Somehow I Managed Quotes

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Once, over dinner, Henry was quite startled to learn from me than men had walked on the moon. “No,” he said, putting down his fork. “It’s true,” chorused the rest, who had somehow managed to pick this up along the way. “I don’t believe it.” “I saw it,” said Bunny. “It was on television.” “How did they get there? When did this happen?"
Donna Tartt (The Secret History)
Shhh. Just listen. You, of all people. Listen to what Im saying. This...tonight...is the most wonderful thing you could have done for me. What you have told me, what you have done in bringing me here...knowing that, somehow, from that complete arse, I was at the start of this, you managed to salvage something to love is astonishing to me. But...I need it to end here. No more chair. No more pneumonia. No more burning limbs. No more pain and tiredness and waking up every morning already wishing it was over. When we get back, I am still going to go to Switzerland. And if you do love me, Clark, as you say you do, the thing that would make me happier than anything is if you would come with me. So I'm asking you - if you feel the things you say you feel - then do it. Be with me. Give me the end I'm hoping for.
Jojo Moyes (Me Before You (Me Before You, #1))
I have my sources." Somehow, saying I'd heard it from my mom sounded less cool. "You've decided, right? I mean, it sounds like a good deal, seeing as she's going to give you fringe benefits..." He gave me a level look. "What happens between her and me is none of your business," he replied crisply. ... Dimitri arched an eyebrow, then jerked his head back where we'd come from. "You hang out in his room a lot?" Several retorts popped into my head, and then a golden one took precedence. "What happens between him and me is none of your business." I managed a tone very similar to he one he'd used on me when making a similar comment about him and Tasha.
Richelle Mead (Frostbite (Vampire Academy, #2))
The truth is you already know what it's like. You already know the difference between the size and speed of everything that flashes through you and the tiny inadequate bit of it all you can ever let anyone know. As though inside you is this enormous room full of what seems like everything in the whole universe at one time or another and yet the only parts that get out have to somehow squeeze out through one of those tiny keyholes you see under the knob in older doors. As if we are all trying to see each other through these tiny keyholes. But it does have a knob, the door can open. But not in the way you think...The truth is you've already heard this. That this is what it's like. That it's what makes room for the universes inside you, all the endless inbent fractals of connection and symphonies of different voices, the infinities you can never show another soul. And you think it makes you a fraud, the tiny fraction anyone else ever sees? Of course you're a fraud, of course what people see is never you. And of course you know this, and of course you try to manage what part they see if you know it's only a part. Who wouldn't? It's called free will, Sherlock. But at the same time it's why it feels so good to break down and cry in front of others, or to laugh, or speak in tongues, or chant in Bengali--it's not English anymore, it's not getting squeezed through any hole. So cry all you want, I won't tell anybody.
David Foster Wallace (Oblivion: Stories)
Be proud, Bonito, pretty boy. You can go home and tell your father, Yes, I beat up Ender Wiggin, who was barely ten years old, and I was thirteen. And I had only six of my friends to help me, and somehow we managed to defeat him, even though he was naked and wet and alone--Ender Wiggin is so dangerous and terrifying it was all we could do not to bring two hundred.
Orson Scott Card (Ender’s Game (Ender's Saga, #1))
The Democrats seem to be basically nicer people, but they have demonstrated time and again that they have the management skills of celery. They're the kind of people who'd stop to help you change a flat, but would somehow manage to set your car on fire. I would be reluctant to entrust them with a Cuisinart, let alone the economy. The Republicans, on the other hand, would know how to fix your tire, but they wouldn't bother to stop because they'd want to be on time for Ugly Pants Night at the country club
Dave Barry (Dave Barry Slept Here: A Sort of History of the United States)
I'm... I'm so in love with you that I can't even stand it! Sasuke! Stay with me, and I'll never let you regret it! We'll have fun every day, and... And you'll be happy! I'll make sure of it! I'll do anything for you, Sasuke! Just, please... Please, please don't go! I'll even help you take revenge! I mean, I'll manage it somehow, so... So please... Stay with me.
Masashi Kishimoto (Naruto, Vol. 21: Pursuit (Naruto, #21))
I’m not crying.” “You are the worst liar I have ever met.” He moved to rub my shoulder. “Why are you upset?” Every time he asked, I somehow managed to cry harder, my body shaking more; there were actual noises coming out of me. “It’s stupid.” “More than likely, but tell me anyway,” he said in a gentle voice.
Mariana Zapata (Kulti)
Let's get something clear up front. I'm not Harry Dresden. Harry's a wizard. A genuine, honest-to-goodness wizard. He's Gandalf on crack and an IV of Red Bull, with a big leather coat and a .44 revolver in his pocket. He'll spit in the eye of gods and demons alike if he thinks it needs to be done, and to hell with the consequences -- and yet somehow my little brother manages to remain a decent human being. I'll be damned if I know how. But then, I'll be damned regardless. My name is Thomas Raith, and I'm a monster.
Jim Butcher (Backup (The Dresden Files, #10.2))
Every form of strength is also a form of weakness,” he once wrote. “Pretty girls tend to become insufferable because, being pretty, their faults are too much tolerated. Possessions entrap men, and wealth paralyzes them. I learned to write because I am one of those people who somehow cannot manage the common communications of smiles and gestures, but must use words to get across things that other people would never need to say.
Michael Lewis (Moneyball: The Art of Winning an Unfair Game)
Liam cleared his throat again and turned to fully face me. “So, it’s the summer and you’re in Salem, suffering through another boring, hot July, and working part-time at an ice cream parlor. Naturally, you’re completely oblivious to the fact that all of the boys from your high school who visit daily are more interested in you than the thirty-one flavors. You’re focused on school and all your dozens of clubs, because you want to go to a good college and save the world. And just when you think you’re going to die if you have to take another practice SAT, your dad asks if you want to go visit your grandmother in Virginia Beach.” “Yeah?” I leaned my forehead against his chest. “What about you?” “Me?” Liam said, tucking a strand of hair behind my ear. “I’m in Wilmington, suffering through another boring, hot summer, working one last time in Harry’s repair shop before going off to some fancy university—where, I might add, my roommate will be a stuck-up-know-it-all-with-a-heart-of-gold named Charles Carrington Meriwether IV—but he’s not part of this story, not yet.” His fingers curled around my hip, and I could feel him trembling, even as his voice was steady. “To celebrate, Mom decides to take us up to Virginia Beach for a week. We’re only there for a day when I start catching glimpses of this girl with dark hair walking around town, her nose stuck in a book, earbuds in and blasting music. But no matter how hard I try, I never get to talk to her. “Then, as our friend Fate would have it, on our very last day at the beach I spot her. You. I’m in the middle of playing a volleyball game with Harry, but it feels like everyone else disappears. You’re walking toward me, big sunglasses on, wearing this light green dress, and I somehow know that it matches your eyes. And then, because, let’s face it, I’m basically an Olympic god when it comes to sports, I manage to volley the ball right into your face.” “Ouch,” I said with a light laugh. “Sounds painful.” “Well, you can probably guess how I’d react to that situation. I offer to carry you to the lifeguard station, but you look like you want to murder me at just the suggestion. Eventually, thanks to my sparkling charm and wit—and because I’m so pathetic you take pity on me—you let me buy you ice cream. And then you start telling me how you work in an ice cream shop in Salem, and how frustrated you feel that you still have two years before college. And somehow, somehow, I get your e-mail or screen name or maybe, if I’m really lucky, your phone number. Then we talk. I go to college and you go back to Salem, but we talk all the time, about everything, and sometimes we do that stupid thing where we run out of things to say and just stop talking and listen to one another breathing until one of us falls asleep—” “—and Chubs makes fun of you for it,” I added. “Oh, ruthlessly,” he agreed. “And your dad hates me because he thinks I’m corrupting his beautiful, sweet daughter, but still lets me visit from time to time. That’s when you tell me about tutoring a girl named Suzume, who lives a few cities away—” “—but who’s the coolest little girl on the planet,” I manage to squeeze out.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
This is what we are like. Collectively as a species, this is our emotional landscape. I met an old lady once, almost 100 years old, and she told me, "There are only two questions that human beings have ever fought over, all through history. How much do you love me? And Who's in charge? Everything else is somehow manageable. But these two questions of love and control undo us all, trip us up and cause war, grief, and suffering.
Elizabeth Gilbert (Eat, Pray, Love)
There. What do you think?" he takes half a step back and i look at myself in the mirror again. Somehow, he has managed where i failed to roll my hair an pin it low on my neck. The curl that keeps escaping has now been positioned behind my ear. "Not bad," i say. "You know if the musician thing doesn't work out, you could always be a-" Behind me Gabriel makes a stabbing motion over his heart.
Carolyn MacCullough (Once a Witch (Witch, #1))
Somehow I'd still managed to go all retarded at the sight of some handsome asshole with a nice smile.
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
Maybe I owe you something too, human," she said, drawing her pistol. Butler almost reacted, but decided to give Holly the benefit of the doubt. Captain Short plucked a gold coin from her belt, flicking it fifty feet into the moonlit sky. With one fluid movement, she brought her weapon up and loosed a single blast. The coin rose another fifty feet, then spun earthward. Artemis somehow managed to snatch it from the air. The first cool movement of his young life. "Nice shot," he said. The previously solid disk now had a tiny hole in the center. Holly held out her hand, revealing the still raw scar on her finger. "If it wasn't for you, I would have missed altogether. No mech-digit can replicate that kind of accuracy. So, thank you too, I suppose." Artemis held out the coin. "No," said Holly. "You keep it, to remind you." "To remind me?" Holly stared at him frankly. "To remind you that deep beneath the layers of deviousness, you have a spark of decency. Perhaps you could blow on that spark occasionally." Artemis closed his fingers around the coin. It was warm against his palm. "Yes, perhaps.
Eoin Colfer (The Arctic Incident (Artemis Fowl, #2))
Square astronaut, round hole. But somehow, I’d managed to push myself through it, and here was the truly amazing part: along the way, I’d become a good fit. It had only taken 21 years.
Chris Hadfield (An Astronaut's Guide to Life on Earth)
I miss my father. I miss my grandfather. I miss my home. And I miss my mother. But the thing is, for almost three years, I managed not to miss any of them. And then I spent that one day with that one girl. One day ... It was like she gave me her whole self, and somehow as a result, I gave her more of myself than I even realized there was to give. But then she was gone. And only after I'd been filled up by her, by that day, did I understand how empty I really was.
