Staring At The Ceiling Quotes

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Maybe that was why she couldn't cry, she realized, staring dry-eyed at the ceiling. Because what was the point in crying when there was no one there to comfort you? And what was worse, when you couldn't even comfort yourself?
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
When you go into the ER, one of the first things they ask you to do is rate your pain on a scale of one to ten, and from there they decide which drugs to use and how quickly to use them. I'd been asked this question hundreds of times over the years, and I remember once early on when I couldn't get my breath and it felt like my chest was on fire, flames licking the inside of my ribs fighting for a way to burn out of my body, my parents took me to the ER. nurse asked me about the pain, and I couldn't even speak, so I held up nine fingers. Later, after they'd given me something, the nurse came in and she was kind of stroking my head while she took my blood pressure and said, "You know how I know you're a fighter? You called a ten a nine." But that wasn't quite right. I called it a nine because I was saving my ten. And here it was, the great and terrible ten, slamming me again and again as I lay still and alone in my bed staring at the ceiling, the waves tossing me against the rocks then pulling me back out to sea so they could launch me again into the jagged face of the cliff, leaving me floating faceup on the water, undrowned.
John Green (The Fault in Our Stars)
Thirty minutes later, Rowan was still staring up at the ceiling, teeth gritted as he calmed the roaring in his veins that was steadily shredding through his self-control. That gods-damned nightgown. Shit. He was in such deep, unending shit.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
That's the problem with life. You never get enough time to stare at your ceiling and try to figure out what's going on.
Leila Sales (This Song Will Save Your Life)
Of course we still want to know you!" Harry said, staring at Hagrid. "You don't think anything that Skeeter cow - sorry, Professor," he added quickly, looking at Dumbledore. "I have gone temporarily deaf and haven't any idea what you said, Harry," said Dumbledore, twiddling his thumbs and staring at the ceiling.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
Do you think we can be friends?” I asked. He stared up at the ceiling. “Probably not, but we can pretend.
Priya Ardis (Ever My Merlin (My Merlin, #3))
Her name rang in Will's mind like the chime of a bell; he wondered if any other name on earth had such an inescapable resonance to it. She couldn't have been named something awful, could she, like Mildred. He couldn't imagine lying awake at night, staring up at the ceiling while invisible voices whispered 'Mildred' in his ears. But Tessa--
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
Get scared. It will do you good. Smoke a bit, stare blankly at some ceilings, beat your head against some walls, refuse to see some people, paint and write. Get scared some more. Allow your little mind to do nothing but function. Stay inside, go out - I don’t care what you’ll do; but stay scared as hell. You will never be able to experience everything. So, please, do poetical justice to your soul and simply experience yourself.
Albert Camus
His mouth captured hers, trying to show her with his kiss what he was still learning to express in words. He loved her. He worshipped her. He'd walk across fire for her. He— —still had the audience of her three brothers. Slowly breaking the kiss, he turned his face to the side. Anthony, Benedict, and Colin were still standing in the foyer. Anthony was studying the ceiling, Benedict was pretending to inspect his fingernails, and Colin was staring quite shamelessly.
Julia Quinn (The Duke and I (Bridgertons, #1))
When the black thing was at its worst, when the illicit cocktails and the ten-mile runs stopped working, I would feel numb as if dead to the world. I moved unconsciously, with heavy limbs, like a zombie from a horror film. I felt a pain so fierce and persistent deep inside me, I was tempted to take the chopping knife in the kitchen and cut the black thing out I would lie on my bed staring at the ceiling thinking about that knife and using all my limited powers of self-control to stop myself from going downstairs to get it.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
But that wasn't quite right. I called it a nine because I was saving my ten. And here it was, the great and terrible ten, slamming me again and again as I lay still and alone in my bed staring at the ceiling, the waves tossing me against the rocks then pulling me back out to sea so they could launch me again into the jagged face of the cliff, leaving me floating faceup on the water, undrowned.
John Green (The Fault in Our Stars)
Waking up begins with saying am and now. That which has awoken then lies for a while staring up at the ceiling and down into itself until it has recognized I, and therefrom deduced I am, I am now. Here comes next, and is at least negatively reassuring; because here, this morning, is where it has expected to find itself: what’s called at home.
Christopher Isherwood (A Single Man)
Things could change, Gabe," Jonas went on. "Things could be different. I don't know how, but there must be some way for things to be different. There could be colors. And grandparents," he added, staring through the dimness toward the ceiling of his sleepingroom. "And everybody would have the memories." "You know the memories," he whispered, turning toward the crib. Garbriel's breathing was even and deep. Jonas liked having him there, though he felt guilty about the secret. Each night he gave memories to Gabriel: memories of boat rides and picnics in the sun; memories of soft rainfall against windowpanes; memories of dancing barefoot on a damp lawn. "Gabe?" The newchild stirred slightly in his sleep. Jonas looked over at him. "There could be love," Jonas whispered.
Lois Lowry (The Giver (The Giver, #1))
I stare at him for a few more minutes, my heart expanding with love for him. We'll be OK,' I whisper, letting the night capture my wish. We're owed that at least. A life of not scanning rooftops, of not being relieved the ceiling didn't cave in on us during the night. He and I are owed a love story that doesn't end in tragedy.
Zoulfa Katouh (As Long as the Lemon Trees Grow)
But how?" my students ask. "How do you actually do it?" You sit down, I say. You try to sit down at approximately the same time every day. This is how you train your unconscious to kick in for you creatively. So you sit down at, say, nine every morning, or ten every night. You put a piece of paper in the typewriter, or you turn on the computer and bring up the right file, and then you stare at it for an hour or so. You begin rocking, just a little at first, and then like a huge autistic child. You look at the ceiling, and over at the clock, yawn, and stare at the paper again. Then, with your fingers poised on the keyboard, you squint at an image that is forming in your mind -- a scene, a locale, a character, whatever -- and you try to quiet your mind so you can hear what that landscape or character has to say above the other voices in your mind.
Anne Lamott (Bird by Bird)
The column hung above the middle of the pentacle, bubbling ever upward against the ceiling like the cloud of an erupting volcanoe. There was a barely perceptible pause. Then two yellow staring eyes materialized in the heart of the smoke. Hey, it was his first time. I wanted to scare him. And it did, too.
Jonathan Stroud (The Amulet of Samarkand (Bartimaeus, #1))
I stared at the ceiling half the night wondering if I could honestly go the rest of my life without kissing these lips ever again.
Gail McHugh (Pulse (Collide, #2))
He’s leaving, and he picks up his shoulder bag on the way out and he’s staring at the ceiling, then the sky, and he closes the door silently behind him, and he stares upward because the minute he looks down, the tears will fall. And he won’t cry over Harry Styles. So Louis doesn’t look down.
Velvetoscar (Young & Beautiful)
This conversation" - Dez rapped her knuckles against the Formica table- "is over." "Be careful, Dez," Jimmy stated earnestly. "And don't sleep with him the first night," Vinny warned. "We know what a slut you can be." Dez turned to Sal. "Do you have anything to add to this bullshit?" "Yeah." Sal looked down from the ceiling he'd been staring at. "Based on the structure of this building, if we removed that pillar back there, we could take out this whole block." Dez sighed.
Shelly Laurenston (The Mane Event (Pride, #1))
He seemed to be staring at the chain hanging from the ceiling fan. Seconds later, he confirmed this by reaching out and tugging the chain. Light clicked on. He tugged the chain again. Light went off. Oh for gods' sake, he had a mean case of ADD sometimes. "Apollo," I snapped.
Jennifer L. Armentrout (The Return (Titan, #1))
Climbing into bed, I slide my hands behind my head and stare up at the ceiling. I have no idea who my father is. I just had anal! But I have no idea who my father is. ANAL, MOTHERFUCKER! Shit, I hate being so conflicted.
