Sometimes It's Better To Be Alone Quotes

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Abe held my gaze a bit longer and then broke into an easy smile. ʺOf course, of course. This is a family gathering. A celebration. And look: hereʹs our newest member.ʺ Dimitri had joined us and wore black and white like my mother and me. He stood beside me, conspicuously not touching. ʺMr. Mazur,ʺ he said formally, nodding a greeting to both of them. ʺGuardian Hathaway.ʺ Dimitri was seven years older than me, but right then, facing my parents, he looked like he was sixteen and about to pick me up for a date. ʺAh, Belikov,ʺ said Abe, shaking Dimitriʹs hand. ʺIʹd been hoping weʹd run into each other. Iʹd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. Thatʹs what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. Iʹve certainly got a lot of questions Iʹd like to ask you. A lot of things Iʹd like to tell you too.ʺ I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved. ʺActually,ʺ said my mom casually. ʺIʹd like to come along. I also have a number of questions—especially about when you two were back at St. Vladimirʹs.ʺ ʺDonʹt you guys have somewhere to be?ʺ I asked hastily. ʺWeʹre about to start.ʺ That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. ʺOf course,ʺ said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. ʺIʹm glad youʹre back.ʺ Then, with a wink, he said to Dimitri: ʺLooking forward to our chat.ʺ ʺRun,ʺ I said when they were gone. ʺIf you slip out now, maybe they wonʹt notice. Go back to Siberia." "Actually," said Dimitri, "I'm pretty sure Abe would notice. Don't worry, Roza. I'm not afraid. I'll take whatever heat they give me over being with you. It's worth it.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
There it was before her - life. Life: she thought but she did not finish her thought. She took a look at life, for she had a clear sense of it there, something real, something private, which she shared neither with her children nor with her husband. A sort of transaction went on between them, in which she was on one side, and life was on another, and she was always trying to get the better of it, as it was of her; and sometimes they parleyed (when she sat alone); there were, she remembered, great reconciliation scenes; but for the most part, oddly enough, she must admit that she felt this thing that she called life terrible, hostile, and quick to pounce on you if you gave it a chance.
Virginia Woolf (To the Lighthouse)
I learned a long time ago that life introduces young people to situations they are in no way prepared for, even good girls, lucky girls who want for nothing. Sometimes, when you least expect it, you become the girl in the woods. You lose your name because another one is forced on you. You think you are alone until you find books about girls like you. Salvation is certainly among the reasons I read. Reading and writing have always pulled me out of the darkest experiences in my life. Stories have given me a place in which to lose myself. They have allowed me to remember. They have allowed me to forget. They have allowed me to imagine different endings and better possible worlds.
Roxane Gay (Bad Feminist)
Julian, sometimes girls are like junk food. They look good, and they sure taste good… but you know they're not healthy for you and cause cavities so it's better to just leave 'em alone. Got me?
Simone Elkeles (Wild Cards (Wild Cards, #1))
Sometimes it's better to be with the sheep, who don't say anything. And better still to be alone with one's books. They tell their incredible stories at the time when you want to hear them. But when you're talking to people, they say some things that are so strange that you don't know how to continue the conversation.
Paulo Coelho (The Alchemist)
People say strange things, the boy thought. Sometimes it's better to be with the sheep, who don't say anything. And better still to be alone with one's books. They tell their incredible stories at the time when you want to hear them. But when you're talking to people, they say some things that are so strange that you don't know how to continue the conversation.
Paulo Coelho (The Alchemist)
Sometimes it's better to go against the crowd and feel alone, than to agree and have a false sense of belonging
Steven P. Aitchison
In other words, stop judging yourself against shiny people. Avoid the shiny people. The shiny people are a lie. Or get to know them enough to realize they aren’t so shiny after all. Shiny people aren’t the enemy. Sometimes we’re the enemy when we listen to our malfunctioning brains that try to tell us that we’re alone in our self-doubt, or that it’s obvious to everyone that we don’t know what the shit we’re doing. Hell, there are probably people out there right now who consider us to be shiny people (bless their stupid, stupid hearts) and that’s pretty much proof that none of our brains can be trusted to accurately measure the value of anyone, much less ourselves. How can we be expected to properly judge ourselves? We know all of our worst secrets. We are biased, and overly critical, and occasionally filled with shame. So you’ll have to just trust me when I say that you are worthy, important, and necessary. And smart. You may ask how I know and I’ll tell you how. It’s because right now? YOU’RE READING. That’s what the sexy people do. Other, less awesome people might currently be in their front yards chasing down and punching squirrels, but not you. You’re quietly curled up with a book designed to make you a better, happier, more introspective person. You win. You are amazing.
Jenny Lawson (Furiously Happy: A Funny Book about Horrible Things)
Ah, Belikov," said Abe, shaking Dimitri's hand. "I'd been hoping we'd run into each other. I'd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. That's what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. I've certainly got a lot of question to ask you. A lot of things I'd like to tell you." I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved. "Actually," said my mum casually."I'd like to come along. I also have a number of questions-especially about when you two were back at St. Vladimir's." "Don't you guys have somewhere to be?" I asked hastily. "We're about to start." That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. "of course," said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. "I'm glad you're back." Then, with a wink, he said to Dimitri:"Looking forward to our chat." "Run," I said when they were gone. "If you slip out now, maybe they won't notice. Go back to Siberia.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
My dear, A soul that sees beauty may sometimes walk alone. For the world has given up on beauty. It doesn’t believe in fairytales anymore, or happy endings. So a soul that sees beauty is a soul thought to be insane by the majority. They call it stuck up, delusional, and abnormal – all because it sees something better that it can hold out for. But, if my words mean anything – hold out for that beauty. Walk alone until you grab it. The pain of walking alone against the stream is worth it. Falsely yours
Johann Wolfgang von Goethe
Of all the billions of people in this world Raphael is the one I know best and love most. I understand much better now – better than Piranesi ever could – the magnificent thing she did in coming to find me, the magnitude of her courage. I know that she returns to the labyrinth often. Sometimes we go together; sometimes she goes alone. The quiet and the solitude attract her strongly. In them she hopes to find what she needs. It worries me. ‘Don’t disappear,’ I tell her sternly. ‘Do not disappear.’ She makes a rueful, amused face. ‘I won’t,’ she says. ‘We can’t keep rescuing each other,’ I say. ‘It’s ridiculous.’ She smiles. It is a smile with a little sadness in it. But she still wears the perfume – the first thing I ever knew of her – and it still makes me think of Sunlight and Happiness.
Susanna Clarke (Piranesi)
Charlie Brown: I think lunchtime is about the worst time of day for me. Always having to sit here alone. Of course, sometimes, mornings aren't so pleasant either. Waking up and wondering if anyone would really miss me if I never got out of bed. Then there's the night, too. Lying there and thinking about all the stupid things I've done during the day. And all those hours in between when I do all those stupid things. Well, lunchtime is among the worst times of the day for me. Well, I guess I'd better see what I've got. Peanut butter. Some psychiatrists say that people who eat peanut butter sandwiches are lonely...I guess they're right. And when you're really lonely, the peanut butter sticks to the roof of your mouth. There's that cute little red-headed girl eating her lunch over there. I wonder what she would do if I went over and asked her if I could sit and have lunch with her?...She'd probably laugh right in my face...it's hard on a face when it gets laughed in. There's an empty place next to her on the bench. There's no reason why I couldn't just go over and sit there. I could do that right now. All I have to do is stand up...I'm standing up!...I'm sitting down. I'm a coward. I'm so much of a coward, she wouldn't even think of looking at me. She hardly ever does look at me. In fact, I can't remember her ever looking at me. Why shouldn't she look at me? Is there any reason in the world why she shouldn't look at me? Is she so great, and I'm so small, that she can't spare one little moment?...SHE'S LOOKING AT ME!! SHE'S LOOKING AT ME!! (he puts his lunchbag over his head.) ...Lunchtime is among the worst times of the day for me. If that little red-headed girl is looking at me with this stupid bag over my head she must think I'm the biggest fool alive. But, if she isn't looking at me, then maybe I could take it off quickly and she'd never notice it. On the other hand...I can't tell if she's looking, until I take it off! Then again, if I never take it off I'll never have to know if she was looking or not. On the other hand...it's very hard to breathe in here. (he removes his sack) Whew! She's not looking at me! I wonder why she never looks at me? Oh well, another lunch hour over with...only 2,863 to go.
Clark Gesner (You're a Good Man, Charlie Brown - Vocal Score)
Even now, so many years later, all this is somehow a very evil memory. I have many evil memories now, but ... hadn't I better end my "Notes" here? I believe I made a mistake in beginning to write them, anyway I have felt ashamed all the time I've been writing this story; so it's hardly literature so much as a corrective punishment. Why, to tell long stories, showing how I have spoiled my life through morally rotting in my corner, through lack of fitting environment, through divorce from real life, and rankling spite in my underground world, would certainly not be interesting; a novel needs a hero, and all the traits for an anti-hero are expressly gathered together here, and what matters most, it all produces an unpleasant impression, for we are all divorced from life, we are all cripples, every one of us, more or less. We are so divorced from it that we feel at once a sort of loathing for real life, and so cannot bear to be reminded of it. Why, we have come almost to looking upon real life as an effort, almost as hard work, and we are all privately agreed that it is better in books. And why do we fuss and fume sometimes? Why are we perverse and ask for something else? We don't know what ourselves. It would be the worse for us if our petulant prayers were answered. Come, try, give any one of us, for instance, a little more independence, untie our hands, widen the spheres of our activity, relax the control and we ... yes, I assure you ... we should be begging to be under control again at once. I know that you will very likely be angry with me for that, and will begin shouting and stamping. Speak for yourself, you will say, and for your miseries in your underground holes, and don't dare to say all of us-- excuse me, gentlemen, I am not justifying myself with that "all of us." As for what concerns me in particular I have only in my life carried to an extreme what you have not dared to carry halfway, and what's more, you have taken your cowardice for good sense, and have found comfort in deceiving yourselves. So that perhaps, after all, there is more life in me than in you. Look into it more carefully! Why, we don't even know what living means now, what it is, and what it is called? Leave us alone without books and we shall be lost and in confusion at once. We shall not know what to join on to, what to cling to, what to love and what to hate, what to respect and what to despise. We are oppressed at being men--men with a real individual body and blood, we are ashamed of it, we think it a disgrace and try to contrive to be some sort of impossible generalised man. We are stillborn, and for generations past have been begotten, not by living fathers, and that suits us better and better. We are developing a taste for it. Soon we shall contrive to be born somehow from an idea. But enough; I don't want to write more from "Underground." [The notes of this paradoxalist do not end here, however. He could not refrain from going on with them, but it seems to us that we may stop here.]
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
I've realized that sometimes being alone truly is better than being around people, especially if they're the wrong people. Sometimes you just need time to yourself and it doesn't make you weird or wrong. It's a sign you really like spending time with you, which is health as shit, so good job.
Lane Moore
I was downstairs, reading." " Now?" I strained to see her face. She was smiling, it appeared. "Yes, now," she said. "It's nice, sometimes, to read in the middle of the night. The sky is so dark and soft-looking outside the window, all the stars out. You have just on light on, you know, and it seems to pour onto the page. Makes the book seem better. You are this little island, just up alone with a book. And you heard the night sounds of the house...It's so interesting to me, that sound. Time. The measure of it.
Elizabeth Berg (What We Keep)
Sometimes we feel empty; we feel a vacuum, a great lack of something. We don’t know the cause; it’s very vague, but that feeling of being empty inside is very strong. We expect and hope for something much better so we’ll feel less alone, less empty. The desire to understand ourselves and to understand life is a deep thirst. There’s also the deep thirst to be loved and to love. We are ready to love and be loved. It’s very natural. But because we feel empty, we try to find an object of our love. Sometimes we haven’t had the time to understand ourselves, yet we’ve already found the object of our love. When we realize that all our hopes and expectations of course can’t be fulfilled by that person, we continue to feel empty. You want to find something, but you don’t know what to search for. In everyone there’s a continuous desire and expectation; deep inside, you still expect something better to happen. That is why you check your email many times a day!
Thich Nhat Hanh (How to Love (Mindfulness Essentials, #3))
Today I said, 'I really don't care.' Yesterday, in a similar situation, I said, 'It's none of your business?' Before that, it was 'What the hell are you trying to say?' And before that, 'Leave me alone' ...Sometimes I spit out words like 'Shit!' 'Damn!' 'Jesus!' The air vibrates and roars. If you listen closely, you can hear flames of anger. It is like a dragon belching out fire. Whenever I spit out these words, I feel a little better, and it helps a little, if just a little, to put out the fire.
Yoshitomo Nara
Sometimes it's better to stay alone to observe either the others are missing you or not.
আদনান শরীফ
In fact, when you do care about someone,' she continued, 'it doesn't matter if you understand or not. Loving someone means that sometimes you have to risk getting messy. It's not always very fun, but it's always better than being alone, or watching someone you love hurt alone.
Beth Hautala (Waiting for Unicorns)
Her father would return from China. He’d come back with all his soldiers. He’d pick her up in his strong arms and say that he’d never meant to leave, that he hadn’t meant to sail away and leave her and her mother alone in the canals of the Drowned Cities as the Army of God and the UPF and the Freedom Militia came down like a hammer on every single person who’d ever trafficked with the peacekeepers. A stupid little dream for a stupid little war maggot. Mahlia hated herself for dreaming it. But sometimes she curled in on herself and held the stump of her right hand to her chest and pretended that none of it had happened. That her father was still here, and she still had a hand, and everything was going to get better.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
People say strange things. Sometimes it's better to be alone with one's books. They tell their incredible stories at the time when you want to hear them. But when you're talking to people, they say some things that are so strange that you don't know how to continue the conversation. - - The Alchemist
Paulo Coelho
We’re always all alone,” he said, his voice cracked and worn. Tamsin shook her head. She knew that wasn’t true. She had years of proof to the contrary. “No,” she said. “Not always. Not even often.” “Oh,” the old man said, with a sigh that seemed to come from the depths of his being. “I forget you’re still young yet.” He coughed then, a dry, rattling sound. “Sometimes we get a little bit of a facade. We think we have people. Family, friends . . . but in the end, it’s just you and the darkness. Everyone leaves eventually, my young friend. It’s better, really, to learn it early. This way, you can save yourself some disappointment.” He sighed then and slumped back against the wall once more. “Because believing you’re not alone is the cruelest trick of all.
