Somebody Son Quotes

We've searched our database for all the quotes and captions related to Somebody Son. Here they are! All 100 of them:

You see!" said a strained voice. Tonks was glaring at Lupin. "She still wants to marry him, even though he's been bitten! She doesn't care!" "It's different," said Lupin, barely moving his lips and looking suddenly tense. "Bill will not be a full werewolf. The cases are completely-" "But I don't care either, I don't care!" said Tonks, seizing the front of Lupin's robes and shaking them. "I've told you a million times...." And the meaning of Tonk's Patronus and her mouse-colored hair, and the reason she had come running to find Dumbledore when she had heard a rumor someone had been attacked by Greyback, all suddenly became clear to Harry; it had not been Sirius that Tonks had fallen in love with after all. "And I've told you a million times," said Lupin, refusing to meet her eyes, staring at the floor, "that I am too old for you, too poor....too dangerous...." "I've said all along you're taking a ridiculous line on this, Remus," said Mrs. Weasley over Fleur's shoulder as she patted her on the back. "I am not being ridiculous," said Lupin steadily. "Tonks deserves somebody young and whole." "But she wants you," said Mr. Weasley, with a small smile. "And after all, Remus, young and whole men do not necessarily remain so." He gestured sadly at his son, lying between them. "This is....not the moment to discuss it," said Lupin, avoiding everybody's eyes as he looked around distractedly. "Dumbledore is dead...." "Dumbledore would have been happier than anybody to think that there was a little more love in the world," said Professor McGonagall curtly...
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
Our boy looks impressed.” “Should be,” Rhage muttered as he jacked the belt on his robe. “We are awesome.” Multiple groans at that point. Rolled eyes. “At least he didn’t pull out the ‘totes amazeballs,’” somebody muttered. “That’s Lassiter,” came an answer. “Man, that son of a bitch has got to stop watching Nickel-fucking-odeon.
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
Mothers see the angel in us because the angel is there. If it's shown to the mother, the son has got an angel to show, hasn't he? When a son cuts somebody's throat the mother only sees it's possible for a misguided angel to act like a devil - and she's entirely right about that!
Booth Tarkington (The Magnificent Ambersons)
I wandered over across the hall where they were showing a short movie about vasectomies. Much later I told her that I'd actually gotten a vasectomy a long time ago, and somebody else must have gotten her pregnant. I also told her once that I had inoperable cancer and would soon be passed away and gone, eternally. But nothing I could think up, no matter how dramatic or horrible, ever made her repent or love me the way she had at first, before she really knew me.
Denis Johnson (Jesus' Son)
But even though I was with my father again, I never felt really secure deep down. I don't know how to put it exactly, but things were never really settled inside me. I always had this feeling like, I don't know, like somebody was putting something over on me, like my real father had disappeared forever and, to fill the gap, some other guy was sent to me in his shape.
Haruki Murakami (After Dark)
The angel popped his already mile high collar. "She said she wanted the holiest thing in the house to do it." "She got holey, all right," somebody muttered. "Is that Butche's Bible?" V asked. The angel flashed the goods. "Yup, and his BoC, he called it? I also got a sermon I did myself." "Saints preserve us," came from the opposite side of the crowd. "Wait, Wait, Wait." V waved his hand rolled around. "I'm the son of a deity and she picked you?
J.R. Ward (The King (Black Dagger Brotherhood #12))
But maybe a man was nothing but a man, which is what Baby Suggs always said. They encouraged you to put some of your weight in their hands and soon as you felt how light and lovely that was, they studied your scars and tribulations, after which they did what he had done: ran her children out and tore up the house. [...] A man ain't nothing but a man,' said Baby Suggs. 'But a son? Well now, that's somebody.