Tara Sivec (Passion and Ponies (Chocoholics, #2))
I lay for a long time in silence, staring at the ceiling. Was my life always to be like this? I wondered. Was it going to go, forever, in an instant, from sunshine to shadow? From pandemonium to loneliness? From fierce anger to a fiercer kind of love?
Alan Bradley (I Am Half-Sick of Shadows (Flavia de Luce, #4))
She would read a book hundreds of times, carrying it with her until the pages were torn and the covers were falling off, then she'd paste the covers to the ceiling where she could stare at them, like remembering a good dream.
Sarah Addison Allen (First Frost (Waverley Family, #2))
out of the arms... out of the arms of one love and into the arms of another I have been saved from dying on the cross by a lady who smokes pot writes songs and stories, and is much kinder than the last, much much kinder, and the sex is just as good or better. it isn't pleasant to be put on the cross and left there, it is much more pleasant to forget a love which didn't work as all love finally doesn't work... it is much more pleasant to make love along the shore in Del Mar in room 42, and afterwards sitting up in bed drinking good wine, talking and touching smoking listening to the waves... I have died too many times believing and waiting, waiting in a room staring at a cracked ceiling waiting for the phone, a letter, a knock, a sound... going wild inside while she danced with strangers in nightclubs... out of the arms of one love and into the arms of another it's not pleasant to die on the cross, it's much more pleasant to hear your name whispered in the dark.
Charles Bukowski (Burning in Water, Drowning in Flame)
The tarantula stared at the ceiling not knowing at all what a ceiling is.
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
You start to let go on the day you take one step toward building a new life and then let yourself lie in bed and stare at the ceiling and cry for as many hours as you need.
Brianna Wiest (The Mountain Is You: Transforming Self-Sabotage Into Self-Mastery)
As I lay on my back in bed staring up at the blank, white ceiling the stillness seemed to grow bigger and bigger until I felt my eardrums would burst with it.
Sylvia Plath (The Bell Jar)
But Lucius was staring at the beamed ceiling of the barn, pacing around, hands clasped behind his back, muttering to himself. "This is not going well. Not going well at all. I advised the Elders that you should have been summoned back to Romania years ago, that you would never be a suitable bride . . ." Whoa, there. "Bride?
Beth Fantaskey (Jessica's Guide to Dating on the Dark Side (Jessica, #1))
After Kellan begged me for a final kiss, Griffin murmured, “Your wedding day is Thanksgiving. That’s convenient.” He pointed at Kellan. “You probably won’t forget your anniversary.” He looked over at Anna. “We shoulda done that. I already forgot ours.” Anna smirked at Griffin while Kellan’s lip twitched. “Uh, it won’t always be on Thanksgiving, Griff.” He looked horribly confused. “Huh? Yeah, it will.” “Kellan bit his lip. I could tell he was trying really hard not to laugh, since laughing hurt. “Thanksgiving isn’t on the same day every year. It moves around.” Griffin glared at Kellan. “Don’t even try fucking with me, Kell.” He tapped his finger to his head. “I’m on to you.” I heard Matt and Evan snigger with Justin and Denny. My dad stared at the ceiling as he shook his head. I couldn’t contain my giggle; poor Kellan had to take long, slow exhales so he didn’t laugh with everyone else. “Griff, I’m not . . .
S.C. Stephens (Reckless (Thoughtless, #3))
That night in my sister’s bed I stared at the ceiling and felt the true loss of our father. Not his money or his house, but the man I sat next to in the car. He had protected me from the world so completely that I had no idea what the world was capable of. I had never thought about him as a child. I had never asked him about the war. I had only seen him as my father, and as my father I had judged him. There was nothing to do about that now but add it to the catalog of my mistakes.
Ann Patchett (The Dutch House)
These days, everybody is supposed to be so intelligent: ‘Isn’t it terrible about Nixon getting elected?’ ‘Did you hear about the earthquake in Peru?’ And you’re supposed to have all the answers. But when it gets down to the nitty-gritty, like, ‘What is bugging you, mister? Why can’t you make it with your wife? Why do you lie awake all night staring at the ceiling? Why, why, why do you refuse to recognize you have problems and deal with them?’ The answer is that people have forgotten how to relate or respond. In this day of mass communications and instant communications, there is no communication between people. Instead it’s long-winded stories or hostile bits, or laughter. But nobody’s really laughing. It’s more an hysterical, joyless kind of sound. Translation: ‘I am here and I don’t know why.
John Cassavetes (Cassavetes on Cassavetes)
But when the lights went out that night, and all of them lay in their separate beds, staring at the ceiling, June knew that she, and Nina, and Jay, and Hudson all had lost something. They were now living with a different-sized hole in each one of their four hearts.
Taylor Jenkins Reid (Malibu Rising)
Night Watch Awake for hours and staring at the ceiling Through the unsettled stillness of the night He grows possessed of the obsessive feeling That dawn has come and gone and brought no light.
Vikram Seth
I deal with long blank stretches of empty boredom by laying on my bed, staring at the ceiling, imagining situations in which I might die. Apparently, Sherlock deals with it by microwaving shoes.
Eva Morgan (Locked (Locked, #1))
Ranjana finds Stephen lying on an old string bed staring up at the ceiling and seeing in its myriad cracks the soothing drift of clouds. She puts what she’s brought to his lips, brushes them with her fingertips, and watches as he works the sweet onto his teeth. She feels a light touch on her arm encouraging her to lie next to him. She rests on her back, the pair of them laid out like two corpses waiting for the first shower of moist earth. After a while, she rolls over, nuzzles into his shoulder, and lets her hand fall limp and sweet across his chest. She drifts off to sleep, sweating in the arms of her lover.
Michael Tobert (Karna's Wheel)
Jane leaned back against the counter and stared at the ceiling. At the traditional location of God, no matter what the planet.
C.J. Cherryh (The Betrayal (Cyteen, #1))
I have gone temporarily deaf and haven't any idea what you said, Harry,' said Dumbledore, twiddling his thumbs and staring at the ceiling.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
Well it’s good to have a car like that, once in a while somebody’ll say, ‘why don’t you come over for dinner?’ and I can just say, ‘Car won’t make it.’ I don’t have to tell them that time is scarcer than young pussy around here, and I don’t mean time to write POETRY. I mean time to lay in bed, alone, and stare up at the ceiling and not think at all, not at all, not at all…
Charles Bukowski (Screams From the Balcony: Selected Letters 1960-1970)
My particular dread--the vivid possibility that left me staring at tree shadows on the bedroom ceiling night after night--was having to lie in a small tent, alone in an inky wilderness, listening to a foraging bear outside and wondering what its intentions were. I was especially riveted by an amateur photograph in Herrero's book, taken late at night by a camper with a flash at a campground out West. The photograph caught four black bears as they puzzled over a suspended food bag. The bears were clearly startled but not remotely alarmed by the flash. It was not the size or demeanor of the bears that troubled me--they looked almost comically nonaggressive, like four guys who had gotten a Frisbee caught up a tree--but their numbers. Up to that moment it had not occurred to me that bears might prowl in parties. What on earth would I do if four bears came into my camp? Why, I would die, of course. Literally shit myself lifeless. I would blow my sphincter out my backside like one of those unrolling paper streamers you get at children's parties--I daresay it would even give a merry toot--and bleed to a messy death in my sleeping bag.
Bill Bryson (A Walk in The Woods: Rediscovering America on the Appalachian Trail)
She was crazy but he needed her. Oh I am in so much trouble he thought, and stared blindly up at the ceiling as the droplets of sweat began to gather on his forehead again.
Stephen King (Misery)
I HAVE DIED TOO MANY TIMES BELIEVING AND WAITING, WAITING IN A ROOM STARING AT A CRACKED CEILING WAITING FOR THE PHONE, A LETTER, A KNOCK, A SOUND… GOING WILD INSIDE WHILE SHE DANCED WITH STRANGERS IN NIGHTCLUBS… OUT OF THE ARMS OF ONE LOVE AND INTO THE ARMS OF ANOTHER
Charles Bukowski
I happen to find ceilings much lovelier than the night sky myself. Sometimes I just stare at them for hours and wonder what could be up there.