Morgan Matson (The Unexpected Everything)
Donna to the policewoman: Don't you touch this car! The Doctor watching: She's not changed. Wilfred: Oh. There he is. Shawn Temple. They're engaged. Getting married in the Spring. The Doctor: Another wedding. Wilfred: Yeah. The Doctor: Hold on, she's not going to be called Noble-Temple. It sounds like a tourist spot. Wilfred: No it's Temple-Noble. The Doctor: Right. Is she happy? Is he nice? Wilfred: Yeah, he's sweet enough. He's a bit of a dreamer. Mind you he's on minimum wage. She's earning tuppence so all they can afford is a tiny little flat. And then sometimes I see this look on her face. Like she's so sad. And she can't remember why. The Doctor: She's got him. Wilfred: She's making do. The Doctor: Aren't we all. Wilfred: How 'bout you? Who've you got now? The Doctor: No one. Travelling alone. I thought it would be better. But I did some things, it went wrong. I need— {he starts to cry} Wilfred: Oh my word. I— The Doctor: Mm. Merry Christmas. Wilfred: Yeah. And you. The Doctor: Look at us. Wilfred: Don't you see? You need her, Doctor. I mean, look, wouldn't she make you laugh again? Good ol' Donna. -Doctor Who
Russell T. Davies
Whereas my tribe is motley and chaotic. My tribe is dense and tumultuous. We argue and tease and wrangle and goof and fly upside down. We are brilliant and stupid. We are lonely and livid. We lie, we laugh. We are greedy and foolish. Sometimes we all sing together. We tease dogs. We can be cruel, but never for very long. We just can't sustain it. If we could sustain and organize our cruelty we'd rule the world. But what kind of life is that? We all fly home together at the end of the day. We have no kings. We have no outlaws. We have no ranking. We have no priests. We have no status. Age confers nothing in our clan. Size confers nothing. We have no warriors. We have no beauties. That's just how it is. We all look the same. Our stories go all day long. We remember everything. Our life can be maddening. It gets loud. We never agree on anything. We bicker. We play jokes. We take chances. I have often taken refuge with your tribe just to escape the hubbub of my tribe. Your tribe is better able to be alone.
Brian Doyle (Mink River)
My Dearest, I miss you, my darling, as I always do, but today is especially hard because the ocean has been singing to me, and the song is that of our life together. I can almost feel you beside me as I write this letter, and I can smell the scent of wildflowers that always reminds me of you. But at this moment, these things give me no pleasure. Your visits have been coming less often, and I feel sometimes as if the greatest part of who I am is slowly slipping away. I am trying, though. At night when I am alone, I call for you, and whenever my ache seems to be the greatest, you still seem to find a way to return to me. Last night, in my dreams, I saw you on the pier near Wrightsville Beach. The wind was blowing through your hair, and your eyes held the fading sunlight. I am struck as I see you leaning against the rail. You are beautiful, I think as I see you, a vision that I can never find in anyone else. I slowly begin to walk toward you, and when you finally turn to me, I notice that others have been watching you as well. “Do you know her?” they ask me in jealous whispers, and as you smile at me, I simply answer with the truth. “Better than my own heart.” I stop when I reach you and take you in my arms. I long for this moment more than any other. It is what I live for, and when you return my embrace, I give myself over to this moment, at peace once again. I raise my hand and gently touch your cheek and you tilt your head and close your eyes. My hands are hard and your skin is soft, and I wonder for a moment if you’ll pull back, but of course you don’t. You never have, and it is at times like this that I know what my purpose is in life. I am here to love you, to hold you in my arms, to protect you. I am here to learn from you and to receive your love in return. I am here because there is no other place to be. But then, as always, the mist starts to form as we stand close to one another. It is a distant fog that rises from the horizon, and I find that I grow fearful as it approaches. It slowly creeps in, enveloping the world around us, fencing us in as if to prevent escape. Like a rolling cloud, it blankets everything, closing, until there is nothing left but the two of us. I feel my throat begin to close and my eyes well up with tears because I know it is time for you to go. The look you give me at that moment haunts me. I feel your sadness and my own loneliness, and the ache in my heart that had been silent for only a short time grows stronger as you release me. And then you spread your arms and step back into the fog because it is your place and not mine. I long to go with you, but your only response is to shake your head because we both know that is impossible. And I watch with breaking heart as you slowly fade away. I find myself straining to remember everything about this moment, everything about you. But soon, always too soon, your image vanishes and the fog rolls back to its faraway place and I am alone on the pier and I do not care what others think as I bow my head and cry and cry and cry.
Nicholas Sparks (Message in a Bottle)
The more we diminish our own pain, or rank it, compared to others have survived, the less empathic we are to everyone. That when we surrender our own joy to make those in pain feel less alone or to make ourselves feel less guilty, or somehow more committed, we deplete ourselves of what it takes to feel fully alive and fueled by purpose. And sometimes when we can't acknowledge the pain of others while experiencing our own joy, we close our eyes, insulate ourselves, pretended that there's nothing we can do to make things better, and opt out of helping others. This ability to opt out of suffering and injustice or pretend everything is okay is the core of privilege...The goal is to get to the place where we can think 'I am aware of what's happening, the part I play, and how I can can make it better, and that doesn't mean I have to deny the joy in my life.
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
Sometimes it's better to walk ALONE than to be in the crowd where you are not Respected and Accepted! ` Nana Adu-Boafo Jnr Soldier, Seer, Engineer, Author, Herbal Doctor
Nana Adu-Boafo Jnr
I know I can't help you very much right now - God knows what I wouldn't give if I could. But I know about suffering; if that helps. I know that it ends. I ain't going to tell you no lies, like it always ends for the better. Sometimes it ends for the worse. You can suffer so bad that you can be driven to a place where you can't ever suffer again: and that's worse." She took both my hands and held them tightly between her own. "Try to remember that. And: the only way anything ever gets done is when you make up your mind to do it. ... And: you ain't really alone in that bed, Tish. You got that child beneath your heart and we're all counting on you, Fonny's counting on you, to bring that child here safe and well. You the only one who can do it. But you're strong. Lean on your strength." I said, "Yes. Yes, Mama." I knew I didn't have any strength. But I was going to have to find some, somewhere. 'Are you all right now? Can you sleep?" "Yes." "I don't want to sound foolish. But, just remember, love brought you here. If you trusted love this far, don't panic now." And, again, she kissed me and she turned out the light and she left me.
James Baldwin (If Beale Street Could Talk)
If something works, I figure . . . just leave it alone. Let it be a thing that worked. Not everything needs to be picked apart for better understanding. Sometimes it’s okay to just say thank you in the quiet of your head and move along.
Catherine Ryan Hyde (Stay)
We do spend a lot of time together. It’s not that easy though. When everyone has so many walls, so many defenses, sometimes you can feel lonely even when you’re all in the same room. But it’s better than the alternative and at least none of us are suffering alone.
Jonathan Sims (The Magnus Archives: Season 4 (Magnus Archives, #4))
I hate to say it, but sometimes I slept better when he was on the road. But you’re not supposed to say that, right? You’re supposed to curl up each and every night for eight solid hours of spooning and cuddling . . . But the truth? I needed my own bed occasionally. I liked some alone time. Is that bad?
Alice Clayton (Rusty Nailed (Cocktail, #2))
Stay Humble. Often anger comes from our own ego and pride. We don't get our own way and so we get angry. But remember, it's not all about you. :) There are other people on the planet that have wants and needs to. :) If what you want conflicts with what others want, sometime you will have to let them have what they want. Everyone is not here to meet your needs alone. They need to take care of themselves sometimes too. Sometimes anger is an ego trip. It's when we think everyone should cater to our needs and do things our own way. Our pride makes us start to think that it's our way or the highway. But you are not God. No one but God is God. :) You cannot run the universe and you are not perfect. These are all good things to remind ourselves of all the time. Paul says in Romans 12, "Do not think of yourself more highly than you ought, but rather think of yourself with sober judgment." Often times anger comes when we have a high opinion of ourselves and the way we think things SHOULD be done. But no one of is perfect. None of us has a perfect way of doing things. We need to allow for differences in other people and different opinions on things. It is never we are right and everyone else is wrong. We need to admit that sometimes we might be wrong too. Amen. So always remember to stay humble and not think of yourself as being perfect or better than you are. If you are able to see that you too make mistakes all the time, then you will have more grace for other people, and you will then become angry less. Amen.
Lisa Bedrick (How to Walk Worthy of Your Calling)
In a century or two this planet will have been destroyed by external cosmic forces or by the senseless activity of the human race. Human life is a freak phenomenon, soon to be blotted out. That is a consoling thought. Meanwhile we are surrounded by strange invisible entities, possibly your angels." "I hope so." "Ah, you think they are good, they cannot be good, there is no good, the tendency to evil is overwhelming. One has only to think of the horrors of sex, its violence, its cruelty, its filthy vulgarity, its descent into bestial degradation. You had better go and dream in your monastery." "Would you come and visit me there?" "Of course not. I do not visit. Only, unfortunately, am sometimes visited." "You don't want to discuss — you know — what happened? My priest said — " "No." "I care about how you are, I love you." "You still fail to realise how this sort of talk sickens me. Now please go. This will do for a welcome home scene. Tell them not to come. I desire to be left alone.
Iris Murdoch (The Green Knight)
I think you're talking shit. You think we don't all feel like that? Like we're crazy, like we're not a real person, like we don't exist? Everyone feels that way sometimes. I can remember talking to you when you lost your bag. So what? You can't remember and that's not a bad thing. It doesn't make me better than you. I'm a stranger to you, but here's what I see: I see a girl who has suffered a terrible damage to her brain. Someone who, it seems, is shut away by her parents to keep her safe. But inside there is a vibrant person, a traveler, and her memory of this boy Drake has propelled her into action. I think, Flora, that you came here not to find Drake but to find yourself. It wasn't Drake--he's an unlikely romantic hero, really--it was you. Didn't you come here, perhaps, because you heard him talking about the place he was going to, and it called to you?" I don't know what to say. I don't say anything. " Our come from Oslo, and Svalbard called me, even though I'm not really the rugged adventurous type. Like you, I had to come. Some of us are meant to be here. We need this place...We need to be small specks in wild nature, by the pole. The midnight sun. The midday darkness. The northern lights. It called to you, Flora, and you answered. You overcame everything, and you came here, alone. You are the bravest person I've ever met.
Emily Barr (The One Memory of Flora Banks)
Ma was isolated and alone. Under those circumstances people behave differently. Kya made a soft groan. “Please don't talk to me about isolation. No one has to tell me how it changes a person. I have lived it. I am isolation," Kya whispered with a slight edge. "I forgive Ma for leaving. But I don't understand why she didn't come back- why she abandoned me. You probably don't remember, but after she walked away, you told me that a she-fox will sometimes leave her kits if she's starving or under some other extreme stress. The kits die- as they probably would have anyway- but the vixen lives to breed again when conditions are better, when she can raise a new litter to maturity. "I've read a lot about this since. In nature- out yonder where the crawdads sing- these ruthless-seeming behaviors actually increase the mother's number of young over her lifetime, and thus her genes for abandoning offspring in times of stress are passed on to the next generation. And on and on. It happens in humans, too. Some behaviors that seem harsh to us now ensured the survival of early man in whatever swamp he was in at the time. Without them, we wouldn't be here. We still store those instincts in our genes, and they express themselves when certain circumstances prevail. Some parts of us will always be what we were, what we had to be to survive- way back yonder.
Delia Owens (Where the Crawdads Sing)
People say strange things. Sometimes it's better to be with the sheep, who don't say anything. And better still to be alone with one's books. They tell their incredible stories at the time when you want to hear them. But when you're talking to people, they say some things that are so strange that you don't know how to continue the conversation.
Paulo Coelho (The Alchemist)
People say strange things, the boy thought. Sometimes it's better to be with the sheep, who don't say anything. And better still to be alone with one's books. They tell their incredible stories at the time when you want to hear them. But when you're talking to people, they say some things that are so strange that you don't know how to continue the conversation.
Paulo Coelho (The Alchemist)
Adam wet his dry lips and tried to ask and failed and tried again. "Why do they have to do it?" he said. "Why is it?" Cyrus was deeply moved and he spoke as he had never spoken before. "I don't know," he said. "I've studied and maybe learned how things are, but I"m not even close to why they are. And you must not expect to find that people understand what they do. So many things are done instinctively, the way a bee makes honey or a fox dips his paws into a stream to fool dogs. A fox can't say why he does it, and what bee remembers winter or expects it to come again? When I knew you had to go I thought to leave the future open so you could dig out your own findings, and then it seemed better if I could protect you with the little I know. You'll go in soon now--you've come to the age." "I don't want to," said Adam quickly. "You'll go in soon," his father went on, not hearing. "And I want to tell you so you won't be surprised. They'll first strip off your clothes, but they'll go deeper than that. They'll shuck off any little dignity you have--you'll lose what you think of as your decent right to live and be let alone to live. They'll make you live and eat and sleep and shit close to other men. And when they dress you up again you'll not be able to tell yourself from the others. You can't even wear a scrap or pin a note on your breast to say, 'This is me--separate from the rest.'" "I don't want to do it," said Adam. "After a while," said Cyrus, "you'll think no thought the others do not think. You'll know no word the others can't say. And you'll do things because the others do them. You'll feel the danger in any difference whatever-- a danger to the whole crowd of like-thinking, like-acting men." "What if I don't?" Adam demanded. "Yes," said Cyrus, "sometimes that happens. Once in a while there is a man who won't do what is demanded of him, and do you know what happens? The whole machine devotes itself coldly to the destruction of his difference. They'll beat your spirit and your nerves, your body and your mind, with iron rods until the dangerous difference goes out of you. And if you can't finally give in, they'll vomit you up and leave you stinking outside--neither part of themselves nor yet free. It's better to fall in with them. They only do it to protect themselves [...]
