“
A WOMAN SHOULD HAVE ....
enough money within her control to move out
and rent a place of her own even if she never wants
to or needs to...
A WOMAN SHOULD HAVE ....
something perfect to wear if the employer or date of her
dreams wants to see her in an hour...
A WOMAN SHOULD HAVE ...
a youth she's content to leave behind....
A WOMAN SHOULD HAVE ....
a past juicy enough that she's looking forward to
retelling it in her old age....
A WOMAN SHOULD HAVE .....
a set of screwdrivers, a cordless drill, and a black
lace bra...
A WOMAN SHOULD HAVE ....
one friend who always makes her laugh... and one who
lets her cry...
A WOMAN SHOULD HAVE ....
a good piece of furniture not previously owned by anyone
else in her family...
A WOMAN SHOULD HAVE ....
eight matching plates, wine glasses with stems, and a
recipe for a meal that will make her guests feel honored...
A WOMAN SHOULD HAVE ....
a feeling of control over her destiny...
EVERY WOMAN SHOULD KNOW...
how to fall in love without losing herself..
EVERY WOMAN SHOULD KNOW...
HOW TO QUIT A JOB,
BREAK UP WITH A LOVER,
AND CONFRONT A FRIEND WITHOUT RUINING THE FRIENDSHIP...
EVERY WOMAN SHOULD KNOW...
when to try harder... and WHEN TO WALK AWAY...
EVERY WOMAN SHOULD KNOW...
that she can't change the length of her calves,
the width of her hips, or the nature of her parents..
EVERY WOMAN SHOULD KNOW...
that her childhood may not have been perfect...but it's over...
EVERY WOMAN SHOULD KNOW...
what she would and wouldn't do for love or more...
EVERY WOMAN SHOULD KNOW...
how to live alone... even if she doesn't like it...
EVERY WOMAN SHOULD KNOW...
whom she can trust,
whom she can't,
and why she shouldn't
take it personally...
EVERY WOMAN SHOULD KNOW...
where to go...
be it to her best friend's kitchen table...
or a charming inn in the woods...
when her soul needs soothing...
EVERY WOMAN SHOULD KNOW...
what she can and can't accomplish in a day...
a month...and a year...
”
”
Pamela Redmond Satran
“
He nods, as if to acknowledge that endings are almost always a little sad, even when there is something to look forward to on the other side.
”
”
Emily Giffin (Love the One You're With)
“
Happiness is pretty simple: someone to love, something to do, something to look forward to.
”
”
Rita Mae Brown (Hiss of Death (Mrs. Murphy, #19))
“
It is common sense to take a method and try it. If it fails, admit it frankly and try another. But above all, try something.
”
”
Franklin D. Roosevelt (Looking Forward)
“
There is nobody in this country who got rich on their own. Nobody. You built a factory out there - good for you. But I want to be clear. You moved your goods to market on roads the rest of us paid for. You hired workers the rest of us paid to educate. You were safe in your factory because of police forces and fire forces that the rest of us paid for. You didn't have to worry that marauding bands would come and seize everything at your factory... Now look. You built a factory and it turned into something terrific or a great idea - God bless! Keep a hunk of it. But part of the underlying social contract is you take a hunk of that and pay forward for the next kid who comes along.
”
”
Elizabeth Warren
“
We're trying to be grown-up and love each other and understand how the hell you're supposed to insert USB leads. We're looking for something to cling on to, something to fight for, something to look forward to. We're doing all we can to teach our children how to swim. We have all of this in common, yet most of us remain strangers, we never know what we do to each other, how your life is affected by mine.
Perhaps we hurried past each other in a crowd today, and neither of us noticed, and the fibers of your coat brushed against mine for single moment and then we were gone. I don't know who you are.
But when you get home this evening, when this day is over and the night takes us, allow yourself a deep breath. Because we made it through this day as well.
There'll be another one along tomorrow.
”
”
Fredrik Backman (Anxious People)
“
You never know ahead of time what something's really going to be like.
”
”
Katherine Paterson (Bridge to Terabithia)
“
As the carriage whipped forward, they passed the alley she had spent so many days staring at—it was there, and then gone as they careened around a corner, nearly knocking over a costermonger pushing a donkey cart piled high with new potatoes. Tessa screamed.
Will reached past her and yanked the curtain shut. "It's better if you don't look," he told her pleasantly.
"He's going to kill someone. Or get us killed."
"No, he won't. Thomas is an excellent driver."
Tessa glared at him. "Clearly the word excellent means something else on this side of the Atlantic.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
I'm telling you this because I want you to know that I know something about you isn't right. You haven't fooled everybody. I'm going to find out what you're up to. I'm going to expose you."
"Looking forward to it.
”
”
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
“
My faithful companion, Zoe Nightshade, has passed into the stars. I must have a new lieutenant. And I intend to choose one. But first, Father Zeus, I must speak to you privately."
Zeus beckoned Artemis forward. He leaned down and listened as she spoke in his ear.
A feeling of panic seized me. "Annabeth," I said under my breath. "Don't."
She frowned at me. "What?"
Look, I need to tell you something," I continued. The words came stumbling out of me. "I couldn't stand it if… I don't want you to—"
Percy?" she said. "You look like you're going to be sick."
And that's how I felt. I wanted to say more, but my tongue betrayed me. It wouldn't move because of the fear in my stomach
”
”
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians #3))
“
I never thought of myself as anything but plain and ordinary until you came along. The way you look at me, the way you see me . . . you pull something out of me. When I want to hide, you urge me forward. When I think I’m not good enough, you make me believe I am. When I feel anything but pretty, you convince me I’m beautiful. Just being around you makes me feel special. You don’t think you’re good at loving people, but you are. Your friends, your family . . . the level of love that you have for people astounds me. You don’t think people love you back, but they do. They fiercely love you. I fiercely love you. I’ve never met anyone as passionate as you, as kindhearted as you . . . as amazing as you. You love with every fiber of your soul. You inspire me every day. And if you’ll agree to be my husband, I’ll do my best to make you proud of me, to inspire you.
”
”
S.C. Stephens (Reckless (Thoughtless, #3))
“
Look. I don’t want to push you into anything, but do you maybe want to —” “Call Magnus? Look, that’s a dead end, I know you’re trying to be helpful, but —”
“—kiss me?” Jace finished.
Alec looked as if he were about to fall off his chair. “WHAT? What? What?”
“Once what would do.” Jace did his best to look as if this were the sort of
suggestion one made all the time. “I think it might help.”
Alec looked at him with something like horror. “You don’t mean that.”
“Why wouldn’t I mean it?”
“Because you’re the straightest person I know. Possibly the straightest
person in the universe.”
“Exactly,” Jace said, and leaned forward, and kissed Alec on the mouth.
The kiss lasted approximately four seconds before Alec pulled forcefully
away, throwing his hands up as if to ward Jace off from coming at him again.
He looked as if he were about to throw up. “By the Angel,” he said. “Don’t
ever do that again.”
“Oh yeah?” Jace grinned, and almost meant it. “That bad?”
“Like kissing my brother,” said Alec, with a look of horror in his eyes.
“I thought you might feel that way.” Jace crossed his arms over his chest.
“Also, I’m hoping we can just gloss over all the irony in what you just said.”
“We can gloss over whatever you want to,” Alec said fervently. “Just don’t kiss me again.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
There’s always something to live for. Something to be thankful for. Something to look forward to.
”
”
Erin Watt (One Small Thing)
“
Another thing that got forgotten was the fact that against all probability a sperm whale had suddenly been called into existence several miles above the surface of an alien planet.
And since this is not a naturally tenable position for a whale, this poor innocent creature had very little time to come to terms with its identity as a whale before it then had to come to terms with not being a whale any more.
This is a complete record of its thoughts from the moment it began its life till the moment it ended it.
Ah … ! What’s happening? it thought.
Er, excuse me, who am I?
Hello?
Why am I here? What’s my purpose in life?
What do I mean by who am I?
Calm down, get a grip now … oh! this is an interesting sensation, what is it? It’s a sort of … yawning, tingling sensation in my … my … well I suppose I’d better start finding names for things if I want to make any headway in what for the sake of what I shall call an argument I shall call the world, so let’s call it my stomach.
Good. Ooooh, it’s getting quite strong. And hey, what’s about this whistling roaring sound going past what I’m suddenly going to call my head? Perhaps I can call that … wind! Is that a good name? It’ll do … perhaps I can find a better name for it later when I’ve found out what it’s for. It must be something very important because there certainly seems to be a hell of a lot of it. Hey! What’s this thing? This … let’s call it a tail – yeah, tail. Hey! I can can really thrash it about pretty good can’t I? Wow! Wow! That feels great! Doesn’t seem to achieve very much but I’ll probably find out what it’s for later on. Now – have I built up any coherent picture of things yet?
No.
Never mind, hey, this is really exciting, so much to find out about, so much to look forward to, I’m quite dizzy with anticipation …
Or is it the wind?
There really is a lot of that now isn’t it?
And wow! Hey! What’s this thing suddenly coming towards me very fast? Very very fast. So big and flat and round, it needs a big wide sounding name like … ow … ound … round … ground! That’s it! That’s a good name – ground!
I wonder if it will be friends with me?
And the rest, after a sudden wet thud, was silence.
Curiously enough, the only thing that went through the mind of the bowl of petunias as it fell was Oh no, not again. Many people have speculated that if we knew exactly why the bowl of petunias had thought that we would know a lot more about the nature of the universe than we do now.
”
”
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
“
Dear Die-ary, there's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say I'm very pleased with where my life is just now... but I can't help but look forward to where it's going.
”
”
Jhonen Vásquez (Johnny the Homicidal Maniac: Director's Cut)
“
The three components of happiness are something to do, someone to love, and something to look forward to.
”
”
Gordon Livingston (Too Soon Old, Too Late Smart: Thirty True Things You Need to Know Now)
“
Life is no excuse," she said. "You should always have an adventure lined up. Having something to look forward to is tantamount to happiness.
”
”
Abby Jimenez (Life’s Too Short (The Friend Zone, #3))
“
You look at where you're going and where you are and it never makes much sense, but then you look back at where you've been and a pattern seems to emerge. And if you project forward from that pattern, then sometimes you can come up with something.
”
”
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values (Phaedrus, #1))
“
That was some first kiss,” she said with a tired, contented expression.
I scanned her face and smiled. “Your last first kiss.”
Abby blinked, and then I fell onto the mattress beside her, reaching across her bare middle. Suddenly the morning was something to look forward to. It would be our first day together, and instead of packing in poorly concealed misery, we could sleep in, spend a ridiculous amount of the morning in bed, and then just enjoy the day as a couple. That sounded pretty damn close to heaven to me. Three months ago, no one could have convinced me that I would feel that way. Now, there was nothing else I wanted more.
A big, relaxing breath moved my chest up and down, relaxing slowly as I fell asleep next to the second woman I’d ever loved.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
Her concern with landscapes and living creatures was passionate. This concern, feebly called, "the love of nature" seemed to Shevek to be something much broader than love. There are souls, he thought, whose umbilicus has never been cut. They never got weaned from the universe. They do not understand death as an enemy; they look forward to rotting and turning into humus. It was strange to see Takver take a leaf into her hand, or even a rock. She became an extension of it, it of her.
