Sometime Things Happen For A Reason Quotes

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I believe that everything happens for a reason. People change so that you can learn to let go, things go wrong so that you appreciate them when they're right, you believe lies so you eventually learn to trust no one but yourself, and sometimes good things fall apart so better things can fall together.
Marilyn Monroe
I know exactly how that is. To love somebody who doesn’t deserve it. Because they are all you have. Because any attention is better than no attention. For exactly the same reason, it is sometimes satisfying to cut yourself and bleed. On those gray days where eight in the morning looks no different from noon and nothing has happened and nothing is going to happen and you are washing a glass in the sink and it breaks-accidentally-and punctures your skin. And then there is this shocking red, the brightest thing in the day, so vibrant it buzzes, this blood of yours. That is okay sometimes because at least you know you’re alive.
Augusten Burroughs (Running with Scissors)
People work too hard to figure out the meaning of their lives. Why me, why now. The truth is, sometimes things don't happen to you for a reason. Sometimes it's just about being in the right place at the right time for someone else.
Jodi Picoult (Second Glance)
You see, Jude, in life, sometimes nice things happen to good people. You don’t need to worry—they don’t happen as often as they should. But when they do, it’s up to the good people to just say ‘thank you,’ and move on, and maybe consider that the person who’s doing the nice thing gets a bang out of it as well, and really isn’t in the mood to hear all the reasons that the person for whom he’s done the nice thing doesn’t think he deserves it or isn’t worthy of it.
Hanya Yanagihara (A Little Life)
Mum liked to say that some things happen for a reason, that sometimes obstacles were there to stop you from doing something stupid.
Maggie Stiefvater (The Scorpio Races)
Sometimes people do things that are complicated. For complicated reasons.
Lauren Barnholdt (Sometimes It Happens (Bestselling Teen Romantic Fiction))
Throughout all of the changes that have happened in my life, one of the priorities I've had is to never change the way I write songs and the reasons I write songs. I write songs to help me understand life a little more. I write songs to get past things that cause me pain. And I write songs because sometimes life makes more sense to me when it's being sung in a chorus, and when I can write it in a verse.
Taylor Swift
Sometimes you're traveling a highway, the only road you've ever known and wham! A semi comes from nowhere and rolls right over you. Sometimes you dont wake up. But if you happen to you know things will never be the same. Sometimes that's not so bad. Sometimes lives instersect, no rhyme, no reason, except, perhaps, for a passing semi.
Ellen Hopkins
You may not see every single piece of the puzzle that creates your life -- you may not see every move the grand chess player makes -- but know, He is in complete control of the game board. Sometimes certain pieces are moved or knocked over to make room for new ones. Other times, things happen because of the world we live in. But everything in the end, will always turn out for good. It's a nice promise, isn't it? To know there's a reason for it all?
Rachel Van Dyken (Ruin (Ruin, #1))
You know,” she said dreamily, passing over his question, “you’re not nearly as handsome as Lord St.Vincent.” “There’s a surprise,” he said dryly. “But for some reason,” she continued, “I never want to kiss him the way I do you.” It was a good thing that she had closed her eyes, for if she had seen his expression, she might not have continued. “There is something about you that makes me feel terribly wicked. You make me want to do shocking things. Maybe it’s because you’re so proper. Your necktie is never crooked, and your shoes are always shiny. And your shirts are so starchy. Sometimes when I look at you, I want to tear off all your buttons. Or set your trousers on fire.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Sometimes really, really bad things happen to people, and there is no explanation and no reason whatsoever.
Sarah Dessen
Sometimes bad things happen. And there’s no blame to be placed. You can’t reason with the universe, no matter how sound your logic is … We are imperfect people made that way by an imperfect world, and we don’t always get a say in what shapes us.
Rebecca Yarros (The Last Letter)
Sometimes I think things happen for a reason... And I think if we're meant to run into each other again, fate will make it happen.
Lauren Blakely (The Start of Us (No Regrets, #0.5))
I’d never been a big fan of that saying, “Everything happens for a reason,” but maybe, sometimes, every once in a while, things coalesced into a complex, intangible reason. With tattoos and piercings and bad words and unfailing loyalty topped with a temper. And in its own imperfect way, it couldn’t have been any better.
Mariana Zapata (Under Locke)
The first language humans had was gestures. There was nothing primitive about this language that flowed from people’s hands, nothing we say now that could not be said in the endless array of movements possible with the fine bones of the fingers and wrists. The gestures were complex and subtle, involving a delicacy of motion that has since been lost completely. During the Age of Silence, people communicated more, not less. Basic survival demanded that the hands were almost never still, and so it was only during sleep (and sometimes not even then) that people were not saying something or other. No distinction was made between the gestures of language and the gestures of life. The labor of building a house, say, or preparing a meal was no less an expression than making the sign for I love you or I feel serious. When a hand was used to shield one’s face when frightened by a loud noise something was being said, and when fingers were used to pick up what someone else had dropped something was being said; and even when the hands were at rest, that, too, was saying something. Naturally, there were misunderstandings. There were times when a finger might have been lifted to scratch a nose, and if casual eye contact was made with one’s lover just then, the lover might accidentally take it to be the gesture, not at all dissimilar, for Now I realize I was wrong to love you. These mistakes were heartbreaking. And yet, because people knew how easily they could happen, because they didn’t go round with the illusion that they understood perfectly the things other people said, they were used to interrupting each other to ask if they’d understood correctly. Sometimes these misunderstandings were even desirable, since they gave people a reason to say, Forgive me, I was only scratching my nose. Of course I know I’ve always been right to love you. Because of the frequency of these mistakes, over time the gesture for asking forgiveness evolved into the simplest form. Just to open your palm was to say: Forgive me." "If at large gatherings or parties, or around people with whom you feel distant, your hands sometimes hang awkwardly at the ends of your arms – if you find yourself at a loss for what to do with them, overcome with sadness that comes when you recognize the foreignness of your own body – it’s because your hands remember a time when the division between mind and body, brain and heart, what’s inside and what’s outside, was so much less. It’s not that we’ve forgotten the language of gestures entirely. The habit of moving our hands while we speak is left over from it. Clapping, pointing, giving the thumbs-up, for example, is a way to remember how it feels to say nothing together. And at night, when it’s too dark to see, we find it necessary to gesture on each other’s bodies to make ourselves understood.
Nicole Krauss (The History of Love)
Without Warning: Sometimes your traveling a highway, the only road you've ever known and wham! A semi comes from nowhere and rolls right over you. Sometimes you don't wake up. But if you happen to, you know things will never be the same. Sometimes that's not so bad. Sometimes lives intersect, no rhyme, no reason, except, perhaps, for a passing semi.
Ellen Hopkins
most problems get magnified because we over-think them, creating more problems in the process, and sometimes things take their own course. All we can do is to let it be.
Preeti Shenoy (It Happens for a Reason)
She has changed me in a way that I cannot explain. She has made me realize that sometimes things happen for a reason and not to push you back in life, but to move you forward to where you're truly meant to be.
Erika Taylor (Moving Forward (Timing is Everything, #1))
If you look around to find meaning in everything that happens, you will end up disappointed. Sometimes there aren’t reasons behind the terrible things that go on. I ask myself, If I knew all the answers, would it help? I lie awake and wonder why I don’t have parents and wonder what will become of my brother and me. But when the morning comes, I realize that there’s nothing to be done about what has already happened. I can only get up and do my chores and push through the day and find the good in it.
Adriana Trigiani (The Shoemaker's Wife)
did you ever think the reason you haven't found the right man is because it's not your time? Sometimes God kets bad things happen to us as a sign that something is not right. He also does it to make us stronger. God got a plan for you, and you gotta stop fighting it. Focus on YOU, and let God lead that man to you.
Braya Spice (Dear Drama (Urban Books))
I've spent my whole life doing some things because they were logical and not doing others because they were not. I've seen what happens when people act on intuition, or for illogical reasons. Sometimes the results are ludicrous and embarrassing; more often they are simply horrible. But here I am, just the same, behaving like a crackbrained crystal gazer.
Stephen King (The Eyes of the Dragon)
I guess I'm not a very spiritual person. I don't think things always 'happen for a reason,' everything must be 'God's way,' or (and this is one of Karen's favorites) 'He only gives you what you can handle.' I simply believe, and I'm sorry to sound crude about it, that shit happens. Period. Sometimes you are the pigeon. Sometimes you are the statue.
Jessica Topper (Louder Than Love (Love & Steel, #1))
A dream is a strange thing. Pictures appear with terrifying clarity, the minutest details engraved like pieces of jewelry, and yet we leap unawares through huge abysses of time and space. Dreams seem to be controlled by wish rather than reason, the heart rather than the head–and yet, what clever, tricky convolutions my reason sometimes makes while I’m asleep! Things quite beyond comprehension happen to reason in dreams!
Fyodor Dostoevsky (The Dream of a Ridiculous Man)
A squirrel flies in," said Dr. Meescham. "This I did not expect at all. It is what I love about life, that things happen which I do not expect. When I was a girl in Blundermeecen, we left the window open for this very reason, even in the winter. We did it because we believed something wonderful might make its way to us through the open window. Did wonderful things find us? Sometimes yes, sometimes no. But tonight it has happened! Something wonderful!" Dr. Meescham clapped her hands. "A window has been left open. A squirrel flies in the window. The heart of an old woman rejoices!
Kate DiCamillo (Flora & Ulysses: The Illuminated Adventures)
The truth is, sometimes things don’t happen to you for a reason. Sometimes it’s just about being in the right place at the right time for someone else.
Jodi Picoult (Second Glance)
Sometimes taking part in a great battle will be the thing that will help to change the course of history. But sometimes you can do that simply by smiling, for no reason, at someone you happen to pass in the street. Without intending to, you might have saved the life of a complete stranger, who also thought he was useless and might have been ready to kill himself – until a smile gave him new hope and confidence.
Paulo Coelho (Manuscript Found in Accra)
But then something happened, Ray, something amazing. Something... "That white cop sitting next to me? He took a long look at my mother when she came in, just like, absorbed her, and then without even turning to me, he just put his hand on my back, up between my neck and shoulder... "And all he did was squeeze. Give me a little squeeze of sympathy, then rubbed that same spot with his palm for maybe two, three seconds, and that was it. "But I swear to you, nobody, in my entire life up to that point had ever touched me with that kind of tenderness. I had never experienced a sympathetic hand like that, and Ray, it felt like lightning. "I mean, the guy did it without thinking, I'm sure. And when dinnertime rolled around he had probably forgotten all about it. Forgot about me, too, for that matter... But I didn't forget. "I didn't walk around thinking about it nonstop either, but something like seven years later when I was at community college? The recruiting officer for the PD came on campus for Career Day, and I didn't really like college all that much to begin with, so I took the test for the academy, scored high, quit school and never looked back. "And usually when I tell people why I became a cop I say because it would keep Butchie and Antoine out of my life, and there's some truth in that. "But I think the real reason was because that recruiting officer on campus that day reminded me, in some way, you know, conscious or not, of that housing cop who had sat on the bench with me when I was thirteen. "In fact, I don't think it, I know it. As sure as I'm standing here, I know I became a cop because of him. For him. To be like him. God as my witness, Ray. The man put his hand on my back for three seconds and it rerouted my life for the next twenty-nine years. "It's the enormity of small things... Adults, grown-ups, us, we have so much power... And sometimes when we find ourselves coming into contact with certain kinds of kids? Needy kids? We have to be ever so careful...
