Soothing View Quotes

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Sometimes it's hard to look at a flower, when your dying inside.
Anthony Liccione
There are people who fantasize about suicide, and paradoxically, these fantasies can be soothing because they usually involve either fantasizing about others' reactions to one's suicide or imagining how death would be a relief from life's travails. In both cases, an aspect of the fantasy is to exert control, either over others' views or toward life's difficulties. The writer A. Alvarez stated, " There people ... for whom the mere idea of suicide is enough; they can continue to function efficiently and even happily provided they know they have their own, specially chosen means of escape always ready..." In her riveting 2008 memoir of bipolar disorder, Manic, Terri Cheney opened the book by stating, "People... don't understand that when you're seriously depressed, suicidal ideation can be the only thing that keeps you alive. Just knowing there's an out--even if it's bloody, even if it's permanent--makes the pain bearable for one more day." This strategy appears to be effective for some people, but only for a while. Over longer periods, fantasizing about death leaves people more depressed and thus at higher risk for suicide, as Eddie Selby, Mike Amestis, and I recently showed in a study on violent daydreaming. A strategy geared toward increased feelings of self-control (fantasizing about the effects of one's suicide) "works" momentarily, but ultimately backfires by undermining feelings of genuine self-control in the long run.
Thomas E. Joiner (Myths About Suicide)
You'll find that historical research is extremely soothing. When you spend all day among old papers, the people come alive for you, and you begin to see the present through different eyes. You'll see. You view young people knowing that this is only one moment in time and it's passing very quickly. It's comforting. You begin to understand that time is no more than a trick of the mind; some days I'm convinced that my young self is still here, somewhere, just walking down a different street." Anne
Ruth Reichl (Delicious!)
Have you ever stepped outside and looked around, and even though it’s very familiar territory—you’ve seen it a dozen times before—it instantly looks different? The trees are more vibrant, the view is clearer, the sky is bluer, and everything is just brighter. That’s what I feel right now. It’s soothing and breathless and beautiful.
E.L. Montes (Perfectly Damaged)
Good food, fresh water, and an occasional sweet and someone to care for. That's what everyone should have. A simplistic and unrealistic view I knew, but it soothed me.
Maria V. Snyder (Magic Study (Study, #2))
He pulled me toward him so that I was resting on my side. I coughed up some more water. He took off his wet shirt and folded it. Then he gently lifted me and placed it under my sore head, which hurt too much to appreciate his…bronzed…sculpted…muscular…bare chest. Well I guess I must be okay if I can appreciate the view, I thought. Sheesh, I’d have to be dead not to appreciate it. I winced as Ren’s hand brushed against my head, shaking me from my reverie. “You’ve got a major bump here.” I reached up to feel the giant lump on the back of my skull. I gingerly touched it and recalled the source of my headache. I must have lost consciousness when the rock hit me. Ren saved my life. Again. I looked up at him. He was kneeling next to me with a look of desperation on his face, and his body was shaking. I realized that he must have changed to a man, dragged me out of the pool, and then remained by my side until I woke up. Who knows how long I’ve been laying here unconscious. “Ren, you’re in pain. You’ve been in this form too long today.” He shook his head in denial, but I saw him grit his teeth. I pressed my hand on his arm. “I’ll be okay. It’s just a bump on the head. Don’t worry about me. I’m sure Mr. Kadam has some aspirin tucked away in the backpack. I’ll just take that and lie down to rest for a while. I’ll be alright.” He trailed his finger slowly from my temple to my cheek and smiled softly. When he pulled back, his whole arm shook and tremors rippled under the surface of his skin. “Kells, I-“ His face tightened. He threw his head to the side, snarled angrily, and morphed to a tiger again. He softly growled, then quieted, and drew close beside me. He lay down next to me and watched me carefully with his alert blue eyes. I stroked his back, partly to reassure him and partly because it soothed me too.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
The sound of the rain that soothes me The sound of the rain outside my window pane Gives nostalgic feelings Makes me think of thrilling things The whispering sound that stirs things up In the pouring rain, that wonderful feeling That makes you smile and cleanse your soul That peaceful feeling you don't want to go Somewhere along the journey Just enjoy the view The rain will pass You still have a long way to go When the next rain comes don't just enjoy the view When the next rain comes I will get off and dance in the rain with you Happy thoughts!
Mary Ann Magbanua
The seriousness of throwing over hell whilst still clinging to the Atonement is obvious. If there is no punishment for sin there can be no self-forgiveness for it. If Christ paid our score, and if there is no hell and therefore no chance of our getting into trouble by forgetting the obligation, then we can be as wicked as we like with impunity inside the secular law, even from self-reproach, which becomes mere ingratitude to the Savior. On the other hand, if Christ did not pay our score, it still stands against us; and such debts make us extremely uncomfortable. The drive of evolution, which we call conscience and honor, seizes on such slips, and shames us to the dust for being so low in the scale as to be capable of them. The 'saved' thief experiences an ecstatic happiness which can never come to the honest atheist: he is tempted to steal again to repeat the glorious sensation. But if the atheist steals he has no such happiness. He is a thief and knows that he is a thief. Nothing can rub that off him. He may try to sooth his shame by some sort of restitution or equivalent act of benevolence; but that does not alter the fact that he did steal; and his conscience will not be easy until he has conquered his will to steal and changed himself into an honest man... Now though the state of the believers in the atonement may thus be the happier, it is most certainly not more desirable from the point of view of the community. The fact that a believer is happier than a sceptic is no more to the point than the fact that a drunken man is happier than a sober one. The happiness of credulity is a cheap and dangerous quality of happiness, and by no means a necessity of life. Whether Socrates got as much happiness out of life as Wesley is an unanswerable question; but a nation of Socrateses would be much safer and happier than a nation of Wesleys; and its individuals would be higher in the evolutionary scale. At all events it is in the Socratic man and not in the Wesleyan that our hope lies now. Consequently, even if it were mentally possible for all of us to believe in the Atonement, we should have to cry off it, as we evidently have a right to do. Every man to whom salvation is offered has an inalienable natural right to say 'No, thank you: I prefer to retain my full moral responsibility: it is not good for me to be able to load a scapegoat with my sins: I should be less careful how I committed them if I knew they would cost me nothing.'
George Bernard Shaw (Androcles and the Lion)
Socrates tried to soothe us, true enough. He said there were only two possibilities. Either the soul is immortal or, after death, things would be again as blank as they were before we were born. This is not absolutely comforting either. Anyway it was natural that theology and philosophy should take the deepest interest in this. They owe it to us not to be boring themselves. On this obligation they don’t always make good. However, Kierkegaard was not a bore. I planned to examine his contribution in my master essay. In his view the primacy of the ethical over the esthetic mode was necessary to restore the balance. But enough of that. In myself I could observe the following sources of tedium: 1) The lack of a personal connection with the external world. Earlier I noted that when I was riding through France in a train last spring I looked out of the window and thought that the veil of Maya was wearing thin. And why was this? I wasn’t seeing what was there but only what everyone sees under a common directive. By this is implied that our worldview has used up nature. The rule of this view is that I, a subject, see the phenomena, the world of objects. They, however, are not necessarily in themselves objects as modern rationality defines objects. For in spirit, says Steiner, a man can step out of himself and let things speak to him about themselves, to speak about what has meaning not for him alone but also for them. Thus the sun the moon the stars will speak to nonastronomers in spite of their ignorance of science. In fact it’s high time that this happened. Ignorance of science should not keep one imprisoned in the lowest and weariest sector of being, prohibited from entering into independent relations with the creation as a whole. The educated speak of the disenchanted (a boring) world. But it is not the world, it is my own head that is disenchanted. The world cannot be disenchanted. 2) For me the self-conscious ego is the seat of boredom. This increasing, swelling, domineering, painful self-consciousness is the only rival of the political and social powers that run my life (business, technological-bureaucratic powers, the state). You have a great organized movement of life, and you have the single self, independently conscious, proud of its detachment and its absolute immunity, its stability and its power to remain unaffected by anything whatsoever — by the sufferings of others or by society or by politics or by external chaos. In a way it doesn’t give a damn. It is asked to give a damn, and we often urge it to give a damn but the curse of noncaring lies upon this painfully free consciousness. It is free from attachment to beliefs and to other souls. Cosmologies, ethical systems? It can run through them by the dozens. For to be fully conscious of oneself as an individual is also to be separated from all else. This is Hamlet’s kingdom of infinite space in a nutshell, of “words, words, words,” of “Denmark’s a prison.
Saul Bellow (Humboldt's Gift)
The English word salvation has in it the root salve, which is a soothing ointment or balm applied to a wound, or in a larger meaning, a soothing application, influence, or agency. The loving parent we imagine God to be could not view His children as diseased with a terminal illness called sin and not apply a healing salve to all of them.
