Sopranos Quotes

Gabe scratched his double chin. "Maybe if you hurry with the seven-layer dip...And maybe if the kid apologizes for interrupting my poker game." Maybe if I kick you in your soft spot, I thought. And make you sing Soprano for a week.

Some people are born to make great art and others are born to appreciate it. Don't you think? It is a kind of talent in itself, to be an audience, whether you are the spectator in the gallery or you are listening to the voice of the world's greatest soprano. Not everyone can be the artist. There have to be those who witness the art, who love and appreciate what they have been privileged to see.

Love is a rebellious bird that nobody can tame. He looked up, meeting her eyes. 'I'm called Peregrine. Like the falcon. People call me Perry.' She smiled. 'We're alike, Perry. My voice is called a falcon soprano.' His hand brushed past her cheek and slid into her hair. 'We're the same, Aria.

And like a soprano shattering glass, Juliet heard something snap deep inside. It was the sound of her heart breaking.

The tendency of modern American women to exclaim 'Hiiiiiiiiiiii!' in soprano octaves and hug each other upon sight can be disconcerting to those unfamiliar with it.

Everyone knows that when advancing into danger, the soprano goes first. They are your infantry, while the altos and tenors are your cavalry, and the bass your artillery.

Maybe there would be a bad outcome for some of the others, but no one was going to shoot a soprano.

This is an apology letter to the both of us for how long it took me to let things go. It was not my intention to make such a production of the emptiness between us playing tuba on the tombstone of a soprano to try and keep some dead singer’s perspective alive. It’s just that I coulda swore you had sung me a love song back there and that you meant it but I guess sometimes people just chew with their mouth open so I ate ear plugs alive with my throat hoping they’d get lodged deep enough inside the empty spots that I wouldn’t have to hear you leaving

Oh words, what crimes are committed in your name? ~Jack or The Submission

The wait deep water was so cold I imagined I'd be singing soprano for the rest of the week.

He was trying to be everywhere at once," the redhead told the human. "Trying to make sure Alice had nothing to do, actually." He shook his head as he looked at the tiny blackhaired girl. "Alice doesn‘t need anyone‘s help." The vampire named Alice shot a glare at Jasper. "Overprotective fool," she said in her clear soprano voice. Jasper met her stare with a half smile, seeming to forget for a second that I existed.

Back in 1999, she had watched five episodes of The Sopranos and immediately wanted to be involved in organized crime. Not the shooting part, the part where they all sat around in restaurants.

The girl in your class who suggests that this year the Drama Club put on The Bald Soprano will be a thorn in people's sides all of her life.

Sing, then. Sing, indeed, with shoulders back, and head up so that song might go to the roof and beyond to the sky. Mass on mass of tone, with a hard edge, and rich with quality, every single note a carpet of colour woven from basso profundo, and basso, and baritone, and alto, and tenor, and soprano, and also mezzo, and contralto, singing and singing, until life and all things living are become a song. O, Voice of Man, organ of most lovely might.

I'd rather lay an egg in a box than go and steal an ox.

You know my feelings: Every day is a gift. It's just, does it have to be a pair of socks?

The scene is very Sopranos meets Rent.

Opera is when a tenor and soprano want to make love, but are prevented from doing so by a baritone

Everyday, you get home from the shops with a bag of cat food and bin-liners and realise that, yet again, you failed to have cosmetic surgery, book a cheap weekend in Paris, change your name to something more glamorous, buy the fifth series of The Sopranos, divorce your spouse, sell up and move to Devon, or adopt a child from Guatemala.

Not wanting to be stuck on the boat with lobster dwarf and his jerky-eating brother, I swung my legs overboard. The waist-deep water was so cold I imagined I would be singing soprano for the rest of the week.

A couple of inches up and right and he would have been a soprano.

Why was there never an opera that ended with a soprano who was free?

Is he really so much like the monster James tracked across Siberia?" Her eyes popped wide open, and then began flickering wildly from Edward to Seth to me, around and around. "Not the same?" she snarled in her little girl's soprano. "Impossible!

When I was born, I was almost fourteen years old. That's why I was able to understand more easily than most what it was all about.

Part of their problem was Percy. He fought like a demon, whirling through the defenders’ ranks in a completely unorthodox style, rolling under their feet, slashing with his sword instead of stabbing like a Roman would, whacking campers with the flat of his blade, and generally causing mass panic. Octavian screamed in a shrill voice—maybe ordering the First Cohort to stand their ground, maybe trying to sing soprano—but Percy put a stop to it. He somersaulted over a line of shields and slammed the butt of his sword into Octavian’s helmet. The centurion collapsed like a sock puppet. Frank

If we put a gun to her head she would sing all day. Try it first with a bird, General Benjamin said gently to Alfredo. Like our soprano, they have no capacity to understand authority. The bird doesn't know enough to be afraid and the person holding the gun will only end up looking like a lunatic.

Maybe if I kick you in your soft spot, I thought. And make you sing soprano for a week.

Got one,” P.J. called. “Motherfucker is ball-less and singing soprano.” “Jesus, that woman is vicious,” Joe muttered. “That’s our girl,” Renshaw called back smugly.

Autumn is not nobody, but a real, actual force of nature. She is so much more than just some run-of-the-mill person. She's Bette David and Dorothy Parker and Madonna. Autumn is Tyler Durden and Tony Soprano. Autumn is Cthulhu, Destroyer of Worlds.