Toni Morrison (Beloved (Beloved Trilogy, #1))
The visitor from outer space made a serious study of Christianity, to learn, if he could, why Christians found it so easy to be cruel. He concluded that at least part of the trouble was slipshod storytelling in the New Testament. He supposed that the intent of the Gospels was to teach people, among other things, to be merciful, even to the lowest of the low. But the Gospels actually taught this: Before you kill somebody, make absolutely sure he isn’t well connected. So it goes. The flaw in the Christ stories, said the visitor from outer space, was that Christ, who didn’t look like much, was actually the Son of the Most Powerful Being in the Universe. Readers understood that, so, when they came to the crucifixion, they naturally thought, and Rosewater read out loud again: Oh, boy–they sure picked the wrong guy to lynch _that_ time! And that thought had a brother: “There are right people to lynch.” Who? People not well connected. So it goes. The visitor from outer space made a gift to the Earth of a new Gospel. In it, Jesus really was a nobody, and a pain in the neck to a lot of people with better connections than he had. He still got to say all the lovely and puzzling things he said in the other Gospels. So the people amused themselves one day by nailing him to a cross and planting the cross in the ground. There couldn’t possibly be any repercussions, the lynchers thought. The reader would have to think that, too, since the new Gospel hammered home again and again what a nobody Jesus was. And then, just before the nobody died, the heavens opened up, and there was thunder and lightning. The voice of God came crashing down. He told the people that he was adopting the bum as his son, giving him the full powers and privileges of The Son of the Creator of the Universe throughout all eternity. God said this: From this moment on, He will punish horribly anybody who torments a bum who has no connections.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Public business, my son, must always be done by somebody. It will be done by somebody or other. If wise men decline it, others will not; if honest men refuse it, others will not.
David McCullough (John Adams)
Like you? I go out of here every morning… bust my butt…putting up with them crackers everyday…cause I like you? You about the biggest fool I ever saw. It’s my JOB. It’s my RESPONSIBILITY! You understand that? A man got to take care of his family. You live in my house… sleep on my bed clothes…fill you belly up with my food… cause you my son. You my flesh and blood. Not ‘cause I like you! Cause it’s my duty to take care of you. I OWE a responsibility to you! Let’s get this straight right here… before it go along any further… I ain’t got to like you. Mr. Rand don’t five me money come payday cause he likes me. He gives me cause he OWE me. I done give you everything I had to give you. I gave you your life! Me and your mama worked that out between us. And liking your black ass wasn’t part of the bargain. Don’t try and go through life worrying about if somebody like you or not. You best be making sure they doing right by you. You understand what I’m saying, boy?” - August Wilson, Fences, 1986.
August Wilson (Fences (The Century Cycle, #6))
When my sons told me about what they'd found, I went to the priests of Belar and had them examine the auguries. This is the year to go. The ice up there won't be as thick again for years and years. Then they cast my own auguries, and from what they say, this could be the most fortunate year in my whole life." "Do you actually believe that superstitious nonsense?" I demanded. "Are you so gullible that you think that somebody can foretell the future by fondling a pile of sheep guts?" He looked a little injured. "This was important, Belgarath. I certainly wouldn't trust sheep's entrails for something like this." "I'm glad to hear that." "We used a horse instead. Horse guts never lie.
David Eddings (Belgarath the Sorcerer)
What’s really important is the essence of the life lived. A college degree isn’t going to tell me how well somebody lived, now is it? Does having a boat mean you lived a good life? Or a summerhouse? What about saving each valentine your son made or even working a roadside jam stand? A million, what do they call it?—selfies—on some silly website. What does it all mean, in the end?
Kathleen Glasgow (How to Make Friends with the Dark)
Astoria always knew that she was not destined for old age. She wanted me to have somebody when she left, because...it is exceptionally lonely, being Draco Malfoy. I will always be suspected. There is no escaping the past. I never realized, though, that by hiding him away from this gossiping, judgmental world, I ensured that my son would emerge shrouded in worse suspicion than I ever endured.