Carlton D. Pearson (The Gospel of Inclusion: Reaching Beyond Religious Fundamentalism to the True Love of God and Self)
A human judge who viewed his soul would have condemned him, he thought; exacted some penalty; spurned him. But he felt in the presence of the Blessed Sacrament a tranquil, soothing God of intimacy & tolerance & unquenchable love, who knew to each jot & tittle everything about him but chose to focus on what was good, even childhood kindnesses that he’d forgotten.
Ron Hansen (Exiles)
Joe stepped in front of them, blocking it from their view. "All of you listen to me." Three pairs of eyes locked on his face: hopeful, expectant, still dark with anger and fear. Protectiveness erupted , so strong Joe wanted to shout with it. He drew one breath, then another, but Jesus it didn't help. "You're mine now," he told them, and he knew his voice was hoarse, trembling with furious conviction. He hadn't meant to rush Luna, to spill his guts so soon. He'd meant to give himself time, to give her and the kids time. But he couldn't hold it in. "All of you. I protect what's mine. No one is going to hurt you, and no one is going to run us off. I'll find the son of a bitch, I swear it. And when I do, he'll pay." Luna's eyes, narrowed with rage only a moment ago, now softened with an expression far too close to concern. She gave a reluctant nod and spoke very softly. "All right, Joe." He had an awful suspicion she agreed more to soothe him than because she believed what he said. Willow swallowed, nodded, then gave him a trembling smile. "All right," she said, agreeing with Luna, and she, too, seemed to want to comfort him. Women. Austin launched himself forward, hugging himself around Joe's knees and hanging on tight. Joe almost fell over. He felt as though he'd been stomped on already, his muscles, his mind, his deepest emotions. Hell, he hadn't known he had deep emotions until the kids and Luna had dredged them from a dark, empty place. He wasn't all that steady on his feet, and Austin hit him with the impact of a small tank. But it was more the punch to his heart than the impetus against his legs that threw him off balance. Joe touched the tangled mop of blond hair. "Austin?" Austin squeezed him, then said against Joe's knees, "Okay." He finally tipped up his face to give Joe a crooked, admiring grin. "I sure like it when you're disrespectful." That ridiculous comment lightened Joe's mood, and he laughed. "Rodent.
Lori Foster (Say No To Joe? (Visitation, North Carolina, #1))
Far more than a quest for pleasure, chronic substance use is the addict’s attempt to escape distress. From a medical point of view, addicts are self-medicating conditions like depression, anxiety, post-traumatic stress or even ADHD (attention deficit hyperactivity disorder). Addictions always originate in pain, whether felt openly or hidden in the unconscious. They are emotional anaesthetics. Heroin and cocaine, both powerful physical painkillers, also ease psychological discomfort. Infant animals separated from their mothers can be soothed readily by low doses of narcotics, just as if it was actual physical pain they were enduring. The pain pathways in humans are no different. The very same brain centres that interpret and “feel” physical pain also become activated during the experience of emotional rejection: on brain scans they “light up” in response to social ostracism just as they would when triggered by physically harmful stimuli. When people speak of feeling “hurt” or of having emotional “pain,” they are not being abstract or poetic but scientifically quite precise. The hard-drug addict’s life has been marked by a surfeit of pain. No wonder she desperately craves relief.
Gabor Maté (In the Realm of Hungry Ghosts: Close Encounters with Addiction)
For the heart whose woes are legion ’Tis a peaceful, soothing region— For the spirit that walks in shadow ’Tis—oh, ’tis an Eldorado! But the traveller, travelling through it, May not—dare not openly view it; Never its mysteries are exposed To the weak human eye unclosed; So wills its King, who hath forbid The uplifting of the fringed lid; And thus the sad Soul that here passes Beholds it but through darkened glasses.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
A morning-flowered dalliance demured and dulcet-sweet with ebullience and efflorescence admiring, cozy cottages and elixirs of eloquence lie waiting at our feet - We'll dance through fetching pleasantries as we walk ephemeral roads evocative epiphanies ethereal, though we know our hearts are linked with gossamer halcyon our day a harbinger of pretty things infused with whispers longing still and gamboling in sultry ways to feelings, all ineffable screaming with insouciance masking labyrinthine paths where, in our nonchalance, we walk through the lilt of love’s new morning rays. Mellifluous murmurings from a babbling brook that soothes our heated passion-songs and panoplies perplexed with thought of shadows carried off with clouds in stormy summer rains… My dear, and that I can call you 'dear' after ripples turned to crashing waves after pyrrhic wins, emotions drained we find our palace sunned and rayed with quintessential moments lit with wildflower lanterns arrayed on verandahs lush with mutual love, the softest love – our preferred décor of life's lilly-blossom gate in white-fenced serendipity… Twilight sunlit heavens cross our gardens, graced with perseverance, bliss, and thee, and thou, so splendid, delicate as a morning dove of charm and mirth – at least with me; our misty mornings glide through air... So with whippoorwill’d sweet poetry - of moonstones, triumphs, wonder-woven in chandliers of winglet cherubs wrought with time immemorial, crafted with innocence, stowed away and brought to light upon our day in hallelujah tapestries of ocean-windswept galleries in breaths of ballet kisses, light, skipping to the breakfast room cascading chrysalis's love in diaphanous imaginings delightful, fleeting, celestial-viewed as in our eyes which come to rest evocative, exuberant on one another’s moon-stowed dreams idyllic, in quiescent ways, peaceful in their radiance resplendent with a myriad of thought soothing muse, rhapsodic song until the somnolence of night spreads out again its shaded truss of luminescent fantasies waiting to be loved by us… Oh, love! Your sincerest pardons begged! I’ve gone too long, I’ve rambled, dear, and on and on and on and on - as if our hours were endless here… A morning toast, with orange-juiced lips exalting transcendent minds suffused with sunrise symphonies organic-born tranquilities sublimed sonorous assemblages with scintillas of eternity beating at our breasts – their embraces but a blushing, longing glance away… I’ll end my charms this enraptured morn' before cacophony and chafe coarse in crude and rough abrade when cynical distrust is laid by hoarse and leeching parasites, distaste fraught with smug disgust by hairy, smelly maladroit mediocrities born of poisoned wells grotesque with selfish lies - shrill and shrieking, biting, creeping around our love, as if they rose from Edgar Allen’s own immortal rumpled decomposing clothes… Oh me, oh my! I am so sorry! can you forgive me? I gone and kissed you for so long, in my morning imaginings, through these words, through this song - ‘twas supposed to be "a trifle treat," but little treats do sometimes last a little longer; and, oh, but oh, but if I could, I surly would keep you just a little longer tarrying here, tarrying here with me this pleasant morn
Numi Who
The core components of high EQ are the following: The ability to self-soothe. The key to managing emotion is to allow, acknowledge, and tolerate our intense emotions so that they evaporate, without getting stuck in them or taking actions we’ll later regret. Self-soothing is what enables us to manage our anxiety and upsets, which in turn allows us to work through emotionally charged issues in a constructive way. Emotional self-awareness and acceptance. If we don’t understand the emotions washing over us, they scare us, and we can’t tolerate them. We repress our hurt, fear, or disappointment. Those emotions, no longer regulated by our conscious mind, have a way of popping out unmodulated, as when a preschooler socks his sister or we (as adults) lose our tempers or eat a pint of ice cream. By contrast, children raised in a home in which there are limits on behavior but not on feelings grow up understanding that all emotions are acceptable, a part of being human. That understanding gives them more control over their emotions. Impulse control. Emotional intelligence liberates us from knee-jerk emotional reactions. A child (or adult) with high EQ will act rather than react and problem-solve rather than blame. It doesn’t mean you never get angry or anxious, only that you don’t fly off the handle. As a result, our lives and relationships work better. Empathy. Empathy is the ability to see and feel something from the other’s point of view. When you’re adept at understanding the mental and emotional states of other people, you resolve differences constructively and connect deeply with others. Naturally, empathy makes us better communicators.
Laura Markham (Peaceful Parent, Happy Kids: How to Stop Yelling and Start Connecting (The Peaceful Parent Series))
Okay, big guy," I said, after taking in the view for a minute or two and listening to the soothing pulse of the waves. "Go put on your swim trunks. We're hitting the pool. It's too nice out to stay inside." Jack, as usual, looked as if I'd pinched him rather than suggested a fun day at the pool. "But why?" he cried. "You know I can't swim." "Which is exactly," I said, "why we're going. You're eight years old today. An eight-year-old who can't swim is nothing but a loser. You don't want to be a loser, do you?" Jack opined that he preferred being a loser to going outdoors, a fact with which I was only too well acquainted.