”
”
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
“
Ms. Iparis told me about what you did to her on the streets. How dare you force yourself onto someone of her rank."
Ah.Here is what's really bothering him-I guess he found out about the kiss. I can't help grinning,even though my face screams in pain. "Awww. Is that what's got you down? I've seen the way you look at her.You want her bad,yeah? Is that something you're also trying to earn your way up to, trot? Hate to burst your bubble,but I didn't force her into anything."
A deep scarlet rage flashes across his face. "She's looking forward to your execution,Mr. Wing. I can guarantee you that."
I laugh. "Sore loser,huh? Here,I'll make you feel better. I'll tell you all about what it was like.Hearing about it is the next best thing,isn't it?
”
”
Marie Lu (Legend (Legend, #1))
“
We who bore the mark might well be considered by the rest of the world as strange, even as insane and dangerous. We had awoken, or were awakening, and we were striving for an ever perfect state of wakefulness, whereas the ambition and quest for happiness of the others consisted of linking their opinions, ideals, and duties, their life and happiness, ever more closely with those of the herd. They, too, strove; they, too showed signs of strength and greatness. But as we saw it, whereas we marked men represented Nature's determination to create something new, individual, and forward-looking, the others lived in the determination to stay the same. For them mankind--which they loved as much as we did--was a fully formed entity that had to be preserved and protected. For us mankind was a distant future toward which we were all journeying, whose aspect no one knew, whose laws weren't written down anywhere.
”
”
Hermann Hesse (Demian)
“
Kylie bit down on her lip. Burnett took a step forward. He squared his shoulders, empathy filling his eyes. He took a deep, apparent heartfelt breath and looked at Kylie. She nodded at him as if giving him the lead. He looked back at Holiday and, in a deep voice, said, "Kylie has something to tell you."
Kylie's mouth fell open and right then she knew it was official. Men sucked at verbal communication especially where anything emotional was concerned.
”
”
C.C. Hunter (Whispers at Moonrise (Shadow Falls, #4))
“
Your file was empty. Nothing. Not even an immunization record.” He didn’t even pretend to look surprised. He eased back in his seat, eyes gleaming obsidian.
“And you’re telling me this because you’re afraid I might cause an outbreak? Measles or mumps?”
“I’m telling you this because I want you to know that I know something about you isn’t right. You haven’t fooled everybody. I’m going to find out what you’re up to. I’m going to expose you.”
“Looking forward to it.”
I flushed, catching the innuendo too late.
”
”
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
“
I...can’t believe you have kittens.” I wiggled my fingers and the little guy strained to reach them. “What’re their names?”
Roth snorted. “That one is Fury. The white one is Nitro and the black one is named Thor.”
“What? You called these cuties something like that, but named a giant snake Bambi?”
He bent forward, placing a kiss on my shoulder. It was so fast I wasn’t sure he’d actually done it. “There’s sweetness in evil,” he said. “And remember, looks can be deceiving.
”
”
Jennifer L. Armentrout (White Hot Kiss (The Dark Elements, #1))
“
Roarke: “Our engines don't run at the same speed.”
Eve: “What the hell does that mean?”
Roarke: “Just that.”
Eve: “It sounds like something that ought to piss me off. But I can't figure out exactly why. When I do, I might have to pop you one.”
Roarke: “I'll look forward to it. If you don't sleep, eat. You need something in your stomach. And what are you grinning at?”
Eve: “You. You're such a wife.”
Roarke: “Now, I'm pissed off.
”
”
J.D. Robb (Witness in Death (In Death, #10))
“
She loved airports. She loved the smell, she loved the noise, and she loved the whole atmosphere as people walked around happily tugging their luggage, looking forward to going on their holidays or heading back home. She loved to see people arriving and being greeted with a big cheer by their families and she loved to watch them all giving each other emotional hugs. It was a perfect place for people-spotting. The airport always gave her a feeling of anticipation in the pit of her stomach as though she were about to do something special and amazing. Queuing at the boarding gate, she felt like she was waiting to go on a roller coaster ride at a theme park, like an excited little child.
”
”
Cecelia Ahern
“
It was an old Herrani flag, stitched with the royal crest.
Arin said, "But the royal line is gone."
"They're looking for something to call you, Kestrel said, nudging Javelin forward.
"Not this. It's not right."
"Don't worry. They'll find the right words to describe you."
"And you."
"Oh, that's easy."
"It is?" It seemed impossible to name every thing she was to him.
Kestrel's expression was serious, luminous. He loved to see her like this. "They'll say that I'm yours," she told him, "just as you are mine.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Whenever I have endured or accomplished some difficult task -- such as watching television, going out socially or sleeping -- I always look forward to rewarding myself with the small pleasure of getting back to my typewriter and writing something.
”
”
Isaac Asimov
“
Strigoi have red eyes, " I explained. "Do his eyes look red?"
The boy leaned forward. "No. They're brown. "
"What else do you know about Strigoi?" I asked.
"They have fangs like us, " the boy replied.
"Do you have fangs?" I asked Dimitri in a singsong voice. I had a feeling this was already-covered territory, but it took on a new feel when asked from a child's perspective. Dimitri smiled--a full, wonderful smile that caught me off guard.
"Okay, Jonathan, " said his mother anxiously. "You asked. Let's go now. "
"Strigoi are super strong, " continued Jonathan, who possibly aspired to be a future lawyer. "Nothing can hurt them. " Jonathan fixed Dimitri with a piercing gaze. "Are you super strong? Can you be hurt?"
"Of course I can, " replied Dimitri. "I'm strong, but all sorts of things can still hurt me. "
And then, being Rose Hathaway, I said something I really shouldn't have to the boy. "You should go punch him and find out. " Jonathan's mother screamed again, but he was a fast little bastard, eluding her grasp. He ran up to Dimitri before anyone could stop him--well, I could have--and pounded his tiny fist against Dimitri's knee. Then, with the same reflexes that allowed him to dodge enemy attacks, Dimitri immediately feinted falling backward, as though Jonathan had knocked him over. Clutching his knee, Dimitri groaned as though he were in terrible pain. Several people laughed, and by then, one of the other guardians had caught hold of Jonathan and returned him to his near-hysterical mother. As he was being dragged away, Jonathan glanced over his shoulder at Dimitri. "He doesn't seem very strong to me. I don't think he's a Strigoi. " This caused more laughter
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
Dispose of everything that was lost. There’s no time to dream about something that won’t come back. I must look forward. Forward…
”
”
Tite Kubo
“
The people of Ankh-Morpork had a straightforward, no-nonsense approach to entertainment, and while they were looking forward to seeing a dragon slain, they'd be happy to settle instead for seeing someone being baked alive in his own armour. You didn't get the chance every day to see someone baked alive in their own armour. It would be something for the children to remember.
”
”
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
“
Well, it was probably the fever. You were burning up.”
My eyes snapped back to his. “You touched me?”
“Yes, I touched you…and you weren’t wearing a lot of clothes.” The smug stretch of his lips spread. “And you were soaked …in a white T-shirt. Nice look. Very nice.”
Heat crept over my cheeks. “The lake…it wasn’t a dream?” Daemon shook his head.
“Oh my God, so I did go swimming in the lake?”
He pushed off the desk and took one step forward, which put him in the same breathing space as me… if he actually needed to breathe. “You did. Not something I expected to see on Monday night, but I'm not complaining. I saw a lot.”
“Shut up,” I hissed.
“Don’t be embarrassed.” He reached out, tugging on the sleeve of my cardigan. I smacked his hand away. “It’s not like I haven’t seen the upper part before, and I didn’t get a real good look down—“
I came off the desk swinging. My knuckles only brushed his face before he caught my hand. Wowzer, he was fast. Daemon pulled me up against his chest and lowered his head, eyes snapping with restrained anger. “Don’t hit, kitten. It’s not nice.
”
”
Jennifer L. Armentrout (Onyx (Lux, #2))
“
I put my sadness in a box. The box went soft and wet and weak at the bottom. I called it Thursday. Today is Sunday. The town is empty.
I stood in the road looking forward and back, to see if it would change something. After a while, I went back inside and tripped over the box.
”
”
Richard Siken (War of the Foxes)
“
You can't connect the dots looking forward. You can only connect them looking backwards...You have to trust in something - your gut, destiny, life, karma, whatever - because believing that the dots will connect down the road will give you the confidence to follow your heart, even when it leads you off the well-worn path.
”
”
Steve Jobs
“
As Patron-Sponser, I am charged with..."-he pasued and consulted the notes-"adding a sense of royal cachet to proceedings today."
He waited while a ripple of conversation ran around the room. Nobody was quite sure what adding a sense of royal cachet really meant. But everyone agreed that it sounded impressive indeed. Lady Pauline's mouth twitched in a smile and she looked down at the table. Halt found something of vast interest in the ceiling beams high above. Duncan continued.
My second duty is..."-again he consulted his notes to make sure he had the wording correct-"to provide an extremly expensive present to the bride and groom..."
Lady Pualine's head jerked at that. She leaned forward and turned to make eye contact with Lord Anthony. The Chamberlain met her gaze, his face completely devoid of expression. Then, very slowly, one eyelid slid down in a wink. He liked Lady Pauline and Halt a great deal and he'd added that duty without consulting them.
”
”
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
“
To the untrained eye ego-climbing and selfless climbing may appear identical. Both kinds of climbers place one foot in front of the other. Both breathe in and out at the same rate. Both stop when tired. Both go forward when rested. But what a difference! The ego-climber is like an instrument that’s out of adjustment. He puts his foot down an instant too soon or too late. He’s likely to miss a beautiful passage of sunlight through the trees. He goes on when the sloppiness of his step shows he’s tired. He rests at odd times. He looks up the trail trying to see what’s ahead even when he knows what’s ahead because he just looked a second before. He goes too fast or too slow for the conditions and when he talks his talk is forever about somewhere else, something else. He’s here but he’s not here. He rejects the here, he’s unhappy with it, wants to be farther up the trail but when he gets there will be just as unhappy because then *it* will be “here”. What he’s looking for, what he wants, is all around him, but he doesn’t want that because it *is* all around him. Every step’s an effort, both physically and spiritually, because he imagines his goal to be external and distant.
”
”
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values (Phaedrus, #1))
“
I let my head fall forward into his shoulder, breathing in his scent. "Now what do we do?"
He's quiet for a while and I finally lean back to look him in the eyes. He appears conflicted by something and then he sets me down on the ground, lacing his fingers through mine.
"Should we see where the wind takes us?" he asks.
I stare at my hand in his and then look up at him. "That sounds good to me.
”
”
Jessica Sorensen (The Coincidence of Callie & Kayden (The Coincidence, #1))
“
Kate,
I'm not always the best at expressing myself to you, so I'm taking advantage of the fact that I will be completely unresponsive when you read this, and therefore incapable of messing things up.
I want to thank you for giving me a chance. When I first saw you, I knew I had found something incredible. And since then all I've wanted was to be with you as much as possible.
When I thought I had lost you, I was torn between wanting you back and wanting the best for you—wanting you to be happy. Seeing you so miserable during the weeks we were apart gave me the courage to fight for us . . . to find a way for things to work. And seeing you happy again in the days we've been back together makes me think I did the right thing.