Bauvard (The Prince Of Plungers)
Those who wake at this hour feel a lonely separation from everyone but night birds and ghost crabs, never imagining the legion of kindred souls scattered in the darkness, who stare at ceilings and pace floors and look out windows and covet and worry and mourn.
Kathy Hepinstall (Blue Asylum)
And here it was, the great and terrible ten, slamming me again and again as I lay still and alone in my bed staring at the ceiling, the waves tossing me against the rocks then pulling me back out to sea so they could launch me again into the jagged face of the cliff, leaving me floating faceup on the water, undrowned.
John Green (The Fault in Our Stars)
She sifted, sighed, and stared up at the ceiling, trying to think about anything but Lord Maccoon, her current predicament, or Lord Akeldama's safety. Which meant she could do nothing but reflect on the complex plight of her mama's more recent embroidery project. Thins, in itself, was a worse torture than any her captors could devise.
Gail Carriger (Soulless (Parasol Protectorate, #1))
A man walks into a bar and says: Take my wife–please. So you do. You take her out into the rain and you fall in love with her and she leaves you and you’re desolate. You’re on your back in your undershirt, a broken man on an ugly bedspread, staring at the water stains on the ceiling. And you can hear the man in the apartment above you taking off his shoes. You hear the first boot hit the floor and you’re looking up, you’re waiting because you thought it would follow, you thought there would be some logic, perhaps, something to pull it all together but here we are in the weeds again, here we are in the bowels of the thing: your world doesn’t make sense. And then the second boot falls. And then a third, a fourth, a fifth. A man walks into a bar and says: Take my wife–please. But you take him instead. You take him home, and you make him a cheese sandwich, and you try to get his shoes off, but he kicks you and he keeps kicking you. You swallow a bottle of sleeping pills but they don’t work. Boots continue to fall to the floor in the apartment above you. You go to work the next day pretending nothing happened. Your co-workers ask if everything’s okay and you tell them you’re just tired. And you’re trying to smile. And they’re trying to smile. A man walks into a bar, you this time, and says: Make it a double. A man walks into a bar, you this time, and says: Walk a mile in my shoes. A man walks into a convenience store, still you, saying: I only wanted something simple, something generic… But the clerk tells you to buy something or get out. A man takes his sadness down to the river and throws it in the river but then he’s still left with the river. A man takes his sadness and throws it away but then he’s still left with his hands.
Richard Siken
With the rain falling surgically against the roof, I ate a dish of ice cream that looked like Kafka's hat. It was a dish of ice cream tasting like an operating table with the patient staring up at the ceiling.
Richard Brautigan (Lay the Marble Tea)
But you can make you happy, my father's voice repeats over and over as I stare at my ceiling. Have I been trying to do that all this time? Has that other part of me been trying to break through because deep down I know I'll never be happy until... Until what? Until I'm able to freely discuss who I think would win in a battle between Darth Vader and Lord Voldemort? (The answear obviously being Lord Voldemort. He'd Avada Kadavra Vader way before Vader could even think about the force choke move.)
Leah Rae Miller (The Summer I Became a Nerd (Nerd, #1))
The insane rush of endorphins that flooded my system the moment my phone vibrated and her name popped up on screen was worrying. I'd never been addicted to anything before, but I thought maybe this is what it felt like to be a junkie in desperate need of a hit. "Edward Cullen, you poor, miserable bastard," I said as I locked my phone screen and stared at the ceiling. "I should not have judged you so harshly.
Krystal Sutherland (Our Chemical Hearts)
Build a life worth living. I stare at this phrase on my ceiling every morning before I decide to get out of bed. I painted it a few years ago after completing a few months of dialectal behavioral therapy. It is a quote by Marsha Linehan, who created DBT. After therapy, I impulsively decided to paint it on my ceiling in black, as some sort of reminder to build a life worth living. I don’t regret painting it up there - well, not yet, at least.
Emma Thomas (Live for Me)
That night I was alone in my room with the lights off. The radio was on and I was staring at the ceiling. I couldn't sleep much at night anymore because that was when the hollow, empty feeling was the worst. At night there's nothing to hold your mind to the earth, and you spend the entire time falling into an abyss. The only cure is the rising of the sun.
Damien Echols (Life After Death)
I’m so jealous,” she whispered, and he blinked. “Of what?” Her head fell back on the pillow, and she stared up at the ceiling with the saddest eyes he’d ever seen. “You’re so alive, Lore. There’s fire in you. A will to live, when all I want is to be done with this life.
Larissa Ione (Ecstasy Unveiled (Demonica, #4))
When I had woken up the next morning, I'd stared at my ceiling for a good ten minutes, reliving the dream, committing it to memory...wishing it was real, wishing I could crawl back inside that dream and disappear--stay there forever.
S.C. Stephens (Collision Course)
I’d spent countless hours on the couch in the basement, staring at the ceiling wondering what she was doing. Her laughter, her smile, the feel of her body next to mine, and the regret that I let her walk away too easily haunted me. Taking the risk, I entwined my fingers with hers. Odds were I’d never get the chance to be this close again.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
I am the force of creation,” Rin murmured as she stared at the ceiling and watched it spin. Vaisra’s sorghum wine burned sweet and sour on her tongue; she wanted to swig more of it, just to feel her insides blaze. “I am the end and the beginning. The world is a painting and I hold the brush. I am a god.
R.F. Kuang (The Burning God (The Poppy War, #3))
Dear Camryn, I never wanted it to be this way. I wanted to tell you these things myself, but I was afraid. I was afraid that if I told you out loud that I loved you, that what we had together would die with me. The truth is that I knew in Kansas that you were the one. I’ve loved you since that day when I first looked up into your eyes as you glared down at me from over the top of that bus seat. Maybe I didn’t know it then, but I knew something had happened to me in that moment and I could never let you go. I have never lived the way I lived during my short time with you. For the first time in my life, I’ve felt whole, alive, free. You were the missing piece of my soul, the breath in my lungs, the blood in my veins. I think that if past lives are real then we have been lovers in every single one of them. I’ve known you for a short time, but I feel like I’ve known you forever. I want you to know that even in death I’ll always remember you. I’ll always love you. I wish that things could’ve turned out differently. I thought of you many nights on the road. I stared up at the ceiling in the motels and pictured what our life might be like together if I had lived. I even got all mushy and thought of you in a wedding dress and even with a mini me in your belly. You know, I always heard that sex is great when you’re pregnant. ;-) But I’m sorry that I had to leave you, Camryn. I’m so sorry…I wish the story of Orpheus and Eurydice was real because then you could come to the Underworld and sing me back into your life. I wouldn’t look back. I wouldn’t fuck it up like Orpheus did. I’m so sorry, baby… I want you to promise me that you’ll stay strong and beautiful and sweet and caring. I want you to be happy and find someone who will love you as much as I did. I want you to get married and have babies and live your life. Just remember to always be yourself and don’t be afraid to speak your mind or to dream out loud. I hope you’ll never forget me. One more thing: don’t feel bad for not telling me that you loved me. You didn’t need to say it. I knew all along that you did. Love Always, Andrew Parrish
J.A. Redmerski
Each night I lie awake and stare up at the stars and think, what the hell happened to my ceiling.
Robert Paul
I’m not going to fucking calm down. I’m going to hunt that bastard down and murder him.” “Oh fuck,” Hank rocked back on his heels, his eyes went to the ceiling, his hands went to his hips. “What?” I asked. “Nothin’.” “What?” I asked, louder. His eyes came back to me. “You aren’t huntin’ anyone down.” “Wel … no,” I said, staring at him like he was crazy. “I was just saying that because I’m mad as hell. I wouldn’t begin to know how to hunt him down.”
