Sons Day Quotes

We've searched our database for all the quotes and captions related to Sons Day. Here they are! All 100 of them:

One of these days you're going to fall in love, son. Don't settle for just anyone. Choose the girl that doesn't come easy; the one you have to fight for, and then never stop fighting. Never
Jamie McGuire (Walking Disaster (Beautiful, #2))
Ever since I’ve met you, I’ve wanted to break every rule.” Aiden turned away, the muscles in his neck tensing. He sighed. “You’ll become the centre of someone’s world one day. And he’ll be the luckiest son of a bitch on this earth.
Jennifer L. Armentrout (Pure (Covenant, #2))
My name is Ashallyn'darkmyr Tallyn, third son of the Unseelie Court...Let it be known--from this day forth, I vow to protect Meghan Chase, daughter of the Summer King, with my sword, my honor, and my life. Her desires are mine. Her wishes are mine. Should even the world stand against her, my blade will be at her side. And should it fail to protect her, let my own existence be forfeit. This I swear, on my honor, my True Name, and my life. From this day on..." His voice went even softer, but I still heard it as though he whispered it into my ear. "I am yours.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
Percy smiled. He knew the stakes were high. He knew this day could go horribly wrong. But he also knew that Annabeth was on that ship.If things went right, this would be the best day of his life. He threw one arm around Hazel and one arm around Frank. "Come on," he said. "Let me introduce you to my other family.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Frank imitated the voice of Vitellius: 'They're wimps! Back in my day, we died all the time, and we liked it!
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Elections only happen in two ways," Reyna said. "Either the legion raises someone on a shield after a major success on the battlefield-and we haven't had any major battles-or we hold a ballot on the evening of June 24, at the Feast of Fortuna. That's in five days." Percy frowned. "You have a feast for tuna?
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Many things led to this day, for all of us. A forgotten son, a vengeful mother, a brother with a long shadow, a strange mutation. Together, they've written a tragedy.
Victoria Aveyard (Red Queen (Red Queen, #1))
Back in my day, we died all the time, and we liked it!
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
You'll become the center of someone's world one day. And he'll be the luckiest son of a bitch on this earth.
Jennifer L. Armentrout (Pure (Covenant, #2))
and every day I thank [God] that I am alive, not because I fear death, but because my wife has a husband and my son is not an orphan.
Khaled Hosseini
I have a dream that one day on the red hills of Georgia, the sons of former slaves and the sons of former slave owners will be able to sit down together at the table of brotherhood.
Martin Luther King Jr. (I Have a Dream: Writings and Speeches That Changed the World)
Look, one day I had gone to a little village. An old grandfather of ninety was busy planting an almond tree. ‘What, grandfather!’ I exclaimed. ‘Planting an almond tree?’ And he, bent as he was, turned around and said: ‘My son, I carry on as if I should never die.’ I replied: ‘And I carry on as if I was going to die any minute.’ Which of us was right, boss?
Nikos Kazantzakis (Zorba the Greek)
Alexander, you broke my heart. But for carrying me on your back, for pulling my dying sled, for giving me your last bread, for the body you destroyed for me, for the son you have given me, for the twenty-nine days we lived like Red Birds of Paradise, for all our Naples sands and Napa wines, for all the days you have been my first and last breath, for Orbeli- I will forgive you.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
You're ten years old now, you have to take a shower every day...I don't give a shit if you hate it. People hate smelly fuckers. I will not have a smelly fucker for a son.
Justin Halpern (Sh*t My Dad Says)
For the coming of that day shall I fight, I and my sons and my chosen friends. For the freedom of Man. For his rights. For his life. For his honor.
Ayn Rand (Anthem)
Look well on this, my son," said the green-skinned man, "for one day I shall rule a clockwork kingdom of such beings, and you shall be its prince.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
Well, niece, I hope to see you one day fitted with a husband. BEATRICE Not till God make men of some other metal than earth. Would it not grieve a woman to be overmastered with a pierce of valiant dust? to make an account of her life to a clod of wayward marl? No, uncle, I'll none: Adam's sons are my brethren; and, truly, I hold it a sin to match in my kindred.
William Shakespeare (Much Ado About Nothing)
Szeth-son-son-Vallano, Truthless of Shinovar, wore white on the day he was to kill a king […] White to be bold. White to not blend into the night. White to give warning. For if you were going to assassinate a man, he was entitled to see you coming.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
Why Not You? Today, many will awaken with a fresh sense of inspiration. Why not you? Today, many will open their eyes to the beauty that surrounds them. Why not you? Today, many will choose to leave the ghost of yesterday behind and seize the immeasurable power of today. Why not you? Today, many will break through the barriers of the past by looking at the blessings of the present. Why not you? Today, for many the burden of self doubt and insecurity will be lifted by the security and confidence of empowerment. Why not you? Today, many will rise above their believed limitations and make contact with their powerful innate strength. Why not you? Today, many will choose to live in such a manner that they will be a positive role model for their children. Why not you? Today, many will choose to free themselves from the personal imprisonment of their bad habits. Why not you? Today, many will choose to live free of conditions and rules governing their own happiness. Why not you? Today, many will find abundance in simplicity. Why not you? Today, many will be confronted by difficult moral choices and they will choose to do what is right instead of what is beneficial. Why not you? Today, many will decide to no longer sit back with a victim mentality, but to take charge of their lives and make positive changes. Why not you? Today, many will take the action necessary to make a difference. Why not you? Today, many will make the commitment to be a better mother, father, son, daughter, student, teacher, worker, boss, brother, sister, & so much more. Why not you? Today is a new day! Many will seize this day. Many will live it to the fullest. Why not you?
Steve Maraboli (Life, the Truth, and Being Free)
I have a dream that one day this nation will rise up and live out the true meaning of its creed: "We hold these truths to be self-evident, that all men are created equal." I have a dream that one day on the red hills of Georgia, the sons of former slaves and the sons of former slave owners will be able to sit down together at the table of brotherhood. I have a dream that one day even the state of Mississippi, a state sweltering with the heat of injustice, sweltering with the heat of oppression, will be transformed into an oasis of freedom and justice. I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character. I have a dream today! I have a dream that one day, down in Alabama, with its vicious racists, with its governor having his lips dripping with the words of "interposition" and "nullification" -- one day right there in Alabama little black boys and black girls will be able to join hands with little white boys and white girls as sisters and brothers. I have a dream today! I have a dream that one day every valley shall be exalted, and every hill and mountain shall be made low, the rough places will be made plain, and the crooked places will be made straight; "and the glory of the Lord shall be revealed and all flesh shall see it together.
Martin Luther King Jr.
Then out spake brave Horatius, The Captain of the gate: ‘To every man upon this earth Death cometh soon or late. And how can man die better Than facing fearful odds, For the ashes of his fathers, And the temples of his Gods, ‘And for the tender mother Who dandled him to rest, And for the wife who nurses His baby at her breast, And for the holy maidens Who feed the eternal flame, To save them from false Sextus That wrought the deed of shame? ‘Hew down the bridge, Sir Consul, With all the speed ye may; I, with two more to help me, Will hold the foe in play. In yon strait path a thousand May well be stopped by three. Now who will stand on either hand, And keep the bridge with me? Then out spake Spurius Lartius; A Ramnian proud was he: ‘Lo, I will stand at thy right hand, And keep the bridge with thee.’ And out spake strong Herminius; Of Titian blood was he: ‘I will abide on thy left side, And keep the bridge with thee.’ ‘Horatius,’ quoth the Consul, ‘As thou sayest, so let it be.’ And straight against that great array Forth went the dauntless Three. For Romans in Rome’s quarrel Spared neither land nor gold, Nor son nor wife, nor limb nor life, In the brave days of old. Then none was for a party; Then all were for the state; Then the great man helped the poor, And the poor man loved the great: Then lands were fairly portioned; Then spoils were fairly sold: The Romans were like brothers In the brave days of old. Now Roman is to Roman More hateful than a foe, And the Tribunes beard the high, And the Fathers grind the low. As we wax hot in faction, In battle we wax cold: Wherefore men fight not as they fought In the brave days of old.
Thomas Babington Macaulay (Horatius)
I could tell by the way you looked at her, she was something real special.” “How did I look at her?” He was afraid to find out. “Ah, son. Like a summer day showing up after a hundred years of winter.
Tessa Bailey (Hook, Line, and Sinker (Bellinger Sisters, #2))
All these weirdos, and me getting a little better every day right in the midst of them. I had never known, never even imagined for a heartbeat, that there might be a place for people like us.
Denis Johnson (Jesus' Son)
How have I lived through so many happy endings without ever learning how to save the day?
Rainbow Rowell (Wayward Son (Simon Snow, #2))
It was no accident, no coincidence, that the seasons came round and round year after year. It was the Lord speaking to us all and showing us over and over again the birth, life, death, and resurrection of his only begotten Son, our Savior, Jesus Christ, our Lord. It was like a best-loved story being told day after day with each sunrise and sunset, year after year with the seasons, down through the ages since time began.
Francine Rivers (The Last Sin Eater)
Eat bitter, taste sweet," Frank said. "I hate that proverb." "But it's true. What do they call it these days---no pain, no gain? Same concept. You do the easy thing, the appealing thing, the peaceful thing, mostly it turns out sour in the end. But if you take the hard path---ah, that's how you reap the sweet rewards. Duty. Sacrifice. They mean something.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
You know what's worse than being a sick son-of-a-bitch? Knowing you're a sick son-of-a-bitch.
T.M. Frazier (The Dark Light of Day (The Dark Light of Day, #1))
I love you Rush Finlay. You are going to be the best husband and father the world has ever known. One day our son’s wife will be thankful that her husband will have had you for a role model. She’ll be lucky because of you. Because you will have raised our son to be the man that you are. He’ll love her completely because he’ll know how.
Abbi Glines (Forever Too Far (Rosemary Beach, #3; Too Far, #3))
I have good news and I have bad news. The good news is that your house hasn't burned down, you don't have cancer, and your daughter hasn't been raped or murdered. The bad news is that I ran over your dog. And your son. And his wife. But not before I ran out of gas to achieve all of that.
Jarod Kintz (The Days of Yay are Here! Wake Me Up When They're Over.)
Getting eaten by a giant crocodile was bad enough. The kid with the glowing sword only made my day worse.