Meg Cabot (Darkest Hour (The Mediator, #4))
But I have come to recognize that most of what is memorable and pleasing about my time on the trail is ordinary moments in the outdoors. Simply sitting unhurried in the shade of leaves is an irreplaceable moment. It is a joy in itself to amble through the woods for hours, even when views are limited to the dense trees surrounding me. It is fulfilling to be saturated with the sights, sounds, and smells of the outdoors. My fond recollections of my hike are full of unremarkable moments, like the smell of a dewey morning, the crunch of leaves underfoot, the blaze of a campfire, the soothing trickle of a stream, or rays of sun through a maze of trees.
David Miller
AUTHOR’S NOTE Dear reader: This story was inspired by an event that happened when I was eight years old. At the time, I was living in upstate New York. It was winter, and my dad and his best friend, “Uncle Bob,” decided to take my older brother, me, and Uncle Bob’s two boys for a hike in the Adirondacks. When we left that morning, the weather was crisp and clear, but somewhere near the top of the trail, the temperature dropped abruptly, the sky opened, and we found ourselves caught in a torrential, freezing blizzard. My dad and Uncle Bob were worried we wouldn’t make it down. We weren’t dressed for that kind of cold, and we were hours from the base. Using a rock, Uncle Bob broke the window of an abandoned hunting cabin to get us out of the storm. My dad volunteered to run down for help, leaving my brother Jeff and me to wait with Uncle Bob and his boys. My recollection of the hours we spent waiting for help to arrive is somewhat vague except for my visceral memory of the cold: my body shivering uncontrollably and my mind unable to think straight. The four of us kids sat on a wooden bench that stretched the length of the small cabin, and Uncle Bob knelt on the floor in front of us. I remember his boys being scared and crying and Uncle Bob talking a lot, telling them it was going to be okay and that “Uncle Jerry” would be back soon. As he soothed their fear, he moved back and forth between them, removing their gloves and boots and rubbing each of their hands and feet in turn. Jeff and I sat beside them, silent. I took my cue from my brother. He didn’t complain, so neither did I. Perhaps this is why Uncle Bob never thought to rub our fingers and toes. Perhaps he didn’t realize we, too, were suffering. It’s a generous view, one that as an adult with children of my own I have a hard time accepting. Had the situation been reversed, my dad never would have ignored Uncle Bob’s sons. He might even have tended to them more than he did his own kids, knowing how scared they would have been being there without their parents. Near dusk, a rescue jeep arrived, and we were shuttled down the mountain to waiting paramedics. Uncle Bob’s boys were fine—cold and exhausted, hungry and thirsty, but otherwise unharmed. I was diagnosed with frostnip on my fingers, which it turned out was not so bad. It hurt as my hands were warmed back to life, but as soon as the circulation was restored, I was fine. Jeff, on the other hand, had first-degree frostbite. His gloves needed to be cut from his fingers, and the skin beneath was chafed, white, and blistered. It was horrible to see, and I remember thinking how much it must have hurt, the damage so much worse than my own. No one, including my parents, ever asked Jeff or me what happened in the cabin or questioned why we were injured and Uncle Bob’s boys were not, and Uncle Bob and Aunt Karen continued to be my parents’ best friends. This past winter, I went skiing with my two children, and as we rode the chairlift, my memory of that day returned. I was struck by how callous and uncaring Uncle Bob, a man I’d known my whole life and who I believed loved us, had been and also how unashamed he was after. I remember him laughing with the sheriff, like the whole thing was this great big adventure that had fortunately turned out okay. I think he even viewed himself as sort of a hero, boasting about how he’d broken the window and about his smart thinking to lead us to the cabin in the first place. When he got home, he probably told Karen about rubbing their sons’ hands and feet and about how he’d consoled them and never let them get scared. I looked at my own children beside me, and a shudder ran down my spine as I thought about all the times I had entrusted them to other people in the same way my dad had entrusted us to Uncle Bob, counting on the same naive presumption that a tacit agreement existed for my children to be cared for equally to their own.
Suzanne Redfearn (In An Instant)
we stared at each other, and I knew we were both thinking about the same exact thing: the night before. Not the long talk we’d had about our families—and that raw honesty we’d given each other—but about what happened after that. The movie. The damn movie. I didn’t know what the hell I’d been thinking, fully fucking aware I was already mopey, when I asked if he wanted to watch my favorite movie as a kid. I’d watched it hundreds of times. Hundreds of times. It felt like love and hope. And I was an idiot. And Aiden, being a nice person who apparently let me get away with most of the things I wanted, said, “Sure. I might fall asleep during it.” He hadn’t fallen asleep. If there was one thing I learned that night was that no one was impervious to Little Foot losing his mom. Nobody. He’d only slightly rolled his eyes when the cartoon started, but when I glanced over at him, he’d been watching faithfully. When that awful, terrible, why-would-you-do-that-to-children-and-to-humanity-in-general part came on The Land Before Time, my heart still hadn’t learned how to cope and I was feeling so low, the hiccups coming out were worse than usual. My vision got cloudy. I got choked up. Tears were coming out of my eyes like the powerful Mississippi. Time and dozens of viewings hadn’t toughened me up at all. And as I’d wiped at my face and tried to remind myself it was just a movie and a young dinosaur hadn’t lost his beloved mom, I heard a sniffle. A sniffle that wasn’t my own. I turned not-so-discreetly and saw him. I saw the starry eyes and the way his throat bobbed with a gulp. Then I saw the sideways look he shot me as I sat there dealing with my own emotions, and we stared at each other. In silence. The big guy wasn’t handling it, and if there were ever a time in any universe, watching any movie, this would be the cause of it. All I could do was nod at him, get up to my knees, and lean over so I could wrap my arms around his neck and tell him in as soothing of a voice as I could get together, “I know, big guy. I know,” even as another round of tears came out of my eyes and possibly some snot out of my nose. The miraculous part was that he let me. Aiden sat there and let me hug him, let me put my cheek over the top of his head and let him know it was okay. Maybe it happened because we’d just been talking about the faulty relationships we had with our families or maybe it was because a child losing its mother was just about the saddest thing in the world, especially when it was an innocent animal, I don’t know. But it was sad as shit. He sniffed—on any other person smaller than him it would have been considered a sniffle—and I squeezed my arms around him a little tighter before going back to my side of the bed where we finished watching the movie
Mariana Zapata (The Wall of Winnipeg and Me)
The early breeze sighing among the foliage, that waved high over the path, and the hollow dashing of distant waters, he listened to with complacency, for these were sounds which soothed yet promoted his melancholy mood; and he some times rested to gaze upon the scenery around him, for this too was in harmony with the temper of his mind. Disappointment had subdued the wilder energy of the passions, and produced a solemn and lofty state of feeling; he viewed with pleasing sadness the dark rocks and precipices, the gloomy mountains and vast solitudes, that spread around him; nor was the convent he was approaching a less sacred feature of the scene, as its gray walks and pinnacles appeared beyond the dusky groves.
Ann Radcliffe (Complete Works of Ann Radcliffe)
Life sometimes is like tossing a coin in the air calling heads or tails, but it doesn’t matter what side it lands on; life goes on. It is hard when you’ve lost the will to fight because you’ve been fighting for so long. You are smothered by the pain. Mentally, you are drained. Physically, you are weak. Emotionally, you are weighed down. Spiritually, you do not have one tiny mustard seed of faith. The common denominator is that other people’s problems have clouded your mind with all of their negativity. You cannot feel anything; you are numb. You do not have the energy to surrender, and you choose not to escape because you feel safe when you are closed in. As you move throughout the day, you do just enough to get by. Your mindset has changed from giving it your all to—well, something is better than nothing. You move in slow motion like a zombie, and there isn’t any color, just black and white, with every now and then a shade of gray. You’ve shut everyone out and crawled back into the rabbit hole. Life passes you by as you feel like you cannot go on. You look around for help; for someone to take the pain away and to share your suffering, but no one is there. You feel alone, you drift away when you glance ahead and see that there are more uphill battles ahead of you. You do not have the option to turn around because all of the roads are blocked. You stand exactly where you are without making a step. You try to think of something, but you are emotionally bankrupt. Where do you go from here? You do not have a clue. Standing still isn’t helping because you’ve welcomed unwanted visitors; voices are in your head, asking, “What are you waiting for? Take the leap. Jump.” They go on to say, “You’ve had enough. Your burdens are too heavy.” You walk towards the cliff; you turn your head and look at the steep hill towards the mountain. The view isn’t helping; not only do you have to climb the steep hill, but you have to climb up the mountain too. You take a step; rocks and dust fall off the cliff. You stumble and you move forward. The voices in your head call you a coward. You are beginning to second-guess yourself because you want to throw in the towel. You close your eyes; a tear falls and travels to your chin. As your eyes are closed the Great Divine’s voice is louder; yet, calmer, soothing; and you feel peace instantly. Your mind feels light, and your body feels balanced. The Great Divine whispers gently and softly in your ear: “Fallen Warrior, I know you have given everything you’ve got, and you feel like you have nothing left to give. Fallen Warrior, I know it’s been a while since you smiled. Fallen Warrior, I see that you are hurting, and I feel your pain. Fallen Warrior, this is not the end. This is the start of your new beginning. Fallen Warrior, do not doubt My or your abilities; you have more going for you than you have going against you. Fallen Warrior, keep moving, you have what it takes; perseverance is your middle name. Fallen Warrior, you are not the victim! You are the victor! You step back because you know why you are here. You know why you are alive. Sometimes you have to be your own Shero. As a fallen warrior, you are human; and you have your moments. There are days when you have more ups than downs, and some days you have more downs than ups. I most definitely can relate. I was floating through life, but I had to change my mindset. During my worst days, I felt horrible, and when I started to think negatively I felt like I was dishonoring myself. I felt sick, I felt afraid, fear began to control my every move. I felt like demons were trying to break in and take over my life.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
But we have soothed ourselves into imagining sudden change as something that happens outside the normal order of things. An accident, like a car crash. Or beyond our control, like a fatal illness. We do not conceive of sudden, radical, irrational change as built into the very fabric of existence. Yet it is. And chaos theory teaches us,” Malcolm said, “that straight linearity, which we have come to take for granted in everything from physics to fiction, simply does not exist. Linearity is an artificial way of viewing the world. Real life isn’t a series of interconnected events occurring one after another like beads strung on a necklace. Life is actually a series of encounters in which one event may change those that follow in a wholly unpredictable, even devastating way.
