Sooner You Start Quotes

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I was going to die, sooner or later, whether or not I had even spoken myself. My silences had not protected me. Your silences will not protect you.... What are the words you do not yet have? What are the tyrannies you swallow day by day and attempt to make your own, until you will sicken and die of them, still in silence? We have been socialized to respect fear more than our own need for language." I began to ask each time: "What's the worst that could happen to me if I tell this truth?" Unlike women in other countries, our breaking silence is unlikely to have us jailed, "disappeared" or run off the road at night. Our speaking out will irritate some people, get us called bitchy or hypersensitive and disrupt some dinner parties. And then our speaking out will permit other women to speak, until laws are changed and lives are saved and the world is altered forever. Next time, ask: What's the worst that will happen? Then push yourself a little further than you dare. Once you start to speak, people will yell at you. They will interrupt you, put you down and suggest it's personal. And the world won't end. And the speaking will get easier and easier. And you will find you have fallen in love with your own vision, which you may never have realized you had. And you will lose some friends and lovers, and realize you don't miss them. And new ones will find you and cherish you. And you will still flirt and paint your nails, dress up and party, because, as I think Emma Goldman said, "If I can't dance, I don't want to be part of your revolution." And at last you'll know with surpassing certainty that only one thing is more frightening than speaking your truth. And that is not speaking.
Audre Lorde
It doesn't take a rocket scientist to figure out that if you tell kids they're stupid--directly or indirectly--sooner or later they start to believe it.
Erin Gruwell (The Freedom Writers Diary)
You need to stop questioning me. I’m the one with the dick, and the sooner you realize that, the easier this will be. Trust me, baby, you’ll start to like it that way.
Sarah Brianne (Nero (Made Men, #1))
With some people, the minute you start talking, it feels like you've known them for years. It only means that you were supposed to meet sooner. You're feeling all the time you should have known each other, but didn't. That time still counts. You can definitely feel it.
David Levithan (Two Boys Kissing)
The sooner you get dressed the sooner you can start fawning over me like a proper date and remember just because I agreed to go out on this date with you doesn't mean I am easy. I expect you to do a little work to get my out of my pants.
R.L. Mathewson (Perfection (Neighbor from Hell, #2))
I had an uneventful few days," it told her. "The most exciting thing was an hour-long lecture from the headmaster on taking our studies seriously. He said next year's exam will arrive sooner than we think." "No, they won't," Valkyrie said, frowning. "They'll arrive next year, exactly when we expect them." "That's what I told him," the reflection nodded. "I don't think he's comfortable with logic, because he didn't look happy. He sent me to the Career Guidance counsellor, who asked me what I wanted to do after college." Valkyrie stowed her black clothes. "What did you say?" "I told her I wanted to be a Career Guidance counsellor. She started crying, then accused me of mocking her. I told her if she wasn't happy in her job then she should look at other options, then pointed out that I was already doing her job better than she was. She gave me detention.
Derek Landy (Kingdom of the Wicked (Skulduggery Pleasant, #7))
If you want to emerge as a market leader in your industry, you should start preparing early. The sooner you decide to start, the bigger advantage you will gain over your competitors.
Pooja Agnihotri (17 Reasons Why Businesses Fail :Unscrew Yourself From Business Failure)
Learning After some time, you learn the subtle difference between holding a hand and imprisoning a soul; You learn that love does not equal sex, and that company does not equal security, and you start to learn…. That kisses are not contracts and gifts are not promises, and you start to accept defeat with the head up high and open eyes, and you learn to build all roads on today, because the terrain of tomorrow is too insecure for plans… and the future has its own way of falling apart in half. And you learn that if it’s too much even the warmth of the sun can burn. So you plant your own garden and embellish your own soul, instead of waiting for someone to bring flowers to you. And you learn that you can actually bear hardship, that you are actually strong, and you are actually worthy, and you learn and learn…and so every day. Over time you learn that being with someone because they offer you a good future, means that sooner or later you’ll want to return to your past. Over time you comprehend that only who is capable of loving you with your flaws, with no intention of changing you can bring you all happiness. Over time you learn that if you are with a person only to accompany your own solitude, irremediably you’ll end up wishing not to see them again. Over time you learn that real friends are few and whoever doesn’t fight for them, sooner or later, will find himself surrounded only with false friendships. Over time you learn that words spoken in moments of anger continue hurting throughout a lifetime. Over time you learn that everyone can apologize, but forgiveness is an attribute solely of great souls. Over time you comprehend that if you have hurt a friend harshly it is very likely that your friendship will never be the same. Over time you realize that despite being happy with your friends, you cry for those you let go. Over time you realize that every experience lived, with each person, is unrepeatable. Over time you realize that whoever humiliates or scorns another human being, sooner or later will suffer the same humiliations or scorn in tenfold. Over time you learn to build your roads on today, because the path of tomorrow doesn’t exist. Over time you comprehend that rushing things or forcing them to happen causes the finale to be different form expected. Over time you realize that in fact the best was not the future, but the moment you were living just that instant. Over time you will see that even when you are happy with those around you, you’ll yearn for those who walked away. Over time you will learn to forgive or ask for forgiveness, say you love, say you miss, say you need, say you want to be friends, since before a grave, it will no longer make sense. But unfortunately, only over time…
Jorge Luis Borges
My father was fond of saying 'If you own too many possessions sooner or later they start owning you.
Claire Fuller (Our Endless Numbered Days)
Don't wait for the muse. As I've said, he's a hardheaded guy who's not susceptible to a lot of creative fluttering. This isn't the Ouija board or the spirit-world we're talking about here, but just another job like laying pipe or driving long-haul trucks. Your job is to make sure the muse knows where you're going to be every day from nine 'til noon. or seven 'til three. If he does know, I assure you that sooner or later he'll start showing up.
Stephen King (On Writing: A Memoir of the Craft)
You are overwhelmed and haven’t learned to be your own friend through this yet. You will. Your fear of jumping without a net is so valid, and the trick that you haven’t learned yet is that that’s life, always and everywhere. There are no nets. Life is a big, long free fall, and the sooner you can embrace what is beautiful about that, the sooner you will start to enjoy the ride.
Sara Bareilles (Sounds Like Me: My Life (So Far) in Song)
You start off as Mr X, who happens to be an engineer, and sooner or later you're just an engineer who happens to be called Mr X.
Antal Szerb (Journey by Moonlight)
The wheels of progress; sooner or later they took you back to where you started from.
Stephen King (The Shining (The Shining, #1))
Stacey muttered, "But I hate this school, and this city, and the sooner I leave, the better. I want to start over in a new place. I haven't . . ." her voice trailed off and she looked away from Jason, hoping instead to find her words among the falling raindrops. "Do you ever feel like you aren't the person you're supposed to be? That you could be a different person - and have a better life - if things had been just a little different?
J.M. Reep (The Spring)
The only good thing about age is that sooner or later all of the SOBs who dumped you are going to die.
Joan Rivers (I Hate Everyone... Starting with Me)
If you are feeling unhappy in life for any reason and often getting negative results, try this -> start replacing negative thoughts with the positive one, make a plan and act on them. The more positive thoughts you have the more positive and happy your will become and results are bound to be positive sooner or later.-Subodh Gupta author "Stress Management a Holistic approach - 5 steps plan
Subodh Gupta (Stress Management A Holistic Approach)
Stop it,” I ground out. “Neither of us will get any sleep if you insist on moving around like that all night.” “I can’t help it. My brain is…” She blew out a breath. “I can’t sleep.” “Try.” The sooner she fell asleep, the sooner I could relax. Relatively speaking. “What great advice,” she said. “I can’t believe I didn’t think of that. You should start a Dear Dante column in the local newspaper.” “Were you born with a smart mouth, or did your parents buy it for you after their first million?
Ana Huang (King of Wrath (Kings of Sin, #1))
Because . . . fear is a terrible, insidious thing, Waldo. It taints and stains everything it touches. If you let fear start driving some of your decisions, sooner or later, it will drive them all.
Jim Butcher (Skin Game (The Dresden Files, #15))
Life is like a wheel. Sooner or later, it always come around to where you started again.
Stephen King
The sooner you start planning your life, the sooner you will live the life you dream of.
Hans Glint
When you are young, you think it's going to be solved by love. But it never is. Being close -- as close as you can get -- to another person only makes clear that impassable distance between you." […] "I don't know. If being in love only made people more lonely, why would everyone want it so much?" "Because of the illusion. You fall in love, it's intoxicating, and for a little while you feel like you've actually become one with the other person. Merged souls, and so on. You thing you'll never be lonely again. Only it doesn't last and soon you realize you can only get so close, and you end up brutally disappointed, more alone that ever, because the illusion - the hope you'd held on to all those years - has been shattered." […] "But see, the incredible thing about people is that we forget." Ray continued. "Time passes and somehow the hope creeps back and sooner or later someone else comes along and we think this is the one. And the whole thing starts all over again. We go through our lives like that, and either we just accept the lesser relationship - it may not be total understanding, but it's pretty good - or we keep trying for that perfect union, trying and failing, leaving behind us a trail of broken hearts, our own included. In the end, we die as alone as we were born, having struggled to understand others, to make ourselves understood, but having failed in what we once imagined was possible.
Nicole Krauss (Man Walks into a Room)
Lies propagate, that's what I'm saying. You've got to tell more lies to cover them up, lie about every fact that's connected to the first lie. And if you kept on lying, and you kept on trying to cover it up, sooner or later you'd even have to start lying about the general laws of thought. Like, someone is selling you some kind of alternative medicine that doesn't work, and any double-blind experimental study will confirm that it doesn't work. So if someone wants to go on defending the lie, they've got to get you to disbelieve in the experimental method. Like, the experimental method is just for merely scientific kinds of medicine, not amazing alternative medicine like theirs. Or a good and virtuous person should believe as strongly as they can, no matter what the evidence says. Or truth doesn't exist and there's no such thing as objective reality. A lot of common wisdom like that isn't just mistaken, it's anti-epistemology, it's systematically wrong. Every rule of rationality that tells you how to find the truth, there's someone out there who needs you to believe the opposite. If you once tell a lie, the truth is ever after your enemy; and there's a lot of people out there telling lies.
Eliezer Yudkowsky (Harry Potter and the Methods of Rationality)
You wish you could’ve learned to play piano. You wish you could’ve started drawing when you were young. You wish you could’ve figured out who you wanted to be before you graduated college. You wish you could’ve learned to love yourself sooner. Well you know what? You didn’t. And that’s just something you’re going to have to learn to deal with. But just because you didn’t do it sooner, doesn’t mean you can’t start now.
