Sorrow And Bliss Quotes

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No one can know sincere happiness, Sophie, without first having known sorrow. One can never appreciate the enormity and rareness of such a fiery bliss without seeing misery, however unfair that may be.
Fisher Amelie (Vain (The Seven Deadly, #1))
Everything is broken and messed up and completely fine. That is what life is. It's only the ratios that change. usually on their own.
Meg Mason (Sorrow and Bliss)
We're in a freefall into future. We don't know where we're going. Things are changing so fast, and always when you're going through a long tunnel, anxiety comes along. And all you have to do to transform your hell into a paradise is to turn your fall into a voluntary act. It's a very interesting shift of perspective and that's all it is... joyful participation in the sorrows and everything changes.
Joseph Campbell (Sukhavati:Place of Bliss)
But as, in ethics, evil is a consequence of good, so, in fact, out of joy is sorrow born. Either the memory of past bliss is the anguish of today, or the agonies which are have their origin in the ecstasies which might have been.
Edgar Allan Poe (Berenice)
I have been unbearable but I have never been unloved. I have felt alone but I have never been alone and I've been forgiven for the unforgiveable things I have done.
Meg Mason (Sorrow and Bliss)
Son,'he said,' ye cannot in your present state understand eternity...That is what mortals misunderstand. They say of some temporal suffering, "No future bliss can make up for it," not knowing that Heaven, once attained, will work backwards and turn even that agony into a glory. And of some sinful pleasure they say "Let me have but this and I'll take the consequences": little dreaming how damnation will spread back and back into their past and contaminate the pleasure of the sin. Both processes begin even before death. The good man's past begins to change so that his forgiven sins and remembered sorrows take on the quality of Heaven: the bad man's past already conforms to his badness and is filled only with dreariness. And that is why...the Blessed will say "We have never lived anywhere except in Heaven, : and the Lost, "We were always in Hell." And both will speak truly.
C.S. Lewis (The Great Divorce)
We are sometimes dragged into a pit of unhappiness by someone else’s opinion that we do not look happy.
Mokokoma Mokhonoana
Nostalgia is the suffering cause by our unappeased earing to return' Whether or not, he said, the home we long for ever existed.
Meg Mason (Sorrow and Bliss)
Ideally, Martha, you want to figure out the reason why you keep burning your own house down.
Meg Mason (Sorrow and Bliss)
It is hard to look into someone's eyes. Even when you love them, it is difficult to sustain it, for the sense of being seen through.
Meg Mason (Sorrow and Bliss)
I'm the worst person in the world" "No, you're not." Patrick's hand came down in a fist and he hit the arm of the sofa. "You're not the best person in the world either, which is what you really think. You're the same as everybody else. But that's harder for you, isn't it. You'd rather be one or the other. The idea that you might be ordinary is unbearable.
Meg Mason (Sorrow and Bliss)
When shall I at last retire into solitude alone, without companions, without joy and without sorrow, with only the sacred certainty that all is a dream? When, in my rags—without desires—shall I retire contented into the mountains? When, seeing that my body is merely sickness and crime, age and death, shall I—free, fearless, and blissful—retire to the forest? When? When, oh when?
Nikos Kazantzakis (Zorba the Greek)
Everything is broken and messed up and completely fine. That is what life is. It’s only the ratios that change. Usually on their own. As soon as you think that’s it, it’s going to be like this forever, they change again.
Meg Mason (Sorrow and Bliss)
Normal people say, I can’t imagine feeling so bad I’d genuinely want to die. I do not try and explain that it isn’t that you want to die. It is that you know you are not supposed to be alive, feeling a tiredness that powders your bones, a tiredness with so much fear. The unnatural fact of living is something you must eventually fix.
Meg Mason (Sorrow and Bliss)
First novels are autobiography and wish fulfilment. Evidently, one’s got to push all one’s disappointments and unmet desires through the pipes before one can write anything useful.
Meg Mason (Sorrow and Bliss)
things do happen. Terrible things. The only thing any of us get to do is decide whether they happen to us or if, at least in part, they happen for us.
Meg Mason (Sorrow and Bliss)
There are no words and there is no singing, but the music has a voice. It is an old voice and a deep voice, like the stump of a sweet cigar or a shoe with a hole. It is a voice that has lived and lives, with sorrow and shame, ecstasy and bliss, joy and pain, redemption and damnation. It is a voice with love and without love. I like the voice, and though I can't talk to it, I like the way it talks to me. It says it is all the same, Young Man. Take it and let it be.
James Frey (A Million Little Pieces)
I am not saying you haven't suffered, Martha. But I am saying, grow up. You're not the only one.
Meg Mason (Sorrow and Bliss)
So of course time is necessary. But nevertheless damn painful, for it transforms all the pieces of your life - joy and sorrow, youth and age, love and hate, terror and bliss - from fire into smoke rising up the air and dissipating on a breeze.
Charles Frazier
Suffering is unavoidable, the only thing one gest to choose is the backdrop
Meg Mason (Sorrow and Bliss)
Yet, ah! why should they know their fate, Since sorrow never comes too late, And happiness too swiftly flies? Thought would destroy their Paradise. No more;—where ignorance is bliss, 'Tis folly to be wise.
Thomas Gray (The complete English poems of Thomas Gray (The Poetry bookshelf))
And I wonder, is there any way you could come to see that what you’ve been through is for something? Is it why you feel everything and love harder and fight more ferociously than anyone else?
Meg Mason (Sorrow and Bliss)
We hugged each other like two people who had no practical experience of embracing, had only taught themselves the theory from a poorly worded manual.
Meg Mason (Sorrow and Bliss)
I am not being whimsical, Martha. Short another, beauty is a reason to live.
Meg Mason (Sorrow and Bliss)
No marriage makes sense. Especially not to the outside world. A marriage is its own world.