Who are you? Where do you fit into poetry and myth? Do you know who I think you are, Ramsay? I think you are Fifth Business. You don't know what that is? Well, in opera in a permanent company of the kind we keep up in Europe you must have a prima donna -- always a soprano, always the heroine, often a fool; and a tenor who always plays the lover to her; and then you must have a contralto, who is a rival to the soprano, or a sorceress or something; and a basso, who is the villain or the rival or whatever threatens the tenor. "So far, so good. But you cannot make a plot work without another man, and he is usually a baritone, and he is called in the profession Fifth Business, because he is the odd man out, the person who has no opposite of the other sex. And you must have Fifth Business because he is the one who knows the secret of the hero's birth, or comes to the assistance of the heroine when she thinks all is lost, or keeps the hermitess in her cell, or may even be the cause of somebody's death if that is part of the plot. The prima donna and the tenor, the contralto and the basso, get all the best music and do all the spectacular things, but you cannot manage the plot without Fifth Business! It is not spectacular, but it is a good line of work, I can tell you, and those who play it sometimes have a career that outlasts the golden voices. Are you Fifth Business? You had better find out.

Compared to you,” said the Klavar soprano, “humans are joyful rosebushes bouncing through the stars. If you ever stopped napping long enough to escape Earth, you would sweep across this galaxy like nothing before, an endless wave of carnage. You would hunt our worlds one by one and ruin everything we’ve built. Only your laziness protects us.” Capo hopped down off the railing. She lifted her tail in the air haughtily and glanced back over her furry shoulder. “Most likely,” she purred. “Best keep mum, don’t you think? Wouldn’t want to wake us u

FIRE CHIEF: Life is very simple, really. [To the Smiths:] Go on and kiss each other.

Now didn't I warn you, just a little while ago: arithmetic leads to philology, and philology leads to crime . . .

She was the right girl at the right time. She had only a small repertory of Child ballads, never trained her pure soprano and annoyed some purists because she was indifferent to the origins of her material and sang everything ‘sad’.

That's what being a boss is. You steer the ship the best way you know. Sometimes it's smooth. Sometimes you hit the rocks. In the meantime you find your pleasures where you can.

The soprano studies for seven years in order to be able to open her mouth and make loud sounds for three hours on end.

Love is private and primitive and a bit on the funky and frightening side. I think of the Luna card in the Tarot deck: some strange, huge crustacean, its armor glistening and its pinchers wiggling, clatters out of a pool while wild dogs howl at a bulging moon. Underneath the hearts and flowers, love is loony like that. Attempts to housebreak it, to refine it, to dress the crabs up like doves and make them sing soprano always result in thin blood. You end up with a parody.

I tried to catch the eye of everyone around me who wasn’t a soprano I. I get it. First sopranos don’t feel this. You hear it, but you don’t feel it. You don’t know that those lowly peasants making a nice vocal cushion for you to step on had parts that were every bit as rapturous as yours

My music teacher offered twittering madrigals and something about how, in Italy, in Italy, the oranges hang on the tree. He treated me - the humiliation of it - as a soprano. These, by contrast, are the six elements of a Sacred Harp alto: rage, darkness, motherhood, earth, malice, and sex. Once you feel it, you can always do it. You know where to go for it, though it will cost you.

Somewhere along the line Coltrane's soprano sax runs out of steam. Now it's McCoy Tyner's piano solo I hear, the left hand carving out a repetitious rhythm and the right layering on thick, forbidding chords. Like some mythic scene, the music portrays somebody's - a nameless, faceless somebody's - dim past, all the details laid out as clearly as entrails being dragged out of the darkness. Or at least that's how it sounds to me. The patient, repeating music ever so slowly breaks apart the real, rearranging the pieces. It has a hypnotic, menacing smell, just like the forest.

The point is, our health-care system is a terrible mess. It's expensive, wasteful, inefficient, unresponsive, and infested with lawyers. Which is why there has been a big push, in some quarters, to place it under the management of... The federal government. This is like saying that if your local police department has a corruption problem, the solution is to turn law enforcement over to the Sopranos.

Rapture I can feel she has got out of bed. That means it is seven a.m. I have been lying with eyes shut, thinking, or possibly dreaming, of how she might look if, at breakfast, I spoke about the hidden place in her which, to me, is like a soprano’s tremolo, and right then, over toast and bramble jelly, if such things are possible, she came. I imagine she would show it while trying to conceal it. I imagine her hair would fall about her face and she would become apparently downcast, as she does at a concert when she is moved. The hypnopompic play passes, and I open my eyes and there she is, next to the bed, bending to a low drawer, picking over various small smooth black, white, and pink items of underwear. She bends so low her back runs parallel to the earth, but there is no sway in it, there is little burden, the day has hardly begun. The two mounds of muscles for walking, leaping, lovemaking, lift toward the east—what can I say? Simile is useless; there is nothing like them on earth. Her breasts fall full; the nipples are deep pink in the glare shining up through the iron bars of the gate under the earth where those who could not love press, wanting to be born again. I reach out and take her wrist and she falls back into bed and at once starts unbuttoning my pajamas. Later, when I open my eyes, there she is again, rummaging in the same low drawer. The clock shows eight. Hmmm. With huge, silent effort of great, mounded muscles the earth has been turning. She takes a piece of silken cloth from the drawer and stands up. Under the falls of hair her face has become quiet and downcast, as if she will be, all day among strangers, looking down inside herself at our rapture.