J.K. Rowling (Harry Potter and the Cursed Child: Parts One and Two (Harry Potter, #8))
Life bullies us son, but God don't. He had good reasons for fixin' it where if'n you git too sick or too hurt to live, why, you can die, same as a sick chicken. I've knowed a few really sick chickens to git well, and lots a-folks git well thet nobody ever thought to see out a-bed agin cept in a coffin. Still and all, common sense tells you this much: everwhat makes a wheel run over a track will make it run over a boy if'n he's in the way. If'n you'd a got kilt, it'd mean you jest didn't move fast enough, like a rabbit that gits caught by a hound dog... When it comes to prayin' we got it all over the other animals, but we ain't no different when it comes to livin' and dyin'. If'n you give God the credit when somebody don't die, you go'n blame Him when they do die? Call it His Will? Ever noticed we git well all the time and don't die but once't? Thet has to mean God always wants us to live if'n we can.
Olive Ann Burns (Leaving Cold Sassy: The Unfinished Sequel to Cold Sassy Tree)
This much is all I ask of my accusers: when my sons grow up, avenge yourselves by causing them the same kind of grief that I caused you, if you think they care for money or anything else more than they care for virtue, or if they think they are somebody when they are nobody. Reproach them as I reproach you, that they do not care for the right things and think they are worthy when they are not worthy of anything. If you do this, I shall have been justly treated by you, and my sons also. Now the hour to part has come. I go to die, you go to live. Which of us goes to the better lot is known to no one.
Plato (Apology)
I know I grew up in the time when a young man in a baggy suit and slicked-down hair stood spraddle-legged in the crossroads of history and talked hot and mean about the colored, giving my poor and desperate people a reason to feel superior to somebody, to anybody. I know that even as the words of George Wallace rang through my Alabama, the black family who lived down the dirt road from our house sent fresh-picked corn and other food to the poor white lady and her three sons, because they knew their daddy had run off, because hungry does not have a color.
Rick Bragg (All Over But the Shoutin')
She was resting at a table between numbers in the Greek nightclub where she was dancing. A little of the stage light touched her. She was very frail. She seemed to be thinking about something far away, waiting patiently for somebody to destroy her.
Denis Johnson (Jesus’ Son)
It was The Gospel From Outer Space, by Kilgore Trout. It was about a visitor from outer space...[who] made a serious study of Christianity, to learn, if he could, why Christians found it so easy to be cruel. He concluded that at least part of the trouble was slipshod storytelling in the New Testament. He supposed that the intent of the Gospels was to teach people, among other things, to be merciful, even to the lowest of the low. But the Gospels actually taught this: Before you kill somebody, make absolutely sure he isn't well connected. So it goes. The flaw in the Christ stories, said the visitor from outer space, was that Christ, who didn't look like much, was actually the Son of the Most Powerful Being in the Universe. Readers understood that, so, when they came to the crucifixion, they naturally thought...: "Oh, boy - they sure picked the wrong guy to lynch that time!" And that thought had a brother: "There are right people to lynch." Who? People not well connected. So it goes.
Kurt Vonnegut Jr.
Son, I know you don’t consider me family and that pain I’ll take to my grave. Let me just tell you this though, never turn your back on somebody you love, you’ll never forgive yourself. -Rick's Grandfather
M.K. Schiller (The Other C-Word (In Other Words, #1))
We've also evolved the ability to simply 'pay it forward': I help you, somebody else will help me. I remember hearing a parable when I was younger, about a father who lifts his young son onto his back to carry him across a flooding river. 'When I am older,' said the boy to his father, 'I will carry you across this river as you now do for me.' 'No, you won't,' said the father stoically. 'When you are older you will have your own concerns. All I expect is that one day you will carry your own son across this river as I no do for you.' Cultivating this attitude is an important part of Humanism--to realize that life without God can be much more than a series of strict tit-for-tat transactions where you pay me and I pay you back. Learning to pay it forward can add a tremendous sense of meaning and dignity to our lives. Simply put, it feels good to give to others, whether we get back or not.
Greg M. Epstein (Good Without God: What a Billion Nonreligious People Do Believe)
You are something made, then made to survive—which means you are somebody’s son.