I can't promise you an ordinary experience, Kate. I wish I could transform myself into a normal man and be there for you, always, without the trauma that defines my life as "the walking dead." Since that isn't possible, I can only reassure you that I will do everything in my power to make it up to you. To give you more than a normal boyfriend could. I have no idea what that will mean, exactly, but I'm looking forward to finding out. With you.
Thank you for being here, my beauty. Mon ange. My Kate.
Yours utterly,
Vincent
”
”
Amy Plum (Die for Me (Revenants, #1))
“
Grief is not linear. People kept telling me that once this happened or that passed, everything would be better. Some people gave me one year to grieve. They saw grief as a straight line, with a beginning, middle, and end. But it is not linear. It is disjointed. One day you are acting almost like a normal person. You maybe even manage to take a shower. Your clothes match. You think the autumn leaves look pretty, or enjoy the sound of snow crunching under your feet. Then a song, a glimpse of something, or maybe even nothing sends you back into the hole of grief. It is not one step forward, two steps back. It is a jumble. It is hours that are all right, and weeks that aren't. Or it is good days and bad days. Or it is the weight of sadness making you look different to others and nothing helps.
”
”
Ann Hood (Comfort: A Journey Through Grief)
“
Modern womanhood was more about rubbing snail mucus on your face than she had thought it would be. But it had always been something, hadn’t it? Taking drops of arsenic. Winding bandages around the feet. Polishing your teeth with lead. It was so easy to believe you freely chose the paints, polishes, and waist-trainers of your own time, while looking back with tremendous pity to women of the past in their whalebones; that you took the longest strides your body was capable of, while women of the past limped forward on broken arches.
”
”
Patricia Lockwood (No One Is Talking About This)
“
He turned my way, and I was so engrossed in my thoughts that I didn't notice for a second. Then I realized I was staring at him, and looked away fast, cheeks flaming. I could feel him looking at me. Frowning slightly, like he was trying to figure something out. Before he could, I gulped my warm water and said, "Must be almost lunchtime," which was a stupid thing to say, but all I could think of. It took him a moment before he answered, shrugging and saying, "Maybe." Then, " You okay?"
I nodded.
"You want to talk about what happened downstairs? With Banks?"
I nodded again.
"I should get Simon," he said. "He'll want to know."
Another nod, but he didn't move, just watched me as I kept sipping the warm water.
"Chloe."
I took my time looking up, certain he'd figured out what I'd been thinking and was about to let me down gently. He wouldn't say, " Sorry, I'm not interested, " because that wouldn't be Derek- too presumptious- but he'd find some way to convey the same message, as I had with Simon. I like you. I just don't like you that way.
"Chloe?"
I looked up than, and what I saw in his eyes-- my hands fumbled the glass, and I dropped it, water spalashing over me, soaking my jeans. I scrambled to catch that glass before it hit the floor, barely making it, on one knee, prize gripped firmly in my hand. And I was still there when I felt the glass being tugged from my fingers. I looked up to see Derek crouching in front of me, his face inches from mine. He leaned forward and--
"What'd you lose?"
Simon's voice came from the doorway, and we shot to our feet so fast we collided.
”
”
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
“
What if they take you captive?” Goradel asked.
“My dear man,” Breeze said, leaning forward to look out at Goradel. “That’s why kings send ambassadors. This way, if someone gets captured, the king is still safe. We, my friend, are something Elend can never be: expendable.”
Goradel frowned at that. “I don’t feel very expendable.
”
”
Brandon Sanderson (The Hero of Ages (Mistborn, #3))
“
My grandfather had died, and my mother was trying to explain it to me. . . .Grandpa isn't coming back? No, she said. Not ever again. . . . And I remember saying, hold everything right fucking there. You went to all the trouble of conceiving me, and giving birth to me, and raising me and clothing me and all . . . and you make me cry and things hurt so much and disappointments crush my heart every day and I can't do half the things I want to and sometimes I just want to scream -- and what I've got to look forward to is my body breaking and something flipping off the switch in my head -- I go through all this, and then there's death? What is the motherfucking deal here? I wasn't having this. This was not fair.
”
”
Warren Ellis (Transmetropolitan, Vol. 5: Lonely City)
“
Tomorrow can be whatever I want it to be, which means for the first time in decades, I can look forward to it. Instead of being something to fear, it can be a promise I make myself. A chance to be braver or kinder, to make what was wrong right. To be better than I am today.
Every day after this one is a gift.
I just have to keep walking until I get there.
”
”
Stuart Turton (The 7 1/2 Deaths of Evelyn Hardcastle)
“
She said no, okay?"
All the eyes that had been on me suddenly jerked toward Adrian. He leaned forward, fixing his gaze on Sonya and Dimitri, and I saw something in those pretty eyes I'd never seen before: anger. They were like emerald fire.
"How many times does she have to refuse?" Adrian demanded. "If she doesn't want to, then that's all there's to it. This has nothing to do with her. This is our science project. She's here to protect Jill and has plenty to do there. So stop harassing her already!""
"Harassing is kind of a strong word," Dimitri said, calm in the face of Adrian's outburst.
"Not when you keep pushing someone who wants to be left alone," countered Adrian. He shot me a concerned look before fixing his anger back on Sonya and Dimitri. "Stop ganging up on her."
Sonya glanced uncertainly between us. She looked legitimately hurt. As astute as she was, I don't think she'd realized how much this bothered me. "Adrian... Sydney... we aren't trying to upset anyone. We just really want to get to the bottom of this. I thought all of you did too. Sydney's always been so supportive.
"It doesn't matter," growled Adrian. "Take Eddie's blood. Take Belikov's blood. Take your own for all I care. But if she doesn't want to give hers, then that's all there is to it. She said no. This conversation is done.
”
”
Richelle Mead (The Golden Lily (Bloodlines, #2))
“
In all my life I'd never been approached this way, the car pulling up, the Where you going? It was something I wish had happened hundreds of times. I was a looker - someone who looked over at every car at every traffic light, hoping something would happen, and almost never finding anyone looking back - always everyone looking forwards, and every time I felt stupid. Why should people look at you? Why should they care?
”
”
Dave Eggers
“
If there's one thing Regulus hates, it's missing something he was looking forward to- even unknowingly. Was he aware that he would have liked to see James go mental and beat Mulciber to a pulp? No, not at all. Is he furious that he missed it? Absolutely fucking livid.
"I want a pensive," Regulus states firmly, looking deeply into Pandora's eyes. "It's absolutely necessary that i see it.
”
”
Zeppazariel (Just Lovers [Like We Were Supposed to Be])
“
A moment later, Helen had returned; she was walking slowly now, and carefully, her hand on the back of a thin boy with a mop of wavy brown hair. He couldn’t have been older than twelve, and Clary recognized him immediately. Helen, her hand firmly clamped around the wrist of a younger boy whose hands were covered with blue wax. He must have been playing with the tapers in the huge candelabras that decorated the sides of the nave. He looked about twelve, with an impish grin and the same wavy, bitter-chocolate hair as his sister.
Jules, Helen had called him. Her little brother.
The impish grin was gone now. He looked tired and dirty and frightened. Skinny wrists stuck out of the cuffs of a white mourning jacket whose sleeves were too long for him. In his arms he was carrying a little boy, probably not more than two years old, with the same wavy brown hair that he had; it seemed to be a family trait. The rest of his family wore the same borrowed mourning clothes: following Julian was a brunette girl about ten, her hand firmly clasped in the hold of a boy the same age: the boy had a sheet of tangled black hair that nearly obscured his face. Fraternal twins, Clary guessed. After them came a girl who might have been eight or nine, her face round and very pale between brown braids.
The misery on their faces cut at Clary’s heart. She thought of her power with runes, wishing that she could create one that would soften the blow of loss. Mourning runes existed, but only to honor the dead, in the same way that love runes existed, like wedding rings, to symbolize the bond of love. You couldn’t make someone love you with a rune, and you couldn’t assuage grief with it, either. So much magic, Clary thought, and nothing to mend a broken heart.
“Julian Blackthorn,” said Jia Penhallow, and her voice was gentle. “Step forward, please.”
Julian swallowed and handed the little boy he was holding over to his sister. He stepped forward, his eyes darting around the room. He was clearly scouring the crowd for someone. His shoulders had just begun to slump when another figure darted out onto the stage. A girl, also about twelve, with a tangle of blond hair that hung down around her shoulders: she wore jeans and a t-shirt that didn’t quite fit, and her head was down, as if she couldn’t bear so many people looking at her. It was clear that she didn’t want to be there — on the stage or perhaps even in Idris — but the moment he saw her, Julian seemed to relax. The terrified look vanished from his expression as she moved to stand next to him, her face ducked down and away from the crowd.
“Julian,” said Jia, in the same gentle voice, “would you do something for us? Would you take up the Mortal Sword?
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
People think of education as something that they can finish. And what’s more, when they finish, it’s a rite of passage. You’re finished with school. You’re no more a child, and therefore anything that reminds you of school - reading books, having ideas, asking questions - that’s kid’s stuff. Now you’re an adult, you don’t do that sort of thing any more.
You have everybody looking forward to no longer learning, and you make them ashamed afterward of going back to learning. If you have a system of education using computers, then anyone, any age, can learn by himself, can continue to be interested. If you enjoy learning, there’s no reason why you should stop at a given age. People don’t stop things they enjoy doing just because they reach a certain age.
What’s exciting is the actual process of broadening yourself, of knowing there’s now a little extra facet of the universe you know about and can think about and can understand. It seems to me that when it’s time to die, there would be a certain pleasure in thinking that you had utilized your life well, learned as much as you could, gathered in as much as possible of the universe, and enjoyed it. There’s only this one universe and only this one lifetime to try to grasp it. And while it is inconceivable that anyone can grasp more than a tiny portion of it, at least you can do that much. What a tragedy just to pass through and get nothing out of it.
”
”
Isaac Asimov
“
Time moves only forward, never back.
We look forward to a moment and then it arrives and an instant later it is gone. Like something on the surface of a river that we reached for but did not touch in time and it carried on, away.
You cannot be a prisoner of your past against your will. Because you can only live in the past inside your mind.
”
”
Augusten Burroughs (This Is How: Proven Aid in Overcoming Shyness, Molestation, Fatness, Spinsterhood, Grief, Disease, Lushery, Decrepitude & More. For Young and Old Alike.)
“
Mendanbar took a deep breath. “You could stay here. At the castle, I mean. With me.” This wasn’t coming out at all the way he had wanted it to, but it was too late to stop now. He hurried on, “As Queen of the Enchanted Forest, if you think you would like that. I would.”
“Would you, really?”
“Yes,” Mendanbar said, looking down. “I love you, and—and—”
“And you should have said that to begin with,” Cimorene interrupted, putting her arms around him.
Mendanbar looked up, and the expression on her face made his heart begin to pound.
“Just to be sure I have this right,” Cimorene went on with a blinding smile, “did you just ask me to marry you?”
“Yes,” Mendanbar said. “At least, that’s what I meant.”
“Good. I will.”
Mendanbar tried to find something to say, but he was too happy to think. He leaned forward two inches and kissed Cimorene, and discovered that he didn’t need to say anything at all.