John Steinbeck (East of Eden)
The Heiligenstadt Testament" Oh! ye who think or declare me to be hostile, morose, and misanthropical, how unjust you are, and how little you know the secret cause of what appears thus to you! My heart and mind were ever from childhood prone to the most tender feelings of affection, and I was always disposed to accomplish something great. But you must remember that six years ago I was attacked by an incurable malady, aggravated by unskillful physicians, deluded from year to year, too, by the hope of relief, and at length forced to the conviction of a lasting affliction (the cure of which may go on for years, and perhaps after all prove impracticable). Born with a passionate and excitable temperament, keenly susceptible to the pleasures of society, I was yet obliged early in life to isolate myself, and to pass my existence in solitude. If I at any time resolved to surmount all this, oh! how cruelly was I again repelled by the experience, sadder than ever, of my defective hearing! — and yet I found it impossible to say to others: Speak louder; shout! for I am deaf! Alas! how could I proclaim the deficiency of a sense which ought to have been more perfect with me than with other men, — a sense which I once possessed in the highest perfection, to an extent, indeed, that few of my profession ever enjoyed! Alas, I cannot do this! Forgive me therefore when you see me withdraw from you with whom I would so gladly mingle. My misfortune is doubly severe from causing me to be misunderstood. No longer can I enjoy recreation in social intercourse, refined conversation, or mutual outpourings of thought. Completely isolated, I only enter society when compelled to do so. I must live like art exile. In company I am assailed by the most painful apprehensions, from the dread of being exposed to the risk of my condition being observed. It was the same during the last six months I spent in the country. My intelligent physician recommended me to spare my hearing as much as possible, which was quite in accordance with my present disposition, though sometimes, tempted by my natural inclination for society, I allowed myself to be beguiled into it. But what humiliation when any one beside me heard a flute in the far distance, while I heard nothing, or when others heard a shepherd singing, and I still heard nothing! Such things brought me to the verge of desperation, and well-nigh caused me to put an end to my life. Art! art alone deterred me. Ah! how could I possibly quit the world before bringing forth all that I felt it was my vocation to produce? And thus I spared this miserable life — so utterly miserable that any sudden change may reduce me at any moment from my best condition into the worst. It is decreed that I must now choose Patience for my guide! This I have done. I hope the resolve will not fail me, steadfastly to persevere till it may please the inexorable Fates to cut the thread of my life. Perhaps I may get better, perhaps not. I am prepared for either. Constrained to become a philosopher in my twenty-eighth year! This is no slight trial, and more severe on an artist than on any one else. God looks into my heart, He searches it, and knows that love for man and feelings of benevolence have their abode there! Oh! ye who may one day read this, think that you have done me injustice, and let any one similarly afflicted be consoled, by finding one like himself, who, in defiance of all the obstacles of Nature, has done all in his power to be included in the ranks of estimable artists and men. My brothers Carl and [Johann], as soon as I am no more, if Professor Schmidt be still alive, beg him in my name to describe my malady, and to add these pages to the analysis of my disease, that at least, so far as possible, the world may be reconciled to me after my death. I also hereby declare you both heirs of my small fortune (if so it may be called). Share it fairly, agree together and assist each other. You know that any
Ludwig van Beethoven
Sometimes we get a little bit of a facade. We think we have people. Family, friends ... but in the end, it's just you and the darkness. Everyone leaves eventually, my young friend. It's better, really, to learn it early. This way, you can save yourself some disappointment." He sighed then and slumped back against the wall once more. "Because believing you're not alone is the cruelest trick of all.
Morgan Matson
Sometimes your gaze alone scares me. Sometimes I've never seen you before. I no longer know what you're doing here, in this popular seaside resort, in this dull, crowded season, where you are even more alone than in your regional capital. The better to kill you, perhaps, or to drive you away, I don't know. I sometimes manage to feel I've never seen you before. That I don't know you, to the point of horror. That I have no idea why you're here, what you want from me, or what will become of you. Becoming is the only subject we never, ever broach. You must not know what you're doing here either, with this woman who is already old, mad with writing. Maybe this is just normal, maybe it's the same all over; it's nothing, you came simply because you were desperate, as you are every day of your life. And also during certain summers at certain times of day or night when the sun quits the sky and slips into the sea, every evening, always, you cannot help wanting to die. This I know. I see the two of us lost in similar natures. I can sometimes be overwhelmed by tenderness for the kind of people we are. Unstable, they say, a bit nutty. 'People who never go to the movies, or the theater, or parties.' Leftists are like that, you know, they have no clue how to enjoy life. Cannes makes them sick and so do the grand hotels of Morocco. Movies and theaters, it's all the same.
Marguerite Duras (Yann Andrea Steiner)
It’s the “If only I could understand this or that, then I’d be secure” way of living. But it never works. In your most brilliant moment, you will still be left with mystery in your life; sometimes even painful mystery. We all face things that appear to make little sense and don’t seem to serve any good purpose. So rest is never found in the quest to understand it all. No, rest is found in trusting the One who understands it all and rules it all for his glory and our good. Few passages capture that rest better than Psalm 62:5–7: “For God alone, O my soul, wait in silence, for my hope is from him. He only is my rock and my salvation, my fortress; I shall not be shaken. On God rests my salvation and my glory; my mighty rock, my refuge is God.” In moments when you wish you knew what you can’t know, there is rest to be found. There is One who knows. He loves you and rules what you don’t understand with your good in mind.
Paul David Tripp (New Morning Mercies: A Daily Gospel Devotional)
[WAIT—IT WON’T LET ME REDACT THESE LITTLE SUBHEADING THINGS? THAT’S SUPER ANNOYING!] [FINE, I’LL JUST GIVE YOU MY SUMMARY.] [SO, WHOEVER WROTE THIS WAS ALL BLAH-BLAH-BLAH-STELLARLUNE-SOMETHING-SOMETHING-LEGACY. BUT SERIOUSLY, NO ONE WANTS TO READ ABOUT THE CREEPY STUFF MY MOM DID BEFORE SHE GOT PREGNANT WITH ME! (AND WE’RE ALL SUPER SICK OF HEARING ABOUT MY “LEGACY,” AMIRITE?) SO, LET’S JUST LEAVE IT AT THIS: MY MOM IS EVIL. SHE THINKS SHE’S WAY SMARTER THAN SHE IS. AND NOTHING SHE DID IS GOING TO AFFECT MY GENERAL AWESOMENESS, OKAY?] A PHOTOGRAPHIC MEMORY: [WOW, HOW DID YOU COME UP WITH SUCH A CLEVER TITLE?!] [AND YEAH, I HAVE A PHOTOGRAPHIC MEMORY. NOT SURE WHY ANYONE CARES. BUT IT DOES COME IN HANDY DURING MIDTERMS AND FINALS.] AHEAD OF THE GAME: [BASICALLY: I’M A GENIUS. I SKIPPED LEVEL ONE AT FOXFIRE. YES, YOU SHOULD BE IMPRESSED.] UNREASONABLY HIGH STANDARDS: [GOTTA ADMIT, I WAS TEMPTED TO LEAVE THIS ONE ALONE, SINCE WHOEVER WROTE IT ACTUALLY GOT THINGS PRETTY MUCH RIGHT. I GUESS EVEN THE COUNCIL KNOWS MY DAD’S A JERK WHO FREAKS OUT ALL THE TIME BECAUSE I’M NOT A LITTLE MINI-HIM. WHO KNEW?] A POWERFUL EMPATH: [UGH, THAT’S THE BEST YOU COULD DO FOR THIS SUBHEADING???] [HOW ABOUT “LORD OF THE FEELS”? OR “TRUST THE EMPATH”! OR “HE KNOWS WHAT YOU’RE FEELING—AND YOU SHOULD BE ASHAMED OF YOURSELF”?] [OOO! I’VE GOT IT! “HE KNOWS FOSTER BETTER THAN YOU DO! BETTER THAN SHE EVEN KNOWS HERSELF!”] [THOUGH… KEEPING IT REAL? THE FOSTER OBLIVION CAN BE KINDA NOT COOL SOMETIMES.] THE HEART OF THE MATTER: [I CAN’T BELIEVE YOU GUYS NAMED A SECTION OF MY FILE AFTER MY FATHER’S SUPER-BORING BOOK—AND THEN RAMBLED ON FOR TWO PAGES ABOUT HIS SUPER-BORING THEORY!!!!!] [YOU DON’T NEED TWO PAGES ON IT. YOU DON’T EVEN NEED TWO SENTENCES. HERE’S ALLLLLL YOU NEED TO KNOW—BESIDES THE FACT THAT HE’S TOTALLY NOT THE FIRST PERSON TO COME UP WITH THIS (JUST THE ONE WHO LOVES TO TAKE CREDIT): OUR HEADS AND OUR HEARTS SOMETIMES FEEL DIFFERENT EMOTIONS, AND WHAT’S IN OUR HEARTS IS PROBABLY STRONGER.] [THAT’S IT!] [WELL… OKAY… I GUESS HE ALSO GOES ON A BIT ABOUT HOW EMPATHS PROBABLY ONLY READ THE EMOTIONS FROM THE HEAD.] [AND THERE’S SOMETHING ABOUT HEART EMOTIONS BEING PURER BECAUSE NO ONE CAN CONTROL THEM.] [BUT THAT’S IT.] [AND DON’T TELL LORD BORINGPANTS I READ HIS DUMB BOOK! I MOSTLY SKIMMED.] PRANKSTER AND TROUBLEMAKER: [100 PERCENT ACCURATE. ALSO, I’M LEAVING YOUR LITTLE ATTACHED DETENTION RECORD BECAUSE IT’S THE GREATEST THING I’VE EVER SEEN IN MY LIFE!!!!]
Shannon Messenger (Unlocked (Keeper of the Lost Cities, #8.5))
My reading has been lamentably desultory and immedthodical. Odd, out of the way, old English plays, and treatises, have supplied me with most of my notions, and ways of feeling. In everything that relates to science, I am a whole Encyclopaedia behind the rest of the world. I should have scarcely cut a figure among the franklins, or country gentlemen, in King John's days. I know less geography than a schoolboy of six weeks standing. To me a map of old Ortelius is as authentic as Arrowsmith. I do not know whereabout Africa merges into Asia, whether Ethiopia lie in one or other of those great divisions, nor can form the remotest, conjecture of the position of New South Wales, or Van Diemen's Land. Yet do I hold a correspondence with a very dear friend in the first named of these two Terrae Incognitae. I have no astronomy. I do not know where to look for the Bear or Charles' Wain, the place of any star, or the name of any of them at sight. I guess at Venus only by her brightness - and if the sun on some portentous morn were to make his first appearance in the west, I verily believe, that, while all the world were grasping in apprehension about me, I alone should stand unterrified, from sheer incuriosity and want of observation. Of history and chronology I possess some vague points, such as one cannot help picking up in the course of miscellaneous study, but I never deliberately sat down to a chronicle, even of my own country. I have most dim apprehensions of the four great monarchies, and sometimes the Assyrian, sometimes the Persian, floats as first in my fancy. I make the widest conjectures concerning Egypt, and her shepherd kings. My friend M., with great pains taking, got me to think I understood the first proposition in Euclid, but gave me over in despair at the second. I am entirely unacquainted with the modern languages, and, like a better man than myself, have 'small Latin and less Greek'. I am a stranger to the shapes and texture of the commonest trees, herbs, flowers - not from the circumstance of my being town-born - for I should have brought the same inobservant spirit into the world with me, had I first seen it, 'on Devon's leafy shores' - and am no less at a loss among purely town objects, tool, engines, mechanic processes. Not that I affect ignorance - but my head has not many mansions, nor spacious, and I have been obliged to fill it with such cabinet curiosities as it can hold without aching. I sometimes wonder how I have passed my probation with so little discredit in the world, as I have done, upon so meagre a stock. But the fact is, a man may do very well with a very little knowledge, and scarce be found out, in mixed company; everybody is so much more ready to produce his own, than to call for a display of your acquisitions. But in a tete-a-tete there is no shuffling. The truth will out. There is nothing which I dread so much, as the being left alone for a quarter of an hour with a sensible, well-informed man that does not know me.
Charles Lamb
It’s not that I hate high school—I enjoy learning, and for the most part my classes are interesting enough, with engaging teachers—I just don’t quite fit in as a typical high-school student. They’re just…not interesting. Or engaging. They say stupid shit, while doing or having just done stupid shit. So I make a concerted effort to stick to myself. It gets lonely sometimes, but it’s better to be alone than to be part of behavior and activities that will only leave me ashamed, disgusted, and/or in trouble. But
Angela Graham (Filthy Foreign Exchange)
Katie stood alone... 'They think this is so good,' he thought. 'They think it's good- the tree they got for nothing and their father playing up to them and the singing and the way the neighbors are happy. They think they're mighty lucky that they're living and it's Christmas again. They can't see that we live on a dirty street in a dirty house among people who aren't much good. Johnny and the children can't see how pitiful it is that our neighbors have to make happiness out of this filth and dirt. My children must get out of this. They must come to more than Johnnny or me or all thse people around us. But how is this to come about? Reading a page from those books every day and saving pennies in the tin-can bank isn't enough. Money! Would that make it better for them? Yes, it would make it easy. But no, the money wouldn't be enough. McGarrity owns the saloon standing on the corner and he has a lot of money. His wife wears diamond earrings. But her children are not as good and smart as my children. They are mean and greedy towards others...Ah no, it isn't the money alone... That means there must be something bigger than money. Miss Jackson teaches... and she has no money. She works for charity. She lives in a little room there on the top floor. She only has the one dress but she keeps it clean and pressed. Her eyes look straight into yours when you talk to her... She understands about things. She can live in the middle of a dirty neighborhood and be fine and clean like an actress in a play; someone you can look at but is too fine to touch... So what is this difference between her and this Miss Jackson who has no money?... Education! That was it!...Education would pull them out of the grime and dirt. Proof? Miss Jackson was educated, the McGarrity wasn't. Ah! That's what Mary Rommely, her mother, had been telling her all those years. Only her mother did not have the one clear word: education!... 'Francie is smart...She's a learner and she'll be somebody someday. But when she gets educated, she will grow away from me. Why, she's growing away from me now. She does not love me the way the boy loves me. I feel her turn away from me now. She does not understand me. All she understands is that I don't understand her. Maybe when she gets education, she will be ashamed of me- the way I talk. but she will have too much character to show it. Instead she will try to make me different. She will come to see me and try to make me live in a better way and I will be mean to her because I'll know she's above me. She will figure out too much about things as she grows older; she'll get to know too much for her own happiness. She'll find out that I don't love her as much as I love the boy. I cannot help that this is so. But she won't understand that. Somethimes I think she knows that now. Already she is growing away from me; she will fight to get away soon. Changing over to that far-away school was the first step in her getting away from me. But Neeley will never leave me, that is why I love him best. He will cling to me and understand me... There is music in him. He got that from his father. He has gone further on the piano than Francie or me. Yes, his father has the music in him but it does him no good. It is ruining him... With the boy, it will be different. He'll be educated. I must think out ways. We'll not have Johnnny with us long. Dear God, I loved him so much once- and sometimes I still do. But he's worthless...worthless. And God forgive me for ever finding out.' Thus Katie figured out everything in the moments it took them to climb the stairs. People looking up at her- at her smooth pretty vivacious face- had no way of knowing about the painfully articulated resolves formulating hin her mind.
Betty Smith
It's the sheets that get to me---there is absolutely no way on earth to do a proper job of folding them alone. And that stuff that's fun to do in them, you really do need to be in a couple to get the most out of that. Meals, of course are vastly more enjoyable when shared. I can't marvel about how perfect the rigatoni is to myself, though I sometimes do. Yes, as much as I like my freedom, I am convinced that it's better to be with someone than not. If nothing else, it makes it that much easier to explain yourself at group functions.