Rick Riordan (The Son of Sobek (Demigods & Magicians, #1))
Stay with you? What for? Look at us, we're already fightin' Well that's what we do, we fight... You tell me when I am being an arrogant son of a bitch and I tell you when you are a pain in the ass. Which you are, 99% of the time. I'm not afraid to hurt your feelings. You have like a 2 second rebound rate, then you're back doing the next pain-in-the-ass thing. So what? So it's not gonna be easy. It's gonna be really hard. We're gonna have to work at this every day, but I want to do that because I want you. I want all of you, for ever, you and me, every day. Will you do something for me, please? Just picture your life for me? 30 years from now, 40 years from now? What's it look like? If it's with him, go. Go! I lost you once, I think I can do it again. If I thought that's what you really wanted. But don't you take the easy way out.
Nicholas Sparks
I am the son of the road , my country is a caravan and my life is the most unexpected of voyages. i belong to earth and to the god and it is to them that I will one day soon return
Amin Maalouf
Closing The Cycle One always has to know when a stage comes to an end. If we insist on staying longer than the necessary time, we lose the happiness and the meaning of the other stages we have to go through. Closing cycles, shutting doors, ending chapters - whatever name we give it, what matters is to leave in the past the moments of life that have finished. Did you lose your job? Has a loving relationship come to an end? Did you leave your parents' house? Gone to live abroad? Has a long-lasting friendship ended all of a sudden? You can spend a long time wondering why this has happened. You can tell yourself you won't take another step until you find out why certain things that were so important and so solid in your life have turned into dust, just like that. But such an attitude will be awfully stressing for everyone involved: your parents, your husband or wife, your friends, your children, your sister, everyone will be finishing chapters, turning over new leaves, getting on with life, and they will all feel bad seeing you at a standstill. None of us can be in the present and the past at the same time, not even when we try to understand the things that happen to us. What has passed will not return: we cannot for ever be children, late adolescents, sons that feel guilt or rancor towards our parents, lovers who day and night relive an affair with someone who has gone away and has not the least intention of coming back. Things pass, and the best we can do is to let them really go away. That is why it is so important (however painful it may be!) to destroy souvenirs, move, give lots of things away to orphanages, sell or donate the books you have at home. Everything in this visible world is a manifestation of the invisible world, of what is going on in our hearts - and getting rid of certain memories also means making some room for other memories to take their place. Let things go. Release them. Detach yourself from them. Nobody plays this life with marked cards, so sometimes we win and sometimes we lose. Do not expect anything in return, do not expect your efforts to be appreciated, your genius to be discovered, your love to be understood. Stop turning on your emotional television to watch the same program over and over again, the one that shows how much you suffered from a certain loss: that is only poisoning you, nothing else. Nothing is more dangerous than not accepting love relationships that are broken off, work that is promised but there is no starting date, decisions that are always put off waiting for the "ideal moment." Before a new chapter is begun, the old one has to be finished: tell yourself that what has passed will never come back. Remember that there was a time when you could live without that thing or that person - nothing is irreplaceable, a habit is not a need. This may sound so obvious, it may even be difficult, but it is very important. Closing cycles. Not because of pride, incapacity or arrogance, but simply because that no longer fits your life. Shut the door, change the record, clean the house, shake off the dust. Stop being who you were, and change into who you are.
Paulo Coelho
My son, do not forget my teaching, But let your heart keep my commandments; For length of days and years of life And peace they will add to you. Do not let kindness and truth leave you; Bind them around your neck, Write them on the tablet of your heart. So you will find favor and good repute In the sight of God and man. Trust in the Lord with all your heart And do not lean on your own understanding. In all your ways acknowledge Him, And He will make your paths straight.
Anonymous (Holy Bible: New International Version)
November 20. Andrius's birthday. I had counted the days carefully. I wished him a happy birthday when I woke and thought about him while hauling logs during the day. At night, I sat by the light of the stove, reading Dombey and Son. Krasivaya. I still hadn't found the word. Maybe I'd find it if I jumped ahead. I flipped through some of the pages. A marking caught my eye. I leafed backward. Something was written in pencil in the margin of 278. Hello, Lina. You've gotten to page 278. That's pretty good! I gasped, then pretened I was engrossed in the book. I looked at Andrius's handwritting. I ran my finger over this elongated letters in my name. Were there more? I knew I should read onward. I couldn't wait. I turned though the pages carefully, scanning the margins. Page 300: Are you really on page 300 or are you skipping ahead now? I had to stifle my laughter. Page 322: Dombey and Son is boring. Admit it. Page 364: I'm thinking of you. Page 412: Are you maybe thinking of me? I closed my eyes. Yes, I'm thinking of you. Happy birthday, Andrius.
Ruta Sepetys (Between Shades of Gray)
Child, child, have patience and belief, for life is many days, and each present hour will pass away. Son, son, you have been mad and drunken, furious and wild, filled with hatred and despair, and all the dark confusions of the soul - but so have we. You found the earth too great for your one life, you found your brain and sinew smaller than the hunger and desire that fed on them - but it has been this way with all men. You have stumbled on in darkness, you have been pulled in opposite directions, you have faltered, you have missed the way, but, child, this is the chronicle of the earth. And now, because you have known madness and despair, and because you will grow desperate again before you come to evening, we who have stormed the ramparts of the furious earth and been hurled back, we who have been maddened by the unknowable and bitter mystery of love, we who have hungered after fame and savored all of life, the tumult, pain, and frenzy, and now sit quietly by our windows watching all that henceforth never more shall touch us - we call upon you to take heart, for we can swear to you that these things pass.
Thomas Wolfe (You Can't Go Home Again (Perennial Library))
Joshua's ministry was three years of preaching, sometimes three times a day, and although there were some high and low points, I could never remember the sermons word for word, but here's the gist of almost every sermon I ever heard Joshua give. You should be nice to people, even creeps. And if you: a) believed that Joshua was the Son of God (and) b) he had come to save you from sin (and) c) acknowledged the Holy Spirit within you (became as a little child, he would say) (and) d) didn't blaspheme the Holy Ghost (see c) then you would: e) live forever f) someplace nice g) probably heavan However, if you: h) sinned (and/or) i) were a hypocrite (and/or) j) valued things over people (and) k) didn't do a, b, c, and d, then you were: l) fucked
Christopher Moore (Lamb: The Gospel According to Biff, Christ’s Childhood Pal)
On this Mother's Day and every day before and after, I thank you God for the precious gift of my three children. I love them unconditionally.
Ana Monnar
Allow me to give my lord one last piece of counsel," the old man had said, "the same counsel I once gave my brother when we parted for the last time. He was three-and-thirty when the Great Council chose him to mount the Iron Throne. A man grown with sons of his own, yet in some ways still a boy. Egg had an innocence to him, a sweetness we all loved. Kill the boy within you, I told him the day I took ship for the Wall. It takes a man to rule. An Aegon, not an Egg. Kill the boy and let the man be born." The old man felt Jon's face. "You are half the age that Egg was, and your own burden is crueler one, I fear. You will have little joy of your command, but I think you have the strength in you to do the things that must be done. Kill the boy, Jon Snow. Winter is almost upon us. Kill the boy and let the man be born.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
He had arrived at Camp Half-Blood thanks to Apollo. Now, on what would likely be his last day at camp, he was stuck with a son of Apollo. ‘Whatever,’ Nico said. ‘But we have to hurry. And you’ll follow my lead.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
There was a soft chuckle beside me, and my heart stopped. "So this is Oberon's famous half-blood," Ash mused as I whirled around. His eyes, cold and inhuman, glimmered with amusement. Up close, he was even more beautiful, with high cheekbones and dark tousled hair falling into his eyes. My traitor hands itched, longing to run my fingers through those bangs. Horrified, I clenched them in my lap, trying to concentrate on what Ash was saying. "And to think," the prince continued, smiling, "I lost you that day in the forest and didn't even know what I was chasing." I shrank back, eyeing Oberon and Queen Mab. They were deep in conversation and did not notice me. I didn't want to interrupt them simply because a prince of the Unseelie Court was talking to me. Besides, I was a faery princess now. Even if I didn't quite believe it, Ash certainly did. I took a deep breath, raised my chin, and looked him straight in the eye. "I warn you," I said, pleased that my voice didn't tremble, "that if you try anything, my father will remove your head and stick it to a plaque on his wall." He shrugged one lean shoulder. "There are worse things." At my horrified look, he offered a faint, self-derogatory smile. "Don't worry, princess, I won't break the rules of Elysium. I have no intention of facing Mab's wrath should I embarrass her. That's not why I'm here." "Then what do you want?" He bowed. "A dance." "What!" I stared at him in disbelief. "You tried to kill me!" "Technically, I was trying to kill Puck. You just happened to be there. But yes, if I'd had the shot, I would have taken it." "Then why the hell would you think I'd dance with you?" "That was then." He regarded me blandly. "This is now. And it's tradition in Elysium that a son and daughter of opposite territories dance with each other, to demonstrate the goodwill between the courts." "Well, it's a stupid tradition." I crossed my arms and glared. "And you can forget it. I am not going anywhere with you." He raised an eyebrow. "Would you insult my monarch, Queen Mab, by refusing? She would take it very personally, and blame Oberon for the offense. And Mab can hold a grudge for a very, very long time." Oh, damn. I was stuck.
Julie Kagawa (The Iron King (The Iron Fey, #1))
Every day is a journey filled with twists and turns. Every day, if you smile, you will feel alive, my son.
Santosh Kalwar
I can't believe you've been here all day and didn't come visit. ", Tatiana said. "Aw, I figured you had more important things to do than see me, " Adrian told her. "Besides, I quit smoking, so now we won't be able to go sneak cigarettes out behind the throne room together. " "Adrian!" chastised Nathan, turning bright red. It occurred to me then that I could have based a drinking game around how many times he exclaimed his son's name disapprovingly.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
Lady and gentleman, when my parents left Korea with nothing but the clothes on their backs and the considerable wealth they had amassed in the shipping business, they had a dream. They had a dream that one day amid the snowy hilltops of western North Carolina, their son would lose his virginity to a cheerleader in the woman's bathroom of a Waffle House just off the interstate. My parents have sacrificed so much for this dream! And that is why we must journey on, despite all trials and tribulations! Not for me and least of all for the poor cheerleader in question, but for my parents and indeed for all immigrants who came to his great nation in what they themselves could never have: CHEERLEADER SEX.