Ocean Vuong (Time is a Mother)
There has never been a gift offered that makes you swallow your pride to the depths that the gift of Jesus Christ requires us to do. Christmas means that we are so lost, so unable to save ourselves, that nothing less than the death of the Son of God himself could save us. That means you are not somebody who can pull yourself together and live a moral and good life.
Timothy J. Keller (Hidden Christmas: The Surprising Truth Behind the Birth of Christ)
Daddy had only just got into bed when, from the next room, a small voice called, "Hello?" "What do you want?" Daddy demanded, perhaps a trifle less patiently than usual. There came a long silence. Then from a sleepy child came the reply, "I don't want anything 'cept I just want to know somebody is there." That is the cry of million of hearts, millions who feel they can manage along through life as long as there is someone to share it with.
Francis Gay
Perhaps in Vanity Fair there are no better satires than letters. Take a bundle of your dear friend’s of ten years back—your dear friend whom you hate now. Look at a file of your sister’s! How you clung to each other till you quarreled about the twenty-pound legacy! Get down the round-hand scrawls of your son who has half broken your heart with selfish undutifulness since; or a parcel of your own, breathing endless ardour and love eternal, which were sent back by your mistress when she married the Nabob—your mistress for whom you now care no more than for Queen Elizabeth. Vows, love, promises, confidences, gratitude; how queerly they read after a while! There ought to be a law in Vanity Fair ordering the destruction of every written document (except receipted tradesmen’s bills) after a certain brief and proper interval. Those quacks and misanthropes who advertise indelible Japan ink should be made to perish along with their wicked discoveries. The best ink for Vanity Fair use would be one that faded utterly in a couple of days, and left the paper clean and blank, so that you might write on it to somebody else
William Makepeace Thackeray (Vanity Fair)
What do you know about somebody not being good enough for somebody else? And since when did you care whether Corinthians stood up or fell down? You've been laughing at us all your life. Corinthians. Mama. Me. Using us, ordering us, and judging us: how we cook your food; how we keep your house. But now, all of a sudden, you have Corinthians' welfare at heart and break her up from a man you don't approve of. Who are you to approve or disapprove anybody or anything? I was breathing air in the world thirteen years before your lungs were even formed. Corinthians, twelve. . . . but now you know what's best for the very woman who wiped the dribble from your chin because you were too young to know how to spit. Our girlhood was spent like a found nickel on you. When you slept, we were quiet; when you were hungry, we cooked; when you wanted to play, we entertained you; and when you got grown enough to know the difference between a woman and a two-toned Ford, everything in this house stopped for you. You have yet to . . . move a fleck of your dirt from one place to another. And to this day, you have never asked one of us if we were tired, or sad, or wanted a cup of coffee. . . . Where do you get the RIGHT to decide our lives? . . . I'll tell you where. From that hog's gut that hangs down between your legs. . . . I didn't go to college because of him. Because I was afraid of what he might do to Mama. You think because you hit him once that we all believe you were protecting her. Taking her side. It's a lie. You were taking over, letting us know you had the right to tell her and all of us what to do. . . . I don't make roses anymore, and you have pissed your last in this house.
Toni Morrison (Song of Solomon)
Some stupid people started the idea that because women obviously back up their own people through everything, therefore women are blind and do not see anything. They can hardly have known any women. The same women who are ready to defend their men through thick and thin are (in their personal intercourse with the man) almost morbidly lucid about the thinness of his excuses or the thickness of his head. A man's friend likes him but leaves him as he is: his wife loves him and is always trying to turn him into somebody else. Women who are utter mystics in their creed are utter cynics in their criticism. Thackeray expressed this well when he made Pendennis' mother, who worshipped her son as a god, yet assume that he would go wrong as a man. She underrated his virtue, though she overrated his value. The devotee is entirely free to criticise; the fanatic can safely be a sceptic. Love is not blind; that is the last thing that it is. Love is bound; and the more it is bound the less it is blind.