”
”
Patricia C. Wrede (Searching for Dragons (Enchanted Forest Chronicles, #2))
“
Because . . . most of us think that the point is something to do with work, or kids, or family, or whatever. But you don't have any of that. There's nothing between you and despair, and you don't seem a very desperate person.'
'Too stupid.'
'You're not stupid. So why don't you ever put your head in the oven?'
'I don't know. There's always a new Nirvana album to look forward to, or something happening in NYPD Blue to make you want to watch the next episode.'
'Exactly.'
'That's the point? NYPD Blue? Jesus.' It was worse than he thought.
'No, no. The point is you keep going. You want to. So all the things that make you want to are the point. I don't know if you even realize it, but on the quiet you don't think life's too bad. You love things. Telly. Music. Food.
”
”
Nick Hornby (About a Boy)
“
Uh, what are you doing?'
'What does it look like I'm doing?' Jake asks, settling into the seat beside me. The bus jerks forward. 'I'm sitting beside you.'
'No, you're not. Your seat is in the middle. Nice try, though.'
He has the audacity to ignore me, sets his book bag on his lap and rummages through it. After a minute, he pulls out a folded sheet of paper and hands it to me.
I unfold it. 'A love letter? How sweet.'
'No.' He turns pink. 'It's just something I found on the Internet-'
'Porn? You shouldn't have.
”
”
Courtney Summers (Cracked Up to Be)
“
Julian,” said Jia, in the same gentle voice, “would you do something for us? Would you take up the Mortal Sword?”
Clary sat up straight. She had held the Mortal Sword: she had felt the weight of it. The cold, like hooks in your skin, dragging the truth out of you. You couldn’t lie holding the Mortal Sword, but the truth, even a truth you wanted to tell, was agony. “They can’t,” she whispered. “He’s just a kid —”
“He’s the oldest of the kids who escaped the Institute,” Jace said under his breath. “They don’t have a choice.”
Julian nodded, his thin shoulders straight. “I’ll take it.”
Robert Lightwood passed behind the podium then and went to the table. He took up the sword and returned to stand in front of Julian. The contrast between them was almost funny: the big, barrel-chested man and the lanky, wild-haired boy.
Julian reached a hand up and took the sword. As his hand closed around the hilt, he shuddered, a ripple of pain that was quickly forced down. Emma, behind him, started forward, and Clary caught a glimpse of the look on her face — pure fury — before Helen caught at her and pulled her back.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
A clear horizon — nothing to worry about on your plate, only things that are creative and not destructive… I can’t bear quarreling, I can’t bear feelings between people — I think hatred is wasted energy, and it’s all non-productive. I’m very sensitive — a sharp word, said by a person, say, who has a temper, if they’re close to me, hurts me for days. I know we’re only human, we do go in for these various emotions, call them negative emotions, but when all these are removed and you can look forward and the road is clear ahead, and now you’re going to create something — I think that’s as happy as I’ll ever want to be.
”
”
Alfred Hitchcock
“
...and I want you all to remember-that you must not dream yourselves back to the times before the war, but the dream for you all, young and old, must be to create an ideal of human decency, and not a narrow-minded and prejudiced one. That is the great gift our country hungers for, something every little peasant boy can look forward to, and with pleasure feel he is a part of-something he can work and fight for."
Surely that gift-the gift of a world of human decency-is the one that all countries hunger for still. I hope that this story of Denmark, and its people, will remind us all that such a world is possible.
”
”
Lois Lowry (Number the Stars)
“
Kestrel's eyes slipped shut. She faded in and out of sleep. When Arin spoke again, she wasn't sure whether he expected her to to hear him.
'I remember sitting with my mother in a carriage.' There was a long pause. Then Arin's voice came again in that slow, fluid way that showed the singer in him. 'In my memory, I am small and sleepy, and she is doing something strange. Every time the carriage turns into the sun, she raises her hand as if reaching for something. The light lines her fingers with fire. Then the carriage passes through shadows, and her hand falls. Again sunlight beams through the window, and again her hand lifts. It becomes and eclipse.'
Kestrel listened, and it was as if the story itself was an eclipse, drawing its darkness over her.
'Just before I fell asleep,' he said, 'I realized that she was shading my eyes from the sun.'
She heard Arin shift, felt him look at her.
'Kestrel.' She imagined how he would sit, lean forward. How he would look in the glow of the carriage lantern. 'Survival isn't wrong. You can sell your honor in small ways, so long as you guard yourself. You can pour a glass of wine like it's meant to be poured, and watch a man drink, and plot your revenge.' Perhaps his head tilted slightly at this. 'You probably plot even in your sleep.'
There was a silence as long as a smile.
'Plot away, Kestrel. Survive. If I hadn't lived, no one would remember my mother, not like I do.'
Kestrel could no longer deny sleep. It pulled her under.
'And I would never have met you.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
But , sitting here at my desk, I realize something else. We've been on these parallel tracks, David and I. Moving constantly forward in space but never actually touching, for fear of throwing each other off course. Like if we were aligned in the same direction, we'd never have to compromise. But the thing about parallel tracks is you can be inches apart, or miles. And lately it feels like the width between David and me is extraordinary. WE just didn't notice because we were still looking at the same horizon. But it dawns on me that I want someone in my way. I want us to collide.
”
”
Rebecca Serle (In Five Years)
“
Everything said about Gen Xers--both positive and negative--was completely true. Twenty-somethings in the nineties rejected the traditional working-class American lifestyle because (a) they were smart enough to realize those values were unsatisfying, and (b) they were totally fucking lazy. Twenty-somethings in the nineties embraced a record like Nirvana's Nevermind because (a) it was a sociocultural affront to the vapidity of the Reagan-era paradigm, and (b) it fucking rocked. Twenty-somethings in the nineties were by and large depressed about the future, mostly because (a) they knew there was very little to look forward to, and (b) they were obsessed with staring into the eyes of their own self-absorbed sadness. There are no myths about Generation X. It's all true.
”
”
Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
“
When we spoke about attempts to give a man in camp mental courage, we said that he had to be shown something to look forward to in the future. He had to be reminded that life still waited for him, that a human being waited for his return. But after liberation? There were some men who found that no one awaited them. Woe to him who found that the person whose memory alone had given him courage in camp did not exist any more! Woe to him who, when the day of his dreams finally came, found it so different from all he had longed for! Perhaps he boarded a trolley, traveled out to the home which he had seen for years in his mind, and only in his mind, and pressed the bell, just as he has longed to do in thousands of dreams, only to find that the person who should open the door was not there, and would never be there again.
”
”
Viktor E. Frankl (Man’s Search for Meaning)
“
Rosa Parks turned to me sweetly and asked, 'Now, Bryan, tell me who you are and what you're doing.' I looked at Ms. Carr to see if I had permission to speak, and she smiled and nodded at me. I then gave Ms. Parks my rap. 'Yes, ma'am. Well, I have a law project called the Equal Justice Initiative, and we're trying to help people on death row. We're trying to stop the death penalty, actually. We're trying to do something about prison conditions and excessive punishment. We want to free people who've been wrongly convicted. We want to end unfair sentences in criminal cases and stop racial bias in criminal justice...Ms. Parks leaned back smiling. 'Ooooh, honey, all that's going to make you tired, tired, tired.' We all laughed. I looked down, a little embarrassed. Then Ms. Carr leaned forward and put her finger in my face and talked o me just like my grandmother used to talk to me. She said, 'That's why you've got to be brave, brave, brave.' All three women nodded in silent agreement and for just a little while, they made me feel like a young prince.
”
”
Bryan Stevenson (Just Mercy)
“
The sign outside this tent is accompanied by a small box full of smooth black stones. The text instructs you to take one with you as you enter. Inside, the tent is dark, the ceiling covered with open black umbrellas, the curving handles hanging down like icicles. In the center of the room there is a pool. A pond enclosed within a black stone wall that is surrounded by white gravel. The air carries the salty tinge of the ocean. You walk over to the edge to look inside. The gravel crunches beneath your feet. It is shallow, but it is glowing. A shimmering, shifting light cascades up through the surface of the water. A soft radiance, enough to illuminate the pool and the stones that sit at the bottom. Hundreds of stones, each identical to the one you hold in your hand. The light beneath filters through the spaces between the stones. Reflections ripple around the room, making it appear as though the entire tent is underwater. You sit on the wall, turning your black stone over and over in your fingers. The stillness of the tent becomes a quiet melancholy. Memories begin to creep forward from hidden corners of your mind. Passing disappointments. Lost chances and lost causes. Heartbreaks and pain and desolate, horrible loneliness. Sorrows you thought long forgotten mingle with still-fresh wounds. The stone feels heavier in your hand. When you drop it in the pool to join the rest of the stones, you feel lighter. As though you have released something more than a smooth polished piece of rock.
”
”
Erin Morgenstern (The Night Circus)
“
The tapping grows insistent, and I turn, intending to tell off the Cadet. Instead, I'm faced with a slave-girl looking up at me through impossibly long eyelashes. A heated, visceral shock flares through me at the clarity of her dark gold eyes. For a second, I forget my name.
I've never seen her before, because if I had, I'd remember. Despite the heavy silver cuffs and high, painful-looking bun that mark all of Blackcliff's drudges, nothing about her says slave. Her black dress fits her like a glove, sliding over every curve in a way that makes more than one head turn. Her full lips and fine, straight nose would be the envy of most girls, Scholar or not. I stare at her, realize I'm staring, tell myself to stop staring, and then keep staring. My breath falters, and my body, traitor that is, tugs me forward until there are only inches between us.
“Asp-aspirant Veturius.”
It's the way she says my name—like it's something to fear—that brings me back to myself. Pull it together, Veturius. I step away, appalled at myself when I see the terror in her eyes.
“What is it?” I ask calmly.
”
”
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
“
I had thought we were friends," he said.
"I cannot be your friend."
He took a step forward. "What if I were to ask you—"
"Gideon!" It was Henry, at the open door, breathless, wearing one of his terrible green-and-orange-striped waistcoats. "Your brother's here. Downstairs—"
Gideon's eyes widened. "Gabriel's here?"
"Yes. Shouting something about your father, but he won't tell us anything more unless you're there. He swears it. Come along."
Gideon hesitated, his eyes moving from Henry to Sophie, who tried to look invisible. "I . . ."
"Come now, Gideon." Henry rarely spoke sharply, and when he did, the effect was startling. "He's covered in blood.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
..[My friend Marco said]. essentially, humans are alive for the purpose of journey, a kind of three-act structure. They are born and spend several years discovering themselves and the world, then plod through a long middle in which they are compelled to search for a mate and reproduce and also create stability out of natural instability and then they find themselves at an ending tha seems to be designed for reflection. At the end, their bodies are slower, they are not as easily distracted, they do less work, and they think and feel about a life lived rather than look forward to a life getting started. He didn't know what the point of the journey was, but he did believe we were designed to search for and find something. And he wondered out loud if the point wasn't the search but the transformation the search creates. ...[I wondered] that we were designed to live through something rather than to attain something, and the thing we were meant to live through was designed to change us. The point of a story is the character arc, the change.
”
”
Donald Miller (A Million Miles in a Thousand Years: What I Learned While Editing My Life)
“
Saskia.” A hand covered hers.