Meg Mason (Sorrow and Bliss)
It used to be a joke between us, that in everything I swing between extremes and he lives his entire life on the middle setting.
Meg Mason (Sorrow and Bliss)
And Eowyn looked at Faramir long and steadily; and Faramir said: 'Do not scorn pity that is the gift of a gentle heart, Eowyn! But I do not offer you my pity. For you are a lady high and valiant and have yourself won renown that shall not be forgotten; and you are a lady beautiful, I deem, beyond even the words of the Elven-tongue to tell. And I love you. Once I pitied your sorrow. But now, were you sorrowless, without fear or any lack, were you the blissful Queen of Gondor, still I would love you. Eowyn, do you not love me?
Tales from the Perilous Realm
But the thing about labels is, they’re very useful when they’re right because,’ I carried on through her attempt at interruption, ‘because then you don’t give yourself wrong ones, like difficult or insane, or psychotic or a bad wife.
Meg Mason (Sorrow and Bliss)
Martha,” he said afterwards, lying next to me. “Everything is broken and messed up and completely fine. That is what life is. It’s only the ratios that change. Usually on their own. As soon as you think that’s it, it’s going to be like this forever, they change again.” That is what life was, and how it continued for three years after that. The ratios changing on their own, broken, completely fine, a holiday, a leaking pipe, new sheets, happy birthday, a technician between nine and three, a bird flew into the window, I want to die, please, I can’t breathe, I think it’s a lunch thing, I love you, I can’t do this anymore, both of us thinking it would be like that forever.
Meg Mason (Sorrow and Bliss)
Grace transforms our failings full of dread into abundant, endless comfort … our failings full of shame into a noble, glorious rising … our dying full of sorrow into holy, blissful life. …. Just as our contrariness here on earth brings us pain, shame and sorrow, so grace brings us surpassing comfort, glory, and bliss in heaven … And that shall be a property of blessed love, that we shall know in God, which we might never have known without first experiencing woe.
Julian of Norwich (Revelations of Divine Love)
Life is an opportunity, benefit from it. Life is a beauty, admire it. Life is bliss, taste it. Life is a dream, realize it. life is a challenge, meet it. life is a duty, complete it. life is a game, play it. life is costly, care for it. life is wealth, keep it. life is love, enjoy it. life is mystery, know it. life is a promise, fulfill it. Life is a sorrow, overcome it. Life is a song, sing it. Life is a struggle, accept it. Life is a tragedy, confront it. Life is an adventure, dare it. Life is luck, make it. Life is too precious, do not destroy it. Life is Life, fight for it!.
Mother Teresa
Because when suffering is unavoidable, the only thing one gets to choose is the backdrop. Crying one’s eyes out beside the Seine is vastly better than crying one’s eyes out while traipsing around Hammersmith.
Meg Mason (Sorrow and Bliss)
Everything is redeemable, Martha. Even decisions that end up with you unconscious and bleeding in a pedestrian underpass, like me. Although ideally, you want to figure out the reason why you keep burning your own house down.
Meg Mason (Sorrow and Bliss)
Martha, why did you label every single box Miscellaneous?
Meg Mason (Sorrow and Bliss)
I was the victim, and victims of course are allowed to behave however they like.
Meg Mason (Sorrow and Bliss)
Short of another, beauty is a reason to live.
Meg Mason (Sorrow and Bliss)
The great revelation perhaps never did come, instead there were little daily miracles, matches struck unexpectedly in the dark; here was one.' He finishes. Isn't that brilliant girls? It's -
Meg Mason (Sorrow and Bliss)
At night I read until I feel asleep and wherever I was, every time somebody in a book wanted something, I wrote down what it was. Once I had finished them all, I had so many torn-off bits of paper, collected in a jar on Ingrid's dressed. But they all said, a person, a family, a home, money, to not be alone. That is all anybody wants.
Meg Mason (Sorrow and Bliss)
All my life I've believed that things happen to me.
Meg Mason (Sorrow and Bliss)
His entire existence had been accumulating towards this moment; as if all his sorrow, all the pain and manifold disasters were necessary in order for the ecstasy of this one blissful moment to exist.
Kate Rose (The Angel and the Apothecary)
There are things, crimes in a marriage, that are so great you can not apologize for them.
Meg Mason (Sorrow and Bliss)
Dose a person need to be physically bleeding for you to comprehend they're not well?
Meg Mason (Sorrow and Bliss)
Martha, when you are in a room, nobody wants to talk to anybody else. Why is that, if not for the life you have lived, as someone who has been refined by fire?
Meg Mason (Sorrow and Bliss)
Two things that when you put them together in a poem make the reader feel whatever emotion you want them to so you don’t have to expressly name it. As in, if you write slag heap it saves you the job of typing morbid existential despair.
Meg Mason (Sorrow and Bliss)
...living the same sorrows three times was a suffering, but it was a suffering to relive even the same joys. The joy of life is born from feeling, whether it be joy or grief, always of short duration, and woe to those who know they will enjoy eternal bliss.
Umberto Eco (The Island of the Day Before)
There are moments in your life that stand out above all the rest - moments of pure bliss, pure anger, pure sorrow. Moments that take your breath away.
K.A. Robinson (Twisted (Torn, #2))
What happens next is your choice.
Meg Mason (Sorrow and Bliss)
Becoming aware of the intense suffering of billions of animals, and of our own participation in that suffering, can bring up painful emotions: sorrow and grief for the animals; anger at the injustice and deception of the system; despair at the enormity of the problem; fear that trusted authorities and institutions are, in fact, untrustworthy; and guilt for having contributed to the problem. Bearing witness means choosing to suffer. Indeed, empathy is literally 'feeling with.' Choosing to suffer is particularly difficult in a culture that is addicted to comfort--a culture that teaches that pain should be avoided whenever possible and that ignorance is bliss. We can reduce our resistance to witnessing by valuing authenticity over personal pleasure, and integration over ignorance.
Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)
After Barbara’s Contentious Divorce, Everyone Felt Genuinely Hurt, Including Justifiably Kin Left Melancholically Noting Or Perhaps Questioning Rumours Suggesting That, Unannounced, Vincent’d Wed an uXorious Young Zimbabwean.
Meg Mason (Sorrow and Bliss)
Misery is manifold. The wretchedness of earth is multiform. Overreaching the wide horizon as the rainbow, its hues are as various as the hues of that arch, --as distinct too, yet as intimately blended. Overreaching the wide horizon as the rainbow! How is it that from beauty I have derived a type of unloveliness? --from the covenant of peace a simile of sorrow? But as, in ethics, evil is a consequence of good, so, in fact, out of joy is sorrow born. Either the memory of past bliss is the anguish of to-day, or the agonies which are have their origin in the ecstasies which might have been.
Edgar Allan Poe
A wonderful serenity has taken possession of my entire soul, like these sweet mornings of spring which I enjoy with my whole heart. I am alone, and feel the charm of existence in this spot, which was created for the bliss of souls like mine. I am so happy, my dear friend, so absorbed in the exquisite sense of mere tranquil existence, that I neglect my talents. I should be incapable of drawing a single stroke at the present moment; and yet I feel that I never was a greater artist than now. When, while the lovely valley teems with vapour around me, and the meridian sun strikes the upper surface of the impenetrable foliage of my trees, and but a few stray gleams steal into the inner sanctuary, I throw myself down among the tall grass by the trickling stream; and, as I lie close to the earth, a thousand unknown plants are noticed by me: when I hear the buzz of the little world among the stalks, and grow familiar with the countless indescribable forms of the insects and flies, then I feel the presence of the Almighty, who formed us in his own image, and the breath of that universal love which bears and sustains us, as it floats around us in an eternity of bliss; and then, my friend, when darkness overspreads my eyes, and heaven and earth seem to dwell in my soul and absorb its power, like the form of a beloved mistress, then I often think with longing, Oh, would I could describe these conceptions, could impress upon paper all that is living so full and warm within me, that it might be the mirror of my soul, as my soul is the mirror of the infinite God! O my friend — but it is too much for my strength — I sink under the weight of the splendour of these visions!
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
As a child, watching the news or listening to it on the radio with my father I thought, when they said ‘the body was discovered by a man walking his dog’, that it was always the same man. I still imagine him, putting his walking shoes on at the door, finding the leash, the familiar dread as he clips it onto the dog’s collar, but still setting out, regardless, in the hope that, today, there won’t be a body. But twenty minutes later, God, there it is.
Meg Mason (Sorrow and Bliss)
I know you and your sister tease me for the repurposing but all I've been trying to do, all these years, is take rubbish and turn it into something beautiful and much stronger than it was before. I'm sorry if that's a bloody metaphor for everything.
Meg Mason (Sorrow and Bliss)
Nostalgia is the suffering caused by our unappeased yearning to return.” Whether or not, he said, the home we long for ever existed.
Meg Mason (Sorrow and Bliss)
There isn’t a name for the emotion that registered on his face then. It was all of them.
Meg Mason (Sorrow and Bliss)
You were done being hopeless.
Meg Mason (Sorrow and Bliss)
It is hard to look into someone’s eyes. Even when you love them, it is difficult to sustain it, for the sense of being seen through. In some way, found out.
Meg Mason (Sorrow and Bliss)
No one can know sincere happiness, without 1st knowing sorrow. One can never appreciate the enormity & rareness of such a fiery bliss without knowing misery, however unfair that may be.
Fisher Amelie
I was below the surface for only a second but I thought I was already drowning. I did not think I could swim back but I was only ever feet away from the edge. It was just the pain of the water.
Meg Mason (Sorrow and Bliss)
You decided that because I don't provide a continuous emotional commentary and describe every single feeling I have as it's occurring that I don't feel anything. You told me I was blank. Do you remember? You said I was just the outline of where a husband should be.
Meg Mason (Sorrow and Bliss)
I wish I'd been accepted sooner and better. When I was younger, not being accepted made me enraged, but now, I am not inclined to dismantle my history. If you banish the dragons, you banish the heroes--and we become attached to the heroic strain in our personal history. We choose our own lives. It is not simply that we decide on the behaviors that construct our experience; when given our druthers, we elect to be ourselves. Most of us would like to be more successful or more beautiful or wealthier, and most people endure episodes of low self-esteem or even self-hatred. We despair a hundred times a day. But we retain the startling evolutionary imperative for the fact of ourselves, and with that splinter of grandiosity we redeem our flaws. These parents have, by and large, chosen to love their children, and many of them have chosen to value their own lives, even though they carry what much of the world considers an intolerable burden. Children with horizontal identities alter your self painfully; they also illuminate it. They are receptacles for rage and joy-even for salvation. When we love them, we achieve above all else the rapture of privileging what exists over what we have merely imagined. A follower of the Dalai Lama who had been imprisoned by the Chinese for decades was asked if he had ever been afraid in jail, and he said his fear was that he would lose compassion for his captors. Parents often think that they've captured something small and vulnerable, but the parents I've profiled here have been captured, locked up with their children's madness or genius or deformity, and the quest is never to lose compassion. A Buddhist scholar once explained to me that most Westerners mistakenly think that nirvana is what you arrive at when your suffering is over and only an eternity of happiness stretches ahead. But such bliss would always be shadowed by the sorrow of the past and would therefore be imperfect. Nirvana occurs when you not only look forward to rapture, but also gaze back into the times of anguish and find in them the seeds of your joy. You may not have felt that happiness at the time, but in retrospect it is incontrovertible. For some parents of children with horizontal identities, acceptance reaches its apogee when parents conclude that while they supposed that they were pinioned by a great and catastrophic loss of hope, they were in fact falling in love with someone they didn't yet know enough to want. As such parents look back, they see how every stage of loving their child has enriched them in ways they never would have conceived, ways that ar incalculably precious. Rumi said that light enters you at the bandaged place. This book's conundrum is that most of the families described here have ended up grateful for experiences they would have done anything to avoid.