John Green (Let It Snow: Three Holiday Romances)
I spent as much time as I could with Ghosh. I wanted every bit of wisdom he could impart to me. All sons should write down every word of what their fathers have to say to them. I tried. Why did it take an illness for me to recognize the value of time with him? It seems we humans never learn. And so we relearn the lesson every generation and then want to write epistles. We proselytize to our friends and shake them by the shoulders and tell them, "Seize the day! What matters is THIS moment!" Most of us can't go back and make restitution. We can't do a thing about our should haves and our could haves. But a few lucky men like Ghosh never have such worries; there was no restitution he needed to make, no moment he failed to seize. Now and then Ghosh would grin and wink at me across the room. He was teaching me how to die, just as he'd taught me how to live.
Abraham Verghese (Cutting for Stone)
First, it’s okay to be sad. It’s okay to feel things. Remember that. Second, be a kid for as long as you can. Play games, Travis. Be silly”—her eyes glossed over—“and you and your brothers take care of each other, and your father. Even when you grow up and move away, it’s important to come home. Okay?” My head bobbed up and down, desperate to please her. “One of these days you’re going to fall in love, son. Don’t settle for just anyone. Choose the girl that doesn’t come easy, the one you have to fight for, and then never stop fighting. Never”—she took a deep breath—“stop fighting for what you want. And never”—her eyebrows pulled in—“forget that Mommy loves you. Even if you can’t see me.” A tear fell down her cheek. “I will always, always love you.
Jamie McGuire (Walking Disaster (Beautiful, #2))
Witches never existed, except in people’s minds. All there was in the olden days was women and some men who believed in herbal cures and in folklore and in the wish to fly. Witches? We’re all witches in one way or another. Witches was the invention of mankind, son. We’re all witches beneath the skin.
Ian Rankin (The Flood)
Death, my son, is a good thing for all men; it is the night for this worried day that we call life. It is in the sleep of death that finds rest for eternity the sickness, pain, desperation, and the fears that agitate, without end, we unhappy living souls.
Jacques-Henri Bernardin de Saint-Pierre (Paul et Virginie)
What the creeping crud is that?" [Percy] demanded. "You’re inside a giant glowing chicken-man!" "Hawk!" I yelled. I decided that if I survived this day I would have to make sure this guy never met Sadie. They’d probably take turns insulting me for the rest of eternity.
Rick Riordan (The Son of Sobek (Demigods & Magicians, #1))
MOTHER IS WATER I wish I could Shower your head with flowers And anoint your feet with my tears, For I know I have caused you So much heartache, frustration and despair – Throughout my youthful years. I wish I could give you The remainder of my life To add to yours, Or simply erase The lines on your face, And mend all that has been torn. For next to God, You are the fire That has given light To the flame in each of my eyes. You are the fountain That nourished my growth, And from your chalice – Gave me life. Without the wetness of your love, The fragrance of your water, Or the trickling sounds of Your voice, I shall always feel thirsty.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
My wife's the reason anything gets done, she nudges me towards promise by degrees. She is a perfect symphony of one our son is her most beautiful reprise. We chase the melodies that seem to find us until they're finished songs and start to play. When senseless acts of tragedy remind us that nothing here is promised--not one day. This show is proof that history remembers. We live in times when hate and fear seem stronger. We rise and fall and light from dying embers--remembrances that hope and love last longer. And love is love is love is love is love is love is love is love cannot be killed or swept aside. I sing Vanessa's symphony. Eliza tells her story. Now, fill the world with music, love, and pride.
Lin-Manuel Miranda
Why bother trying? What was the point? So I could go to some suck-ass college, get a diploma, march out into a job that I hated, marry a pretty girl who would want to divorce me, but then she wouldn't because we'd have kids, so instead she'd be the angry woman at the other end of the kitchen table, and the kids would grow up watching this, until one day I'd look at my son and he'd look just like that face in the bathroom mirror? If that was life, then it was twisted.
Laurie Halse Anderson (Twisted)
My life has been the polar opposite of safe, but I am proud of it and so is my son, and that is good enough for me. I would do it all over again without changing the beat, although I have never recommended it to others. That would be cruel and irresponsible and wrong, I think, and I am none of those things.
Hunter S. Thompson (Kingdom of Fear: Loathsome Secrets of a Star-Crossed Child in the Final Days of the American Century)
There is... this rage." she said "This despair and hatred and rage that lives and breathes inside me. There's not sanity to it, no gentleness. It is a monster dwelling under my skin. For the past ten years, I have worked every day, every hour, to keep that monster locked up. And the moment I talk about those two days, and what happened before and after, that monster is going to break loose, and there will be no accounting for what I do." "That is how I was able to stand before the King of Adarlan, how I was able to befriend his son and his captain, how I was able to live in that palace. Because I did not give that rage, those memories, one inch. And right now I am looking for the tools that might destroy my enemy, and I cannot let out the monster, because it will make me use those tools against the king, not put them back as I should—and I might very well destroy the world for spite. So that is why I must be Celaena, not Aelin—because being Aelin means facing those things, unleashing that monster. Do you understand?
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
He thinks great folly, child,' said Aslan. "This world is bursting with life for these few days because the song with which I called it into life still hangs in the air and rumbles in the ground. It will not be so for long. But I cannot tell that to this old sinner, and I cannot comfort him either; he has made himself unable to hear my voice. If I spoke to him, he would hear only growlings and roarings. Oh, Adam's son, how cleverly you defend yourself against all that might do you good!
C.S. Lewis (The Magician's Nephew (The Chronicles of Narnia, #1))
George’s utterance of the nest and the trap belonged to a bigger mystery she did not yet understand. One day I will, she promised herself. She would stake her life that those last words from her son would be solved by her. They were steppingstones into… whatever the wind and the stars and the valiant trees held for her.
Susan Rowland (Murder On Family Grounds: A Mary Wandwalker Mystery)
Wanted, wanted: Dolores Haze. Hair: brown. Lips: scarlet. Age: five thousand three hundred days. Profession: none, or "starlet" Where are you hiding, Dolores Haze? Why are you hiding, darling? (I Talk in a daze, I walk in a maze I cannot get out, said the starling). Where are you riding, Dolores Haze? What make is the magic carpet? Is a Cream Cougar the present craze? And where are you parked, my car pet? Who is your hero, Dolores Haze? Still one of those blue-capped star-men? Oh the balmy days and the palmy bays, And the cars, and the bars, my Carmen! Oh Dolores, that juke-box hurts! Are you still dancin', darlin'? (Both in worn levis, both in torn T-shirts, And I, in my corner, snarlin'). Happy, happy is gnarled McFate Touring the States with a child wife, Plowing his Molly in every State Among the protected wild life. My Dolly, my folly! Her eyes were vair, And never closed when I kissed her. Know an old perfume called Soliel Vert? Are you from Paris, mister? L'autre soir un air froid d'opera m'alita; Son fele -- bien fol est qui s'y fie! Il neige, le decor s'ecroule, Lolita! Lolita, qu'ai-je fait de ta vie? Dying, dying, Lolita Haze, Of hate and remorse, I'm dying. And again my hairy fist I raise, And again I hear you crying. Officer, officer, there they go-- In the rain, where that lighted store is! And her socks are white, and I love her so, And her name is Haze, Dolores. Officer, officer, there they are-- Dolores Haze and her lover! Whip out your gun and follow that car. Now tumble out and take cover. Wanted, wanted: Dolores Haze. Her dream-gray gaze never flinches. Ninety pounds is all she weighs With a height of sixty inches. My car is limping, Dolores Haze, And the last long lap is the hardest, And I shall be dumped where the weed decays, And the rest is rust and stardust.
Vladimir Nabokov (Lolita)
Max," she said. He turned and briefly closed his eyes as the girl continued. There was once a strange, small man,"she said. Her arms were loose but her hands were fists at her side. "But there was a word shaker,too." One of the Jews on his way to Dachau had stopped walking now. He stood absolutely still as the others swerved morosely around him, leaving him completely alone. His eyes staggered, and it was so simple. The words were given across from the girl to the Jew. They climbed on to him. The next time she spoke, the questions stumbled from her mouth. Hot tears fought for room in her eyes as she would not let them out. Better to stand resolute and proud. Let the words do all of it. "Is it really you? the young man asked," she said. " Is it from your cheek that I took the seed.?" Max Vandenburg remained standing. He did not drop to his knees. People and Jews and clouds all stopped. They watched. As he stood, Max looked first at the girl and then stared directly into the sky who was wide and blue and magnificent. There were heavy beams-- planks of son-- falling randomly, wonderfully to the road. Clouds arched their backs to look behind as they started again to move on. "It's such a beautiful day," he said, and his voice was in many pieces. A great day to die. A great day to die,like this. Liesel walked at him. She was courageous enought to reach out and hold his bearded face. "Is it really you,Max?" Such a brilliant German day and its attentive crowd. He let his mouth kiss her palm. "Yes, Liesel, it's me," and he held the girl's hand in his face and cried onto her fingers. He cried as the soldiers came and a small collection of insolent Jews stood and watched.
Markus Zusak (The Book Thief)
There's a wonderful old Italian joke about a poor man who goes to church every day and prays before the statue of a great saint, begging, "Dear saint-please, please, please...give me the grace to win the lottery." This lament goes on for months. Finally the exasperated staue comes to life, looks down at the begging man and says in weary disgust, "My son-please, please, please...buy a ticket." Prayer is a realtionship; half the job is mine. If I want transformation, but can't even be bothered to articulate what, exactly, I'm ainming for, how will it ever occur? Half the benefit of prayer is in the asking itself, in the offering of a clearly posed and well-considered intention. If you don't have this, all your pleas and desires are boneless, floppy, inert; they swirl at your feet in a cold fog and never lift.
Elizabeth Gilbert
And I know someone who’s perfect for her. He works in my lab. He’s smart. He’s funny. His name is Bert.” Bert? Is she fucking kidding me? What kind of sick son of a bitch names his kid Bert in this day and age? That’s just cruel. “He’ll show Kate a good time. I plan on setting them up this weekend.” And I plan on handcuffing myself to Kate’s ankle and eating the key. Let’s see what kind of good time Bert can show Kate when she’s dragging me around behind her like a Siamese twin.