The birds on the branches, the lilies in the field, the deer in the forest, the fishes in the sea, countless hosts of happy men, exultantly proclaim: God is love. But underneath all these sopranos, supporting them as it were, as the bass part does, is audible the de profundis which issues from the sacrificed one: God is love.

I am a confused Musician who got sidetracked into this goddamn Word business for so long that I never got back to music - except maybe when I find myself oddly alone in a quiet room with only a typewriter to strum on and a yen to write a song. Who knows why? Maybe I just feel like singing - so I type. These quick electric keys are my Instrument, my harp, my RCA glass-tube microphone, and my fine soprano saxophone all at once. That is my music, for good or ill, and on some nights it will make me feel like a god. Veni, Vidi, Vici... That is when the fun starts...

Even a broken clock is right twice a day.

What am I? The modest narrator who accompanies your triumphs; the dancer who supports you when you rise in your lovely grace; the branch upon which you rest a moment when you are tired of flying; the bass that interposes itself below the soprano’s fervour to let it climb even higher—what am I? I am the earthly gravity that keeps you on the ground. What am I, then? Body, mass, earth, dust and ashes.—You, my Cordelia, you are soul and spirit.” —Johannes the Seducer, from_Either/Or_

I can't explain the birds to you even if I tried. In the early morning, when the sun's rays peek over the mountain and subtly light up the landscape in a glow that, if audible, would sound like a hum, the birds sing. They sing in a layered symphony, hundreds deep. You really can't believe how beautiful it is. You hear bass notes from across the farm and soprano notes from the tree in front of you all at once, at varying volumes, like a massive choir that stretches across fifty acres of land. I love birds. But not as much as my wife loves them. My wife thinks about them, whereas I only notice them once they call for attention. But she looks for them, builds fountains for them, and saves them after they crash into windows. I've seen her save many birds. She holds them gently in the palm of her hand, and she takes them to one of the fountains she's built especially for them and holds their beaks up to the gentle trickle of water to let them drink, to wake them up from their dazed stupor. No matter how much time it takes, she doesn't leave them until they recover. And they mostly always do.

Now, darlin’, you know that social etiquette is bred into us Southern girls.” “Oh, please. You’re as Southern as Tony Soprano.” Mama sniffed. “I swear, I should have left you by the side of the road in Wheeling, West Virginia.” “You did leave me there.

But the shadow settled on them, obliquely, and was shuffled off only when Danielle rose to put on music, a Spanish soprano singing Cantaloube, her pure, agonized strains floating, their minor harmonies wavering in the small room, as if to remind them both that beauty and loss were inseparably entwined.

I have talents that I'm not supposed to have: I can tell who crushes on who by how they stand, I can read strides, I can hear the tonal differences between an alto and a soprano singing the same line so clearly that to me they sing entirely different notes, and I can read through the lines and tell when a person doesn't need to be writing at all. That, that is what makes me a snob, because I cannot abide a person putting pen to paper or fingers on keys when they don't need to, when word choice is not as relevant and demanding and essential to them as breathing and syntax is about being correct and not about being evocative.

The bishop thought that night, while Rachel was singing, that if the world of sinful, diseased, depraved, lost humanity could only have the Gospel preached to it by consecrated sopranos and professional tenors and altos and basses, he believed it would hasten the coming of the Kingdom quicker than any other one force.

Scroll, scroll, scroll, play—now, to disappear completely into an entirely other world. In that world: every faction left me alone. In that world: I was not one seven-billionth of the planet’s population. In that world: I was one-fourth of the planet’s population: it was Dad, the sopranos, and me. In that world: we soared through the sky and clouds, above it all, not a care in the world, the most miraculous of gaggles, catching the soul of those rare, lovely heart-thinkers. In that world: my wing was mended.

Every player in every game is subjected to a cold and ceaseless accounting; no ball is thrown and no base is gained without an instant responding judgment—ball or strike, hit or error, yea or nay—and an ensuing statistic. This encompassing neatness permits the baseball fan, aided by experience and memory, to extract from a box score the same joy, the same hallucinatory reality, that prickles the scalp of a musician when he glances at a page of his score of Don Giovanni and actually hears bassos and sopranos, woodwinds and violins.

I'm looking for a monophysite priest to marry our maid.

Experience teaches us that when one hears the doorbell ring it is because there is never anyone there.

They say every day’s a gift, but why does it have to be a pair of socks?

Me gusta la gente que dice lo que piensa, piensa lo que dice y hace lo que dice que va a hacer.

roles in True Romance and Crimson Tide—is a young, pre-Sopranos James Gandolfini. Glory, Marshall Herskowitz, 1989. Broadcast News, James L. Brooks, 1986.

Even the genteel ladies in the high stands opened their delicate throats and pierced the sky with their soprano squealing.

but no one was going to shoot a soprano.

A basso sings, and a soprano answers him. Then there is thunder in a clear blue sky, And, from the earth, a sigh: “This song is finished.

I was regarded by my parents as having little musical talent other than a thin, nasal soprano voice. I was forbidden to touch my father's clarinets or saxophones, just my harmonica.