Andrew Solomon (Far from the Tree: Parents, Children, and the Search for Identity)
Understand this first and foremost that you are the center of your existence; nobody else is responsible. No matter how burdensome it feels, but you alone are responsible. If you accept this truth all sorrow will soon disappear. Because once it is clear that I am making this game, how long will it take you to destroy it?
Osho (Bliss: Living beyond happiness and misery)
I know how soon youth would fade and bloom perish, if, in the cup of bliss offered, but one dreg of shame, or one flavour of remorse were detected; and I do not want sacrifice, sorrow, dissolution - such is not my taste. I wish to foster, not to blight - to earn gratitude, not to wring tears of blood - no, nor of brine: my harvest must be in smiles, in endearments, in sweet.
Charlotte Brontë
I knew she was going to marry him because although he was beside her all night, he did not challenge her on a single point of any anecdote while she was telling it, even though my sister’s anecdotes are always a three-way combination of hyperbole, lies and factual inaccuracy.
Meg Mason (Sorrow and Bliss)
I know it hasn’t been that long but this is what I have been able to see since then: things do happen. Terrible things. The only thing any of us get to do is decide whether they happen to us or if, at least in part, they happen for us.
Meg Mason (Sorrow and Bliss)
There are things, crimes in a marriage, that are so great you cannot apologize for them. Instead, watching television on the sofa, eating the dinner he made while you showered after the hospital, you say, Patrick? Yes. I like this sauce.
Meg Mason (Sorrow and Bliss)
Looking back, it is unlikely our mother knew them either – the object of her parties seemed to be filling the house with extraordinary strangers and being extraordinary in front of them, and not a person who used to live above a key-cutter. It was not enough to be extraordinary to the three of us.
Meg Mason (Sorrow and Bliss)
Your tears of sorrow today will bring bliss in the future....
Ras Obenn
For want of another, beauty is a reason to live.
Meg Mason (Sorrow and Bliss)
I have never understood why people think of champagne as celebratory rather than medicinal. (...) Surely the only time one needs one's blood effervesced is when life is utterly flat.
Meg Mason (Sorrow and Bliss)
You may have misery,” she continued, ignoring my plea, “you may lose hope in the sorrow of an unplanned life but as long as you have faith and trust in adoration, in affection, in love, that sorrow will turn to happiness. And that is a constant, dear.” She breathed deeply and steadily for a moment, seemingly catching her breath. “No one can know sincere happiness, Sophie, without first having known sorrow. One can never appreciate the enormity and rareness of such a fiery bliss without seeing misery, however unfair that may be. “And you will know honest happiness. Of that I am certain. Certain because it’s why you are here and also because here is your inevitability.
Fisher Amelie (Vain (The Seven Deadly, #1))
Everything is broken and messed up and completely fine. That is what life is. It’s only the ratios that change. Usually on their own. As soon as you think that’s it, it’s going to be like this forever, they change again.” That is what life was, and how it
Meg Mason (Sorrow and Bliss)
The return and reintegration with society, which is indispensable to the continuous circulation of spiritual energy into the world, and which, from the standpoint of the community, is the justification of the long retreat, the hero himself may find the most difficult requirement of all. For if he has won through, like the Buddha, to the profound repose of complete enlightenment, there is danger that the bliss of this experience may annihilate all recollection of, interest in, or hope for, the sorrows of the world; or else the problem of making known the way of illumination to people wrapped in economic problems may seem too great to solve.
Joseph Campbell
Normal people say, I can't imagine feeling so bad I'd genuinely want to die. I do not try and explain that it isn't that you want to die. It is that you know you are not supposed to be alive, feeling tiredness that powders your bones, a tiredness with so much fear. The unnatural fact of living is something you must eventually fix.
Meg Mason (Sorrow and Bliss)
Everything is broken and messed up and completely fine. That is what life is. It's only the ratios that change. Usually on their own. As soon as you think that's it, it's going to be like this forever, they change again.
Meg Mason (Sorrow and Bliss)
He is a good man, and will climb up to the Six Blissful Seats. He has known sin and trouble and it has not made him bitter; he has known sorrow and it has not made him sad. In these last months that have been granted to him he is trying to do good, not
Nevil Shute (The Chequer Board)
I’m the worst person in the world.’ ‘No you’re not.’ His hand came down in a fist and he hit the arm of the sofa. ‘You’re not the best person in the world either, which is what you really think. You’re the same as everybody else. But that’s harder for you, isn’t it. You’d rather be one or the other. The idea you might be ordinary is unbearable.
Meg Mason (Sorrow and Bliss)
Is it why you feel everything and love harder and fight more ferociously than anyone else? Is it why you are the love of your sister’s life? Why you’ll be a writer of much more, one day, than a small supermarket column? How you can be my fiercest bloody critic, and someone with so much compassion she’ll buy glasses she doesn’t need because the man fell off his stool. Martha, when you are in a room, nobody wants to talk to anybody else. Why is that, if not for the life you have lived, as someone who has been refined by fire? And you have been loved for all your adult life by one man. That is a gift not many people get, and his stubborn, persistent love isn’t in spite of you and your pain. It is because of who you are, which is, in part, a product of your pain. You do not have to believe me about that but I know—I do know, Martha—that your pain has made you brave enough to carry on. If you want to, you can put all of this right. Start with your sister.