Giulia Melucci (I Loved, I Lost, I Made Spaghetti)
The building has settled into itself so that when you walk down the aisle, you can hear it yielding to the burden of your weight. It’s a pleasanter sound than an echo would be, an obliging, accommodating sound. You have to be there alone to hear it. Maybe it can’t feel the weight of a child. But if it is still standing when you read this, and if you are not half a world away, sometime you might go there alone, just to see what I mean. After a while I did begin to wonder if I liked the church better with no people in it. I know they’re planning to pull it down. They’re waiting me out, which is kind of them.
Marilynne Robinson (Gilead)
Are you having a good time?” Sam didn’t answer right away. She just kind of looked sad. “Not really. Are you?” “I don’t know. This is my first date, so I don’t know what to compare it to.” “Don’t worry. You’ll do fine.” “Really?” “You want some punch?” “Sure.” With that, Sam left. She really did look sad, and I wished I could have made her feel better, but sometimes, I guess you just can’t. So, I stood alone by the wall and watched the dance for a while. I would describe it to you, but I think it’s the kind of thing where you have to be there or at least know the people. But then again, maybe you knew the same people when you went to your high school dances, if you know what I mean.
Stephen Chbosky (The Perks of Being a Wallflower)
Life sometimes is like tossing a coin in the air calling heads or tails, but it doesn’t matter what side it lands on; life goes on. It is hard when you’ve lost the will to fight because you’ve been fighting for so long. You are smothered by the pain. Mentally, you are drained. Physically, you are weak. Emotionally, you are weighed down. Spiritually, you do not have one tiny mustard seed of faith. The common denominator is that other people’s problems have clouded your mind with all of their negativity. You cannot feel anything; you are numb. You do not have the energy to surrender, and you choose not to escape because you feel safe when you are closed in. As you move throughout the day, you do just enough to get by. Your mindset has changed from giving it your all to—well, something is better than nothing. You move in slow motion like a zombie, and there isn’t any color, just black and white, with every now and then a shade of gray. You’ve shut everyone out and crawled back into the rabbit hole. Life passes you by as you feel like you cannot go on. You look around for help; for someone to take the pain away and to share your suffering, but no one is there. You feel alone, you drift away when you glance ahead and see that there are more uphill battles ahead of you. You do not have the option to turn around because all of the roads are blocked. You stand exactly where you are without making a step. You try to think of something, but you are emotionally bankrupt. Where do you go from here? You do not have a clue. Standing still isn’t helping because you’ve welcomed unwanted visitors; voices are in your head, asking, “What are you waiting for? Take the leap. Jump.” They go on to say, “You’ve had enough. Your burdens are too heavy.” You walk towards the cliff; you turn your head and look at the steep hill towards the mountain. The view isn’t helping; not only do you have to climb the steep hill, but you have to climb up the mountain too. You take a step; rocks and dust fall off the cliff. You stumble and you move forward. The voices in your head call you a coward. You are beginning to second-guess yourself because you want to throw in the towel. You close your eyes; a tear falls and travels to your chin. As your eyes are closed the Great Divine’s voice is louder; yet, calmer, soothing; and you feel peace instantly. Your mind feels light, and your body feels balanced. The Great Divine whispers gently and softly in your ear: “Fallen Warrior, I know you have given everything you’ve got, and you feel like you have nothing left to give. Fallen Warrior, I know it’s been a while since you smiled. Fallen Warrior, I see that you are hurting, and I feel your pain. Fallen Warrior, this is not the end. This is the start of your new beginning. Fallen Warrior, do not doubt My or your abilities; you have more going for you than you have going against you. Fallen Warrior, keep moving, you have what it takes; perseverance is your middle name. Fallen Warrior, you are not the victim! You are the victor! You step back because you know why you are here. You know why you are alive. Sometimes you have to be your own Shero. As a fallen warrior, you are human; and you have your moments. There are days when you have more ups than downs, and some days you have more downs than ups. I most definitely can relate. I was floating through life, but I had to change my mindset. During my worst days, I felt horrible, and when I started to think negatively I felt like I was dishonoring myself. I felt sick, I felt afraid, fear began to control my every move. I felt like demons were trying to break in and take over my life.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
For a moment, I'll just stand there, looking. Taking in the sight of so many familiar faces, the face of the mam I love. The person who taught me what it was to be honestly generous, to give without expectation or resentment. Whose steady demeanor and realism helped me to learn that attempting to achieve perfection with every decision is a sure path to unhappiness; that when it comes to choosing a house or a car or a television or a loaf of bread, good enough really is good enough. Whose cereal-slurping helped me learn that being irritated at someone isn't the same as ceasing to love him, a distinction that I know should be obvious but which has always troubled me. Who taught me that together is better than alone, even if it's sometimes harder, even if I sometimes forget.
Alexandra Oliva (The Last One)
Nowadays, whether we like it or not, we are stuck with one form or another of advanced technology and we have got to make it work safely and efficiently: this involves, among other things, the intelligent application of structural theory. However, man does not live by safety and efficiency alone, and we have to face the fact that, visually, the world is becoming an increasingly depressing place. It is not, perhaps, so much the occurrence of what might be described as 'active ugliness' as the prevalence of the dull and the commonplace. Far too seldom is the heart rejoiced or does one feel any better or happier for looking at the works of modern man. Yet most of the artefacts of the eighteenth century, even quite humble and trivial ones, seem to many of us to be at least pleasing and sometimes incomparably beautiful. To that extent people—all people—in the eighteenth century lived richer lives than most of us do today. This is reflected in the prices we pay nowadays for period houses and antiques. A society which was more creative and self-confident would not feel quite so strong a nostalgia for its great-grandfathers' buildings and household looks.
J.E. Gordon (Structures: Or Why Things Don't Fall Down)
He seems to fall backward. Into himself. “Fuck.” I pump up and down, but it’s weird, clumsy, with his pants on. He’s too distracted by my touch, and I have to tug at the waistband several times before he understands that I want him to pull them down. “Can you tell me? How do you like this?” I ask, adjusting my grip. I need two hands. Yes, it’ll be better with two hands. Still an awkward position, but also intimate, how close we are. Nice. I smell him deep in my nostrils and he’s good. So good. “I like it too much, Elsie.” “No, I—” I shake my head against his chest. “Tell me how you do this. When you’re alone.” “This is—fuck, it’s good. Just . . . slow for now. Steady. And if you—the head—yes. Yes, there.” “What else?” I hear him swallow. “Your voice.” “I . . . What?” “Just speak.” “I’m not . . .” Laughter bubbles out of me. “I don’t think I can do dirty talk.” “You can go with nematics. You can count to ten. I don’t care, just—” “I . . . I could talk about George’s offer. How I’ve been seriously considering. If I accepted, we’d be working together. I’d be at MIT with you next year. I’d earn a livable amount of money, so maybe we could go to lunch together sometimes. I’d buy—” He makes a deep, guttural sound. His hand moves down between
Ali Hazelwood (Love, Theoretically)
Dolphins felt top-heavy, that year, most of the time, and wanted to lie down. When their heads weren’t on top they still felt top-heavy, but metaphysically. In public places they felt sad. They went into restrooms, hugged themselves, and quietly went, ‘Eeeee eee eeee.’ Weekends they went to playgrounds alone. They sat in the top of slides—the enclosed part, where it glowed a little because of the colored plastic—and felt very alert and awake but also very sad and immature. Sometimes they fell asleep and a boy’s mother would prod the dolphin with a broom and the dolphin would go down the slide while still asleep. At the bottom they would feel ashamed and go home and lie in bed. They felt so sad that they believed a little that it was their year to be sad, which made them feel better in a devastated, hollowed-out way. Life was too sad and it was beautiful to really feel it for once; to be allowed to feel it, for one year. When dolphins had these thoughts, usually on weekends at night, it was like dreaming, like a pink flower in a soft breeze on a field was lightly dreaming them. The sadness was like a pink forest that got less dense as you went in and then changed into a field, which the dolphins walked into alone. Sometimes the sadness was like a knife against the face. It made the dolphins cry and not want to move. But sometimes a young dolphin would feel very lonely and ugly and it was beautiful how alone it felt, and it would become restless with how perfect and elegant its sadness was and go away for a long time and then return and sit in its room and feel very alone and beautiful.
Tao Lin (Eeeee Eee Eeee)
Explaining the rise of MSNBC, the Republican strategist Stuart Stevens said: “I think there are a lot of people out there who are dramatically troubled by the direction of the country, and they would like to be reminded that: (A) they’re not alone, and (B) there’s an alternative”. But loneliness isn’t the problem; the direction of the country is. And being alone together is not an alternative direction, just as a cancer support group does not shrink a tumour. It’s probably true that viewers of MSNBC are sometimes inspired to give money to progressive candidates, and perhaps there’s someone out there whose politics were changed, rather that their loneliness assuaged, by Rachel Maddow. It’s certainly true that a hybrid car gets better mileage than a traditional gas car. But primarily, these things make us feel better. And it can be dangerous to feel better when things are not getting better. […] Too often, the feeling of making a difference doesn’t correspond to the difference being made – worse, an inflated sense of accomplishment can relieve the burden of doing what actually needs to be done. Do the children getting vaccines paid for by Bill Gates really care if he feels annoyed when he gives 46 percent of his vast wealth to charity? Do the children dying of preventable diseases really care if Jeff Bezos feels altruistic when he donates only 1.2 percent of his even vaster wealth? If you found yourself in the back of an ambulance, would you rather have a driver who loathes his job put performs it expertly or one who is passionate about his job but takes twice as long to get you to the hospital?
Jonathan Safran Foer (We Are the Weather: Saving the Planet Begins at Breakfast)
The game within the game is the game that only the players see. They experience it in relation to one another on the floor at a particular time and in the middle of the action. It is one of the nuances of the game of basketball. As Knick teammates during those years, we knew what a teammate was going to do almost before he did it. We helped one another on defense and shared the ball on offense. We made room for each of us to be his best within the context of the team. For example, I often would see Clyde come down the floor with the ball. I'd catch his eye. I knew he wanted to go down my side of the floor. In order to give him a little more room to move, I would clear out. That way I didn't clog up his space. Or, when I had the ball on the side and he was at the top of the key, waiting to go backdoor, our center knew he had to move to the other side of the floor to create the room for the backdoor bounce pass from me to Clyde who was moving down the lane toward the basket. That was the game within the game. On one level, the game within the game was a matter of mechanics but is also operated on a psychological level in that we truly were all for one and one for all. We challenged one another in practice to become better. We helped one another come back from defeat. We inspired one another to reach our peak team performance. None of us felt we could be as good alone as all of us could be together. Our unity came sometimes with laughs, sometimes with conflicts, sometimes with moments of collective insight, but it was that spirit of camaraderie which brought us together in a way that allowed the fans to see something very special.
Walt Frazier (The Game Within the Game)
I struggle with an embarrassing affliction, one that as far as I know doesn’t have a website or support group despite its disabling effects on the lives of those of us who’ve somehow contracted it. I can’t remember exactly when I started noticing the symptoms—it’s just one of those things you learn to live with, I guess. You make adjustments. You hope people don’t notice. The irony, obviously, is having gone into a line of work in which this particular infirmity is most likely to stand out, like being a gimpy tango instructor or an acrophobic flight attendant. The affliction I’m speaking of is moral relativism, and you can imagine the catastrophic effects on a critic’s career if the thing were left to run its course unfettered or I had to rely on my own inner compass alone. To be honest, calling it moral relativism may dignify it too much; it’s more like moral wishy-washiness. Critics are supposed to have deeply felt moral outrage about things, be ready to pronounce on or condemn other people’s foibles and failures at a moment’s notice whenever an editor emails requesting twelve hundred words by the day after tomorrow. The severity of your condemnation is the measure of your intellectual seriousness (especially when it comes to other people’s literary or aesthetic failures, which, for our best critics, register as nothing short of moral turpitude in itself). That’s how critics make their reputations: having take-no-prisoners convictions and expressing them in brutal mots justes. You’d better be right there with that verdict or you’d better just shut the fuck up. But when it comes to moral turpitude and ethical lapses (which happen to be subjects I’ve written on frequently, perversely drawn to the topics likely to expose me at my most irresolute)—it’s like I’m shooting outrage blanks. There I sit, fingers poised on keyboard, one part of me (the ambitious, careerist part) itching to strike, but in my truest soul limply equivocal, particularly when it comes to the many lapses I suspect I’m capable of committing myself, from bad prose to adultery. Every once in a while I succeed in landing a feeble blow or two, but for the most part it’s the limp equivocator who rules the roost—contextualizing, identifying, dithering. And here’s another confession while I’m at it—wow, it feels good to finally come clean about it all. It’s that … once in a while, when I’m feeling especially jellylike, I’ve found myself loitering on the Internet in hopes of—this is embarrassing—cadging a bit of other people’s moral outrage (not exactly in short supply online) concerning whatever subject I’m supposed to be addressing. Sometimes you just need a little shot in the arm, you know? It’s not like I’d crib anyone’s actual sentences (though frankly I have a tough time getting as worked up about plagiarism as other people seem to get—that’s how deep this horrible affliction runs). No, it’s the tranquillity of their moral authority I’m hoping will rub off on me. I confess to having a bit of an online “thing,” for this reason, about New Republic editor-columnist Leon Wieseltier—as everyone knows, one of our leading critical voices and always in high dudgeon about something or other: never fearing to lambaste anyone no matter how far beneath him in the pecking order, never fearing for a moment, when he calls someone out for being preening or self-congratulatory, as he frequently does, that it might be true of himself as well. When I’m in the depths of soft-heartedness, a little dose of Leon is all I need to feel like clambering back on the horse of critical judgment and denouncing someone for something.