Richard Price
In the end, He's the only reason that I made it. Sometimes that's the only thing we have. Whether you call it God, or hope, or faith -whatever word you use- the fact is, I couldn't have survived if I hadn't believed in something. It was the one part of me that neither Warren nor Allen could touch, and no matter what happens, as long as I have that, I've won.
Elissa Wall (Stolen Innocence)
Sometimes a tragedy must happen to keep a soul on schedule. This is the reason for things that seem to have no reason. This is the reason that we cannot fathom when we are going through it. Perhaps I will get very sick. People wonder why cancer exists when it is just a clever method to teach people lessons about love and loss. It borrows time or steals it depending on the needs of Heaven. It is a vehicle to get us where we need to be. It calls us home because something needs us there.
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
Mum liked to say that some things happen for a reason, that sometimes obstacles were there to stop you from doing something stupid. She said this to me a lot. But when she said it to Gabe, Dad told him that sometimes it just means you need to try harder.
Maggie Stiefvater (The Scorpio Races)
Sometimes things happen and you have no way of understanding them. You try to find a reason to justify it, but there isn’t always an answer. It’s just life.
Sandie Jones (The Other Woman)
One of the most important steps in therapy is helping people take responsibility for their current predicaments, because once they realize that they can (and must) construct their own lives, they’re free to generate change. Often, though, people carry around the belief that the majority of their problems are circumstantial or situational—which is to say, external. And if the problems are caused by everyone and everything else, by stuff out there, why should they bother to change themselves? Even if they decide to do things differently, won’t the rest of the world still be the same? It’s a reasonable argument. But that’s not how life generally works. Remember Sartre’s famous line “Hell is other people”? It’s true—the world is filled with difficult people (or, as John would have it, “idiots”). I’ll bet you could name five truly difficult people off the top of your head right now—some you assiduously avoid, others you would assiduously avoid if they didn’t share your last name. But sometimes—more often than we tend to realize—those difficult people are us. That’s right—sometimes hell is us. Sometimes we are the cause of our difficulties. And if we can step out of our own way, something astonishing happens.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
Sometimes life isn't fair—but that doesn't mean things happen without reason. We just don't always know what the reason is. The world is inscrutable. It doesn't owe you answers. You should only concern yourself with doing your duty.
Roshani Chokshi (Aru Shah and the Song of Death (Pandava, #2))
Sometimes the greatest things happen when they have no rhyme or reason to. Life and logic might be against them, but great things happen nonetheless.
Jamie Schoffman (Not All Out of Love)
Frederick knows better than to believe, as his wife sometimes claims to, that all things happen for a reason. Things happen; it is up to us to invent for them a purpose.
Stefan Merrill Block (The Storm at the Door)
I beleive things happen for a reason. People change so that you can learn to let go, things go wrong so that you can appreciate them when they're right, you beleive lies so you eventually start to trust no one but yourself, and sometimes good things fall apart, so that better things can fall together.
Marilyn Monroe
Dreams, as we all know, are very queer things: some parts are presented with appalling vividness, with details worked up with the elaborate finish of jewellery, while others one gallops through, as it were, without noticing them at all, as, for instance, through space and time. Dreams seem to be spurred on not by reason but by desire, not by the head but by the heart, and yet what complicated tricks my reason has played sometimes in dreams, what utterly incomprehensible things happen to it!
Fyodor Dostoevsky (The Dream of a Ridiculous Man)
If you look around to find meaning in everything that happens, you will end up disappointed. Sometimes there aren’t reasons behind the terrible things that go on. I ask myself, If I knew all the answers, would it help?
Adriana Trigiani (The Shoemaker's Wife)
When animals make a stupid mistake, you laugh at them. A cat misjudges a leap. A dog looks overly quizzical about a simple object. These are funny things. But when a person doesn’t understand something, if they miscalculate and hit the brakes too late, blame is assigned. They are stupid. They are wrong. Teachers and cops are there to sort it out, with a trail of paperwork to illustrate the stupidity. The faults. The evidence and incidents of these things. We have entire systems in place to help decide who is what. Sometimes the systems don’t work. Families spend their weekend afternoons at animal shelters, even when they’re not looking for a pet. They come to see the unwanted and unloved. The cats and dogs who don’t understand why they are these things. They are petted and combed, walked and fed, cooed over and kissed. Then they go back in their cages and sometimes tears are shed. Fuzzy faces peering through bars can be unbearable for many. Change the face to a human one and the reaction changes. The reason why is because people should know better. But our logic is skewed in this respect. A dog that bites is a dead dog. First day at the shelter and I already saw one put to sleep, which in itself is a misleading phrase. Sleep implies that you have the option of waking up. Once their bodies pass unconsciousness to something deeper where systems start to fail, they revolt a little bit, put up a fight on a molecular level. They kick. They cry. They don’t want to go. And this happens because their jaws closed over a human hand, ever so briefly. Maybe even just the once. But people, they get chances. They get the benefit of the doubt. Even though they have the higher logic functioning and they knew when they did it THEY KNEW it was a bad thing.
Mindy McGinnis (The Female of the Species)
You may not see every single piece of the puzzle that creates your life — you may not see every move the grand chess player makes — but know, He is in complete control of the game board. Sometimes certain pieces are moved or knocked over to make room for new ones. Other times, things happen because of the world we live in. But everything, in the end, will always turn out for good. It’s a nice promise, isn’t it? To know that there’s a reason for it all? A reason for your cancer — maybe by having cancer you’ve saved the lives of three of your best friends. Had you not been sick, would you have met them? Had you not been sick, would you have found the love of your life? Maybe it’s not in the perfection of life that things make sense, but in the chaos.
Rachel Van Dyken (Ruin (Ruin, #1))
Find balance in your life. Work hard but don’t let work take over your life, you will lose yourself. Love, but love for the right reasons. Life is too short for anything mediocre. Know who you are and know that you are worthy of reaching your dreams and that it is never too late to start creating that life you have always dreamed of. Do not compare yourself to others, that’s just deadly. No two souls are the same. You are your own person, you are beautiful and you are unique. Put your trust in the universe. Some things are just meant to happen, and some are not. Let go of whatever is stealing your happiness, it’s hard but it is worth it. Embrace change. Embrace life. Everything happens for a reason, sometimes you just need to breathe, trust and let go.
Charlotte Freeman
My delightful, my love, my life, I don’t understand anything: how can you not be with me? I’m so infinitely used to you that I now feel myself lost and empty: without you, my soul. You turn my life into something light, amazing, rainbowed—you put a glint of happiness on everything—always different: sometimes you can be smoky-pink, downy, sometimes dark, winged—and I don’t know when I love your eyes more—when they are open or shut. It’s eleven p.m. now: I’m trying with all the force of my soul to see you through space; my thoughts plead for a heavenly visa to Berlin via air . . . My sweet excitement . . . Today I can’t write about anything except my longing for you. I’m gloomy and fearful: silly thoughts are swarming—that you’ll stumble as you jump out of a carriage in the underground, or that someone will bump into you in the street . . . I don’t know how I’ll survive the week. My tenderness, my happiness, what words can I write for you? How strange that although my life’s work is moving a pen over paper, I don’t know how to tell you how I love, how I desire you. Such agitation—and such divine peace: melting clouds immersed in sunshine—mounds of happiness. And I am floating with you, in you, aflame and melting—and a whole life with you is like the movement of clouds, their airy, quiet falls, their lightness and smoothness, and the heavenly variety of outline and tint—my inexplicable love. I cannot express these cirrus-cumulus sensations. When you and I were at the cemetery last time, I felt it so piercingly and clearly: you know it all, you know what will happen after death—you know it absolutely simply and calmly—as a bird knows that, fluttering from a branch, it will fly and not fall down . . . And that’s why I am so happy with you, my lovely, my little one. And here’s more: you and I are so special; the miracles we know, no one knows, and no one loves the way we love. What are you doing now? For some reason I think you’re in the study: you’ve got up, walked to the door, you are pulling the door wings together and pausing for a moment—waiting to see if they’ll move apart again. I’m tired, I’m terribly tired, good night, my joy. Tomorrow I’ll write you about all kinds of everyday things. My love.
Vladimir Nabokov (Letters to Vera)
Well I'm not going to hope that you get hurt, but if you do, remember that you're my damsel in distress, and no one is allowed to carry you." "I don't remember signing a contract." "All the more reason to promise me now." "What if you're not around when I get hurt?" "Send word, I`ll come running." "How big an injury does it have to be? Because sometimes I do this thing when I stand up too quickly and my ankle kind of twists a little---" "Sounds serious. You don't want to put any weight on that. I`d better carry you the next time that happens." "What if I skin my knee?" "I`ll carry you." "Charley horse?" "I`ll carry you." "Chipped toenail?" "Not worth taking a risk. I`ll carry you.” I grin at him [...] I have to admit -- he's funnier and smarter than I've given him credit for.
Claire LaZebnik (The Trouble with Flirting)
That’s in the classroom and in the courtroom,” Harold said. “Not in life. You see, Jude, in life, sometimes nice things happen to good people. You don’t need to worry—they don’t happen as often as they should. But when they do, it’s up to the good people to just say ‘thank you,’ and move on, and maybe consider that the person who’s doing the nice thing gets a bang out of it as well, and really isn’t in the mood to hear all the reasons that the person for whom he’s done the nice thing doesn’t think he deserves it or isn’t worthy of it.
Hanya Yanagihara (A Little Life)
Sometimes things happen for a reason, though they are not obvious at that moment, and there is nothing you can do to control them.
Preeti Shenoy (It Happens for a Reason)
And maybe I was wasting time trying to make sense of things: sometimes things don't happen for a reason, sometimes things just happen.
Marian Keyes
There is no higher meaning. Sometimes things happen for no reason. Fate is cruel, and arbitrary. Touching wood, lucky charms, none of it will help you see the car you never saw coming, or avoid the tumor you didn’t realize you had. Quite the opposite, in fact. For in that moment that you turn your head to look for the second magpie, in the hope of changing your fortune from sorrow to joy—that’s when you take your attention away from the things you can change, the crossing light, the speeding car, the moment you should have turned back.
Ruth Ware (The Death of Mrs. Westaway)
Levin had often noticed in arguments between even the most intelligent people that after enormous efforts, an enormous number of logical subtleties and words, the arguers would finally come to the awareness that what they had spent so long struggling to prove to each other had been known to them long, long before, from the beginning of the argument, but that they loved different things and therefore did not want to name what they loved, so as not to be challenged. He had often felt that sometimes during an argument you would understand what your opponent loves, and suddenly come to love the same thing yourself, and agree all at once, and then all reasonings would fall away as superfluous; and sometimes it was the other way round: you would finally say what you yourself love, for the sake of which you are inventing your reasonings, and if you happened to say it well and sincerely, the opponent would suddenly agree and stop arguing. That was the very thing he wanted to say.