Meg Mason (Sorrow and Bliss)
Longing itself is divine,” writes the Hindu spiritual leader Sri Sri Ravi Shankar. “Longing for worldly things makes you inert. Longing for Infinity fills you with life. The skill is to bear the pain of longing and move on. True longing brings up spurts of bliss.
Susan Cain (Bittersweet: How Sorrow and Longing Make Us Whole)
That was the root of the giant misunderstanding that was us getting married: the fact that he thought I was so uninhibited, fun, a skinny person interested in fashion, an attender of magazine parties, and I thought he had a sense of humor and didn’t take immense amounts of cocaine.
Meg Mason (Sorrow and Bliss)
My perception of Winsome belonged to my mother—I thought of her as old, punctilious, someone without an interior life or worthwhile passions. That was the first time I saw her for myself. Winsome was an adult, someone who took care, who loved order and beauty and labored to create it as a gift to other people. She lifted her eyes to the ceiling and smiled. She was still wearing her wet apron.
Meg Mason (Sorrow and Bliss)
Thou still unravish’d bride of quietness, Thou foster-child of silence and slow time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fring’d legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear’d, Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair! Ah, happy, happy boughs! that cannot shed Your leaves, nor ever bid the Spring adieu; And, happy melodist, unwearied, For ever piping songs for ever new; More happy love! more happy, happy love! For ever warm and still to be enjoy’d, For ever panting, and for ever young; All breathing human passion far above, That leaves a heart high-sorrowful and cloy’d, A burning forehead, and a parching tongue. Who are these coming to the sacrifice? To what green altar, O mysterious priest, Lead’st thou that heifer lowing at the skies, And all her silken flanks with garlands drest? What little town by river or sea shore, Or mountain-built with peaceful citadel, Is emptied of this folk, this pious morn? And, little town, thy streets for evermore Will silent be; and not a soul to tell Why thou art desolate, can e’er return. O Attic shape! Fair attitude! with brede Of marble men and maidens overwrought, With forest branches and the trodden weed; Thou, silent form, dost tease us out of thought As doth eternity: Cold Pastoral! When old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say’st, “Beauty is truth, truth beauty,—that is all Ye know on earth, and all ye need to know.
John Keats (Ode On A Grecian Urn And Other Poems)
A vast dawning entirety lies before the soul, our senses lose themselves in it as do our eyes and oh! we long to make the oblation of all our being and to be filled utterly with the bliss of a single large and glorious feeling.—And oh! when we hurry after it, when There becomes Here, all is as it was and we stand in our poverty, in our narrowness, and the soul in us parches for the elusive freshening.
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
Giving Birth by Marcus Amaker do you remember when the earth was just a baby, settling in its skin, safe in the arms of mother nature with fire breathing from within. you were not shackled by time and life roamed around your heart with the weight of dinosaurs, leaving footprints in your lungs. and the first time you saw the sun you could barely breathe because the possibility of endless light planted a seed so you admire the strength of trees, who naturally grew into unwavering beauty, staring down the mouth of time. do you remember being 11 years old when your mother told you “birth is more painful than dying” and you burst with dreams without even trying, seeking light in your heart, where shadows now rest comfortably next to fear. but you come out of the woods clear, with nature’s breath under your tongue, and a weightless bliss, no longer scared of death.
Marcus Amaker
All our troubles begin when we break life up into segments and see things fragmentarily. No, all places are alike. There is no such place in life where only happiness abides. And similarly there is no such place where you meet with suffering and only suffering. Therefore, our heaven and hell are just our imagination. Because we have gotten into the habit of looking at things fragmentarily, we have imagined one place with abounding happiness and another with unmitigated sorrow and suffering – and we call them heaven and hell. No, wherever life is there is happiness and suffering together. They go together. You have happy moments or relaxation in hell and painful spells of boredom in heaven.
Osho (Krishna: The Man and his Philosophy)
YOU MUSTN'T BE AFRAID OF DEATH you're a deathless soul you can't be kept in a dark grave you're filled with God's glow be happy with your beloved you can't find any better the world will shimmer because of the diamond you hold when your heart is immersed in this blissful love you can easily endure any bitter face around in the absence of malice there is nothing but happiness and good times don't dwell in sorrow my friend ghazal number 2594
Jalal ad-Din Muhammad ar-Rumi (Rumi: Fountain of Fire)
Last night I danced. My body rose from its slump for the first time since the beginning of sorrows—my fingers beckoning to the stars at arm's length, back arching as tingles bubbled up my spine, hips caught in a silent tempo while on tiptoe I twirled in endless euphoric circles. It didn't matter that you loved me or that you didn't. For I was wanted by the gods last night, their seraphs and muses descending on moonbeams into my midst, caressing my face and gliding their spirited arms about my waist, lifting my toes from the soil that I might feel what it is to fly without heaviness of heart. I danced with them under the glow of a loyal moon. For one brief, visceral dance I joyed as Heaven joys—in endless bliss. And the universe cherished me.
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
One day, a young boy went up to his grandfather, who was an old Cherokee chief. ‘Edudi?’ the boy asked. ‘Why are you so sad?’ The old chief bit his lip and rubbed his belly as if his stomach pained him unmercifully. ‘There is a terrible fight inside me, Uhgeeleesee’, the chief said sternly. ‘One that will not let me sleep of give me peace’. ‘A fight Grandfather? I don’t understand. What kind of fight is inside you?’ The old chief knelt in front of the boy to explain. ‘Deep inside my heart, I have two wolves. Each strong enough to devour the other, they are locked in constant war. One is evil through and through. He is revenge, sorrow, regret, rage, greed, arrogance, stupidity, superiority, envy, guilt, lies, ego, false pride, inferiority, self-doubt, suspicion and resentment. The other wolf is everything kind. He is made of peace, blissful tranquillity, wisdom, love and joy, hope and humility, compassion, benevolence, generosity, truth, faith and empathy. They circle each other inside my heart and they fight one another at all times. Day and night. There is no letup. Not even while I slumber’. The boy’s yes widened as he sucked his breath in sharply. ‘How horrible for you’. His grandfather shook his head at these words and tapped the boy’s chest right where his own heart was located. ‘It’s not just horrible for me. This same fight is also going on inside you and every single person who walks this earth with us’. Those words terrified the little boy. ‘So tell me Grandfather, which of the wolves will win this fight?’ The old chief smiled at his grandson and he cupped his young cheek before he answered with one simple truth. ‘Always the one we feed’. Be careful what you feed, child. For the beast will follow you home and live with you until you either make a bed for it to stay, or find the temerity to drive it out.