G.K. Chesterton (Orthodoxy)
It’s a hustler’s world, son,” Dodson said, “and if you ain’t doing the hustlin’? Somebody’s hustlin’ you.
Joe Ide (IQ)
Somebody has to start, son. Somebody has to step forward and do what is right, because it is right. If nobody starts, then others cannot follow.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
I wanted to ask my father about his regrets. I wanted to ask him what was the worst thing he'd ever done. His greatest sin. I wanted to ask him if there was any reason why the Catholic Church would consider him for sainthood. I wanted to open up his dictionary and find the definitions for faith, hope, goodness, sadness, tomato, son, mother, husband, virginity, Jesus, wood, sacrifice, pain, foot, wife, thumb, hand, bread, and sex. "Do you believe in God?" I asked my father. "God has lots of potential," he said. "When you pray," I asked him. "What do you pray about?" "That's none of your business," he said. We laughed. We waited for hours for somebody to help us. What is an Indian? I lifted my father and carried him across every border.
Sherman Alexie
JABBERWOCKY ‘Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe. "Beware the Jabberwock, my son The jaws that bite, the claws that catch! Beware the Jubjub bird, and shun The frumious Bandersnatch!" He took his vorpal sword in hand; Long time the manxome foe he sought— So rested he by the Tumtum tree, And stood awhile in thought. And, as in uffish thought he stood, The Jabberwock, with eyes of flame, Came whiffling through the tulgey wood, And burbled as it came! One, two! One, two! And through and through The vorpal blade went snicker-snack! He left it dead, and with its head He went galumphing back. "And hast thou slain the Jabberwock? Come to my arms, my beamish boy! O frabjous day! Callooh! Callay!" He chortled in his joy. 'Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe. ‘It seems very pretty,' she said when she had finished it, 'but it's RATHER hard to understand!' (You see she didn't like to confess, even to herself, that she couldn't make it out at all.) 'Somehow it seemed to fill my head with ideas - only I don't know exactly what they are! However, SOMEBODY killed SOMETHING: that's clear, at any rate –
Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))
Man comes into the world a blind, groping mite. He knows hunger and the fear of noise and of falling. His life is spent in flight - flight from hunger and from the thunderbolt of destiny. From his moment of birth he begins to fall through the whistling air of Time: down, down into a chasm of darkness . . . we come like a breath of wind over the fields of morning. We go like a lamp flame caught by a blast from a darkened window. In between we journey from table to table, from battle to bottle, from bed to bed. We suck, we chew, we swallow, we lick, we try to mash life into us like an am-am-amoeba God damn it! Somebody lets us loose like a toad out of a matchbox and we jump and jump and jump and the guy always behind us, and when he gets tired he stomps us to death and our guts squirt out on each side of the boot of All Merciful Providence. The son-of-a-bitch!
William Lindsay Gresham (Nightmare Alley)
At last Paul went on. "I know how it is, son. You won't do it, you haven't the nerve for it-you're soft." He waited, while those cruel words sank in. "Yes, that's the word, soft. You've always had everything you wanted- you've had it handed to you on a silver tray, and it's made you a weakling. You have a good heart, you know what's right, but you couldn't bear to act, you'd be too afraid of hurting somebody.
Upton Sinclair
What’s bothering you, son?” Jem came to the point: “Mr. Ewell.” “What has happened?” “Nothing’s happened. We’re scared for you, and we think you oughta do something about him.” Atticus smiled wryly. “Do what? Put him under a peace bond?” “When a man says he’s gonna get you, looks like he means it.” “He meant it when he said it,” said Atticus. “Jem, see if you can stand in Bob Ewell’s shoes a minute. I destroyed his last shred of credibility at that trial, if he had any to begin with. The man had to have some kind of comeback, his kind always does. So if spitting in my face and threatening me saved Mayella Ewell one extra beating, that’s something I’ll gladly take. He had to take it out on somebody and I’d rather it be me than that houseful of children out there. You understand?