Leo Tolstoy (Anna Karenina)
One, the search for the fang-free dragon taught me that fear and intimidation might not be the best way to train dragons. Two, the sword: that sometimes best is second-best. Three, the shield: that sometimes freedom must be fought for. Four, the ticking-thing: that when you fight for your friend, you are also fighting for yourself. Five, the ruby heart’s stone: that love never dies. Six, the arrow from the land-that-does-not-exist: that you must make things right in the Old World before you go looking for the New, and sometimes the things that you are looking for are right at home. Seven, the key-that-opens-all-locks: that accidents happen for a reason. Eight, the Throne: that power can corrupt. Nine, the Crown: that you have to keep on trying even though you are beaten before you even star. And Ten, the dragon Jewel," finished Hiccup. "You need to know what it is to be a slave, before you can be a King.
Cressida Cowell (How to Fight a Dragon’s Fury (How To Train Your Dragon, #12))
One, the search for the fang-free dragon taught me that fear and intimidation might not be the best way to train dragons. "Two, the sword: that sometimes best is second-best. "Three, the shield: that sometimes freedom must be fought for. "Four, the ticking-thing: that when you fight for your friend, you are also fighting for yourself. "Five, the ruby heart’s stone: that love never dies. "Six, the arrow from the land-that-does-not-exist: that you must make things right in the Old World before you go looking for the New, and sometimes the things that you are looking for are right at home. "Seven, the key-that-opens-all-locks: that accidents happen for a reason. "Eight, the Throne: that power can corrupt. "Nine, the Crown: that you have to keep on trying even though you are beaten before you even star. "And Ten, the dragon Jewel," finished Hiccup. "You need to know what it is to be a slave, before you can be a King.
Cressida Cowell (How to Fight a Dragon’s Fury (How To Train Your Dragon, #12))
Some things in life are purely unexplainable, no rhyme or reason, completely unforeseen and unexpected. Call it fate, call it destiny, call it whatever the hell you want; sometimes crazy shit just happens. Simple as that.
Erin Noelle (Spark (Fire on the Mountain, #1))
Sometimes stories get on my nerves--especially the ones where unfair things keep happening to the hero over and over, for no reason at all, and he valiantly overcomes it all. Life isn't like that. Not every hero can stay valiant. Sometimes, they can't even stay a hero, so what does that make them? A failure? A pussy? A total failure jerkwad with no hope on the horizon save finding a cemetery and digging rectangles in the ground for the town drunk?
Susan Vaught (Going Underground)
Sometimes wonderful things did happen, out of the blue and for no apparent reason. And what else could you do but go along with it and just be grateful that the person you loved more than anyone else in the world loved you too?
Jill Mansell (Meet Me at Beachcomber Bay)
I don't think relationships just end for no reason," Diver said. "Sometimes it's too complicated for us to understand. All these interconnected things have to be just right before you can have love. That's why it's so amazing when it happens. Maybe it shouldn't be so surprising when it doesn't last. Maybe we should just be astounded that it happens at all.
Katherine Applegate (Beaches, Boys, and Betrayal (Summer #7))
Love is one of those things, you see. You cannot help whom you fall for. And yes, sometimes it does not make sense, and it will make you stare at the wall for hours trying to pinpoint the moment that tipped you over, the reason you fell in love. However, you will never find an explanation because it happens when you least expect it. You were meant to love Tom Riddle.
Thesehunprint (The seven devils)
Sometimes Holly could start to see the order in things, she got a glimmer of a pattern. And that thing everyone seems to say these days, about how things always happen for a reason- Holly was getting close to being willing to concede that that was maybe, possibly true.
Sarah Dunn (Secrets to Happiness)
PROLOGUE Have you ever had the feeling that someone was playing with your destiny? If so, this book is for you! Destiny is certainly something people like to talk about. Wherever we go, we hear it mentioned in conversations or proverbs that seek to lay bare its mysteries. If we analyse people’s attitude towards destiny a little, we find straight away that at one extreme are those who believe that everything in life is planned by a higher power and that therefore things always happen for a reason, even though our limited human understanding cannot comprehend why. In this perspective, everything is preordained, regardless of what we do or don’t do. At the other extreme we find the I can do it! believers. These focus on themselves: anything is possible if done with conviction, as part of the plan that they have drawn up themselves as the architects of their own Destiny. We can safely say that everything happens for a reason. Whether it’s because of decisions we take or simply because circumstances determine it, there is always more causation than coincidence in life. But sometimes such strange things happen! The most insignificant occurrence or decision can give way to the most unexpected futures. Indeed, such twists of fate may well be the reason why you are reading my book now. Do you have any idea of the number of events, circumstances and decisions that had to conspire for me to write this and for you to be reading it now? There are so many coincidences that had to come together that it might almost seem a whim of destiny that today we are connected by these words. One infinitesimal change in that bunch of circumstances and everything would have been quite different… All these fascinating issues are to be found in Equinox. I enjoy fantasy literature very much because of all the reality it involves. As a reader you’re relaxed, your defences down, trying to enjoy an loosely-structured adventure. This is the ideal space for you to allow yourself to be carried away to an imaginary world that, paradoxically, will leave you reflecting on real life questions that have little to do with fiction, although we may not understand them completely.
Gonzalo Guma (Equinoccio. Susurros del destino)
Also there’s this thing that happens to me sometimes, and it’ll usually be me watching a video of Dolly Parton and Kenny Rogers singing “Islands in the Stream” and I wonder if I’m crying because I have majorly unaddressed psychological reasons or if that song is really that beautiful.
Molly McAleer (The Alcoholic Bitch Who Ruined Your Life: Stories About Love, Death and Rehab)
For me, one of the hardest things to accept in life is that control is an illusion. I hate that I can’t control what happens in my life, but I can’t. Loss happens. Failure happens. Sorrow happens. I can’t always control where I’m headed, either. Sometimes sadness is the destination, whether or not it’s where I want to go. During my time there I had to learn to trust that I was visiting for a reason, but that it would not be my permanent place of residence, my forever state of being. That, like water, I would flow past it eventually and end up where I was meant to be.
Priyanka Chopra (Unfinished)
As you look back on your life, you will often realize that many of the times you thought you were being rejected from something good, you were in fact being redirected to something better. You can’t control everything. Sometimes you just need to relax and have faith things will work out. Let go and just let life happen the way it’s supposed to. Sometimes the outcomes you can’t change end up changing you and helping you grow mentally, emotionally or spiritually. When things fall apart, consider the possibility that life knocked them down for a reason. It was not to punish you, but to prompt you to build something better to fit your personality and your purpose. Sometimes things fall apart so better things can fall together.
John Geiger
I know it is not fair to expect love from someone who hardly knows you at all. I know that we are too young to understand and too old to understand and that perhaps nobody understands at all. I know that things happen for reasons we cannot comprehend and yet sometimes I really wish we could comprehend. I wish the world was not so dark. Sometimes it felt like somebody had turned off the lights and we were all suffocating in the darkness.
Emma Abdullah
Whenever I run up against what's called "instinct," I feel like I want to cry. As I begin to realize from various experiences in my life just how enormous our instincts are and how powerless we are against the force that drives us, sometimes I think I might lose my mind. I become distracted, wondering what I should to do. There is no way to resist or accept the force; it simply feels as if some huge thing has blanketed me whole, from the top of my head, so that it can now drag me around freely. There is a certain satisfaction in being dragged around, as well as a separate sad feeling as I watch it happen. Why is it that we cannot be happy with ourself or love only ourself throughout our life? It is pathetic to watch whatever emotions or sense of reason I have acquired up to that point be devoured by instinct. Whenever I let the slightest thing make me forget myself, I can't help but be disappointed. The clear confirmation that that self—me, that is—is also ruled by instinct makes me think I could cry. It makes me want to call out for Mother and Father. But even more pathetic is that—to my surprise—the truth could be found in aspects of myself that I don't like.
Osamu Dazai (Schoolgirl)
I believe that everything happens for a reason. People change so that you can learn to let go, things go wrong so that you appreciate them when they're right, you believe lies so you eventually learn to trust no one but yourself, and sometimes good things fall apart so better things can fall together".
Marylin Monroe
Do you ever feel like the universe is trying to communicate with you? If you just listen hard enough and pay attention to things around you? I know that sounds a little wacky, but it happens to me. Streetlights blink when I walk under them, or I see things I’ve dreamed about…It’s hard to explain, but I think sometimes they’re signs. And if I follow them, they lead me to important things. Or important people. And I think I was supposed to meet you for a reason.
Jenn Bennett (Serious Moonlight)
Sometimes the things that happen to those that we love are out of our control. The only thing you can make sure of is that you’re not the person or the reason she gets hurt. That you can control completely. If you hurt her, that pain falls squarely on you, Dash, and you don’t get the luxury of blaming God or piss-poor luck.
Jay Crownover (Riveted (Saints of Denver, #3))
Sometimes,’ she said, ‘I think I must have invented him.’ I know all I want to about your child,’ Chauvin said harshly. Anne Desbaresdes moaned again, louder than before. Again she put her hand on the table. His eyes followed her movement and finally, painfully, he understood and lifted his own leaden hand and placed it on hers. Their hands were so cold they were touching only in intention, an illusion, in order for this to be fulfilled, for the sole reason that it should be fulfilled, none other, it was no longer possible. And yet, with their hands frozen in this funereal pose, Anne Desbaresdes stopped moaning. One last time,’ she begged, ‘tell me about it one last time.’ Chauvin hesitated, his eyes somewhere else, still fixed on the back wall. Then he decided to tell her about it as if it were a memory. He had never dreamed, before meeting her, that he would one day want anything so badly.’ And she acquiesced completely?’ Wonderfully.’ Anne Desbaresdes looked at Chauvin absently. Her voice became thin, almost childlike. I'd like to understand why his desire to have it happen one day was so wonderful?’ Chauvin still avoided looking at her. Her voice was steady, wooden, the voice of a deaf person. There's no use trying to understand. It's beyond understanding.’ You mean there are some things like that that can't be gone into?’ I think so.’ Anne Desbaresdes' expression became dull, almost stupid. Her lips had turned pale, they were gray and trembled as though she were on the verge of tears. She does nothing t try and stop him?’ she whispered. No. Have a little more wine.’ She sipped her wine. He also drank, and his lips on the glass were also trembling. Time,’ he said Does it take a long time, a very long time?’ Yes, a very long time. But I don't know anything.’ He lowered his voice. ‘Like you, I don't know anything. Nothing at all.’ Anne Desbaresdes forced back her tears. Her voice was normal, momentarily awake. She will never speak again,’ she said.
Marguerite Duras (Moderato Cantabile)
That thing, that tiny part of The Land of Elyon, is gone but not entirely forgotten. Elyon had his reason for sending you and me on this journey. Sometimes we see something as plain as a dying leaf and our hearts grow sad, but we must always hold true and fight on, Alexa. Whatever happens to us, we will not be forgotten in the end. He will remember us.
Patrick Carman (The Tenth City (The Land of Elyon, #3))
Oh, he shouldn't be surprised, he's a Marxist and has nothing but contempt for the bourgeois capitalist press, yet paradoxically he is also somehow an Americanist and a believer in Science and Freedom and History and Reason, and it dismays him to see cruelty politely concealed in data, madness taken for granted and even honored, truth buried away and rotting in all that ex cathedra trivia--my God! something terrible is about to happen, and they have time to editorialize on mustaches, advertise pink cigarettes for weddings, and report on a lost parakeet! Ah, sometimes he just wants to ram the goddamn thing with his head in an all-out frontal attack, wants to destroy all this so-called history so that history can start again.