Daren Colbert
All of that pile on you so that, sooner or later, you cannot bear it anymore. And in that situation I started to write, because there was no other ways for me to express, except through the vicious cycle of words.
Herta Müller
I just want you. I want you forever, and I'm afraid-" His hands closed over mine. "I want a life with you. I'd give anything to go back and start this one over, to be reborn into this lifetime. I wouldn't waste it. I'd find you sooner. I'd take you somewhere safe. I'd show you music and love and life every day so you were never alone, never afraid. If I could start over knowing what I know now-
Jodi Meadows (Infinite (Newsoul, #3))
Maybe you are Saul's quarter-life crisis, but so what? Maybe he's yours. Or maybe you two are the luckiest people in the world and you've just found your fireworks-in-the-sky, holding-hands-until-you-die Forever Person. Guess what? There are drawbacks either way. Maybe you break up and it sucks, but then you heal and move on and fall in love again. Or maybe this is it, the last person you'll ever have butterflies for, your last first kiss, but you get to grow up together, start your life together sooner. And you know what else? You don't have to be afraid to walk away either way...
Emily Henry (A Million Junes)
You had a beautiful friendship. Maybe more than a friendship. And I envy you. In my place, most parents would hope the whole thing goes away, or pray that their sons land on their feet soon enough. But I am not such a parent. In your place, if there is a pain, nurse it, and if there is a flame, don't snuff it out, don't be brutal with it. Withdrawal can be a terrible thing when it keeps us awake at night, and watching others forget us sooner than we'd want to be forgotten is no better. We rip out so much of ourselves to be cured of things faster than we should that we go bankrupt by the age of thirty and have less to offer each time we start with someone new. But to feel nothing so as not to feel anything - what a waste.
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
Because…fear is a terrible, insidious thing, Waldo. It taints and stains everything it touches, Waldo. If you let fear start driving some of your decisions, sooner or later, it will drive them all. I decided that I’m not going to be the kind of person who lives her life in fear of her friends’ turning into monsters.” “What? Just like that?” “It took me a long, long time to get there,” she said. “But at the end of the day, I would rather have faith in the people I care about than allow my fears to change them – in my own eyes, if nowhere else.[”]
Jim Butcher (Skin Game (The Dresden Files, #15))
Right,” said Om. “Now…listen. Do you know how gods get power?” “By people believing in them,” said Brutha. “Millions of people believe in you.” Om hesitated. All right, all right. We are here and it is now. Sooner or later he’ll find out for himself… “They don’t believe,” said Om. “But—” “It’s happened before,” said the tortoise. “Dozens of times. D’you know Abraxas found the lost city of Ee? Very strange carvings, he says. Belief, he says. Belief shifts. People start out believing in the god and end up believing in the structure.
Terry Pratchett (Small Gods (Discworld, #13))
Yes, that's so,' said Sam. 'And we shouldn't be here at all, if we'd known more about it before we started. But I suppose it's often that way. The brave things in the old tales and songs, Mr. Frodo: adventures, as I used to call them. I used to think that they were things the wonderful folk of the stories went out and looked for, because they wanted them, because they were exciting and life was a bit dull, a kind of a sport, as you might say. But that's not the way of it with the tales that really mattered, or the ones that stay in the mind. Folk seem to have been just landed in them, usually – their paths were laid that way, as you put it. But I expect they had lots of chances, like us, of turning back, only they didn't. And if they had, we shouldn't know, because they'd have been forgotten. We hear about those as just went on – and not all to a good end, mind you; at least not to what folk inside a story and not outside it call a good end. You know, coming home, and finding things all right, though not quite the same – like old Mr Bilbo. But those aren't always the best tales to hear, though they may be the best tales to get landed in! I wonder what sort of a tale we've fallen into?' 'I wonder,' said Frodo. 'But I don't know. And that's the way of a real tale. Take any one that you're fond of. You may know, or guess, what kind of a tale it is, happy-ending or sad-ending, but the people in it don't know. And you don't want them to.' 'No, sir, of course not. Beren now, he never thought he was going to get that Silmaril from the Iron Crown in Thangorodrim, and yet he did, and that was a worse place and a blacker danger than ours. But that's a long tale, of course, and goes on past the happiness and into grief and beyond it – and the Silmaril went on and came to Eärendil. And why, sir, I never thought of that before! We've got – you've got some of the light of it in that star-glass that the Lady gave you! Why, to think of it, we're in the same tale still! It's going on. Don't the great tales never end?' 'No, they never end as tales,' said Frodo. 'But the people in them come, and go when their part's ended. Our part will end later – or sooner.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
As we all know, as if forever exploiting or attempting to exploit each other were not enough, a group of sane human beings who have just reached the end of a war against a common enemy of theirs will sooner or later start or continue killing and/or fighting against each other.
Mokokoma Mokhonoana (The Use and Misuse of Children)
When you love a woman, what do you really love in her? It will be different with different people and it will be different at different times. If love really grows, this is the way: first you fall in love with the woman because her body is beautiful. That is the first available beauty - her face, her eyes, her proportion, her elegance, her dancing, pulsating energy. Her body is beautiful. That is the first approach. You fall in love. Then after a few days you start going deeper into the woman. You start loving her heart. Now a far more beautiful revelation is coming to you. The body becomes secondary; the heart becomes primary. A new vision has arisen, a new peak. If you go on loving the woman, sooner or later you will find there are peaks beyond peaks, depths beyond depths. Then you start loving the soul of the woman. Then it is not only her heart - now that has become secondary. Now it is the very person, the very presence, the very radiance, the aliveness, that unknown phenomenon of her being - that she is. The body is very far away, the heart has also gone away - now the being is. And then one day this particular woman's being becomes far away. Now you start loving womanhood in her, the femininity, the feminineness, that receptivity. Now she is not a particular woman at all, she simply reflects womanhood, a particular form of womanhood. Now it is no longer individual, it is becoming more and more universal. And one day that womanhood has also disappeared - you love the humanity in her. Now she is not just a representative of woman, she is also a representative of man as much. The sky is becoming bigger and bigger. Then one day it is not humanity, but existence. That she exists, that's all that you want - that she exists. You are coming very close to God. Then the last point comes - all formulations and all forms disappear and there is God. You have found God through your woman, through your man. Each love is an echo of God's love.
Osho
If I could go back in time to when I wrote sad little poems, I’d punch myself right in the fucking face because it gets worse man. It gets much, much worse and the sooner we realize that, the sooner we can just start dying and I know. I know—blahblahblah, nobody gives a fuck about your broken heart, but you know something? Most days, I’m not even sure what I’m upset about.
Dan "Soupy" Campbell (Paper Boats or Some Poems I Wrote)
Nobody ever got started on a career as a writer by exercising good judgment, and no one ever will, either, so the sooner you break the habit of relying on yours, the faster you will advance. People with good judgment weigh the assurance of a comfortable living represented by the mariners’ certificates that declare them masters of all ships, whether steam or sail, and masters of all oceans and all navigable rivers, and do not forsake such work in order to learn English and write books signed Joseph Conrad. People who have had hard lives but somehow found themselves fetched up in executive positions with prosperous West Coast oil firms do not drink and wench themselves out of such comfy billets in order in their middle age to write books as Raymond Chandler; that would be poor judgment. No one on the payroll of a New York newspaper would get drunk and chuck it all to become a free-lance writer, so there was no John O’Hara. When you have at last progressed to the junction that enforces the decision of whether to proceed further, by sending your stuff out, and refusing to remain a wistful urchin too afraid to beg, and you have sent the stuff, it is time to pause and rejoice.
George V. Higgins
…Obviously, I have always wished I could remember what happened in that wood. The very few people who know about the whole Knocknaree thing invariably suggest, sooner or later, that I should try hypnotic regression, but for some reason I find the idea distasteful. I’m deeply suspicious of anything with a whiff of the New Age about it—not because of the practices themselves, which as far as I can tell from a safe distance may well have a lot to them, but because of the people who get involved who always seem to be the kind who corner you at parties to explain how they discovered that they are survivors and deserve to be happy. I worry that I might come out of hypnosis with that sugar-high glaze of self-satisfied enlightenment, like a seventeen-year-old who’s just discovered Kerouak, and start proselytizing strangers in pubs…
Tana French (In the Woods (Dublin Murder Squad, #1))
You can't memorize poetry and stay a fake. Sooner or later, you start to understand what these poets are saying, and it makes you feel life has something quite special, with certain layers of meaning to it.
Donald Miller (Searching for God Knows What)
Psychotherapist Anne Wilson Schaef compares living in patriarchy to living in polluted air. “When you are in the middle of pollution, you are usually unaware of it. You eat in it, sleep in it, work in it, and sooner or later start believing that is just the way the air is,” she writes.41
Sue Monk Kidd (The Dance of the Dissident Daughter: A Woman's Journey from Christian Tradition to the Sacred Feminine)
Don’t be a corpse, Clay prayed under his breath. Please, don’t be a corpse. Moog had been a staunch enemy of necromancy his entire life, but when you left lonely old wizards in ancient towers for too long, it stood to reason they’d start meddling with dark and unfathomable powers sooner or later.
Nicholas Eames (Kings of the Wyld (The Band, #1))
Your job is to make sure the muse knows where you're going to be every day from nine 'til noon or seven 'til three. If he does know, I assure you that sooner or later he'll start showing up, chomping his cigar and making his magic.
Stephen King (On Writing: A Memoir of the Craft)
The movement of descent and discovery begins at the moment you consciously become dissatisfied with life. Contrary to most professional opinion, this gnawing dissatisfaction with life is not a sign of "mental illness," nor an indication of poor social adjustment, nor a character disorder. For concealed within this basic unhappiness with life and existence is the embryo of a growing intelligence, a special intelligence usually buried under the immense weight of social shams. A person who is beginning to sense the suffering of life is, at the same time, beginning to awaken to deeper realities, truer realities. For suffering smashes to pieces the complacency of our normal fictions about reality, and forces us to become alive in a special sense—to see carefully, to feel deeply, to touch ourselves and our worlds in ways we have heretofore avoided. It has been said, and truly I think, that suffering is the first grace. In a special sense, suffering is almost a time of rejoicing, for it marks the birth of creative insight. But only in a special sense. Some people cling to their suffering as a mother to its child, carrying it as a burden they dare not set down. They do not face suffering with awareness, but rather clutch at their suffering, secretly transfixed with the spasms of martyrdom. Suffering should neither be denied awareness, avoided, despised, not glorified, clung to, dramatized. The emergence of suffering is not so much good as it is a good sign, an indication that one is starting to realize that life lived outside unity consciousness is ultimately painful, distressing, and sorrowful. The life of boundaries is a life of battles—of fear, anxiety, pain, and finally death. It is only through all manner of numbing compensations, distractions, and enchantments that we agree not to question our illusory boundaries, the root cause of the endless wheel of agony. But sooner or later, if we are not rendered totally insensitive, our defensive compensations begin to fail their soothing and concealing purpose. As a consequence, we begin to suffer in one way or another, because our awareness is finally directed toward the conflict-ridden nature of our false boundaries and the fragmented life supported by them.