Harper Lee
Sometimes I can be walking down the street, or riding a bus, and suddenly I see somebody who remind me of somebody I know back home, and I close my eyes and find myself thinking of the sea, or the taste of grafted mango, or the smell of saltfish frying, and then I come back to myself and open my eyes and realise where I am.
Caryl Phillips (In the Falling Snow)
He thought here you are Joe Bonham lying like a side of beef all the rest of your life and for what? Somebody tapped you on the shoulder and said come along son we’re going to war. So you went. But why? In any other deal even like buying a car or running an errand you had the right to say what’s there in it for me? Otherwise you’d be buying bad cars for too much money or running errands for fools and starving to death. It was a kind of duty you owed yourself that when anybody said come on son do this or do that you should stand up and say look mister why should I do this for who am I doing it and what am I going to get out of it in the end? But when a guy comes along and says here come with me and risk your life and maybe die or be crippled why then you’ve got no rights. You haven’t even the right to say yes or no or I’ll think it over. There are plenty of laws to protect guys’ money even in war time but there’s nothing on the books says a man’s life’s his own. Of
Dalton Trumbo (Johnny Got His Gun)
You could join me, son of Hephaestus," Khione said. "I know you find me beautiful. It would be enough for my plan if these two were to die. Reject that ridiculous destiny the fates have given you. Live and be my champion, instead. Your skills would be quite useful." Leo looked stunned. He glanced behind him, like Khione might be talking to somebody else. For a second Jason was worried. He figured Leo didn't have beautiful goddesses make him offers like this every day. Then Leo laughed so hard, he doubled over. "Yeah, join you. Right. Until you get bored with me and turn me into a leosicle? Lady, nobody messes with my dragon and gets away with it. I can't believe I thought you were hot." "Khione's face turned red. "Hot? You dare insult me? I am cold, Leo Valdez. Very, very cold." She shot a blast of wintry sleet at the demigods, but Leo held up his hand. A wall of fire roared to life in front of them, and the snow dissolved into a steamy cloud. Leo grinned. "See, lady, that's what happens to snow in Texas. It-freaking-melts.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
Love every one as you love your little daughter and son, because everybody is somebody's daughter and son.
Debasish Mridha
A man ain't nothing but a man," said Baby Suggs. "But a son? Well now, that's somebody.
Toni Morrison (Beloved (Beloved Trilogy, #1))
Success is somebody else's failure. Success is the American Dream we can keep dreaming because most people in most places, including thirty million of ourselves, live wide awake in the terrible reality of poverty. No, I do not wish you success. I don't even want to talk about it. I want to talk about failure. Because you are human beings, you are going to meet failure. You are going to meet disappointment, injustice, betrayal, and irreparable loss. You will find you're weak where you thought yourself strong. You'll work for possessions and then find they possess you. You will find yourself - as I know you already have - in dark places, alone, and afraid. What I hope for you, for all my sisters and daughters, brothers and sons, is that you will be able to live there, in the dark place. To live in the place that our rationalizing culture of success denies, calling it a place of exile, uninhabitable, foreign.
Ursula K. Le Guin (Dancing at the Edge of the World: Thoughts on Words, Women, Places)
Don't tell me I'm sentimental, you sons of bitches. You are contemptible, your dishonesty is contemptible, your careful plodding with words, to keep them safely captured inside your silly little theories are contemptible, but I don't hate you, because each of you is a sad little pompous son of a bitch, with a chair at a university, and you are fighting bravely to seem to be somebody.