Sherrilyn Kenyon (Time Untime (Dark-Hunter, #21))
Hap If but some vengeful god would call to me From up the sky, and laugh: “Thou suffering thing, Know that thy sorrow is my ecstasy, That thy love's loss is my hate's profiting!” Then would I bear it, clench myself, and die, Steeled by the sense of ire unmerited; Half-eased in that a Powerfuller than I Had willed and meted me the tears I shed. But not so. How arrives it joy lies slain, And why unblooms the best hope ever sown? —Crass Casualty obstructs the sun and rain, And dicing Time for gladness casts a moan. . . . These purblind Doomsters had as readily strown Blisses about my pilgrimage as pain.
Thomas Hardy (Wessex Poems)
Nothing Twice     Nothing can ever happen twice. In consequence, the sorry fact is that we arrive here improvised and leave without the chance to practice.   Even if there is no one dumber, if you’re the planet’s biggest dunce, you can’t repeat the class in summer: this course is only offered once.   No day copies yesterday, no two nights will teach what bliss is in precisely the same way, with exactly the same kisses.   One day, perhaps, some idle tongue mentions your name by accident: I feel as if a rose were flung into the room, all hue and scent.   The next day, though you’re here with me, I can’t help looking at the clock: A rose? A rose? What could that be? Is it a flower or a rock?   Why do we treat the fleeting day with so much needless fear and sorrow? It’s in its nature not to stay: today is always gone tomorrow.   With smiles and kisses, we prefer to seek accord beneath our star, although we’re different (we concur) just as two drops of water are.
Wisława Szymborska (Map: Collected and Last Poems)
Distance, my friend, is like futurity. A dim vastness is spread before our souls: the perceptions of our mind are as obscure as those of our vision; and we desire earnestly to surrender up our whole being, that it may be filled with the complete and perfect bliss of one glorious emotion. But alas! when we have attained our object, when the distant there becomes the present here, all is changed; we are as poor and circumscribed as ever, and our souls still languish for unattainable happiness.
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
As long as there is thirst in you, water can quench it; but you can live a kind of life in which you never feel thirsty; do not go in the sun, do no manual work, stay at home and relax and you will not feel the thirst. But then you will find no joy in drinking water. He who toils all day, enjoys the bliss of a good night’s rest. This is ironical: if you want to enjoy the pleasure of a good night’s sleep you have to work like a labourer all day. The trouble is that you want to spend your days like an emperor and your nights like a labourer.
Osho (Bliss: Living beyond happiness and misery)
Since he belonged, even at the age of six, to that great clan which cannot keep this feeling separate from that, but must let future prospects, with their joys and sorrows, cloud what is actually at hand, since to such people even in earliest childhood any turn in the wheel of sensation has the power to crystallise and transfix the moment upon which its gloom or radiance rests, James Ramsay, sitting on the floor cutting out pictures from the illustrated catalogue of the Army and Navy stores, endowed the picture of a refrigerator, as his mother spoke, with heavenly bliss.
Virginia Woolf (To the Lighthouse)
Sorrow (A Song) To me this world's a dreary blank, All hopes in life are gone and fled, My high strung energies are sank, And all my blissful hopes lie dead.-- The world once smiling to my view, Showed scenes of endless bliss and joy; The world I then but little knew, Ah! little knew how pleasures cloy; All then was jocund, all was gay, No thought beyond the present hour, I danced in pleasure’s fading ray, Fading alas! as drooping flower. Nor do the heedless in the throng, One thought beyond the morrow give, They court the feast, the dance, the song, Nor think how short their time to live. The heart that bears deep sorrow’s trace, What earthly comfort can console, It drags a dull and lengthened pace, 'Till friendly death its woes enroll.-- The sunken cheek, the humid eyes, E’en better than the tongue can tell; In whose sad breast deep sorrow lies, Where memory's rankling traces dwell.-- The rising tear, the stifled sigh, A mind but ill at ease display, Like blackening clouds in stormy sky, Where fiercely vivid lightnings play. Thus when souls' energy is dead, When sorrow dims each earthly view, When every fairy hope is fled, We bid ungrateful world adieu.
Percy Bysshe Shelley (The Complete Poems)
These tarnished rays, this night-smudged light — This is not that Dawn for which, ravished with freedom, we had set out in sheer longing, so sure that somewhere in its desert the sky harbored a final haven for the stars, and we would find it. We had no doubt that night’s vagrant wave would stray towards the shore, that the heart rocked with sorrow would at last reach its port. Friends, our blood shaped its own mysterious roads. When hands tugged at our sleeves, enticing us to stay, and from wondrous chambers Sirens cried out with their beguiling arms, with their bare bodies, our eyes remained fixed on that beckoning Dawn, forever vivid in her muslins of transparent light. Our blood was young — what could hold us back? Now listen to the terrible rampant lie: Light has forever been severed from the Dark; our feet, it is heard, are now one with their goal. See our leaders polish their manner clean of our suffering: Indeed, we must confess only to bliss; we must surrender any utterance for the Beloved — all yearning is outlawed. But the heart, the eye, the yet deeper heart — Still ablaze for the Beloved, their turmoil shines. In the lantern by the road the flame is stalled for news: Did the morning breeze ever come? Where has it gone? Night weighs us down, it still weighs us down. Friends, come away from this false light. Come, we must search for that promised Dawn.