Ken Wilber (No Boundary: Eastern and Western Approaches to Personal Growth)
At the end of the day, you are solely responsible for your success and your failure. And the sooner you realize that, you accept that, and integrate that into your work ethic, you will start being successful. As long as you blame others for the reason you aren't where you want to be, you will always be a failure.
Erin Cummings
Once you start learning how to choose the peaceful, a small room is enough; a small quantity of food is enough; a few clothes are enough; one lover, a very ordinary man, can be enough of a lover. But if you go on asking for more and more, then thousands of men are not enough. Even the most beautiful man is finished sooner or later. Your desire goes on and on. It knows no end... it stops nowhere.
Osho (Beloved of my heart: A Darshan diary)
The world is not simple. The world is not one place. It's the sum of an impossible number of incomprehensible things, and if you start out on any road in the world and follow it for any distance at all, sooner or later you enter into a strange country.
Kate Milford (The Broken Lands (The Boneshaker #0.5))
I know you want to run, but I’m not going to let you. Sooner or later you need to start trusting someone.
Dan Brown (Inferno (Robert Langdon, #4))
The sooner you embrace this truth, the sooner you can leave behind the bitterness of what you don’t have and start
Bobby Bones (Fail Until You Don't: Fight Grind Repeat)
The desire to make art begins early. Among the very young this is encouraged (or at least indulged as harmless) but the push toward a 'serious' education soon exacts a heavy toll on dreams and fantasies....Yet for some the desire persists, and sooner or later must be addressed. And with good reason: your desire to make art -- beautiful or meaningful or emotive art -- is integral to your sense of who you are. Life and Art, once entwined, can quickly become inseparable; at age ninety Frank Lloyd Wright was still designing, Imogen Cunningham still photographing, Stravinsky still composing, Picasso still painting. But if making art gives substance to your sense of self, the corresponding fear is that you're not up to the task -- that you can't do it, or can't do it well, or can't do it again; or that you're not a real artist, or not a good artist, or have no talent, or have nothing to say. The line between the artist and his/her work is a fine one at best, and for the artist it feels (quite naturally) like there is no such line. Making art can feel dangerous and revealing. Making art is dangerous and revealing. Making art precipitates self-doubt, stirring deep waters that lay between what you know you should be, and what you fear you might be. For many people, that alone is enough to prevent their ever getting started at all -- and for those who do, trouble isn't long in coming. Doubts, in fact, soon rise in swarms: "I am not an artist -- I am a phony. I have nothing worth saying. I'm not sure what I'm doing. Other people are better than I am. I'm only a [student/physicist/mother/whatever]. I've never had a real exhibit. No one understands my work. No one likes my work. I'm no good. Yet viewed objectively, these fears obviously have less to do with art than they do with the artist. And even less to do with the individual artworks. After all, in making art you bring your highest skills to bear upon the materials and ideas you most care about. Art is a high calling -- fears are coincidental. Coincidental, sneaky and disruptive, we might add, disguising themselves variously as laziness, resistance to deadlines, irritation with materials or surroundings, distraction over the achievements of others -- indeed anything that keeps you from giving your work your best shot. What separates artists from ex-artists is that those who challenge their fears, continue; those who don't, quit. Each step in the artmaking process puts that issue to the test.
David Bayles (Art and Fear)
The moment we’re born, we start dying. We spend our lives dying. Some of us just get there sooner. You never know when you might hop off the local and end up on the express to death. Think about it.
Kelly Parsons (Doing Harm)
The Source of all things, the luminescence, has more forms than heaven’s stars, sure. And one good thought is all it takes to make it shine. But a single mistake can burn down a forest in your heart, hiding all the stars, in all the skies. And while a mistake’s still burning, ruined love or lost faith can make you think you’re done, and you can’t go on. But it’s not true. It’s never true. No matter what you do, no matter where you’re lost, the luminescence never leaves you. Any good thing that dies inside can rise again, if you want it hard enough. The heart doesn’t know how to quit, because it doesn’t know how to lie. You lift your eyes from the page, fall into the smile of a perfect stranger, and the searching starts all over again. It’s not what it was. It’s always different. It’s always something else. But the new forest that grows back in a scarred heart is sometimes wilder and stronger than it was before the fire. And if you stay there, in that shine within yourself, that new place for the light, forgiving everything and never giving up, sooner or later you’ll always find yourself right back there where love and beauty made the world: at the beginning. The beginning. The beginning.
Gregory David Roberts (The Mountain Shadow)
the things we generally value most in life bring with them a whole range of feelings, both pleasant and unpleasant. For example, in an intimate long-term relationship, although you will experience wonderful feelings such as love and joy, you will also inevitably experience disappointment and frustration. There is no such thing as the perfect partner and sooner or later conflicts of interest will happen.
Russ Harris (The Happiness Trap: Stop Struggling, Start Living)
Let the world know you as you are, not as you think you should be—because sooner or later, if you are posing, you will forget the pose and then where are you? —Fanny Brice (1891–1951), singer and comedian
Don Gabor (How To Start A Conversation And Make Friends: Revised And Updated)
you've probably noticed that after the first half-century practically everybody gets leaky, they can't keep it in ... hence the cruelty of long drawn-out meals and drinking sessions ... ships and apartment houses are the same ... everything starts to leak ... sphincters, bladders, drain pipes, bowels ... the half-century is merciless for ladies and gentlemen ... worse for dogs and cats! ... with them it comes sooner! ... five ... six years ...
Louis-Ferdinand Céline (North (French Literature))
If I were on my own, packing some power, and for some reason not wanting to be found, I might lay low for a while. But I’d know sooner or later I’d have to come out and play, because whoever’s looking for me would eventually find me. I’d start building some connections. The thing about a lone wolf? Once you corner it, it has no one to turn to.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
The day after he married her, he delivered a scolding to his wife: ‘No sooner do you arrive here than you start wasting our money.’ But the scolding was less from him than from his aunt, who had ordered him to deliver it. His wife apologized to him, of course, and to the aunt as well – with the potted jonquils she had bought for him in the room.
Ryūnosuke Akutagawa (The Life of a Stupid Man)
1. Write. 2. Put one word after another. Find the right word, put it down. 3. Finish what you're writing. Whatever you have to do to finish it, finish it. 4. Put it aside. Read it pretending you've never read it before. Show it to friends whose opinion you respect and who like the kind of thing that this is. 5. Remember: when people tell you something's wrong or doesn't work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong. 6. Fix it. Remember that, sooner or later, before it ever reaches perfection, you will have to let it go and move on and start to write the next thing. Perfection is like chasing the horizon. Keep moving. 7. Laugh at your own jokes. 8. The main rule of writing is that if you do it with enough assurance and confidence, you're allowed to do whatever you like. (That may be a rule for life as well as for writing. But it's definitely true for writing.) So write your story as it needs to be written. Write it ­honestly, and tell it as best you can. I'm not sure that there are any other rules. Not ones that matter." [Ten rules for writing fiction (The Guardian, 20 February 2010)]
Neil Gaiman
You are always afraid that somebody may think you a fool. You are afraid that if others think you to be a fool, you will start suspecting it. If so many people think you a fool your self-confidence will be lost. And if everybody goes on repeating that you are a fool, sooner or later you will come to believe it. Only a wise man cannot be deceived, he can appear as a fool. Have you observed yourself? You are always trying to exhibit your wisdom, always in search of a victim to whom you can show your knowledge, just searching, hunting for somebody weaker than you – then you will jump in and you will show your wisdom. A wise man need not be an exhibitionist. Whatsoever is, is. He is not aware of it, he is not in any hurry to show it. If you want to find it, you will have to make efforts. If you have to know whether he is gentle or not, that is going to be your discovery.
Osho (The Empty Boat: Talks on the Sayings of Chuang Tzu)
Own up to your mistakes and apologize for them. Everyone will make a mistake at some point, and the sooner you can admit where you went wrong, the sooner you can start to fix it. Be honest with yourself about yourself and your abilities. Many people accept titles that are beyond their experience to only later find themselves up to their neck in problems they can’t solve, and too embarrassed to admit they weren’t qualified in the first place. And what’s the first rule about holes? If you’re in one, stop digging.
Sophia Amoruso (#Girlboss)
One cannot, I find, talk to a knitter. Conversation may seem to be going in that greased, easy way essential to all good conversation; starting hares too lavishly to follow them up; allowing pauses for rumination; bursts for sudden eagerness; digressions, returns, new departures, discoveries of rooted creeds or new ideas—sooner or later the challenge is bound to come: "Don't you agree?" or "What do you think?" "Yes?" says the knitter, startled but polite, "seventy-five, seventy-six—just a moment till I get to the end of my row—seventy-seven, seventy-eight—yes," she says, looking up brightly, "it's all right now. What were you saying?" But of course one has forgotten or no longer cares.
Vita Sackville-West (Country Notes)
In the past, Pracilla had always thought that the smarter and more successful you were, the more you didn't need other people, the more you could do it all yourself. Pracilla had never asked anyone for anything. Now she was starting to think differently. Maybe the smarter you were, the sooner you recognised you were in trouble and asked for help.