Gayle Forman (Just One Year (Just One Day, #2))
I’ve never been swept off my feet. I don’t get butterflies. In fact the whole idea of being swooned by anyone is foreign to me. Somehow, in the course of sixty seconds, this guy has managed to swoon me, then terrify the hell out of me.
Colleen Hoover (Hopeless (Hopeless, #1))
Will tossed his apple core into the air, at the same time drawing a knife from his belt and throwing it. The knife and the apple scaled across the room together, somehow managing to stick into the wall just beside Gabriel's head, the knife driven cleanly through the core and into the wood. "Say that again," said Will. "And i'll darken your daylights for you.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
Horace’s pulse was racing and adrenaline was surging into his system. But he showed no sign of it. He had somehow realized what was coming as the huge man had leaped and spun before him. The coordination of the back stroke with the turn had alerted Horace, and he had determined that he would not move a muscle when the stroke arrived. It took enormous strength of will but he had managed it. Now he smiled. Prance and leap all you like, my friend, he thought, I’ll show you what a knight of Araluen is made of. Mussaun paused. He frowned and stared at the smiling young man before him. In times past, that movement had invariably resulted in the victim’s dropping to ground, hands above head, screaming for mercy. This youth was smiling at him! “That was really good,” Horace said. “I wonder, could I have a go?” He held out his bound hands.
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
A pale, slightly luminescent form materialized in front of us. Mason. He looked the same as ever-or did he? The usual sadness was there, but I could see something else, something else I couldn't quite put my finger on. Panic? Frustration? I could have almost sworn it was fear, but honestly, what would a ghost have to be afraid of. "What's wrong?" asked Dimitri. "Do you see him?" I whispered. Dimitri followed my gaze. "See who?" "Mason." Mason's troubled expression grew darker. I might not have been able to adequately identify it, but I knew it wasn't anything good. The nauseous feeling within me intensified, but somehow, I knew it had nothing to do with him. "Rose...we should go back..." said Dimitri carefully. He still wasn't on board with me seeing ghosts. But I didn't move. Mason's face was saying something else to me-or trying to. There was something here, something important that I needed to know. But he couldn't communicate it. "What?" I asked. "What is it?" A look of frustration crossed his face. He pointed off behind me, the dropped his hand. "Tell me," I said, my frustration mirroring his. Dimitri was looking back and forth between me and Mason, though mason was probably only and empty space to him. I was too fixated on Mason to worry what Dimitri might think. There was something here. Something big. Mason opened his mouth, wanting to speak as in previous times but still unable to get the words out. Except, this time, after several agonizing seconds, he managed it. The words were nearly inaudible. "They're...coming....
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
She Blinded Me With Science.’” “What?” Sydney asked. “That could be our song.” She laughed outright, and I realized I hadn’t heard that sound in a very long time. It somehow managed to make my heart both ache and leap. “Well,” she said. “I guess that’s better than ‘Tainted Love.
Richelle Mead (The Ruby Circle (Bloodlines, #6))
I do have to say that every year this event gets better and better. It's hard to top myself but somehow I manage.
Amanda Flower (Andi Unexpected (Andi Boggs, #1))
Have you ever had a moment where you knew, beyond a shadow of a doubt, that you were in the right place? That you were on the right journey? Maybe the sense that you’d crossed a boundary, jumped a hurdle, and somehow, after facing some unconquerable mountain, found yourself suddenly on the other side of it? When the night was warm and the wind was cool, and a song carried through the quiet streets around you. When you felt the entire world around you, and you were part of it—of the hum of it—and everything was good. Contentment, I suppose, is the simple explanation for it. But it seems more than that, thicker than that, some unity of purpose, some sense of being truly, honestly, for that moment, at home. Those moments never seem to last long enough. The song ends, the breeze stills, the worries and fears creep in again and you’re left trying to move forward, but glancing back at the mountain behind you, wondering how you managed to cross it, afraid you really didn’t—that the bulk and shadow over your shoulder might evaporate and re-form before you, and you’d be faced with the burden of crossing it again. The song ends, and you stare at the quiet, dark house in front of you, and you grasp the doorknob, and walk back into your life.
Chloe Neill
Lock reached for the French toast first, but Ric slapped his hand away and placed a carefully prepared plate in front of him. As Lock waited, Ric went to the counter and returned with a small strainer. He tapped the side, covering the French toast with powdered sugar. Somehow the wolf managed not to get any on Lock’s bacon or sausage. “There. Isn’t that nice?” “I have to say our relationship is getting stranger and stranger as we get older.
Shelly Laurenston (The Mane Squeeze (Pride, #4))
Books entered my house under cover of night, from the four winds, smuggled in by woodland creatures, and then they never left. Books collected on every surface; I believe that somehow they managed to breed
Lucy Sante
I'm shocked by anyone who doesn't consider Los Angeles to be anything less than a bozo-saturated hellhole. It is pretty much without question the worst city in America. The reason "Walking in L.A." by Missing Persons was the most accidentally prescient single of 1982 was because of its unfathomable (but wholly accurate) specificity: Los Angeles is the only city in the world where the process of walking on the sidewalk could somehow be a) political and b) humiliating. It is the only community I've ever visited where absolutely everything cliche proved to be completely accurate. I don't care if 85% of Los Angeles is stupid. I can deal with stupid. My problem is that every stupid person in Los Angeles is also a) unyieldingly narcissistic and b) unyieldingly nice. They have somehow managed to combine raging megalomania with genuine friendliness.
Chuck Klosterman
Craaaaaaaaaack! Before she could even scream, Fitz shouted, “I got her!” and two arms wrapped around her waist. The momentum from his jump pushed them sideways and somehow he managed to flip them before they crashed, sending them tumbling across the soft grass.
Shannon Messenger (Exile (Keeper of the Lost Cities, #2))
To his complete astonishment, he later found himself offering up a stumbling prayer that the dog would be protected. It was a moment in which he felt a desperate need to believe in a God that shepherded his own creations. But, even praying, he felt a twinge of self-reproach, and knew he might start mocking his own prayer at any second. Somehow, though, he managed to ignore his iconoclastic self and went on praying anyway. Because he wanted the dog, because he needed the dog.
Richard Matheson (I Am Legend)
There is a simple technique for self-regulation called “affect labeling,” which simply means labeling feelings with words. When you label an emotion you are experiencing (for example, “I feel anger”), it somehow helps you manage that emotion.
Chade-Meng Tan (Search Inside Yourself: The Unexpected Path to Achieving Success, Happiness (And World Peace))
Funny, when i was a little boy I wanted to be good. But I could never seem to manage it somehow. And if you're not good, the good people will throw you to the wolves. So you might as well just be bad
C.J. Sansom (Winter in Madrid)
I'm sorry, mom. I have some bad news. I guess I messed up somehow, somewhere along the way. I didn't manage to become a princess. I became a fujoshi instead.
Akiko Higashimura (Princess Jellyfish 2-in-1 Omnibus, Vol. 1 (Princess Jellyfish 2-in-1 Omnibus, #1))
I’ve become obsessed. I carry her notebook with me everywhere I go, spending all my free moments trying to decipher the words she’s scribbled in the margins, developing stories to go along with the numbers she’s written down. I’ve also noticed that the last page is missing. Ripped out. I can’t help but wonder why. I’ve searched through the book a hundred times, looking for other sections where pages might be gone, but I’ve found none. And somehow I feel cheated, knowing there’s a piece I might’ve missed. It’s not even my journal; it’s none of my business at all, but I’ve read her words so many times now that they feel like my own. I can practically recite them from memory. It’s strange being in her head without being able to see her. I feel like she’s here, right in front of me. I feel like I now know her so intimately, so privately. I’m safe in the company of her thoughts; I feel welcome, somehow. Understood. So much so that some days I manage to forget that she’s the one who put this bullet hole in my arm. I almost forget that she still hates me, despite how hard I’ve fallen for her. And I’ve fallen. So hard. I’ve hit the ground. Gone right through it.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
I always wondered why the makers leave housekeeping and cooking out of their tales. Isn't it what all the great wars and battles are fought for -- so that at day's end a family may eat together in a peaceful house? The tale tells how the Lords of Manva hunted & gathered roots & cooked their suppers while they were camped in exile in the foothills of Sul, but it doesn't say what their wives & children were living on in their city left ruined & desolate by the enemy. They were finding food too, somehow, cleaning house & honoring the gods, the way we did in the siege & under the tyranny of the Alds. When the heroes came back from the mountain, they were welcomed with a feast. I'd like to know what the food was and how the women managed it.
Ursula K. Le Guin (Voices (Annals of the Western Shore, #2))
Hazael rose from his knees. It had to take extraordinary effort, yet somehow he managed a version of his lazy smile when he said, "You know, I've always wanted to be a bath attendant. You should take me instead. I'm nicer than my sister." Jael returned the lazy smile. "You're not my type." "Well, you're not anybody's type," said Hazael. "No, wait. I take it back. My sword says she'd like to know you better." "I'm afraid I must deny her the pleasure. I've been kissed by swords before, you see." "I may have noticed.
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
Nobody wants to admit that mermaids who survive the dangers of the ocean can still be defeated by their own pain." He links his fingers through mine. He squeezes my hand until I look back. "A mermaid's heart is the most fragile thing in the sea. You've somehow managed to keep yours beating. The shield doesn't matter. What matters is you're a survivor.
Emm Cole (Keeping Merminia (Merminia, #2))
John lifted his head and looked down at her. His eyes were worried and he was careful as he brushed at her hair. She smiled. "Nah, I'm fine. I'm more than fine." A sly grin bloomed as he mouthed, ain't that the truth. "Hold up there, big man. You think you can make me blush like I'm some girl ? Pulling that sweet talk?" As he nodded, she rolled her eyes. "I'll have you know I'm not the kind of female who goes all dizzy, popping a stiletto off the floor just because some guy kisses her deep." John was all male as he cocked a brow. And damn it if she didn't feel a tingle in her cheeks. " Listen, John Matthew." She took his chin in her hand. "You're not turning me into one of these females who goes gaga over her lover. Not happening. I'm not hard-wired for that." Her voice was stern and she meant every word, except the instant he rolled his hips and that huge arousal pushed into her, she purred. She purred. The sound was utterly foreign and she'd have sucked it back down her throat if she could have. Instead, she just left out another of those decidedly non-tough-guy moans. John bowed his head to her breast and started suckling on her as he somehow manage to keep thrusting in slow, even penetrations. Swept away, her hands found his hair again, spearing through the thick softness. " Oh, John..." And then he stopped dead, lifted his lips from her nipple, and smiled so wide it was a wonder he didn't bust off his front teeth. His expression was one of total and complete gotcha. " You are a bastard, " she said on a laugh. He nodded. And pressed into her with his full lenght again. It was perfect that he was giving her shit and showing her a little of who was boss. Just perfect. Somehow it made her respect him even more, but then, she'd always loved strength in all its forms. Even the teasing kind. "I'm not surrendering , you know." He pursed his lips and shook his head, all oh, no, of course not. And then he started to pull out of her. As she growled low in her throat, she sank her nails into his ass. "Where do you think you're going ?