Saskia frowned. It was irritating enough that she only had one hand to work with. She didn’t need to have the movement of that one impeded as well. “I’m in the middle of – Oh! Tania! What – I thought you were in Canberra.”
“I was yesterday. I returned this morning.”
“Yesterday?” Saskia turned from staring at Tania to staring at her computer and the table. A half-empty mug of something sat next to a partly eaten sandwich and a mostly empty glass of water. “Oh,” she sat back in her chair. “I do this sometimes. I get caught up in things.”
Her gaze fell on the lines and boxes on the monitor’s screen. She sat forward, her surroundings disappearing from her awareness again. “Tania, I think I’m close to figuring it out.”
Tania’s hand, still on Saskia’s, squeezed gently. “Good. But now you need to take a rest.”
“No. I can finish this. I’m on a roll.”
“Yes. You can roll again later.”
“Look! I think I’ve almost worked it out.” She tugged her hand from under Tania’s and pointed to her computer screen, which showed a bank statement. “Look at these transactions. I can match them to –”
Tania peered at the screen. “Whose statement is that?
”
”
Miriam Verbeek (The Forest: A new Saskia van Essen crime mystery thriller (Saskia van Essen mysteries))
“
Something is profoundly wrong with the way we live today. For thirty years we have made a virtue out of the pursuit of material self-interest: indeed, this very pursuit now constitutes whatever remains of our sense of collective purpose. We know what things cost but have no idea what they are worth. We no longer ask of a judicial ruling or a legislative act: Is it good? Is it fair? Is it just? Is it right? Will it help bring about a better society or a better world? Those used to be the political questions, even if they invited no easy answers. We must learn once again to pose them.
The materialistic and selfish quality of contemporary life is not inherent in the human condition. Much of what appears "natural" today dates from the 1980s: the obsession with wealth creation, the cult of privatization and the private sector, the growing disparities of rich and poor. And above all, the rhetoric that accompanies these: uncritical admiration for unfettered markets, disdain for the public sector, the delusion of endless growth.
We cannot go on living like this. The little crash of 2008 was a reminder that unregulated capitalism is its own worst enemy: sooner or later it must fall prey to its own excesses and turn again to the state for rescue. But if we do no more than pick up the pieces and carry on as before, we can look forward to greater upheavals in years to come.
”
”
Tony Judt (Ill Fares the Land)
“
I urge you to find a way to immerse yourself fully in the life that you’ve been given. To stop running from whatever you’re trying to escape, and instead to stop, and turn, and face whatever it is. Then I dare you to walk toward it. In this way, the world may reveal itself to you as something magical and awe-inspiring that does not require escape. Instead, the world may become something worth paying attention to. The rewards of finding and maintaining balance are neither immediate nor permanent. They require patience and maintenance. We must be willing to move forward despite being uncertain of what lies ahead. We must have faith that actions today that seem to have no impact in the present moment are in fact accumulating in a positive direction, which will be revealed to us only at some unknown time in the future. Healthy practices happen day by day. My patient Maria said to me, “Recovery is like that scene in Harry Potter when Dumbledore walks down a darkened alley lighting lampposts along the way. Only when he gets to the end of the alley and stops to look back does he see the whole alley illuminated, the light of his progress.
”
”
Anna Lembke (Dopamine Nation: Finding Balance in the Age of Indulgence)
“
I’m going to make you come shopping with me for maternity clothes."
"I can handle it. In fact, I’m rather looking forward to you having a bump."
He smoothed a hand across my stomach, something he’d taken to doing a lot. "My bump? Why?"
"It’s a caveman thing," he joked.
"Elaborate." I repeated his word back at him.
[...]
"When every man sees our bump, they’ll know I was the one you let inside you, they’ll know you’re mine and I’m yours, and that growing inside you is our kid.
”
”
Samantha Young (Castle Hill (On Dublin Street, #3.5))
“
The motto I have penned on my knuckles is that this is the best world we have--because it's the only world we have. It's the simplest math ever. However many terrible, rankling, peeve-inducing things may occur, there are always libraries. And rain-falling-on-sea. And the moon. And love. There is always something to look back on, with satisfaction, or forward to, with joy. There is always a moment where you boggle at the world--at yourself--at the whole, unlikely, precarious business of being alive--and then start laughing
”
”
Caitlin Moran (Moranthology)
“
I'll be able to forget you after that." A bald-faced lie. Even if I turned ninety, lost my mind and forgot everything else, the memory of the Winter prince would be a shining beacon that would never fade.
Ash still wavered, looking torn. His eyes flicked to the door, and for a moment I thought he would walk away, leaving me to shrivel into a mortified heap. But then he let out a quiet sigh, and his shoulders slumped in resignation.
Meeting my gaze, he took one step forward, drew me into his arms, and brushed his lips to mine.
I think our last kiss was meant to be quick and chaste, but... There was nothing sweet or gentle in our last kiss; it was filled with sorrow and desperation, of the bitter knowledge that we could've had something perfect, but it just wasn't meant to be.
"Don't ask me this again," he rasped, and I was too breathless to answer.
”
”
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
“
Blue." It was Ronan's voice, for the first time, and everyone, even Helen, twisted their head towards him. His head was cocked in a way that Gansey recognized as dangerous. Something in his eyes was sharp as he stared at Blue. He asked, "Do you know Gansey?" ...
Blue looked defensive under their stares. She said reluctantly. "Only his name."
With his fingers loosely together, elbows on his knees, Ronan leaned forward across Adam to be closer to Blue. He could be unbelievably threatening.
"And how is it," he asked," you came to know Gansey's name?
”
”
Maggie Stiefvater
“
For a long while we just stood there, looking down at the profound and fleshless grin. The body had apparently once lain in the attitude of an embrace, but now the long sleep that outlasts love, that conquers even the
grimace of love, had cuckolded him. What was left of him, rotted beneath what was left of the nightshirt, had become inextricable from the bed in which he lay; and upon him and upon the pillow beside him lay that even coating of the patient and biding dust.
Then we noticed that in the second pillow was the indentation of a head. One of us lifted something from it, and leaning forward, that faint and invisible dust dry and acrid in the nostrils, we saw a long strand of iron-grey hair.
”
”
William Faulkner (A Rose for Emily and Other Stories)
“
Well,” she finally said, “he’s coming back shortly, so you are absolved of your responsibilities.”
“No.” The word came from him like an oath, emerging from the very core of his being.
She looked at him in impatient confusion. “What do you mean?”
He stepped forward. He wasn’t sure what he was doing. He knew only that he couldn’t stop. “I mean no. I don’t want to be absolved.”
Her lips parted. He took another step. His heart was pounding, and something within him had gone hot, and greedy, and if there was anything in the world besides her, besides him—he did not know it.
“I want you,” he said, the words blunt, and almost harsh, but absolutely, indelibly true.
“I want you,” he said again, and he reached out and took her hand. “I want you.”
“Marcus, I—”
“I want to kiss you,” he said, and he touched one finger to her lips. “I want to hold you.”
And then, because he couldn’t have kept it inside for one second longer, he said, “I burn for you.”
He took her face in his hands and he kissed her. He kissed her with everything that had been building within him, every last aching, hungry burst of desire. Since the moment he had realized he loved her, this passion had been growing within him. It had probably been there all along, just waiting for him to realize it.
He loved her.
”
”
Julia Quinn (Just Like Heaven (Smythe-Smith Quartet, #1))
“
You are my life.” Though his words were barely a whisper, they seemed to echo from somewhere deep within him, enveloping my body and infusing me with something unshakable. “There is nothing I would not do to make you happy. Before I met you, my world was a string of days that were gray and empty. I had nothing to look forward to, and I cannot tell you what it was like, facing down eternity alone. Every day I wished for you. Every day I held on in hopes that eventually we would meet. And when I finally found you...”
He leaned in and kissed me again, astenderly as before. His hand slid underneath my shirt, splaying across my stomach, but the touch wasn’t sexual. It was as if he were trying to memorize me, just as I was trying to memorize him.
“I have existed for more eons than I remember. I have seen the sun rise and fall so many times that the days lost all meaning. For so long, they passed me by in a blur. But that night we met by the river—the night you gave up yourself in order to save a virtual stranger—my heart began to beat again.”
He took my hand and pressed it against his chest, and there it was—thump thump, thump thump, strong and beautiful. I would’ve given anything to keep his heart beating. The black abyss that had become my world in those hours I’d thought he was dead had faded, but it was a scar I would always bear. I couldn’t go back to that. Even if I had Milo, I would never have another Henry.
”
”
Aimee Carter (The Goddess Inheritance (Goddess Test, #3))
“
In life, the question is not if you will have problems, but how you are going to deal with your problems. If the possibility of failure were erased, what would you attempt to achieve?
The essence of man is imperfection. Know that you're going to make mistakes. The fellow who never makes a mistake takes his orders from one who does. Wake up and realize this: Failure is simply a price we pay to achieve success.
Achievers are given multiple reasons to believe they are failures. But in spite of that, they persevere. The average for entrepreneurs is 3.8 failures before they finally make it in business.
When achievers fail, they see it as a momentary event, not a lifelong epidemic.
Procrastination is too high a price to pay for fear of failure. To conquer fear, you have to feel the fear and take action anyway. Forget motivation. Just do it. Act your way into feeling, not wait for positive emotions to carry you forward.
Recognize that you will spend much of your life making mistakes. If you can take action and keep making mistakes, you gain experience.
Life is playing a poor hand well. The greatest battle you wage against failure occurs on the inside, not the outside.
Why worry about things you can't control when you can keep yourself busy controlling the things that depend on you?
Handicaps can only disable us if we let them. If you are continually experiencing trouble or facing obstacles, then you should check to make sure that you are not the problem.
Be more concerned with what you can give rather than what you can get because giving truly is the highest level of living.
Embrace adversity and make failure a regular part of your life. If you're not failing, you're probably not really moving forward.
Everything in life brings risk. It's true that you risk failure if you try something bold because you might miss it. But you also risk failure if you stand still and don't try anything new.
The less you venture out, the greater your risk of failure. Ironically the more you risk failure — and actually fail — the greater your chances of success.
If you are succeeding in everything you do, then you're probably not pushing yourself hard enough. And that means you're not taking enough risks. You risk because you have something of value you want to achieve.
The more you do, the more you fail. The more you fail, the more you learn. The more you learn, the better you get.
Determining what went wrong in a situation has value. But taking that analysis another step and figuring out how to use it to your benefit is the real difference maker when it comes to failing forward. Don't let your learning lead to knowledge; let your learning lead to action.
The last time you failed, did you stop trying because you failed, or did you fail because you stopped trying?
Commitment makes you capable of failing forward until you reach your goals. Cutting corners is really a sign of impatience and poor self-discipline.
Successful people have learned to do what does not come naturally. Nothing worth achieving comes easily. The only way to fail forward and achieve your dreams is to cultivate tenacity and persistence.
Never say die. Never be satisfied. Be stubborn. Be persistent. Integrity is a must. Anything worth having is worth striving for with all your might.
If we look long enough for what we want in life we are almost sure to find it. Success is in the journey, the continual process. And no matter how hard you work, you will not create the perfect plan or execute it without error. You will never get to the point that you no longer make mistakes, that you no longer fail.