William Saroyan
Filling Station Oh, but it is dirty! --this little filling station, oil-soaked, oil-permeated to a disturbing, over-all black translucency. Be careful with that match! Father wears a dirty, oil-soaked monkey suit that cuts him under the arms, and several quick and saucy and greasy sons assist him (it's a family filling station), all quite thoroughly dirty. Do they live in the station? It has a cement porch behind the pumps, and on it a set of crushed and grease- impregnated wickerwork; on the wicker sofa a dirty dog, quite comfy. Some comic books provide the only note of color-- of certain color. They lie upon a big dim doily draping a taboret (part of the set), beside a big hirsute begonia. Why the extraneous plant? Why the taboret? Why, oh why, the doily? (Embroidered in daisy stitch with marguerites, I think, and heavy with gray crochet.) Somebody embroidered the doily. Somebody waters the plant, or oils it, maybe. Somebody arranges the rows of cans so that they softly say: ESSO--SO--SO--SO to high-strung automobiles. Somebody loves us all.
Elizabeth Bishop
I don’t know why people have to die, Son. I don’t think death was what God wanted. But it sure was part of somebody’s plan. I believe God is big enough and powerful enough to use it. There’s more going on here than we can see.
Chris Fabry (War Room: Prayer Is a Powerful Weapon)
No. You stop. Stop thinking you're the son your father disowned. You're not who he expected you to be; that doesn't mean you aren't somebody. Nor are you perfect. Stop using every mistake you make as an excuse to fail completely.
Robin Hobb (The Mad Ship (Liveship Traders, #2))
Rather, a woman is regarded as owing her human capacities to particular people, often men or his children within heterosexual relationships that also uphold white supremacy, and who are in turn deemed entitled to her services. This might be envisaged as the de facto legacy of coverture law—a woman’s being “spoken for” by her father, and afterward her husband, then son-in-law, and so on. And it is plausibly part of what makes women more broadly somebody’s mother, sister, daughter, grandmother: always somebody’s someone, and seldom her own person. But this is not because she’s not held to be a person at all, but rather because her personhood is held to be owed to others, in the form of service labor, love, and loyalty.
Kate Manne (Down Girl: The Logic of Misogyny)
Songs aren't supposed to rhyme, son. They're supposed to make you feel. That's what music's about. All those words and notes are just a different way to tell someone you love them, or your heart's broken or you're mad enough to kill somebody.
Kami Garcia
Outdoors, we knew, was the real terror of life. The threat of being outdoors surfaced frequently in those days. Every possibility of excess was curtailed with it. If somebody ate too much, he could end up outdoors. If somebody used too much coal, he could end up outdoors. People could gamble themselves outdoors, drink themselves outdoors. Sometimes mothers put their sons outdoors, and when that happened, regardless of what the son had done, all sympathy was with him. He was outdoors, and his own flesh had done it. To be put outdoors by a landlord was one thing—unfortunate, but an aspect of life over which you had no control, since you could not control your income. But to be slack enough to put oneself outdoors, or heartless enough to put one’s own kin outdoors—that was criminal.
Toni Morrison (The Bluest Eye (Vintage International))
There's this thing that writers talk about--where the characters take on a life of their own and they run away with the story, taking it off to places the author never intended to go. That's what happened here. Except, that's not what really happens. That's one of the stories that writers tell about storytelling. What really happened was that I sat and wrote and had a conversation with myself--a conversation that wasn't possible, unless I let part of myself pretend it was someone else--a disembodied voice in the typewriter. And so I typed. I typed everything I felt and feared and worried about, everything I thought I knew, and everything else as well, the much larger domain of what I didn't know and didn't know how to figure out. Because this, at last, was a place where I could talk to somebody about it all--and if that somebody was really me, that was okay too, because I was the guy who had to figure it out anyway. So I had all these conversations with myself--and these different parts of me talked into the keyboard. And talked and talked and talked.
David Gerrold (The Martian Child: A Novel About a Single Father Adopting a Son)
This much I ask from them: when my sons grow up, avenge yourselves by, causing them the same kind of grief that I caused you, if you think they care for money or anything else more than they care for virtue, or if they think they are somebody when they are nobody. Reproach them as I reproach you, that they do not care for the right things and think they are worthy when they are not worthy of anything. If you do this, I shall have been justly treated by you, and my sons also. Now the hour to part has come. I go to die, you go to live.