Emma Chase (Tangled (Tangled, #1))
Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe. "Beware the Jabberwock, my son The jaws that bite, the claws that catch! Beware the Jubjub bird, and shun The frumious Bandersnatch!" He took his vorpal sword in hand; Long time the manxome foe he sought— So rested he by the Tumtum tree, And stood awhile in thought. And, as in uffish thought he stood, The Jabberwock, with eyes of flame, Came whiffling through the tulgey wood, And burbled as it came! One, two! One, two! And through and through The vorpal blade went snicker-snack! He left it dead, and with its head He went galumphing back. "And hast thou slain the Jabberwock? Come to my arms, my beamish boy! O frabjous day! Callooh! Callay!" He chortled in his joy. 'Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe.
Lewis Carroll
Then I fell at his feet and thought, Surely this is the hour of death, for the Lion (who is worthy of all honour) will know that I have served Tash all my days and not him. Nevertheless, it is better to see the Lion and die than to be Tisroc of the world and live and not to have seen him. But the Glorious One bent down his golden head and touched my forehead with his tongue and said, Son, thou art welcome. But I said, Alas Lord, I am no son of thine but the servant of Tash. He answered, Child, all the service thou hast done to Tash, I account as service done to me. Then by reasons of my great desire for wisdom and understanding, I overcame my fear and questioned the Glorious One and said, Lord, is it then true, as the Ape said, that thou and Tash are one? The Lion growled so that the earth shook (but his wrath was not against me) and said, It is false. Not because he and I are one, but because we are opposites, I take to me the services which thou hast done to him. For I and he are of such different kinds that no service which is vile can be done to me, and none which is not vile can be done to him. Therefore if any man swear by Tash and keep his oath for the oath’s sake, it is by me that he has truly sworn, though he know it not, and it is I who reward him. And if any man do a cruelty in my name, then, though he says the name Aslan, it is Tash whom he serves and by Tash his deed is accepted. Dost thou understand, Child? I said, Lord, though knowest how much I understand. But I said also (for the truth constrained me), Yet I have been seeking Tash all my days. Beloved, said the Glorious One, unless thy desire had been for me thou wouldst not have sought so long and so truly. For all find what they truly seek.
C.S. Lewis (The Last Battle (Chronicles of Narnia, #7))
Don't miss out on the love of a good women,son. No matter what that old man of yours tells you,love is real.I'd have never had the success in my life without the women right there.She's been my backbone.She's been my reason for everything I've ever done.One day your drive to make a name for yourself will begin to drift away. It won't be that important anymore.But when you're doing it for someone else, someone you would move heaven and earth for then you never lose the desire to succeed.I can't imagine this world without her in it.I don't ever want to.
Abbi Glines (Twisted Perfection (Rosemary Beach, #5; Perfection, #1))
Soon after the completion of his college course, his whole nature was kindled into one intense and passionate effervescence of romantic passion. His hour came,—the hour that comes only once; his star rose in the horizon,—that star that rises so often in vain, to be remembered only as a thing of dreams; and it rose for him in vain. To drop the figure,—he saw and won the love of a high-minded and beautiful woman, in one of the northern states, and they were affianced. He returned south to make arrangements for their marriage, when, most unexpectedly, his letters were returned to him by mail, with a short note from her guardian, stating to him that ere this reached him the lady would be the wife of another. Stung to madness, he vainly hoped, as many another has done, to fling the whole thing from his heart by one desperate effort. Too proud to supplicate or seek explanation, he threw himself at once into a whirl of fashionable society, and in a fortnight from the time of the fatal letter was the accepted lover of the reigning belle of the season; and as soon as arrangements could be made, he became the husband of a fine figure, a pair of bright dark eyes, and a hundred thousand dollars; and, of course, everybody thought him a happy fellow. The married couple were enjoying their honeymoon, and entertaining a brilliant circle of friends in their splendid villa, near Lake Pontchartrain, when, one day, a letter was brought to him in that well-remembered writing. It was handed to him while he was in full tide of gay and successful conversation, in a whole room-full of company. He turned deadly pale when he saw the writing, but still preserved his composure, and finished the playful warfare of badinage which he was at the moment carrying on with a lady opposite; and, a short time after, was missed from the circle. In his room,alone, he opened and read the letter, now worse than idle and useless to be read. It was from her, giving a long account of a persecution to which she had been exposed by her guardian's family, to lead her to unite herself with their son: and she related how, for a long time, his letters had ceased to arrive; how she had written time and again, till she became weary and doubtful; how her health had failed under her anxieties, and how, at last, she had discovered the whole fraud which had been practised on them both. The letter ended with expressions of hope and thankfulness, and professions of undying affection, which were more bitter than death to the unhappy young man. He wrote to her immediately: I have received yours,—but too late. I believed all I heard. I was desperate. I am married, and all is over. Only forget,—it is all that remains for either of us." And thus ended the whole romance and ideal of life for Augustine St. Clare. But the real remained,—the real, like the flat, bare, oozy tide-mud, when the blue sparkling wave, with all its company of gliding boats and white-winged ships, its music of oars and chiming waters, has gone down, and there it lies, flat, slimy, bare,—exceedingly real. Of course, in a novel, people's hearts break, and they die, and that is the end of it; and in a story this is very convenient. But in real life we do not die when all that makes life bright dies to us.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
Addiction" might be the best word to explain the lostness that so deeply permeates society. Our addiction make us cling to what the world proclaims as the keys to self-fulfillment: accumulation of wealth and power; attainment of status and admiration; lavish consumption of food and drink, and sexual gratification without distinguishing between lust and love. These addictions create expectations that cannot but fail to satisfy our deepest needs. As long as we live within the world's delusions, our addictions condemn us to futile quests in "the distant country," leaving us to face an endless series of disillusionments while our sense of self remains unfulfilled. In these days of increasing addictions, we have wandered far away from our Father's home. The addicted life can aptly be designated a life lived in "a distant country." It is from there that our cry for deliverance rises up.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
Would a minute have mattered? No, probably not, although his young son appeared to have a very accurate internal clock. Possibly even 2 minutes would be okay. Three minutes, even. You could go to five minutes, perhaps. But that was just it. If you could go for five minutes, then you'd go to ten, then half an hour, a couple of hours...and not see your son all evening. So that was that. Six o'clock, prompt. Every day. Read to young Sam. No excuses. He'd promised himself that. No excuses. No excuses at all. Once you had a good excuse, you opened the door to bad excuses.
Terry Pratchett (Thud! (Discworld, #34; City Watch, #7))
George's son had done his work so thoroughly that he was considered too good a workman to live, and was, in fact, taken and tragically shot at twelve o'clock that same day—another instance of the untoward fate which so often attends dogs and other philosophers who follow out a train of reasoning to its logical conclusion, and attempt perfectly consistent conduct in a world made up so largely of compromise.
Thomas Hardy (Far From the Madding Crowd)
I say no wealth is worth my life! Not all they claim was stored in the depths of Troy, that city built on riches, in the old days of peace before the sons of Achaea came- not all the gold held fast in the Archer's rocky vaults, in Phoebus Apollo's house on Pytho's sheer cliffs! Cattle and fat sheep can all be had for the raiding, tripods all for the trading, and tawny-headed stallions. But a man's life breath cannot come back again- no raiders in force, no trading brings it back, once it slips through a man's clenched teeth. Mother tells me, the immortal goddess Thetis with her glistening feet, that two fates bear me on to the day of death. If I hold out here and I lay siege to Troy, my journey home is gone, but my glory never dies. If I voyage back to the fatherland I love, my pride, my glory dies... true, but the life that's left me will be long, the stroke of death will not come on me quickly.
Homer (The Iliad)
And the answer, said the judge. If God meant to interfere in the degeneracy of mankind would he not have done so by now? Wolves cull themselves, man. What other creature could? And is the race of man not more predacious yet? The way of the world is to bloom and to flower and die but in the affairs of men there is no waning and the noon of his expression signals the onset of night. His spirit is exhausted at the peak of its achievement. His meridian is at once his darkening and the evening of his day. He loves games? Let him play for stakes. This you see here, these ruins wondered at by tribes of savages, do you not think that this will be again? Aye. And again. With other people, with other sons.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
London The Institute Year of Our Lord 1878 “Mother, Father, my chwaer fach, It’s my seventeenth birthday today. I know that to write to you is to break the law, I know that I will likely tear this letter into pieces when it is finished. As I have done on all my birthdays past since I was twelve. But I write anyway, to commemorate the occasion - the way some make yearly pilgrimages to a grave, to remember the death of a loved one. For are we not dead to each other? I wonder if when you woke this morning you remembered that today, seventeen years ago, you had a son? I wonder if you think of me and imagine my life here in the Institute in London? I doubt you could imagine it. It is so very different from our house surrounded by mountains, and the great clear blue sky and the endless green. Here, everything is black and gray and brown, and the sunsets are painted in smoke and blood. I wonder if you worry that I am lonely or, as Mother always used to, that I am cold, that I have gone out into the rain again without a hat? No one here worries about those details. There are so many things that could kill us at any moment; catching a chill hardly seems important. I wonder if you knew that I could hear you that day you came for me, when I was twelve. I crawled under the bed to block out the sound of you crying my name, but I heard you. I heard mother call for her fach, her little one. I bit my hands until they bled but I did not come down. And, eventually, Charlotte convinced you to go away. I thought you might come again but you never did. Herondales are stubborn like that. I remember the great sighs of relief you would both give each time the Council came to ask me if I wished to join the Nephilim and leave my family, and each time I said no and I send them away. I wonder if you knew I was tempted by the idea of a life of glory, of fighting, of killing to protect as a man should. It is in our blood - the call to the seraph and the stele, to marks and to monsters. I wonder why you left the Nephilim, Father? I wonder why Mother chose not to Ascend and to become a Shadowhunter? Is it because you found them cruel or cold? I have no fathom side. Charlotte, especially, is kind to me, little knowing how much I do not deserve it. Henry is mad as a brush, but a good man. He would have made Ella laugh. There is little good to be said about Jessamine, but she is harmless. As little as there is good to say about her, there is as much good to say about Jem: He is the brother Father always thought I should have. Blood of my blood - though we are no relation. Though I might have lost everything else, at least I have gained one thing in his friendship. And we have a new addition to our household too. Her name is Tessa. A pretty name, is it not? When the clouds used to roll over the mountains from the ocean? That gray is the color of her eyes. And now I will tell you a terrible truth, since I never intend to send this letter. I came here to the Institute because I had nowhere else to go. I did not expect it to ever be home, but in the time I have been here I have discovered that I am a true Shadowhunter. In some way my blood tells me that this is what I was born to do.If only I had known before and gone with the Clave the first time they asked me, perhaps I could have saved Ella’s life. Perhaps I could have saved my own. Your Son, Will
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
Ego Tripping I was born in the congo I walked to the fertile crescent and built the sphinx I designed a pyramid so tough that a star that only glows every one hundred years falls into the center giving divine perfect light I am bad I sat on the throne drinking nectar with allah I got hot and sent an ice age to europe to cool my thirst My oldest daughter is nefertiti the tears from my birth pains created the nile I am a beautiful woman I gazed on the forest and burned out the sahara desert with a packet of goat's meat and a change of clothes I crossed it in two hours I am a gazelle so swift so swift you can't catch me For a birthday present when he was three I gave my son hannibal an elephant He gave me rome for mother's day My strength flows ever on My son noah built new/ark and I stood proudly at the helm as we sailed on a soft summer day I turned myself into myself and was jesus men intone my loving name All praises All praises I am the one who would save I sowed diamonds in my back yard My bowels deliver uranium the filings from my fingernails are semi-precious jewels On a trip north I caught a cold and blew My nose giving oil to the arab world I am so hip even my errors are correct I sailed west to reach east and had to round off the earth as I went The hair from my head thinned and gold was laid across three continents I am so perfect so divine so ethereal so surreal I cannot be comprehended except by my permission I mean...I...can fly like a bird in the sky...