Robert Coover (The Public Burning)
There are some themes, some subjects, too large for adult fiction; they can only be dealt with adequately in a children's book. The reason for that is that in adult literary fiction, stories are there on sufferance. Other things are felt to be more important: technique, style, literary knowingness. Adult writers who deal in straightforward stories find themselves sidelined into a genre such as crime or science fiction, where no one expects literary craftsmanship. But stories are vital. Stories never fail us because, as Isaac Bashevis Singer says, "events never grow stale." There's more wisdom in a story than in volumes of philosophy. And by a story I mean not only Little Red Riding Hood and Cinderella and Jack and the Beanstalk but also the great novels of the nineteenth century, Jane Eyre, Middlemarch, Bleak House and many others: novels where the story is at the center of the writer's attention, where the plot actually matters. The present-day would-be George Eliots take up their stories as if with a pair of tongs. They're embarrassed by them. If they could write novels without stories in them, they would. Sometimes they do. But what characterizes the best of children's authors is that they're not embarrassed to tell stories. They know how important stories are, and they know, too, that if you start telling a story you've got to carry on till you get to the end. And you can't provide two ends, either, and invite the reader to choose between them. Or as in a highly praised recent adult novel I'm about to stop reading, three different beginnings. In a book for children you can't put the plot on hold while you cut artistic capers for the amusement of your sophisticated readers, because, thank God, your readers are not sophisticated. They've got more important things in mind than your dazzling skill with wordplay. They want to know what happens next.
Philip Pullman
On Rachel's show for November 7, 2012: Ohio really did go to President Obama last night. and he really did win. And he really was born in Hawaii. And he really is legitimately President of the United States, again. And the Bureau of Labor statistics did not make up a fake unemployment rate last month. And the congressional research service really can find no evidence that cutting taxes on rich people grows the economy. And the polls were not screwed to over-sample Democrats. And Nate Silver was not making up fake projections about the election to make conservatives feel bad; Nate Silver was doing math. And climate change is real. And rape really does cause pregnancy, sometimes. And evolution is a thing. And Benghazi was an attack on us, it was not a scandal by us. And nobody is taking away anyone's guns. And taxes have not gone up. And the deficit is dropping, actually. And Saddam Hussein did not have weapons of mass destruction. And the moon landing was real. And FEMA is not building concentration camps. And you and election observers are not taking over Texas. And moderate reforms of the regulations on the insurance industry and the financial services industry in this country are not the same thing as communism. Listen, last night was a good night for liberals and for democrats for very obvious reasons, but it was also, possibly, a good night for this country as a whole. Because in this country, we have a two-party system in government. And the idea is supposed to be that the two sides both come up with ways to confront and fix the real problems facing our country. They both propose possible solutions to our real problems. And we debate between those possible solutions. And by the process of debate, we pick the best idea. That competition between good ideas from both sides about real problems in the real country should result in our country having better choices, better options, than if only one side is really working on the hard stuff. And if the Republican Party and the conservative movement and the conservative media is stuck in a vacuum-sealed door-locked spin cycle of telling each other what makes them feel good and denying the factual, lived truth of the world, then we are all deprived as a nation of the constructive debate about competing feasible ideas about real problems. Last night the Republicans got shellacked, and they had no idea it was coming. And we saw them in real time, in real humiliating time, not believe it, even as it was happening to them. And unless they are going to secede, they are going to have to pop the factual bubble they have been so happy living inside if they do not want to get shellacked again, and that will be a painful process for them, but it will be good for the whole country, left, right, and center. You guys, we're counting on you. Wake up. There are real problems in the world. There are real, knowable facts in the world. Let's accept those and talk about how we might approach our problems differently. Let's move on from there. If the Republican Party and the conservative movement and conservative media are forced to do that by the humiliation they were dealt last night, we will all be better off as a nation. And in that spirit, congratulations, everyone!
Rachel Maddow
People who go through a heavy experience like that are changed men, like it or not,” he said. “They change for the better and they change for the worse. On the good side, they become unshakable. Next to that half year, the rest of the suffering I’ve experienced doesn’t even count. I can put up with almost anything. And I also am a lot more sensitive to the pain of people around me. That’s on the plus side. It made me capable of making some real friends. But there’s also the minus side. I mean, it’s impossible, in my own mind, to believe in people. I don’t hate people, and I haven’t lost my faith in humanity. I’ve got a wife and kids. We’ve made a home and we protect each other. Those things you can’t do without trust. It’s just that, sure, we’re living a good life right now, but if something were to happen, if something really were to come along and yank up everything by the roots, even surrounded by a happy family and good friends, I don’t know what I’d do. What would happen if one day, for no reason, no one believes a word you say? It happens, you know. Suddenly, one day, out of the blue. I’m always thinking about it. Last time, it was only six months, but the next time? No one can say; there’s no guarantee. I don’t have confidence in how long I can hold out the next time. When I think of these things, I really get shaken up. I’ll dream about it and wake up in the middle of the night. It happens a little too often, in fact. And when it happens, I wake my wife up and I hold on to her and cry. Sometimes for a whole hour, I’m so scared.
Haruki Murakami (The Elephant Vanishes)
The world is really a big straight line. Sometimes the world is actually a punchline. There are things that happen and you'll say, 'I can't believe that. Can you believe that?' And for that reason you don't have to tilt your head because the world at that time is coming at you at a forty-five degree angle, so they're out of wack. But most of the world appears to be straight and level, so you've got to tilt your head forty-five degrees and your vision becomes: how can I take that reality and just distort it enough to suit my purposes? To show them the craziness is there but it's just well-disguised.
George Carlin (George Carlin On Comedy)
I believe that everything happens for a reason. People come into our lives for a reason; nothing is a coincidence,” Helen finally said, after she’d listened to Stella get everything off her chest. “I know you don’t want to get hurt, darling, but sometimes we have to take risks and explore the possibilities presented in front of us. Remember that film with Jim Carey, ‘Yes man’?” “Yeah?” “Try and be more like him. Say ‘yes’ to things you wouldn’t usually agree to.” “You know, that’s terrible advice coming from a mother to her daughter!” Helen laughed. “Probably. But I know what kind of a daughter I’ve raised. And I trust you.
Teodora Kostova (In a Heartbeat (Heartbeat, #1))
HAZEL WASN’T PROUD OF CRYING. After the tunnel collapsed, she wept and screamed like a two-year-old throwing a tantrum. She couldn’t move the debris that separated her and Leo from the others. If the earth shifted any more, the entire complex might collapse on their heads. Still, she pounded her fists against the stones and yelled curses that would’ve earned her a mouth-washing with lye soap back at St. Agnes Academy. Leo stared at her, wide-eyed and speechless. She wasn’t being fair to him. The last time the two of them had been together, she’d zapped him into her past and shown him Sammy, his great-grandfather—Hazel’s first boyfriend. She’d burdened him with emotional baggage he didn’t need, and left him so dazed they had almost gotten killed by a giant shrimp monster. Now here they were, alone again, while their friends might be dying at the hands of a monster army, and she was throwing a fit. “Sorry.” She wiped her face. “Hey, you know…” Leo shrugged. “I’ve attacked a few rocks in my day.” She swallowed with difficulty. “Frank is…he’s—” “Listen,” Leo said. “Frank Zhang has moves. He’s probably gonna turn into a kangaroo and do some marsupial jujitsu on their ugly faces.” He helped her to her feet. Despite the panic simmering inside her, she knew Leo was right. Frank and the others weren’t helpless. They would find a way to survive. The best thing she and Leo could do was carry on. She studied Leo. His hair had grown out longer and shaggier, and his face was leaner, so he looked less like an imp and more like one of those willowy elves in the fairy tales. The biggest difference was his eyes. They constantly drifted, as if Leo was trying to spot something over the horizon. “Leo, I’m sorry,” she said. He raised an eyebrow. “Okay. For what?” “For…” She gestured around her helplessly. “Everything. For thinking you were Sammy, for leading you on. I mean, I didn’t mean to, but if I did—” “Hey.” He squeezed her hand, though Hazel sensed nothing romantic in the gesture. “Machines are designed to work.” “Uh, what?” “I figure the universe is basically like a machine. I don’t know who made it, if it was the Fates, or the gods, or capital-G God, or whatever. But it chugs along the way it’s supposed to most of the time. Sure, little pieces break and stuff goes haywire once in a while, but mostly…things happen for a reason. Like you and me meeting.” “Leo Valdez,” Hazel marveled, “you’re a philosopher.” “Nah,” he said. “I’m just a mechanic. But I figure my bisabuelo Sammy knew what was what. He let you go, Hazel. My job is to tell you that it’s okay. You and Frank—you’re good together. We’re all going to get through this. I hope you guys get a chance to be happy. Besides, Zhang couldn’t tie his shoes without your help.” “That’s mean,” Hazel chided, but she felt like something was untangling inside her—a knot of tension she’d been carrying for weeks. Leo really had changed. Hazel was starting to think she’d found a good friend. “What happened to you when you were on your own?” she asked. “Who did you meet?” Leo’s eye twitched. “Long story. I’ll tell you sometime, but I’m still waiting to see how it shakes out.” “The universe is a machine,” Hazel said, “so it’ll be fine.” “Hopefully.” “As long as it’s not one of your machines,” Hazel added. “Because your machines never do what they’re supposed to.” “Yeah, ha-ha.” Leo summoned fire into his hand. “Now, which way, Miss Underground?” Hazel scanned the path in front of them. About thirty feet down, the tunnel split into four smaller arteries, each one identical, but the one on the left radiated cold. “That way,” she decided. “It feels the most dangerous.” “I’m sold,” said Leo. They began their descent.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
in life, sometimes nice things happen to good people. You don’t need to worry—they don’t happen as often as they should. But when they do, it’s up to the good people to just say ‘thank you,’ and move on, and maybe consider that the person who’s doing the nice thing gets a bang out of it as well, and really isn’t in the mood to hear all the reasons that the person for whom he’s done the nice thing doesn’t think he deserves it or isn’t worthy of it.