Faiz Ahmad Faiz
As soon as you are filled with awareness, the first thing that will happen is you will begin to see misery, the hell around you. Because you are the one who has created it. However, if you remain courageous and pass through the misery consciously, you will have cut the crop. You won’t have to go through the same miseries again. Once you have gone through this chain of miseries – the chain of karmas, the chain tied around your soul.... If you could pass through it without losing your consciousness, courageously, unworried; if you could determine, ”whatever misery I have created, I’ll go through it, I’ll go to the end of it. I want to arrive at that initial moment when I was innocent and the journey of suffering had not started yet, when my soul was absolutely pure and I had not gathered any misery – I am determined to penetrate up to that point regardless of any consequences, pain, or sorrow.
Osho (Bliss: Living beyond happiness and misery)
When I go musing all alone Thinking of divers things fore-known. When I build castles in the air, Void of sorrow and void of fear, Pleasing myself with phantasms sweet, Methinks the time runs very fleet. All my joys to this are folly, Naught so sweet as melancholy. When I lie waking all alone, Recounting what I have ill done, My thoughts on me then tyrannise, Fear and sorrow me surprise, Whether I tarry still or go, Methinks the time moves very slow. All my griefs to this are jolly, Naught so mad as melancholy. When to myself I act and smile, With pleasing thoughts the time beguile, By a brook side or wood so green, Unheard, unsought for, or unseen, A thousand pleasures do me bless, And crown my soul with happiness. All my joys besides are folly, None so sweet as melancholy. When I lie, sit, or walk alone, I sigh, I grieve, making great moan, In a dark grove, or irksome den, With discontents and Furies then, A thousand miseries at once Mine heavy heart and soul ensconce, All my griefs to this are jolly, None so sour as melancholy. Methinks I hear, methinks I see, Sweet music, wondrous melody, Towns, palaces, and cities fine; Here now, then there; the world is mine, Rare beauties, gallant ladies shine, Whate'er is lovely or divine. All other joys to this are folly, None so sweet as melancholy. Methinks I hear, methinks I see Ghosts, goblins, fiends; my phantasy Presents a thousand ugly shapes, Headless bears, black men, and apes, Doleful outcries, and fearful sights, My sad and dismal soul affrights. All my griefs to this are jolly, None so damn'd as melancholy. Methinks I court, methinks I kiss, Methinks I now embrace my mistress. O blessed days, O sweet content, In Paradise my time is spent. Such thoughts may still my fancy move, So may I ever be in love. All my joys to this are folly, Naught so sweet as melancholy. When I recount love's many frights, My sighs and tears, my waking nights, My jealous fits; O mine hard fate I now repent, but 'tis too late. No torment is so bad as love, So bitter to my soul can prove. All my griefs to this are jolly, Naught so harsh as melancholy. Friends and companions get you gone, 'Tis my desire to be alone; Ne'er well but when my thoughts and I Do domineer in privacy. No Gem, no treasure like to this, 'Tis my delight, my crown, my bliss. All my joys to this are folly, Naught so sweet as melancholy. 'Tis my sole plague to be alone, I am a beast, a monster grown, I will no light nor company, I find it now my misery. The scene is turn'd, my joys are gone, Fear, discontent, and sorrows come. All my griefs to this are jolly, Naught so fierce as melancholy. I'll not change life with any king, I ravisht am: can the world bring More joy, than still to laugh and smile, In pleasant toys time to beguile? Do not, O do not trouble me, So sweet content I feel and see. All my joys to this are folly, None so divine as melancholy. I'll change my state with any wretch, Thou canst from gaol or dunghill fetch; My pain's past cure, another hell, I may not in this torment dwell! Now desperate I hate my life, Lend me a halter or a knife; All my griefs to this are jolly, Naught so damn'd as melancholy.
Robert Burton (The Anatomy of Melancholy: What It Is, With All the Kinds, Causes, Symptoms, Prognostics, and Several Cures of It ; in Three Partitions; With Their ... Historically Opened and Cut Up, V)
July 14, 1861 Camp Clark, Washington My very dear Sarah: The indications are very strong that we shall move in a few days — perhaps tomorrow. Lest I should not be able to write again, I feel impelled to write a few lines that may fall under your eye when I shall be no more… I have no misgivings about, or lack of confidence in the cause in which I am engaged, and my courage does not halt or falter. I know how strongly American Civilization now leans on the triumph of the Government and how great a debt we owe to those who went before us through the blood and sufferings of the Revolution. And I am willing — perfectly willing — to lay down all my joys in this life, to help maintain this Government, and to pay that debt… Sarah my love for you is deathless, it seems to bind me with mighty cables that nothing but Omnipotence could break; and yet my love of Country comes over me like a strong wind and bears me unresistibly on with all these chains to the battle field. The memories of the blissful moments I have spent with you come creeping over me, and I feel most gratified to God and to you that I have enjoyed them for so long. And hard it is for me to give them up and burn to ashes the hopes of future years, when, God willing, we might still have lived and loved together, and seen our sons grown up to honorable manhood, around us. I have, I know, but few and small claims upon Divine Providence, but something whispers to me — perhaps it is the wafted prayer of my little Edgar, that I shall return to my loved ones unharmed. If I do not my dear Sarah, never forget how much I love you, and when my last breath escapes me on the battle field, it will whisper your name. Forgive my many faults and the many pains I have caused you. How thoughtless and foolish I have often times been! How gladly would I wash out with my tears every little spot upon your happiness… But, O Sarah! If the dead can come back to this earth and flit unseen around those they loved, I shall always be near you; in the gladdest days and in the darkest nights … always, always, and if there be a soft breeze upon your cheek, it shall be my breath, as the cool air fans your throbbing temple, it shall be my spirit passing by. Sarah do not mourn me dead; think I am gone and wait for thee, for we shall meet again…