Yet during a twenty-year period there wasn’t an American alive who wouldn’t have recognized Jimmy Hoffa immediately, the way Tony Soprano is recognized today. The vast majority of Americans would have known him by the sound of his voice alone. From 1955 until 1965 Jimmy Hoffa was as famous as Elvis. From 1965 until 1975 Jimmy Hoffa was as famous as the Beatles. Jimmy

He was like a worn small rock whelmed by the successive waves of his voice. With his body he seemed to feed that voice that, succubus like, had fleshed its teeth in him. And the congregation seemed to watch with its own eyes while the voice consumed him, until he was nothing and they were nothing and there was not even a voice but instead their hearts were speaking to one another in chanting measures beyond the need for words, so that when he came to rest again against the reading desk, his monkey face lifted and his whole attitude that of a serene, tortured crucifix that transcended its shabbiness and insignificance and made it of no moment, a long moaning expulsion of breath rose from them, and a woman's—woman's single soprano: "Yes, Jesus!

These things matter to me, Daniel, says the man with six days to live. They are sitting on the porch in the last light. These things matter to me, son. The way the hawks huddle their shoulders angrily against hissing snow. Wrens whirring in the bare bones of bushes in winter. The way swallows and swifts veer and whirl and swim and slice and carve and curve and swerve. The way that frozen dew outlines every blade of grass. Salmonberries thimbleberries cloudberries snowberries elderberries salalberries gooseberries. My children learning to read. My wife's voice velvet in my ear at night in the dark under the covers. Her hair in my nose as we slept curled like spoons. The sinuous pace of rivers and minks and cats. Fresh bread with too much butter. My children's hands when they cup my face in their hands. Toys. Exuberance. Mowing the lawn. Tiny wrenches and screwdrivers. Tears of sorrow, which are the salt sea of the heart. Sleep in every form from doze to bone-weary. Pay stubs. Trains. The shivering ache of a saxophone and the yearning of a soprano. Folding laundry hot from the dryer. A spotless kitchen floor. The sound of bagpipes. The way horses smell in spring. Red wines. Furnaces. Stone walls. Sweat. Postcards on which the sender has written so much that he or she can barely squeeze in the signature. Opera on the radio. Bathrobes, back rubs. Potatoes. Mink oil on boots. The bands at wedding receptions. Box-elder bugs. The postman's grin. Linen table napkins. Tent flaps. The green sifting powdery snow of cedar pollen on my porch every year. Raccoons. The way a heron labors through the sky with such a vast elderly dignity. The cheerful ears of dogs. Smoked fish and the smokehouses where fish are smoked. The way barbers sweep up circles of hair after a haircut. Handkerchiefs. Poems read aloud by poets. Cigar-scissors. Book marginalia written with the lightest possible pencil as if the reader is whispering to the writer. People who keep dead languages alive. Fresh-mown lawns. First-basemen's mitts. Dish-racks. My wife's breasts. Lumber. Newspapers folded under arms. Hats. The way my children smelled after their baths when they were little. Sneakers. The way my father's face shone right after he shaved. Pants that fit. Soap half gone. Weeds forcing their way through sidewalks. Worms. The sound of ice shaken in drinks. Nutcrackers. Boxing matches. Diapers. Rain in every form from mist to sluice. The sound of my daughters typing their papers for school. My wife's eyes, as blue and green and gray as the sea. The sea, as blue and green and gray as her eyes. Her eyes. Her.

The sirens droned on, a soprano counterpoint to the bombs’ relentless bass, their pitch so eerily human it sounded like every soul in London had taken to their rooftops to cry out collective despair. Then

The gold-seekers began to work out what the main characters were like. They sketched out dramatis personae such as: UGOLIN: A grand master of the Fascist Order (bass) ALFONSINA: His daughter (coloratura soprano) COMRADE MITIN: A Soviet inventor (baritone) SFORZA: A fascist prince (tenor) GAVRILA: A Soviet Young Communist (mezzo-soprano dressed as a man) NINA: A Young Communist and daughter of a priest (lyric soprano)

MR. SMITH: Oh dear, oh dear, oh dear. [Silence.] MR. MARTIN: Don't you feel well? [Silence.] MRS. SMITH: No, he's wet his pants. [Silence.] MRS. MARTIN: Oh, sir, at your age, you shouldn't. [Silence.] MR. SMITH: The heart is ageless. [Silence.]

Song jingle idea: Female soprano: At Axes and Saxophones we sell axes and saxophones. Come on in and buy an axe or a saxophone. Male falsetto voice: Why are you telling me about axes and saxophones? Don’t you know I work at Axes and Saxophones? I repair used ducks.

I'm gonna put a hit out on her! Okay, hold on there, Tony Soprano. No one's putting a hit on anyone. I paused. Just to be clear, you don't have those kind of connections, right? No, but I have money! I'm sure I can buy some connections, she answered in all seriousness.

Anyways, the guys try to be cool. They just lie there and groove, but after a while they start hearing - you won't believe this - they hear chamber music. They hear violins and cellos. They hear this terrific mama-san soprano. Then after a while they hear gook opera and and a glee club and the Haiphong Boys Choir and a barbershop quartet and and all kinds of wierd chanting and Buddha-Buddha stuff. All the whole time, in the background, there's stil that cocktail party going on. All these different voices. Not human voices, though. Because it's the mountains. Follow me? The rock, it's TALKING. And the fog, too, and the grass and the goddamn mongooses. Everything talks. The trees talk politics, the monnkeys talk religion. The whole country. Vietnam. The place talks. It talks. Understand? Nam - it truly TALKS.