Hanya Yanagihara (A Little Life)
The unexamined life is surely worth living, but is the unloved life worth examining? It seems a strange question until one realizes how much of our so-called mental life is about the lives we are not living, the lives we are missing out on, the lives we could be leading but for some reason are not. What we fantasize about, what we long for, are the experiences, the things and the people that are absent. It is the absence of what we need that makes us think, that makes us cross and sad. We have to be aware of what is missing in our lives - even if this often obscures both what we already have and what is actually available - because we can survive only if our appetites more or less work for us. Indeed, we have to survive our appetites by making people cooperate with our wanting. We pressurize the world to be there for our benefit. And yet we quickly notice as children - it is, perhaps, the first thing we do notice - that our needs, like our wishes, are always potentially unmet. Because we are always shadowed by the possibility of not getting what we want, we lean, at best, to ironize our wishes - that is, to call our wants wishes: a wish is only a wish until, as we say, it comes true - and, at worst, to hate our needs. But we also learn to live somewhere between the lives we have and the lives we would like.(…) There is always what will turn out to be the life we led, and the life that accompanied it, the parallel life (or lives) that never actually happened, that we lived in our minds, the wished-for life (or lives): the risks untaken and the opportunities avoided or unprovided. We refer to them as our unloved lives because somewhere we believe that they were open to us; but for some reason - and we might spend a great deal of our lived lives trying to find and give the reason - they were not possible. And what was not possible all too easily becomes the story of our lives. Indeed, our lived lives might become a protracted mourning for, or an endless tantrum about, the lives we were unable to live. But the exemptions we suffer, whether forced or chosen, make us who we are. As we know more now than ever before about the kinds of lives it is possible to live - and affluence has allowed more people than ever before to think of their lives in terms of choices and options - we are always haunted by the myth of our potential, of what we might have it in ourselves to be or do. So when we are not thinking, like the character in Randall Jarrell's poem, that "The ways we miss our lives is life", we are grieving or regretting or resenting our failure to be ourselves as we imagine we could be. We share our lives with the people we have failed to be. We discover these unloved lives most obviously in our envy of other people, and in the conscious 9and unconscious) demands we make on our children to become something that was beyond us. And, of course, in our daily frustrations. Our lives become an elegy to needs unmet and desires sacrificed, to possibilities refused, to roads not taken. The myth of our potential can make of our lives a perpetual falling-short, a continual and continuing loss, a sustained and sometimes sustaining rage; though at its best it lures us into the future, but without letting us wonder why such lures are required (we become promising through the promises made to us). The myth of potential makes mourning and complaining feel like the realest things we eve do; and makes of our frustration a secret life of grudges. Even if we set aside the inevitable questions - How would we know if we had realized our potential? If we don't have potential what do we have? - we can't imagine our lives without the unloved lives they contain. We have an abiding sense, however obscure and obscured, that the lives we do lead are informed by the lives that escape us. That our lives are defined by loss, but loss of what might have been; loss, that is, of things never experienced.
Adam Phillips (Missing Out: In Praise of the Unlived Life)
That is especially true, since our whole life is struggling in the dark. For just as children in the dead of night tremble and are afraid of everything, so we, too, in the daylight, sometimes fear------80 things which should no more frighten us than those which scare children in the dark, those terrors they believe will happen. Therefore, this fear, this darkness in the mind, must be dispelled, not by the sun’s rays or shafts of daylight,------[60] but by the face of nature and by reason.
Lucretius (On the Nature of Things)
It’s normally agreed that the question “How are you?” doesn’t put you on your oath to give a full or honest answer. So when asked these days, I tend to say something cryptic like, “A bit early to say.” (If it’s the wonderful staff at my oncology clinic who inquire, I sometimes go so far as to respond, “I seem to have cancer today.”) Nobody wants to be told about the countless minor horrors and humiliations that become facts of “life” when your body turns from being a friend to being a foe: the boring switch from chronic constipation to its sudden dramatic opposite; the equally nasty double cross of feeling acute hunger while fearing even the scent of food; the absolute misery of gut–wringing nausea on an utterly empty stomach; or the pathetic discovery that hair loss extends to the disappearance of the follicles in your nostrils, and thus to the childish and irritating phenomenon of a permanently runny nose. Sorry, but you did ask... It’s no fun to appreciate to the full the truth of the materialist proposition that I don’t have a body, I am a body. But it’s not really possible to adopt a stance of “Don’t ask, don’t tell,” either. Like its original, this is a prescription for hypocrisy and double standards. Friends and relatives, obviously, don’t really have the option of not making kind inquiries. One way of trying to put them at their ease is to be as candid as possible and not to adopt any sort of euphemism or denial. The swiftest way of doing this is to note that the thing about Stage Four is that there is no such thing as Stage Five. Quite rightly, some take me up on it. I recently had to accept that I wasn’t going to be able to attend my niece’s wedding, in my old hometown and former university in Oxford. This depressed me for more than one reason, and an especially close friend inquired, “Is it that you’re afraid you’ll never see England again?” As it happens he was exactly right to ask, and it had been precisely that which had been bothering me, but I was unreasonably shocked by his bluntness. I’ll do the facing of hard facts, thanks. Don’t you be doing it too. And yet I had absolutely invited the question. Telling someone else, with deliberate realism, that once I’d had a few more scans and treatments I might be told by the doctors that things from now on could be mainly a matter of “management,” I again had the wind knocked out of me when she said, “Yes, I suppose a time comes when you have to consider letting go.” How true, and how crisp a summary of what I had just said myself. But again there was the unreasonable urge to have a kind of monopoly on, or a sort of veto over, what was actually sayable. Cancer victimhood contains a permanent temptation to be self–centered and even solipsistic.
Christopher Hitchens (Mortality)
Walk neither faster nor slower than your own soul, because it is your soul that will teach you the usefulness of each step you take. Sometimes taking part in a great battle will be the thing that will help to change the course of history. But sometimes you can do that simply by smiling, for no reason, at someone you happen to pass on the street. Without intending to, you might have saved the life of a complete stranger, who also thought he was useless and might have been ready to kill himself until a smile gave him new hope and confidence.
Paulo Coelho (Manuscript Found in Accra)
St. Teresa of Avila once said: “We can only learn to know ourselves and do what we can—namely, surrender our will and fulfill God’s will in us.” For Christians not of the prosperity persuasion, surrender is a virtue; the writings of the saints are full of commands to “let go” and to submit yourself to what seems to be the will of the Almighty. All of American culture and pop psychology scream against that. Never give up on your dreams! Just keep knocking, that door is about to open! Think positively! Self-improvement guaranteed!! The entire motivational-speaking industry rests on the assumption that you can have what you want, you can be what you want. Just do it. When prosperity believers live out their daily struggles with smiles on their faces, sometimes I want to applaud. They confront the impossible and joyfully insist that God make a way. They obediently put miracle oil on their failing bodies. They give large offerings to the church and expect great things. They stubbornly get out of their hospital beds and declare themselves healed, and every now and then, it works. They are addicted to self-rule, and so am I.
Kate Bowler (Everything Happens for a Reason: And Other Lies I've Loved)
New York November 10, 1958 Dear Thom: We had your letter this morning. I will answer it from my point of view and of course Elaine will from hers. First—if you are in love—that’s a good thing—that’s about the best thing that can happen to anyone. Don’t let anyone make it small or light to you. Second—There are several kinds of love. One is a selfish, mean, grasping, egotistical thing which uses love for self-importance. This is the ugly and crippling kind. The other is an outpouring of everything good in you—of kindness and consideration and respect—not only the social respect of manners but the greater respect which is recognition of another person as unique and valuable. The first kind can make you sick and small and weak but the second can release in you strength, and courage and goodness and even wisdom you didn’t know you had. You say this is not puppy love. If you feel so deeply—of course it isn’t puppy love. But I don’t think you were asking me what you feel. You know better than anyone. What you wanted me to help you with is what to do about it—and that I can tell you. Glory in it for one thing and be very glad and grateful for it. The object of love is the best and most beautiful. Try to live up to it. If you love someone—there is no possible harm in saying so—only you must remember that some people are very shy and sometimes the saying must take that shyness into consideration. Girls have a way of knowing or feeling what you feel, but they usually like to hear it also. It sometimes happens that what you feel is not returned for one reason or another—but that does not make your feeling less valuable and good. Lastly, I know your feeling because I have it and I’m glad you have it. We will be glad to meet Susan. She will be very welcome. But Elaine will make all such arrangements because that is her province and she will be very glad to. She knows about love too and maybe she can give you more help than I can. And don’t worry about losing. If it is right, it happens—The main thing is not to hurry. Nothing good gets away. Love, Fa
John Steinbeck
Never believe it, Hal. Never believe your own lies. Because superstition was a trap—that was what she had learned, in the years of plying her trade on the pier. Touching wood, crossing fingers, counting magpies—they were lies, all of them. False promises, designed to give the illusion of control and meaning in a world in which the only destiny came from yourself. You can’t predict the future, Hal, her mother had reminded her, time and time again. You can’t influence fate, or change what’s out of your control. But you can choose what you yourself do with the cards you’re dealt. That was the truth, Hal knew. The painful, uncompromising truth. It was what she wanted to shout at clients, at the ones who came back again and again looking for answers that she could not give. There is no higher meaning. Sometimes things happen for no reason. Fate is cruel, and arbitrary. Touching wood, lucky charms, none of it will help you see the car you never saw coming, or avoid the tumor you didn’t realize you had. Quite the opposite, in fact. For in that moment that you turn your head to look for the second magpie, in the hope of changing your fortune from sorrow to joy—that’s when you take your attention away from the things you can change, the crossing light, the speeding car, the moment you should have turned back. The people who came to her booth were seeking meaning and control—but they were looking in the wrong place. When they gave themselves over to superstition, they were giving up on shaping their own destiny.