Michael Crichton (Jurassic Park (Jurassic Park, #1))
But it is the nature of narcissistic entitlement to see the situation from only one very subjective point of view that says “My feelings and needs are all that matter, and whatever I want, I should get.” Mutuality and reciprocity are entirely alien concepts, because others exist only to agree, obey, flatter, and comfort – in short, to anticipate and meet my every need. If you cannot make yourself useful in meeting my need, you are of no value and will most likely be treated accordingly, and if you defy my will, prepare to feel my wrath. Hell hath no fury like the Narcissist denied. Narcissists hold these unreasonable expectations of particularly favorable treatment and automatic compliance because they consider themselves uniquely special. In social situations, you will talk about them or what they are interested in because they are more important, more knowledgeable, or more captivating than anyone else. Any other subject is boring and won’t hold interest, and, in their eyes, they most certainly have a right to be entertained. In personal relationships, their sense of entitlement means that you must attend to their needs but they are under no obligation to listen to or understand you. If you insist that they do, you are “being difficult” or challenging their rights. How dare you put yourself before me? they seem to (or may actually) ask. And if they have real power over you, they feel entitled to use you as they see fit and you must not question their authority. Any failure to comply will be considered an attack on their superiority. Defiance of their will is a narcissistic injury that can trigger rage and self-righteous aggression. The conviction of entitlement is a holdover from the egocentric stage of early childhood, around the age of one to two, when children experience a natural sense of grandiosity that is an essential part of their development. This is a transitional phase, and soon it becomes necessary for them to integrate their feelings of self-importance and invincibility with an awareness of their real place in the overall scheme of things that includes a respect for others. In some cases, however, the bubble of specialness is never popped, and in others the rupture is too harsh or sudden, as when a parent or caretaker shames excessively or fails to offer soothing in the wake of a shaming experience. Whether overwhelmed with shame or artificially protected from it, children whose infantile fantasies are not gradually transformed into a more balanced view of themselves in relation to others never get over the belief that they are the center of the universe. Such children may become self-absorbed “Entitlement monsters,” socially inept and incapable of the small sacrifices of Self that allow for reciprocity in personal relationships. The undeflated child turns into an arrogant adult who expects others to serve as constant mirrors of his or her wonderfulness. In positions of power, they can be egotistical tyrants who will have their way without regard for anyone else. Like shame, the rage that follows frustrated entitlement is a primitive emotion that we first learn to manage with the help of attuned parents. The child’s normal narcissistic rages, which intensify during the power struggles of age eighteen to thirty months – those “terrible twos” – require “optimal frustration” that is neither overly humiliating nor threatening to the child’s emerging sense of Self. When children encounter instead a rageful, contemptuous or teasing parent during these moments of intense arousal, the image of the parent’s face is stored in the developing brain and called up at times of future stress to whip them into an aggressive frenzy. Furthermore, the failure of parental attunement during this crucial phase can interfere with the development of brain functions that inhibit aggressive behavior, leaving children with lifelong difficulties controlling aggressive impulses.
Sandy Hotchkiss (Why Is It Always About You?)
that’s how things are. A day is like a whole life. You start out doing one thing, but end up doing something else, plan to run an errand, but never get there.… And at the end of your life, your whole existence has that same haphazard quality, too. Your whole life has the same shape as a single day.” “I guess it’s one way to look at things,” Grant said. “No,” Malcolm said. “It’s the only way to look at things. At least, the only way that is true to reality. You see, the fractal idea of sameness carries within it an aspect of recursion, a kind of doubling back on itself, which means that events are unpredictable. That they can change suddenly, and without warning.” “Okay …” “But we have soothed ourselves into imagining sudden change as something that happens outside the normal order of things. An accident, like a car crash. Or beyond our control, like a fatal illness. We do not conceive of sudden, radical, irrational change as built into the very fabric of existence. Yet it is. And chaos theory teaches us,” Malcolm said, “that straight linearity, which we have come to take for granted in everything from physics to fiction, simply does not exist. Linearity is an artificial way of viewing the world. Real life isn’t a series of interconnected events occurring one after another like beads strung on a necklace. Life is actually a series of encounters in which one event may change those that follow in a wholly unpredictable, even devastating way.” Malcolm sat back in his seat, looking toward the other Land Cruiser, a few yards ahead. “That’s a deep truth about the structure of our universe. But, for some reason, we insist on behaving as if it were not true.
Michael Crichton (Jurassic Park (Jurassic Park, #1))
Tertuliano Máximo Afonso is greatly in need of stimuli to distract him, he lives alone and gets bored, or, to speak with the clinical exactitude that the present day requires, he has succumbed to the temporary weakness of spirit ordinarily known as depression. To get a clear idea of his situation, suffice it to say that he was married but can no longer remember what led him into matrimony, that he is divorced and cannot now bring himself to ponder the reasons for the separation. On the other hand, while the ill-fated union produced no children who are now demanding to be handed, gratis, the world on a silver platter, he has, for some time, viewed sweet History, the serious, educational subject which he had felt called upon to teach and which could have been a soothing refuge for him, as a chore without meaning and a beginning without an end.
José Saramago (The Double)
What if you can't help but judge life negatively? What if yesterday felt awful, today feels awful, and tomorrow is likely to feel awful too? What if you are poverty stricken, coughing up blood, incarcerated, alone, under siege, helpless, and hopeless? How absurd is it to ask you to make meaning and choose the meanings of your life? Don't you need medicine, money, and a friend more than some hard-nosed philosophy? Aren't you better off with a romantic movie, a pitcher of beer, and a dream of heaven rather than a demanding, soul-searching regimen? Doesn't natural psychology make little or no sense in your circumstances? ... It may be the case that someone who has a hard life is exactly the sort of person who would benefit from a philosophy that respects the hardness of reality and that proposes solutions, especially if that person is smart enough to understand the alternatives. That isn't to say that there won't be days when all of us need meaning to amount to more than this, to something more profound and important, to something that better soothes us and helps us forget that we are bound to suffer and that we will cease to be. The natural psychological view does not controvert the facts of existence, and there will be days—many days—when even the staunchest heart wishes that it could. We boldly stare at the facts of existence—and on some days, each of us will blink. Adherents of natural psychology know that days like that are coming.