Nikki Giovanni
The whole time I pretend I have mental telepathy. And with my mind only, I’ll say — or think? — to the target, 'Don’t do it. Don’t go to that job you hate. Do something you love today. Ride a roller coaster. Swim in the ocean naked. Go to the airport and get on the next flight to anywhere just for the fun of it. Maybe stop a spinning globe with your finger and then plan a trip to that very spot; even if it’s in the middle of the ocean you can go by boat. Eat some type of ethnic food you’ve never even heard of. Stop a stranger and ask her to explain her greatest fears and her secret hopes and aspirations in detail and then tell her you care because she is a human being. Sit down on the sidewalk and make pictures with colorful chalk. Close your eyes and try to see the world with your nose—allow smells to be your vision. Catch up on your sleep. Call an old friend you haven’t seen in years. Roll up your pant legs and walk into the sea. See a foreign film. Feed squirrels. Do anything! Something! Because you start a revolution one decision at a time, with each breath you take. Just don’t go back to thatmiserable place you go every day. Show me it’s possible to be an adult and also be happy. Please. This is a free country. You don’t have to keep doing this if you don’t want to. You can do anything you want. Be anyone you want. That’s what they tell us at school, but if you keep getting on that train and going to the place you hate I’m going to start thinking the people at school are liars like the Nazis who told the Jews they were just being relocated to work factories. Don’t do that to us. Tell us the truth. If adulthood is working some death-camp job you hate for the rest of your life, divorcing your secretly criminal husband, being disappointed in your son, being stressed and miserable, and dating a poser and pretending he’s a hero when he’s really a lousy person and anyone can tell that just by shaking his slimy hand — if it doesn’t get any better, I need to know right now. Just tell me. Spare me from some awful fucking fate. Please.
Matthew Quick (Forgive Me, Leonard Peacock)
War seems like a fine adventure, the greatest most of them will ever know. Then they get a taste of battle. For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they’ve been gutted by an axe. They see the lord who led them there cut down, and some other lord shouts that they are his now, They take the wound, and when that’s still half-healed they take another. There is never enough to eat, their shoes fall to pieces from marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water. If they want new boots or a warmer cloak or maybe a rusted iron half helm, they need to take them from a corpse, and before long they are stealing from the living too, from the small folk whose land they’re fighting in, men very like the men they used to be. They slaughter their sheep and steal their chickens, and from there it’s just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don’t know where they are or how to get back home and the lord they’re fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad in all steel, and the iron thunder of their charge seems to fill the world. And the man breaks.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
The fragility of crystal is not a weakness but a fineness. My parents understood that fine crystal glass had to be cared for or may be shattered. But when it came to my brother, they didn’t seem to know or care that their course of their secret action brought the kind of devastation that could cut them. Their fraudulent marriage and our father’s denial of his other son was for Chris a murder of every day’s truth. He felt his whole life turned like a river suddenly reversing the direction of its flow. Suddenly running uphill. These revelations struck at the core of Chris’s sense of identity. They made his entire childhood seem like fiction. Chris never told them he knew and made me promise silence as well.
Jon Krakauer (Into the Wild)
I chose the specialty of surgery because of Matron, that steady presence during my boyhood and adolescence. 'What is the hardest thing you can possibly do?' she said when I went to her for advice on the darkest day of the first half of my life. I squirmed. How easily Matron probed the gap between ambition and expediency. 'Why must I do what is hardest?' 'Because, Marion, you are an instrument of God. Don't leave the instrument sitting in its case my son. Play! Leave no part of your instrument unexplored. Why settle for 'Three Blind Mice' when you can play the 'Gloria'? 'But, Matron, I can't dream of playing Bach...I couldn't read music. 'No, Marion,' she said her gaze soft...'No, not Bach's 'Gloria'. Yours! Your 'Gloria' lives within you. The greatest sin is not finding it, ignoring what God made possible in you.
Abraham Verghese (Cutting for Stone)
This is for you." i pressed the stone in Kerwyn's hand. Kerwyn turned it over in his hands, unimpressed. "imatator's gold? It's worthless." "No, it's real gold. I am real Kerwyn." ... He pulled a creased and worn paper from his pocket and unfolded it. His hands shook increasingly as he read it. Then he turned to the audience and said, "This note was given to me by King Eckbert ... to read it only if someone ever came forward claiming to be the prince. This is what it says." He read aloud, "'Many may one day claim to be the lost prince of Carthya. ... You will know the Prince Jaron by one sign alone. He will give you the humblest of rocks and tell you it's gold.'" ... "Lords and ladies of Carthya, I present to you the son of King Eckbert and Queen Erin. He is the lost royal of Carthya, who lives and stands before you. Hail, Prince Jaron.
Jennifer A. Nielsen (The False Prince (Ascendance, #1))
It is not that God's help and presence must still be proved in our life; rather God's presence and help have been demonstrated for us in the life of Jesus Christ. It is in fact more important for us to know what God did to Israel, in God's Son Jesus Christ, than to discover what God intends for us today. The fact that Jesus Christ died is more important than the fact that I will die. And the fact that Jesus Christ was raised from the dead is the sole ground of my hope that I, too, will be raised on the day of judgment
Dietrich Bonhoeffer (Life Together and Prayerbook of the Bible (Dietrich Bonhoeffer Works, Vol 5))
We have become a Nazi monster in the eyes of the whole world—a nation of bullies and bastards who would rather kill than live peacefully. We are not just Whores for power and oil, but killer whores with hate and fear in our hearts. We are human scum, and that is how history will judge us. . . . No redeeming social value. Just whores. Get out of our way, or we’ll kill you. Well, shit on that dumbness. George W. Bush does not speak for me or my son or my mother or my friends or the people I respect in this world. We didn’t vote for these cheap, greedy little killers who speak for America today—and we will not vote for them again in 2002. Or 2004. Or ever. Who does vote for these dishonest shitheads? Who among us can be happy and proud of having all this innocent blood on our hands? Who are these swine? These flag-sucking half-wits who get fleeced and fooled by stupid little rich kids like George Bush? They are the same ones who wanted to have Muhammad Ali locked up for refusing to kill gooks. They speak for all that is cruel and stupid and vicious in the American character. They are the racists and hate mongers among us—they are the Ku Klux Klan. I piss down the throats of these Nazis. And I am too old to worry about whether they like it or not. Fuck them.
Hunter S. Thompson (Kingdom of Fear: Loathsome Secrets of a Star-Crossed Child in the Final Days of the American Century)
HELLO. Hello hello hello hello hello hello. Hello? Damn, now I've gone and done it. I've made hello go all abstract and weird. It looks like an alien rune now, something an astronaut would find engraved on a moon rock and go, A strange moon word! I must bring this back to Earth as a gift for my deaf son! And which would then--of course--hatch flying space piranhas and wipe out humanity in less than three days, SOMEHOW sparing the astronaut just so he could be in the final shot, weeping on his knees in the ruins of civilization and crying out to the heavens, It was just helloooooooo! Oh. Huh. It's totally back to normal now. No more alien doom. Astronaut, I just kept you from destroying Earth, YOU'RE WELCOME.
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
I am, and always have been - first, last, and always - a child of America. You raised me. I grew up in the pastures and hills of Texas, but I had been to thirty-four states before I learned how to drive. When I caught the stomach flu in the fifth grade, my mother sent a note to school written on the back of a holiday memo from Vice President Biden. Sorry, sir—we were in a rush, and it was the only paper she had on hand. I spoke to you for the first time when I was eighteen, on the stage of the Democratic National Convention in Philadelphia, when I introduced my mother as the nominee for president. You cheered for me. I was young and full of hope, and you let me embody the American dream: that a boy who grew up speaking two languages, whose family was blended and beautiful and enduring, could make a home for himself in the White House. You pinned the flag to my lapel and said, “We’re rooting for you.” As I stand before you today, my hope is that I have not let you down. Years ago, I met a prince. And though I didn’t realize it at the time, his country had raised him too. The truth is, Henry and I have been together since the beginning of this year. The truth is, as many of you have read, we have both struggled every day with what this means for our families, our countries, and our futures. The truth is, we have both had to make compromises that cost us sleep at night in order to afford us enough time to share our relationship with the world on our own terms. We were not afforded that liberty. But the truth is, also, simply this: love is indomitable. America has always believed this. And so, I am not ashamed to stand here today where presidents have stood and say that I love him, the same as Jack loved Jackie, the same as Lyndon loved Lady Bird. Every person who bears a legacy makes the choice of a partner with whom they will share it, whom the American people will “hold beside them in hearts and memories and history books. America: He is my choice. Like countless other Americans, I was afraid to say this out loud because of what the consequences might be. To you, specifically, I say: I see you. I am one of you. As long as I have a place in this White House, so will you. I am the First Son of the United States, and I’m bisexual. History will remember us. If I can ask only one thing of the American people, it’s this: Please, do not let my actions influence your decision in November. The decision you will make this year is so much bigger than anything I could ever say or do, and it will determine the fate of this country for years to come. My mother, your president, is the warrior and the champion that each and every American deserves for four more years of growth, progress, and prosperity. Please, don’t let my actions send us backward. I ask the media not to focus on me or on Henry, but on the campaign, on policy, on the lives and livelihoods of millions of Americans at stake in this election. And finally, I hope America will remember that I am still the son you raised. My blood still runs from Lometa, Texas, and San Diego, California, and Mexico City. I still remember the sound of your voices from that stage in Philadelphia. I wake up every morning thinking of your hometowns, of the families I’ve met at rallies in Idaho and Oregon and South Carolina. I have never hoped to be anything other than what I was to you then, and what I am to you now—the First Son, yours in actions and words. And I hope when Inauguration Day comes again in January, I will continue to be.