Kristen Ashley (Rock Chick Redemption (Rock Chick, #3))
As she stared at the ceiling that first night her body softly falling back into itself, she thought of how we dream of journeying on spaceships to other universes, other worlds, but really, for the forever, we're stuck here on the dirt and the only time we will travel anywhere truly unknowable is when we slip into the skin of another, venturing into their mysteries, always hoping for a safe landing.
Toby Barlow (Sharp Teeth)
There is a love that equals in its power the love of man for woman and reaches inwards as deeply. It is the love of a man or a woman for their world. For the world of their center where their lives burn genuinely and with a free flame. The love of the diver for his world of wavering light. His world of pearls and tendrils and his breath at his breast. Born as a plunger into the deeps he is at one with every swarm of lime-green fish, with every colored sponge. As he holds himself to the ocean's faery floor, one hand clasped to a bedded whale's rib, he is complete and infinite. Pulse, power and universe sway in his body. He is in love. The love of the painter standing alone and staring, staring at the great colored surface he is making. Standing with him in the room the rearing canvas stares back with tentative shapes halted in their growth, moving in a new rhythm from floor to ceiling. The twisted tubes, the fresh paint squeezed and smeared across the dry on his palette. The dust beneath the easel. The paint has edged along the brushes' handles. The white light in a northern sky is silent. The window gapes as he inhales his world. His world: a rented room, and turpentine. He moves towards his half-born. He is in Love. The rich soil crumbles through the yeoman's fingers. As the pearl diver murmurs, 'I am home' as he moves dimly in strange water-lights, and as the painter mutters, 'I am me' on his lone raft of floorboards, so the slow landsman on his acre'd marl - says with dark Fuchsia on her twisting staircase, 'I am home.
Mervyn Peake (Titus Groan (Gormenghast, #1))
Celaena stared at the ceiling, suddenly homesick, strangely wishing Sam was with her. At least if she were to fail, she’d fail with him.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
Never let it happen to you as it did to me. That you wake in the morning, stare at the ceiling, ask yourself, 'What have I got to get up for today?' and answer... 'Nothing.
Irving Stone (Depths of Glory: A Biographical Novel of Camille Pissarro)
But stars are far more fun to stare at than a ceiling.
Lauren Roberts (Powerless (The Powerless Trilogy, #1))
She was staring at the low ceiling, and I had the feeling that there was another Severian there, the kind and even noble Severian who existed only in Dorcas’s mind. All of us, I suppose, when we think we are talking most intimately to someone else, are actually addressing an image we have of the person to whom we believe we speak.
Gene Wolfe (The Sword of the Lictor (The Book of the New Sun, #3))
Maybe you’re the one that gave me up to the Darians at Oden’s Ford.” “Right,” she said, staring up at the ceiling. “And then I turned around and rescued you. You know women—changeable as a day in April. Sometimes we just can’t make up our minds.
Cinda Williams Chima (Flamecaster (Shattered Realms, #1))
I called it a nine because I was saving my ten. And here it was, the great and terrible ten, slamming me again and again as I lay still and alone in my bed staring at the ceiling, the waves tossing me against the rocks then pulling me back out to sea so they could launch me again into the jagged face of the cliff, leaving me floating face up on the water, undrowned.
John Green (The Fault in Our Stars)
People tend to think that mathematicians always work in sterile conditions, sitting around and staring at the screen of a computer, or at a ceiling, in a pristine office. But in fact, some of the best ideas come when you least expect them, possibly through annoying industrial noise.
Edward Frenkel (Love and Math: The Heart of Hidden Reality)
Mom lies down next to me and we both stare at the ceiling in complete silence. “Boys are like candy,” she suddenly says. I grin. “Really, Mom? That’s your advice? Boys are like candy. What is that? Forrest Gump on teens?
Rucy Ban
The second I open my car door I'm ready to kill her. "Fucking shit!" I slam my hand on the roof. There, on the back seat, is a guy, eyes wide open and staring lifelessly at the ceiling. His head is at an odd angle, and his jaw is hanging open. She snapped his neck. What is she? Jackie-Fucking-Chan?
L.P. Lovell (Absolution)
I wake up the next morning, happy and full of life. I again stare at my ceiling that says, ‘Build a life worth living’ This is the first time in forever that I have felt that maybe I am building a life worth living, that I’m not just faking it. My career my twin, books, and Archer are all I’ve had for so long, which was always worth living for - but love. Love is something more. Love makes you feel wanted. Love makes life worth living, and it’s something I have never felt in this way. I have known this guy only for a little over a week. He walked right into my life and changed everything. I don’t know how that is possible, but it is.
Emma Thomas (Live for Me)
I suppose she didn't think anyone was looking and had let her guard down, the way you did in an empty room. The way I did when I closed the blinds and stared up at the ceiling fan above my bed, equally fascinated and horrified by the thoughts racing through my brain.
Robyn Schneider (The Beginning of Everything)
So as I stare at the ceiling, I’m thinking: I must have some serious issues if I’m dreaming like that. Horrible stuff like that. About Kevin. Kevin. Because Kevin is my brother’s best friend, practically my brother. My parents love him like everyone else does, even me. And Kevin would never… could never. Not possible.
Amber Smith (The Way I Used to Be (The Way I Used to Be, #1))
So, Violet." Zane turns his chair in my direction. "Is your day getting better yet?" "Pretty sure it's getting worse as we speak," I say. - Zane's dark eyes are sparkling with humor. "Come on," he says. "It's not that bad, is it?" "Oh, let's see." I stare up at the fancy glass ball lamps hanging from the ceiling. "I got dumped at Taco Bill's today; fell down, split my pants, and generally humiliated myself in front of a complete stranger; went to dinner at a snooty restaurant, found out said stranger is my future step brother; got called a stripper, hooker, and virgin by my mother...did I leave anything out?" "Well, I don't know. The night is still young — anything could happen." The corners of his beautiful mouth twitch upwards. "It can only get better, right?" I frown. "Don't say that, you'll jinx me. Now my mom will come back and blurt out how she and Bill had kinky bathroom sex, and I'll run away before she can go into detail, and trip over that waiter carrying that flaming dessert - he'll go crashing into the lady with way too much product in her hair, and then the whole restaurant will be on fire.
Nicole Christie (Falling for the Ghost of You)
Van Houten was still staring at the ceiling beams. He took a drink. The glass was almost empty again. 'Lidewij, I can't do it. I can't. I can't.' He leveled his gaze to me. 'Nothing happens to the Dutch Tulip Man. He isn't a con man or not a con man; he's God. He's an obvious and unambiguous metaphorical representation of God, and asking what becomes of him if the intellectual equivalent of asking what becomes of the disembodied eyes of Dr. T.J. Eckleburg in Gatsby. Do he and Anna's man get married? We are speaking of a novel, dear child, not some historical enterprise.
John Green
I woke one night to find him staring at the ceiling, his profile lit by the glow of streetlights outside. He looked vaguely troubled, as if he were pondering something deeply personal. Was it our relationship? The loss of his father? “Hey, what’re you thinking about over there?” I whispered. He turned to look at me, his smile a little sheepish. “Oh,” he said. “I was just thinking about income inequality.” This, I was learning, was how Barack’s mind worked. He got himself fixated on big and abstract issues, fueled by some crazy sense that he might be able to do something about them. It was new to me, I have to say. Until now, I’d hung around with good people who cared about important enough things but who were focused primarily on building their careers and providing for their families. Barack was just different. He was dialed into the day-to-day demands of his life, but at the same time, especially at night, his thoughts seemed to roam a much wider plane.
Michelle Obama (Becoming)
Often, when I have been feeling lonely, when a book as been thrust aside in boredom [...] I have lain back and stared at the shadows on the ceiling, wondering what life is all about [...] and then, suddenly, there is the echo of the swinging door, and across the carpet, walking with the utmost delicacy and precision, stalks Four or Five or Oscar. He sits down on the floor beside me, regarding my long legs, my old jumper, and my floppy arms, with a purely practical interest. Which part of this large male body will form the most appropriate lap? Usually he settles for the chest. Whereupon he springs up and there is a feeling of cold fur [...] and the tip of an icy nose, thrust against my wrist and a positive tattoo of purrs. And I no longer wonder what life is all about.