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
When we parted, she held on to me tight and said, "I love you, Logan. Don't let's lose touch.' I couldn't stop the tears and neither could she, so she lit a cigarette and I said it looked like rain wasn't far off, and somehow we managed to part. As I write this I feel that draining, hollowing helplessness that genuine love for another produces in you. It's at these moments that we know that we are going to die. Only with Freya, Stella and Gail. Only three. Better than none.
William Boyd (Any Human Heart)
I learned to write because I am one of those people who somehow cannot manage the common communications of smiles and gestures, but must use words to get across things that other people would never need to say.
Bill James
That is because he's a gentleman," I spat, through with this little game of his. He laughed but his grip had yet to loosen. "Yeah, that's right. Luke is candy hearts, love sonnets and roses. I'm edible body lotion and lost panties," he said, disgustedly. Somehow through all of this, I managed to feel sorry for him. "Flynn," I uttered. "God, Mercy, stop saying my name like that.
Shannon Dermott (Waiting for Mercy (Cambion, #2))
She is opinionated, as most of us are, but you won’t find yourself impaled on her arguments; she doesn’t charge at you as some people do. What [she] does is walk slowly and steadily into a conversational battle, somehow managing to deflect all incoming targets until she is standing in your corner with her flag dug firmly into the ground. I think it comes from the deep-seated confidence she possesses in her core. I think it is the powerful combination of encouraged individualism and a strong family unit.
Carrie Adams (The Godmother)
Ever since the day I came out of the womb, I’ve had impeccable timing. For example, I somehow managed to be born on the exact day of my birthday. And I wasn’t even trying, though my mother did push me along a bit.
Jarod Kintz (This Book is Not for Sale)
It was all part of a way of doing things in the United States that, as I would gradually realize, forced you to be constantly on guard, constantly worried that whatever amount of money you had or earned would never be enough, and constantly anxious about navigating the complex and mysterious fine print thrown at you from every direction by corporations that had somehow managed to evade even the bare minimum of sensible protections for consumers.
Anu Partanen (The Nordic Theory of Everything: In Search of a Better Life)
I didn't process it then, but I look back now in awe that this man wearing eyeliner, heels, and ladies’ perfume somehow managed to be more masculine than the burly bodyguard.
Mayte Garcia (The Most Beautiful: My Life with Prince)
I wasn’t convinced anyone felt the exact same way I did. That’s the rub about being human, I guess. You have all these tools to express yourself, art and music and poetry and stuff, but no one will ever truly know how you feel unless you somehow manage to create a projection of your brain and play it on to the wall. Even then it might not be as vivid. Even then it might not be as close.
Savannah Brown (The Truth About Keeping Secrets)
Have you had unprotected gay sex?" This time he got a snort and a laugh. "I ain‘t no butt pirate." Roan felt the urge to say, " Arr matey, prepare to be boarded," but somehow managed to repress it.
Andrea Speed (Bloodlines (Infected, #2))
Hanging out with Josh was like learning how to drive stick. It was hard enough just to start and then it was one stall after another. But somehow I always managed to crawl forward, just a little bit.
Heather Demetrios (I'll Meet You There)
I'm convinced that people see the ghosts of themselves all the time, but most just chose to block them out. The words don't even make sense to me, and I know it's true. When I was seven years old I saw the ghost of myself at the age of eighteen. Ever since that day I've kicked myself for not asking questions. I've no idea what my eighteen-year-old self could have told me at that point - perhaps nothing at all. Still, I can't help but think of it as a lost opportunity. Somehow there was a slight fluctuation in the current, and two of me bled through the fabric at once. Trying to figure out the meaning behind such events can drive you mad, because there is no answer. Perhaps it was some sort of hiccup. Then again, perhaps I was making some Herculean efforts to reach out to myself, and that was all I could manage.
Damien Echols
It's very bad form to spy on one's host," he said, planting his hands on his hips and somehow managing to look both authoritative and relaxed at the same time. "It was an accident," she grumbled. "Oh, I believe you there," he said. "But even if you didn't intend to spy on me, the fact remains that when the opportunity arose, you took it." "Do you blame me?" He grinned. "Not at all. I would have done precisely the same thing." Her mouth fell open. "Oh, don't pretend to be offended," he said. "I'm not pretending." He leaned a bit closer. “To tell the truth, I'm quite flattered." "It was academic curiosity," she ground out. "I assure you." His smile grew sly. "So you're telling me that you would have spied upon any naked man you'd come across?" "Of course not!" "As I said," he drawled, leaning back against a tree, "I'm flattered." "Well, now that we have that settled," Sophie said with a sniff, "I'm going back to Your Cottage.
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
People don't read anymore. And, when they do, they don't read books like this one, but instead read books that depress them, because those books are seen as important. Somehow, the Librarians have successfully managed to convince most people in the Hushlands that they shouldn't read anything that isn't boring. It comes down to Biblioden the Scrivener's great vision for the world — a vision in which people never do anything abnormal, never dream, and never experience anything strange. His minions teach people to stop reading fun books, and instead focus on fantasy novels. That's what I call them, because these books keep people trapped. Keep them inside the nice little fantasy that they consider to be the 'real' world. A fantasy that tells them they don't need to try something new. After all, trying new things can be difficult.
Brandon Sanderson (Alcatraz Versus the Scrivener's Bones (Alcatraz vs. the Evil Librarians #2))
I'm here, Sorcha. I would not believe it at first; it had been so long since he had touched my mind in this way. I'm here. Try to let go, dear one. I know how it hurts. Lean on me; let me take your burden for a while. I could scarcely see him; he was on the far side of the fire, behind the others and half turned away, with his head still in his hands. It seemed as if he had scarcely moved at all. How can you? How can you know? I know. Let me help you. I felt the strength of his mind flow into mine, and somehow he managed to close off the terrible, the dark and secret things that he had dreaded sharing with me, and fill my head with pictures of all that was good and brave.
Juliet Marillier (Daughter of the Forest (Sevenwaters, #1))
The moment he laid eyes on Kuga, I knew. There's a reason I'm doing this to him. I want to see it; how he's fallen in love with a guy, and how he makes him his own. And then what I've done will become a sharp knife, thrown right back at me. That's right. I just wanted to see. And the meaning behind the sharp knife flying towards me: Why not me? Why can't it be me? All this time, I would be lying if I said I've never wished for it, but by being merely an observer, I've somehow managed to distance myself. Kuga is a bright light, like the sun. I, on the other hand... (Yashiro)
Kou Yoneda (Twittering Birds Never Fly, Vol.1)
They both fought to catch their breath, though Megan's oxygen deprivation had nothing to do with the game. "You okay?" Finn asked. "Yeah, you?" she replied. Every inch of her body was throbbing to touch him again. "Yeah," he replied with a huge grin. He pushed himself around and got on all fours in front of her, pausing there with his face inches from hers. "I'm glad you stayed," he whispered, his breath warm on her face. Megan somehow managed to reply. "Me too." Then Finn pushed himself up and headed back toward the centre of the yard. For a moment, Megan couldn't move. Then Doug walked over and offered his arm. Megan grasped it thankfully and he yanked up to her shaky legs. "Who's all in a twist now?" he asked with a smirk. Megan laughed and shoved him from behind as they headed back to the line.
Kate Brian (Megan Meade's Guide to the McGowan Boys)
God was never about making me spiffy; God was about making me new. New doesn't always look perfect. Like the Easter story itself, new is often messy. New looks like recovering alcoholics. New looks like reconciliation between family members who don't actually deserve it. New looks like every time I manage to admit I was wrong and every time I manage to not mention when I'm right. New looks like every fresh start and every act of forgiveness and every moment of letting go of what we thought we couldn't live without and then somehow living without it anyway. New is the thing we never saw coming- never even hoped for- but ends up being what we needed all along.
Nadia Bolz-Weber (Pastrix: The Cranky, Beautiful Faith of a Sinner & Saint)
Christianity grasped perfectly that there is an element in the apparent contingency of love that can’t be reduced to that contingency. But it immediately raised it to the level of transcendence, and that is the root of the problem. This universal element I too recognize in love as immanent. But Christianity has somehow managed to elevate it and refocus it onto a transcendent power. It’s an ideal that was already partly present in Plato, through the idea of the Good. It is a brilliant first manipulation of the power of love and one we must now bring back to earth. I mean we must demonstrate that love really does have universal power, but that it is simply the opportunity we are given to enjoy a positive, creative, affirmative experience of difference. The Other, no doubt, but without the “Almighty-Other”, without the “Great Other” of transcendence.
Alain Badiou (In Praise of Love)
So that’s when the witch somehow pulled off her own restraint and flung herself at me like a beautiful and deadly panther. I think she’d seen my stupid clipboard and realized that I’d been writing down sordid lies about her mental state. I’m very jealous of her, you see, and use my middle management position…
Cassandra Gannon (Wicked Ugly Bad (A Kinda Fairytale, #1))
Somehow she had climbed halfway up his body before he managed to grasp her waist. He plucked her off and set her on her feet. She started to climb up his body again. “Are you having fun?” he asked suspiciously. “We’re on the fucking moon!” she shouted. “There’s nothing here!” He stared at her. “I don’t think you’re having fun.” “No air!” He shook his head. “Think about that logically. Could you have possibly said those words if there truly was no air? Of course there’s no air or atmosphere outside this bubble—” “Ofcoursethere’snofuckingairhereorfuckingatmosphereonthefuckinggoddamnMOONyouGODDAMNFUCKINGCRAZYMORONICDJINN…” “Grace,” he roared in her face.