Casey McQuiston (Red, White & Royal Blue)
Principal Brill, those costumes were made by my mother. My mother, who has stage four small-cell lung cancer. My mother, who will never watch her little boy celebrate another Halloween again. My mother, who will more than likely experience a year of 'lasts'. Last Christmas. Last birthday. Last Easter. And if God is willing, her last Mother's Day. My mother, who when asked by her nine-year-old son if he could be her cancer for Halloween, had no choice but to make him the best cancerous tumor-riden lung costume she could. So if you think it's so offensive, I suggest you drive them home yourself and tell my mother to her face. Do you need my address?
Colleen Hoover (Slammed (Slammed, #1))
The visitor from outer space made a serious study of Christianity, to learn, if he could, why Christians found it so easy to be cruel. He concluded that at least part of the trouble was slipshod storytelling in the New Testament. He supposed that the intent of the Gospels was to teach people, among other things, to be merciful, even to the lowest of the low. But the Gospels actually taught this: Before you kill somebody, make absolutely sure he isn’t well connected. So it goes. The flaw in the Christ stories, said the visitor from outer space, was that Christ, who didn’t look like much, was actually the Son of the Most Powerful Being in the Universe. Readers understood that, so, when they came to the crucifixion, they naturally thought, and Rosewater read out loud again: Oh, boy–they sure picked the wrong guy to lynch _that_ time! And that thought had a brother: “There are right people to lynch.” Who? People not well connected. So it goes. The visitor from outer space made a gift to the Earth of a new Gospel. In it, Jesus really was a nobody, and a pain in the neck to a lot of people with better connections than he had. He still got to say all the lovely and puzzling things he said in the other Gospels. So the people amused themselves one day by nailing him to a cross and planting the cross in the ground. There couldn’t possibly be any repercussions, the lynchers thought. The reader would have to think that, too, since the new Gospel hammered home again and again what a nobody Jesus was. And then, just before the nobody died, the heavens opened up, and there was thunder and lightning. The voice of God came crashing down. He told the people that he was adopting the bum as his son, giving him the full powers and privileges of The Son of the Creator of the Universe throughout all eternity. God said this: From this moment on, He will punish horribly anybody who torments a bum who has no connections.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Wylan hadn’t realized it then, but Kaz had known his true identity all along. Dirtyhands kept tabs on anyone who took up residence in the Barrel, and he’d placed Wylan under Dregs protection, certain that one day a rich mercher’s son would come in handy. He had no illusions about why Kaz had looked out for him, but he also knew he never would have survived this long without his help. And Kaz didn’t care if he could read. Kaz and the others teased him, but they’d given him a chance to prove himself. They valued the things he could do instead of punishing him for the things he couldn’t.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Zhi yin. Jem had told her once that it meant understanding music, and also a bond that went deeper than friendship. Jem played, and he played the years of Will's life as he had seen them. He played two little boys in the training room, one showing the other how to throw knives, and he played the ritual of parabatai: the fire and the vows and burning runes. He played two young men running through the streets of London in the dark, stopping to lean up against a wall and laugh together. He played the day in the library when he and Will had jested with Tessa about ducks, and he played the train to Yorkshire on which Jem had said that parabatai were meant to love each other as they loved their own souls. He played that love, and he played their love for Tessa, and hers for them, and he played Will saying, In your eyes I have always found grace. He played the too few times he had seen them since he had joined the Brotherhood- the brief meetings at the Institute; the time when Will had been bitten by a Shax demon and nearly died, and Jem had come from the Silent City and sat with him all night, risking discovery and punishment. And he played the birth of their first son, and the protection ceremony that had been carried out on the child in the Silent City. Will would have no other Silent Brother but Jem perform it. And Jem played the way he had covered his scarred face with his hands and turned away when he'd found out the child's name was James. He played of love and loss and years of silence, words unsaid and vows unspoken, and all the spaces between his heart and theirs; and when he was done, and he'd set the violin back in its box, Will's eyes were closed, but Tessa's were full of tears. Jem set down his bow, and came toward the bed, drawing back his hood, so she could see his closed eyes and his scarred face. And he had sat down beside them on the bed, and taken Will's hand, the one that Tessa was not holding, and both Will and Tessa heard Jem's voice in their minds. I take your hand, brother, so that you may go in peace. Will had opened the blue eyes that had never lost their color over all the passing years, and looked at Jem and then Tessa, and smiled, and died, with Tessa's head on his shoulder and his hand in Jem's.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
When I was a kid," Orr replied, "I used to walk around all day with crab apples in my cheeks. One in each cheek." ... A minute passed. "Why?" [Yossarian] found himself forced to ask finally. Orr tittered triumphantly. "Because they're better than horse chestnuts... When I couldn't get crab apples," Orr continued, "I used horse chestnuts. Horse chestnuts are about the same size as crab apples and actually have a better shape, although the shape doesn't matter a bit." "Why did you walk around with crab apples in your cheeks?" Yossarian asked again. "That's what I asked." "Because they've got a better shape than horse chestnuts," Orr answered. "I just told you that." "Why," swore Yossarian at him approvingly, "you evil-eyed, mechanically aptituded, disaffiliated son of a bitch, did you walk around with anything in your cheeks?" "I didn't," Orr said, "walk around with anything in my cheeks. I walked around with crab applies in my cheeks. When I couldn't get crab apples I walked around with horse chestnuts. In my cheeks.
Joseph Heller (Catch-22)
My wife's the reason anything gets done, She nudges me toward promise by degrees. She is a perfect symphony of one, Our son is her most beautiful reprise. We chase the melodies that seem to find us Until they're finished songs and start to play When senseless acts of tragedy remind us That nothing here is promised, not one day. This show is proof that history remembers We live through times when hate and fear seem stronger. We rise and fall and light from dying embers Remembrances that hope and love last longer. And love is love is love is love is love is love is love is love cannot be killed or swept aside. I sing Vanessa’s symphony, Eliza tells her story Now fill the world with music, love and pride.
Lin-Manuel Miranda
No, you love to confuse me and drive me crazy. You don't really love me. You don't know what love is." "Yeah, I think I do." His brows lowered, and he took a step toward her. "I have loved you my whole life, Delaney. I can't remember a day when I didn't love you. I loved you the day I practically knocked you out with a snowball. I loved you when I flattened the tires on your bike so I could walk you home. I loved you when I saw you hiding behind the sunglasses at the Value Rite, and I loved you when you loved that loser son of a bitch Tommy Markham. I never forgot the smell of your hair or the texture of your skin the night I laid you on the hood of my car at Angel Beach. So don't tell me I don't love you. Don't tell me--" His voice shook and he pointed a finger at her. "Just don't tell me that.
Rachel Gibson (Truly Madly Yours (Truly, Idaho, #1))
is a broken man an outlaw?" "More or less." Brienne answered. Septon Meribald disagreed. "More less than more. There are many sorts of outlaws, just as there are many sorts of birds. A sandpiper and a sea eagle both have wings, but they are not the same. The singers love to sing of good men forced to go outside the law to fight some wicked lord, but most outlaws are more like this ravening Hound than they are the lightning lord. They are evil men, driven by greed, soured by malice, despising the gods and caring only for themselves. Broken men are more deserving of our pity, though they may be just as dangerous. Almost all are common-born, simple folk who had never been more than a mile from the house where they were born until the day some lord came round to take them off to war. Poorly shod and poorly clad, they march away beneath his banners, ofttimes with no better arms than a sickle or a sharpened hoe, or a maul they made themselves by lashing a stone to a stick with strips of hide. Brothers march with brothers, sons with fathers, friends with friends. They've heard the songs and stories, so they go off with eager hearts, dreaming of the wonders they will see, of the wealth and glory they will win. War seems a fine adventure, the greatest most of them will ever know. "Then they get a taste of battle. "For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they've been gutted by an axe. "They see the lord who led them there cut down, and some other lord shouts that they are his now. They take a wound, and when that's still half-healed they take another. There is never enough to eat, their shoes fall to pieces from the marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water. "If they want new boots or a warmer cloak or maybe a rusted iron halfhelm, they need to take them from a corpse, and before long they are stealing from the living too, from the smallfolk whose lands they're fighting in, men very like the men they used to be. They slaughter their sheep and steal their chicken's, and from there it's just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don't know where they are or how to get back home and the lord they're fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world... "And the man breaks. "He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them...but he should pity them as well
George R.R. Martin
Once upon a time there was a young prince who believed in all things but three. He did not believe in princesses, he did not believe in islands, he did not believe in God. His father, the king, told him that such things did not exist. As there were no princesses or islands in his father's domains, and no sign of God, the young prince believed his father. But then, one day, the prince ran away from his palace. He came to the next land. There, to his astonishment, from every coast he saw islands, and on these islands, strange and troubling creatures whom he dared not name. As he was searching for a boat, a man in full evening dress approached him along the shore. Are those real islands?' asked the young prince. Of course they are real islands,' said the man in evening dress. And those strange and troubling creatures?' They are all genuine and authentic princesses.' Then God must exist!' cried the prince. I am God,' replied the man in full evening dress, with a bow. The young prince returned home as quickly as he could. So you are back,' said the father, the king. I have seen islands, I have seen princesses, I have seen God,' said the prince reproachfully. The king was unmoved. Neither real islands, nor real princesses, I have seen God,' said the prince reproachfully. The king was unmoved. Neither real islands, nor real princesses, nor a real God exist.' I saw them!' Tell me how God was dressed.' God was in full evening dress.' Were the sleeves of his coat rolled back?' The prince remembered that they had been. The king smiled. That is the uniform of a magician. You have been deceived.' At this, the prince returned to the next land, and went to the same shore, where once again he came upon the man in full evening dress. My father the king has told me who you are,' said the young prince indignantly. 'You deceived me last time, but not again. Now I know that those are not real islands and real princesses, because you are a magician.' The man on the shore smiled. It is you who are deceived, my boy. In your father's kingdom there are many islands and many princesses. But you are under your father's spell, so you cannot see them.' The prince pensively returned home. When he saw his father, he looked him in the eyes. Father, is it true that you are not a real king, but only a magician?' The king smiled, and rolled back his sleeves. Yes, my son, I am only a magician.' Then the man on the shore was God.' The man on the shore was another magician.' I must know the real truth, the truth beyond magic.' There is no truth beyond magic,' said the king. The prince was full of sadness. He said, 'I will kill myself.' The king by magic caused death to appear. Death stood in the door and beckoned to the prince. The prince shuddered. He remembered the beautiful but unreal islands and the unreal but beautiful princesses. Very well,' he said. 'I can bear it.' You see, my son,' said the king, 'you too now begin to be a magician.