Do not feed that beggar. Hamlet, lie down.” The dog ignored her. “Down,” Viktor ordered, his deep voice stern. The dog whined and then lay down. The prince looked at her. “You need to be more forceful.” “I suppose my forcefulness will improve once my voice changes. Sopranos get no respect.

I was twelve years old. I got out my bicycle and road over to KFWB. They said, ‘What do you want?’ I said, ‘I’d like to give a weekly radio program for the Boy Scouts.’ They said, ‘Are you an Eagle?’ I said, ‘No, I’m a Tenderfoot.’ They said, ‘Did the Boy Scouts send you?’ I said, ‘No, I just got the idea and came over.’ They said, ‘Well, run along.’ So I went over to KNX. They liked the idea and arranged a time for the first program. I then went to the Boy Scouts, told them what had happened, and asked for their approval and cooperation. They said it was all right to give the program but that they would not cooperate. In fact, they never did. Every time I asked for the Boy Scout band, they said No. Individual Scouts all gave their services willingly. There were boy sopranos; trumpet, trombone, and piano soloists; and Scouts who spoke on their experiences building fires and tying knots. The volume of fan mail increased each month. After two years, the organization called up KNX, said they’d never authorized the program, and demanded that I be put out and they be put in. They were. The band finally played. A few weeks later, KNX took the program off the air.

I try whistling to fill in the silence. The soprano sax from Coltrane’s “My Favorite Things,” though of course my dubious whistling doesn’t come anywhere near the complex, lightning-quick original. I just add bits so what I hear in my head approximates the sound. Better than nothing, I figure.

You’d better marry her before she reaches eighteen and the spell wears off,” I said. “Spell?” “Yes. The one that’s hiding her fangs and pincers from plain sight.” “I don’t find them especially hidden,” he said mildly. “Then perhaps you’re a pair.” His brows lifted. “Now, that’s the cruelest thing you’ve said so far.” Mrs. Fredericks cleared off, and Chloe took her place before the piano. A beam of sunlight was just beginning its slide into the chamber, capturing her in light. She was a glowing girl with a glowing face, and Joplin at her fingertips. “Give me time,” I muttered, dropping my gaze to my plate. “I’ll come up with something worse.” “No doubt.” Armand pulled a flask from his jacket and shook it in front of my nose. “Whiskey. Conveniently the same color as tea. Are you game, waif?” I glanced around, but no one was looking. I lifted my cup, drained it to the dregs, and set it before him. He was right. It did look like tea. But it tasted like vile burning fire, all the way down my throat. “Sip it,” he hissed, as I began to cough. His voice lifted over my sputtering. “Dear me, Miss Jones, I do beg your pardon. The tea’s rather hot; I should have mentioned it.” “Quite all right,” I gasped, as the whiskey swirled an evil amber in my teacup. Chloe’s song grew bouncier, with lyrics about a girl with strawberries in a wagon. Several of the men had begun to cluster near, drawn to her soprano or perchance her bosom. Two were vying to turn the pages of her music. She had to crane her head to keep Armand in view. He sent her another smile from his chair, lifting his cup in salute. “I’m going to kiss you, Eleanore,” he said quietly, still looking at her. “Not now. Later.” His eyes cut back to mine. “I thought it fair to tell you first.” I stilled. “If you think you can do so without me biting your lip, feel free to try.” His gaze shone wicked blue. “I don’t mind if you bite.” “Biting your lip off, I should have said.” “Ah. Let’s see how it goes, shall we?

The Fury Of Guitars And Sopranos " This singing is a kind of dying, a kind of birth, a votive candle. I have a dream-mother who sings with her guitar, nursing the bedroom with a moonlight and beautiful olives. A flute came too, joining the five strings, a God finger over the holes. I knew a beautiful woman once who sang with her fingertips and her eyes were brown like small birds. At the cup of her breasts I drew wine. At the mound of her legs I drew figs. She sang for my thirst, mysterious songs of God that would have laid an army down. It was as if a morning-glory had bloomed in her throat and all that blue and small pollen ate into my heart violent and religious.

Julius Caesar. His murder is a pivot point for the rest of the action to take place. Other examples?" "Othello," said Amber. "Murder for jealousy. Others?" "Hamlet," offered Heather. "Murder for power. Others?" "The Sopranos," said Rick. Everyone laughed. "Murder of the English language," Skyler quipped, gathering another smattering of laughter.

She had applied to college without her parents' knowledge, and when she got her choral scholarship she broke from childhood, choosing music as her religion. Emily and Jess pressed him, but they didn't understand. Their mother's life began when she came up to Cambridge on her own. "It's like a fairyland here," she used to say, when they walked through the ancient cloisters. She was a quiet rebel, buying a Liberty-dress pattern and sewing her own gown for the Emmanuel College ball, dancing until dawn, and then slipping barefoot onto the velvet lawns reserved for Fellows. As a soprano she sang for services and feasts. As an adventurer, she tried champagne for the first time and pork loin and frog's legs.

MRS. SMITH: Well, this is how it was. It is difficult for me to speak openly to you, but a fireman is also a confessor.