Cheryl Jarvis (The Necklace: Thirteen Women and the Experiment That Transformed Their Lives)
When he can't take anymore, Galen plucks his phone from his pocket and dials, then hangs up. When the call is returned, he says, "Hey, sweet lips." The females at the table hush each other to get a better listen. A few of them whip their heads toward Emma to see if she's on the other end of the conversation. Satisfied she's not, they lean closer. Rachel snorts. "If only you liked sweets." "I can't wait to see you tonight. Wear that pink shirt I like." Rachel laughs. "Sounds like you're in what we humans like to call a pickle. My poor, drop-dead-gorgeous sweet pea. Emma still not talking to you, leaving you alone with all those hormonal girls?" "Eight-thirty? That's so far away. Can't I meet you sooner?" One of the females actually gets up and takes her tray and her attitude to another table. Galen tries not to get too excited. "Do you need to be checked out of school, son? Are you feeling ill?" Galen tosses a glance at Emma, who's picking a pepperoni off her pizza and eyeing it as if it were dolphin dung. "I can't skip school to meet you again, boo. But I'll be thinking about you. No one but you." A few more females get up and stalk their trays to the trash. The cheerleader in front of him rolls her eyes and starts a conversation with the chubby brunette beside her-the same chubby brunette she pushed into a locker to get to him two hours ago. "Be still my heart," Rachel drawls. "But seriously, I can't read your signals. I don't know what you're asking me to do." "Right now, nothing. But I might change my mind about skipping. I really miss you." Rachel clears her throat. "All right, sweet pea. You just let your mama know, and she'll come get her wittle boy from school, okay?" Galen hangs up. Why is Emma laughing again? Mark can't be that funny. The girl beside him clues him in: "Mark Baker. All the girls love him. But not as much as they love you. Except maybe Emma, I guess." "Speaking of all these girls, how did they get my phone number?" She giggles. "It's written on the wall in the girls' bathroom. One hundred hall." She holds her cell phone up to his face. An image of his number scrawled onto a stall door lights up the screen. In Emma's handwriting.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Sooner or later, someone will say a no to us that we can’t ignore. It’s built into the fabric of life. Observe the progression of nos in the life of the person who resists others’ limits: the no of parents the no of siblings the no of schoolteachers the no of school friends the no of bosses and supervisors the no of spouses the no of health problems from overeating, alcoholism, or an irresponsible lifestyle the no of police, the courts, and even prison Some people learn to accept boundaries early in life, even as early as stage number one. But some people have to go all the way to number eight before they get the picture that we have to accept life’s limits: “Stop listening to instruction, my son, and you will stray from the words of knowledge” (Prov. 19:27). Many out-of-control adolescents don’t mature until their thirties, when they become tired of not having a steady job and a place to stay. They have to hit bottom financially, and sometimes they may even have to live on the streets for a while. In time, they begin sticking with a career, saving money, and starting to grow up. They gradually begin to accept life’s limits.
Henry Cloud (Boundaries: When To Say Yes, How to Say No)
If you have ever belonged to such a community, however, you may have discovered that the trouble starts when darkness falls on your life, which can happen in any number of unsurprising ways: you lose your job, your marriage falls apart, your child acts out in some attention getting way, you pray hard for something that does not happen, you begin to doubt some of the things you have been taught about what the Bible says. The first time you speak of these things in a full solar church, you can usually get a hearing. Continue to speak of them and you may be reminded that God will not let you be tested beyond your strength. All that is required of you is to have faith. If you still do not get the message, sooner or later it will be made explicit for you: the darkness is your own fault, because you do not have enough faith.
Barbara Brown Taylor
Think of all the requirements writers imagine for themselves: A cabin in the woods A plain wooden table Absolute silence A favorite pen A favorite ink A favorite blank book A favorite typewriter A favorite laptop A favorite writing program A large advance A yellow pad A wastebasket A shotgun The early light of morning The moon at night A rainy afternoon A thunderstorm with high winds The first snow of winter A cup of coffee in just the right cup A beer A mug of green tea A bourbon Solitude Sooner or later the need for any one of these will prevent you from writing. Anything you think you need in order to write— Or be “inspired” to write or “get in the mood” to write— Becomes a prohibition when it’s lacking. Learn to write anywhere, at any time, in any conditions, With anything, starting from nowhere. All you really need is your head, the one indispensable
Verlyn Klinkenborg (Several Short Sentences About Writing)
I was twenty-eight years old and I'd been around the block enough to know that sooner or later every romance turns into a negotiation. It's a matter of give and take. Give too little and you breed resentments, take too little and you start feeling used. How does a candlelight dinner stack up against changing the oil in her car? Is getting a blowjob worth the same as giving her a back rub? Before long you're both keeping a ledger. Tallying things up.
James Whitfield Thomson (Lies You Wanted to Hear)
It’s so simple at the beginning. You meet someone gorgeous and smart and funny. Somebody who’s better than you—you both know it, at least on some level. You fall in love with them. But you fall even more in love with their idea of you. You feel lucky. Because you are lucky. Then time passes. You both change too much. You stay too much the same. The truth worms its way out, and the horizon grows dark. Eventually all you’re left with is somebody who sees you for who you really are. And sooner or later, they hold up a mirror and you’re forced to see for yourself. And who the hell can live with that? So you do what you can to survive. You start looking for a fresh pair of eyes.
Kimberly McCreight (A Good Marriage)
It doesn't seem like you're living a life, it's almost like you're travelling on a train with the destination unknown. You're sitting on a seat near the window looking outside, imagining how things are there outside, how is it like to live in the houses that you pass by. And when you’re busy noticing the outside, you at times do not pay heed to your surroundings inside the coach. And thus some passengers who got down at a station midway fail to capture your interest, or maybe it is because of your deviation of interest towards the outside. While at other stops new people get up, and you like their company, you share and you laugh. But sooner or later they get down. Because it's your journey, you're the traveler and they just accompany you for some distances. And then, maybe when you reach your destination there will still be passengers in the train, passengers you've mingled with or passengers you hate, people who were there since the train had started or people who got in just before the last stoppage, and like it or not, they will get off the train with you, at your destination which also proved to be there destination.
Sanhita Baruah
If only I had met Molly sooner, when it was still possible to choose one road rather than another! Before that bitch Musyne and that little turd Lola crimped my enthusiasm! But it was too late to start being young again. I didn't believe in it any more! We grow old so quickly and, what's more, irremediably. You can tell by the way you start loving your misery in spite of yourself. Nature is stronger than we are, no two ways about it. She tries us in one particular mould, and we're never able to throw it off. I had started out as the restless type. Little by little, without realizing it, you begin to take your role and fate seriously, and, before you know it, it's too late to change. You're a hundred per cent restless, and it's set that way for good.
Louis-Ferdinand Céline (Journey to the End of the Night)
Complaining about our circumstances, which is really a complaint against God, does not demonstrate trust in God. And remember, when our faith is at a low ebb, we can still trust God, until the answer we are looking for comes our way. The sooner we stop complaining, the quicker God will be able to change our circumstances for our benefit.      So, if you want to enter God's land of promise, and see his word fulfilled in your life, change your attitude. Start thanking God, not just for the good times, but for the bad times too!
Christopher Roberts (365 Days With God: A Daily Devotional)
The first truth about mortals is that none of us wants to die, but all of us are going to. It’s in the name – mortals – the dying ones. If you don’t understand that bit, you won’t understand the rest of it. Here you are, some 5-hundred years old and you haven’t yet figured out something that a 3 year old human is starting to understand. You see, as soon as we can even think, our brains are wrapping themselves around that One Truth, that one offensive, undeniable, irrevocable Truth. The rest of our existence grows up in the shadow of a dead leaning tree, which will at one point in the not unimaginable future fall and crush all that has grown up beneath it… …Rescue them for what? Why from dying! Does that mean they won’t die? No, it just means they won’t die today. At best, we’re talking about delaying the inevitable death sentence laid on our friends. Now how does this particular truth strike you, Mister Immortal…? …And why? Why not merely stand now and fall sooner rather than later? Because there is something precious and sacred about rearguard action. It’s an active retreat that’s been repeated valiantly and ceaselessly from the beginning of mortal time. It just seems wrong to give up. It seems invalid and invalorous. More importantly, it’s indecent to simply lie down and be overrun… …Instead we rage against it and sing our defiance through bloodied teeth. Somehow, in our pointless battle, we find moments for compassion and passion and love. Yes, love. What other reason would a mortal creature have for descending into the Abyss of Gehenna to rescue another mortal soul, sentenced to return in time to that very place, except that that soul is... his beloved, whose very existence is what makes him fight rather than lie down, is what makes him absurdly threaten an immortal creature so beyond him in strength and power and knowledge and years. Love is what makes him hold a hand up to strike an immortal being who will not even feel the blow, but will strike back with lightning fingers rather than fingers of flesh… …If you immortals have so much time, you’d think you could spend some time of it listening to mad mortals rather than always interrupting!
J. Robert King (Abyssal Warriors (Planescape: Blood Wars, #2))
I didn’t sneer!” said Juliana hastily. “I’d no notion you behaved so dreadfully badly to her. You said you forced her aboard your yacht, but I never supposed that you really frightened her enough to make her fire at you. You need not be in a rage with me for saying so, Dominic, but when I saw Mary at your house she was so placid I made sure you’d not treated her so very brutally after all. Had you?” “Yes,” said Vidal bluntly. He looked at Juliana. “You think it was vastly romantic for Mary to be carried off by me, don’t you? You think you would enjoy it, and you cannot conceive how she should be afraid, can you? Then think, my girl! Think a little! You are in my power at this moment, I may remind you. What if I make you feel it? What if I say to start with that you shall eat your dinner, and force it down your throat?” Juliana shrank back from him involuntarily. “Don’t, Vidal! Don’t come near me!” she said, frightened by the expression in his face. He laughed. “Not so romantic, is it, Ju? And to force you to eat your dinner would be a small thing compared with some other things I might force you to do. Sit down, I’m not going to touch you.” She obeyed, eyeing him nervously. “I—I wish I hadn’t come with you!” she said. “So did Mary, with more reason. But Mary would have died sooner than let me see that she was afraid. And Mary, my love, is not my cousin.
Georgette Heyer (Devil's Cub (Alastair-Audley, #2))
WHAT’S GOOD FOR THE HEART IS GOOD FOR THE BRAIN. That is, vascular health (meaning low apoB, low inflammation, and low oxidative stress) is crucial to brain health. WHAT’S GOOD FOR THE LIVER (AND PANCREAS) IS GOOD FOR THE BRAIN. Metabolic health is crucial to brain health. TIME IS KEY. We need to think about prevention early, and the more the deck is stacked against you genetically, the harder you need to work and the sooner you need to start. As with cardiovascular disease, we need to play a very long game. OUR MOST POWERFUL TOOL FOR PREVENTING COGNITIVE DECLINE IS EXERCISE. We’ve talked a lot about diet and metabolism, but exercise appears to act in multiple ways (vascular, metabolic) to preserve brain health; we’ll get into more detail in Part III, but exercise—lots of it—is a foundation of our Alzheimer’s-prevention program.
Peter Attia (Outlive: The Science and Art of Longevity)
Everything feels like a badly designed computer game in which you fall into a pit that doesn't kill you but from which there's absolutely no escape. For a while you kick against the walls, but the walls get higher no matter how hard and fast you press all the buttons you can find. And sooner or later you'll realize there's one you haven't tried yet. The power switch.[...] So she began reaching for the button herself, but she never tried quite hard enough, because some part of her was still alive. She didn't want to throw the machine away. She just wanted to start again.