John Fowles
Through Rohan over fen and field where the long grass grows The West Wind goes walking, and about the walls it goes. What news from the West, oh wandering wind, do you bring to me tonight? Have you seen Boromir the Tall by moon or by starlight? ‘I saw him ride over seven streams, over waters wide and grey; I saw him walk in empty lands, until he passed away Into the shadows of the North. I saw him then no more. The North Wind may have heard the horn of the son of Denethor.’ Oh, Boromir! From the high walls westward I looked afar. But you came not from the empty lands where no men are. From the mouth of the sea the South Wind flies, From the sand hills and the stones; The wailing of the gulls it bears, and at the gate it moans What news from the South, oh sighing wind, do you bring to me at eve? Where now is Boromir the Fair? He tarries and I grieve. ‘Ask me not where he doth dwell--so many bones there lie On the white shores and on the black shores under the stormy sky; So many have passed down Anduin to find the flowing sea. Ask of the North Wind news of them the North Wind sends to me!’ Oh Boromir! Beyond the gate the Seaward road runs South, But you came not with the wailing gulls from the grey seas mouth. From the Gate of Kings the North Wind rides, And past the roaring falls And loud and cold about the Tower its loud horn calls. What news from the North, oh mighty wind, do you bring to me today? What news of Boromir the Bold? For he is long away. ‘Beneath Amon Hen I heard his cry. There many foes he fought His cloven shield, his broken sword, they to the water brought. His head so proud, his face so fair, his limbs they laid to rest; And Rauros, Golden Rauros Falls, bore him upon its breast.’ Oh Boromir! The Tower of Guard shall ever northward gaze To Rauros, Golden Rauros Falls until the end of days.
J.R.R. Tolkien
The Taoists realized that no single concept or value could be considered absolute or superior. If being useful is beneficial, the being useless is also beneficial. The ease with which such opposites may change places is depicted in a Taoist story about a farmer whose horse ran away. His neighbor commiserated only to be told, "Who knows what's good or bad?" It was true. The next day the horse returned, bringing with it a drove of wild horses it had befriended in its wanderings. The neighbor came over again, this time to congratulate the farmer on his windfall. He was met with the same observation: "Who knows what is good or bad?" True this time too; the next day the farmer's son tried to mount one of the wild horses and fell off, breaking his leg. Back came the neighbor, this time with more commiserations, only to encounter for the third time the same response, "Who knows what is good or bad?" And once again the farmer's point was well taken, for the following day soldiers came by commandeering for the army and because of his injury, the son was not drafted. According to the Taoists, yang and yin, light and shadow, useful and useless are all different aspects of the whole, and the minute we choose one side and block out the other, we upset nature's balance. If we are to be whole and follow the way of nature, we must pursue the difficult process of embracing the opposites.
Connie Zweig (Meeting the Shadow: The Hidden Power of the Dark Side of Human Nature)
He took a deep breath. “You make me question myself,” he said. “All the time, every day. I was brought up to believe I had to be perfect. A perfect warrior, a perfect son. Even when I came to live with the Lightwoods, I thought I had to be perfect, because otherwise they would send me away. I didn’t think love came with forgiveness. And then you came along, and you broke everything I believed into pieces, and I started to see everything differently. You had—so much love, and so much forgiveness, and so much faith. So I started to think that maybe I was worth that faith. That I didn’t have to be perfect; I had to try, and that was good enough.” He lowered his eyelids; she could see the faint pulse at his temple, feel the tension in him. “So I think you were the wrong person for the Jace that I was, but not the Jace that I am now, the Jace you helped make me. Who is, incidentally, a Jace I like much better than the old one. You’ve changed me for the better.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
WESTMORELAND. O that we now had here But one ten thousand of those men in England That do no work to-day! KING. What's he that wishes so? My cousin Westmoreland? No, my fair cousin; If we are mark'd to die, we are enow To do our country loss; and if to live, The fewer men, the greater share of honour. God's will! I pray thee, wish not one man more. By Jove, I am not covetous for gold, Nor care I who doth feed upon my cost; It yearns me not if men my garments wear; Such outward things dwell not in my desires. But if it be a sin to covet honour, I am the most offending soul alive. No, faith, my coz, wish not a man from England. God's peace! I would not lose so great an honour As one man more methinks would share from me For the best hope I have. O, do not wish one more! Rather proclaim it, Westmoreland, through my host, That he which hath no stomach to this fight, Let him depart; his passport shall be made, And crowns for convoy put into his purse; We would not die in that man's company That fears his fellowship to die with us. This day is call'd the feast of Crispian. He that outlives this day, and comes safe home, Will stand a tip-toe when this day is nam'd, And rouse him at the name of Crispian. He that shall live this day, and see old age, Will yearly on the vigil feast his neighbours, And say 'To-morrow is Saint Crispian.' Then will he strip his sleeve and show his scars, And say 'These wounds I had on Crispian's day.' Old men forget; yet all shall be forgot, But he'll remember, with advantages, What feats he did that day. Then shall our names, Familiar in his mouth as household words- Harry the King, Bedford and Exeter, Warwick and Talbot, Salisbury and Gloucester- Be in their flowing cups freshly rememb'red. This story shall the good man teach his son; And Crispin Crispian shall ne'er go by, From this day to the ending of the world, But we in it shall be remembered- We few, we happy few, we band of brothers; For he to-day that sheds his blood with me Shall be my brother; be he ne'er so vile, This day shall gentle his condition; And gentlemen in England now-a-bed Shall think themselves accurs'd they were not here, And hold their manhoods cheap whiles any speaks That fought with us upon Saint Crispin's day.
William Shakespeare (Henry V)
I’M LOSING FAITH IN MY FAVORITE COUNTRY Throughout my life, the United States has been my favorite country, save and except for Canada, where I was born, raised, educated, and still live for six months each year. As a child growing up in Waterloo, Ontario, Canada, I aggressively bought and saved baseball cards of American and National League players, spent hours watching snowy images of American baseball and football games on black and white television and longed for the day when I could travel to that great country. Every Saturday afternoon, me and the boys would pay twelve cents to go the show and watch U.S. made movies, and particularly, the Superman serial. Then I got my chance. My father, who worked for B.F. Goodrich, took my brother and me to watch the Cleveland Indians play baseball in the Mistake on the Lake in Cleveland. At last I had made it to the big time. I thought it was an amazing stadium and it was certainly not a mistake. Amazingly, the Americans thought we were Americans. I loved the United States, and everything about the country: its people, its movies, its comic books, its sports, and a great deal more. The country was alive and growing. No, exploding. It was the golden age of life, liberty, and the pursuit of happiness. The American dream was alive and well, but demanded hard work, honesty, and frugality. Everyone understood that. Even the politicians. Then everything changed. Partly because of its proximity to the United States and a shared heritage, Canadians also aspired to what was commonly referred to as the American dream. I fall neatly into that category. For as long as I can remember I wanted a better life, but because I was born with a cardboard spoon in my mouth, and wasn’t a member of the golden gene club, I knew I would have to make it the old fashioned way: work hard and save. After university graduation I spent the first half of my career working for the two largest oil companies in the world: Exxon and Royal Dutch Shell. The second half was spent with one of the smallest oil companies in the world: my own. Then I sold my company and retired into obscurity. In my case obscurity was spending summers in our cottage on Lake Rosseau in Muskoka, Ontario, and winters in our home in Port St. Lucie, Florida. My wife, Ann, and I, (and our three sons when they can find the time), have been enjoying that “obscurity” for a long time. During that long time we have been fortunate to meet and befriend a large number of Americans, many from Tom Brokaw’s “Greatest Generation.” One was a military policeman in Tokyo in 1945. After a very successful business carer in the U.S. he’s retired and living the dream. Another American friend, also a member of the “Greatest Generation”, survived The Battle of the Bulge and lived to drink Hitler’s booze at Berchtesgaden in 1945. He too is happily retired and living the dream. Both of these individuals got to where they are by working hard, saving, and living within their means. Both also remember when their Federal Government did the same thing. One of my younger American friends recently sent me a You Tube video, featuring an impassioned speech by Marco Rubio, Republican senator from Florida. In the speech, Rubio blasts the spending habits of his Federal Government and deeply laments his country’s future. He is outraged that the U.S. Government spends three hundred billion dollars, each and every month. He is even more outraged that one hundred and twenty billion of that three hundred billion dollars is borrowed. In other words, Rubio states that for every dollar the U.S. Government spends, forty cents is borrowed. I don’t blame him for being upset. If I had run my business using that arithmetic, I would be in the soup kitchens. If individual American families had applied that arithmetic to their finances, none of them would be in a position to pay a thin dime of taxes.