Laura Kipnis (Men: Notes from an Ongoing Investigation)
Take the famous slogan on the atheist bus in London … “There’s probably no God. Now stop worrying and enjoy your life.” … The word that offends against realism here is “enjoy.” I’m sorry—enjoy your life? Enjoy your life? I’m not making some kind of neo-puritan objection to enjoyment. Enjoyment is lovely. Enjoyment is great. The more enjoyment the better. But enjoyment is one emotion … Only sometimes, when you’re being lucky, will you stand in a relationship to what’s happening to you where you’ll gaze at it with warm, approving satisfaction. The rest of the time, you’ll be busy feeling hope, boredom, curiosity, anxiety, irritation, fear, joy, bewilderment, hate, tenderness, despair, relief, exhaustion … This really is a bizarre category error. But not necessarily an innocent one … The implication of the bus slogan is that enjoyment would be your natural state if you weren’t being “worried” by us believer … Take away the malignant threat of God-talk, and you would revert to continuous pleasure, under cloudless skies. What’s so wrong with this, apart from it being total bollocks? … Suppose, as the atheist bus goes by, that you are the fifty-something woman with the Tesco bags, trudging home to find out whether your dementing lover has smeared the walls of the flat with her own shit again. Yesterday when she did it, you hit her, and she mewled till her face was a mess of tears and mucus which you also had to clean up. The only thing that would ease the weight on your heart would be to tell the funniest, sharpest-tongued person you know about it: but that person no longer inhabits the creature who will meet you when you unlock the door. Respite care would help, but nothing will restore your sweetheart, your true love, your darling, your joy. Or suppose you’re that boy in the wheelchair, the one with the spasming corkscrew limbs and the funny-looking head. You’ve never been able to talk, but one of your hands has been enough under your control to tap out messages. Now the electrical storm in your nervous system is spreading there too, and your fingers tap more errors than readable words. Soon your narrow channel to the world will close altogether, and you’ll be left all alone in the hulk of your body. Research into the genetics of your disease may abolish it altogether in later generations, but it won’t rescue you. Or suppose you’re that skanky-looking woman in the doorway, the one with the rat’s nest of dreadlocks. Two days ago you skedaddled from rehab. The first couple of hits were great: your tolerance had gone right down, over two weeks of abstinence and square meals, and the rush of bliss was the way it used to be when you began. But now you’re back in the grind, and the news is trickling through you that you’ve fucked up big time. Always before you’ve had this story you tell yourself about getting clean, but now you see it isn’t true, now you know you haven’t the strength. Social services will be keeping your little boy. And in about half an hour you’ll be giving someone a blowjob for a fiver behind the bus station. Better drugs policy might help, but it won’t ease the need, and the shame over the need, and the need to wipe away the shame. So when the atheist bus comes by, and tells you that there’s probably no God so you should stop worrying and enjoy your life, the slogan is not just bitterly inappropriate in mood. What it means, if it’s true, is that anyone who isn’t enjoying themselves is entirely on their own. The three of you are, for instance; you’re all three locked in your unshareable situations, banged up for good in cells no other human being can enter. What the atheist bus says is: there’s no help coming … But let’s be clear about the emotional logic of the bus’s message. It amounts to a denial of hope or consolation, on any but the most chirpy, squeaky, bubble-gummy reading of the human situation. St Augustine called this kind of thing “cruel optimism” fifteen hundred years ago, and it’s still cruel.
Francis Spufford
We’ve all heard the phrase, “When seconds count the police are only minutes away.”  This is not a knock against the police.  Many officers are good friends of mine, and no police force can be everywhere—nor, in a free country, would we want them to be.  But calling the police almost never helps. Criminals, like predators in nature, do not attack when conditions favor the prey, when the sheepdog is alert beside the sheep.  Predators attack when the prey is vulnerable and unprotected.  In other words, when the cops can’t respond fast enough.  When an attack comes you probably won’t be standing in front of the police station.  You’ll be alone, or multi-tasking a busy life, or burdened (tactically speaking) with small children.  You could even be sound asleep.  Your attacker will choose that moment precisely because he thinks he can get away with it.  The mere thought of this is frightening.  And that’s a good thing.  Properly applied, a little bit of fear keeps us alert.  It is OK for children to live without fear.  Indeed, that is a top priority of every parent.  Adults, though, must see the world for what it is, both very good and very bad, and prepare for the worst so they can safely enjoy the best.     This book is about winning the legal battle, and leaves tactical training to others.  In no way does this imply, though, that your first priority shouldn’t be survival.  If you are in a fight for your life, for the life of your spouse or your children or your parents, you MUST win.  Period.  If you don’t win the physical fight, everything else becomes rather less pressing. The good news is that because we know how evil people target their prey we can use this knowledge against them.  Avoid looking weak and the bad guy will seek easier prey.  Stay alert and aware of your surroundings.  Project confidence.  Avoid places where you can get cornered, and make yourself look like more work than you’re worth.   Criminals are sometimes too stupid to know better, but that’s the exception.  They largely know the difference between easy and difficult victims. There’s more than enough easy prey for them.  If you look difficult they’ll move on.
Andrew F. Branca (The Law of Self Defense: The Indispensable Guide to the Armed Citizen)
Two nights after the Chaworth ball, Gabriel practiced at the billiards table in the private apartments above Jenner's. The luxurious rooms, which had once been occupied by his parents in the earlier days of their marriage, were now reserved for the convenience of the Challon family. Raphael, one of his younger brothers, usually lived at the club, but at the moment was on an overseas trip to America. He'd gone to source and purchase a large quantity of dressed pine timber on behalf of a Challon-owned railway construction company. American pine, for its toughness and elasticity, was used as transom ties for railways, and it was in high demand now that native British timber was in scarce supply. The club wasn't the same without Raphael's carefree presence, but spending time alone here was better than the well-ordered quietness of his terrace at Queen's Gate. Gabriel relished the comfortably masculine atmosphere, spiced with scents of expensive liquor, pipe smoke, oiled Morocco leather upholstery, and the acrid pungency of green baize cloth. The fragrance never failed to remind him of the occasions in his youth when he had accompanied his father to the club. For years, the duke had gone almost weekly to Jenner's to meet with managers and look over the account ledgers. His wife Evie had inherited it from her father, Ivo Jenner, a former professional boxer. The club was an inexhaustible financial engine, its vast profits having enabled the duke to improve his agricultural estates and properties, and accumulate a sprawling empire of investments. Gaming was against the law, of course, but half of Parliament were members of Jenner's, which had made it virtually exempt from prosecution. Visiting Jenner's with his father had been exciting for a sheltered boy. There had always been new things to see and learn, and the men Gabriel had encountered were very different from the respectable servants and tenants on the estate. The patrons and staff at the club had used coarse language and told bawdy jokes, and taught him card tricks and flourishes. Sometimes Gabriel had perched on a tall stool at a circular hazard table to watch high-stakes play, with his father's arm draped casually across his shoulders. Tucked safely against the duke's side, Gabriel had seen men win or lose entire fortunes in a single night, all on the tumble of dice.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
It is raining.  The clock ticks.  I am leaning on my elbow.  The wind blows through the cracks.  The door rattles in its frame.  My arm is tired of staying in one position.  There is a pressure on the wrist.  My temple burns on one side.  I wonder what will happen next.  Someone laughs.  If he had heard the rain, the clock, and the door, he would have kept silent.  Had I been laughing, I would not have heard these things. Gaze into a cat's eye or a gorilla's.  You will notice a peculiar thing that will make you shudder.  sometimes cats claw at human eyes.  Some- times gorillas enrage. Telepathy and death are wound inextricably together.  To see why this is so, you must understand consciousness.  When, late at night in your bed, you hear a distant automobile, you and the driver are parts of yourself.  When you speak, you are alone and the listener is both you and himself.  Two men, one on the mountain and the other in the village, cannot communicate.  Each is looking into a mirror.  Wave, and *he* waves - shout, and *he* replies.  All of us see the same moon and feel the same heartbeat, but we can never admit it.  One says the moon is a pale disc, another that it is a satellite of the Earth, a third that it is a silver world.  My heart thumps, yours clatters, and his booms.  Consciousness is distortion. But much telepathy passes unnoticed.  Dogs in the night, a dream of Mabel, Dr. Rhines' dice games - these are self-conscious tricks that mean nothing.  What of the more obvious examples?  You know when another is lying.  You know who is going down the stair.  You know emotion without seeing it.  You know the intelligence of others.  Some sign gives them away.  It is coincidence?  Guessing games again?   Then think of what you could not possibly know, what no one could tell you.  Is there any doubt you do not know that fellow on the gibbet or the thought of that girl on the stake?  Watch someone die and you may read his mind at ease. You need not got so far.  We human beings understand one another better than we think.  Argue, deny, shout, denounce, destroy.  Nothing alters truth.  You, reader, see my flaws and concentrate on them.  You wonder why I choose this word and not that. My arguments are weak and you can drum up stronger ones against them.  But we are eye to eye for all of that.
E.E. Rehmus
The knowledge of death came to me that night, from the dying that engulfs the world. I saw how we live toward death, how the swaying golden wheat sinks together under the scythe of the reaper, like a smooth wave on the sea-beach. He who abides in common life becomes aware of death with fear. Thus the fear of death drives him towards singleness. He does not live there, but he becomes aware of life and is happy, since in singleness he is one who becomes, and has overcome death. He overcomes death through overcoming common life. He does not live his individual being, since he is not what he is, but what he becomes. One who becomes grows aware of life, whereas one who simply exists never will, since he is in the midst of life. He needs the heights and singleness to become aware of life. But in life he becomes aware of death. And it is good that you become aware of collective death, since then you know why your singleness and your heights are good. Your heights are like the moon that luminously wanders alone and through the night looks eternally clear. Sometimes it covers itself and then your are totally in the darkness of the earth, but time and again it fills itself out with light. The death of the earth is foreign to it. Motionless and clear, it sees the life of the earth from afar, without enveloping haze and streaming oceans. Its unchanging form has been solid from eternity. It is the solitary clear light of the night, the individual being, and the near fragment of eternity. From there you look out, cold, motionless, and radiating. With otherworldly silvery light and green twilights, you pour out into the distant horror. You see it but your gaze is clear and cold. Your hands are red from living blood, but the moonlight of your gaze is motionless. It is the life blood of your brother, yes, it is your own blood, but your gaze remains luminous and embraces the entire horror and the earth’s round. Your gaze rests on silvery seas, on snowy peaks, on blue valleys, and you do not hear the groaning and howling of the human animal. The moon is dead. Your soul went to the moon, to the preserver of souls. Thus the soul moved toward death. I went into the inner death and saw that outer dying is better than inner death. And I decided to die outside and to live within. For that reason I turned away and sought the place of the inner life.
C.G. Jung (The Red Book: Liber Novus)
Who is going to fight them off, Randy?” “I’m afraid you’re going to say we are.” “Sometimes it might be other Ares-worshippers, as when Iran and Iraq went to war and no one cared who won. But if Ares-worshippers aren’t going to end up running the whole world, someone needs to do violence to them. This isn’t very nice, but it’s a fact: civilization requires an Aegis. And the only way to fight the bastards off in the end is through intelligence. Cunning. Metis.” “Tactical cunning, like Odysseus and the Trojan Horse, or—” “Both that, and technological cunning. From time to time there is a battle that is out-and-out won by a new technology—like longbows at Crecy. For most of history those battles happen only every few centuries—you have the chariot, the compound bow, gunpowder, ironclad ships, and so on. But something happens around, say, the time that the Monitor, which the Northerners believe to be the only ironclad warship on earth, just happens to run into the Merrimack, of which the Southerners believe exactly the same thing, and they pound the hell out of each other for hours and hours. That’s as good a point as any to identify as the moment when a spectacular rise in military technology takes off—it’s the elbow in the exponential curve. Now it takes the world’s essentially conservative military establishments a few decades to really comprehend what has happened, but by the time we’re in the thick of the Second World War, it’s accepted by everyone who doesn’t have his head completely up his ass that the war’s going to be won by whichever side has the best technology. So on the German side alone we’ve got rockets, jet aircraft, nerve gas, wire-guided missiles. And on the Allied side we’ve got three vast efforts that put basically every top-level hacker, nerd, and geek to work: the codebreaking thing, which as you know gave rise to the digital computer; the Manhattan Project, which gave us nuclear weapons; and the Radiation Lab, which gave us the modern electronics industry. Do you know why we won the Second World War, Randy?” “I think you just told me.” “Because we built better stuff than the Germans?” “Isn’t that what you said?” “But why did we build better stuff, Randy?” “I guess I’m not competent to answer, Enoch, I haven’t studied that period well enough.” “Well the short answer is that we won because the Germans worshipped Ares and we worshipped Athena.” “And am I supposed to gather that you, or
Neal Stephenson (Cryptonomicon)
for later. Keep it safe. If the child has collapsed into a tantrum in a place where he might hurt himself, move him to an area where he will be safe—an open, carpeted area, away from the glass coffee table. A child in the midst of a tantrum often flails, grabs for things to throw, or reaches for people to hit. Keep the child away from everything, including your body.       Sometimes very young children feel totally out of control and will need you to contain them. Sit on the floor and gently but firmly hold your child’s back to your front, on the floor between your legs, both arms crossed in front of him. This is not an angry hold, but rather one that says I am keeping you safe. Soon (or maybe not so soon!) he will stop resisting you, relax a bit, and take it down a notch to crying. This hold should not become a physical battle. It is, instead, a form of support and safety that you provide for your child. Do not leave the child alone. There are those who believe in sending the child to his room to have the meltdown. I believe the child is better served by your not abandoning him to his out-of-control feelings and behavior. Stay close by. Even though you are not talking to him, he knows you are there, and your presence is comforting. He might command you to “Go away” or “Leave me alone,” but he doesn’t mean it. Sit in a chair across the room and pick up a magazine. If the child is holding on to your leg, try to ignore it. In fact, try to ignore him altogether as best as you can. You can say: “You are really angry right now. I will wait until you are done.” Or, “Let me know when you are done.”       If the child is trying to hurt you, hit you, or grab at you, stand up and step away. Tell him: “I will not let you hurt me. Let me know when you are done, and we can talk.”       When you are standing, your legs are the only target he can reach. He’ll wrap his arms around your calves in a death grip. Ignore it. It will end eventually, I promise. The End Save. You can usually tell when the tantrum is winding down. When you hear and see that your child is starting to come back down to earth—his crying has calmed to sobs, his breaths are broken and quick, he is sniffling a bit—it is a good time to step in and accompany him on his journey back. Scoop him up and say something diverting, like: “C’mon, Sam, let’s go see if there are any squirrels outside.” By this point, most children are ready to be saved. They just don’t know how to do so gracefully. A paradigm shift offers the child the chance to reenter the world and save face.