Thea Harrison (Oracle's Moon (Elder Races, #4))
I face death, rather than avoid it. I climb anyway. Somehow I manage to handle the comings and goings of partners and loved ones. I pay homage, but I also move on. I don't know about whatever might come with death. Little by little I understand what it is that comes before: the life we are all living through right now. I see how easy it is to die in those beautiful places. I have lost many friends to the loveliness and horror of ice and stone walls. I still cry for them, for myself. The beauty of the high places is tempered by threat and danger. I remember the struggles won and lost up there. Every situation in life has its black side. Every human being on this planet would love to make that side go away. Wishing it away, ignoring the danger and the consequences, they can make believe it no longer exists. I refuse this option.
Mark Twight (Kiss or Kill: Confessions of a Serial Climber)
It was a moment in which he felt a desperate need to believe in a God that shepherded his own creations. But, even praying, he felt a twinge of self-reproach, and knew he might start mocking his own prayer at any second. Somehow, though, he managed to ignore his iconoclastic self and went on praying anyway. Because he wanted the dog, because he needed the dog.
Richard Matheson (I Am Legend)
Life is like the big wheel at Luna Park. You pay five francs and go into a room with tiers of seats all around, and in the centre the floor is made of a great disc of polished wood that revolves quickly. At first you sit down and watch the others. They are all trying to sit in the wheel, and they keep getting flung off, and that makes them laugh too. It's great fun. You see, the nearer you can get to the hub of the wheel the slower it is moving and the easier it is to stay on. There's generally someone in the centre who stands up and sometimes does a sort of dance. Often he's paid by the management, though, or, at any rate, he's allowed in free. Of course at the very centre there's a point completely at rest, if one could only find it; I'm not very near that point myself. Of course the professional men get in the way. Lots of people just enjoy scrambling on and being whisked off and scrambling on again. How they all shriek and giggle! Then there are others, like Margot, who sit as far out as they can and hold on for dear life and enjoy that. But the whole point about the wheel is that you needn't get on it at all, if you don't want to. People get hold of ideas about life, and that makes them think they've got to join in the game, even if they don't enjoy it. It doesn't suit everyone. People don't see that when they say "life" they mean two different things. They can mean simply existence, with its physiological implications of growth and organic change. They can't escape that - even by death, but because that's inevitable they think the other idea of life is too - the scrambling and excitement and bumps and the effort to get to the middle, and when we do get to the middle, it's just as if we never started. It's so odd. Now you're a person who was clearly meant to stay in the seats and sit still and if you get bored watch the others. Somehow you got on to the wheel, and you got thrown off again at once with a hard bump. It's all right for Margot, who can cling on, and for me, at the centre, but you're static. Instead of this absurd division into sexes they ought to class people as static and dynamic. There's a real distinction there, though I can't tell you how it comes. I think we're probably two quite different species spiritually.
Evelyn Waugh (Decline and Fall)
The elderly gentleman somehow managed to look down his nose at her,even though they were of a similar height. "From what I just witnessed, you were about to assault Mr. Addleshaw." "Just because I was thinking about it, doesn't mean I was planning on seeing it through to fruition." "A lady should never contemplate slapping a gentleman, especially not one of Mr. Addleshaw's social standing." "I wasn't thinking about slapping him," Harriet muttered. "He deserved much more than a simple slap for being under the misguided belief that, simply because he has deep pockets, everyone should cater to his ridiculous whims.
Jen Turano (After a Fashion (A Class of Their Own, #1))
Maybe this is the case for many of us: No matter who we become or what we accomplish, we still feel that we’re essentially the kid we were at some simpler time long ago. Somehow that’s the trick of leadership, too, I think, to hold on to that awareness of yourself even as the world tells you how powerful and important you are. The moment you start to believe it all too much, the moment you look yourself in the mirror and see a title emblazoned on your forehead, you’ve lost your way. That may be the hardest but also the most necessary lesson to keep in mind, that wherever you are along the path, you’re the same person you’ve always been.
Robert Iger (The Ride of a Lifetime: Lessons Learned from 15 Years as CEO of the Walt Disney Company)
I’m still not sure what I ever did to inspire that need, that love in them both. I’m not honest and steady like Trev or bright and burning like Mina. I’m just me, with dirt underneath my fingernails and a weakness for love and drugs. Somehow, though, I’ve managed to tie us all in knots, and I don’t know how we can break free. “We
Tess Sharpe (Far From You)
The things that bring couples together will always terrify me more than the things that tear us apart. They will always be harder to explain. They will always keep me up later. Love gone wrong has inspired so many great songs, but somehow, love going right is what's bizarre. It exposes deep freakcraft in the universe. As far as I'm concerned, 'some people are very kind' is the scariest line Bob Dylan ever wrote. Compared to that, his breakup songs are kid stuff. Some people are very kind and there's nothing in the universe to explain why. It's a mystery how people lose each other--but to me, it's an even stranger mystery we manage to stay together, or to collide together at all.
Rob Sheffield (Turn Around Bright Eyes: The Rituals of Love & Karaoke)
He brought her to the moon with a flourish. The near side facing the Earth, not the far side, since he thought they should take the trip in stages. She turned in his arms to look around at where he brought them. "W-what ... " "I told you it would be somewhere special," he said, in the invisible bubble he had created for them. She screamed. He smiled smugly. Yes, this second date destination was worthy of a happy scream. Very few humans had walked on the moon. He knew how rare this opportunity was. Surely it should make up for what had happened on their first date. Grace kept screaming. She turned and clawed at him. "Oh, my God. Oh. My. God. OHMYGOD!" His smile vanished. He tried to get hold of her in a gentle but tight grip. That was more difficult than he expected. She seemed to have acquired a half-dozen arms and legs. He informed her, "You may stop making noise any time now." Somehow she had climbed halfway up his body before he managed to grasp her waist. He plucked her off and set her on her feet. She started to climb up his body again. "Are you having fun?" he asked suspiciously. "We're on the fucking moon!" she shouted. "There's nothing here!" He stared at her. "I don't think you're having fun.
Thea Harrison (Oracle's Moon (Elder Races, #4))
I thought. I thought of the slow yellow autumn in the swamp and the high honey sun of spring and the eternal silence of the marshes, and the shivering light on them, and the whisper of the spartina and sweet grass in the wind and the little liquid splashes of who-knew-what secret creatures entering that strange old place of blood-warm half earth, half water. I thought of the song of all the birds that I knew, and the soft singsong of the coffee-skinned women who sold their coiled sweet-grass baskets in the market and on Meeting Street. I thought of the glittering sun on the morning harbor and the spicy, somehow oriental smells from the dark old shops, and the rioting flowers everywhere, heavy tropical and exotic. I thought of the clop of horses' feet on cobblestones and the soft, sulking, wallowing surf of Sullivan's Island in August, and the countless small vistas of grace and charm wherever the eye fell; a garden door, a peeling old wall, an entire symmetrical world caught in a windowpane. Charlestone simply could not manage to offend the eye. I thought of the candy colors of the old houses in the sunset, and the dark secret churchyards with their tumbled stones, and the puresweet bells of Saint Michael's in the Sunday morning stillness. I thought of my tottering piles of books in the study at Belleau and the nights before the fire when my father told me of stars and butterflies and voyages, and the silver music of mathematics. I thought of hot, milky sweet coffee in the mornings, and the old kitchen around me, and Aurelia's gold smile and quick hands and eyes rich with love for me.
Anne Rivers Siddons (Colony)
I come from east Africa, Kenya, where people die of starvation because of drought. There is never enough rain for the crops or the animals. But here in the Congo, they have all the rain they need, rivers full of fish, and soil that is unbelievably rich. If you stand still here in the bush you can actually see plants growing around you, the growth is that powerful, that strong. And yet somehow people still manage to go hungry here because of the chaos, the bad management.
Tim Butcher (Blood River: A Journey to Africa's Broken Heart)
I stretched out diagonally in my bed, across the cool sheet. I was completely alone, but I had never felt safer. It wasn’t the bricks around me that I’d somehow managed to rent or the roof over my head that I was most grateful for. It was the home I now carried on my back like a snail. The sense that I was finally in responsible and loving hands. Love was there in my empty bed.
Dolly Alderton (Everything I Know About Love)
You missed him," she said. Somehow it didn't seem possible. He was so sure of himself, almost invincible in his manner. "I hit what I was aiming at," he answered quietly. "We have to keep moving. I'm hoping I slowed them down, but we can't count on it." He forced the oars through the water with his powerful arms and the boat shot through the channel toward open water. "I didn't feel anything." His gaze brushed her face, an odd little caress she felt all the way through her body, just as if he'd touched her with his fingers. "I wasn't aiming at you." She caught the fleeting glint of his white teeth in what could have been a brief smile. One dark eyebrow rose in response. "Has anyone ever told you your sense of humor needs a little work?" "No one's ever accused me of having a sense of humor before. You keep insulting me. First you accuse me of missing, and then you try to tell me I have a sense of humor." His face was made of stone, his tone devoid of all expression. His eyes were flat and ice cold, but Dahlia felt him laughing. Nothing big, but it was there in the boat between then, and the terrible pressure in her chest lifted a bit. "And it needs work," she pointed out. "Get it right." She even managed a brief smile of her own to match his.
Christine Feehan (Mind Game (GhostWalkers, #2))
Even though I couldn't see it, I had a feeling Archer was raising an eyebrow at me. "Who are you supposed to be?" he asked in a low voice. I took deep breaths and tried to keep my face as impassive as possible. If anyone glanced over here, they had to think I was just talking to a waiter, not facing down an Eye in their midst. "Hecate," I said, plucking one of the glasses off his tray. "What are you doing here?" He shrugged, managing somehow to look elegant even in his waiter's uniform. "Who doesn't love a party? Plus, I thought there might be a chance you'd wear that blue dress again." My fingers tightened so hard on the crystal goblet that I'm surprised I didn't snap the stem. "You are a crazy person," I said, struggling to keep my voice calm. "Or an idiot. Or a crazy idiot person. Why aren't you at least glamoured or something?
Rachel Hawkins (Demonglass (Hex Hall, #2))
If any writer in this country has collected as fine and passionate a group of readers as I have, they’re fortunate and lucky beyond anyone’s imagination. It remains a shock to me that I’ve had a successful writing career. Not someone like me; Lord, there were too many forces working against me, too many dark currents pushing against me, but it somehow worked. Though I wish I’d written a lot more, been bolder with my talent, more forgiving of my weaknesses, I’ve managed to draw a magic audience into my circle. They come to my signings to tell me stories, their stories. The ones that have hurt them and made their nights long and their lives harder.