The next time you find yourself envying what successful people have achieved, recognize that they have probably gone through many negative experiences that you cannot see on the surface.
Fail early, fail often, but always fail forward.
”
”
John C. Maxwell (Failing Forward)
“
Look," Grace said. "How strange! In spite of the rain, you can still see the stars. How bright they are tonight." She pointed, but Lorcan didn't look. His eyes remained fixed intently on her.
"I can't think of a finer sight in the whole world than the one I'm looking at right now," he said.
In spite of being drenched, Grace flushed at his words.
Lorcan's eyes sparkled at her, brighter than ever before.
It was as if the rare blue gems of his iriseshad been washed by the rain amd buffed by the moonlight to a new intensity. "Grace, there's been something I've wanted to do for a very long time now, but things have kept getting in the way." He reached forward, bringing a hand to the side of her face. Then he gently but firmly drew her wet face toward his. He gazed at her, as if seeing her for the first time. Then he brought his soft lips down to hers and kissed her.
”
”
Justin Somper (Black Heart (Vampirates, #4))
“
He handed me a bandana. "Tie that on."
"Why?" I said, but I did it anyway. "Norman, you are way too into ceremony."
"It's important." I could hear him moving around, adjusting things, before he came to sit beside me. "Okay," he said. "Take a look."
I pulled off the blindfold. Beside me, Norman watched me see myself for the first time.
And it was me. At least, it was a girl who looked like me. She was sitting on the back stoop of the restaurant, legs crossed and dangling down. She had her head slightly tilted, as if she had been asked something and was waiting for the right moment to respond, smiling slightly behind the sunglasses that were perched on her nose, barely reflecting part of a blue sky.
The girl was something else, though. Something I hadn't expected. She was beautiful.
Not in the cookie-cutter way of all the faces encircling Isabel's mirror. And not in the easy, almost effortless style of a girl like Caroline Dawes. This girl who stared back at me, with her lip ring and her half smile - not quite earned - knew she wasn't like the others. She knew the secret. And she'd clicked her heels three times to find her way home.
"Oh, my God," I said to Norman, reaching forward to touch the painting, which still didn't seem real. My own face, bumpy and textured beneath my fingers, stared back at me. "Is this how you see me?"
"Colie." He was right beside me. "That's how you are.
”
”
Sarah Dessen (Keeping the Moon)
“
Did you send Attolia to me at the farewell?" Eddis asked.
"Not I," said Gen quietly. "The magus. I thought you knew that you loved him - the two of you have been like magnets drawing ever nearer to each other since you met - but the magus was concerned. He thought the grief of leave-taking might surprise you."
"I feel very stupid." She leaned back into his embrace. "'I look forward to hearing of your adventures.'" She shook her head in disgust and sniffed. "I should have had something better to say, something...more appropriate."
He couldn't disagree. Sounis had clearly hoped for some message of her affection to carry with him. "You could write him a letter," he said. "A fast horse will catch him before he reaches the pass.
”
”
Megan Whalen Turner (A Conspiracy of Kings (The Queen's Thief, #4))
“
How could you tell how much of it was lies? It might be true that the average human being was better off now than before the Revolution. The only evidence to the contrary was the mute protest in your own bones, the instinctive feeling that the conditions you lived in were intolerable and that at some other time they must have been different. It struck him that the truly characteristic thing about modern life was not its cruelty and insecurity, but simply its bareness, its dinginess, its listlessness. Life, if you looked about you, bore no resemblance not only to the lies that streamed out of the telescreens, but even to the ideals that the Party was trying to achieve. Great areas of it, even for a party member, were neutral and nonpolitical, a matter of slogging through dreary jobs, fighting for a place on the Tube, darning a worn-out sock, cadging a saccharine tablet, saving a cigarette end. The ideal set up by the Party was something huge, terrible, and glittering--a world of steel and concrete, of monstrous machines and terrifying weapons--a nation of warriors and fanatics, marching forward in perfect unity, all thinking the same thoughts and shouting the same slogans, perpetually working, fighting, triumphing, persecuting--three hundred million people all with the same face.
”
”
George Orwell (1984)
“
She was nobody here. It was not just that she had no friends and family; it was rather that she was a ghost in this room, in the streets on the way to work, on the shop floor. Nothing meant anything. The rooms in the house on Friary Street belonged to her, she thought; when she moved in them she was really there. In the town, if she walked to the shop or to the Vocational School, the air, the light, the ground, it was all solid and part of her, even if she met no one familiar. Nothing here was part of her. It was false, empty, she thought. She closed her eyes and tried to think, as she had done so many times in her life, of something she was looking forward to, but there was nothing. Not the slightest thing. Not even Sunday. Nothing maybe except sleep, and she was not even certain she was looking forward to sleep. In any case, she could not sleep yet, since it was not yet nine o’clock. There was nothing she could do. It was as though she had been locked away.
”
”
Colm Tóibín (Brooklyn)
“
Lisa Smith-Batchen, the amazingly sunny and pixie-tailed ultrarunner from Idaho who trained through blizzards to win a six-day race in the Sahara, talks about exhaustion as if it's a playful pet. 'I love the Beast,' she says. 'I actually look forward to the Beast showing up, because every time he does, I handle him better. I get him more under control.' Once the Beast arrives, Lisa knows what she has to deal with and can get down to work. And isn't that the reason she's running through the desert in the first place-to put her training to work? To have a friendly little tussle with the Beast and show it who's boss? You can't hate the Beast and expect to beat it; the only way to truly conquer something, as every great philosopher and geneticist will tell you , is to love it.
”
”
Christopher McDougall (Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen)
“
So what's the deal with you and my sister?"
He laughs shortly and rubs the back of his neck like something is there, tickling, tapping.
"Tamra." Clutching the dashboard, I turn and glare at her. "There is no deal."
She snorts. "Well, we wouldn't be sitting here if that was the case now, would we?"
I open my mouth to demand she end the interrogation when Will's voice stops me.
"I like your sister. A lot."
I look at him dumbly.
He looks at me, lowers his voice to say, "I like you."
I know that, I guess, but heat still crawls over my face. I swing forward in my seat, cross my arms over my chest and stare straight ahead. Can't stop shivering. Can't speak. My throat hurts too much.
"Jacinda," he says.
"I think you've shocked her," Tamra offers, then sighs.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
I have been running all about; I have knocked again at all the doors of my youth and desired to enter in there; I thought, surely it must admit me again, for I am still young and have wished so much to forget; but it fled always before me like a will-o'-the-wisp; it fell away without a sound; it crumbled like tinder at my lightest touch. And I could not understand.--Surely here at least something of it must remain? I attempted it again and again, and as a result made myself merely ridiculous and wretched. But now I know. I know now that a still, silent war has ravaged this country of my memories also; I know now it would be useless for me to look farther. Time lies between like a great gulf; I cannot get back. There is nothing for it; I must go forward, march onward, anywhere; it matters nothing, for I have no goal
”
”
Erich Maria Remarque (The Road Back)
“
Go on," Kell told him without taking his eyes from Lila. " Get some rest."
Hastra shifted. "I can't, sir," he said. "I'm to escort Miss Bard--"
"I'll take that charge," cut in Kell. Hastra bit his lip and retreated several steps.
Lila let her forehead come to rest against his, her face so close the features blurred. And yet, that fractured eye shone with frightening clarity.
"You never told me," he whispered.
"You never noticed," she answered. And then, "Alucard did."
The blow landed, and Kell started to pull away when Lila's eyelids fluttered and she swayed dangerously.
He braced her. "Come on," he said gently. "I have a room upstairs. Why don't we--"
A sleepy flicker of amusement. "Trying to get me into bed?"
Kell mustered a smile. "It's only fair. I've spent enough time in yours."
"If I remember correctly," she said, her voice dreamy with fatigue, "you were on top of the bed the entire time."
"And tied to it," observed Kell.
Her words were soft at the edges. "Those were the days..." she said, right before she fell forward. It happened so fast Kell could do nothing but throw his arms around her.
"Lila?" he asked, first gently, and then more urgently. "Lila?"
She murmured against his front, something about sharp knives and soft corners, but didn't rouse, and Kell shot a glance at Hastra, who was still standing there, looking thoroughly embarrassed.
"What have you done?" demanded Kell.
"It was just a tonic, sir," he fumbled, "something for sleep."
"You drugged her?"
"It was Tieren's order," said Hastra, chastised. "He said she was mad and stubborn and no use to us dead." Hastra lowered his voice when he said this, mimicking Tieren's tone with startling accuracy.
"And what do you plan to do when she wakes back up?"
Hastra shrank back. "Apologize?"
Kell made an exasperated sound as Lila nuzzled-- actually nuzzled-- his shoulder.
"I suggest," he snapped at the young man, "you think of something better. Like an escape route."
Hastra paled, and Kell swept Lila up into his arms, amazed at her lightness... Kell swept through the halls until he reached his room and lowered Lila onto the couch.
Hastra handed him a blanket. "Shouldn't you take off her knives?"
"There's not enough tonic in the world to risk it," said Kell.
”
”
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
“
I wish I'd been accepted sooner and better. When I was younger, not being accepted made me enraged, but now, I am not inclined to dismantle my history. If you banish the dragons, you banish the heroes--and we become attached to the heroic strain in our personal history. We choose our own lives. It is not simply that we decide on the behaviors that construct our experience; when given our druthers, we elect to be ourselves. Most of us would like to be more successful or more beautiful or wealthier, and most people endure episodes of low self-esteem or even self-hatred. We despair a hundred times a day. But we retain the startling evolutionary imperative for the fact of ourselves, and with that splinter of grandiosity we redeem our flaws. These parents have, by and large, chosen to love their children, and many of them have chosen to value their own lives, even though they carry what much of the world considers an intolerable burden. Children with horizontal identities alter your self painfully; they also illuminate it. They are receptacles for rage and joy-even for salvation. When we love them, we achieve above all else the rapture of privileging what exists over what we have merely imagined.
A follower of the Dalai Lama who had been imprisoned by the Chinese for decades was asked if he had ever been afraid in jail, and he said his fear was that he would lose compassion for his captors. Parents often think that they've captured something small and vulnerable, but the parents I've profiled here have been captured, locked up with their children's madness or genius or deformity, and the quest is never to lose compassion. A Buddhist scholar once explained to me that most Westerners mistakenly think that nirvana is what you arrive at when your suffering is over and only an eternity of happiness stretches ahead. But such bliss would always be shadowed by the sorrow of the past and would therefore be imperfect. Nirvana occurs when you not only look forward to rapture, but also gaze back into the times of anguish and find in them the seeds of your joy. You may not have felt that happiness at the time, but in retrospect it is incontrovertible.
For some parents of children with horizontal identities, acceptance reaches its apogee when parents conclude that while they supposed that they were pinioned by a great and catastrophic loss of hope, they were in fact falling in love with someone they didn't yet know enough to want. As such parents look back, they see how every stage of loving their child has enriched them in ways they never would have conceived, ways that ar incalculably precious. Rumi said that light enters you at the bandaged place. This book's conundrum is that most of the families described here have ended up grateful for experiences they would have done anything to avoid.