Beverley Nichols (Cats' A. B. C)
Sometimes it’s just lying in bed and staring at the ceiling listening to the same song over and over again as it slowly loses its meaning. Sometimes it’s how people go mad because they couldn’t tame the darkness that was growing within them over time. Some days it’s a girl waking up without her soul. Some nights it’s a boy falling asleep with his spirit crushed. Sometimes it’s someone wanting to lose themselves to a person, but instead, they push that person away. Solitude only becomes a prison when you do not love yourself. And even if you do love yourself it’s still a very dangerous thing, and the very benefits of it are the stars shining in its purest darkness. Solitude isn’t always pretty but also are the truths that we find within ourselves when we learn to find solace in it.
Juansen Dizon (I Am The Architect of My Own Destruction)
They again kissed each other and fell asleep. The patch of light on the ceiling now seemed to be assuming the shape of a terrified eye, that stared wildly and fixedly upon the pale, slumbering couple who reeked with crime beneath their very sheets, and dreamt they could see a rain of blood falling in big drops, which turned into golden coins as they plashed upon the floor.
Émile Zola (The Fortune of the Rougons (Les Rougon-Macquart, #1))
Later as I stared at the ceiling, listening to Gabriel´s breathing grow deep and slow, I realized he had given me just what he said he would. His breath against my neck was a cakming wind, his smile the sunshine, his touch was a thousand rainbows dancing on my skin, and I loved him so much I thought my heart would burst.
Mia Sheridan (Most of All You)
Does it seem like things were better when you were younger?” Huck asked. “Did life really make more sense then?” “Yeah,” Tress whispered. “I remember…calm nights, watching the spores fall from the moon. Lukewarm cups of honey tea. The thrill of baking something new.” “I remember not being afraid,” Huck said. “I remember waking each day to familiar scents. I remember thinking I understood how my life would go. Same as my parents’. Simple. Maybe not wonderful, but also not terrifying.” “I don’t think things were really better though,” Tress said softly, still staring at the ceiling. “We just remember it that way because it’s comforting.” “And because we couldn’t see the troubles,” Huck agreed. “Maybe we didn’t want to see them. When you’re young, there’s always someone else to deal with the problems.” Tress nodded. Beyond that, memories have a way of changing on us. Souring or sweetening over time—like a brew we drink, then recreate later by taste, only getting the ingredients mostly right. You can’t taste a memory without tainting it with who you have become.
Brandon Sanderson (Tress of the Emerald Sea)
He sighs, tipping his head up to stare at the ceiling. “When you ignore me, I burn with restlessness; it feels as though the sun has turned its back on the world. And when you smile at me—when you gaze at me like you can see my soul—I feel … I feel like I am lit on fire, like you have been called by God to raze my world.” He is breaking me wide open. No one has ever spoken to me like this—no one has ever even thought of me like this—and I have no defense against it. He rises to his feet then and walks to the door. He pauses there. “For good or for ill,” he says over his shoulder, “I have been indelibly changed by you.
Laura Thalassa (Pestilence (The Four Horsemen, #1))
Above all, staring at my old bedroom ceiling, I feel safe. Cocooned from the world; wrapped up in cotton wool. No one can get me here. No one even knows I'm here. I won't get any nasty letters and I won't get any nasty phone calls and I won't get any nasty visitors. It's like a sanctuary. I feel as if I'm fifteen again, with nothing to worry about but my Homework. (And I haven't even got any of that.)
Sophie Kinsella (Confessions of a Shopaholic (Shopaholic, #1))
I've always envied people who sleep easily. Their brains must be cleaner, the floorboard of the skull well swept, all the little monsters closed up in a steamer trunk at the foot of the bed. I was born an insomniac and that's the way I'll die, wasting thousands of hours along the way longing for unconsciousness, longing for a rubber mallet to crack me in the hear, not so hard, not hard enough to do any damage, just a good whack to put me down for the night. But that night I didn't have a chance. I stared into the blackness until the blackness blurred into gray, until the ceiling above me began to take form and the light from the east dribbled in through the narrow barred window.
David Benioff (City of Thieves)
I was fading helplessly away with open eyes, staring straight at the ceiling. Finally I stuck my forefinger in my mouth and took to sucking on it. Something began stirring in my brain, some thought in there scrabbling to get out, a stark-staring mad idea: What if I get a bite? And without a moment’s hesitation I squeezed my eyes shut and clenched my teeth together. I jumped up. I was finally awake. A little blood trickled from my finger, and I licked it off as it came. It didn’t hurt, the wound was nothing really, but I was at once brought back to my sense. I shook my head, went over to the window and found a rag for the wound. While I was fiddling with this, my eyes filled with water --- I wept softly to myself. The skinny lacerated finger looked so sad. God in heaven, to what extremity I had come!
Knut Hamsun (Hunger (Dover Literature: Literary Fiction))
That night our new husbands took us quickly. They took us calmly. They took us gently, but firmly, and without saying a word. They assumed we were the virgins the matchmakers had promised them we were and they took us with exquisite care. Now let me know if it hurts. They took us flat on our backs on the bare floor of the Minute Motel. They took us downtown, in second-rate rooms at the Kumamoto Inn. They took us in the best hotels in San Francisco that a yellow man could set foot in at the time. The Kinokuniya Hotel. The Mikado. The Hotel Ogawa. They took us for granted and assumed we would do for them whatever it was we were told. Please turn toward the wall and drop down on your hands and knees (...) They took us violently, with their fists, whenever we tried to resist. They took us even though we bit them. They took us even though we hit them (...). They took us cautiously, as though they were afraid we might break. You’re so small. They took us coldly but knowledgeably — In 20 seconds you will lose all control — and we knew there had been many others before us. They took us as we stared up blankly at the ceiling and waited for it to be over, not realizing that it would not be over for years.
Julie Otsuka (The Buddha in the Attic)
Edith stared at the ceiling, contemplating the oddness of life. Here she was with this man, whom she hardly knew when she really thought about it, asleep, naked, beside her. She pondered that central truth, which must have struck many brides from Marie Antoinette to Wallis Simpson, that whatever the political, social or financial advantages of a great marriage, there comes a moment when everyone leaves the room and you are left alone with a stranger who has the legal right to copulate with you. She was not at all sure that she had fully negotiated this simple fact until then.
Julian Fellowes (Snobs)
In my restless dreams, I see that town. Silent Hill. You promised me you'd take me there again someday. But because of me, you were never able to. Well, I'm alone there now… In our ”“special place.” Waiting for you… Waiting for you to come to see me. But you never do. And so I wait, wrapped in my cocoon of pain and loneliness. I know I've done a terrible thing to you. Something you'll never forgive me for. I wish I could change that, but I can't. I feel so pathetic and ugly lying here, waiting for you... Every day I stare up at the cracks in the ceiling, and all I can think about is how unfair it all is... The doctor came today. He told me I could go home for a short stay. It's not that I'm getting better. It's just that this may be my last chance... I think you know what I mean... Even so, I'm glad to be coming home. I've missed you terribly. But I'm afraid James. I'm    afraid you don't really want me to come home. Whenever you come see me, I can tell how hard it is on you... I don't know if you hate me or pity me... Or maybe I just disgust you.... I'm sorry about that. When I first learned that I was going to die, I just didn't want to accept it. I was so angry all the time, and I struck out at everyone I loved most. Especially you, James. That's why I understand if you do hate me. But I want you to know this, James. I'll always love you. Even though our life together had to end like this, I still wouldn't trade it for the world. We had some wonderful years together. Well, this letter has gone on too long, so I'll say goodbye. I told the nurse to give this to you after I'm gone. That means that when you read this, I'll already be dead. I can't tell you to remember me, but I can't bear for you to forget me. These last few years since I became ill...I'm so sorry for what I did to you, did to us... You've given me so much and I haven't been able to return a single thing. That's why I want you to live for yourself now. Do what's best for you, James. James... You made me happy. “I love you, Mary.”  As the car began to slowly sink to the bottom of the lake, James pulled his wife close and gently held her. Their wish had finally come true. They would be together. And now they had an eternity to enjoy their happiness.
