Sonic Forces Quotes

For Dylan, this electric assault threatened to suck the air out of everything else, only there was too much radio oxygen to suck. “Like a Rolling Stone” was the giant, all-consuming anthem of the new “generation gap” disguised as a dandy’s riddle, a dealer’s come-on. As a two-sided single, it dwarfed all comers, disarmed and rejuvenated listeners at each hearing, and created vast new imaginative spaces for groups to explore both sonically and conceptually. It came out just after Dylan’s final acoustic tour of Britain, where his lyrical profusion made him a bard, whose tabloid accolade took the form of political epithet: “anarchist.” As caught on film by D. A. Pennebaker’s documentary Don’t Look Back, the young folkie had already graduated to rock star in everything but instrumentation. “Satisfaction” held Dylan back at number two during its four-week July hold on Billboard’s summit, giving way to Herman’s Hermits’ “I’m Henry the Eighth, I Am” and Sonny and Cher’s “I Got You Babe” come August, novelty capstones to Dylan’s unending riddle. (In Britain, Dylan stalled at number four.) The ratio of classics to typical pop schlock, like Freddie and the Dreamers’ “I’m Telling You Now” or Tom Jones’s “It’s Not Unusual,” suddenly got inverted. For cosmic perspective, yesterday’s fireball, Elvis Presley, sang “Do the Clam.” Most critics have noted the Dylan influence on Lennon’s narratives. Less space gets devoted to Lennon’s effect on Dylan, which was overt: think of how Dylan rewires Chuck Berry (“Subterranean Homesick Blues”) or revels in inanity (“Rainy Day Women #12 & 35”). Even more telling, Lennon’s keening vocal harmonies in “Nowhere Man,” “And Your Bird Can Sing,” and “Dr. Robert” owed as much to the Byrds and the Beach Boys, high-production turf Dylan simply abjured. Lennon also had more stylistic stretch, both in his Beatle context and within his own sensibility, as in the pagan balalaikas in “Girl” or the deliberate amplifier feedback tripping “I Feel Fine.” Where Dylan skewed R&B to suit his psychological bent, Lennon pursued radical feats of integration wearing a hipster’s arty façade, the moptop teaching the quiet con. Building up toward Rubber Soul throughout 1965, Beatle gravity exerted subtle yet inexorable force in all directions.

Some of the worst names in the history of science have come about as we enter the era of biology concerned with genes and proteins. We are subjected to the uniform naming of these poor structures, an idea that usually backfires as researchers realize the protein doesn’t do what they originally thought it did. A special place is in everyone’s heart for the guys that discovered a protein in the early 1990s and named it Sonic Hedge Hog after the Sega video game they were playing at the time. Even better is that it turned out to be incredibly important in embryonic development. There’s nothing more enjoyable than taking a class in biology taught by a difficult professor who is forced to say Sonic Hedge Hog 30 times in 15 minutes.

altering extra musical effects of funk music—the point at which sounds seem to shift beyond perceptibility, levitate, and protrude from the speakers—were more interesting to Atkins: “I felt that if I could take that type of music and add a funky element to it then it would be a smash. We did that, but we just didn't get recognized. Soul Sonic Force came along and beat us to it.” 21 In 1981, Cybotron established their own label, Deep Space, and produced the track “Alleys of Your Mind,” which combined synthesized bass lines played in the style of Parliament's Bernie Worrell with Kraftwerk's investments in the future of audio technology.

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