They've youth; they'll walk it out like a favorite pair trainers.

They've youth; they'll walk it out like a favorite pair pf trainers.

Patrick West.” Nick spoke so quietly the words were hardly more than a soft exhalation. “Student. Swimmer. Fan of lurid supernatural romances, €linore, and BadMadRad. Casual gamer. Admirer of Jaguar, fictional warrior princesses, and soprano witch queens. Lover of historical buildings. Idealist who wants to build cities where people can live well. Owner of strong opinions he never hesitates to defend, no matter how obviously wrong. Quick to laugh. Spontaneous and unselfconscious, except when he thinks too much, or tries too hard. Talks too much, with hardly any filter between the brain and the mouth. Adaptable. Outgoing. Unreserved. Loud. Talented. Whole-hearted. Foolhardy. Stronger than he thinks. Wiser than he seems.

We often take these social rituals for granted, but we do so at our own peril. They are more fragile than we think. Like fine crystal, they break easily and are hard to glue back together.

With me as your husband? Infatuated. Obviously.” He glanced sideways and caught her eye roll. “I’m pretty sure it’s your fault,” he added. “You wanted to go off-road.” “Please. A woman who wants a five-star hotel and sex isn’t going to beg to ride off-road on terrain likely to make you a soprano.” “Sweetheart, there’s no need to worry in that department.” “I’ll be the judge of that.” “I can’t wait.

Mr. Gruffydd turned to my father, and he blew the note on the reed pipe. Ivor raised his finger, and from top of the Hill down to bottom men and women hummed softly to have the proper key, with sopranos going up to find the octave, and altos climbing, and tenors making silver and contraltos and baritones resting in comfort and basso down on the octave below, and the sound they all made was a life-time of loveliness, so solid, so warm, so deep, and yet so delicate. It will be no surprise to me if the flowers of the gardens of heaven are made from such sound. And O, to smell a smell as good to the nose as that sound sounds to the ear. But even heaven could not be so beautiful, or we would all be drunk with beauty day and night, and no work done anywhere, and nobody to blame. Drunk with beauty. There is lovely.

The Dog and the Cow,” an experimental fable. Once upon a time another cow asked another dog: “Why have you not swallowed your trunk?” “Pardon me,” replied the dog, “it is because I thought that I was an elephant.

What am I? The modest narrator who accompanies your triumphs; the dancer who supports you when you rise in your lovely grace; the branch upon which you rest a moment when you are tired of flying; the bass that interposes itself below the soprano’s fervour to let it climb even higher—what am I? I am the earthly gravity that keeps you on the ground. What am I, then? Body, mass, earth, dust and ashes.—You, my […], you are soul and spirit.” —Johannes the Seducer, from_Either/Or_

Surrender to me," he breathed against her lips. She pulled him closer, held him tightly, and obeyed him; her high, wrenching moans intoxicated him, a frantic, soft soprano by his ear. He buried his face in her silky hair, battling himself to hold off just a moment longer until she had taken her full pleasure of him. Spasms of profound climax racked her lithe body, and the sweet convulsions of her core drove him entirely mad. She overcame him. How he had the presence of mind to withdraw from her body, he had no idea, for he was already falling into ecstasy, but he refused to risk getting her with child in the midst of all the danger she already had to deal with. Waves of pleasure rocked him. His explosive release drenched her quivering stomach and her spread thighs with his seed. He did not care. He had never been one to bother with tedious inhibitions. He let his growls and groans of pleasure fill the searing space between them. All the while, he gripped her hips, only wishing to God he could have filled her body instead.

Presently a soprano voice of richness and depth floated from the open windows of the parlor, resonating over the darkening greenery. All at once it was as if the entire scene before them was awakened by that voice, infused with unexpected life: the western sky, streaked with bands of pale gold and purple; the two houses, standing gray and disconsolate against that sky; the clusters of trees casting deep black shadows here and there across the ground. The same voice that brought everything suddenly to life also drew them into another, much deeper world—a world that was normally hidden, a world that stretched out into eternity. Yusuke, who had at first looked on with a sense of distance as everyone else sat listening, their faces intent on the music, found himself being gradually drawn in as well, forgetting the moment and the place, lending his ear during that unworldly stretch of time as if entranced. No one spoke. The singing could not have lasted ten minutes, but when it ended he found the darkness all at once grew deeper.

Not only these were new kinds of stories, they were being told with a new kind of formal structure. [...] The result was a storytelling architecture you could picture as a colonnade - each episode a brick with its own solid, satisfying shape, but also part of a season-long arc that, in turn, would stand linked to other seasons to form a coherent, freestanding work of art. [...] The new structure allowed huge creative freedom: to develop characters over long stretches of time, to tell stories over the course of fifty hours or more, the equivalent of countless movies.

The pat on the back becomes more important than the music or the skating. One part of us becomes ever more committed to earning the pat on the back, while another subversive part—that we try to ignore—kicks and screams and resists the teacher’s authority. This is the part that gives us all kinds of excuses for not practicing.

