertwine, though perhaps a string was missed here and there. But eventually, Fate and Time found each other again.Β In the heavens, the stars sighed, twinkling and fretting. They asked the Moon her advice. The Moon in turn called upon the parliament of owls to decide how best to proceed. The parliament of owls convened to discuss the matter amongst themselves night after night. They argued and debated while the world slept around them, and the world continued to turn, unaware that such important matters were under discussion while it slumbered.Β The parliament of owls came to the logical conclusion that if the problem was in the combination, one of the elements should be removed. They chose to keep the one they felt more important. The parliament of owls told their decision to the stars and the stars agreed. The Moon did not, but on this night she was dark and could not offer her opinion.Β So it was decided, and Fate was pulled apart. Ripped into pieces by beaks and claws. Fateβs screams echoed through the deepest corners and the highest heavens but no one dared to intervene save for a small brave mouse who snuck into the fray, creeping unnoticed through the blood and bone and feathers, and took Fateβs heart and kept it safe. When the furor died down there was nothing else left of Fate.Β The owl who consumed Fateβs eyes gained great site, greater site then any that had been granted to a mortal creature before. The Parliament crowned him the Owl King. In the heavens the stars sparkled with relief but the moon was full of sorrow. And so time goes as it should and events that were once fated to happen are left instead to chance, and Chance never falls in love with anything for long. But the world is strange and endings are not truly endings no matter how the stars might wish it so.Β Occasionally Fate can pull itself together again.Β And Time is always waiting.
β
β
Erin Morgenstern (The Starless Sea)
β
A song of despair
The memory of you emerges from the night around me.
The river mingles its stubborn lament with the sea.
Deserted like the dwarves at dawn.
It is the hour of departure, oh deserted one!
Cold flower heads are raining over my heart.
Oh pit of debris, fierce cave of the shipwrecked.
In you the wars and the flights accumulated.
From you the wings of the song birds rose.
You swallowed everything, like distance.
Like the sea, like time. In you everything sank!
It was the happy hour of assault and the kiss.
The hour of the spell that blazed like a lighthouse.
Pilot's dread, fury of blind driver,
turbulent drunkenness of love, in you everything sank!
In the childhood of mist my soul, winged and wounded.
Lost discoverer, in you everything sank!
You girdled sorrow, you clung to desire,
sadness stunned you, in you everything sank!
I made the wall of shadow draw back,
beyond desire and act, I walked on.
Oh flesh, my own flesh, woman whom I loved and lost,
I summon you in the moist hour, I raise my song to you.
Like a jar you housed infinite tenderness.
and the infinite oblivion shattered you like a jar.
There was the black solitude of the islands,
and there, woman of love, your arms took me in.
There was thirst and hunger, and you were the fruit.
There were grief and ruins, and you were the miracle.
Ah woman, I do not know how you could contain me
in the earth of your soul, in the cross of your arms!
How terrible and brief my desire was to you!
How difficult and drunken, how tensed and avid.
Cemetery of kisses, there is still fire in your tombs,
still the fruited boughs burn, pecked at by birds.
Oh the bitten mouth, oh the kissed limbs,
oh the hungering teeth, oh the entwined bodies.
Oh the mad coupling of hope and force
in which we merged and despaired.
And the tenderness, light as water and as flour.
And the word scarcely begun on the lips.
This was my destiny and in it was my voyage of my longing,
and in it my longing fell, in you everything sank!
Oh pit of debris, everything fell into you,
what sorrow did you not express, in what sorrow are you not drowned!
From billow to billow you still called and sang.
Standing like a sailor in the prow of a vessel.
You still flowered in songs, you still brike the currents.
Oh pit of debris, open and bitter well.
Pale blind diver, luckless slinger,
lost discoverer, in you everything sank!
It is the hour of departure, the hard cold hour
which the night fastens to all the timetables.
The rustling belt of the sea girdles the shore.
Cold stars heave up, black birds migrate.
Deserted like the wharves at dawn.
Only tremulous shadow twists in my hands.
Oh farther than everything. Oh farther than everything.
It is the hour of departure. Oh abandoned one!
β
β
Pablo Neruda