Michael Marshall Smith (One of Us)
The worst fear of the race yes, the world suddenly transformed into a senseless nightmare, horrible dissolution of things. Nothing compares, even oblivion is a sweet dream. You understand why, of course. Why this peculiar threat. These brooding psyches, all the busy minds everywhere. I hear them buzzing like flies in the blackness. I see them as glow worms flitting in the blackness. They are struggling, straining every second to keep the sky above them, to keep the sun in the sky, to keep the dead in the earth-to keep all things, so to speak, where they belong. What an undertaking! What a crushing task! Is it any wonder that they are all tempted by a universal vice, that in some dark street of the mind a single voice whispers to one and all, softly hissing, and says: 'Lay down your burden.' Then thoughts begin to drift, a mystical magnetism pulls them this way and that, faces start to change, shadows speak... sooner or later the sky comes down, melting like wax. But as you know, everything has not yet been lost: absolute terror has proved its security against this fate. Is it any wonder that these beings carry on the struggle at whatever cost?
Thomas Ligotti (Grimscribe: His Lives and Works)
When you try to break a bad habit or form a positive one, you’re naturally going to feel awkward or uncomfortable at first because you have to actively make decisions about your behavior. Your brain has already been programmed to function in a certain way, so it will resist the change and, as a result, make the new behavior feel wrong and even frightening. The best thing to do in order to successfully reprogram your behavior is to embrace that awkward feeling of wrongness. It will take a while for your new routine to feel right or natural, so just accept that and keep chugging along. It’s a bit like starting to wear eyeglasses for the first time. You start out feeling uncomfortable and overly conscious of that foreign object sitting atop your nose, but you get used to that feeling with continued wear, such that sooner or later you don’t even notice it when your eyeglasses are on. Eventually, the behavior you want will be wired into your basal ganglia and you can go back to autopilot as an improved version of yourself. Before that happens, though, habit formation will start with feelings of unease rather than feelings of excitement and comfort.
Peter Hollins (The Science of Self-Discipline: The Willpower, Mental Toughness, and Self-Control to Resist Temptation and Achieve Your Goals (Live a Disciplined Life Book 1))
Perry continued, his voice even but firm as granite; "Do you prefer the easy platitudes? You said you didn't. How dare you speak about God like He's some frivolous clown? Do you think you're the only one who has suffered in this world? Every apostle but one died a martyr’s death. By the time of Nero the streets of Rome were lined with Christians hanging on crosses. Emperors would wrap them in wax and light them on fire, using their burning bodies as torches. Even Gods own Son was nailed to a cross. What makes you think you should be spared pain and difficulty? Anne started to speak but nothing came out so Perry continued. "I'm grieved at your loss but I won't waste time joining you in your pity party. Everyone faces hardship, disappointment and, sooner or later, tragedy. It's called Life. If you want to talk about how unfair God is you'll need to find a different audience, because I'm not going to listen to it" Perry watched Anne's jaw tighten and her eyes narrow as if to hold back the hurricane of fury swirling within her. "You owe me an apology", she said through tight lips. "You owe God an apology", Perry countered in the same still voice. A TREASURE DEEP
Randy Alcorn
It starts innocently. Casually. You turn up at the annual spring fair full of beans, help with the raffle tickets (because the pretty red-haired music teacher asks you to) and win a bottle of whiskey (all school raffles are fixed), and, before you know where you are, you're turning up at the weekly school council meetings, organizing concerts, discussing plans for a new music department, donating funds for the rejuvenation of the water fountains—you're implicated in the school, you're involved in it. Sooner or later you stop dropping your children at the school gates. You start following them in.
Zadie Smith (White Teeth)
Let us see what words can do. Will you understand me, for a start, if I tell you that I have never known what I am? My vices, my virtues, are under my nose, but I can’t see them, nor stand far enough back to view myself as a whole. I seem to be a sort of flabby mass in which words are engulfed; no sooner do I name myself than what is named is merged in him who names, and one gets no farther. I have often wanted to hate myself and, as you know, had good reasons for so doing. But my attempted hatred of myself was absorbed into my insubstantiality and was nothing but a recollection. I could not love myself either, I am sure, though I have never tried to. But I was eternally compelled to be myself; I was my own burden, but never burdensome enough, Mathieu. For one instant, on that June evening when I elected to confess to you, I thought I had encountered myself in your bewildered eyes. You saw me, in your eyes I was solid and predictable; my acts and moods were the actual consequences of a definite entity. And through me you knew that entity. I described it to you in my words, I revealed to you facts unknown to you, which had helped you to visualize it. And yet you saw it, I merely saw you seeing it. For one instant you were the heaven-sent mediator between me and myself, you perceived that compact and solid entity which I was and wanted to be in just as simple and ordinary a way as I perceived you. For, after all, I exist, I am, though I have no sense of being; and it is an exquisite torment to discover in oneself such utterly unfounded certainty, such unsubstantiated pride. I then understood that one could not reach oneself except through another’s judgment, another’s hatred. And also through another’s love perhaps; but there is here no question of that. For this revelation I am not ungrateful to you. I do not know how you would describe our present relations. Not goodwill, nor wholly hatred. Put it that there is a corpse between us. My corpse.
Jean-Paul Sartre (The Reprieve)
Congratulations," I said. "It's so wonderful to write a book." "I walked all the way here," she said. "I started at midnight. I would have gotten here sooner if I weren't so old." "Where do you live?" I said. "The Kit Carson Hotel," she said. "And I've written a book." Then she handed it proudly to me as if it were the most precious thing in the world. And it was. It was a loose-leaf notebook of the type that you find everywhere in America. There is no place that does not have them. There was a heavy label pasted on the cover and written in broad green crayon across the label was the title: GROWING FLOWERS BY CANDLELIGHT IN HOTEL ROOMS BY MRS. CHARLES FINE ADAMS
Richard Brautigan (The Abortion)
You’re a man after my own heart,” Hillary says with a smile. “That’s actually a pet peeve of mine, and I think you verbalized it perfectly. The entire human race has this tendency—the inclination to cling to their own group. This obsession with sub-dividing ourselves is responsible for practically every evil in the world. Everyone fails to see that the hatred between our people is just another example in a series of these meaningless feuds. They all start with people who are extremely alike, and then a tiny difference creeps in, and people separate along that difference, after which insanity ensues. Sooner or later, you get that ‘we hate you because you hate us’ deadlock, or worse.
Dima Zales (The Thought Pushers (Mind Dimensions, #2))
When the earliest Vikings started moving into the northern oceans, there’s one story about finding this huge fuckin opening at the top of the world, this deep whirlpool that’d take you down and in, like a black hole, no way to escape. These days you look at the surface Web, all that yakking, all the goods for sale, the spammers and spielers and idle fingers, all in the same desperate scramble they like to call an economy. Meantime, down here, sooner or later someplace deep, there has to be a horizon between coded and codeless. An abyss.” “That’s what you’re looking for?” “Some of us are.” Avatars do not do wistful, but Maxine catches something. “Others are trying to avoid it. Depends what you’re into.
Thomas Pynchon (Bleeding Edge)
Here’s what I know to be true. We can bury the past all we like. We can use a hundred thousand distractions, some of which are healthy, some of which are not, to keep it under the ground—but when something isn’t processed, it will absolutely, positively come back and bite us on the ass. You had a hard life before you and Butch fell in love, and it was no doubt a huge relief to leave all of it behind and start fresh. But you can’t outrun what came before. Remember, Marissa, we are every age we have ever been at each moment in our lives. We carry it all with us like luggage. Sooner or later, the stuff with your brother was going to come up again. That’s just life.”" ― from "Blood Kiss: Black Dagger Legacy
J.R. Ward
The fourth and ultimate method is to create a dogma, put our trust in some allegedly all-knowing theory, institution or chief, and follow them wherever they lead us. Religious and ideological dogmas are still highly attractive in our scientific age precisely because they offer us a safe haven from the frustrating complexity of reality. As noted earlier, secular movements have not been exempt from this danger. Even if you start with a rejection of all religious dogmas and with a firm commitment to scientific truth, sooner or later the complexity of reality becomes so vexing that one is driven to fashion a doctrine that shouldn’t be questioned. While such doctrines provide people with intellectual comfort and moral certainty, it is debatable whether they provide justice.
Yuval Noah Harari (21 Lessons for the 21st Century)
When I say maturity, I mean an inner integrity. And this inner integrity comes only when you stop making others responsible, when you stop saying that the other is creating your suffering, when you start realizing that you are the creator of your suffering. This is the first step towards maturity: I am responsible. Whatsoever is happening, it is my doing. You feel sad. Is this your doing? You will feel very much disturbed, but if you can remain with this feeling, sooner or later you will be able to stop doing many things. This is what the theory of karma is all about. You are responsible. Don’t say society is responsible, don’t say that parents are responsible, don’t say the economic conditions are responsible, don’t throw the responsibility onto anybody. YOU are responsible.
Osho (The Empty Boat: Talks on the Sayings of Chuang Tzu)
Are you hungry?" he asked, knowing that she must be starving. "Yes, but I think-" "We should go out on a date tonight? I totally agree," he said, cutting her off because he had a feeling that she was about to suggest something he wouldn't like. "A date?" she repeated, sounding a bit confused. "Yeah, a date," he said, grabbing her hands and pulling her to her feet while she still looked confused as hell. He gave her a little nudge to get her moving in the direction of the stairs. "You know where I pick you up, you keep me waiting for a half hour, we go out, and I charm you while you hang on my every word. We eat, we talk and then at the end of the night you invite me in for a cup of coffee and I pretend to think it over since I'm such a gentleman," he said, choosing to ignore her little snort of disbelief as he guided her towards the stairs. "But-" "No, buts," he said, giving her another nudge to get her up the stairs. "Get your little butt up there and put something on that will drive me out of my mind." "But-" "Go," he said, giving her another nudge that thankfully got her moving. "The sooner you get dressed the sooner you can start fawning over me like a proper date and remember just because I agreed to go out on this date with you doesn't mean that I'm easy. I expect you to do a little work to get me out of my pants." He couldn't have his future wife thinking he was easy after all.