Betsy Brown Braun (Just Tell Me What to Say: Simple Scripts for Perplexed Parents)
On many occasions in our nearly thirty years of marriage my wife and I have had a disagreement—sometimes a deep disagreement. Our unity appeared to be broken, at some unknowably profound level, and we were not able to easily resolve the rupture by talking. We became trapped, instead, in emotional, angry and anxious argument. We agreed that when such circumstances arose we would separate, briefly: she to one room, me to another. This was often quite difficult, because it is hard to disengage in the heat of an argument, when anger generates the desire to defeat and win. But it seemed better than risking the consequences of a dispute that threatened to spiral out of control. Alone, trying to calm down, we would each ask ourselves the same single question: What had we each done to contribute to the situation we were arguing about? However small, however distant…we had each made some error. Then we would reunite, and share the results of our questioning: Here’s how I was wrong…. The problem with asking yourself such a question is that you must truly want the answer. And the problem with doing that is that you won’t like the answer. When you are arguing with someone, you want to be right, and you want the other person to be wrong. Then it’s them that has to sacrifice something and change, not you, and that’s much preferable. If it’s you that’s wrong and you that must change, then you have to reconsider yourself—your memories of the past, your manner of being in the present, and your plans for the future. Then you must resolve to improve and figure out how to do that. Then you actually have to do it. That’s exhausting. It takes repeated practice, to instantiate the new perceptions and make the new actions habitual. It’s much easier just not to realize, admit and engage. It’s much easier to turn your attention away from the truth and remain wilfully blind. But it’s at such a point that you must decide whether you want to be right or you want to have peace.216 You must decide whether to insist upon the absolute correctness of your view, or to listen and negotiate. You don’t get peace by being right. You just get to be right, while your partner gets to be wrong—defeated and wrong. Do that ten thousand times and your marriage will be over (or you will wish it was). To choose the alternative—to seek peace—you have to decide that you want the answer, more than you want to be right. That’s the way out of the prison of your stubborn preconceptions. That’s the prerequisite for negotiation. That’s to truly abide by the principle of Rule 2 (Treat yourself like someone you are responsible for helping).
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
But depression wasn’t the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn’t he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells awaited them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that, sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten top to bottom. Putting your time in at the office; dutifully spawning your two point five; smiling politely at your retirement party; then chewing on your bedsheet and choking on your canned peaches at the nursing home. It was better never to have been born—never to have wanted anything, never to have hoped for anything. And all this mental thrashing and tossing was mixed up with recurring images, or half-dreams, of Popchik lying weak and thin on one side with his ribs going up and down—I’d forgotten him somewhere, left him alone and forgotten to feed him, he was dying—over and over, even when he was in the room with me, head-snaps where I started up guiltily, where is Popchik; and this in turn was mixed up with head-snapping flashes of the bundled pillowcase, locked away in its steel coffin.
Donna Tartt (The Goldfinch)
That’s right, isn’t it?” Harry urged him. “You died, but I’m talking to you. . . . You can walk around Hogwarts and everything, can’t you?” “Yes,” said Nearly Headless Nick quietly, “I walk and talk, yes.” “So you came back, didn’t you?” said Harry urgently. “People can come back, right? As ghosts. They don’t have to disappear completely. Well?” he added impatiently, when Nick continued to say nothing. Nearly Headless Nick hesitated, then said, “Not everyone can come back as a ghost.” “What d’you mean?” said Harry quickly. “Only . . . only wizards.” “Oh,” said Harry, and he almost laughed with relief. “Well, that’s okay then, the person I’m asking about is a wizard. So he can come back, right?” Nick turned away from the window and looked mournfully at Harry. “He won’t come back.” “Who?” “Sirius Black.” said Nick. “But you did!” said Harry angrily. “You came back — you’re dead and you didn’t disappear —” “Wizards can leave an imprint of themselves upon the earth, to walk palely where their living selves once trod,” said Nick miserably. “But very few wizards choose that path.” “Why not?” said Harry. “Anyway — it doesn’t matter — Sirius won’t care if it’s unusual, he’ll come back, I know he will!” And so strong was his belief that Harry actually turned his head to check the door, sure, for a split second, that he was going to see Sirius, pearly white and transparent but beaming, walking through it toward him. “He will not come back,” repeated Nick quietly. “He will have . . . gone on.” “What d’you mean, ‘gone on’?” said Harry quickly. “Gone on where? Listen — what happens when you die, anyway? Where do you go? Why doesn’t everyone come back? Why isn’t this place full of ghosts? Why — ?” “I cannot answer,” said Nick. “You’re dead, aren’t you?” said Harry exasperatedly. “Who can answer better than you?” “I was afraid of death,” said Nick. “I chose to remain behind. I sometimes wonder whether I oughtn’t to have . . . Well, that is neither here nor there. . . . In fact, I am neither here nor there. . . .” He gave a small sad chuckle. “I know nothing of the secrets of death, Harry, for I choose my feeble imitation of life instead. I believe learned wizards study the matter in the Department of Mysteries —” “Don’t talk to me about that place!” said Harry fiercely. “I am sorry not to have been more help,” said Nick gently. “Well . . . well, do excuse me . . . the feast, you know . . .” And he left the room, leaving Harry there alone, gazing blankly at the wall through which Nick had disappeared. Harry felt almost as though he had lost his godfather all over again in losing the hope that he might be able to see or speak to him once more. He walked slowly and miserably back up through the empty castle, wondering whether he would ever feel cheerful again.
J.K. Rowling, Harry Potter and the Order of the Phoenix
Dear Dex, We’ve been meaning to write you this letter for months, and I’m sorry it took us so long. We could never quite figure out the right words to say to you, because words are simply not enough to express to you just how grateful we are to you. Not many people are lucky enough to experience the kind of friendship that you and Teddy had. You were only little kids when you met, but the bond you formed was something special. From then on, it was you and Teddy against the world. The greatest kind of friends are the ones who bring out the best in one another, and that’s what you and Teddy did every day. You made each other stronger, wiser and braver, and you learned from each other. Most importantly, you stood by each other, right until the very end. We are eternally grateful to you for being there by his side in his final moments. For holding his hand and letting him know that he wasn’t alone and that, even in death, someone he loved was there with him. We take comfort in knowing that he didn’t leave this world alone. There’s no doubt in our minds that you did everything you could to try and save him, Dex. We know that there’s nothing you could have done differently, and we can only hope that you know it too. Not everyone can be saved – sometimes God has a greater purpose for the ones we love, and we must fight through the pain and learn to accept that they are somewhere far better than here. We know that you miss him, and we miss him too… every single day. But with each day that passes, it becomes a little bit easier. Some days are harder than others, but our frowns no longer outweigh our smiles. We no longer cry when we see his pictures around the house, and memories of him no longer bring pain to our hearts, but instead put a smile on our faces as we remember who he was. We all must honor his memory by focusing on what we gained by having him in our lives, rather than on what we lost when he passed. It’s what he would have wanted for all of us. Teddy loved life. He reveled in the simple things, and he saw a positive light in even the worst situations. He would never want his death to bring you sadness or to rob you of the joys of life. He would want you to remember the good times and focus on the memories of him that make you smile – because he is someone who could make anyone smile! You have such a big heart, Dex, and because of that you’ve always felt things a little bit stronger and more deeply than everyone else. Don’t let your grief weigh you down. Don’t carry the burden of your loss with you forever. Our scars become a part of us, but you cannot let them define you. We will carry him with us in our hearts forever, and moving on does not mean that we’re forgetting him or leaving him behind. It means choosing to live. Thank you for being a part of our son’s life. Of our lives. You brought so much joy and laughter to his time here on this earth, and we will forever cherish those moments. Take solace in your memories of him, do not let them bring you pain. Teddy loved you so much, and he always will. So will we.
Ellie Grace (Break Away)
• No matter how open we as a society are about formerly private matters, the stigma around our emotional struggles remains formidable. We will talk about almost anyone about our physical health, even our sex lives, but bring depression, anxiety or grief , and the expression on the other person would probably be "get me out of this conversation" • We can distract our feelings with too much wine, food or surfing the internet, • Therapy is far from one-sided; it happens in a parallel process. Everyday patients are opening up questions that we have to think about for ourselves, • "The only way out is through" the only way to get out of the tunnel is to go through, not around it • Study after study shows that the most important factor in the success of your treatment is your relationship with the therapist, your experience of "feeling felt" • Attachment styles are formed early in childhood based on our interactions with our caregivers. Attachment styles are significant because they play out in peoples relationships too, influencing the kind of partners they pick, (stable or less stable), how they behave in a relationship (needy, distant, or volatile) and how the relationship tend to end (wistfully, amiably, or with an explosion) • The presenting problem, the issue somebody comes with, is often just one aspect of a larger problem, if not a red herring entirely. • "Help me understand more about the relationship" Here, here's trying to establish what’s known as a therapeutic alliance, trust that has to develop before any work can get done. • In early sessions is always more important for patients to feel understood than it is for them to gain any insight or make changes. • We can complain for free with a friend or family member, People make faulty narratives to make themselves feel better or look better in the moment, even thought it makes them feel worse over time, and that sometimes they need somebody else to read between the lines. • Here-and-now, it is when we work on what’s happening in the room, rather than focusing on patient's stories. • She didn't call him on his bullshit, which this makes patients feel unsafe, like children's whose parent's don’t hold them accountable • What is this going to feel like to the person I’m speaking to? • Neuroscientists discovered that humans have brain cells called mirror neurons, that cause them to mimic others, and when people are in a heightened state of emotion, a soothing voice can calm their nervous system and help them stay present • Don’t judge your feelings; notice them. Use them as your map. Don’t be afraid of the truth. • The things we protest against the most are often the very things we need to look at • How easy it is, I thought, to break someone’s heart, even when you take great care not to. • The purpose on inquiring about people's parent s is not to join them in blaming, judging or criticizing their parents. In fact it is not about their parents at all. It is solely about understanding how their early experiences informed who they are as adults so that they can separate the past from the present (and not wear psychological clothing that no longer fits) • But personality disorders lie on a spectrum. People with borderline personality disorder are terrified of abandonment, but for some that might mean feeling anxious when their partners don’t respond to texts right away; for others that may mean choosing to stay in volatile, dysfunctional relationships rather than being alone. • In therapy we aim for self compassion (am I a human?) versus self esteem (Am I good or bad: a judgment) • The techniques we use are a bit like the type of brain surgery in which the patient remains awake throughout the procedure, as the surgeons operate, they keep checking in with the patient: can you feel this? can you say this words? They are constantly calibrating how close they are to sensitive regions of the brain, and if they hit one, they back up so as not to damage it.
Lori Gottlieb (Maybe You Should Talk to Someone)
February 12 The Unused Bank Account Brothers, think of what you were…Not many of you were wise…But God chose the foolish things of the world to shame the wise: God chose the weak things of the world to shame the strong.—1 Corinthians 1:26-27 The newspaper article told a sad story. An elderly woman had died alone, living in apparent poverty. Her neighbors in the rundown building where she lived said she had existed as frugally as possible. She kept her apartment cold in winter and hot in summer. Her clothes were old, and she lived on the cheapest kinds of food. Imagine her neighbors’ surprise when officials found a bankbook in her apartment for a savings account with over a million dollars. The deceased woman had lots of money in the bank. She just refused to use it. As God’s children, we sometimes do the same thing. We live like paupers, ignoring what God has deposited for our use. All too often when God opens a door of service, we think, I don’t know enough scripture, or I’m too shy. 1 Corinthians 1:26-27 reminds us, Brothers, think of what you were…Not many of you were wise…But God chose the foolish things of the world to shame the wise: God chose the weak things of the world to shame the strong. When God asks us to step outside our comfort zone, He’ll equip us. God uses ordinary people, the weak and the foolish, to accomplish His purpose. The more undistinguished we are, the better. That’s when God is all the more visible in what is accomplished. Heavenly Father, thank You for supplying strength and wisdom to serve You.
The writers of Encouraging.com (God Moments: A Year in the Word)
So how do you spend these long evenings, Ada?” He smiled. “Since you’re not much for the piano and such.” “When I traveled abroad, I kept journals of the places we visited and the interesting people we met. Sometimes I reread them in the evenings while Lillian sleeps. They remind me of happier times.” “I’ve always had a hankering to see the world, but somehow I think it’s a trip better shared than undertaken alone.” “My aunt chaperoned me, and I enjoyed it. Except for the times she introduced me to certain young men of her acquaintance—sons of her old friends in London.” He grinned. “Tried to marry you off, did she?” Ada blushed. “Something like that.” In the flickering lamplight, his gaze sought hers. “I’m pleased that she didn’t succeed.
Dorothy Love (Beyond All Measure (Hickory Ridge, #1))
Hey,” he said. She turned around and, as quickly, turned back. There had been tears on her face. He frowned. What was this? Trouble in paradise? “Hey,” he said, walking up behind her, squeezing her upper arm with his left hand. “What’s going on?” he asked her. “Nothing,” she said with a sniff. He turned her around to face him. He looked down at her pretty face and for the hundredth time thought, that damn Preacher. I bet he doesn’t know what he has here. “This isn’t nothing,” he said, wiping a tear from her cheek. “I can’t talk about it,” she said. “Sure you can. Seems like maybe you’d better. You’re all upset.” “I’ll work it out.” “Preacher do something to hurt you?” She immediately started to cry and leaned forward, her head falling on his chest. He put his good arm around her and said, “Hey, hey, hey. It’s okay.” “It’s not okay,” she cried. “I don’t know what I’m doing wrong.” “Maybe if you talk to me, I can help. I’m so good with free advice, you’ll be impressed.” “It’s just that...I care about him. But he just doesn’t find me...” Mike lifted her chin. “What, Paige?” “He doesn’t find me attractive.” “Bull.” “Desirable.” “Paige, that’s nonsense. The way he looks at you, he eats you with his eyes. He’s wacko for you.” “He won’t touch me,” she said, a large tear spilling over. That almost knocked Mike down. “No way.” She nodded pathetically. “Oh, man,” Mike said. He’d thought, everyone thought, they were doing it all night long. The way they looked at each other, like they couldn’t wait for everyone to leave so they could be alone, get it on. Those sweet little kisses on the cheek, the forehead. The way they touched—careful, so no one would see the sparks fly, but the sparks were flying all over this bar! The sexual tension was electric. “Oh, man,” he said again. He put his arm around her. “Paige, he wants you. Wants you so bad it’s showing all over him.” “Then why?” “I don’t know, honey. Preacher’s strange. He’s never been good with women, you know? When we served together, we all managed to find us a woman somewhere. I killed two marriages that way. But not Preacher. It was very rare for him to—” He stopped himself. He was trying to remember—were there women at all? He wasn’t sure; he knew Preacher never had a steady girl. He thought he remembered a woman here, there. It’s not as though he was focused on Preacher’s love life; he was too busy taking care of his own. He probably lacks sexual confidence, Mike thought. It would be hard for him to put the moves on anyone he felt he had to win over. “I bet he’s scared,” Mike heard himself say. “How can he be? I’ve practically thrown myself at him! He knows he isn’t going to face rejection!” She dropped her gaze, lowered her voice to a whisper. “He has to know how much I—” “Oh, brother,” Mike said. “I bet he’s not worried about rejection. Aw, Paige, Preacher’s so shy, sometimes it’s just plain ridiculous. But I promise you, Paige, I’ve known the man a long time—” “He said he’d trust you with his life. That he has...” “Yeah, we have that, it’s true. It’s funny with men—you can trust each other with your lives and never talk about anything personal, you know? Sometimes Preacher seems a little naive in the ways of the world.