Pat Conroy (A Lowcountry Heart: Reflections on a Writing Life)
When I was younger I used to see the earth as a fundamentally stable and serene place, possessed of a delicate, nearly divine balance, which humans had somehow managed to upset. But as I studied trails more closely, this fantasy gradually evaporated. I now see the earth as the collaborative artwork of trillions of sculptors, large and small. Sheep, humans, elephants, ants: each of us alters the world in our passage. When we build hives or nests, mud huts or concrete towers, we re-sculpt the contours of the planet. When we eat, we convert living matter into waste. And when we walk, we create trails. The question we must ask ourselves is not whether we should shape the earth, but how.
Robert Moor (On Trails: An Exploration)
Why didn't you just let me run home?" she asked. "I wanted you here," he said simply. "But why?" she persisted. He shrugged. "I don't know.Punishment, perhaps, for spying on me." "I wasn't-" Sophie's denial was automatic, but she cut herself off halfway through, because of course she'd been spying on him. "Smart girl," he murmured. She scowled at him. She would have liked to have said something utterly droll and witty, but she had a feeling that anything emerging from her mouth just then would have been quite the opposite,so she held her tongue. Better to be a silent fool than a talkative one. "It's very bad to spy on one's host," he said, planting his hands on his hips and somehow managing to look both authoritative and relaxed at the same time. "It as an accident," she grumbled. "Oh,I believe you there," he said. "But even if you didn't intend to spy on me, the fact remains that when the opportunity arose, you took it." "Do you blame me?" He grinned. "Not at all.I would have done precisely the same thing." Her mouth fell open. "Oh,don't pretend to be offended," he said. "I'm not pretending." He leaned a bit closer. "To tell the truth, I'm quite flattered." "It was academic curiosity," she ground out, "I assure you." His smile grew sly. "So you're telling me that you would have spied upon any naked man you'd come across?" "Of course not!" "As I said," he drawled, leaning back against a tree, "I'm flattered.
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
That’s awesome, I told her, but I’m letting you use my body so that we can break into Lara’s office, not so that you can give me a makeover. Besides, if I wander around looking like this, people will either know I’m doing magic somehow or wonder how I managed to sneak a flatiron into Hex Hall. It was an odd thing, watching my face crumple into a scowl at…myself. “You’re supremely irritating when you’re right,” she said, waving her hand. Once again, my hair sprang out in a messy halo of curls.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
It's not appropriate," Tessa said to her husband, Will. "He likes it." "Children like all sorts of things, Will. They like sweets and fire and trying to stick their head up the chimney. Just because he likes the dagger..." "Look how steadily he holds it." Little James Herondale, age two, was in fact holding a dagger quite well. He stabbed it into a sofa cushion, sending out a burst of feathers. "Ducks," he said, pointing at the feathers. Tessa swiftly removed the dagger from his tiny hands and replaced it with a wooden spoon. James had recently become very attached to this wooden spoon and carried it with him everywhere, often refusing to go to sleep without it. "Spoon," James said, tottering off across the parlor. "Where did he find the dagger?" Tessa asked. "It's possible I took him to the weapons room," Will said. "Is it?" "It is, yes. It's possible." "And it's possible he somehow got a dagger from where it is secured on the wall, out of his reach," Tessa said. "We live in a world of possibilities," Will said. Tessa fixed a gray-eyed stare on her husband. "He was never out of my sight," Will said quickly. "If you could manage it," Tessa said, nodding to the sleeping figure of Lucie Herondale in her little basket by the fire, "perhapds you won't give Lucie a broadsword until she's actually able to stand? Or is that asking too much?" "It seems a reasonable request," Will said, with an extravagant bow. "Anything for you, my pearl beyond price. Even withholding weaponry from my only daughter.
Cassandra Clare (The Whitechapel Fiend (Tales from the Shadowhunter Academy, #3))
Kallias is going to explode on me at any moment. He’ll have me thrown into prison until he decides on the proper day and manner for killing me. He’ll— Kallias laughs so loudly and abruptly, I nearly topple out of the armchair. He has his hands on his knees while his whole body shakes from the force of the laughter. What the devils? Did I break the king? He manages to straighten after a moment and look over at me, but then his face contorts and he’s back to uncontrollable laughter. I feel my limbs grow tight, my face grow hot, anger pooling into every muscle. “What the hell is wrong with you?” I snap, shouting over the top of his laughter. He wasn’t even this bad when he read Orrin’s love letter. He says something I can’t quite make out, then rubs tears from his eyes and tries again. “You killed him!” He throws his head back and laughs and laughs. And somehow, I know that I’m not in trouble. How can I be if he’s this jovial over the fact? I could deny it. Plead on my behalf. But Kallias isn’t stupid. Though the constable doesn’t have enough evidence to convict me, Kallias knows the truth of it. “I’ve an inclination to kill again,” I say, glaring at him. Kallias props himself up on the nearest wall of books, catching his breath. Once he’s calm, he strides over to me and places his gloved hands on either side of my head. “My little hellion. Quite the force to be reckoned with, aren’t you? Oh, say you’ll marry me, Alessandra!” I swallow, thoroughly confused. “You’re not going to hang me?” “Hang you?” he repeats, letting his hands fall to his sides. “The man did you wrong, Alessandra. Honestly, you’ve saved me the trouble of tracking him down and killing him myself.
Tricia Levenseller (The Shadows Between Us (The Shadows Between Us, #1))
Somehow she would manage to introduce herself, and before her victim had scented danger she had proffered an invitation to her suite. Her method of attack was so downright and sudden that there was seldom opportunity to escape. At the Côte d’Azur she staked a claim upon a certain sofa in the lounge, midway between the reception hall and the passage to the restaurant, and she would have her coffee there after luncheon and dinner, and all who came and went must pass her by. Sometimes she would employ me as a bait to draw her prey, and, hating my errand, I would be sent across the lounge with a verbal message, the loan of a book or paper, the address of some shop or other, the sudden discovery of a mutual friend. It seemed as though notables must be fed to her,
Daphne du Maurier (Rebecca)
What is that bruise?” Lucien demanded. I pointed with my fork to Tamlin. “Ask him. He did it.” Lucien looked from Tamlin to me and then back again. “Why does Feyre have a bruise on her neck from you?” he asked with no small amount of amusement. “I bit her,” Tamlin said, not pausing as he cut his steak. “We ran into each other in the hall after the Rite.” I straightened in my chair. “She seems to have a death wish,” he went on, cutting his meat. The claws stayed retracted but pushed against the skin above his knuckles. My throat closed up. Oh, he was mad—furious at my foolishness for leaving my room—but somehow managed to keep his anger on a tight, tight leash. “So, if Feyre can’t be bothered to listen to orders, then I can’t be held accountable for the consequences.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
She sat with great intensity, giving the whole of her mind to it, and was capable of remaining for an hour almost as motionless as if she were before a photographer's lens. I could see she had been photographed often, but somehow the very habit that made her good for that purpose unfitted her for mine. At first I was extremely pleased with her lady-like air, and it was a satisfaction, on coming to follow her lines, to see how good they were and how far they could lead the pencil. But after a few times I began to find her too insurmountably stiff; do what I would with it my drawing looked like a photograph or a copy of a photograph. Her figure had no variety of expression -- she herself had no sense of variety. You may say that this was my business, was only a question of placing her. I placed her in every conceivable position, but she managed to obliterate their differences. She was always a lady certainly, and into the bargain was always the same lady. She was the real thing, but always the same thing. There were moments when I was oppressed by the serenity of her confidence that she WAS the real thing.
Henry James (The Real Thing And Other Tales)
Magnus, his silver mask pushed back into his hair, intercepted the New York vampires before they could fully depart. Alec heard Magnus pitch his voice low. Alec felt guilty for listening in, but he couldn’t just turn off his Shadowhunter instincts. “How are you, Raphael?” asked Magnus. “Annoyed,” said Raphael. “As usual.” “I’m familiar with the emotion,” said Magnus. “I experience it whenever we speak. What I meant was, I know that you and Ragnor were often in contact.” There was a beat, in which Magnus studied Raphael with an expression of concern, and Raphael regarded Magnus with obvious scorn. “Oh, you’re asking if I am prostrate with grief over the warlock that the Shadowhunters killed?” Alec opened his mouth to point out the evil Shadowhunter Sebastian Morgenstern had killed the warlock Ragnor Fell in the recent war, as he had killed Alec’s own brother. Then he remembered Raphael sitting alone and texting a number saved as RF, and never getting any texts back. Ragnor Fell. Alec felt a sudden and unexpected pang of sympathy for Raphael, recognizing his loneliness. He was at a party surrounded by hundreds of people, and there he sat texting a dead man over and over, knowing he’d never get a message back. There must have been very few people in Raphael’s life he’d ever counted as friends. “I do not like it,” said Raphael, “when Shadowhunters murder my colleagues, but it’s not as if that hasn’t happened before. It happens all the time. It’s their hobby. Thank you for asking. Of course one wishes to break down on a heart-shaped sofa and weep into one’s lace handkerchief, but I am somehow managing to hold it together. After all, I still have a warlock contact.” Magnus inclined his head with a slight smile. “Tessa Gray,” said Raphael. “Very dignified lady. Very well-read. I think you know her?” Magnus made a face at him. “It’s not being a sass-monkey that I object to. That I like. It’s the joyless attitude. One of the chief pleasures of life is mocking others, so occasionally show some glee about doing it. Have some joie de vivre.” “I’m undead,” said Raphael. “What about joie de unvivre?” Raphael eyed him coldly. Magnus gestured his own question aside, his rings and trails of leftover magic leaving a sweep of sparks in the night air, and sighed. “Tessa,” Magnus said with a long exhale. “She is a harbinger of ill news and I will be annoyed with her for dumping this problem in my lap for weeks. At least.” “What problem? Are you in trouble?” asked Raphael. “Nothing I can’t handle,” said Magnus. “Pity,” said Raphael. “I was planning to point and laugh. Well, time to go. I’d say good luck with your dead-body bad-news thing, but . . . I don’t care.” “Take care of yourself, Raphael,” said Magnus. Raphael waved a dismissive hand over his shoulder. “I always do.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
Here is a piece of metal which has been melted until it has become shapeless. It represents nothing. Nor does it have design, of any intentional sort. It is merely amorphous. One might say, it is mere content, deprived of form.” Childan nodded. “Yet,” Paul said, “I have for several days now inspected it, and for no logical reason I feel a certain emotional fondness. Why is that? I may ask. I do not even now project into this blob, as in psychological German tests, my own psyche. I still see no shapes or forms. But it somehow partakes of Tao. You see?” He motioned Childan over. “It is balanced. The forces within this piece are stabilized. At rest. So to speak, this object has made its peace with the universe. It has separated from it and hence has managed to come to homeostasis.