Ruth Ware (The Death of Mrs. Westaway)
California during the 1940s had Hollywood and the bright lights of Los Angeles, but on the other coast was Florida, land of sunshine and glamour, Miami and Miami Beach. If you weren't already near California's Pacific Coast you headed for Florida during the winter. One of the things which made Miami such a mix of glitter and sunshine was the plethora of movie stars who flocked there to play, rubbing shoulders with tycoons and gangsters. Sometimes it was hard to tell the difference between the latter two. Miami and everything that surrounded it hadn't happened by accident. Carl Fisher had set out to make Miami Beach a playground destination during the 1930s and had succeeded far beyond his dreams. The promenade behind the Roney Plaza Hotel was a block-long lovers' lane of palm trees and promise that began rather than ended in the blue waters of the Atlantic. Florida was more than simply Miami and Miami Beach, however. When George Merrick opened the Biltmore Hotel in Coral Gables papers across the country couldn't wait to gush about the growing aura of Florida. They tore down Collins Bridge in the Gables and replaced it with the beautiful Venetian Causeway. You could plop down a fiver if you had one and take your best girl — or the girl you wanted to score with — for a gondola ride there before the depression, or so I'd been told. You see, I'd never actually been to Florida before the war, much less Miami. I was a newspaper reporter from Chicago before the war and had never even seen the ocean until I was flying over the Pacific for the Air Corp. There wasn't much time for admiring the waves when Japanese Zeroes were trying to shoot you out of the sky and bury you at the bottom of that deep blue sea. It was because of my friend Pete that I knew so much about Miami. Florida was his home, so when we both got leave in '42 I followed him to the warm waters of Miami to see what all the fuss was about. It would be easy to say that I skipped Chicago for Miami after the war ended because Pete and I were such good pals and I'd had such a great time there on leave. But in truth I decided to stay on in Miami because of Veronica Lake. I'd better explain that. Veronica Lake never knew she was the reason I came back with Pete to Miami after the war. But she had been there in '42 while Pete and I were enjoying the sand, sun, and the sweet kisses of more than a few love-starved girls desperate to remember what it felt like to have a man's arm around them — not to mention a few other sensations. Lake had been there promoting war bonds on Florida's first radio station, WQAM. It was a big outdoor event and Pete and I were among those listening with relish to Lake's sultry voice as she urged everyone to pitch-in for our boys overseas. We were in those dark early days of the war at the time, and the outcome was very much in question. Lake's appearance at the event was a morale booster for civilians and servicemen alike. She was standing behind a microphone that sat on a table draped in the American flag. I'd never seen a Hollywood star up-close and though I liked the movies as much as any other guy, I had always attributed most of what I saw on-screen to smoke and mirrors. I doubted I'd be impressed seeing a star off-screen. A girl was a girl, after all, and there were loads of real dolls in Miami, as I'd already discovered. Boy, was I wrong." - Where Flamingos Fly
Bobby Underwood (Where Flamingos Fly (Nostalgic Crime #2))
PROLOGUE Equinox: Whispers of Destiny Have you ever had the feeling that someone was playing with your destiny? If so, this book is for you. Destiny is certainly a topic people like to talk about. Wherever we go, we hear it mentioned in conversations or proverbs that seek to lay bare its mysteries. If we analyze people’s attitude towards destiny a little, we find straight away that at one extreme there are those who believe that everything in life is planned by a higher power and that therefore things always happen for a reason, even though our limited human understanding cannot comprehend why. In that perspective, everything is preordained, regardless of what we do or don’t do. At the other extreme we find the I can do it! Believers. These focus on themselves: anything is possible if done with conviction, as part of the plan that they have drawn up themselves as the architects of their own destiny. We can safely say that everything happens for a reason. Whether it’s because of decisions we take or simply because circumstances determine it, there is always more causation than coincidence in life. But sometimes such strange things happen. The most insignificant occurrence or decision can give way to the most unexpected futures. Indeed, such twists of fate may well be the reason why you are reading my book now. Do you have any idea of the number of events, circumstances and decisions that had to conspire for me to write this and for you to be reading it now? There are so many coincidences that had to come together that it might almost seem a whim of destiny that today we are connected by these words. One infinitesimal change in that set of circumstances and everything would have been quite different… All these fascinating ideas are to be found in Equinox. I am drawn to fantasy literature because of all the coincidences to reality. As a reader you’re relaxed, your defenses down, trusting the writer to take you on an adventure. This is the ideal space for you to allow yourself to be carried away to an imaginary world that, paradoxically, will leave you reflecting on life questions that have little to do with fiction, but I ask you that perhaps maybe they do.   Gonzalo Guma
Gonzalo Guma (Equinoccio. Susurros del destino)
Never believe it, Hal. Never believe your own lies. Because superstition was a trap—that was what she had learned, in the years of plying her trade on the pier. Touching wood, crossing fingers, counting magpies—they were lies, all of them. False promises, designed to give the illusion of control and meaning in a world in which the only destiny came from yourself. You can’t predict the future, Hal, her mother had reminded her, time and time again. You can’t influence fate, or change what’s out of your control. But you can choose what you yourself do with the cards you’re dealt. That was the truth, Hal knew. The painful, uncompromising truth. It was what she wanted to shout at clients, at the ones who came back again and again looking for answers that she could not give. There is no higher meaning. Sometimes things happen for no reason. Fate is cruel, and arbitrary. Touching wood, lucky charms, none of it will help you see the car you never saw coming, or avoid the tumor you didn’t realize you had. Quite the opposite, in fact. For in that moment that you turn your head to look for the second magpie, in the hope of changing your fortune from sorrow to joy—that’s when you take your attention away from the things you can change, the crossing light, the speeding car, the moment you should have turned back. The people who came to her booth were seeking meaning and control—but they were looking in the wrong place. When they
Ruth Ware (The Death of Mrs. Westaway)
If you asked me, I’d tell you I’m a fundamentally happy person, someone whose heart is capable of big leaps in the air. Which is a weird thing to say, actually, considering how much of my life I’ve spent depressed. It’s not just that so many shitty things have happened to me, it’s that for the longest time I didn’t know how to make my life better. Finally, as if I were someone discovering a secret door in a secret garden, the future revealed itself to me. But now that I’m here, I still feel the weight of the past. Sometimes it’s like my legs have been bound with anchor chains, and I’ve been thrown off a ship into the cruel ocean, and all I can do is sink. I guess there are different kinds of depression. There’s the kind that just crushes you for no reason, what Mom calls the clinical kind. But this isn’t that. This is the other kind, the kind that comes because the things that have happened to you are actually just unbelievably, heartbreakingly sad.
Jodi Picoult (Mad Honey)
As for the vice of lust - aside from what it means for spiritual persons to fall into this vice, since my intent is to treat of the imperfections that have to be purged by means of the dark night - spiritual persons have numerous imperfections, many of which can be called spiritual lust, not because the lust is spiritual but because it proceeds from spiritual things. It happens frequently that in a person's spiritual exercises themselves, without the person being able to avoid it, impure movements will be experienced in the sensory part of the soul, and even sometimes when the spirit is deep in prayer or when receiving the sacraments of Penance or the Eucharist. These impure feelings arise from any of three causes outside one's control. First, they often proceed from the pleasure human nature finds in spiritual exercises. Since both the spiritual and the sensory part of the soul receive gratification from that refreshment, each part experiences delight according to its own nature and properties. The spirit, the superior part of the soul, experiences renewal and satisfaction in God; and the sense, the lower part, feels sensory gratification and delight because it is ignorant of how to get anything else, and hence takes whatever is nearest, which is the impure sensory satisfaction. It may happen that while a soul is with God in deep spiritual prayer, it will conversely passively experience sensual rebellions, movements, and acts in the senses, not without its own great displeasure. This frequently happens at the time of Communion. Since the soul receives joy and gladness in this act of love - for the Lord grants the grace and gives himself for this reason - the sensory part also takes its share, as we said, according to its mode. Since, after all, these two parts form one individual, each one usually shares according to its mode in what the other receives. As the Philosopher says: Whatever is received, is received according to the mode of the receiver. Because in the initial stages of the spiritual life, and even more advanced ones, the sensory part of the soul is imperfect, God's spirit is frequently received in this sensory part with this same imperfection. Once the sensory part is reformed through the purgation of the dark night, it no longer has these infirmities. Then the spiritual part of the soul, rather than the sensory part, receives God's Spirit, and the soul thus receives everything according to the mode of the Spirit.
Juan de la Cruz (Dark Night of the Soul)
If a friend of yours has actually been secretly or unconsciously wanted to walk away from the friendship for a while then it's best they do so. You only want to keep relationships in your life that are thriving, that they are genuine. You don't want to maintain your grasp on a friendship where one person is fundamentally unhappy with it for one reason or another, or one person doesn't want to give the amount of energy and commitment that you do. Sometimes even if it hurts and it's shocking and we thought it would never happen, when a friendship ends it is actually, absolutely the right thing for us, because if they have had any doubt in their mind that the friendship wasn't right for them or beneficial for them, it's always best for us if they walk away. We don't want to continue to maintain friendships that allow them to linger, if there is something rotting that we never knew of. If we keep those kind of friendships in our life that are not built on a foundation of trust and mutual benefit, something is going to blow up in our faces.
Kelly-Ann Maddox
MOST legislators have been men of inferior capacity whom chance exalted over their fellows, and who took counsel almost exclusively of their own prejudices and whims. It would seem that they had not even a sense of the greatness and dignity of their work: they amused themselves by framing childish institutions, well devised indeed to please small minds, but discrediting their authors with people of sense. They flung themselves into useless details; and gave their attention to individual interests: the sign of the narrow genius, which grasps things piecemeal and cannot take a general view. Some of them have been so affected as to employ another language than the vernacular-a ridiculous thing in a framer of laws; for how can they be obeyed if they are not known? They have often abolished needlessly those which were already established-that is to say, they have plunged nations into the confusion which always accompanies change. It is true that, by reason of some extravagance springing rather from the nature than from the mind of man, it is sometimes necessary to change certain laws. But the case is rare; and when it happens it requires the most delicate handling; much solemnity ought to be observed, and endless precautions taken, in order to lead the people to the natural conclusion that the laws are most sacred, since so many formalities are necessary to their abrogation. Often they have made them too subtle, following logical instead of natural equity. As a consequence such laws have been found too severe; and a spirit of justice required that they should be set aside; but the cure was as bad as the disease. Whatever the laws may be, obedience to them is necessary; they are to be regarded as the public conscience, with which all private consciences ought to be in conformity. (Letter #79)
Montesquieu (Persian Letters (Penguin Classics))
I REMEMBER the day the Aleut ship came to our island. At first it seemed like a small shell afloat on the sea. Then it grew larger and was a gull with folded wings. At last in the rising sun it became what it really was—a red ship with two red sails. My brother and I had gone to the head of a canyon that winds down to a little harbor which is called Coral Cove. We had gone to gather roots that grow there in the spring. My brother Ramo was only a little boy half my age, which was twelve. He was small for one who had lived so many suns and moons, but quick as a cricket. Also foolish as a cricket when he was excited. For this reason and because I wanted him to help me gather roots and not go running off, I said nothing about the shell I saw or the gull with folded wings. I went on digging in the brush with my pointed stick as though nothing at all were happening on the sea. Even when I knew for sure that the gull was a ship with two red sails. But Ramo’s eyes missed little in the world. They were black like a lizard’s and very large and, like the eyes of a lizard, could sometimes look sleepy. This was the time when they saw the most. This was the way they looked now. They were half-closed, like those of a lizard lying on a rock about to flick out its tongue to catch a fly. “The sea is smooth,” Ramo said. “It is a flat stone without any scratches.” My brother liked to pretend that one thing was another. “The sea is not a stone without scratches,” I said. “It is water and no waves.” “To me it is a blue stone,” he said. “And far away on the edge of it is a small cloud which sits on the stone.” “Clouds do not sit on stones. On blue ones or black ones or any kind of stones.” “This one does.” “Not on the sea,” I said. “Dolphins sit there, and gulls, and cormorants, and otter, and whales too, but not clouds.” “It is a whale, maybe.” Ramo was standing on one foot and then the other, watching the ship coming, which he did not know was a ship because he had never seen one. I had never seen one either, but I knew how they looked because I had been told. “While you gaze at the sea,” I said, “I dig roots. And it is I who will eat them and you who will not.” Ramo began to punch at the earth with his stick, but as the ship came closer, its sails showing red through the morning mist, he kept watching it, acting all the time as if he were not. “Have you ever seen a red whale?” he asked. “Yes,” I said, though I never had. “Those I have seen are gray.” “You are very young and have not seen everything that swims in the world.” Ramo picked up a root and was about to drop it into the basket. Suddenly his mouth opened wide and then closed again. “A canoe!” he cried. “A great one, bigger than all of our canoes together. And red!” A canoe or a ship, it did not matter to Ramo. In the very next breath he tossed the root in the air and was gone, crashing through the brush, shouting as he went. I kept on gathering roots, but my hands trembled as I dug in the earth, for I was more excited than my brother. I knew that it was a ship there on the
Scott O'Dell (Island of the Blue Dolphins)
Perhaps I don't know enough yet to find the right words for it, but I think I can describe it. It happened again just a moment ago. I don't know how to put it except by saying that I see things in two different ways-everything, ideas included. If I make an effort to find any difference in them, each of them is the same today as it was yesterday, but as soon as I shut my eyes they're suddenly transformed, in a different light. Perhaps I went wrong about the imaginary numbers. If I get to them by going straight along inside mathematics, so to speak, they seem quite natural. It's only if I look at them directly, in all their strangeness, that they seem impossible. But of course I may be all wrong about this, I know too little about it. But I wasn't wrong about Basini. I wasn't wrong when I couldn't turn my ear away from the faint trickling sound in the high wall or my eye from the silent, swirling dust going up in the beam of light from a lamp. No, I wasn't wrong when I talked about things having a second, secret life that nobody takes any notice of! I-I don't mean it literally-it's not that things are alive, it's not that Basini seemed to have two faces-it was more as if I had a sort of second sight and saw all this not with the eyes of reason. Just as I can feel an idea coming to life in my mind, in the same way I feel something alive in me when I look at things and stop thinking. There's something dark in me, deep under all my thoughts, something I can't measure out with thoughts, a sort of life that can't be expressed in words and which is my life, all the same. “That silent life oppressed me, harassed me. Something kept on making me stare at it. I was tormented by the fear that our whole life might be like that and that I was only finding it out here and there, in bits and pieces. . . . Oh, I was dreadfully afraid! I was out of my mind.. .” These words and these figures of speech, which were far beyond what was appropriate to Törless's age, flowed easily and naturally from his lips in this state of vast excitement he was in, in this moment of almost poetic inspiration. Then he lowered his voice and, as though moved by his own suffering, he added: “Now it's all over. I know now I was wrong after all. I'm not afraid of anything any more. I know that things are just things and will probably always be so. And I shall probably go on for ever seeing them sometimes this way and sometimes that, sometimes with the eyes of reason, and sometimes with those other eyes. . . . And I shan't ever try again to compare one with the other. .