Robyn Carr (Shelter Mountain (Virgin River, #2))
He looked at his wife. She had turned her back on him and moved a few steps away, perhaps embarrassed that she'd lost her temper, perhaps just giving his a chance to cool. She was bent over the baby, who was finally — thank God — beginning to quiet, her piercing screams fading to choking, hiccupping sobs. Gareth raked a hand through his hair, trying to think, trying to steady himself. Then, leading Crusader, he came up behind her. "Juliet?" She didn't turn, and Gareth was suddenly filled with shame. Shame at the way he'd behaved in front of her. Shame that he was so unprepared to deal with this situation. And shame that he had regretted, even for a moment, that he'd married her and now had full responsibility for both her and Charlotte. Responsibility. 'Sdeath, it was the worst word in the entire English language. "Juliet."  She still did not turn around. Her head was bent, and he could just see the pale curve of her nape beneath the upsweep of dark hair. Gareth swallowed — hard. Then, bowing his head, he said awkwardly, "My apologies. Perry's right, you know. I've got a temper, and sometimes it gets away from me." She turned then and gave him a level, unforgiving stare. "I don't mind your temper, Gareth. What I do mind is the fact that we don't seem to have a place to stay tonight. I suspect we don't have a place to stay tomorrow night, either, let alone next week, next month, or next year." He shrugged. "We can go to a hotel or something." "Yes, and how long will our money last if we live like that?" He flushed and looked away. "Didn't you even think about any of this before you asked to marry me and took on the responsibility of caring for us?" "Juliet, please." She looked suddenly weary. And disgusted. "No, I didn't think so." And now she was moving away again, as though she couldn't bear to be near him, much less look at him. "Juliet!" He swore and hurried after her, Crusader trotting behind him. This scrape was getting worse by the moment. "Juliet, please —" "I wish to be alone for a few minutes, Gareth. I need to think." "Everything will turn out just fine, I'm sure of it!" "I'm glad that one of us is." He picked up his pace. "Look, I know you're angry with me, but I am rather new at this husband-stuff. I'll get better at it. Just takes a bit of practice, you know? Why, even Charles would surely have made a few mistakes along the way —" She kept walking. "I doubt it." "I beg your pardon?" "I said, I doubt it." He halted in his tracks, Crusader's broad head crashing into his shoulder blades as he watched her walk away. The words had cut deeply, and he could think of nothing to say in his defense. The truth was, of course, that the incomparable Charles probably wouldn't have made any mistakes. She took a few more steps before she, too, paused. Her shoulders slumped, and she gave a heavy, tired sigh. She stood there for a moment, her back to him as though she was fighting some inner battle, and then, slowly, she turned and faced him, her face haunted by sadness. "That was unfair. I'm sorry." He
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
To indulge in an addiction is not always to seek pleasure. To mask pain or grief is usually the more common objective. The answer may not be found at the bottom of a spirit bottle, but it might give a moments respite from a mind asking the same questions, questions that have been relentlessly asked yet remain unanswered and unexplained. What is worse, drinking alone into a stupor or falling to your knees in a shower crying, again. Is it better to go to sleep with pain of thoughts causing raging wars inside your head or take just one more pill to dull the echoing thunder. One more won't hurt, not on top of those already consumed. What's wrong with an addiction if it's not causing others harm? A defiant thought that brings self assurance when there is no one present to give you the answer. The answer that you already know. That it is causing those who care about you more harm than you really want to admit. Which then becomes something else to haunt you. I am sorry for who I sometimes am, for who I have become, to what I can succumb, but try and remember that the person I am was not conceived by me alone. We are all an outcome of our lives experiences, and some of those experiences, like our darker sides, were not pleasant ones to endure.
Raven Lockwood
Once you are in love, you remain always in love, sometimes fulfilled and most of the times unfulfilled and broken but you remain in love. Beauty of love is to find a way when you feel there is no way to get out of the dark room. I find it more beautiful and accomplished when you are broken but you still remain in love , i find it more astonishing when he/she left you alone but you still accompany him everywhere, I find it more hedonistic when you manage to have a beautiful smile which has struggled through tears.You may say that your beloved has cheated you, your prince charming lied you, your princess sell down the river, though you have done more than that you could do and one question which is even more painful than being slaughtered is WHY SHE/HE DID THIS TO ME which remains always unanswered. This makes your life wretchedness and see who is responsible ....No not your beloved/prince/princess its you only who is in search of something which will make no difference in your life. Let them go if they want to go, if they are happy with someone else, don't beg for the love, let the love come to you automatically.You deserve to be happy, respected and much better in your life. It is difficult to remain in love when someone suddenly disappear from your life but trust me once you understand that you have really loved them, once you understand that their state of being happy is what you always wished for is more important than that they are with you unhappy or betraying you, once you understand that life has always something better for you, once you understand the value of being lively and happy ,,,,,YOU WON'T HATE HER/HIM AGAIN IN LIFE FOR STABBING YOUR BACK ....FORGIVENESS IS THE BEST MEDICINE FOR THE PEACE OF YOUR HEART & DO REMEMBER YOUR HEART DESERVES PEACE NOT THE PIECES. Love is the best thing you can cater to yourself instead of asking from someone else.
PREETI BAJPAI
All the heart wants is expanding friendship. It is not the kind of friendship that is a social satisfaction and can even lead to dependency and attachment. Rather, it is the friendship of other conscious hearts, who are in that state of remembrance and in that state of coherence and resonance. That's what lifts and heals us. That‘s why Sufis have their dergahs and communities. Sufism is not arranged as an individual tutorial. It‘s not a path for hermits. There may be periods when one benefits from solitude. However, there‘s transformation in friendship. The transformation results from knowing one another and accepting the truth that everything is purposeful. Whoever walks through the door of the Sufi dergah has been invited. We‘re all friends of the Friend. Community is part of the mechanism of transformation. Because Western society is so individualistic, we find ways of avoiding relationship and seek transformation that will occur at our own convenience or according to our own preferences. Sometimes people reach the stage where they say, „I might be better off alone. I think I‘m getting enough of this spiritual stuff that I could do it myself.“ They give up the friction of relationship and the challenge of it, and retreat into their own world. It‘s not usually a healthy sign. However, everyone is free. On this Path, no one is coerced. It‘s not a cult. There‘s no group pressure. If somebody walks away from a Sufi circle, nobody chases after them, except perhaps out of friendship. Sufis don‘t interfere with anybody‘s will. We all have free will. We are happy to find friends who share a common yearning. We are helped and healed by that yearning. We are healed by each other. (p. 27)
Kabir Helminski (In the House of Remembering: The Living Tradition of Sufi Teaching)
Tell me—or anyone else—something thatis personal to you, Coach had said. Seiji couldn’t talk to just anyone, but Nicholas had said they were friends. “I was… Jesse’s mirror,” said Seiji slowly. “I reflected his—glow, his glories and his victories. I used to think it was an honor. We were similar, I told myself, in all the ways that really mattered.” Jesse was left-handed like Nicholas, so facing him sometimes felt like looking into a mirror. Like seeing yourself through the glass, a better, golden self in a different world. A self who fenced just as well but didn’t have to work as hard for it. A Seiji who did everything in life with the same skill as he fenced. “You’re not a mirror,” said Nicholas. “You’re real.” “It’s a metaphor, Nicholas.” Nicholas shrugged. “You’re still not a mirror. Mirrors break. You never do.” Seiji thought of his moment of defeat against Jesse. The moment that Aiden had seen, and taunted Seiji with, making Seiji lose again. Seiji had trained his whole life to be strong, but somehow, he was still weak. Jesse had taken his sword, and Seiji hadn’t been able to stop him. The bitterness of that defeat sent Seiji to Kings Row. Always keep moving toward your target, his dad’s voice said, but somehow Seiji had ended up getting his target wrong. He’d moved toward loss and pain he still didn’t entirely understand. “I lost,” confessed Seiji. “Badly.” “Doesn’t make you a loser,” said Nicholas, having another lapse where he didn’t understand what words—let alone metaphors—meant. “You didn’t burst into tears and give up fencing. And you didn’t follow Jesse to Exton like a little lamb, the way he was expecting. You came to Kings Row, and you came to fence. You came to fight.” This view of the matter was so shocking that Seiji said something he’d thought he would never say to Nicholas Cox. “I suppose…,” said Seiji, “… you’re right.” Nicholas’s gaze remained fixed on the floor. “Being rivals shouldn’t be about being someone’s mirror. Both of you get to be real. Neither of you has to break.” “Sometimes you’re insightful, Nicholas,” said Seiji. Nicholas looked pleased before Seiji added: “I think it’s mainly by accident.” At that point, Nicholas rolled his eyes and stepped into his side of the room, yanking the curtain closed between them.
Sarah Rees Brennan (Striking Distance (Fence, #1))
Troy liked to describe himself as “the realist.” Refugee resettlement work attracted idealists who wanted to make the world a better place, but the job of a case manager was to be unabashedly pragmatic, as Troy saw it. You had to make a refugee’s dreams conform to the day- to- day reality of living in the United States, at the bottommost rung of the socioeconomic ladder. Prospective employers might be reluctant to hire people who spoke foreign languages, and the skills that refugees arrived with sometimes had no utility in the developed world. The streets of America were paved, but just with tarmac. You had to break it to the refugees gently, but they had to get the point, fast: They must surrender the vain illusion that from this point forward everything would be easy. Not at all. Everything was going to be brutally hard. It would be tough to find a decent place to live that they could afford; it would be difficult to find any kind of job, let alone one they might enjoy; learning English would be mind- bogglingly frustrating. Plus, nobody in this country would understand their story. They would feel so unrecognized, they might as well have become ghosts.
Helen Thorpe (The Newcomers: Finding Refuge, Friendship, and Hope in an American Classroom)
Sometimes, it's better to be alone. Nobody can hurt you...
Anonymous
could come up with was worse. The more they looked at the sky crane idea, the more plausible it seemed. So they tried it, and it worked. We all start out life not knowing how to do things. If we’re lucky, when we need to do something, we can find someone to show us how. But sometimes, we have to come up with a way to do it ourselves. This means thinking of ideas and then trying to decide whether they’re good or not. This book explores unusual approaches to common tasks, and looks at what would happen to you if you tried them. Figuring out why they would or wouldn’t work can be fun and informative and sometimes lead you to surprising places. Maybe an idea is bad, but figuring out exactly why it’s a bad idea can teach you a lot—and might help you think of a better approach. And even if you already know the right way to do all these things, it can be helpful to try to look at the world through the eyes of someone who doesn’t. After all, for anything that “everyone knows” by the time they reach adulthood, every day over 10,000 people in the United States alone are learning it for the first time.
Randall Munroe (How To: Absurd Scientific Advice for Common Real-World Problems)
Sometimes it's better to be with the sheep, who don't say anything. And better still to be alone with one's books.
Paulo Coelho (The Alchemist)
Sometimes it's better to fly alone than in a flock and go unnoticed.
Christy Johnson (Breathless (Breathe #1))
Sometimes, when you least expect it, you become the girl in the woods. You lose your name because another one is forced on you. You think you are alone until you find books about girls like you. Salvation is certainly among the reasons I read. Reading and writing have always pulled me out of the darkest experiences in my life. Stories have given me place in which to lose myself. They have allowed me to remember. They have allowed me to forget. They have allowed me to imagine different endings and better possible worlds.
Roxane Gay (Bad Feminist)
Go home, Karish.” I didn’t want him hanging around while I was being so pathetic. “What?” The word was sharp. It hurt my ears. “Go home. Or wherever. You don’t need to wait here.” “I’m not leaving you alone here,” he snapped. “I’m in a hospital, Kar—Taro. I’m perfectly fine.” “Just shut up, Lee.” He sat beside me and pulled me nice and close. I couldn’t help sighing at the pleasure of it. “And keep your eyes open.” “You might have some thought to my pride.” “Right now I couldn’t care less about your pride, not when it’s making you stupid.” “You do stupid things for pride all the time.” “I’m allowed. I’m a Source. You’re a Shield. You’re supposed to know better.” “What utter tripe.” “You know, Lee, sometimes your eloquence just overwhelms me.” “Oh, shut up.
Moira J. Moore (The Hero Strikes Back (Hero, #2))
We cannot convey heart inside written word alone. Words are one-dimensional, emotionless and heartless. We, as authors, search for ways to incorporate the missing emotion through descriptive words, but can never truly touch the depth of a sob, a sigh, or exhilaration expressed in a voice. Ironically, in 150 years, we created an icon of one-dimensional depth when we lifted the Bible high upon a pedestal. Personal communication with our Creator then became secondary. Though His voice was the force that carried faith since the beginning of time when Bibles were not available, we have, in modern times considered hearing the voice of God as mystical. But the written word is not where we receive Salvation. It's the voice of God that is heard in our heart when we read the Bible. Those words become spoken Word that our heart can hear. Sometimes I believe that people in the dark ages heard Father’s voice better than we do now. And that’s because it was their only source. They didn’t have Bibles. So, those who heard Him, let His voice guide them and touch their hearts. They relied on Him only. Mankind came into the enlightened age and created a book, a compilation of epistles that witness to Him. And we made it the foundation of our faith in place of Jesus. We leaned on it to prove our faith. But the real proof of our faith exists when we hear His voice.
Faith Living (MY SEAT (Learning to Live From The Kingdom Book 1))
Intuition must be taken seriously in the absence of substantial theoretical understanding, but once such theoretical understanding begins to take shape, prior intuitive judgments carry little weight unless they have been endorsed by the progress of theory. The greater one's theoretical understanding, the less weight one may assign to untutored judgment. All this applies equally well to the case of appeals to intuition in philosophy. We sometimes hear philosophers speak of some intuitions as 'merely' driven by theory, and thus to be ignored. While it is certainly true that judgments driven by bad theories are not to be taken seriously, the solution is not to try to return to some pure state of theory independent judgment, before the fall, as it were; rather the solution is to get a better theory. Intuition in the absence of theory does not count for nothing, especially if no credible theory is available. But this is not to award high marks to intuitive judgment before the arrival of successful theory, let alone after, when the initially low value of such judgment drops still lower.
Hilary Kornblith (Knowledge and Its Place in Nature)
She did like books and reading, but sometimes she just wanted to talk to her mom. She listened, though, because her mother never failed to find the exact-right perfect book, and she read it in a way that made you want to listen forever. As always, her mother was right. There was a book for everything. Somewhere in the vast Library of the Universe, as Natalie thought of it, her mom could find a book that embodied exactly the things Natalie was worrying about. And sure enough, Maya Running, about a girl from India whose family didn't fit in, did make her feel better. Like she wasn't the only kid in the world with a different kind of family. You're never alone when you're reading a book, Mom liked to say.