Eric Maisel (Why Smart People Hurt: A Guide for the Bright, the Sensitive, and the Creative (Creative Thinking & Positive Thinking Book, Mastering Creative Anxiety))
The railway journey to London was accomplished in a miraculous two hours, at least four times faster than it would have been had they gone by coach. That turned out to be fortunate, as it soon became apparent that the Ravenel family did not travel well. Pandora and Cassandra were both overcome with excitement, never having set foot on a train before. They chattered and exclaimed, darting across the station platform like feeding pigeons, begging West to purchase railway editions of popular novels--only a shilling apiece--and sandwiches packaged in cunning little paper boxes, and handkerchiefs printed with pastoral scenes. Loaded with souvenirs, they boarded the family’s first-class railway carriage and insisted on trying every seat before choosing the ones they preferred. Helen had insisted on bringing one of her potted orchids, its long, fragile stem having been stabilized with a stick and a bit of ribbon. The orchid was a rare and sensitive species of Blue Vanda. Despite its dislike of being moved, she believed it would be better off in London with her. She carried the orchid in her lap the entire way, her absorbed gaze focused on the passing landscape. Soon after the train had left the station, Cassandra made herself queasy by trying to read one of the railway novels. She closed the book and settled in her seat with her eyes closed, moaning occasionally as the train swayed. Pandora, by contrast, couldn’t stay seated for more than a few minutes at a time, jumping up to test the feeling of standing in a moving locomotive, and attempting to view the scenery from different windows. But the worst traveler by far was Clara, the lady’s maid, whose fear of the train’s speed proved resistant to all attempts at soothing. Every small jolt or lurch of the carriage drew a fearful cry from her until Devon had given her a small glass of brandy to settle her nerves.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
DREAMLAND             BY a route obscure and lonely,             Haunted by ill angels only,             Where an Eidolon, named NIGHT,             On a black throne reigns upright,             I have reached these lands but newly             From an ultimate dim Thule— From a wild weird clime that lieth, sublime                 Out of SPACE—out of TIME.             Bottomless vales and boundless floods,             And chasms, and caves, and Titan woods             With forms that no man can discover             For the dews that drip all over; WHERE AN EIDOLON NAMED NIGHT ON A BLACK THRONE REIGNS UPRIGHT         Mountains toppling evermore         Into seas without a shore;         Seas that restlessly aspire,         Surging, unto skies of fire;         Lakes that endlessly outspread         Their lone waters—lone and dead,         Their still waters—still and chilly         With the snows of the lolling lily.         By the lakes that thus outspread         Their lone waters, lone and dead,—         Their sad waters, sad and chilly         With the snows of the lolling lily,—         By the mountains—near the river         Murmuring lowly, murmuring ever,—         By the grey woods,—by the swamp         Where the toad and the newt encamp,—         By the dismal tarns and pools                 Where dwell the Ghouls,—         By each spot the most unholy—         In each nook most melancholy,—         There the traveller meets aghast         Sheeted Memories of the Past—         Shrouded forms that start and sigh         As they pass the wanderer by—         White-robed forms of friends long given,         In agony, to the Earth—and Heaven.         For the heart whose woes are legion         ’Tis a peaceful, soothing region—         For the spirit that walks in shadow         ’Tis—oh, ’tis an Eldorado!         But the traveller, travelling through it,         May not—dare not openly view it;         Never its mysteries are exposed         To the weak human eye unclosed;         So wills its King, who hath forbid         The uplifting of the fringèd lid;         And thus the sad Soul that here passes         Beholds it but through darkened glasses.         By a route obscure and lonely,         Haunted by ill angels only,         Where an Eidolon, named NIGHT,         On a black throne reigns upright,         I have wandered home but newly         From this ultimate dim Thule.
Edgar Allan Poe (The Poems of Edgar Allan Poe)
LXXII In sooth, it was no vulgar sight to see Their barbarous, yet their not indecent, glee, And as the flames along their faces gleam’d, Their gestures nimble, dark eyes flashing free, The long wild locks that to their girdles stream’d, While thus in concert they this lay half sang, half scream’d: Tambourgi! Tambourgi! thy ’larum afar Gives hope to the valiant, and promise of war; All the sons of the mountains arise at the note, Chimariot, Illyrian, and dark Suliote! Oh! who is more brave than a dark Suliote, To his snowy camese and his shaggy capote? To the wolf and the vulture he leaves his wild flock, And descends to the plain like the stream from the rock. Shall the sons of Chimari, who never forgive The fault of a friend, bid an enemy live? Let those guns so unerring such vengeance forego? What mark is so fair as the breast of a foe? Macedonia sends forth her invincible race; For a time they abandon the cave and the chase: But those scarves of blood-red shall be redder, before The sabre is sheathed and the battle is o’er. Then the pirates of Parga that dwell by the waves, And teach the pale Franks what it is to be slaves, Shall leave on the beach the long galley and oar, And track to his covert the captive on shore. I ask not the pleasure that riches supply, My sabre shall win what the feeble must buy; Shall win the young bride with her long flowing hair, And many a maid from her mother shall tear. I love the fair face of the maid in her youth, Her caresses shall lull me, her music shall soothe; Let her bring from her chamber the many-toned lyre, And sing us a song on the fall of her sire. Remember the moment when Previsa fell, The shrieks of the conquer’d, the conquerors’ yell; The roofs that we fired, and the plunder we shared, The wealthy we slaughter’d, the lovely we spared. I talk not of mercy, I talk not of fear; He neither must know who would serve the Vizier: Since the days of our prophet, the Crescent ne’er saw A chief ever glorious like Ali Pasha. Dark Muchtar his son to the Danube is sped, Let the yellow-haired Giaours view his horsetail with dread; When his Delhis come dashing in blood o’er the banks, How few shall escape from the Muscovite ranks! Selictar, unsheath then our chief’s scimitar: Tambourgi! thy ’larum gives promise of war; Ye mountains, that see us descend to the shore, Shall view us as victors, or view us no more!
Lord Byron (Childe Harold's Pilgrimage)
Theraplay, a technique developed by Ann M. Jernberg (Jernberg and Booth 2010), focuses on meeting the child’s earlier unmet dependency needs through a playful format structured to empower the therapist and parent to provide the needed nurturing. Its goal is to enhance attachment, self-esteem, trust in others, and joyful engagement. Theraplay replicates natural, healthy interaction between parents and young children through structured play. One or more of the following elements are incorporated into all of the structured play activities: structure, challenge, nurture, intrusion/engagement, and playfulness. Structure involves the therapist and/or parent being in charge. Activities are selected that are challenging and therefore enhance self-esteem. Intrusive activities are selected which require child involvement and offer adventure, variety, stimulation, and a fresh view of life, allowing a child to understand that surprises can be fun and new experiences enjoyable. Sessions always include soothing, calming, quieting, caretaking activities such as foot rubs that make the world feel safe, predictable, warm, and secure, and provide the child with evidence that the adult provides comfort and stability.
Mary Hopkins-Best (Toddler Adoption: The Weaver's Craft Revised Edition)
highway curled breathtakingly close to the cliff edges above the Pacific, its cresting cobalt waves pummeling the rocks while embracing the beaches below. The view soothed
Rick Mofina (If Angels Fall (Tom Reed and Walt Sydowski, #1))
I think the truth is that scientists, like everyone else, find simple explanations psychologically soothing. They reassure us that our messy, confusing world can be understood, and perhaps even manipulated. They promise to let us eff the ineffable, and control the uncontrollable. But history teaches us that this promise is often illusory
Ed Yong (I Contain Multitudes: The Microbes Within Us and a Grander View of Life)
Waterfall by Maisie Aletha Smikle Soothing water gushing from the rocks Hastens to meet the rivers and streams That meet in the ocean deep Never to reach a mountain peak Soft mist rises from the lunging gush As crystal water plunges down in a rush Carried by the gentle breeze Like a balm it calms the soul with ease It dims the heat and cools the air Trickles on the grassy meadow And on the sand beneath Cooling pebbles for your feet As you walk the sandy shore Inhaling cool mist as you tour And watch the little birds soar Chirping and singing like never before Beautiful waterfall So splendid and so tall Climb to the top And view the backdrop Mountains elegantly towering Over hills and plains beneath Casting shadows On lush green meadows Crystal clear water drops Naturally pure to the very last drop Nature is kind nature is fine Nature is undoubtedly divine
Maisie Aletha Smikle
It’s okay,” Dee Dee said in the soothing voice of something still confusingly celestial. “Just stay still.” He glanced past her as he swam back to full consciousness. Yep, he was still in the cult compound. The decor in the room was closer to nonexistent than austere. Nothing on the walls, no furniture in view. The walls were that same inescapable gray.