Robert Musil (The Confusions of Young Törless)
Intimacy The woman in the cafe making my cappuccino — dark eyes, dyed red hair, sleeveless black turtleneck — used to be lovers with the man I’m seeing now. She doesn’t know me; we’re strangers, but still I can’t glance at her casually, as I used to, before I knew. She stands at the machine, sinking the nozzle into a froth of milk, staring at nothing — I don’t know what she’s thinking. For all I know she might be remembering my lover, remembering whatever happened between them — he’s never told me, except to say that it wasn’t important, and then he changed the subject quickly, too quickly now that I think about it; might he, after all, have been lying, didn’t an expression of pain cross his face for just and instant? I can’t be sure. And really it was nothing, I tell myself; there’s no reason for me to feel awkward standing here, or complicitous, as though there’s something significant between us. She could be thinking of anything; why, now, do I have the sudden suspicion that she knows, that she feels me studying her, trying to imagine them together?— her lipstick’s dark red, darker than her hair — trying to see him kissing her, turning her over in bed the way he likes to have me. I wonder if maybe there were things about her he preferred, things he misses now that we’re together; sometimes, when he and I are making love, there are moments I’m overwhelmed by sadness, and though I’m there with him I can’t help thinking of my ex-husband’s hands, which I especially loved, and I want to go back to that old intimacy, which often felt like the purest happiness I’d ever known, or would. But all that’s over; and besides, weren’t there other lovers who left no trace? When I see them now, I can barely remember what they looked like undressed, or how it felt to have them inside me. So what is it I feel as she pours the black espresso into the milk, and pushes the cup toward me, and I give her the money, and our eyes meet for just a second, and our fingers touch?
Kim Addonizio (Tell Me)
There comes a time in most of our lives in which we no longer have the strength to lift ourselves out or to pretend ourselves strong. Sometimes our minds want to break because life stomped on us and God didn’t stop it. Like a family who watches their loved one slip and fall onto the rocks on a mountainside vacation when all was supposed to be beautiful and fun; or like a parent whose child was mistreated or shot while at school. Charles and those who lost their loved ones that terrible day had to come to terms with suffering in a house of God while the word was preached and a prankster cackled. Questions fill our lungs. We mentally wheeze. We go numb. When on vacation or at school or at church, that kind of thing is not supposed to happen there. Even the knees of a Jesus-follower will buckle. Charles’ wife, Susannah, said of Charles at that time, “My beloved’s anguish was so deep and violent, that reason seemed to totter in her throne, and we sometimes feared that he would never preach again.”5 Though it cannot be said for all of us or for every person that we have loved, it remains true that, in this cherished case, Charles Spurgeon did preach again. But sorrows of many kinds haunted and hounded him for the rest of his life. His depression came, not only from circumstances, or from questions about whether or not he was consecrated to God, but also from the chemistry of his body. God gave to us a preacher who knew firsthand what it felt like for his reason to totter, not just once, but many times during his life and ministry. And somehow this fellow sufferer named Charles and his dear wife Susannah (who also suffered physically most of her adult life) still made a go of it, insisting to each other and to their generation that the sorrowing have a Savior. On that November morning, in weakness, Charles did what some of us are not yet able to do in our sorrows; he read the Bible. Perhaps it will comfort you to learn that for a while “the very sight of the Bible” made Charles cry.6 Many of us know what this feels like. But this Scripture passage, Philippians 2:9-11, “had such a power of comfort upon [his] distressed spirit.” And being found in human form, he [Jesus] humbled himself by becoming obedient to the point of death, even death on a cross. Therefore God has highly exalted him and bestowed on him the name that is above every name (Phil. 2:8-9). From this Scripture, Charles set the larger story of his hope before us. The same Heavenly Father who picked up His son out of the muck, misery and mistreatment can do the same for us.
Zack Eswine (Spurgeon's Sorrows: Realistic Hope for those who Suffer from Depression)
There were two things that particularly bothered me in those days. One was that I came too fast, often before anything had happened at all, and the other was that I never laughed. That is, it did happen once in a while, maybe once every six months, when I would be overcome by the hilarity of something and just laugh and laugh, but that was always unpleasant because then I completely lost control, I was unable to regain my composure, and I didn’t like showing that side of myself to others. So basically I was able to laugh, I had the capacity, but in my everyday life, in social situations, when I was with people around a table chatting, I never laughed. I had lost that ability. To make up for this, I smiled a lot, I might also emit some laughter-like sounds, so I don’t think anyone noticed or found it conspicuous. But I knew: I never laughed. As a result, I became especially conscious of laughter as such, as a phenomenon — I noticed how it occurred, how it sounded, what it was. People laughed almost all the time, they said something, laughed, others said something, everyone laughed. It lubricated conversations or gave them a shot of something else which didn’t have so much to do with what was being said as with being together with others. People meeting. In this situation everyone laughed, each in their own way, of course, and sometimes because of something genuinely funny, in which case the laughter lasted longer and could at times completely take over, but also for no apparent reason at all, just as a token of friendliness or openness. It could conceal insecurity, I knew that well, but it could also be strong and generous, a helping hand. When I was small I laughed a lot, but at some point it stopped, perhaps as early as the age of twelve, at any rate I remember there was a film with Rolv Wesenlund that filled me with horror, it was called The Man Who Could Not Laugh, and it was probably when I heard about it that I realised actually I didn’t laugh. From then on, all social situations were something I took part in and watched from the outside as I lacked what they were full of, the interpersonal link: laughter.
Karl Ove Knausgård (Min kamp 5 (Min kamp, #5))
If talking pictures could be said to have a father, it was Lee De Forest, a brilliant but erratic inventor of electrical devices of all types. (He had 216 patents.) In 1907, while searching for ways to boost telephone signals, De Forest invented something called the thermionic triode detector. De Forest’s patent described it as “a System for Amplifying Feeble Electric Currents” and it would play a pivotal role in the development of broadcast radio and much else involving the delivery of sound, but the real developments would come from others. De Forest, unfortunately, was forever distracted by business problems. Several companies he founded went bankrupt, twice he was swindled by his backers, and constantly he was in court fighting over money or patents. For these reasons, he didn’t follow through on his invention. Meanwhile, other hopeful inventors demonstrated various sound-and-image systems—Cinematophone, Cameraphone, Synchroscope—but in every case the only really original thing about them was their name. All produced sounds that were faint or muddy, or required impossibly perfect timing on the part of the projectionist. Getting a projector and sound system to run in perfect tandem was basically impossible. Moving pictures were filmed with hand-cranked cameras, which introduced a slight variability in speed that no sound system could adjust to. Projectionists also commonly repaired damaged film by cutting out a few frames and resplicing what remained, which clearly would throw out any recording. Even perfect film sometimes skipped or momentarily stuttered in the projector. All these things confounded synchronization. De Forest came up with the idea of imprinting the sound directly onto the film. That meant that no matter what happened with the film, sound and image would always be perfectly aligned. Failing to find backers in America, he moved to Berlin in the early 1920s and there developed a system that he called Phonofilm. De Forest made his first Phonofilm movie in 1921 and by 1923 he was back in America giving public demonstrations. He filmed Calvin Coolidge making a speech, Eddie Cantor singing, George Bernard Shaw pontificating, and DeWolf Hopper reciting “Casey at the Bat.” By any measure, these were the first talking pictures. However, no Hollywood studio would invest in them. The sound quality still wasn’t ideal, and the recording system couldn’t quite cope with multiple voices and movement of a type necessary for any meaningful dramatic presentation. One invention De Forest couldn’t make use of was his own triode detector tube, because the patents now resided with Western Electric, a subsidiary of AT&T. Western Electric had been using the triode to develop public address systems for conveying speeches to large crowds or announcements to fans at baseball stadiums and the like. But in the 1920s it occurred to some forgotten engineer at the company that the triode detector could be used to project sound in theaters as well. The upshot was that in 1925 Warner Bros. bought the system from Western Electric and dubbed it Vitaphone. By the time of The Jazz Singer, it had already featured in theatrical presentations several times. Indeed, the Roxy on its opening night in March 1927 played a Vitaphone feature of songs from Carmen sung by Giovanni Martinelli. “His voice burst from the screen with splendid synchronization with the movements of his lips,” marveled the critic Mordaunt Hall in the Times. “It rang through the great theatre as if he had himself been on the stage.
Bill Bryson (One Summer: America, 1927)
Maybe that’s his game, though,” I said. “The hunt for one soul, again and again.” “Then why are you still here?” “The other women lived with him for a long time too. Maybe he wants to wait until my defenses are down, and then-“ “Wow, Clea, you are so jaded. You found your soulmate. People wait their whole lives for this. It’s the most amazing thing in the world, and it’s happened to you. Can’t you just accept it and be happy?” What she said made sense, but… I flopped back on the bed and stared at the ceiling. Without looking at Rayna, I said, “He doesn’t act like he’s my soulmate. Sometimes I think maybe he liked the other women more. I think maybe he wishes I was one of them.” Rayna was silent. This was something I’d never heard. “This is seriously, deep,” she finally said. “You’re feeling insecure because you’re jealous…of yourself.” “I didn’t say I was jealous…” “You’d rather think he’s a serial killer than risk being with him and finding out he doesn’t like you as much as he liked…you?” She scrunched her brow and thought, then tried again. “Yous? Anyway, you know what I mean-the other yous.” “Forget the jealousy thing, okay? There are other reasons to doubt him too. Ben doesn’t trust him at all. He thinks Sage is some kind of demon. He said there’s a spirit called an incubus that comes to women in their sleep, and-“ “Of course Ben said that.” Rayna shrugged. “He’s jealous.” “Of what?” “Ben’s crazy in love with you, Clea. I’ve been saying that forever!” “And I’ve been ignoring you forever, because it’s not true. You just want it to be true because it’s romantic.” “Did you not see the pictures of you from Rio?” I narrowed my eyes. “What are you talking about?” Rayna pulled out her phone. “Honestly, I don’t know how you survive without Google Alerts on yourself. The paparazzi were out in full force for Carnival.” She played with the phone for a minute, then handed it to me. It showed a close-up of Ben and me at the Sambadrome that could only have been taken with a serious zoom. I felt violated. “I hate this,” I muttered. “Why? You look cute!” “I hate that people are sneaking around taking pictures of me!” “I know you do. Ignore that for the moment. Just scroll through.” There were five pictures of Ben and me. Four of them were moments I vividly remembered, pictures of the two of us facing each other, laughing as we did our best to imitate the dancers shimmying and strutting down the parade route. The fifth one I didn’t remember. I wouldn’t have; in it I had my camera up to my face and was concentrating on lining up the perfect shot. Ben stood behind me, but he wasn’t wearing the goofy smile he’d had in the other pictures. He was staring right at me with those big puppydog eyes, and his smile wasn’t goofy at all, but… “Uh-huh,” Rayna said triumphantly. She had climbed into my bed was looking at the picture over my shoulder. “Knew that one would stop you. There is only one word for the look on that boy’s face, Clea: love-struck. Which is probably why a bunch of websites are reporting he’s about to propose.” “What?” “Messenger. Don’t kill the messenger.” I looked back at the picture. Ben did look love-struck. Very love-struck. “It could just be the picture,” I said. “They caught him at a weird moment.” “Yeah, a weird moment when he thought no one was looking so he showed how he really felt.” I gave Rayna back the phone and shook my head. “Ben and I are like brother and sister. That’s gross.” “Hey, I read Flowers in the Attic. It was kind of hot.” “Shut up!” I laughed. “I’m just saying, think about it. Really think about it. Is it that hard to believe that Ben’s in love with you?