Philip K. Dick (The Man in the High Castle)
Shhh. Just listen. You, of all people. Listen to what Im saying. This...tonight...is the most wonderful thing you could have done for me. What you have told me, what you have done in bringing me here...knowing that, somehow, from that complete arse, I was at the start of this, you managed to salvage something to love is astonishing to me. But...I need it to end here. No more chair. No more pneumonia. No more burning limbs. No more pain and tiredness and waking up every morning already wishing it was over. When we get back, I am still going to go to Switzerland. And if you do love me, Clark, as you say you do, the thing that would make me happier than anything is if you would come with me. So I'm asking you - if you feel the things you say you feel - then do it. Be with me. Give me the end I'm hoping for.
Jojo Moyes (Me Before You (Me Before You, #1))
Think of today as an entire lifetime," Wise Woman says to me before I fall asleep. "What was the hardest part in this lifetime? Notice where you sense that hardship in your body. How did you get through it?" We somehow managed to make it to the end of this day, the end of this lifetime. "What was the most joyful part of this lifetime?" Every day and every lifetime, no matter how hard, contains moments of joy. Notice what made it joyful. Sense what feels like joy in your body." "What are you most grateful for in this lifetime? Every day and every lifetime offers a new reason for gratitude. Sense that gratitude in your body." "Now, are you ready to let go of this lifetime? Are you ready to think of the work you have done today and know that it was enough? Are you ready to behold everyone and everything you have ever known and loved, kiss them, and let them go? Are you ready to die a kind of death?" Each night, I die a kind of death. Each morning, I wake to the gift of a new lifetime. In between, I labor in love. It is enough.
Valarie Kaur (See No Stranger: A Memoir and Manifesto of Revolutionary Love)
Why shouldn't Mom trust me, Dad" Why are you so determined to make me out to be the bad guy all the time?" I stared at the side of his face, willing him to make eye contact. He didn't. "I've been doing really good late and you don't even care." "Yet you still managed to get into trouble tonight," he said. "You have no idea what happened tonight," I said, my voice ratcheting up a notch. "All you know is that, because I was involved, I'm somehow guilty of something. You could at least pretend to care, you know. You could at least try to understand." Dad gave a sardonic little laugh. "I'll tell you what I understand," he said. "I understand that when you're left to your own devices you get into trouble, that's what I understand. I understand I was trying to have a happy, restful evening with Briley and once again you screwed it up.
Jennifer Brown (Hate List)
And I didn’t even want a baby, he thought to the rhythm of his digging. Isn’t that the damnedest thing? I didn’t want a baby any more than she did. Wasn’t it true, then, that everything in his life from that point on had been a succession of things he hadn’t really wanted to do? Taking a hopelessly dull job to prove he could be as responsible as any other family man, moving to an overpriced, genteel apartment to prove his mature belief in the fundamentals of orderliness and good health, having another child to prove that the first one hadn’t been a mistake, buying a house in the country because that was the next logical step and he had to prove himself capable of taking it. Proving, proving; and for no other reason than that he was married to a woman who had somehow managed to put him forever on the defensive, who loved him when he was nice, who lived according to what she happened to feel like doing and who might at any time—this was the hell of it—who might at any time of day or night just happen to feel like leaving him. It was as ludicrous and as simple as that.
Richard Yates (Revolutionary Road)
The truth is you already know what it’s like. You already know the difference between the size and speed of everything that flashes through you and the tiny inadequate bit of it all you can ever let anyone know. As though inside you is this enormous room full of what seems like everything in the whole universe at one time or another and yet the only parts that get out have to somehow squeeze out through one of those tiny keyholes you see under the knob in older doors. As if we are all trying to see each other through these tiny keyholes. But it does have a knob, the door can open. But not in the way you think. But what if you could? Think for a second — what if all the infinitely dense and shifting worlds of stuff inside you every moment of your life turned out now to be somehow fully open and expressible afterward, after what you think of as you has died, because what if afterward now each moment itself is an infinite sea or span or passage of time in which to express it or convey it, and you don’t even need any organized English, you can as they say open the door and be in anyone else’s room in all your own multiform forms and ideas and facets? Because listen — we don’t have much time, here’s where Lily Cache slopes slightly down and the banks start getting steep, and you can just make out the outlines of the unlit sign for the farmstand that’s never open anymore, the last sign before the bridge — so listen: What exactly do you think you are? The millions and trillions of thoughts, memories, juxtapositions — even crazy ones like this, you’re thinking — that flash through your head and disappear? Some sum or remainder of these? Your history? Do you know how long it’s been since I told you I was a fraud? Do you remember you were looking at the respicem watch hanging from the rearview and seeing the time, 9:17? What are you looking at right now? Coincidence? What if no time has passed at all?* The truth is you’ve already heard this. That this is what it’s like. That it’s what makes room for the universes inside you, all the endless inbent fractals of connection and symphonies of different voices, the infinities you can never show another soul. And you think it makes you a fraud, the tiny fraction anyone else ever sees? Of course you’re a fraud, of course what people see is never you. And of course you know this, and of course you try to manage what part they see if you know it’s only a part. Who wouldn’t? It’s called free will, Sherlock. But at the same time it’s why it feels so good to break down and cry in front of others, or to laugh, or speak in tongues, or chant in Bengali — it’s not English anymore, it’s not getting squeezed through any hole. So cry all you want, I won’t tell anybody.
David Foster Wallace
lot of noises all at once, even if they are exclusively pleasant sounds, will always feel like an assault. So, the relentless cacophony of high school was constantly and unbearably overwhelming. And don’t get me started on the smell of it. Body sprays competed with hair sprays, which competed with the always over-deployed deodorants that still somehow managed to lose the war against the toxic bouquet of teenage body odour. Thank god I was a smoker; I might’ve perished otherwise. The other hurdle high school threw up at me was homework. I am not morally opposed to extracurricular curricula; I just didn’t have time for it. As in primary school, I needed my evenings to catch up on the things my brain had been unable to take on board during the day, not to mention recover from the sheer exhaustion of trying to subtly navigate a sea of hypercritical teens for hours on end. On top of that, the closer I got to being an adult and the further away from being a baby, the more chores I was expected to get done at home. These extra burdens, as reasonable as they were, led to my brain shutting down more and more, and, without my brain, learning became impossible.
Hannah Gadsby (Ten Steps to Nanette)
The Audacity of Despair "You can stand your ground if you're white, and you can use a gun to do it. But if you stand your ground with your fists and you're black, you're dead. "In the state of Florida, the season on African-Americans now runs year round. Come one, come all. And bring a handgun. The legislators are fine with this blood on their hands. The governor, too. One man accosted another and when it became a fist fight, one man — and one man only — had a firearm. The rest is racial rationalization and dishonorable commentary. "If I were a person of color in Florida, I would pick up a brick and start walking toward that courthouse in Sanford. Those that do not, those that hold the pain and betrayal inside and somehow manage to resist violence — these citizens are testament to a stoic tolerance that is more than the rest of us deserve. I confess, their patience and patriotism is well beyond my own. "Behold, the lewd, pornographic embrace of two great American pathologies: Race and guns, both of which have conspired not only to take the life of a teenager, but to make that killing entirely permissible. I can't look an African-American parent in the eye for thinking about what they must tell their sons about what can happen to them on the streets of their country. Tonight, anyone who truly understands what justice is and what it requires of a society is ashamed to call himself an American.
David Simon (The Wire: Truth Be Told)
Thank you for asking. Of course one wishes to break down on a heart-shaped sofa and week into one's lace handkerchief, but I am somehow managing to hold it together. After all, I still have a warlock contact." Magnus inclined his head with a slight smile. "Tessa Gray," said Raphael. "Very dignified lady. Very well-read. I think you know her?" Magnus made a face at him. "It's not being a sass-monkey that I object to. That I like. It's the joyless attitude. One of the chief pleasures of life is mocking others, so occasionally show some glee about doing it. Have some joie de vivre." "I'm undead," said Raphael. "What about joie de unvivre?" Raphael eyed him coldly. Magnus gestured his own question aside, his rings and trails of leftover magic leaving a sweep of leftover magic leaving a sweep of sparks in the night air, and sighed. "Tessa," Magnus said with a long exhale. "She is a harbinger of ill news and I will be annoyed with her for dumping this problem in my lap for weeks. At least." "What problem? Are you in trouble?" asked Raphael. "Nothing I can't handle," said Magnus. "Pity," said Raphael. "I was planning to point and laugh. Well, time to go. I'd say good luck with your dead-body bad-news thing, but ... I don't care." "Take care of yourself, Raphael," said Magnus. Raphael waved a dismissive hand over his shoulder. "I always do.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
Do you ever wonder how we all got here? On Earth, I mean. Forget the song and dance about Adam and Eve, which I know is a load of crap. My father likes the myth of the Pawnee Indians, who say that the star deities populated the world: Evening Star and Morning Star hooked up and gave birth to the first female. The first boy came from the Sun and the Moon. Humans rode in on the back of a tornado. Mr. Hume, my science teacher, taught us about this primordial soup full of natural gases and muddy slop and carbon matter that somehow solidified into one-celled organisms called choanoflagellates... which sound a lot more like a sexually transmitted disease than the start of the evolutionary chain, in my opinion. But even once you get there, it's a huge leap from an amoeba to a monkey to a whole thinking person. The really amazing thing about all this is no matter what you believe, it took some doing to get from a point where there was nothing, to a point where all the right neurons fire and pop so that we can make decisions. More amazing is how even though that's become second nature, we all still manage to screw it up.
Jodi Picoult (My Sister’s Keeper)
Whether we can somehow listen in on tree talk is a subject that was recently addressed in the specialized literature. Korean scientists have been tracking older women as they walk through forests and urban areas. The result? When the women were walking in the forest, their blood pressure, their lung capacity, and the elasticity of their arteries improved, whereas an excursion into town showed none of these changes. It's possible that phytoncides have a beneficial effect on our immune systems as well as the trees' health, because they kill germs. Personally, however, I think the swirling cocktail of tree talk is the reason we enjoy being out in the forest so much. At least when we are out in undisturbed forests. Walkers who visit one of the ancient deciduous preserves in the forest I manage always report that their heart feels lighter and they feel right at home. If they walk instead through coniferous forests, which in Central Europe are mostly planted and are, therefore, more fragile, artificial places, they don't experience such feelings. Possibly it's because in ancient beech forests, fewer "alarm calls" go out, and therefore, most messages exchanged between trees are contented ones, and these messages reach our brains as well, via our noses. I am convinced that we intuitively register the forest's health.