Harlan Coben (Run Away)
The beaches in Dubai are well-known for their cleanliness and tranquility. While many individuals enjoy a relaxing weekend at the beach, thrill-seekers prefer to participate in thrilling water sports. Jet skiing is one of Dubai's most popular water activities, and adventure seekers love to try it. Do you want to know what the most extraordinary Dubai marine adventures are? What is the best method to see this magnificent city? There is plenty to do in this city-state of the UAE, and we have several fun aquatic activities for you to enjoy while on vacation or to live in the Emirates! How about a Jet Ski Ride along the Dubai waterfront? It can be done with your family, as a couple, with friends, or by yourself. We jet ski around all of Dubai's most famous attractions, skyscrapers, and landmarks. All of our Jet Ski trips include a stop at the luxury Burj Al Arab hotel, which is constructed into the sea, where you can have fun and receive a photo souvenir of Dubai. Jet skiing in Dubai is unquestionably the most acceptable way to see the city and have a good time during your vacation. Dubai Yacht Rental Experience When it comes to a luxury Boat Party in Dubai for those who can afford it, the pleasure and adventure that Yachts can provide cannot be overstated. Yachting is, without a doubt, the most beautiful sport on the planet. It's a once-in-a-lifetime opportunity to splash around in the ocean's deep blue waves and lose yourself in an environment that is both soothing and calming to the soul. The sensation you get from a yacht requires a whole new set of words to explain it. It's a fantastic experience that transports people to another zone while also altering their mental state. People who have the advantage of owning private yachts go sailing to have a relaxing excursion and clear their minds whenever they feel the need. Those who cannot afford to purchase a yacht can enjoy the thrill of cruising from one coastal region to the other by renting an economical Dubai yacht. It is not a challenging task to learn to sail. Some people believe that yachting can only be done by experts, which is a ridiculous misconception. Anyone willing to acquire a few tactics and hints can master the art of yachting. READ MORE About Dubai Jet Ski: Get lost in the tranquility of blue waters while waiting to partake in action. With the instructor sitting right behind you, you’ll learn astonishing stunts and skills for riding a Jet ski. This adventure will take your excitement to a new level of adventure in the open sea. While sailing past the picturesque shorelines of the islands, take in stunning views of prominent Dubai monuments such as the Burj Al Arab and more. About the activity: Jumeirah Beach is the meeting site for this activity. You have the option of riding for 30 minutes or 60 minutes Jet Ski around the beaches while being accompanied at all times by an instructor, as your safety is our top priority. Begin your journey from the marina and proceed to the world-famous Burj-Al-Arab, a world well known hotel, for a photo shoot. where you may take as many pictures as you want
uaebestdesertsafar
Now, beset with strong feelings in the moment, you lack a clearly marked mental path to self-reflection that can help you self-soothe or communicate effectively. A common difficulty in intimate relationships is not feeling seen and loved in our difference. As a child, if the people you depended upon either got lost in your distress and couldn’t maintain a separate point of view, or required you to suppress your feelings and take their point of view, it taught you that being a separate individual with a different perspective was somehow a problem. If my experience taught me that separate points of view create ruptures in empathy, it’s no wonder I might fight with my partner tooth and nail to enforce agreement. By passionately insisting that you should see things as I do, I both echo and warp the original protest, at the heart of every human, that I should be loved as myself.
Daphne de Marneffe (The Rough Patch: Marriage and the Art of Living Together)
Children develop strength when they have daily opportunities to activate and use big muscle groups in a variety of ways. For instance, when babies have plenty of time to be on the ground day after day, they build strength simply by interacting with the environment around them. They reach for objects, attempt to kick things, push up for a better view, and roll over for a new perspective. They don’t need to do formal baby exercises that so many parenting forums recommend; simply moving about in a sensory-rich, yet soothing, environment is more than adequate for developing muscles naturally.
Angela J. Hanscom (Balanced and Barefoot: How Unrestricted Outdoor Play Makes for Strong, Confident, and Capable Children)
Calvin R. Stapert shows, for example, how the church fathers uniformly opposed most pagan music in both form and content. Clement of Alexandria, for instance, eschewed pagan music, the “old song,” which he described as “licentious, voluptuous, frenzied, frantic, inebriating, titillating, scurrilous, turbulent, immodest, and meretricious.”16 Instead, he argued, the church should set itself apart from the world's music, singing the “new song,” which Clement believed reflects the “melodious order” and “harmonious arrangement” of the universe and is “sober, pure, decorous, modest, temperate, grave, and soothing.”17 Clement wished to “banish [pagan music] far away, and let our songs be hymns to God.… For temperate harmonies are to be admitted.
J. Matthew Pinson (Perspectives on Christian Worship: Five Views)
Supposing it were impossible to disprove Christianity, Pascal thinks, in view of the terrible possibility that it may be true, that it is in the highest degree prudent to be a Christian. As a proof of how much Christianity has lost of its terrible nature, today we find that other attempt to justify it, which consists in asserting, that even if it were a mistake, it nevertheless provides the greatest advantages and pleasures for its adherents throughout their lives:—it therefore seems that this belief should be upheld owing to the peace and quiet it ensures—not owing to the terror of a threatening possibility, but rather out of fear of a life that has lost its charm. This hedonistic turn of thought, which uses happiness as a proof, is a symptom of decline: it takes the place of the proof resulting from power or from that which to the Christian mind is most terrible—namely, fear. With this new interpretation, Christianity is, as a matter of fact, nearing its stage of exhaustion. People are satisfied with a Christianity which is an opiate, because they no longer have the strength to seek, to struggle, to dare, to stand alone, nor to take up Pascal's position and to share that gloomily brooding self-contempt, that belief in human unworthiness, and that anxiety which believes that it ‘may be damned.’ But a Christianity the chief object of which is to soothe diseased nerves, does not require the terrible solution consisting of a ‘God on the cross’; that is why Buddhism is secretly gaining ground all over Europe.
Friedrich Nietzsche
When individual disputes flare up our default tendency is to assume the other party is at fault or even that they are ‘bad or mad’, simply because they disagree and irritate us. Although this attitude may soothe our fragile egos, behind this deluded thinking is a belief that there is nothing for us to learn or correct and we miss an opportunity to recognise our blind spots. So, before leaping to conclusions that may only exacerbate matters, first consider your own part in the circumstances and the larger context. Are they saying something that you do not want to hear? Are they saying something that needs to be addressed? Do you fear they may expose you in a bad light? Take the time to discover where the other person is coming from, discern their motives, be curious about their ideas and have the maturity to consider opposing views without feeling threatened.
Naomi Shragai (The Man Who Mistook His Job for His Life: How to Thrive at Work by Leaving Your Emotional Baggage Behind)
Some children who grow up the be cutters may have been forced to take on the mother's role in childhood due to their father's sexual abuse or their mother's death or incapacity. Or a mother may simply have been too overwhelmed by life circumstances to meet her children's needs. In some cases, both parents may be conscientiously attuned to their child but because of some physical trauma she must endure—such as childhood illness, accident, or extensive medical procedure—no amount of comforting can diminish the pain and distress the child has to manage. Whatever the source, the child is left feeling emotionally abandoned and her unmet needs and unsoothed fears create an overwhelming level of anxiety. Later in life, cutting or burning becomes her primary strategy for regulating her emotions and avoiding further mental deterioration. It is a means of self-soothing and in that sense it can be viewed as a flawed attempt at self-mothering.
Marilee Strong (A Bright Red Scream: Self-Mutilation and the Language of Pain)
Thanks again to Alan Butler's work, this time I was able to inspect the work of Hesiod in connection with the Phaistos Disc for being calendrical, and now I view it through the lens of ancient Egypt by projecting it directly onto the circular zodiac of Dendera. Hesiod has used three different references to the days in his work: (the first ..); (the middle ..); and (.. of the month). With this system which he had used, I linked the "first" references to the zodiac's portals on the East; the "middle" references to the Fullmoon days of the month which are located on the zodiac's western portals; and the "of the month" references to the zodiac's days which are located right after passing by and finishing the rotation beyond the eastern portals. Therefore, Hesiod has recognized Egypt's month's count of days (And tell your slaves the thirtieth is the month's best-suited day). He has also explicitly identified the beginning of the Equinox and Solstice portals on the zodiac based on the zodiac's anticlockwise orientation while emphasizing the more prominent role of the Summer Solstice in the calendar system (The first and fourth and seventh days are holy days to men, the eighth and ninth as well). Hesiod has also issued a warning against, Apophis, the snake demon (But shun the fifth day, fifth days are both difficult and dread). Hesiod has recognized Egypt's royal-cosmic copulation event that takes place at the culmination of the Summer Solstice (The first ninth, though, for human beings, is harmless, quite benign for planting and for being born; indeed, it's very fine For men and women both; this day is never bad all through) Hesiod has identified the exact position of the newly born infant boy on the zodiac (For planting vines the middle sixth is uncongenial but good for the birth of males) and also established the Minoan bull's head rhyton connection with Egypt (The middle fourth, which is a day to soothe and gently tame the sheep and curved-horned), (Open a jar on the middle fourth),(And on the fourth the long and narrow boats can be begun). Hesiod gave Osiris' role in the ancient Egyptian agrarian Theology to men (two Days of the waxing month stand out for tasks men have to do, the eleventh and the twelfth) and pointed out the right location of the boar on the zodiac (Geld your boar on the eighth of the month) and counted on top of these days the days of the mule which comes afterward (on the twelfth day of the month [geld] the long-laboring mule) - since the reference to the mule in the historical text comes right after that of the boar's and both are grouped together conceptually with the act of gelding. He has also identified the role of Isis for resurrecting Osiris after the Summer Solstice event (On the fourth day of the month bring back a wife to your abode) and even referred to the two female figures on the zodiac and identified them as, Demeter and Persephone, the two mythical Greek queens (Upon the middle seventh throw Demeter's holy grain) where we see them along with the reference to Poseidon (i.e. fishes and water) right next to them as the account exists in the Greek mythology. Even more, Hesiod knows when the sequence of the boats' appearances begins on the zodiac (And on the fourth the long and narrow boats can be begun). Astonishingly enough, he mentions the solar eclipse when the Moon fully blocks the Sun (the third ninth's best of all, though this is known by few) and also glorifies sunrise and warns from sunset on that same day (Again, few know the after-twentieth day of the month is best ..) and identifies the event's dangerous location on the west (.. at dawn and that it worsens when the sun sinks in the west).