R.L. Mathewson (Perfection (Neighbor from Hell, #2))
It is very likely an anxiety dream, brought on by your move out of your childhood home and the comfort of the reach of your family’s love and protection.” Gideon reached to stroke her hair soothingly. “I am only surprised it has not happened sooner.” “Are you sure?” Her nervousness was clear, but she was truly relaxing already. “Yes. And so are you. You know everything there is to know about psychology, you tell me what you think.” “But you thought it was this . . . new level of ability.” “And for the first time in a millennium my diagnosis is wrong. I do despise it when such bothersome things occur. Now I shall have to start the ‘No Mistakes’ clock all over again.” Legna giggled at him, which was of course his intention. She swung her arms around his neck, hugging him warmly. “You smell so good,” he murmured against her ear a long minute later. “I smell like sex,” she argued. He nodded, making a loud noise of appreciation as he sniffed and nibbled her neck. “You smell like very good sex,” he amended with a voracious growl and an eager mouth moving over her bare skin with bold appetite. “Gideon!” She squealed as he went straight for her waist, knowing she was ticklish there. The playful flicker of his tongue and the scrape of his teeth drove her mad, and she twisted as she screamed for him to stop. When he tickled her she absolutely could not use her classic escape method. She could barely catch her breath, never mind her concentration.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
I didn’t mean to treat you so bad You shouldn’t take it so personal I didn’t mean to make you so sad You just happened to be there, that’s all When I saw you say “goodbye” to your friend and smile I thought that it was well understood That you’d be comin’ back in a little while I didn’t know that you were sayin’ “goodbye” for good But, sooner or later, one of us must know You just did what you’re supposed to do Sooner or later, one of us must know That I really did try to get close to you I couldn’t see what you could show me Your scarf had kept your mouth well hid I couldn’t see how you could know me But you said you knew me and I believed you did When you whispered in my ear And asked me if I was leavin’ with you or her I didn’t realize just what I did hear I didn’t realize how young you were But, sooner or later, one of us must know You just did what you’re supposed to do Sooner or later, one of us must know That I really did try to get close to you I couldn’t see when it started snowin’ Your voice was all that I heard I couldn’t see where we were goin’ But you said you knew an’ I took your word And then you told me later, as I apologized That you were just kiddin’ me, you weren’t really from the farm An’ I told you, as you clawed out my eyes That I never really meant to do you any harm But, sooner or later, one of us must know You just did what you’re supposed to do Sooner or later, one of us must know That I really did try to get close to you
Bob Dylan
In the long run the answer to all those who object to the doctrine of hell, is itself a question: 'What are you asking God to do?' to wipe out their past sins and, at all costs, to give them a fresh start, smoothing every difficulty and offering every miraculous help? But He has done so, on Calvary. To forgive them? They will not be forgiven. To leave them alone? Alas, I am afraid that is what He does. One caution, and I have done. In order to rouse modern minds to an understanding of the issues, I ventured to introduce in this chapter a picture of the sort of bad man whom we most easily perceive to be truly bad. But when the picture has done that work, the sooner it is forgotten the better. In all discussions of Hell we should keep steadily before our eyes the possible damnation, not of our enemies nor our friends (since both these disturb the reason) but of ourselves. This chapter is not about your wife or son, nor about Nero or Judas Iscariot; it is about you and me.
C.S. Lewis
Dear Young Black Males, Please listen to me closely. You have to start making smart choices in your life because, if you don’t, the judge won’t have any problems locking you up and throwing away the key. FYI: They’re charging minors as adults in some cases nowadays. Trust me, they don’t care about your life. They will wash you up in a heartbeat, simply because you’re a black male. Following the crowd will get you caught up. Trying to play the hard role will get you caught up. Trying to show out for others just to make a name for yourself will get you caught up. Stealing, robbing, selling drugs, etc…it will all catch up with you sooner or later. The statics for black males in prison is alarming. Give yourself a chance! Find another way! No matter what upbringing you’ve had, it’s up to you to make a change. You can’t live your life making excuses for why you do what you do. Prove them all wrong! Prove to yourself that you’re better than the life that was dealt to you. Rise up my brothas! You’re much better than that.
Stephanie Lahart
Colby’s resourceful, I’ll give him that.” “You used to be good friends.” “We were, until he started hanging around Cecily,” came the short reply. “I’m not as angry at him as I was. But it seems that he has to have a woman to prop him up.” “Not necessarily,” Matt replied. “Sometimes a good woman can save a bad man. It’s an old saying, but fairly true from time to time. Colby was headed straight to hell until Cecily put him on the right track. It’s gratitude, but I don’t think he can see that just yet. He’s in between mourning his ex-wife and finding someone to replace her.” He leaned back again. “I feel sorry for him. He’s basically a one-woman man, but he lost the woman.” Tate packed back to the wing chair and sat down on the edge. “He’s not getting Cecily. She’s mine, even if she doesn’t want to admit it.” Matt stared at him. “Don’t you know anything about women in love?” “Not a lot,” the younger man confessed. “I’ve spent the better part of my life avoiding them.” “Especially Cecily,” Matt agreed. “She’s been like a shadow. You didn’t miss her until you couldn’t see her behind you anymore.” “She’s grown away from me,” Tate said. “I don’t know how to close the gap. I know she still feels something for me, but she wouldn’t stay and fight for me.” He lifted his gaze to Matt’s hard face. “She’s carrying my child. I want both of them, regardless of the adjustments I have to make. Cecily’s the only woman I’ve ever truly wanted.” Matt spread his hands helplessly. “This is one mess I can’t help you sort out,” he said at last. “If Cecily loves you, she’ll give in sooner or later. If it were me, I’d go find her and tell her how I really felt. I imagine she’ll listen.” Tate stared at his shoes. He couldn’t find the right words to express what he felt. “Tate,” his father said gently, “you’ve had a lot to get used to lately. Give it time. Don’t rush things. I’ve found that life sorts itself out, given the opportunity.” Tate’s dark eyes lifted. “Maybe it does.” He searched the other man’s quiet gaze. “It’s not as bad as I thought it was, having a foot in two worlds. I’m getting used to it.” “You still have a unique heritage,” Matt pointed out. “Not many men can claim Berber revolutionaries and Lakota warriors as relatives.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Stop staring at Kevin so much. You're making me fear for your life over here." "What do you mean?" "Andrew is scary territorial of him. He punched me the first time I said I'd like to get Kevin too wasted to be straight." Nicky pointed at his face, presumably where Andrew had decked him. "So yeah, I'm going to crush on safer targets until Andrew gets bored of him. That means you, since Matt's taken and I don't hate myself enough to try Seth. Congrats." "Can you take the creepy down a level?" Aaron asked. "What?" Nikcy asked. "He said he doesn't swing, so obviously he needs a push." "I don't need a push," Neil said. "I'm fine on my own." "Seriously, how are you not bored of your hand by now?" "I'm done with this conversation," Neil said. "This and every future variation of it. [...]" The stadium door slammed open as Andrew showed up at last. He swept them with a wide-eyed look as if surprised to see them all there. "Kevin wants to know what's taking you so long. Did you get lost?" "Nicky's scheming to rape Neil," Aaron said. "There are a couple flaws in his plan he needs to work out first, but he'll get there sooner or later." [...] "Wow, Nicky," Andrew said. "You start early." "Can you really blame me?" Nicky glanced back at Neil as he said it. He only took his eyes off Andrew for a second, but that was long enough for Andrew to lunge at him. Andrew caught Nicky's jersey in one hand and threw him hard up against the wall. [...] "Hey, Nicky," Andrew said in stage-whisper German. "Don't touch him, you understand?" "You know I'd never hurt him. If he says yes-" "I said no." "Jesus, you're greedy," Nicky said. "You already have Kevin. Why does it-" He went silent, but it took Neil a moment to realize why. Andrew had a short knife pressed to Nicky's Jersey. [...] Neil was no stranger to violence. He'd heard every threat in the book, but never from a man who smiled as bright as Andrew did. Apathy, anger, madness, boredom: these motivators Neil knew and understood. But Andrew was grinning like he didn't have a knife point where it'd sleep perfectly between Nicky's ribs, and it wasn't because he was joking. Neil knew Andrew meant it. If Nicky so much as breathed wrong right now, Andrew would cut his lungs to ribbons, any and all consequences be damned. Neil wondered if Andrew's medicine would let him grieve, or if he'd laugh at Nicky's funeral too. Then he wondered if a sober Andrew would act any different. Was this Andrew psychosis or his medicine? Was he flying too high to understand what he was doing, or did his medicine only add a smile to Andrew's ingrained violence? [...] Andrew let go of Nicky and spun away. [...] Aaron squized Nicky's shoulder on his way out. Nicky looked shaken as he stared after the twins, but when he realized Neil was watching him he rallied with a smile Neil didn't believe at all. "On second thought, you're not my type after all,” Nicky said [...]. "Don't let him get away with things like that." Nicky considered him for a moment, his smile fading into something small and tired. "Oh, Neil. You're going to make this so hard on yourself. Look, [...] Andrew is a little crazy. Your lines are not his lines, so you can get all huff and puff when he tramps across yours but you'll never make him understand what he did wrong. Moreover, you'll never make him care. So just stay out of his way." "He's like this because you let him get away with it," Neil said. [...] "That was my fault. [...] I said something I shouldn't have, and got what I deserved.
Nora Sakavic (The Foxhole Court (All for the Game, #1))
I’m so sorry to break up this cozy little gathering,” she said, her voice trembling. “I’m sure you all need your rest…but there are wedding presents stacked in my room that need sorting out and I was under the impression that you had agreed to help.” “Oh yes,” said Hermione, looking terrified as she leapt to her feet, sending books flying in every direction, “we will…we’re sorry…” With an anguished look at Harry and Ron, Hermione hurried out of the room after Mrs. Weasley. “It’s like being a house-elf,” complained Ron in an undertone, still massaging his head as he and Harry followed. “Except without the job satisfaction. The sooner this wedding’s over, the happier I’ll be.” “Yeah,” said Harry, “then we’ll have nothing to do except find Horcruxes…It’ll be like a holiday, won’t it?” Ron started to laugh, but at the sight of the enormous pile of wedding presents waiting for them in Mrs. Weasley’s room, stopped quite abruptly. The Delacours arrived the following morning at eleven o’clock. Harry, Ron, Hermione, and Ginny were feeling quite resentful toward Fleur’s family by this time, and it was with ill grace that Ron stumped back upstairs to put on matching socks, and Harry attempted to flatten his hair.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
What are you thinking you need to do?” “I’m not thinking anything,” I said. “That’s the problem.” “Are you sure? Thoughts feel different once you get connected with the energy.” I gave him a puzzled look. “The words you have habitually willed through your head in an attempt to logically control events,” he explained, “stop when you give up your control drama. As you fill up with inner energy, other kinds of thoughts enter your mind from a higher part of yourself. These are your intuitions. They feel different. They just appear in the back of your mind, sometimes in a kind of daydream or mini-vision, and they come to direct you, to guide you.” I still didn’t understand. “Tell us what you were thinking about when we left you alone earlier,” Father Carl said. “I’m not sure I remember it all,” I said. “Try.” I tried to concentrate. “I was thinking about Wil, I guess, about whether he was close to finding the Ninth Insight, and about Sebastian’s crusade against the Manuscript.” “What else?” “I was wondering about Marjorie, about what happened to her. But I don’t understand how this helps me know what to do.” “Let me explain,” Father Sanchez said. “When you have acquired enough energy, you are ready to consciously engage evolution, to start it flowing, to produce the coincidences that will lead you forward. You engage your evolution, in a very specific way. First, as I said, you build sufficient energy, then you remember your basic life question—the one your parents gave you—because this question provides the overall context for your evolution. Next you center yourself on your path by discovering the immediate, smaller questions that currently confront you in life. These questions always pertain to your larger question and define where you currently, are in your lifelong quest. “Once you become conscious of the questions active in the moment, you always get some kind of intuitive direction of what to do, of where to go. You get a hunch about the next step. Always. The only time this will not occur is when you have the wrong question in mind. You see, the problem in life isn’t in receiving answers. The problem is in identifying your current questions. Once you get the questions right, the answers always come. “After you get an intuition of what might happen next,” he continued, “then the next step is to become very alert and watchful. Sooner or later coincidences will occur to move you in the direction indicated by the intuition.