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
I’ve always yearned to be a black man, to have a black man’s soul, a black man's laughter. You know why? Because I thought you were diflFerent from us. Yes, I thought you were something special, something difiFerent on this sad earth of ours. I wanted to escape with you from the white man’s hollow materialism, from his lack of faith, his humble and frustrated sexuality, from his lack of joy, of laughter, of magic, of faith in the richness of after-life. encouragement and signs of gratitude or recognition have been very few, if any, along my road. If humanity can be compared to a tribe, then you may say I’m completely de-tribalized. You love Negroes out of sheer misanthropy, because you think they aren’t really men. in the end all human faces look alike with nothing bright or hopeful around me, except those distant stars— and even there, let’s be frank: it’s only their distance that gives them that purity and beauty ideals don't die— obliged to live on shit sometimes, but don’t die! the company a great cause always keeps: men of good will and those who exploit them your skin, you know, is worth no more than the elephants’ hide. In Gennany, at Belsen, during the war, it seems we used to make lampshades out of human skin— for your information. And don’t forget, Monsieur Saint- Denis, that we Germans have always been forerunners in everything ‘Women,’ I concluded rather bitterly, ‘have at their command certain means of persuasion which the best- organized police forces do not possess.’ The number of animals who lived in cruel suffering, sometimes for years, with bullets in their bodies, wounds growing deeper and deeper, gangrenous and swarming with ticks and flies, could not be estimated to change species, to come over to the elephants and live in the wilds among honest animals Always cheerful, with the cheerfulness of a man who has gone deep down into things and come back reassured. No one knew the desert better than Scholscher, who had spent so many nights alone there on the starlit dunes, and no one understood better than he did that need for protection which sometimes grips men’s hearts and drives them to give a dog the affection they dream so desperately of receiving themselves. by ‘defending the splendors of nature . . .’ He meant liberty.” Islam calls that ’the roots of heaven.’ and to the Mexican Indians it is of life’— the thing that makes both of them fall on their knees and raise their eyes and beat their tormented breasts. A need for protection and company, from which obstinate people like Morel try to escape by means of petitions, fighting committees, by trying to take the protection of species in their own hands. Our needs- for justice, for freedom and dignity— are roots of heaven that are deeply imbedded in our hearts, but of heaven itself men know nothing but the gripping roots ...” . . . And that girl sitting there in front of him with her legs crossed, with her nylon stockings and cigarette and that silent gaze, in which could be read that stubborn need, not so different from what Morel had seen in the eyes of the stray dogs at the pound. but not even all that was comic and childish about him could deprive him of the dignity conferred upon him by his love for his Maker. that human mass whose physical strength was nothing compared to the faith and spirit that dwelt in him. Three quarters of the Oul6 traditions and magic rites had to do with war or hunting while it's easy to suppress a magic tradition it's difficult to fill up the strange voids which it leaves in what you call the primitive psychology and what I call the human soul The roots of heaven are forever planted in their hearts, yet of heaven itself they seem to know nothing but the gripping roots It must be very consoling to take refuge in cynicism and to try and drown your own remorse in a consoling vision of universal swinishness, and you can always
Romain Gary
The Way of Kings ‘Life before death. Strength before weakness. Journey before destination.’ “I feel each of the things you mention, Sadeas,” Dalinar said, eyes forward. “But I don’t always let them out. A man’s emotions are what define him, and control is the hallmark of true strength. To lack feeling is to be dead, but to act on every feeling is to be a child.” "But expectations were like fine pottery. The harder you held them, the more likely they were to crack." "Bitterness is repaid more often than kindness." "Sometimes we find it hardest to accept in others that which we cling to in ourselves." "Beards were like axehound pups. Boys dreamed of the day they’d get one, never realizing how annoying they could be." "Much like the aforementioned knife to the back, a clever gibe is most effective when it is unanticipated." "Each man has his place. Mine is to make insults. Yours is to be in-sluts.” - Wit roasting Sadeas!! "Kaladin was like a moldy crust on a starving man’s plate; not the first bite, but still doomed." "To speak of what might be is forbidden,” the voice said. “To speak of what was depends on perspective." "what is the point? We fight to get Shardblades, then use those Shardblades to fight to get more Shardblades. It’s a circle, round and round we go, chasing our tails so we can be better at chasing our tails." “‘Candle flames,’” Litima continued. The selection was from The Way of Kings, read from the very copy that Gavilar had once owned. “‘A dozen candles burned themselves to death on the shelf before me. Each of my breaths made them tremble. To them, I was a behemoth, to frighten and destroy. And yet, if I strayed too close, they could destroy me. My invisible breath, the pulses of life that flowed in and out, could end them freely, while my fingers could not do the same without being repaid in pain.’” “‘I understood in a moment of stillness,’” Litima read. “‘Those candle flames were like the lives of men. So fragile. So deadly. Left alone, they lit and warmed. Let run rampant, they would destroy the very things they were meant to illuminate. Embryonic bonfires, each bearing a seed of destruction so potent it could tumble cities and dash kings to their knees.'" 'I believe that my own morality—which answers only to my heart—is more sure and true than the morality of those who do right only because they fear retribution." "The purpose of a storyteller is not to tell you how to think, but to give you questions to think upon. Too often, we forget that.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
People say strange things, the boy thought. Sometimes it’s better to be with the sheep, who don’t say anything. And better still to be alone with one’s books. They tell their incredible stories at the time when you want to hear them. But when you’re talking to people, they say some things that are so strange that you don’t know how to continue the conversation.
Paulo Coelho (The Alchemist)
Traveling is an escape from the norm. It’s a suitcase full of surprises and new adventures. It’s an adjustment to new time zones and new cultures. It’s a refreshing treat that makes you see things clearer. Smell better. Taste better. Traveling opens new doors and sometimes closes old ones. It makes you begin to either value what you have back home or realize that maybe life is better lived somewhere else, sometimes even with someone else, or alone. Traveling is a little detour that may lead you to another path and pull you out of old habits, forcing you to experience life, and not simply live by routines and schedules that only limit you and trap you into a cycle. Traveling makes you remember the food you ate, the sight you saw, the man you met a long time ago. Traveling is about meeting people that may change your life, or whose lives you may change. Traveling is a hop, a skip, or a leap toward something or somewhere new. Traveling can change you.
Corey M.P. (High)
As sometimes happened following a visit to Kent, the city had a chill to it that went beyond a sense of the air outside. Though Maisie loved her flat in Pimlico, there was a warmth to her father's cottage, to being at Chelstone, that made her feel cocooned and safe. And she felt wanted. That flat was hers to do with as she wished, and to do exactly as she pleased within those walls, but sometimes she felt it still held within it the stark just-moved-in feeling that signaled the difference between a house and a home. Of course, it still was not fully furnished, and there were no ornaments displayed - a vase, perhaps, that a visitor might comment upon and the hostess would say, "Oh, that was a gift, let me tell you about it..." There were no stories attached to the flat - but how could there be, when she was always alone in her home. There were no family photographs, no small framed portraits on the mantelpiece over the fire in the sitting room as there were at her father's house. She thought the flat would be all the better for some photographs, not only to serve as reminders of those who were loved, or reflections of happy times spent in company, but to act as mirrors, where she might see the affection with which she was held by those dear to her. A mirror in which she could see her connections. ... Most of the time, thought, she was not lonely, just on her own, an unmarried woman of independent means, even when the extent of the means - or lack thereof - sometimes gave her cause to remain awake at night. She knew the worries that came to the fore at night were the ones you had to pay attention to, for they blurred reasoned thought, sucked clarity from any consideration of one's situation, and could lead a mind around in circles, leaving one drained and ill-tempered. And if there was no one close with whom to discuss those concerns, they grew in importance in the imagination, whether were rooted in good sense or not. ... She wondered if one could take leave of one's senses, even if one had no previous occasions of mental incapacity, simply by being isolated from others. Is that what pushed the man over the edge of all measured thought? Were his thoughts so distilled, without the calibrating effect of a normal life led among others, that he ceased to recognize the distinction between right and wrong, between good and evil, or between having a voice and losing it? And if that were so, might an ordinary woman living alone with her memories, with her work, with the walls of her flat drawing in upon her, be at some risk of not seeing the world as it is?
Jacqueline Winspear (Among the Mad (Maisie Dobbs, #6))
Rin Says In Fruit Basket : People like me ... we cling to kind people , we seek them out , and take advantage of them . So its better if they don't understand her(Rin) , its better if she(Rin) is alone . Similarly sometimes even your best intentions and affection is nothing but toxin for others .After all these moments when you think of asking them to lie with you and forget the world , you come to know that all you had been doing is making them miserable . Rin says that's why she can't do it to her .She doesn't deserve that . And then you remember Machi saying : I have always been empty . I am void , I'm nothing .A broken doll unable to become human . So after everything you are just like onigiri among fruits , never to be chosen in furuba. ~Credits : Natsuyi Takaya
Seiji Amaswa
It is not the level of our spirituality that we can depend on. It is God and nothing less than God, for the work is God’s and the call is God’s and everything is summoned by Him and to His purposes, the whole scene, the whole mess, the whole package—our bravery and our cowardice, our love and our selfishness, our strengths and our weaknesses. The God who could take a murderer like Moses and an adulterer like David and a traitor like Peter and make of them strong servants of His is a God who can also redeem savage Indians, using as the instruments of His peace a conglomeration of sinners who sometimes look like heroes and sometimes like villains, for “we are no better than pots of earthenware to contain this treasure [the revelation of the glory of God in the face of Jesus Christ], and this proves that such transcendent power does not come from us, but is God’s alone” (2 Corinthians 4:7, NEB). We are not always sure where the horizon is. We would not know which end is up were it not for the shimmering pathway of light falling on the white sea. The One who laid earth’s foundations and settled its dimensions knows where the lines are drawn. He gives all the light we need for trust and for obedience.
Elisabeth Elliot (Through Gates of Splendor)
One Headlight" So long ago, I don't remember when That's when they say I lost my only friend Well they said she died easy of a broken heart disease As I listened through the cemetery trees I seen the sun coming up at the funeral at dawn The long broken arm of human law Now it always seemed such a waste She always had a pretty face So I wondered how she hung around this place Hey, come on try a little Nothing is forever There's got to be something better than In the middle But me and Cinderella We put it all together We can drive it home With one headlight She said it's cold It feels like Independence Day And I can't break away from this parade But there's got to be an opening Somewhere here in front of me Through this maze of ugliness and greed And I seen the sun up ahead At the county line bridge Saying all is good and nothingness is dead We'd run until she's out of breath She ran until there's nothing left She hit the end, it's just her window ledge Hey, come on try a little Nothing is forever There's got to be something better than In the middle But me and Cinderella We put it all together We can drive it home With one headlight This place is old It feels just like a beat up truck I turn the engine, but the engine doesn't turn What smells of cheap wine and cigarettes This place is always such a mess Sometimes I think I'd like to watch it burn I'm so alone, I feel just like somebody else Man, I ain't changed, but I know I ain't the same But somewhere here in between the city walls of dying dreams I think her death it must be killing me Hey Hey Hey, come on try a little Nothing is forever There's got to be something better than In the middle But me and Cinderella We put it all together We can drive it home With one headlight The Wallflowers, Bringing Down the Horse (1996)
Jakob Dylan
Memories are all that I have. It is always very easy to judge from the outside. It seems to people that they understand what is happening in your inner world, and on the basis of their pseudo- psychoanalysis, they give some advice to help, but in fact, they do not even see one percent of the whole picture of what’s going on inside you. Sometimes it’s better not to ask questions at all, not to give these stupid tips, but to leave the person alone so that he can figure out his feelings. Excessive attention and uninformed guidance are sometimes annoying. People normally haven’t got a clue what they’re talking about when they’re just trying to console you. They don’t understand that their stupid comments just make things even worse, not any easier.
Ash Gabrieli (Petrichor)
In other words, particles may know so much about the future because they have already been to the future … although again, a more correct way of looking at it is that they are halfway “in” the future already. Think back to that glass block of Minkowski: Every particle is really a spaghetti strand snaking across time. Or better yet, imagine particles as colored threads on a vast and chaotic loom; everywhere a thread entwines with another thread is an interaction (or “measurement”), and the patterns woven by the zig-zagging, criss-crossing threads as they are stretched between both sides of that loom would not appear random at all if we could take a higher, Archimedean vantage point outside of time, as Price recommends.24 From a viewpoint that could grasp the whole cloth, it would be strange—indeed, ridiculously biased—to privilege one side, or one direction of causation, over the other. It would be like saying the pattern created by the interwoven colored threads in a blanket is “caused” by its lefthand side, with a component of capriciousness in the threads’ turnings as we scan the blanket from left to right, and the righthand side of the blanket exerting no “leftward” influence on the pattern at all. With retrocausation, we can no longer privilege the past, as though causation is only a matter of “pushing” (sometimes called efficient causation). The real mystery becomes why those efficient causes are so much more apparent and intuitively understood, and why influences propagating in reverse give us headaches to even think about. This is a mystery that physics alone might not be able to solve, but the first step toward finding a solution may be to train ourselves to “think backwards” about events.
Eric Wargo (Time Loops: Precognition, Retrocausation, and the Unconscious)
Both of the dishes you just made use only eggplant. You didn't use any other vegetables or meat." "Of course. If you want to learn the real taste of an eggplant, you can't mix it with anything else." "And the secret seems to lie with the oil. Eggplant is good when you simmer it, but simmering eggplant is rather difficult. If you simmer it together with something else, its bitterness will sometimes taint the flavor of the other ingredients." "Eggplant goes very well with oil, so simple methods like this tend to draw out the goodness of the eggplant that even people who don't like it will enjoy. It's good when stir-fried with meat, onions and green pepper, but I like it better alone so I can enjoy its flavor.
Tetsu Kariya (Vegetables)
Peter kept filling his wine glass, and Clara prattled on about getting the garden ready. That was the beauty of friends, she knew. Nothing was expected of Monsieur Béliveau, and he knew it. Sometimes it's just nice not to be alone.... On the veranda Clara and Peter had hugged him but offered no easy words of comfort. To do that would be to simply comfort themselves. What Monsieur Béliveau needed was to feel bad. And then he'd feel better.
Louise Penny (The Cruelest Month (Chief Inspector Armand Gamache, #3))
Sometimes it’s better to be with the sheep, who don’t say anything. And better still to be alone with one’s books. They tell their incredible stories at the time when you want to hear them.
Paulo Coelho (The Alchemist)