Peter Wohlleben (The Hidden Life of Trees: What They Feel, How They Communicate: Discoveries from a Secret World)
But she drew in a breath and asked with saccharine sweetness, “Trace, are you ready?” No, he wasn’t ready. Somehow he had to regain control of this situation. Right now she had the upper hand, and that was untenable. With the perfect plan in mind, Trace shook his head, but said with what he hoped sounded like indifference, “Quit stalling.” And then he pulled out his cell phone. This time, she was all but naked. What little material covered her proved mere decoration, like icing on a very sweet cake—a cake he wouldn’t mine eating, slowly, top to toes and everywhere in between. Priss stood with her hands on her generous hips, her feet apart, shoulders back. How such a small woman packed so many perfect curves, he didn’t know. But she managed it with flair. Boy, did she ever. “Good enough.” When she smiled at him, he lifted the cell phone and used it to take a picture. Squawking, Priss leaped behind the curtain and her face went up in flames. “What do you think you’re doing?” “Suddenly shy?” Content with her appalled tone and burning-red face, Trace looked down at the phone. Oh, yeah, that’d do. He pushed a few buttons, then put the cell phone away. “Don’t worry, honey. I emailed it to myself.” His smile felt like a leer. “No one else will see it.” Unappeased by that promise, she glared at him. “You—!” “Now, Priss. Modesty at this late date is more than suspicious. You wanted my approval.” He shrugged—and struggled to keep his attention on her face and off the curves that showed even beneath the curtain she clutched to her chin. “You’ve got it, with my admiration, too.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
Nick grinned, swooping in for another kiss and then leaning back and scruffing his hair up. “Harriet Manners, I’m about to give you six stamps. Then I’m going to write something on a piece of paper and put it in an envelope with your address on it.” “OK …” “Then I’m going to put the envelope on the floor and spin us as fast as I can. As soon as either of us manage to stick a stamp on it, I’m going to race to the postbox and post it unless you can catch me first. If you win, you can read it.” Nick was obviously faster than me, but he didn’t know where the nearest postbox was. “Deal,” I agreed, yawning and rubbing my eyes. “But why six stamps?” “Just wait and see.” A few seconds later, I understood. As we spun in circles with our hands stretched out, one of my stamps got stuck to the ground at least a metre away from the envelope. Another ended up on a daisy. A third somehow got stuck to the roundabout. One of Nick’s ended up on his nose. And every time we both missed, we laughed harder and harder and our kisses got dizzier and dizzier until the whole world was a giggling, kissing, spinning blur. Finally, when we both had one stamp left, I stopped giggling. I had to win this. So I swallowed, wiped my eyes and took a few deep breaths. Then I reached out my hand. “Too late!” Nick yelled as I opened my eyes again. “Got it, Manners!” And he jumped off the still-spinning roundabout with the envelope held high over his head. So I promptly leapt off too. Straight into a bush. Thanks to a destabilised vestibular system – which is the upper portion of the inner ear – the ground wasn’t where it was supposed to be. Nick, in the meantime, had ended up flat on his back on the grass next to me. With a small shout I leant down and kissed him hard on the lips. “HA!” I shouted, grabbing the envelope off him and trying to rip it open. “I don’t think so,” he grinned, jumping up and wrapping one arm round my waist while he retrieved it again. Then he started running in a zigzag towards the postbox. A few seconds later, I wobbled after him. And we stumbled wonkily down the road, giggling and pulling at each other’s T-shirts and hanging on to tree trunks and kissing as we each fought for the prize. Finally, he picked me up and, without any effort, popped me on top of a high wall. Like Humpty Dumpty. Or some kind of really unathletic cat. “Hey!” I shouted as he whipped the envelope out of my hands and started sprinting towards the postbox at the bottom of the road. “That’s not fair!” “Course it is,” he shouted back. “All’s fair in love and war.” And Nick kissed the envelope then put it in the postbox with a flourish. I had to wait three days. Three days of lingering by the front door. Three days of lifting up the doormat, just in case it had accidentally slipped under there. Finally, the letter arrived: crumpled and stained with grass. Ha. Told you I was faster. LBxx
Holly Smale (Picture Perfect (Geek Girl, #3))
That's the only way I can somehow get close to it, to that goddamn it, without it killing me, you know? I have to dance around in front of it, I have to move, not freeze like a mouse who sees a snake. I have to feel, even just for a minute, for half a second, the last free place I may still have inside me, the fraction of a spark that still somehow glows inside, which that lousy it couldn't extinguish. Ugh! I have no other way. You have to get that: I have no other way. And maybe there is no other way, huh? I don't know, and you wouldn't understand, so at least write it down, quick. I want to knead it--yes, it, the thing that happened, the thing that struck like lightening and burned everything I had, including the words, goddamn it and its memory, the bastard burned the words that could have described it for me. And I have to mix it up with some part of me. I must, from deep inside me, and then exhale into it with my pathetic breath so I can try and make it a bit--how can I explain this to you--a bit mine, mine...Because a part of me, of mine, already belongs to it, deep inside it, in its damn prison, so there might be an opening, we might be able to haggle...What? Write it down, you criminal! Don't stop writing. You stand there staring at me? Now that I've finally managed to get out a single word about it, and breathe...I have to create characters. That's what I want, what I need. I must, it's always like that with me. Characters that flow into the story, swarm it, that can maybe air out my cell a little and surprise it--and me. Yes, I want them to betray me, betray it, the motherfucker. I want them to jump it from this side and the other and from every direction...just so long as they make it budge even one millimeter, that's enough, so that at least it moves a little on my page, so it twitches, and just makes it not so so impossible to anything.
David Grossman (Falling Out of Time)
Chase took a long breath. “There’s no way around saying this, other than just coming straight out with it. I’ve been an idiot—an ass. Time and time again, I’ve done the wrong thing by you.” Her mouth dropped open. “And this whole time I’d been trying to do the right thing by not being with you. I didn’t want to betray Mitch by hooking up with his little sister. I didn’t want to somehow mess up our friendship either, because you have been such a huge part of my life.” He took a deep breath. “And I never wanted to be like my father—to treat you like he treated my mom. And it was stupid—I get that now. Chad was right. Father never loved our mother, but it’s different for me—it’s different for us. It always has been.” The whole time he spoke, he never looked away from her. She opened her mouth to say something but he rushed ahead. “But all I’ve managed to do is screw things up. That night in the club…I wasn’t drunk.” Madison shifted uncomfortably. “I know.” “It was a lame excuse, and I’m sorry. That night—I should’ve told you how I really felt. And every night thereafter,” he said, taking a step forward. “I should’ve told you how I felt the night in that damn cabin, too.” Her heart swelled as hope grew in a tangle of emotions she could never unravel. All of this seemed surreal. Tears rushed her eyes as she reached behind her, grasping the edges of her desk. “And how do you feel?” Chase’s smile revealed those deep dimples she loved, and when he spoke, his voice was husky. “Aw hell, Maddie, I’m not good at this kind of stuff. You…you are my world. You’ve always been my world, ever since I can remember.” At Bridget’s soft inhale, Madison placed a trembling hand over her mouth. Stepping forward, he placed a hand over hers, gently pulling it away from her mouth. “It’s the truth. You are my everything. I love you. I have for longer than I realized. Please tell me my boneheadedness hasn’t screwed things up beyond repair for us.
J. Lynn (Tempting the Best Man (Gamble Brothers, #1))
Your father’s death was an accident,” Kate said. “An accident. A terrible, horrible twist of fate that no one could have predicted.” Anthony shrugged fatalistically. “I’ll probably go the same way.” “Oh, for the love of—” Kate managed to bite her tongue a split second before she blasphemed. “Anthony, I could die tomorrow as well. I could have died today when that carriage rolled on top of me.” He paled. “Don’t ever remind me of that.” “My mother died when she was my age,” Kate reminded him harshly. “Did you ever think of that? By your laws, I should be dead by my next birthday.” “Don’t be—” “Silly?” she finished for him. Silence reigned for a full minute. Finally, Anthony said, his voice barely above a whisper, “I don’t know if I can get past this.” “You don’t have to get past it,” Kate said. She caught her lower lip, which had begun to tremble, between her teeth, and then laid her hand on an empty spot on the bed. “Could you come over here so I can hold your hand?” Anthony responded instantly; the warmth of her touch flooded him, seeping through his body until it caressed his very soul. And in that moment he realized that this was about more than love. This woman made him a better person. He’d been good and strong and kind before, but with her at his side, he was something more. And together they could do anything. It almost made him think that forty might not be such an impossible dream. “You don’t have to get past it,” she said again, her words blowing softly between them. “To be honest, I don’t see how you could get completely past it until you turn thirty-nine. But what you can do”— she gave his hand a squeeze, and Anthony somehow felt even stronger than he had just moments before—“ is refuse to allow it to rule your life.” “I realized that this morning,” he whispered, “when I knew I had to tell you I loved you. But somehow now— now I know it.” She nodded, and he saw that her eyes were filling with tears. “You have to live each hour as if it’s your last,” she said, “and each day as if you were immortal." -Kate & Anthony
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
But you're worried I'll get in trouble?" I try not to show how much this pleases me. I've managed to ignore him for days now and here I sit. Lapping up his attention like a neglected puppy. My voice takes on an edge. "Why do you care? I've ignored you for days." His smile fades. He looks serious, mockingly so. "Yeah. You got to stop that." I swallow back a laugh. "I can't." "Why?" There's no humor in his eyes now, no mockery. "You like me. You want to be with me." "I never said-" "You didn't have to." I inhale sharply. "Don't do this." He looks at me so fiercely, so intently. Angry again. "I don't have friends. Do you see my hang with anyone besides my jerk cousins? That's for a reason. I keep people away on purpose," he growls. "But then you came along..." I frown and shake my head. His expression softens then, pulls at some part of me. His gaze travels my face, warming the core of me. "Whoever you are, Jacinda, you're someone I have to let in." He doesn't say anything for a while, just studies me in that intense way. His nostrils flare, and again it's like he's taking in my scent or something. He continues, "Somehow, I think I know you. From the first moment I saw you, I felt that I knew you." The words run through me, reminding me of when he let me escape in the mountains. He's good. Protective. I have nothing to fear from him, but everything to fear from his family. I scoot closer, the draw of him too great. My warming core, the vibrations inside my chest feel so natural, so effortless around him. I know I need to be careful, exercise restraint, but it feels too good. The pulse at his neck skips against his flesh. "Jacinda." My skin ripples at his hoarse whisper. I stare up at him, waiting. He slides down to land solidly on my step. He brings his face close to mine, angles his head. His breath is hard. Fast. Fills the space, the inch separating us. I touch his cheek, see my hand shake, and quickly pull it back. He grabs my wrist, places my palm back against his cheek, and closes his eyes like he's in agony. Or bliss. Or maybe both. Like he's never been touched before. My heart squeezes. Like I've never touched anyone before. "Don't stay away from me anymore." I stop myself, just barely, from telling him I won't. I can't promise that. Can't lie. He opens his eyes. Stares starkly, bleakly. "I need you." He says this like it doesn't make sense to him. Like it's the worst possible thing. A misery he must endure. I smile, understanding. Because it's the same for me. "I know." Then he kisses me.