”
”
Andrew Solomon (Far from the Tree: Parents, Children, and the Search for Identity)
“
I don't get it?" she asked "I don't get it? Let me tell you something about what I get. You think you're so smart? I spent three years on a full academic scholarship at the best college-prep school in the country. And when they kicked me out I had to petition-petition!-to keep them from wiping out my four-point-oh transcript."
Daniel moved away, but Luce pursued him, taking a step forward for every wide-eyed step he took back. Probably freaking him out, but so what? He'd been asking for it every time he condescended to her.
"I know Latin and French, and in middle school, I won the science fair three years in a row."
She had backed him up against the railing of the boardwalk and was trying to restrain herself from poking him in the chest with her finger. She wasn't finished.
"I also do the Sunday crossword puzzle, sometimes in under an hour. I have an unerringly good sense of direction... though not always when it comes to guys."
She swallowed and took a moment to catch her breath.
"And someday, I'm going to be a psychiatrist who actually listens to her patients and helps people. Okay? So don't keep talking to me like I'm stupid and don't tell me I don't understand just because I can't decode your erratic, flaky, hot-one-minute-cold-the-next, frankly"-she looked up at him, letting out her breath-"really hurtful behavior." She brushed a tear away, angry with herself for getting so worked up.
”
”
Lauren Kate (Fallen (Fallen, #1))
“
If," ["the management consultant"] said tersely, “we could for a moment move on to the subject of fiscal policy. . .”
“Fiscal policy!" whooped Ford Prefect. “Fiscal policy!"
The management consultant gave him a look that only a lungfish could have copied.
“Fiscal policy. . .” he repeated, “that is what I said.”
“How can you have money,” demanded Ford, “if none of you actually produces anything? It doesn't grow on trees you know.”
“If you would allow me to continue.. .”
Ford nodded dejectedly.
“Thank you. Since we decided a few weeks ago to adopt the leaf as legal tender, we have, of course, all become immensely rich.”
Ford stared in disbelief at the crowd who were murmuring appreciatively at this and greedily fingering the wads of leaves with which their track suits were stuffed.
“But we have also,” continued the management consultant, “run into a small inflation problem on account of the high level of leaf availability, which means that, I gather, the current going rate has something like three deciduous forests buying one ship’s peanut."
Murmurs of alarm came from the crowd. The management consultant waved them down.
“So in order to obviate this problem,” he continued, “and effectively revalue the leaf, we are about to embark on a massive defoliation campaign, and. . .er, burn down all the forests. I think you'll all agree that's a sensible move under the circumstances."
The crowd seemed a little uncertain about this for a second or two until someone pointed out how much this would increase the value of the leaves in their pockets whereupon they let out whoops of delight and gave the management consultant a standing ovation. The accountants among them looked forward to a profitable autumn aloft and it got an appreciative round from the crowd.
”
”
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
“
And from right to left along the lighted shore moved a wild and gorgeous apparition of a woman. She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witchmen, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the fecund and mysterious life seemed to look at her, pensive, as though it had been looking at the image of its own tenebrous and passionate soul.
Her face had a tragic and fierce aspect of wild sorrow and of dumb pain mingled with the fear of some struggling, halt-shaped resolve. She stood looking at us without a stir, and like the wilderness itself, with an air of brooding over an inscoutable purpose. A whole minute passed, and then she made a step forward. There was a low jingle, a glint of yellow metal, a sway of fringed draperies, and she stopped as if her heart had failed her. She looked at us all as if her life had depended upon the unswerving steadiness of her glance
”
”
Joseph Conrad (Heart of Darkness)
“
I turn to look at him. His face is smooth, without the blotches and spots that have begun to afflict the other boys. His features are drawn with a firm hand; nothing awry or sloppy, nothing too large—all precise, cut with the sharpest of knives. And yet the effect itself is not sharp. He turns and finds me looking at him. “What?” he says. “Nothing.” I can smell him. The oils that he uses on his feet, pomegranate and sandalwood; the salt of clean sweat; the hyacinths we had walked through, their scent crushed against our ankles. Beneath it all is his own smell, the one I go to sleep with, the one I wake up to. I cannot describe it. It is sweet, but not just. It is strong but not too strong. Something like almond, but that still is not right. Sometimes, after we have wrestled, my own skin smells like it. He puts a hand down, to lean against. The muscles in his arms curve softly, appearing and disappearing as he moves. His eyes are deep green on mine. My pulse jumps, for no reason I can name. He has looked at me a thousand thousand times, but there is something different in this gaze, an intensity I do not know. My mouth is dry, and I can hear the sound of my throat as I swallow. He watches me. It seems that he is waiting. I shift, an infinitesimal movement, towards him. It is like the leap from a waterfall. I do not know, until then, what I am going to do. I lean forward and our lips land clumsily on each other. They are like the fat bodies of bees, soft and round and giddy with pollen. I can taste his mouth—hot and sweet with honey from dessert. My stomach trembles, and a warm drop of pleasure spreads beneath my skin. More.
”
”
Madeline Miller (The Song of Achilles)
“
He supposed he was only one of several million persons of his generation who had grown up and, somewhere around thirty, made the upsetting discovery that life wasn't going to pan out the way you'd always expected it would; and why this realization should have thrown him and not them—or not too many of them—was something he couldn't fathom. Life offered none of those prizes you'd been looking forward to since adolescence (he less than others, but looking forward to them all the same, if only out of curiosity). Adulthood came through with none of the pledges you'd been led somehow to believe in; the future still remained the future-illusion; a non-existent period of constantly-receding promise, hinting fulfillment, yet forever withholding the rewards. All the things that had never happened yet were never going to happen after all. It was a mug's game and there ought to be a law. But there wasn't any law, there was no rhyme or reason; and with the sour-grapes attitude of “Why the hell should there be”—which is as near as you ever came to sophistication—you retired within yourself and compensated for the disappointment by drink, by subsisting on daydreams, by living in a private world of your own making (hell or heaven, what did it matter?), by accomplishing or becoming in fancy what you could never bring about in fact.
”
”
Charles Jackson (The Lost Weekend)
“
I remember first learning about death quite vividly.
I'm not sure how old I was, but I remember the conversation like it was yesterday. My grandfather had died, and my mother was trying to explain it to me.
'Sometimes, when someone gets ill, and they're very very old, they don't get better again. They just get iller and iller and then... then their body stops working.'
'I don't understand.'
'What's in them just goes away, and doesn't come back.'
'Grandpa isn't coming back?'
'No,' she said. 'Not ever again.'
'Grandpa said he was going away and not ever coming back after he held Grandma's head in that cotton-dump outside of town and kicked Skeeter seventy-three times.'
'Grandpa was very drunk. That's not the same as being dead. Grandpa's dead, son. He's not there anymore.'
And I remember saying, 'Hold everything right fucking THERE.
'You went to all the trouble of conceiving me, and giving birth to me, and raising me and feeding me and clothing me and all-- and, YEAH, whipping me from time to time, and making me live in a house that's freezing fucking cold all the goddamn time-- and you make me cry and things hurt so much and disappointments crush my heart every day and I can't do half the things I want to do and sometimes I just want to scream-- and what I've got to look forward to is my body breaking and something flipping off the switch in my head-- I go through all this-- and then there's death?
'What is the motherfucking deal here?
”
”
Warren Ellis (Transmetropolitan, Vol. 5: Lonely City)
“
When once more alone, I reviewed the information I had got; looked into my heart, examined its thoughts and feelings, and endeavoured to bring back with a strict hand such as had been straying through imagination's boundless and trackless waste, into the safe fold of common sense.
Arraigned to my own bar, Memory having given her evidence of the hopes, wishes, sentiments I had been cherishing since last night--of the general state of mind in which I had indulged for nearly a fortnight past; Reason having come forward and told, in her quiet way a plain, unvarnished tale, showing how I had rejected the real, and rapidly devoured the ideal--I pronounced judgement to this effect--
That a greater fool than Jane Eyre had never breathed the breath of life; that a more fantastic idiot had never surfeited herself on sweet lies, and swallowed poison as if it were nectar.
"You," I said, "a favourite with Mr. Rochester? You're gifted with the power of pleasing him? You're of importance to him in any way? Go!--your folly sickens me. And you have derived pleasure from occasional tokens of preference--equivocal tokens shown by a gentleman of family and a man of the world to dependent and novice. How dared you? Poor stupid dupe! Could not even self-interest make you wiser? You repeated to yourself this morning the brief scene of last night? Cover your face and be ashamed! He said something in praise of your eyes, did he? Blind puppy! Open their bleared lids and look on your own accursed senselessness! It does no good to no woman to be flattered by her superior, who cannot possibly intend to marry her; and it is madness in all women to let a secret love kindle within them, which, if unreturned and unknown, must devour the life that feeds it; and if discovered and responded to, must lead into miry wilds whence there is no extrication.
"Listen, then, Jane Eyre, to your sentence: tomorrow, place the glass before you, and draw in chalk your own pictures, faithfully, without softening on defect; omit no harsh line, smooth away no displeasing irregularity; write under it, 'Portrait of a Governess, disconnected, poor, and plain.'
"Afterwards, take a piece of smooth ivory--you have one prepared in your drawing-box: take your palette, mix your freshest, finest, clearest tints; choose your most delicate camel-hair pencils; delineate carefully the loveliest face you can imageine; paint it in your softest shades and sweetest lines, according to the description given by Mrs. Fairfax of Blanche Ingram; remember the raven ringlets, the oriental eye--What! you revert to Mr. Rochester as a model! Order! No snivel!--no sentiment!--no regret! I will endure only sense and resolution...
"Whenever, in the future, you should chance to fancy Mr. Rochester thinks well of you, take out these two pictures and compare them--say, "Mr. Rochester might probably win that noble lady's love, if he chose to strive for it; is it likely he would waste a serious thought on this indignent and insignifican plebian?"
"I'll do it," I resolved; and having framed this determination, I grew calm, and fell asleep.
”
”
Charlotte Brontë (Jane Eyre)
“
Good," he said. "We need to talk."
Suddenly, I didn't feel so relaxed anymore. Talk? What does he want to talk about? The part where I nearly died? I didn't want to talk about that. Because the fact is, that whole part, the part where I nearly died, well, I nearly died trying to save him. Seriously. I was hoping he hadn't noticed, but I could tell by the look on his face that he totally had. Noticed, I mean.
And now he wanted to talk about it. But how could I talk about it? Without letting it slip? The L word, I mean.
"You know what?" I said, very fast. "I don't want to talk. Is that okay? I really, really don't want to talk. I am all talked out.
Jesse lifted Spike of his lap and put him on the floor. Then he stood up.
What was he doing? I wondered. What was he doing?
I took a deep breath, and kept talking about not talking. "I'm just--Look," I said as he took a step toward me. "I'm just going to give CeeCee a call and maybe we'll go to the beach or something, because really...I just need a day off."
Another step forward. Now he was right in front of me.
"Especially," I said, significantly, looking up at him, "from talking. That's especially what I need a day off from. Talking."
"Fine," he said. He reached up and cupped my face in both hands. "We don't have to talk."
And that's when he kissed me.
On the lips.