Sadamu Yamashita (Silent Hill 2: The Novel)
The love of the painter standing alone and staring, staring at the great coloured surface he is making. Standing with him in the room the rearing canvas stares back with tentative shapes halted in their growth, moving in a new rhythm from floor to ceiling. The twisted tubes, the fresh paint squeezed and smeared across the dry upon his palette. The dust beneath the easel. The paint has edged along the brushes' handles. The white light in a northern sky is silent. The window gapes as he inhales his world. His world: a rented room, and turpentine. He moves towards his half-born. He is in love.
Mervyn Peake (Titus Groan (Gormenghast, #1))
Some departure from the norm Will occur as time grows more open about it. The consensus gradually changed; nobody Lies about it any more. Rust dark pouring Over the body, changing it without decay— People with too many things on their minds, but we live In the interstices, between a vacant stare and the ceiling, Our lives remind us. Finally this is consciousness And the other livers of it get off at the same stop. How careless. Yet in the end each of us Is seen to have traveled the same distance—it’s time That counts, and how deeply you have invested in it, Crossing the street of an event, as though coming out of it were The same as making it happen. You’re not sorry, Of course, especially if this was the way it had to happen, Yet would like an exacter share, something about time That only a clock can tell you: how it feels, not what it means. It is a long field, and we know only the far end of it, Not the part we presumably had to go through to get there. If it isn’t enough, take the idea Inherent in the day, armloads of wheat and flowers Lying around flat on handtrucks, if maybe it means more In pertaining to you, yet what is is what happens in the end As though you cared. The event combined with Beams leading up to it for the look of force adapted to the wiser Usages of age, but it’s both there And not there, like washing or sawdust in the sunlight, At the back of the mind, where we live now.
John Ashbery (Houseboat Days)
Detective Inspector Carver took a picture from the breast pocket of his suit. He handed it to me. ‘This is what you did, Michael. Take a good look. See if it jogs your memory.’ I gawped at the mutilated corpse of a naked young girl lying on a blood-soaked double bed. Her hands were bound to the brass headboard with duct tape. Blood covered her upper body, and her long blonde hair was streaked a murderous shade of red. One eye stared at the ceiling as if searching for salvation, the other, a bloody unrecognisable pulp, bore no relation to its sightless counterpart. ‘Carla Marie Coombs. Twenty-one years of age. Do you recognise her, Michael?
Mark Tilbury (The Abattoir of Dreams)
Oh," he said again and picked up two petals of cherry blossom which he folded together like a sandwich and ate slowly. "Supposing," he said, staring past her at the wall of the house, "you saw a little man, about as tall as a pencil, with a blue patch in his trousers, halfway up a window curtain, carrying a doll's tea cup-would you say it was a fairy?" "No," said Arrietty, "I'd say it was my father." "Oh," said the boy, thinking this out, "does your father have a blue patch on his trousers?" "Not on his best trousers. He does on his borrowing ones." 'Oh," said the boy again. He seemed to find it a safe sound, as lawyers do. "Are there many people like you?" "No," said Arrietty. "None. We're all different." "I mean as small as you?" Arrietty laughed. "Oh, don't be silly!" she said. "Surely you don't think there are many people in the world your size?" "There are more my size than yours," he retorted. "Honestly-" began Arrietty helplessly and laughed again. "Do you really think-I mean, whatever sort of a world would it be? Those great chairs . . . I've seen them. Fancy if you had to make chairs that size for everyone? And the stuff for their clothes . . . miles and miles of it . . . tents of it ... and the sewing! And their great houses, reaching up so you can hardly see the ceilings . . . their great beds ... the food they eat ... great, smoking mountains of it, huge bogs of stew and soup and stuff." "Don't you eat soup?" asked the boy. "Of course we do," laughed Arrietty. "My father had an uncle who had a little boat which he rowed round in the stock-pot picking up flotsam and jetsam. He did bottom-fishing too for bits of marrow until the cook got suspicious through finding bent pins in the soup. Once he was nearly shipwrecked on a chunk of submerged shinbone. He lost his oars and the boat sprang a leak but he flung a line over the pot handle and pulled himself alongside the rim. But all that stock-fathoms of it! And the size of the stockpot! I mean, there wouldn't be enough stuff in the world to go round after a bit! That's why my father says it's a good thing they're dying out . . . just a few, my father says, that's all we need-to keep us. Otherwise, he says, the whole thing gets"-Arrietty hesitated, trying to remember the word-"exaggerated, he says-" "What do you mean," asked the boy, " 'to keep us'?
Mary Norton (The Borrowers (The Borrowers, #1))
Some things you carry around inside you as though they were part of your blood and bones, and when that happens, there’s nothing you can do to forget …But I had never been much of a believer. If anything, I believed that things got worse before they got better. I believed good people suffered... people who have faith were so lucky; you didn’t want to ruin it for them. You didn’t want to plant doubt where there was none. You had to treat suck individuals tenderly and hope that some of whatever they were feeling rubs off on you Those who love you will love you forever, without questions or boundaries or the constraints of time. Daily life is real, unchanging as a well-built house. But houses burn; they catch fire in the middle of the night. The night is like any other night of disaster, with every fact filtered through a veil of disbelief. The rational world has spun so completely out of its orbit, there is no way to chart or expect what might happen next At that point, they were both convinced that love was a figment of other people’s imaginations, an illusion fashioned out of smoke and air that really didn’t exist Fear, like heat, rises; it drifts up to the ceiling and when it falls down it pours out in a hot and horrible rain True love, after all, could bind a man where he didn’t belong. It could wrap him in cords that were all but impossible to break Fear is contagious. It doubles within minutes; it grows in places where there’s never been any doubt before The past stays with a man, sticking to his heels like glue, invisible and heartbreaking and unavoidable, threaded to the future, just as surely as day is sewn to night He looked at girls and saw only sweet little fuckboxes, there for him to use, no hearts involved, no souls, and, most assuredly no responsibilities. Welcome to the real world. Herein is the place where no one can tell you whether or not you’ve done the right thing. I could tell people anything I wanted to, and whatever I told them, that would be the truth as far as they were concerned. Whoever I said I was, well then, that’s who id be The truths by which she has lived her life have evaporated, leaving her empty of everything except the faint blue static of her own skepticism. She has never been a person to question herself; now she questions everything Something’s, are true no matter how hard you might try to bloc them out, and a lie is always a lie, no matter how prettily told You were nothing more than a speck of dust, good-looking dust, but dust all the same Some people needed saving She doesn’t want to waste precious time with something as prosaic as sleep. Every second is a second that belongs to her; one she understands could well be her last Why wait for anything when the world is so cockeyed and dangerous? Why sit and stare into the mirror, too fearful of what may come to pass to make a move? At last she knows how it feels to take a chance when everything in the world is at stake, breathless and heedless and desperate for more She’ll be imagining everything that’s out in front of them, road and cloud and sky, all the elements of a future, the sort you have to put together by hand, slowly and carefully until the world is yours once more
Alice Hoffman (Blue Diary)