When light shines on a leaf, or a daub of paint, or a lump of butter, it actually causes it to rearrange its electrons, in a process called "transition." There the electrons are, floating quietly in clouds within their atoms, and suddenly a ray of light shines on them. Imagine a soprano singing a high C and shattering a wineglass, because she catches its natural vibration. Something similar happens with the electrons, if a portion of the light happens to catch their natural vibration. It shoots them to another energy level and that relevant bit of light, that glass-shattering "note," is used up and absorbed. The rest is reflected out, and our brains read it as "color.".... The best way I've found of understanding this is to think not so much of something "being" a color but of it "doing" a color. The atoms in a ripe tomato are busy shivering - or dancing or singing, the metaphors can be as joyful as the colors they describe - in such a way that when white light falls on them they absorb most of the blue and yellow light and they reject the red - meaning paradoxically that the "red" tomato is actually one that contains every wavelength except red. A week before, those atoms would have been doing a slightly different dance - absorbing the red light and rejecting the rest, to give the appearance of a green tomato instead.

Barbara took her accustomed place by the door but as the singing began Margerit beckoned her over to her side. "I haven't been following much except that it's all ancient Greeks and battles and such. What's happening now?" Barbara knelt beside her and leaned close to whisper so as not to disturb the rest of the party. A brief synopsis of what had gone before took up the time while the chorus escorted the principles to the centre of the stage. "I haven't seen this performance before," Barbara added, "but I imagine this will be the grand love duet." As the soprano began, she concentrated on the stage to follow the opening phrases. The chorus had abandoned the field to the principles who faced each other against a backdrop of fluted columns. "O! What strange fate is mine!" Barbara paused as the signature line was repeated several times. "I loved you in the guise of Mars, but now I am betrayed by Venus. The iron in your glance turns soft beneath my touch. I am undone. O Venus, you are cruel to mock me so." It continued on in the same vein until it was the mezzo's turn. Her lyrics ran much parallel with the soprano's. With less concentration required, Barbara ventured a glance to see Margerit's reaction. Margerit turned at the same moment and their eyes met as Barbara whispered Ifis's lines. "O! What a strange fate is mine! In the guise of Mars I love you but now as Venus I'm betrayed. The Iron in my soul turns soft beneath your touch." Unconsciously, Margerit placed a hand on hers where it lay on the arm of her chair. "Fire runs through my veins - I am undone." Fire indeed ran through her veins. Her hand burned sweetly where Margerit touched it and she dared now take it back. Her voice grew husky. "Why do the gods mock me with desire I cannot sate?" Their eyes were still locked and Margerit's lips had parted in a little "o" of wonder. "O Venus, have mercy on one new come to your shrine." When the soprano joined again for the duet, Margerit breathed along with her, "O! What strange fate is mine!" With effort, Barbara wrenched her gaze away.

Then, only a minute later, my mood & my world changed. I hit my first correct soprano 2 note. I don’t even know where it came from, but I got it right. It was a D. The soprano 1 to my right was singing the B flat above me. I love that glorious high B flat & I should have been apoplectic with envy about not getting to sing it myself, but instead I was pinned to that D, vibrating with a wondrous musical rapport I’d never felt before. I was feeling harmony. Not just singing it, but physically feeling it. It was a rush. You don’t experience this when you’re singing the melody. I was completely in the power of the sound we were making together & I just stood there, afraid to move, thinking, Don’t end, don’t end, don’t end.

Coincidentally the couple who had endowed it had lived in her parents’ building. They had had an eight-year-old with a pretty singing voice who drowned at a Maine summer camp. “You can’t imagine what happened,” said Sarah, but of course Rebecca could imagine. Being a boy soprano had a shorter shelf life than being a supermodel. She could almost see it as Sarah went on and on, the boy with the pale blue eyes, insensible to the hormones coursing through his body as he stood on the stage at Alice Tully Hall. Apparently his choir director had chosen “Old Man River,” sung not in the bass range made famous by Paul Robeson, or in the dialect in which it had been written, but in a high register with crisp consonants. (To be fair to the choir director, he had never

Primer of Love [Lesson 7] "He disrespected the Bing." ~ Tony Soprano, Episode 34 Lesson 7)Don't diss'em or let'em diss you. We're back on Brooklyn's streets (or Newark) on this one. It's all about respect - show none and you get whacked. None of that 'alpha' shit flies here - you're equals and command equal respect. She watches the kids, you cart the garbage. The kids wear her down all day; the cops break your chops about a missing WalMart tractor trailer with 100,000 pair of Levi jeans 'somebody' jacked on the Jersey Turnpike. You twos gotta' to vent your daily shit to each other.Let it all out, but be careful not to anything you may regret or prepare to sleep with a Glock under your pillow for the rest of your live. Insist you be totally naked when having sex to make sure nobody's wearing a wire. Capisce!

Above the roar of pounding waves, Kya called to the birds. The ocean sang bass, the gulls sang soprano. Shrieking and crying, they circled over the marsh and above the sand as she threw piecrust and yeast rolls onto the beach. Legs hanging down, heads twisting, they landed. A few birds pecked gently between her toes, and she laughed from the tickling until tears streamed down her cheeks, and finally great, ragged sobs erupted from that tight place below her throat. When the carton was empty she didn't think she could stand the pain, so afraid they would leave her like everybody else. But the gulls squatted on the beach around her and went about their business of preening their gray extended wings. So she sat down too and wished she could gather them up and take them with her to the porch to sleep. She imagined them all packed in her bed, a fluffy bunch of warm, feathered bodies under the covers together.