Stephen Douglass
We don’t know each other, but I know that you must be very special. I can’t be there today, to watch my baby boy promise his love to you, but there are a few things that I think I might say to you if I were. First, thank you for loving my son. Of all my boys, Travis is the most tender hearted. He is also the strongest. He will love you with everything he has for as long as you let him. Tragedies in life sometimes change us, but some things never change. A boy without a mother is a very curious creature. If Travis is anything like his father, and I know that he is, he’s a deep ocean of fragility, protected by a thick wall of swear words and feigned indifference. A Maddox boy will take you all the way to the edge, but if you go with him, he’ll follow you anywhere. I wish more than anything that I could be there today. I wish I could see his face when he takes this step with you, and that I could stand there with my husband and experience this day with all of you. I think that’s one of the things I’ll miss the most. But today isn’t about me. You reading this letter means that my son loves you. And when a Maddox boy falls in love, he loves forever. Please give my baby boy a kiss for me. My wish for both of you is that the biggest fight you have is over who is the most forgiving. Love, Diane
Jamie McGuire (A Beautiful Wedding (Beautiful, #2.5))
Buckley followed the three of them into the kitchen and asked, as he had at least once a day, “Where’s Susie?” They were silent. Samuel looked at Lindsey. “Buckley,” my father called from the adjoining room, “come play Monopoly with me.” My brother had never been invited to play Monopoly. Everyone said he was too young, but this was the magic of Christmas. He rushed into the family room, and my father picked him up and sat him on his lap. “See this shoe?” my father said. Buckley nodded his head. “I want you to listen to everything I say about it, okay?” “Susie?” my brother asked, somehow connecting the two. “Yes, I’m going to tell you where Susie is.” I began to cry up in heaven. What else was there for me to do? “This shoe was the piece Susie played Monopoly with,” he said. “I play with the car or sometimes the wheelbarrow. Lindsey plays with the iron, and when you mother plays, she likes the cannon.” “Is that a dog?” “Yes, that’s a Scottie.” “Mine!” “Okay,” my father said. He was patient. He had found a way to explain it. He held his son in his lap, and as he spoke, he felt Buckley’s small body on his knee-the very human, very warm, very alive weight of it. It comforted him. “The Scottie will be your piece from now on. Which piece is Susie’s again?” “The shoe?” Buckley asked. “Right, and I’m the car, your sister’s the iron, and your mother is the cannon.” My brother concentrated very hard. “Now let’s put all the pieces on the board, okay? You go ahead and do it for me.” Buckley grabbed a fist of pieces and then another, until all the pieces lay between the Chance and Community Chest cards. “Let’s say the other pieces are our friends?” “Like Nate?” “Right, we’ll make your friend Nate the hat. And the board is the world. Now if I were to tell you that when I rolled the dice, one of the pieces would be taken away, what would that mean?” “They can’t play anymore?” “Right.” “Why?” Buckley asked. He looked up at my father; my father flinched. “Why?” my brother asked again. My father did not want to say “because life is unfair” or “because that’s how it is”. He wanted something neat, something that could explain death to a four-year-old He placed his hand on the small of Buckley’s back. “Susie is dead,” he said now, unable to make it fit in the rules of any game. “Do you know what that means?” Buckley reached over with his hand and covered the shoe. He looked up to see if his answer was right. My father nodded. "You won’t see Susie anymore, honey. None of us will.” My father cried. Buckley looked up into the eyes of our father and did not really understand. Buckley kept the shoe on his dresser, until one day it wasn't there anymore and no amount of looking for it could turn up.
Alice Sebold (The Lovely Bones)
No parent should have to bury a child ... No mother should have to bury a son. Mothers are not meant to bury sons. It is not in the natural order of things. I buried my son. In a potter's field. In a field of Blood. In empty, acrid silence. There was no funeral. There were no mourners. His friends all absent. His father dead. His sisters refusing to attend. I discovered his body alone, I dug his grave alone, I placed him in a hole, and covered him with dirt and rock alone. I was not able to finish burying him before sundown, and I'm not sure if that affected his fate ... I begrudge God none of this. I do not curse him or bemoan my lot. And though my heart keeps beating only to keep breaking--I do not question why. I remember the morning my son was born as if it was yesterday. The moment the midwife placed him in my arms, I was infused with a love beyond all measure and understanding. I remember holding my son, and looking over at my own mother and saying, "Now I understand why the sun comes up at day and the stars come out at night. I understand why rain falls gently. Now I understand you, Mother" ... I loved my son every day of his life, and I will love him ferociously long after I've stopped breathing. I am a simple woman. I am not bright or learn-ed. I do not read. I do not write. My opinions are not solicited. My voice is not important ... On the day of my son's birth I was infused with a love beyond all measure and understanding ... The world tells me that God is in Heaven and that my son is in Hell. I tell the world the one true thing I know: If my son is in Hell, then there is no Heaven--because if my son sits in Hell, there is no God.
Stephen Adly Guirgis (The Last Days of Judas Iscariot)
Do you ever feel lost?” The question hangs between us, intimate, awkward only on my end. He doesn’t scoff as Tactus and Fitchner would, or scratch his balls like Sevro, or chuckle like Cassius might have, or purr as Victra would. I’m not sure what Mustang might have done. But Roque, despite his Color and all the things that make him different, slowly slides a marker into the book and sets it on the nightstand beside the four-poster, taking his time and allowing an answer to evolve between us. Movements thoughtful and organic, like Dancer’s were before he died. There’s a stillness in him, vast and majestic, the same stillness I remember in my father. “Quinn once told me a story.” He waits for me to moan a grievance at the mention of a story, and when I don’t, his tone sinks into deeper gravity. “Once, in the days of Old Earth, there were two pigeons who were greatly in love. In those days, they raised such animals to carry messages across great distances. These two were born in the same cage, raised by the same man, and sold on the same day to different men on the eve of a great war. “The pigeons suffered apart from each other, each incomplete without their lover. Far and wide their masters took them, and the pigeons feared they would never again find each other, for they began to see how vast the world was, and how terrible the things in it. For months and months, they carried messages for their masters, flying over battle lines, through the air over men who killed one another for land. When the war ended, the pigeons were set free by their masters. But neither knew where to go, neither knew what to do, so each flew home. And there they found each other again, as they were always destined to return home and find, instead of the past, their future.
Pierce Brown (Golden Son (Red Rising Saga, #2))
I tramp the perpetual journey My signs are a rain-proof coat, good shoes, and a staff cut from the woods, No friend of mine takes his ease in my chair, I have no chair, no philosophy, I lead no man to a dinner-table, library, exchange, But each man and each woman of you I lead upon a knoll, My left hand hooking you round the waist, My right hand pointing to landscapes of continents and the public road. Not I, not any one else can travel that road for you, You must travel it for yourself. It is not far, it is within reach, Perhaps you have been on it since you were born and did not know, Perhaps it is everywhere on water and on land. Shoulder your duds dear son, and I will mine, and let us hasten forth, Wonderful cities and free nations we shall fetch as we go. If you tire, give me both burdens, and rest the chuff of your hand on my hip, And in due time you shall repay the same service to me, For after we start we never lie by again. This day before dawn I ascended a hill and look'd at the crowded heaven, And I said to my spirit When we become the enfolders of those orbs, and the pleasure and knowledge of every thing in them, shall we be fill'd and satisfied then? And my spirit said No, we but level that lift to pass and continue beyond. You are also asking me questions and I hear you, I answer that I cannot answer, you must find out for yourself. Sit a while dear son, Here are biscuits to eat and here is milk to drink, But as soon as you sleep and renew yourself in sweet clothes, I kiss you with a good-by kiss and open the gate for your egress hence. Long enough have you dream'd contemptible dreams, Now I wash the gum from your eyes, You must habit yourself to the dazzle of the light and of every moment of your life. Long have you timidly waded holding a plank by the shore, Now I will you to be a bold swimmer, To jump off in the midst of the sea, rise again, nod to me, shout, and laughingly dash with your hair.
Walt Whitman (Song of Myself)
There is a whirlwind in southern Morocco, the aajej, against which the fellahin defend themselves with knives. There is the africo, which has at times reached into the city of Rome. The alm, a fall wind out of Yugoslavia. The arifi, also christened aref or rifi, which scorches with numerous tongues. These are permanent winds that live in the present tense. There are other, less constant winds that change direction, that can knock down horse and rider and realign themselves anticlockwise. The bist roz leaps into Afghanistan for 170 days--burying villages. There is the hot, dry ghibli from Tunis, which rolls and rolls and produces a nervous condition. The haboob--a Sudan dust storm that dresses in bright yellow walls a thousand metres high and is followed by rain. The harmattan, which blows and eventually drowns itself into the Atlantic. Imbat, a sea breeze in North Africa. Some winds that just sigh towards the sky. Night dust storms that come with the cold. The khamsin, a dust in Egypt from March to May, named after the Arabic word for 'fifty,' blooming for fifty days--the ninth plague of Egypt. The datoo out of Gibraltar, which carries fragrance. There is also the ------, the secret wind of the desert, whose name was erased by a king after his son died within it. And the nafhat--a blast out of Arabia. The mezzar-ifoullousen--a violent and cold southwesterly known to Berbers as 'that which plucks the fowls.' The beshabar, a black and dry northeasterly out of the Caucasus, 'black wind.' The Samiel from Turkey, 'poison and wind,' used often in battle. As well as the other 'poison winds,' the simoom, of North Africa, and the solano, whose dust plucks off rare petals, causing giddiness. Other, private winds. Travelling along the ground like a flood. Blasting off paint, throwing down telephone poles, transporting stones and statue heads. The harmattan blows across the Sahara filled with red dust, dust as fire, as flour, entering and coagulating in the locks of rifles. Mariners called this red wind the 'sea of darkness.' Red sand fogs out of the Sahara were deposited as far north as Cornwall and Devon, producing showers of mud so great this was also mistaken for blood. 'Blood rains were widely reported in Portugal and Spain in 1901.' There are always millions of tons of dust in the air, just as there are millions of cubes of air in the earth and more living flesh in the soil (worms, beetles, underground creatures) than there is grazing and existing on it. Herodotus records the death of various armies engulfed in the simoom who were never seen again. One nation was 'so enraged by this evil wind that they declared war on it and marched out in full battle array, only to be rapidly and completely interred.
Michael Ondaatje