But…” Hazel gripped his shoulders and stared at him in amazement. “Frank, what happened to you?” “To me?” He stood, suddenly self-conscious. “I don’t…” He looked down and realized what she meant. Triptolemus hadn’t gotten shorter. Frank was taller. His gut had shrunk. His chest seemed bulkier. Frank had had growth spurts before. Once he’d woken up two centimeters taller than when he’d gone to sleep. But this was nuts. It was as if some of the dragon and lion had stayed with him when he’d turned back to human. “Uh…I don’t…Maybe I can fix it.” Hazel laughed with delight. “Why? You look amazing!” “I—I do?” “I mean, you were handsome before! But you look older, and taller, and so distinguished—” Triptolemus heaved a dramatic sigh. “Yes, obviously some sort of blessing from Mars. Congratulations, blah, blah, blah. Now, if we’re done here…?” Frank glared at him. “We’re not done. Heal Nico.” The farm god rolled his eyes. He pointed at the corn plant, and BAM! Nico di Angelo appeared in an explosion of corn silk. Nico looked around in a panic. “I—I had the weirdest nightmare about popcorn.” He frowned at Frank. “Why are you taller?” “Everything’s fine,” Frank promised. “Triptolemus was about to tell us how to survive the House of Hades. Weren’t you, Trip?” The farm god raised his eyes to the ceiling, like, Why me, Demeter? “Fine,” Trip said. “When you arrive at Epirus, you will be offered a chalice to drink from.” “Offered by whom?” Nico asked. “Doesn’t matter,” Trip snapped. “Just know that it is filled with deadly poison.” Hazel shuddered. “So you’re saying that we shouldn’t drink it.” “No!” Trip said. “You must drink it, or you’ll never be able to make it through the temple. The poison connects you to the world of the dead, lets you pass into the lower levels. The secret to surviving is”—his eyes twinkled—“barley.” Frank stared at him. “Barley.” “In the front room, take some of my special barley. Make it into little cakes. Eat these before you step into the House of Hades. The barley will absorb the worst of the poison, so it will affect you, but not kill you.” “That’s it?” Nico demanded. “Hecate sent us halfway across Italy so you could tell us to eat barley?” “Good luck!” Triptolemus sprinted across the room and hopped in his chariot. “And, Frank Zhang, I forgive you! You’ve got spunk. If you ever change your mind, my offer is open. I’d love to see you get a degree in farming!” “Yeah,” Frank muttered. “Thanks.” The god pulled a lever on his chariot. The snake-wheels turned. The wings flapped. At the back of the room, the garage doors rolled open. “Oh, to be mobile again!” Trip cried. “So many ignorant lands in need of my knowledge. I will teach them the glories of tilling, irrigation, fertilizing!” The chariot lifted off and zipped out of the house, Triptolemus shouting to the sky, “Away, my serpents! Away!” “That,” Hazel said, “was very strange.” “The glories of fertilizing.” Nico brushed some corn silk off his shoulder. “Can we get out of here now?” Hazel put her hand on Frank’s shoulder. “Are you okay, really? You bartered for our lives. What did Triptolemus make you do?” Frank tried to hold it together. He scolded himself for feeling so weak. He could face an army of monsters, but as soon as Hazel showed him kindness, he wanted to break down and cry. “Those cow monsters…the katoblepones that poisoned you…I had to destroy them.” “That was brave,” Nico said. “There must have been, what, six or seven left in that herd.” “No.” Frank cleared his throat. “All of them. I killed all of them in the city.” Nico and Hazel stared at him in stunned silence. Frank
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
As far as one journeys, as much as a man sees, from the turrets of the Taj Mahal to the Siberian wilds, he may eventually come to an unfortunate conclusion —usually while he's lying in bed, staring at the thatched ceiling of some substandard accommodation in Indochina," writes Swithin in his last book, the posthumously published Whereabouts, 1917 (1918). "It is impossible to rid himself of the relentless, cloying fever commonly known as Home. After seventy-three years of anguish I have found a cure, however. You must go home again, grit your teeth and however arduous the exercise, determine, without embellishment, your exact coordinates at Home, your longitudes and latitudes. Only then, will you stop looking back and see the spectacular view in front of you.
Marisha Pessl (Special Topics in Calamity Physics)
Looking up, she watched the balloons dance at the tops of their strings. Hanging by a ribbon at the end was a little white card. She wouldn't even open it, she told herself.She knew who they were from anyway. Who else? No,she wasn't going to open it.In fact,she was going to find a pin and pop every last balloon. What were they but a bunch of hot air? It was ridiculous.To prove a point, Shelby let the strings go so the balloons drifted up to the ceiling. If he thought he was going to win her over with silly presents and clever little notes...he was absolutely right, dammit. Shelby jumped up, swearing when she missed the strings by inches.Hauling over a chair,she climbed into it and grabbed the card. The yellow's for sunshine, the pink's for spring.Share them with me. Alan. "You drive me crazy," she muttered, standing in the chair with the balloons in one hand and the card in the other. How did he know,how could he know just the sort of thing that would get to her? Strawberries and pigs and balloons-it was hopeless. Shelby stared up at them, wishing she didn't need to smile.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
In the courtyard there was an angel of black stone, and its angel head rose above giant elephant leaves; the stark glass angel eyes, bright as the bleached blue of sailor eyes, stared upward. One observed the angel from an intricate green balcony — mine, this balcony, for I lived beyond in three old white rooms, rooms with elaborate wedding-cake ceilings, wide sliding doors, tall French windows. On warm evenings, with these windows open, conversation was pleasant there, tuneful, for wind rustled the interior like fan-breeze made by ancient ladies. And on such warm evenings this town is quiet. Only voices: family talk weaving on an ivy-curtained porch; a barefoot woman humming as she rocks a sidewalk chair, lulling to sleep a baby she nurses quite publicly; the complaining foreign tongue of an irritated lady who, sitting on her balcony, plucks a fryer, the loosened feathers floating from her hands, slipping into air, sliding lazily downward.
Truman Capote
If she captured Tamlin’s power once, who’s to say she can’t do it again?” It was the question I hadn’t yet dared voice. “He won’t be tricked again so easily,” he said, staring up at the ceiling. “Her biggest weapon is that she keeps our powers contained. But she can’t access them, not wholly—though she can control us through them. It’s why I’ve never been able to shatter her mind—why she’s not dead already. The moment you break Amarantha’s curse, Tamlin’s wrath will be so great that no force in the world will keep him from splattering her on the walls.” A chill went through me. “Why do you think I’m doing this?” He waved a hand to me. “Because you’re a monster.” He laughed. “True, but I’m also a pragmatist. Working Tamlin into a senseless fury is the best weapon we have against her. Seeing you enter into a fool’s bargain with Amarantha was one thing, but when Tamlin saw my tattoo on your arm … Oh, you should have been born with my abilities, if only to have felt the rage that seeped from him.” I didn’t want to think much about his abilities. “Who’s to say he won’t splatter you as well?” “Perhaps he’ll try—but I have a feeling he’ll kill Amarantha first. That’s what it all boils down to, anyway: even your servitude to me can be blamed on her. So he’ll kill her tomorrow, and I’ll be free before he can start a fight with me that will reduce our once-sacred mountain to rubble.” He picked at his nails. “And I have a few other cards to play.” I lifted my brows in silent question. “Feyre, for Cauldron’s sake. I drug you, but you don’t wonder why I never touch you beyond your waist or arms?” Until tonight—until that damned kiss. I gritted my teeth, but even as my anger rose, a picture cleared. “It’s the only claim I have to innocence,” he said, “the only thing that will make Tamlin think twice before entering into a battle with me that would cause a catastrophic loss of innocent life. It’s the only way I can convince him I was on your side. Believe me, I would have liked nothing more than to enjoy you—but there are bigger things at stake than taking a human woman to my bed.” I knew, but I still asked, “Like what?” “Like my territory,” he said, and his eyes held a far-off look that I hadn’t yet seen. “Like my remaining people, enslaved to a tyrant queen who can end their lives with a single word. Surely Tamlin expressed similar sentiments to you.” He hadn’t—not entirely. He hadn’t been able to, thanks to the curse. “Why did Amarantha target you?” I dared ask. “Why make you her whore?” “Beyond the obvious?” He gestured to his perfect face. When I didn’t smile, he loosed a breath. “My father killed Tamlin’s father—and his brothers.” I started. Tamlin had never said—never told me the Night Court was responsible for that. “It’s a long story, and I don’t feel like getting into it, but let’s just say that when she stole our lands out from under us, Amarantha decided that she especially wanted to punish the son of her friend’s murderer—decided that she hated me enough for my father’s deeds that I was to suffer.” I might have reached a hand toward him, might have offered my apologies—but every thought had dried up in my head. What Amarantha had done to him … “So,” he said wearily, “here we are, with the fate of our immortal world in the hands of an illiterate human.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