Sullivan Ballou
Sunday Morning V She says, "But in contentment I still feel The need of some imperishable bliss." Death is the mother of beauty; hence from her, Alone, shall come fulfilment to our dreams And our desires. Although she strews the leaves Of sure obliteration on our paths, The path sick sorrow took, the many paths Where triumph rang its brassy phrase, or love Whispered a little out of tenderness, She makes the willow shiver in the sun For maidens who were wont to sit and gaze Upon the grass, relinquished to their feet. She causes boys to pile new plums and pears On disregarded plate. The maidens taste And stray impassioned in the littering leaves. VI Is there no change of death in paradise? Does ripe fruit never fall? Or do the boughs Hang always heavy in that perfect sky, Unchanging, yet so like our perishing earth, With rivers like our own that seek for seas They never find, the same receding shores That never touch with inarticulate pang? Why set the pear upon those river-banks Or spice the shores with odors of the plum? Alas, that they should wear our colors there, The silken weavings of our afternoons, And pick the strings of our insipid lutes! Death is the mother of beauty, mystical, Within whose burning bosom we devise Our earthly mothers waiting, sleeplessly. VII Supple and turbulent, a ring of men Shall chant in orgy on a summer morn Their boisterous devotion to the sun, Not as a god, but as a god might be, Naked among them, like a savage source. Their chant shall be a chant of paradise, Out of their blood, returning to the sky; And in their chant shall enter, voice by voice, The windy lake wherein their lord delights, The trees, like serafin, and echoing hills, That choir among themselves long afterward. They shall know well the heavenly fellowship Of men that perish and of summer morn. And whence they came and whither they shall go The dew upon their feet shall manifest. VIII She hears, upon that water without sound, A voice that cries, "The tomb in Palestine Is not the porch of spirits lingering. It is the grave of Jesus, where he lay." We live in an old chaos of the sun, Or old dependency of day and night, Or island solitude, unsponsored, free, Of that wide water, inescapable. Deer walk upon our mountains, and the quail Whistle about us their spontaneous cries; Sweet berries ripen in the wilderness; And, in the isolation of the sky, At evening, casual flocks of pigeons make Ambiguous undulations as they sink, Downward to darkness, on extended wings
Wallace Stevens
Ione III. TO-DAY my skies are bare and ashen, And bend on me without a beam. Since love is held the master-passion, Its loss must be the pain supreme — And grinning Fate has wrecked my dream. But pardon, dear departed Guest, I will not rant, I will not rail; For good the grain must feel the flail; There are whom love has never blessed. I had and have a younger brother, One whom I loved and love to-day As never fond and doting mother Adored the babe who found its way From heavenly scenes into her day. Oh, he was full of youth's new wine, — A man on life's ascending slope, Flushed with ambition, full of hope; And every wish of his was mine. A kingly youth; the way before him Was thronged with victories to be won; so joyous, too, the heavens o'er him Were bright with an unchanging sun, — His days with rhyme were overrun. Toil had not taught him Nature's prose, Tears had not dimmed his brilliant eyes, And sorrow had not made him wise; His life was in the budding rose. I know not how I came to waken, Some instinct pricked my soul to sight; My heart by some vague thrill was shaken, — A thrill so true and yet so slight, I hardly deemed I read aright. As when a sleeper, ign'rant why, Not knowing what mysterious hand Has called him out of slumberland, Starts up to find some danger nigh. Love is a guest that comes, unbidden, But, having come, asserts his right; He will not be repressed nor hidden. And so my brother's dawning plight Became uncovered to my sight. Some sound-mote in his passing tone Caught in the meshes of my ear; Some little glance, a shade too dear, Betrayed the love he bore Ione. What could I do? He was my brother, And young, and full of hope and trust; I could not, dared not try to smother His flame, and turn his heart to dust. I knew how oft life gives a crust To starving men who cry for bread; But he was young, so few his days, He had not learned the great world's ways, Nor Disappointment's volumes read. However fair and rich the booty, I could not make his loss my gain. For love is dear, but dearer, duty, And here my way was clear and plain. I saw how I could save him pain. And so, with all my day grown dim, That this loved brother's sun might shine, I joined his suit, gave over mine, And sought Ione, to plead for him. I found her in an eastern bower, Where all day long the am'rous sun Lay by to woo a timid flower. This day his course was well-nigh run, But still with lingering art he spun Gold fancies on the shadowed wall. The vines waved soft and green above, And there where one might tell his love, I told my griefs — I told her all! I told her all, and as she hearkened, A tear-drop fell upon her dress. With grief her flushing brow was darkened; One sob that she could not repress Betrayed the depths of her distress. Upon her grief my sorrow fed, And I was bowed with unlived years, My heart swelled with a sea of tears, The tears my manhood could not shed. The world is Rome, and Fate is Nero, Disporting in the hour of doom. God made us men; times make the hero — But in that awful space of gloom I gave no thought but sorrow's room. All — all was dim within that bower, What time the sun divorced the day; And all the shadows, glooming gray, Proclaimed the sadness of the hour. She could not speak — no word was needed; Her look, half strength and half despair, Told me I had not vainly pleaded, That she would not ignore my prayer. And so she turned and left me there, And as she went, so passed my bliss; She loved me, I could not mistake — But for her own and my love's sake, Her womanhood could rise to this! My wounded heart fled swift to cover, And life at times seemed very drear. My brother proved an ardent lover — What had so young a man to fear? He wed Ione within the year. No shadow clouds her tranquil brow, Men speak her husband's name with pride, While she sits honored at his side —
Paul Laurence Dunbar