James Redfield (The Celestine Prophecy (Celestine Prophecy, #1))
Now,” Samite continued, “after Essel has just spent time warning you about generalities and how they often don’t apply, I’m going to use some. Because some generalities are true often enough that we have to worry about them. So here’s one: men will physically fight for status. Women, generally, are more clever. The why of it doesn’t matter: learned, innate, cultural, who cares? You see the chest-bumping, the name-calling, performing for their fellows, what they’re really doing is getting the juices flowing. That interval isn’t always long, but it’s long enough for men to trigger the battle juice. That’s the terror or excitation that leads people to fight or run. It can be useful in small doses or debilitating in large ones. Any of you have brothers, or boys you’ve fought with?” Six of the ten raised their hands. “Have you ever had a fight with them—verbal or physical—and then they leave and come back a little later, and they’re completely done fighting and you’re just fully getting into it? They look like they’ve been ambushed, because they’ve come completely off the mountain already, and you’ve just gotten to the top?” “Think of it like lovemaking,” Essel said. She was a bawdy one. “Breathe in a man’s ear and tell him to take his trousers off, and he’s ready to go before you draw your next breath. A woman’s body takes longer.” Some of the girls giggled nervously. “Men can switch on very, very fast. They also switch off from that battle readiness very, very fast. Sure, they’ll be left trembling, sometimes puking from it, but it’s on and then it’s off. Women don’t do that. We peak slower. Now, maybe there are exceptions, maybe. But as fighters, we tend to think that everyone reacts the way we do, because our own experience is all we have. In this case, it’s not true for us. Men will be ready to fight, then finished, within heartbeats. This is good and bad. “A man, deeply surprised, will have only his first instinctive response be as controlled and crisp as it is when he trains. Then that torrent of emotion is on him. We spend thousands of hours training that first instinctive response, and further, we train to control the torrent of emotion so that it raises us to a heightened level of awareness without making us stupid.” “So the positive, for us Archers: surprise me, and my first reaction will be the same as my male counterpart’s. I can still, of course, get terrified, or locked into a loop of indecision. But if I’m not, my second, third, and tenth moves will also be controlled. My hands will not shake. I will be able to make precision movements that a man cannot. But I won’t have the heightened strength or sensations until perhaps a minute later—often too late. “Where a man needs to train to control that rush, we need to train to make it closer. If we have to climb a mountain more slowly to get to the same height to get all the positives, we need to start climbing sooner. That is, when I go into a situation that I know may be hazardous, I need to prepare myself. I need to start climbing. The men may joke to break the tension. Let them. I don’t join in. Maybe they think I’m humorless because I don’t. Fine. That’s a trade I’m willing to make.” Teia and the rest of the girls walked away from training that day somewhat dazed, definitely overwhelmed. What Teia realized was that the women were deeply appealing because they were honest and powerful. And those two things were wed inextricably together. They said, I am the best in the world at what I do, and I cannot do everything. Those two statements, held together, gave them the security to face any challenge. If her own strengths couldn’t surmount an obstacle, her team’s strengths could—and she was unembarrassed about asking for help where she needed it because she knew that what she brought to the team would be equally valuable in some other situation.
Brent Weeks (The Blinding Knife (Lightbringer, #2))
I want to quote that poem in something I'm writing," he explained, "and can you tell me the last line of it ? " Lou answered mechanically, as if he had pressed a button: "Death is not a way out of it!" "A very strange theory, that about death," he said. "I wonder if there's anything in it. It would really be too easy if we could get out of our troubles in so simple a fashion. It has always seemed to me that nothing can ever be destroyed. The problems of life are really put together ingeniously in order to baffle one, like a chess problem. We can't untie a real knot in a closed piece of string without the aid of the fourth dimension; but we can disentangle the complexities caused by dipping the string in water-and such things," he added, with an almost malicious gravity in his tone. I knew what he meant. " It might very well be," he continued, " that when we fail to solve the puzzles of life, they remain with us. We have to do them sooner or later ; and it seems reasonable to suppose that the problems of life ought to be solved during life, while we have to our hands the apparatus in which they arose. We might find that after death the problems were unaltered, but that we were impotent to deal with them. Did you ever meet any one that had been indiscreet about taking drugs ? Presumably not. Well, take my word for it, those people get into a state which is in many ways very like death. And the tragic thing about the situation is this ; that they started taking the drugs because life, in one way or another, was one too many for them. And what is the result ? The drugs have not in the least relieved the monotony of life or whatever their trouble was, and yet they have got into a state very like that of death, in which they are impotent to struggle. No, we must conquer life by living it to the full, and then we can go to meet death with a certain prestige. We can face that adventure as we've faced the others.
Aleister Crowley (Diary of a Drug Fiend)
Did you have a kid in your neighborhood who always hid so good, nobody could find him? We did. After a while we would give up on him and go off, leaving him to rot wherever he was. Sooner or later he would show up, all mad because we didn't keep looking for him. And we would get mad back because he wasn't playing the game the way it was supposed to be played. There's hiding and there's finding, we'd say. And he'd say it was hide-and-seek, not hide-and-give-UP, and we'd all yell about who made the rules and who cared about who, anyway, and how we wouldn't play with him anymore if he didn't get it straight and who needed him anyhow, and things like that. Hide-and-seek-and-yell. No matter what, though, the next time he would hide too good again. He's probably still hidden somewhere, for all I know. As I write this, the neighborhood game goes on, and there is a kid under a pile of leaves in the yard just under my window. He has been there a long time now, and everybody else is found and they are about to give up on him over at the base. I considered going out to the base and telling them where he is hiding. And I thought about setting the leaves on fire to drive him out. Finally, I just yelled, "GET FOUND, KID!" out the window. And scared him so bad he probably wet his pants and started crying and ran home to tell his mother. It's real hard to know how to be helpful sometimes. A man I know found out last year he had terminal cancer. He was a doctor. And knew about dying, and he didn't want to make his family and friends suffer through that with him. So he kept his secret. And died. Everybody said how brave he was to bear his suffering in silence and not tell everybody, and so on and so forth. But privately his family and friends said how angry they were that he didn't need them, didn't trust their strength. And it hurt that he didn't say good-bye. He hid too well. Getting found would have kept him in the game. Hide-and-seek, grown-up style. Wanting to hide. Needing to be sought. Confused about being found. "I don't want anyone to know." "What will people think?" "I don't want to bother anyone." Better than hide-and-seek, I like the game called Sardines. In Sardines the person who is It goes and hides, and everybody goes looking for him. When you find him, you get in with him and hide there with him. Pretty soon everybody is hiding together, all stacked in a small space like puppies in a pile. And pretty soon somebody giggles and somebody laughs and everybody gets found. Medieval theologians even described God in hide-and-seek terms, calling him Deus Absconditus. But me, I think old God is a Sardine player. And will be found the same way everybody gets found in Sardines - by the sound of laughter of those heaped together at the end. "Olly-olly-oxen-free." The kids out in the street are hollering the cry that says "Come on in, wherever you are. It's a new game." And so say I. To all those who have hid too good. Get found, kid! Olly-olly-oxen-free.