Ibrahim Ibrahim (The Mill of Egypt: The Complete Series Fused)
I’m still scared,” I admitted suddenly, startling even myself. The old couple came back in, turning on the night light beside my bed to see my face by its glow, and sat beside me comfortably on the edge of the bed. I looked around the room and then at the elderly couple with eager eyes, as if they held the power to change the whole world. “What if the monster comes back?” I asked with big eyes. Elsie snuggled against me, pushing the covers up underneath my chin and tucking them in tightly around my whole body, wrapping me in a cocoon of soft and downy comfort. As she smoothed back my hair tenderly, her touch felt like a fresh piece of heaven, a momentary brush with an angel. “Monsters aren’t real, honey,” she soothed, trying to comfort me. I imagined his threatening, glassy eyes flickering at me in that moment, peering over the bright flowers of the window boxes, ready to take my life instantaneously. My heart closed in on itself like the clanging, steel doors of a cage, feeling two sizes too small to hold all the pain within it. “Oh Elsie,” I whispered in hushed undertones, leaning closer to her face, sure he was out there, still listening just beyond my view, “Yes, they are.
Emily Nelson (The Heart of a Child)
I’m still scared,” I admitted suddenly, startling even myself. The old couple came back in, turning on the night light beside my bed to see my face by its glow, and sat beside me comfortably on the edge of the bed. I looked around the room and then at the elderly couple with eager eyes, as if they held the power to change the whole world. “What if the monster comes back?” I asked with big eyes. Elsie snuggled against me, pushing the covers up underneath my chin and tucking them in tightly around my whole body, wrapping me in a cocoon of soft and downy comfort. As she smoothed back my hair tenderly, her touch felt like a fresh piece of heaven, a momentary brush with an angel. “Monsters aren’t real, honey,” she soothed, trying to comfort me. I imagined his threatening, glassy eyes flickering at me in that moment, peering over the bright flowers of the window boxes, ready to take my life instantaneously. My heart closed in on itself like the clanging, steel doors of a cage, feeling two sizes too small to hold all the pain within it. “Oh Elsie,” I whispered in hushed undertones, leaning closer to her face, sure he was out there, still listening just beyond my view, “Yes, they are.
Emily Nelson
Before our faces could touch I was yanked back and thrown over Chase’s shoulder as he yelled for the beer pong game to start. “CHASE! Put me down!” I couldn’t even enjoy the fact that his hands were touching my bare thighs. He’d just stopped what could have been my first kiss, and his shoulder was really uncomfortable against my stomach. “No way! The Princess needs her throne!” I started beating my fists on his back, which just made him laugh harder and smack my butt. Ugh, this was the worst position to be in, I couldn’t even get a good pressure point to hit. “If you don’t put me down I will make good on my previous threat!” He laughed for another few seconds before remembering the night in his bed, immediately his laughter stopped and I was set down. But of course, I couldn’t have the last word. Gripping my arm firmly, he pulled me towards the front door before bringing me close to his body so he could whisper roughly in my ear. “I don’t want you with him.” He growled and his grip tightened. Gah, even that sent shivers of pleasure through me. “What is your deal with him? Is there something he did that you’d like to share?” “He’s not good enough for you.” I shook my head and failed at yanking my arm free, it was starting to get painful. “How do you know what is and isn’t good for me? You don’t even know me!” I hissed. Warm hands were on my shoulders then, and though he dropped my arm, Chase looked more pissed off than he had before. I knew he’d been gripping me tight, but my arm was now throbbing where his hand had just been. “I thought I told you to back off man?” Chase’s voice got louder, I swear I could practically see his feathers ruffle. I could tell Brandon was standing in an intimidating stance, but he seemed perfectly at ease making soothing trails up and down my arms. “I don’t really think that’s up to you.” Chase looked at me softly, his voice still harsh, “You hurt her, I swear to God I’ll break your neck.” With that, he pushed past us and went back toward the kitchen. That was a little much. “Ridiculous.” I blew out a breath I hadn’t realized I was holding and turned to look at Brandon. “Before you ask, I have absolutely no idea.” He laughed and wrapped his arms around me, pulling me close to his chest. “And you’re sure nothing’s going on between you?” “Positive. He probably just views me as his sister, so he’s a little protective.” “Hah! I’m pretty sure he doesn’t see you like he sees Bree.” “What do you mean?” I didn’t think it was possible, but somehow his voice got even lower and all I wanted to do was close my eyes and listen to him talk. “You’re gorgeous, funny and just all around amazing. And what makes it worse is that you don’t even see it. All the guys had been talking about you before I even got here, and after today, I see why.” “No they weren’t Brandon.” I rolled my eyes. He raised his eyebrow and smirked, “I wouldn’t lie to you. Harper, trust me when I say he doesn’t want to be your brother, but I’m not about to let him try to be anything else.” His
Molly McAdams (Taking Chances (Taking Chances, #1))
During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country, and at length found myself, as the shades of evening drew on, within view of the melancholy House of Usher. This one sentence could well serve as a crash course in how to create atmosphere. First the bare wires of where and when are suggested (a country road; an autumn day in a time period when men still road on horseback to reach their destinations). Then lights and sound are added: the scene is dark and shadowy; a palpable silence reigns. It’s not a peaceful quiet, the kind that might soothe a tired traveler. Rather, it’s a disturbing silence described only in terms of what it lacks : “soundless.” Other details add to the foreboding: clouds hanging low; a lone rider. And beneath it all a subliminal music plays. I imagine an oboe or a cello, its tones mournfully forlorn. Soon it’s joined by a chorus of deep vowels whose tones are split by harsh consonants and stopped rhythms striking like gongs foretelling doom: dull, dark, soundless, day. Each phrase of the description, like each step of the rider’s horse, draws us deeper toward the gloom that awaits us. Nothing
Rebecca McClanahan (Word Painting: A Guide to Writing More Descriptively)
Amelia went to the parlor windows and watched the two distant figures proceed through the orchard toward the forest. The apple trees, frosted with light green buds and white blossoms, soon conspired to hide the pair from view. She puzzled over the way Beatrix had behaved with the stern-faced soldier, pecking and chirping at him, almost as if she were trying to remind him of something he’d forgotten. Cam joined her at the window, standing behind her. She leaned back against him, taking comfort in her husband’s steady, strong presence. One of his hands glided along her front. She shivered in pleasure at the casual sensuality of his touch. “Poor man,” Amelia murmured, thinking of Phelan’s haunting eyes. “I didn’t recognize him at first. I wonder if he knows how much he has changed?” Cam’s lips played lightly at her temple as he replied. “I suspect he is realizing it now that he’s home.” “He was very charming before. Now he seems so austere. And the way he stares sometimes, as if he’s looking right through one…” “He’s spent two years burying his friends,” Cam replied quietly. “And he’s taken part in the kind of close combat that makes a man as hard as nails.” He paused reflectively. “Some of it you can’t leave behind. The faces of the men you kill stay with you forever.” Knowing that he was remembering a particular episode of his own past, Amelia turned and hugged herself close to him. “The Rom don’t believe in war,” Cam said against her hair. “Conflict, arguing, fighting, yes. But not in taking the life of a man with whom one has no personal grievance. Which is one of many reasons why I would not make a good soldier.” “But for those same reasons, you make a very good husband.” Cam’s arms tightened around her, and he whispered something in Romany. Although she didn’t understand the words, the rough-soft sound of them caused her nerves to tingle. Amelia nestled closer. With her cheek against his chest, she reflected aloud, “It’s obvious that Beatrix is fascinated by Captain Phelan.” “She’s always been drawn to wounded creatures.” “The wounded ones are often the most dangerous.” His hand moved in a soothing stroke along her spine. “We’ll keep a close watch on her, monisha.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
But we have soothed ourselves into imagining sudden change as something that happens outside the normal order of things. An accident, like a car crash. Or beyond our control, like a fatal illness. We do not conceive of sudden, radical, irrational change as built into the very fabric of existence. Yet it is. And chaos theory teaches us,” Malcolm said, “that straight linearity, which we have come to take for granted in everything from physics to fiction, simply does not exist. Linearity is an artificial way of viewing the world. Real life isn’t a series of interconnected events occurring one after another like beads strung on a necklace. Life is actually a series of encounters in which one event may change those that follow in a wholly unpredictable, even devastating way.” Malcolm sat back in his seat, looking toward the other Land Cruiser, a few yards ahead. “That’s a deep truth about the structure of our universe. But, for some reason, we insist on behaving as if it were not true.