I believe another one of the Song girls has a birthday coming up.” He sings, “You are sixteen, going on seventeen…” I feel a strong surge of love for him, my dad who I am so lucky to have. “What song are you singing?” Kitty interrupts. I take Kitty’s hands and spin her around the kitchen with me. “I am sixteen, going on seventeen; I know that I’m naïve. Fellows I meet may tell me I’m sweet; willingly I believe.” Daddy throws his dish towel over his shoulder and marches in place. In a deep voice he baritones, “You need someone older and wiser telling you what to do…” “This song is sexist,” Kitty says as I dip her. “Indeed it is,” Daddy agrees, swatting her with the towel. “And the boy in question was not, in fact, older and wiser. He was a Nazi in training.” Kitty skitters away from both of us. “What are you guys even talking about?” “It’s from The Sound of Music,” I say. “You mean that movie about the nun? Never seen it.” “How have you seen The Sopranos but not The Sound of Music?” Alarmed, Daddy says, “Kitty’s been watching The Sopranos?” “Just the commercials,” Kitty quickly says. I go on singing to myself, spinning in a circle like Liesl at the gazebo. “I am sixteen going on seventeen, innocent as a rose…Fellows I meet may tell me I’m sweet, and willingly I believe…” “Why would you just willingly believe some random fellows you don’t even know?” “It’s the song, Kitty, not me! God!” I stop spinning. “Liesl was kind of a ninny, though. I mean, it was basically her fault they almost got captured by the Nazis.” “I would venture to say it was Captain von Trapp’s fault,” Daddy says. “Rolfe was a kid himself--he was going to let them go, but then Georg had to antagonize him.” He shakes his head. “Georg von Trapp, he had quite the ego. Hey, we should do a Sound of Music night!” “Sure,” I say. “This movie sounds terrible,” Kitty says. “What kind of name is Georg?” We ignore her.

Jesus Christ!" Foraker's shocked exclamation burned across the bridge like a buzzsaw, and Caslet's mouth fell open as his plot suddenly changed. One instant, his ship was charging into the teeth of two opponents' fire; the next instant, there were no opponents. The warships' acceleration had carried them within less than three hundred thousand clicks of the Manty merchantman, which had suddenly rolled back down to present her own broadside to them. Eight incredibly powerful grasers smashed out from the "unarmed freighter" like the wrath of God, and the second raider destroyer simply vanished. A single pair of hits on the light cruiser burned through her sidewall as if it hadn't even existed, and her after third blew apart in a hurricane of splintered and vaporized plating. Three of Shannon's shipboard lasers added their own fury to her damage, chewing huge holes in what was left of her hull, but they were strictly an afterthought, for that ship was already a helpless hulk. "We're being hailed, Skipper," Lieutenant Dutton said shakenly from Communications. Caslet just looked at him, unable to speak, then looked back down at his plot and swallowed as the unmistakable impeller signatures of a full dozen LACs drifted up from the "freighter's" gravitic shadow and locked their weapons on his ship. "Speaker," he rasped. "Unknown cruiser, this is Captain Honor Harrington of Her Majesty's Armed Merchant Cruiser Wayfarer," a soprano voice said quietly. "I appreciate your assistance, and I wish I could offer you the reward your gallantry deserves, but I'm afraid I'm going to have to ask you to surrender.

Then I’ll sing, though that will likely have the child holding his ears and you running from the room.” This, incongruously, had her lips quirking up. “My father isn’t very musical. You hold the baby, I’ll sing.” She took the rocking chair by the hearth. Vim settled the child in his arms and started blowing out candles as he paced the room. “He shall feed his flock, like a shepherd…” More Handel, the lilting, lyrical contralto portion of the aria, a sweet, comforting melody if ever one had been written. And the baby was comforted, sighing in Vim’s arms and going still. Not deathly still, just exhausted still. Sophie sang on, her voice unbearably lovely. “And He shall gather the lambs in his arm… and gently lead those that are with young.” Vim liked music, he enjoyed it a great deal in fact—he just wasn’t any good at making it. Sophie was damned good. She had superb control, managing to sing quietly even as she shifted to the soprano verse, her voice lifting gently into the higher register. By the second time through, Vim’s eyes were heavy and his steps lagging. “He’s asleep,” he whispered as the last notes died away. “And my God, you can sing, Sophie Windham.” “I had good teachers.” She’d sung some of the tension and worry out too, if her more peaceful expression was any guide. “If you want to go back to your room, I can take him now.” He didn’t want to leave. He didn’t want to leave her alone with the fussy baby; he didn’t want to go back to his big, cold bed down the dark, cold hallway. “Go to bed, Sophie. I’ll stay for a while.” She frowned then went to the window and parted the curtain slightly. “I think it’s stopped snowing, but there is such a wind it’s hard to tell.” He didn’t dare join her at the window for fear a chilly draft might wake the child. “Come away from there, Sophie, and why haven’t you any socks or slippers on your feet?” She glanced down at her bare feet and wiggled long, elegant toes. “I forgot. Kit started crying, and I was out of bed before I quite woke up.” They shared a look, one likely common to parents of infants the world over. “My Lord Baby has a loyal and devoted court,” Vim said. “Get into bed before your toes freeze off.” She gave him a particularly unreadable perusal but climbed into her bed and did not draw the curtains. “Vim?” “Hmm?” He took the rocker, the lyrical triple meter of the aria still in his head. “Thank you.” He