Sophie Jordan (Firelight (Firelight, #1))
She sorted through the clothes. “Do you mind wearing Emilio’s underwear?” She turned back to him with the two different styles that she’d found. “You’re about the same size. And they’re clean. They were wrapped in a paper package, like from a laundry service.” Max gave her a look, because along with the very nice, very expensive pair of black silk boxers she’d pilfered from Emilio, she’d also borrowed one of his thongs. “What?” Gina said. It was definitely a man-thong. It had all that extra room for various non-female body parts. “Don’t be ridiculous.” “I’m not,” she said, trying to play it as serious. “One, it’s been a while, maybe your tastes have changed. And two, these might actually be more comfortable, considering the placement of your bandage and—” He took the boxers from her. “Apparently I was wrong.” She turned away and started sorting through the pairs of pants and Bermuda shorts she’d grabbed, trying not to be too obvious about the fact that she was watching him out of the corner of her eye. To make sure he didn’t fall over. Right. After he got the boxers on, he took off the bathrobe and . . . Okay, he definitely wasn’t as skinny as he’d been after his lengthy stint in the hospital. Emilio’s pants probably weren’t going to fit him, after all. Although, there was one pair that looked like they’d be nice and loose . . . There they were. The Kelly green Bermuda shorts. Max gave her another one of those you’ve-got-to-be-kidding glances as he put the bathrobe over the back of another chair. “Do I really look as if I’ve ever worn shorts that color in my entire life?” She tried not to smile. “I honestly don’t think you have much choice.” She let herself look at him. “You know, you could just go with the boxers. At least until your pants dry. You know what would really work with that, though? A bowtie.” She turned, as if to go back to the closet. “I’m sure Emilio has a tux. Judging from his other clothes, it’s probably polyester and chartreuse, but maybe the bowtie is—” “Gina.” Max stopped her before she reached the door. He motioned for her to come back. She held out the green shorts, but instead of taking them, he took her arm, pulled her close. “I love you,” Max said, as if he were dispatching some terrible, dire news that somehow still managed to amuse him at least a little. Gina had been hoping that he’d say it, praying even, but the fact that he’d managed to smile, even just a bit while he did, was a miracle. And then, before her heart even had a chance to start beating again, he kissed her. And oh, she was also beyond ready for that particular marvel, for the sweet softness of his mouth, for the solidness of his arms around her. There was more of him to hold her since he’d regained his fighting weight—and that was amazing, too. She skimmed her hands across the muscular smoothness of his back, his shoulders, as his kiss changed from tender to heated. And, God. That was a miracle, too. Except she couldn’t help but wonder about those words, wrenched from him, as if it cost him his soul to speak them aloud. Why tell her this right now? Yes, she’d been waiting for years for him to say that he loved her, but . . . Max laughed his surprise. “No. Why do you . . .?” He figured it out himself. “No, no, Gina, just . . . I should’ve said it before. I should have said it years ago, but I really should have said it, you know, instead of hi.” He laughed again, clearly disgusted with himself. “God, I’m an idiot. I mean, hi? I should have walked in and said, ‘Gina, I need you. I love you, don’t ever leave me again.’” She stared at him. It was probably a good thing that he hadn’t said that at the time, because she might’ve fainted. It was obvious that he wanted her to say something, but she was completely speechless.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
My, my,” Chloe murmured, studying the chocolate she held. “I do believe this one’s gone off. It stinks like a cesspit.” Her eyes lifted. “Oh, wait. It’s only the guttersnipe.” “Or perhaps it’s your perfume,” I said cordially. “You always smell like a whore.” “It’s French,” retorted Runny-Nose, before Chloe could speak. “Then she smells like a French whore.” “Aren’t you the eloquent young miss.” Chloe’s gaze cut to Sophia, standing close behind me. “Slumming, little sister? I can’t confess I’m surprised.” “I’m merely here for the show,” Sophia said breezily. “Something tells me it’s going to be good.” I took the brooch from my pocket and let it slide down my index finger, giving it a playful twirl. “A fine try. But, alas, no winner’s prize for you, Chloe. I’m sure you’ve been waiting here for Westcliffe to raise the alarm about her missing ring, ready with some well-rehearsed story about how you saw me sneaking into her office and sneaking out again, and oh, look isn’t that Eleanore’s brooch there on the floor? But I’ve news for you, dearie. You’re sloppy. You’re stupid. And the next time you go into my room and steal from me, I’ll make certain you regret it for the rest of your days.” “How dare you threaten me, you little tart!” “I’m not threatening. You have no idea how easy it would be to, say, pour glue on your hair while you sleep. Cut up all your pretty dresses into ribbons.” Chloe dropped her half-eaten chocolate back into its box, turning to her toadies. “You heard her! You all head her! When Westcliffe finds out about this-“ “I didn’t hear a thing,” piped up Sophia. “In fact, I do believe that Eleanore and I aren’t even here right now. We’re both off in my room, diligently studying.” She sauntered to my side, smiling. “And I’ll swear to that, sister. Without hesitation. I have no misgivings about calling you all liars right to Westcliffe’s face.” “What fun,” I said softly, into the hush. “Shall we give it a go? What d’you say, girls? Up for a bit of blood sport?” Chloe pushed to her feet, kicking the chocolates out of her way. All the toadies cringed. “You,” she sneered, her gaze scouring me. “You with your ridiculous clothing and that preposterous bracelet, acting as if you actually belong here! Really, Eleanore, I wonder that you’ve learned nothing of real use yet. Allow me to explain matters to you. You may have duped Sophia into vouching for you, but your word means nothing. You’re no one. No matter what you do here or who you may somehow manage to impress, you’ll always be no one. How perfectly sad that you’re allowed to pretend otherwise.” “I’m the one he wants,” I said evenly. “No one’s pretending that.” I didn’t have to say who. She stared at me, silent, her color high. I saw with interest that real tears began to well in her eyes. “That’s right.” I gave the barest smile. “Me, not you. Think about that tomorrow, when I’m with him on the yacht. Think about how he watches me. How he listens to me. Another stunt like this”-I held up the circlet-“and you’ll be shocked at what I’m able to convince him about you.” “As if you could,” she scoffed, but there was apprehension behind those tears. “Try me.” I brought my foot down on one of the chocolates, grinding it into a deep, greasy smear along the rug. “Cheerio,” I said to them all, and turned around and left.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
You have something to say to me, Cassidy, say it. Or shut the fuck up.” “All right,” Jules said. “I will.” He took a deep breath. Exhaled. “Okay, see, I, well, I love you. Very, very much, and . . .” Where to go from here . . .? Except, his plain-spoken words earned him not just a glance but Max’s sudden full and complete attention. Which was a little alarming. But it was the genuine concern in Max’s eyes that truly caught Jules off-guard. Max actually thought . . . Jules laughed his surprise. “Oh! No, not like that. I meant it, you know, in a totally platonic, non-gay way.” Jules saw comprehension and relief on Max’s face. The man was tired if he was letting such basic emotions show. “Sorry.” Max even smiled. “I just . . .” He let out a burst of air. “I mean, talk about making things even more complicated . . .” It was amazing. Max hadn’t recoiled in horror at the idea. His concern had been for Jules, about potentially hurting his tender feelings. And even now, he wasn’t trying to turn it all into a bad joke. And he claimed they weren’t friends. Jules felt his throat tighten. “You can’t know,” he told his friend quietly, “how much I appreciate your acceptance and respect.” “My father was born in India,” Max told him, “in 1930. His mother was white—American. His father was not just Indian, but lower caste. The intolerance he experienced both there and later, even in America, made him a . . . very bitter, very hard, very, very unhappy man.” He glanced at Jules again. “I know personality plays into it, and maybe you’re just stronger than he was, but . . . People get knocked down all the time. They can either stay there, wallow in it, or . . . Do what you’ve done—what you do. So yeah. I respect you more than you know.” Holy shit. Weeping was probably a bad idea, so Jules grabbed onto the alternative. He made a joke. “I wasn’t aware that you even had a father. I mean, rumors going around the office have you arriving via flying saucer—” “I would prefer not to listen to aimless chatter all night long,” Max interrupted him. “So if you’ve made your point . . .?” Ouch. “Okay,” Jules said. “I’m so not going to wallow in that. Because I do have a point. See, I said what I said because I thought I’d take the talk-to-an-eight-year-old approach with you. You know, tell you how much I love you and how great you are in part one of the speech—” “Speech.” Max echoed. “Because part two is heavily loaded with the silent-but-implied ‘you are such a freaking idiot.’” “Ah, Christ,” Max muttered. “So, I love you,” Jules said again, “in a totally buddy-movie way, and I just want to say that I also really love working for you, and I hope to God you’ll come back so I can work for you again. See, I love the fact that you’re my leader not because you were appointed by some suit, but because you earned very square inch of that gorgeous corner office. I love you because you’re not just smart, you’re open-minded—you’re willing to talk to people who have a different point of view, and when they speak, you’re willing to listen. Like right now, for instance. You’re listening, right?” “No.” “Liar.” Jules kept going. “You know, the fact that so many people would sell their grandmother to become a part of your team is not an accident. Sir, you’re beyond special—and your little speech to me before just clinched it. You scare us to death because we’re afraid we won’t be able to live up to your high standards. But your back is strong, you always somehow manage to carry us with you even when we falter. “Some people don’t see that; they don’t really get you—all they know is they would charge into hell without hesitation if you gave the order to go. But see, what I know is that you’d be right there, out in front—they’d have to run to keep up with you. You never flinch. You never hesitate. You never rest.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))