Michael Crichton (Jurassic Park (Jurassic Park, #1))
What unsettle me more was the sound of crying coming from the back of the hall, though I couldn’t see who was making it: Mrs. Henderson, Miss Carter and one of the local women blocked the view. ‘You mustn’t think like that,’ Mrs. Henderson was saying. ‘None of this is your fault.’ ‘If anyone’s to blame it’s Hitler,’ Miss Carter added. ‘Every time I get settled, I have to move again.’ The voice was a girl’s, wobbly with tears. ‘I liked it at the Jenkinses’ house. It was… all right, you know?’ ‘Once the bombing stops you can go back to the Jenkinses again, can’t you, eh?’ said Mrs. Henderson. ‘But even that’s not my real home, is it?’ the girl sobbed. ‘I know, lovey, I know,’ soothed Mrs. Henderson. I still couldn’t see the person crying, but with a start I recognised her voice. The strange, gruff twang was a giveaway, as was the name ‘Jenkins’. ‘Crikey,’ I muttered under my breath. If someone as tough as Esther Jenkins could cry, there wasn’t much hope for anyone else.
Emma Carroll (Letters from the Lighthouse)
We view big goals as distant and unobtainable for so long,” Neely soothed, keeping a warning eye on Midas, “it doesn’t feel real when we achieve them.
Hailey Edwards (Badge of Honor (The Potentate of Atlanta, #6))
A wide-angle view of sails sparkling white against a cobalt sky as light dances, silver on the water. Like art, it soothes the edge, allowing you to see something simple from a different perspective.
Laurie Nadel (Dancing With the Wind: A True Story of Zen in the Art of Windsurfing)
Society has become well versed in the methods necessary to weaken the radicalism of the Gospel by reducing Christianity to what is viewed as reasonable by the logic of the market and by a culture committed to a largely post-Christian, consumerist vision of human life. Thus the disruptive character of Christianity is silenced and Christian spirituality is repackaged as a soothing therapeutic exercise that serves the needs of a culture committed above all else to the enjoyment of consumer activities.
Matthew T. Eggemeier (A Sacramental-Prophetic Vision: Christian Spirituality in a Suffering World)
From this wide-angle perspective, the negative bits are small pieces of a rich, diverse picture. Your irritation is still there, but it no longer fills your screen. Other sensations that are soothing or benign are pulled into your awareness, balancing your perception of the experience. Bear in mind that taking the wide-angle view of the situation is not about denying or repressing your negative feelings. It’s just about having a more complete and thus more accurate view of reality.
Holly B. Rogers (The Mindful Twenty-Something: Life Skills to Handle Stress…and Everything Else (Life Skills to Handle Stress... and Everything Else))
They lounged together at their favorite spot by the river, where a meadow sloped down to the banks. Tall grasses camouflaged them from view as they sat on flat rocks that had been worn smooth by the quietly persistent flow of water. The air was thick with the scents of bog myrtle and sun-warmed heather, a mixture that soothed Aline's senses.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
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And wear out too,’ said Bella soothingly, ‘this weakness, Lizzie, in favour of one who is not worthy of it.’ ‘No. I don’t want to wear that out,’ was the flushed reply, ‘nor do I want to believe, nor do I believe, that he is not worthy of it. What should I gain by that, and how much should I lose!’ Bella’s expressive little eyebrows remonstrated with the fire for some short time before she rejoined: ‘Don’t think that I press you, Lizzie; but wouldn’t you gain in peace, and hope, and even in freedom? Wouldn’t it be better not to live a secret life in hiding, and not to be shut out from your natural and wholesome prospects? Forgive my asking you, would that be no gain?’ ‘Does a woman’s heart that—that has that weakness in it which you have spoken of,’ returned Lizzie, ‘seek to gain anything?’ The question was so directly at variance with Bella’s views in life, as set forth to her father, that she said internally, ‘There, you little mercenary wretch! Do you hear that? Ain’t you ashamed of your self?’ and unclasped the girdle of her arms, expressly to give herself a penitential poke in the side. ‘But you said, Lizzie,’ observed Bella, returning to her subject when she had administered this chastisement, ‘that you would lose, besides. Would you mind telling me what you would lose, Lizzie?’ ‘I should lose some of the best recollections, best encouragements, and best objects, that I carry through my daily life. I should lose my belief that if I had been his equal, and he had loved me, I should have tried with all my might to make him better and happier, as he would have made me. I should lose almost all the value that I put upon the little learning I have, which is all owing to him, and which I conquered the difficulties of, that he might not think it thrown away upon me. I should lose a kind of picture of him—or of what he might have been, if I had been a lady, and he had loved me—which is always with me, and which I somehow feel that I could not do a mean or a wrong thing before. I should leave off prizing the remembrance that he has done me nothing but good since I have known him, and that he has made a change within me, like—like the change in the grain of these hands, which were coarse, and cracked, and hard, and brown when I rowed on the river with father, and are softened and made supple by this new work as you see them now.’ They trembled, but with no weakness, as she showed them. ‘Understand me, my dear;’ thus she went on. ‘I have never dreamed of the possibility of his being anything to me on this earth but the kind picture that I know I could not make you understand, if the understanding was not in your own breast already. I have no more dreamed of the possibility of my being his wife, than he ever has—and words could not be stronger than that. And yet I love him. I love him so much, and so dearly, that when I sometimes think my life may be but a weary one, I am proud of it and glad of it. I am proud and glad to suffer something for him, even though it is of no service to him, and he will never know of it or care for it.
Charles Dickens
His hand slid around to the nape of her neck. Slowly, inexorably, he forced her head down toward his. Shea closed her eyes, wanting, yet dreading his taking her blood. “I’d hate to have to feed you every day,” she muttered rebelliously. And then his mouth touched hers. Featherlight, a skimming brush Shea felt right down to her toes. His teeth scraped her lower lip, teasing, tempting, enticing. Darts of fire raced through her bloodstream. Her stomach muscles clenched. Open your mouth for me, stubborn little red hair. His teeth tugged; his tongue followed with a soothing caress. Shea gasped as much at the tender, teasing note as at the feel of his lips on hers. He took advantage immediately, fastening his mouth to hers, his tongue exploring every inch of her velvet-soft interior. Flames licked at her, swept through her like a storm. Electricity crackled, and Shea knew the full meaning of chemistry. Feeling. Pure and simple. There was nothing else but his mouth claiming hers, whirling her into another world she hadn’t known existed. The ground shifted, and Shea clutched at his shoulders to keep from floating to the clouds. He was sweeping aside every resistance, demanding her response, taking her response, all hunger and desire. Then he was in her mind, white-hot heat, possession. She was his, only his, always his. Smug male satisfaction. Shea shoved at his broad shoulders, then tumbled backward to the floor, wiping at her mouth with the back of her hand. They glared at one another, until amusement crept into her mind. Low, male, taunting. Nothing showed on his face, not a flicker in the ice of his eyes, but she knew he was laughing at her. It took a moment to realize her robe was gaping open, giving him a generous view of her bare skin. With great dignity Shea dragged the lapels together. “I think we need to straighten something out here.” Sitting on the floor, struggling desperately to get her breathing under control, to throw ice water on the raging fire in her blood, Shea was afraid he wasn’t going to take her seriously. “I am your doctor. You are my patient. This…” She waved a hand, searching for the right words. “This sort of thing is unethical. And another thing. I am in charge here. You follow my orders, not the other way around. Absolutely never, under any circumstances, do that again.” Involuntarily she touched her fingers to her lower lip. “It wouldn’t have happened at all if you hadn’t infected me with some sort of, I don’t know, rabies strain.” She glared at him.
Christine Feehan (Dark Desire (Dark, #2))
I watched the trees reclothe in the park across the street. Delicate green shoots developed rapidly until the area that once looked like a wilderness of dried sticks morphed into a forest of greenery. The view stimulated a calm and soothing feeling within me.
Yvonne Blackwood (College Life of a Retired Senior: A Memoir of Perseverance, Faith, and Finding the Way)