Robert Fulghum (All I Really Need to Know I Learned in Kindergarden)
She was especially taken with Matt. Until he said, “It’s time to fess up, hon. Tell Trace how much you care. You’ll feel better when you do.” Climbing up the ladder, Chris said, “Better sooner than later.” He nodded at the hillside behind them. “Because here comes Trace, and he doesn’t look happy.” Both Priss and Matt turned, Priss with anticipation, Matt with tempered dread. Dressed in jeans and a snowy-white T-shirt, Trace stalked down the hill. Priss shielded her eyes to better see him. When he’d left, being so guarded about his mission, she’d half wondered if he’d return before dinner. Trace wore reflective sunglasses, so she couldn’t see his eyes, but his entire demeanor—heavy stride, rigid shoulders, tight jaw—bespoke annoyance. As soon as he was close enough, Priss called out, “What’s wrong?” Without answering her, Trace continued onto the dock. He didn’t stop until he stood right in front of . . . Matt. Backing up to the edge of the dock, Matt said, “Uh . . . Hello?” Trace didn’t say a thing; he just pushed Matt into the water. Arms and legs flailing out, Matt hit the surface with a cannonball effect. Stunned, Priss shoved his shoulder. “What the hell, Trace! Why did you do that?” Trace took off his sunglasses and looked at her, all of her, from her hair to her body and down to her bare toes. After working his jaw a second, he said, “If you need sunscreen, ask me.” Her mouth fell open. Of all the nerve! He left her at Dare’s, took off without telling her a damn thing and then had the audacity to complain when a friend tried to keep her from getting sunburned. “Maybe I would have, if you’d been here!” “I’m here now.” Emotions bubbled over. “So you are.” With a slow smile, Priss put both hands on his chest. The shirt was damp with sweat, the cotton so soft that she could feel every muscle beneath. “And you look a little . . . heated.” Trace’s beautiful eyes darkened, and he reached for her. “A dip will cool you down.” Priss shoved him as hard as she could. Taken by surprise, fully dressed, Trace went floundering backward off the end of the dock. Priss caught a glimpse of the priceless expression of disbelief on Trace’s face before he went under the water. Excited by the activity, the dogs leaped in after him. Liger roused himself enough to move out of the line of splashing. Chris climbed up the ladder. “So that’s the new game, huh?” He laughed as he scooped Priss up into his arms. “Chris!” She made a grab for his shoulders. “Put me down!” “Afraid not, doll.” Just as Trace resurfaced, Chris jumped in with her. They landed between the swimming dogs. Sputtering, her hair in her face and her skin chilled from the shock of the cold water, Priss cursed. Trace had already waded toward the shallower water off the side of the dock. His fair hair was flattened to his head and his T-shirt stuck to his body. “Wait!” Priss shouted at him. He was still waist-deep as he turned to glare at her. Kicking and splashing, Priss doggy-paddled over to him, grabbed his shoulders and wrapped her legs around his waist. “Oh, no, you don’t!” Startled, Trace scooped her bottom in his hands and struggled for balance on the squishy mud bottom of the lake. “What the hell?” And then lower, “You look naked in this damn suit.” Matt and Chris found that hilarious. Priss looked at Trace’s handsome face, a face she loved, and kissed him. Hard. For only a second, he allowed the sensual assault. He even kissed her back. Then he levered away from her. “You ruined my clothes, damn it.” “Only because you were being a jealous jerk.” His expression dark, he glared toward Matt. Christ started humming, but poor Matt said, “Yeah,” and shrugged. “If you think about it, you’ll agree that you sort of were—and we both know there’s no reason.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
You will have noticed that my interpretation of The Trial as the account of a man who, at a certain point in his life, suddenly asks himself why he exists, and then considers various possible justifications for his existence until he is finally obliged to admit honestly to himself that there is no justification, corresponds to what I have said in the Preface to the Notes: Every man, at every moment of his life, is engaged in a perfectly definite concrete situation in a world that he normally takes for granted. But it occasionally happens that he starts to think. He becomes aware, obscurely, that he is in perpetual contradiction with himself and with the world in which he exists. The Trial describes what happens to a man when he starts to think: sooner or later he condemns himself as unjustified, and then despair begins (K.'s execution, the execution of hope, is the beginning of despair—henceforth he is a dead man, like Connolly and Camus and so many other intelligent Europeans, and do what he may he can never quite forget it). It is only at this point that the Buddha's Teaching begins to be intelligible. But it must be remembered that for Connolly and the others, death at the end of this life is the final death, and the hell of despair in which they live will come to an end in a few years' time—why, then, should they give up their distractions, when, if things get too bad, a bullet through their brain is enough? It is only when one understands that death at the end of this life is not the final end, that to follow the Buddha's Teaching is seen to be not a mere matter of choice but a matter of necessity. Europe does not know what it really means to despair.
Nanavira Thera
And when they start talking, and they always do, you find that each of them has a story they want to tell. Everyone, no matter how old or young, has some lesson they want to teach. And I sit there and listen and learn all about life from people who have no idea how to live it. Nobody knows how to just shut the fuck up and look out the window anymore. The bathrooms are tiny and filthy and you have no choice but to piss all over yourself when the bus swerves, but the streetlights look like blurred stars exploding in the window when it rains at night, and you can sleep knowing that if there’s an accident and everyone on the bus dies it wasn’t your fault. Someone fat and snoring will sometimes sit beside you and sweat on your shoulder even though it’s twelve degrees outside, and someone else with a big head shaped like an onion and dirty hair that smells like fish sticks will sit in front of you and recline their seat into your lap. And you’ll be trapped and sleepless and sad for the entire ride. But then other times you get two whole seats to yourself, and when that becomes your idea of luxury you know you’ve found something that no one else is even looking for, and if you gave it to them for Christmas they’d return it the next morning as soon as the stores opened. And then you get to think of yourself like the little drummer boy, playing for Jesus even though he’s too young to understand, even though nobody in Bethlehem really likes percussion and they think you’re a cheap ass for not bringing gold or frankincense. And it’s a shame when you realize that you won’t get to be in the Bible, and it doesn’t seem right. But then nobody gets to be in the Bible anymore, no matter who they are or what they do, and the sooner you realize that the easier it all becomes. But it’s still a shame.
Paul Neilan (Apathy and Other Small Victories: A Novel)
So what do you guys want to do first?” Claire asked excitedly from the backseat. “Oh my God, Claire. I don’t know, but maybe you should ask us again in five minutes. We haven’t had enough time to think about it since the last time you asked.” Chelsea’s mood had gone downhill quickly during the car ride into the mountains, and she had lost her patience for everyone-including Claire-who was usually safe from her temper. “Effin’-A, Chels, I was just asking.” Claire’s lips drew together tightly as she crossed her arms in front of her. It was as close to swearing as Claire ever got. Claire must have really been tired of Chelsea’s snippy tone. Chelsea didn’t apologize; instead she closed her eyes and took another deep breath, leaning her head back against her seat. “Do you want me to pull over again?” Jay asked, glancing anxiously at Chelsea in his rearview mirror. He shot a nervous look at Violet, and Violet knew exactly what he was thinking. He didn’t want Chelsea to puke…in his car. Chelsea sighed with annoyance. “Why, Jay? So I can walk around in the cold again, talking about how fucking-yeah, that’s right, Claire, I said fucking-sick I feel? No, thank you. Just keep driving. The sooner we get there, the sooner I get out of this hellhole.” “No offense taken. Right, Jay?” Mike laughed, hitting Jay’s headrest playfully. Apparently he thought he was safe from Chelsea’s caustic remarks. He wasn’t. “That’s too bad,” Chelsea shot back without opening her eyes. “Maybe someone should take offense. Maybe it’s not the car making me sick, maybe it’s the driving.” Violet started to laugh but caught herself, just barely, in time to stop the sound from actually escaping her lips. She covered her mouth with her hand so that only those with their eyes open could see her. Ha-ha, Jay mouthed, when she glanced sideways in his direction, making it even harder to contain herself. Sorry, she mouthed back to him, when she finally felt like she had enough control not to laugh.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
How did you find me?" "I've followed you for a long time." He must have mistaken the look on my face for alarm or fear, and said, "Not literally. I just mean I never lost track." But it wasn't fear, or anything like that. It was an instant of realization I'd have a lot in the coming days: I'd been thinking of him as coming back from the dead, but the fact was he'd been there all along. He'd been alive when I cried in my room over him being gone. He'd been alive when I started a new school without him, the day I made my first friend a Jones Hall, the time I ran into Ethan at the library. Cameron Quick and I had existed simultaneously on the planet during all of those moments. It didn't seem possible that we could have been leading separate lives, not after everything we'd been through together. "...then I looked you up online," he was saying, "and found your mom's wedding announcement from before you changed your name. I didn't even need to do that. It's easy to find someone you never lost." I struggled to understand what he was saying. "You mean...you could have written to me, or seen me, sooner?" "I wanted to. Almost did, a bunch of times." "Why didn't you? I wish you had." And I did, I wished it so much, imagined how it would have been to know all those years that he was there, thinking of me. "Things seemed different for you," he said, matter-of-fact. "Better. I could tell that from the bits of information I found...like an interview with the parents who were putting their kids in your school when it first started. Or an article about that essay contest you won a couple years ago." "You knew about that?" He nodded. "That one had a picture. I could see just from looking at you that you had a good thing going. Didn't need me coming along and messing it up." "Don't say that," I said quickly. Then: "You were never part of what I wanted to forget." "Nice of you to say, but I know it's not true." I knew what he was thinking, could see that he'd been carrying around the same burden all those years as me. "You didn't do anything wrong." It was getting cold on the porch, and late, and the looming topic scared me. I got up. "Let's go in. I can make coffee or hot chocolate or something?" "I have to go." "No! Already?" I didn't want to let him out of my sight. "Don't worry," he said. "Just have to go to work. I'll be around." "Give me your number. I'll call you." "I don't have a phone right now." "Find me at school," I said, "or anytime. Eat lunch with us tomorrow." He didn't answer. "Really," I continued, "you should meet my friends and stuff." "You have a boyfriend," he finally said. "I saw you guys holding hands." I nodded. "Ethan." "For how long?" "Three months, almost." I couldn't picture Cameron Quick dating anyone, though he must have at some point. If I'd found Ethan, I was sure Cameron had some Ashley or Becca or Caitlin along the way. I didn't ask. "He's nice," I added. "He's..." I don't know what I'd planned to say, but whatever it was it seemed insignificant so I finished that sentence with a shrug. "You lost your lisp." And about twenty-five pounds, I thought. "I guess speech therapy worked for both of us." He smiled. "I always liked that, you know. Your lisp. It was...you." He started down the porch steps. "See you tomorrow, okay?" "Yeah," I said, unable to take my eyes off of him. "Tomorrow.
Sara Zarr (Sweethearts)
His months of teaching experience were now a lost age of youth and innocence. He could no longer sit in his office at Fort McNair, look out over the elm trees and the golf course, and encompass the world within "neat, geometric patterns" that fit within equally precise lectures. Policy planning was a very different responsibility, but explaining just how was "like trying to describe the mysteries of love to a person who has never experienced it." There was, however, an analogy that might help. "I have a largish farm in Pennsylvania."...it had 235 acres, on each of which things were happening. Weekends, in theory, were days of rest. But farms defied theory: Here a bridge is collapsing. No sooner do you start to repair it than a neighbor comes to complain about a hedge row which you haven't kept up half a mile away on the other side of the farm. At that very moment your daughter arrives to tell you that someone left the gate to the hog pasture open and the hogs are out. On the way to the hog pasture, you discover that the beagle hound is happily liquidating one of the children's pet kittens. In burying the kitten you look up and notice a whole section of the barn roof has been blown off and needs instant repair. Somebody shouts from the bathroom window that the pump has stopped working, and there's no water in the house. At that moment, a truck arrives with five tons of stone for the lane. And as you stand there hopelessly, wondering which of these crises to attend to first, you notice the farmer's little boy standing silently before you with that maddening smile, which is halfway a leer, on his face, and when you ask him what's up, he says triumphantly 'The bull's busted out and he's eating the strawberry bed'. Policy planning was like that. You might anticipate a problem three or four months into the future, but by the time you'd got your ideas down on paper, the months had shrunk to three to four weeks. Getting the paper approved took still more time, which left perhaps three or four days. And by the time others had translated those ideas into action, "the thing you were planning for took place the day before yesterday, and everyone wants to know why in the hell you didn't foresee it a long time ago." Meanwhile, 234 other problems were following similar trajectories, causing throngs of people to stand around trying to get your attention: "Say, do you know that the bull is out there in the strawberry patch again?
John Lewis Gaddis (George F. Kennan: An American Life)