”
”
Meg Cabot
“
She tries to maintain a nondescript exterior; she learns the sideways glance instead of looking at people directly. She speaks in practised, precise sentences so that she is not misunderstood. She chooses her words carefully, and if someone addresses her in Punjabi, she answers in Urdu, because an exchange in her mother tongue might be considered a promise of intimacy. She uses English for medical terms only, because she feels if she uses a word of English in her conversation she might be considered a bit forward. When she walks she walks with slightly hurried steps, as if she has an important but innocent appointment to keep. She avoids eye contact, she looks slightly over people’s heads as if looking out for somebody who might come into view at any moment. She doesn’t want anyone to think that she is alone and nobody is coming for her. She sidesteps even when she sees a boy half her age walking towards her, she walks around little puddles when she can easily leap over them; she thinks any act that involves stretching her legs might send the wrong signal. After all, this is not the kind of thing where you can leave your actions to subjective interpretations. She never eats in public. Putting something in your mouth is surely an invitation for someone to shove something horrible down your throat. If you show your hunger, you are obviously asking for something.
”
”
Mohammed Hanif (Our Lady of Alice Bhatti)
“
With a deliberate shrug, he stepped free of the hold on his shoulder. “Tell me something, boys,” he drawled. “Do you wear that leather to turn each other on? I mean, is it a dick thing with you all?” Butch got slammed so hard against the door that his back teeth rattled.
The model shoved his perfect face into Butch’s. “I’d watch your mouth, if I were you.”
“Why bother, when you’re keeping an eye on it for me? You gonna kiss me now?”
A growl like none Butch had ever heard came out of the guy.
“Okay, okay.” The one who seemed the most normal came forward. “Back off, Rhage. Hey, come on. Let’s relax.”
It took a minute before the model let go.
“That’s right. We’re cool,” Mr. Normal muttered, clapping his buddy on the back before looking at Butch. “Do yourself a favor and shut the hell up.”
Butch shrugged. “Blondie’s dying to get his hands on me. I can’t help it.”
The guy launched back at Butch, and Mr. Normal rolled his eyes, letting his friend go this time. The fist that came sailing at jaw level snapped Butch’s head to one side. As the pain hit, Butch let his own rage fly. The fear for Beth, the pent-up hatred of these lowlifes, the frustration about his job, all of it came out of him. He tackled the bigger man, taking him down onto the floor. The guy was momentarily surprised, as if he hadn’t expected Butch’s speed or strength, and Butch took advantage of the hesitation. He clocked Blondie in the mouth as payback and then grabbed the guy’s throat. One second later, Butch was flat on his back with the man sitting on his chest like a parked car. The guy took Butch’s face into his hand and squeezed, crunching the features together. It was nearly impossible to breathe, and Butch panted shallowly.
“Maybe I’ll find your wife,” the guy said, “and do her a couple of times. How’s that sound?"
“Don’t have one.”
“Then I’m coming after your girlfriend.”
Butch dragged in some air. “Got no woman.”
“So if the chicks won’t do you, what makes you think I’d want to?”
“Was hoping to piss you off.”
“Now why’d you want to do that?” Blondie asked.
“If I attacked first”—Butch hauled more breath into his lungs—“your boys wouldn’t have let us fight.
Would’ve killed me first. Before I had a chance at you.”
Blondie loosened his grip a little and laughed as he stripped Butch of his wallet, keys, and cell phone.
“You know, I kind of like this big dummy,” the guy drawled.
Someone cleared a throat. Rather officiously.
Blondie leaped to his feet, and Butch rolled over, gasping. When he looked up, he was convinced he was hallucinating. Standing in the hall was a little old man dressed in livery. Holding a silver tray.
“Pardon me, gentlemen. Dinner will be served in about fifteen minutes.”
“Hey, are those the spinach crepes I like so much?” Blondie said, going for the tray.
“Yes, Sire.”
“Hot damn.”
The other men clustered around the butler, taking what he offered. Along with cocktail napkins. Like they didn’t want to drop anything on the floor. What the hell was this?
“Might I ask a favor?” the butler said.
Mr. Normal nodded with vigor. “Bring out another tray of these and we’ll kill anything you want for you.”
Yeah, guess the guy wasn’t really normal. Just relatively so.
The butler smiled as if touched. “If you’re going to bloody the human, would you be good enough to do it in the backyard?”
“No problem.” Mr. Normal popped another crepe in his mouth. “Damn, Rhage, you’re right. These are awesome.
”
”
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
“
I would not tell this court that I do not hope that some time, when life and age have changed their bodies, as they do, and have changed their emotions, as they do -- that they may once more return to life. I would be the last person on earth to close the door of hope to any human being that lives, and least of all to my clients. But what have they to look forward to? Nothing. And I think here of the stanza of Housman:
Now hollow fires burn out to black,
And lights are fluttering low:
Square your shoulders, lift your pack
And leave your friends and go.
O never fear, lads, naught’s to dread,
Look not left nor right:
In all the endless road you tread
There’s nothing but the night.
...Here it Leopold’s father -- and this boy was the pride of his life. He watched him, he cared for him, he worked for him; the boy was brilliant and accomplished, he educated him, and he thought that fame and position awaited him, as it should have awaited. It is a hard thing for a father to see his life’s hopes crumble into dust.
...I know the future is with me, and what I stand for here; not merely for the lives of these two unfortunate lads, but for all boys and all girls; for all of the young, and as far as possible, for all of the old. I am pleading for life, understanding, charity, kindness, and the infinite mercy that considers all. I am pleading that we overcome cruelty with kindness and hatred with love. I know the future is on my side. Your Honor stands between the past and the future. You may hang these boys; you may hang them by the neck until they are dead. But in doing it you will turn your face toward the past... I am pleading for the future; I am pleading for a time when hatred and cruelty will not control the hearts of men. When we can learn by reason and judgment and understanding that all life is worth saving, and that mercy is the highest attribute of man.
...I am sure I do not need to tell this court, or to tell my friends that I would fight just as hard for the poor as for the rich. If I should succeed, my greatest reward and my greatest hope will be that... I have done something to help human understanding, to temper justice with mercy, to overcome hate with love.
I was reading last night of the aspiration of the old Persian poet, Omar Khayyám. It appealed to me as the highest that I can vision. I wish it was in my heart, and I wish it was in the hearts of all:
So I be written in the Book of Love,
I do not care about that Book above.
Erase my name or write it as you will,
So I be written in the Book of Love.
”
”
Clarence Darrow (Attorney for the Damned: Clarence Darrow in the Courtroom)
“
Then someone else appeared from the crowd, and Annabeth's vision tunneled.
Percy smiled at her-that sarcastic, troublemaker's smile that had annoyed her for years but eventually had become endearing. His sea-green eyes were as gorgeous as she remembered. His dark hair was swept to one side, like he'd just come from a walk on the beach. He looked even better than he had six months ago-tanner and taller, leaner and more muscular.
Annabeth was to stunned to move. She felt that if she got any closer to him, all the molecules in her body might combust. She'd secretly had a crush on him sonar they were twelve years old. Last summer, she'd fallen for him hard. They'd been a happy couple together for four months-and then he'd disappeared.
During their separation, something had happened to Annabeth's feelings. They'd grown painfully intense-like she'd been forced to withdraw from a life-saving medication. Now she wasn't sure which was more excruciating-living with that horrible absence, or being with him again...
Annabeth didn't mean to, but she surged forward. Percy rushed toward her at the same time. The crowds tensed. Some reach d for swords that weren't there.
Percy threw his arms around her. They kissed, and for a moment nothing else mattered. An asteroid could have hit the planet and wiped out all life, Annabeth wouldn't have cared.
Percy smelled of ocean air. His lips were salty. Seaweed Brain, she thought giddily.
Percy pulled away and studied her face. "Gods, I never thought-"
Annabeth grabbed his wrist and flipped him over her shoulder. He slammed into the stone pavement. Romans cried out. Some surged forward, but Reyna shouted, "Hold! Stand down!"
Annabeth put her knee on Percy's chest. She pushed her forearm against his throat. She didn't care what the Romans thought. A white-hot lump of anger expanded in her chest-a tumor of worry and bitterness that she'd been carrying around since last autumn.
"Of you ever leave me again," she said, her eyes stinging, "I swear to all the gods-"
Percy had the nerve to laugh. Suddenly the lump of heated emotions melted inside Annabeth.
"Consider me warned," Percy said. "I missed you, too." Annabeth rose and helped him to his feet. She wanted to kiss him again SO badly, but she managed to restrain herself.
Jason cleared his throat. "So, yeah…It's good to be back…"
"And this is Annabeth," Jason said. "Uh, normally she doesn't judo-flip people.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
Touching the copper of the ankh reminded me of another necklace, a necklace long since lost under the dust of time. That necklace had been simpler: only a string of beads etched with tiny ankhs. But my husband had brought it to me the morning of our wedding, sneaking up to our house just after dawn in a gesture uncharacteristically bold for him.
I had chastised him for the indiscretion. "What are you doing? You're going to see me this afternoon... and then every day after that!"
"I had to give you these before the wedding." He held up the string of beads. "They were my mother's. I want you to have them, to wear them today.”
He leaned forward, placing the beads around my neck. As his fingers brushed my skin, I felt something warm and tingly run through my body. At the tender age of fifteen, I hadn't exactly understood such sensations, though I was eager to explore them. My wiser self today recognized them as the early stirrings of lust, and . . . well, there had been something else there too. Something else that I still didn't quite comprehend. An electric connection, a feeling that we were bound into something bigger than ourselves. That our being together was inevitable.
"There," he'd said, once the beads were secure and my hair brushed back into place. "Perfect.” He said nothing else after that. He didn't need to. His eyes told me all I needed to know, and I shivered. Until Kyriakos, no man had ever given me a second glance. I was Marthanes' too-tall daughter after all, the one with the sharp tongue who didn't think before speaking. (Shape-shifting would eventually take care of one of those problems but not the other.) But Kyriakos had always listened to me and watched me like I was someone more, someone tempting and desirable, like the beautiful priestesses of Aphrodite who still carried on their rituals away from the Christian priests.
I wanted him to touch me then, not realizing just how much until I caught his hand suddenly and unexpectedly. Taking it, I placed it around my waist and pulled him to me. His eyes widened in surprise, but he didn't pull back. We were almost the same height, making it easy for his mouth to seek mine out in a crushing kiss. I leaned against the warm stone wall behind me so that I was pressed between it and him. I could feel every part of his body against mine, but we still weren't close enough. Not nearly enough.
Our kissing grew more ardent, as though our lips alone might close whatever aching distance lay between us. I moved his hand again, this time to push up my skirt along the side of one leg. His hand stroked the smooth flesh there and, without further urging, slid over to my inner thigh. I arched my lower body toward his, nearly writhing against him now, needing him to touch me everywhere.
"Letha? Where are you at?”
My sister's voice carried over the wind; she wasn't nearby but was close enough to be here soon.
Kyriakos and I broke apart, both gasping, pulses racing. He was looking at me like he'd never seen me before. Heat burned in his gaze.
"Have you ever been with anyone before?" he asked wonderingly.
I shook my head.
"How did you ... I never imagined you doing that...”
"I learn fast.”
He grinned and pressed my hand to his lips. "Tonight," he breathed. "Tonight we ...”
"Tonight," I agreed.
He backed away then, eyes still smoldering. "I love you. You are my life.”
"I love you too." I smiled and watched him go.
”
”
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))