Hilary Duff (Elixir (Elixir, #1))
Nowadays, enormous importance is given to individual deaths, people make such a drama out of each person who dies, especially if they die a violent death or are murdered; although the subsequent grief or curse doesn't last very long: no one wears mourning any more and there's a reason for that, we're quick to weep but quicker still to forget. I'm talking about our countries, of course, it's not like that in other parts of the world, but what else can they do in a place where death is an everyday occurrence. Here, though, it's a big deal, at least at the moment it happens. So-and-so has died, how dreadful; such-and-such a number of people have been killed in a crash or blown to pieces, how terrible, how vile. The politicians have to rush around attending funerals and burials, taking care not to miss any-intense grief, or is it pride, requires them as ornaments, because they give no consolation nor can they, it's all to do with show, fuss, vanity and rank. The rank of the self-important, super-sensitive living. And yet, when you think about it, what right do we have, what is the point of complaining and making a tragedy out of something that happens to every living creature in order for it to become a dead creature? What is so terrible about something so supremely natural and ordinary? It happens in the best families, as you know, and has for centuries, and in the worst too, of course, at far more frequent intervals. What's more, it happens all the time and we know that perfectly well, even though we pretend to be surprised and frightened: count the dead who are mentioned on any TV news report, read the birth and death announcements in any newspaper, in a single city, Madrid, London, each list is a long one every day of the year; look at the obituaries, and although you'll find far fewer of them, because an infinitesimal minority are deemed to merit one, they're nevertheless there every morning. How many people die every weekend on the roads and how many have died in the innumerable battles that have been waged? The losses haven't always been published throughout history, in fact, almost never. People were more familiar with and more accepting of death, they accepted chance and luck, be it good or bad, they knew they were vulnerable to it at every moment; people came into the world and sometimes disappeared at once, that was normal, the infant mortality rate was extraordinarily high until eighty or even seventy years ago, as was death in childbirth, a woman might bid farewell to her child as soon as she saw its face, always assuming she had the will or the time to do so. Plagues were common and almost any illness could kill, illnesses we know nothing about now and whose names are unfamiliar; there were famines, endless wars, real wars that involved daily fighting, not sporadic engagements like now, and the generals didn't care about the losses, soldiers fell and that was that, they were only individuals to themselves, not even to their families, no family was spared the premature death of at least some of its members, that was the norm; those in power would look grim-faced, then carry out another levy, recruit more troops and send them to the front to continue dying in battle, and almost no one complained. People expected death, Jack, there wasn't so much panic about it, it was neither an insuperable calamity nor a terrible injustice; it was something that could happen and often did. We've become very soft, very thin-skinned, we think we should last forever. We ought to be accustomed to the temporary nature of things, but we're not. We insist on not being temporary, which is why it's so easy to frighten us, as you've seen, all one has to do is unsheathe a sword. And we're bound to be cowed when confronted by those who still see death, their own or other people's, as part and parcel of their job, as all in a day's work. When confronted by terrorists, for example, or by drug barons or multinational mafia men.
Javier Marías (Your Face Tomorrow: Fever and Spear / Dance and Dream / Poison, Shadow, and Farewell (Your face tomorrow, #1-3))
One morning he read to her at breakfast, something he had written during the night "Very rough," he said. "Half of it I've crossed out. And this was supposed to be the clean copy." He cleared his throat. "So.'Things happen for reasons that are hidden from us, utterly hidden for as long as we think they must proceed from what has come before, our guilt or our deserving, rather than coming to us from a future that God in his freedom offers to us.' My meaning here is that you really can't account for what happens by what has happened in the past, as you understand it anyway, which may be very different from the past itself. If there is such a thing. 'The only true knowledge of God is borne of obedience,' that's Calvin, 'and obedience has to be constantly attentive to the demands that are made of it, to a circumstance that is always new and particular to its moment.' Yes. 'Then the reasons that things happen are still hidden in the mystery of God.' I can't read my own writing. No matter. 'Of course misfortunes have opened the way to blessing you would never have thought to hope for, that you would not have been ready to understand as blessings if they had come to you in your youth, when you were uninjured, innocent. The future always finds us damaged.' So then it is part of the providence of God, as I see it, the blessing or happiness can have very different meanings from one time to another. 'This is not to say that joy is a compensation for loss, but that each of them, joy and loss, exists in its own right and must be recognized for what it is. Sorrow is very real, and loss feels very final to us. Life on earth is difficult and grave, and marvelous. Our experience is fragmentary. Its parts don't add up. They don't even belong in the same calculation. Sometimes it is hard to believe they are all parts of one one thing. Nothing makes sense until we understand that experience does not accumulate like money, or memory, or like years and frailties. Instead, it is presented to us by God who is not under any obligation to the past except in His eternal, freely given constancy.' Because I don't mean to suggest that experience is random or accidental, you see. 'When I say that much the greater part of our existence is unknowable by us because it rests with God, who is unknowable, I acknowledge His grace in allowing us to feel that we know any slightest part of it. Therefore we have no way to reconcile its elements, because they are what we are given out of no necessity at all except God's grace in sustaining us as creatures we can recognize as ourselves.' That's always seemed remarkable to me, that we can do that. That we can't help but do it.'So joy can be joy and sorrow can be sorrow, with neither of them casting either light or shadow on the other.
Marilynne Robinson
Rule by decree has conspicuous advantages for the domination of far-flung territories with heterogeneous populations and for a policy of oppression. Its efficiency is superior simply because it ignores all intermediary stages between issuance and application, and because it prevents political reasoning by the people through the withholding of information. It can easily overcome the variety of local customs and need not rely on the necessarily slow process of development of general law. It is most helpful for the establishment of a centralized administration because it overrides automatically all matters of local autonomy. If rule by good laws has sometimes been called the rule of wisdom, rule by appropriate decrees may rightly be called the rule of cleverness. For it is clever to reckon with ulterior motives and aims, and it is wise to understand and create by deduction from generally accepted principles. Government by bureaucracy has to be distinguished from the mere outgrowth and deformation of civil services which frequently accompanied the decline of the nation-state—as, notably, in France. There the administration has survived all changes in regime since the Revolution, entrenched itself like a parasite in the body politic, developed its own class interests, and become a useless organism whose only purpose appears to be chicanery and prevention of normal economic and political development. There are of course many superficial similarities between the two types of bureaucracy, especially if one pays too much attention to the striking psychological similarity of petty officials. But if the French people have made the very serious mistake of accepting their administration as a necessary evil, they have never committed the fatal error of allowing it to rule the country—even though the consequence has been that nobody rules it. The French atmosphere of government has become one of inefficiency and vexation; but it has not created and aura of pseudomysticism. And it is this pseudomysticism that is the stamp of bureaucracy when it becomes a form of government. Since the people it dominates never really know why something is happening, and a rational interpretation of laws does not exist, there remains only one thing that counts, the brutal naked event itself. What happens to one then becomes subject to an interpretation whose possibilities are endless, unlimited by reason and unhampered by knowledge. Within the framework of such endless interpretive speculation, so characteristic of all branches of Russian pre-revolutionary literature, the whole texture of life and world assume a mysterious secrecy and depth. There is a dangerous charm in this aura because of its seemingly inexhaustible richness; interpretation of suffering has a much larger range than that of action for the former goes on in the inwardness of the soul and releases all the possibilities of human imagination, whereas the latter is consistently checked, and possibly led into absurdity, by outward consequence and controllable experience.
Hannah Arendt (The Origins of Totalitarianism)
My Voice by Paul Stephen Lynch Why was I born? What is my purpose here on this earth? Is there more out there after this life ends? At some point we all ask ourselves these questions. I can tell you with absolute certainty that for me, the answer to all three of these questions is… “I don’t know”. However, what I do know is that while I am here I am meant to learn from my mistakes, to grow through my pain, and to evolve. What will I be changed into? Again, I do not know. Perhaps I will become someone who is more courageous, more charitable, more peaceful, more dignified, more honest and more loving. I am very hopeful but nothing in life is guaranteed. Although, I have discovered that speaking from my heart and telling my truth is an integral part of my transformation. It is my voice. In those times in my life when I have experienced great pain – sadness, loss, conflict or depression – those have been the times that have brought me closest to this transformation. I recently realized that pain is one of the few things that seems to really get my attention and that I have spent a lot of my time just coasting down life’s path. Perhaps this is the reason why I seem to grow the most during the hard times, even though it often takes all the energy I can muster just to get through them. Quite a few years ago, while I was visiting a friend who was dying from AIDS, I saw a tapestry on the hospital wall that read: The Chinese word for “crisis” has two characters. One stands for danger; the other for opportunity. The times in my life that have been the most difficult have quite often proven to be my best opportunities for growth; to get closer to becoming the person I am meant to be. Of course, this doesn’t mean that painful circumstances ~ like HIV and AIDS ~ are good things or that they are in any way “all for the best” ~ or, that they even make any kind of sense. It just means that I know that there is always the possibility that something positive can ultimately come out of that which is incredibly bad. However, change does not happen in seclusion and I will likely need help from friends, family, teachers and even from people I do not know at all For me to continue moving closer to becoming the person I was born to be, I first needed to accept who I am. For me, that was relatively easy (easy does not mean painless mind you) and it happened at the unusually young age of twelve. The second step to transforming my life means I need to tell others the truth about who I am. I have been doing this ever since my personal acceptance occurred. As a result, I have learned that there will always be those people who cannot be trusted with the truth. There are also those who will simply never be able to understand my truth no matter what anyone says to them. However, others will hear the truth very clearly, understand it completely, and even care greatly. Moreover, I can hear, I understand, and I care. I have also learned that there are times when it is better to be silent. Sometimes words are just not necessary… Like when I am sharing with someone who already knows my heart. And then there are times when words are pointless… like when I have already spoken my truth to someone, yet they are simply not capable of hearing what it is that I am saying. This is when I need to find other ears. Sometimes, a silent sign of love is the best way, or even the only way that I can express myself. However, at those times, my silence is a choice that I am making. It is not being forced on me by fear or shame… and I will never let it be because… it is MY voice!
Paul S. Lynch