How are things going with your brothers?” “The judge set a date to hear me out after graduation. Mrs.Collins has been prepping me.” “That is awesome!” “Yeah.” “What’s wrong?” “Carrie and Joe hired a lawyer and I lost visitation.” Echo placed her delicate hand over mine.“Oh, Noah. I am so sorry." I’d spent countless hours on the couch in the basement, staring at the ceiling wondering what she was doing. Her laughter, her smile, the feel of her body next to mine, and the regret that I let her walk away too easily haunted me. Taking the risk, I entwined my fingers with hers. Odds were I’d never get the chance to be this close again. "No, Mrs. Collins convinced me the best thing to do is to keep my distance and follow the letter of the law." "Wow, Mrs. Collins is a freaking miracle worker. Dangerous Noah Hutchins on the straight and narrow. If you don’t watch out she’ll ruin your rep with the girls." I lowered my voice. "Not that it matters. I only care what one girl thinks about me." She relaxed her fingers into mine and stroked her thumb over my skin. Minutes into being alone together, we fell into each other again, like no time had passed. I could blame her for ending us, but in the end, I agreed with her decision. “How about you, Echo? Did you find your answers?” “No.” If I continued to disregard breakup rules, I might as well go all the way. I pushed her curls behind her shoulder and let my fingers linger longer than needed so I could enjoy the silky feel. “Don’t hide from me, baby. We’ve been through too much for that.” Echo leaned into me, placing her head on my shoulder and letting me wrap an arm around her. “I’ve missed you, too, Noah. I’m tired of ignoring you.” “Then don’t.” Ignoring her hurt like hell. Acknowledging her had to be better. I swallowed, trying to shut out the bittersweet memories of our last night together. “Where’ve you been? It kills me when you’re not at school.” “I went to an art gallery and the curator showed some interest in my work and sold my first piece two days later. Since then, I’ve been traveling around to different galleries, hawking my wares.” “That’s awesome, Echo. Sounds like you’re fitting into your future perfectly. Where did you decide to go to school?” “I don’t know if I’m going to school.” Shock jolted my system and I inched away to make sure I understood. “What the fuck do you mean you don’t know? You’ve got colleges falling all over you and you don’t fucking know if you want to go to school?” My damned little siren laughed at me. “I see your language has improved.” Poof—like magic, the anger disappeared. “If you’re not going to school, then what are your plans?” "I’m considering putting college off for a year or two and traveling cross-country, hopping from gallery to gallery.” “I feel like a dick. We made a deal and I left you hanging. I’m not that guy who goes back on his word. What can I do to help you get to the truth?” Echo’s chest rose with her breath then deflated when she exhaled. Sensing our moment ending, I nuzzled her hair, savoring her scent. She patted my knee and broke away. “Nothing. There’s nothing you can do.” "I think it’s time that I move on. As soon as I graduate, this part of my life will be over. I’m okay with not knowing what happened.” Her words sounded pretty, but I knew her better. She’d blinked three times in a row.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
You run off when things get a little more complicated than you'd like, and leave us to cover your tracks so the whole valley doesn't find out that Hytanica bloody lost its King-meanwhile, the Cokyrians are infiltrating our lands to the north, so it becomes entirely possible that you've walked right into their camp. We have men out there still searching for you,men who should be helping to barricade the northern border-to make sure that in a week you still have a kingdom to rule. And you have the gall to strut in here and be an ass! I swear, Steldo, if we didn't need someone to sit on that throne, I'd dispatch you with my own hands!" The two erstwhile companions stared at each other, Galen challenging Steldor to respond, and Steldor too staggered to do so.Eventually,the sergeant threw his hands in the air and marched into his office,slamming the door behind him. In the silence that followed Galen's departure, I came to appreciate the true meaning of the word awkward. Steldor did not rise to his feet, and his eyes were glazed. I felt un-needed,but there was no way for me to make a polished exit. The Palace Gaurds,bound by duty to remaind, searched the walls, the floor, the ceiling, for anything plausible in which to show an interest, not wanting to be caught gawking at their King.
Cayla Kluver (Allegiance (Legacy, #2))
I drummed my fingers on the steering wheel as I looked around the empty lot. I wavered on getting out when a giant lightning bolt painted a jagged streak across the rainy lavender-gray sky. Minutes passed and still he didn’t come out of the Three Hundreds’ building. Damn it. Before I could talk myself out of it, I jumped out of the car, cursing at myself for not carrying an umbrella for about the billionth time and for not having waterproof shoes, and ran through the parking lot, straight through the double doors. As I stomped my feet on the mat, I looked around the lobby for the big guy. A woman behind the front desk raised her eyebrows at me curiously. “Can I help you with something?” she asked. “Have you seen Aiden?” “Aiden?” Were there really that many Aidens? “Graves.” “Can I ask what you need him for?” I bit the inside of my cheek and smiled at the woman who didn’t know me and, therefore, didn’t have an idea that I knew Aiden. “I’m here to pick him up.” It was obvious she didn’t know what to make of me. I didn’t exactly look like pro-football player girlfriend material in that moment, much less anything else. I’d opted not to put on any makeup since I hadn’t planned on leaving the house. Or real pants. Or even a shirt with the sleeves intact. I had cut-off shorts and a baggy T-shirt with sleeves that I’d taken scissors to. Plus the rain outside hadn’t done my hair any justice. It looked like a cloud of teal. Then there was the whole we-don’t-look-anything-alike thing going on, so there was no way we could pass as siblings. Just as I opened my mouth, the doors that connected the front area with the rest of the training facility swung open. The man I was looking for came out with his bag over his shoulder, imposing, massive, and sweaty. Definitely surly too, which really only meant he looked the way he always did. I couldn’t help but crack a little smile at his grumpiness. “Ready?” He did his form of a nod, a tip of his chin. I could feel the receptionist’s eyes on us as he approached, but I was too busy taking in Grumpy Pants to bother looking at anyone else. Those brown eyes shifted to me for a second, and that time, I smirked uncontrollably. He glared down at me. “What are you smiling at?” I shrugged my shoulders and shook my head, trying to give him an innocent look. “Oh, nothing, sunshine.” He mouthed ‘sunshine’ as his gaze strayed to the ceiling. We ran out of the building side by side toward my car. Throwing the doors open, I pretty much jumped inside and shivered, turning the car and the heater on. Aiden slid in a lot more gracefully than I had, wet but not nearly as soaked. He eyed me as he buckled in, and I slanted him a look. “What?” With a shake of his head, he unzipped his duffel, which was sitting on his lap, and pulled out that infamous off-black hoodie he always wore. Then he held it out. All I could do was stare at it for a second. His beloved, no-name brand, extra-extra-large hoodie. He was offering it to me. When I first started working for Aiden, I remembered him specifically giving me instructions on how he wanted it washed and dried. On gentle and hung to dry. He loved that thing. He could own a thousand just like it, but he didn’t. He had one black hoodie that he wore all the time and a blue one he occasionally donned. “For me?” I asked like an idiot. He shook it, rolling his eyes. “Yes for you. Put it on before you get sick. I would rather not have to take care of you if you get pneumonia.” Yeah, I was going to ignore his put-out tone and focus on the ‘rather not’ as I took it from him and slipped it on without another word. His hoodie was like holding a gold medal in my hands. Like being given something cherished, a family relic. Aiden’s precious.
Mariana Zapata (The Wall of Winnipeg and Me)