Plato (Apology)
THE UNOFFICIAL AND UNWRITTEN (but you better follow them or you’re going to get beaten twice as hard) SPOKANE INDIAN RULES OF FISTICUFFS: 1. IF SOMEBODY INSULTS YOU, THEN YOU HAVE TO FIGHT HIM. 2. IF YOU THINK SOMEBODY IS GOING TO INSULT YOU, THEN YOU HAVE TO FIGHT HIM. 3. IF YOU THINK SOMEBODY IS THINKING ABOUT INSULTING YOU, THEN YOU HAVE TO FIGHT HIM. 4. IF SOMEBODY INSULTS ANY OF YOUR FAMILY OR FRIENDS, OR IF YOU THINK THEY’RE GOING TO INSULT YOUR FAMILY OR FRIENDS, OR IF YOU THINK THEY’RE THINKING ABOUT INSULTING YOUR FAMILY OR FRIENDS, THEN YOU HAVE TO FIGHT HIM. 5. YOU SHOULD NEVER FIGHT A GIRL, UNLESS SHE INSULTS YOU, YOUR FAMILY, OR YOUR FRIENDS, THEN YOU HAVE TO FIGHT HER. 6. IF SOMEBODY BEATS UP YOUR FATHER OR YOUR MOTHER, THEN YOU HAVE TO FIGHT THE SON AND/OR DAUGHTER OF THE PERSON WHO BEAT UP YOUR MOTHER OR FATHER. 7. IF YOUR MOTHER OR FATHER BEATS UP SOMEBODY, THEN THAT PERSON’S SON AND/OR DAUGHTER WILL FIGHT YOU. 8. YOU MUST ALWAYS PICK FIGHTS WITH THE SONS AND/OR DAUGHTERS OF ANY INDIANS WHO WORK FOR THE BUREA OF INDIAN AFFAIRS. 9. YOU MUST ALWAYS PICK FIGHTS WITH THE SONS AND/OR DAUGHTERS OF ANY WHITE PEOPLE WHO LIVE ANYWHERE ON THE RESERVATION. 10. IF YOU GET IN A FIGHT WITH SOMEBODY WHO IS SURE TO BEAT YOU UP, THEN YOU MUST THROW THE FIRST PUNCH, BECAUSE IT’S THE ONLY PUNCH YOU’LL EVER GET TO THROW. 11. IN ANY FIGHT, THE LOSER IS THE FIRST ONE WHO CRIES.
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
The Bible teaches about the hand of the heavenly Father not only that it provides but also that it punishes. And his hand is upon his children. If I Iay my hands on somebody else’s child I’ll either have them at my front door or the policeman with them. I must not lay my hand in punishment on someone else’s child, but on my own child I could. That is why whom the Lord loves he chastises or chastens.  Indeed, says the New Testament, if you never feel the hand of God upon you in punishment you are a bastard, you are not a son of God; you are not his true son.
David Pawson (Come with me through Isaiah)
Perhaps in Vanity Fair there are no better satires than letters. Take a bundle of your dear friend's of ten years back--your dear friend whom you hate now. Look at a file of your sister's: how you clung to each other till you quarrelled about the twenty-pound legacy! Get down the roundhand scrawls of your son who has half broken your heart with selfish undutifulness since; or a parcel of your own, breathing endless ardour and love eternal, which were sent back by your mistress when she married the nabob--your mistress for whom you now care no more than for Queen Elizabeth. Vows, love, promises, confidences, gratitude, how queerly they read after a while! There ought to be a law in Vanity Fair ordering the destruction of every written document (except receipted tradesmen's bills) after a certain brief and proper interval. Those quacks and misanthropes who advertise indelible Japan ink, should be made to perish along with their wicked discoveries. The best ink for Vanity Fair use would be one that faded utterly in a couple of days, and left the paper clean and blank, so that you might write on it to somebody else.
William Makepeace Thackeray (Vanity Fair)
The one-eyed man stood helplessly by. "I'll help ya if ya want," he said. "Know what that son-of-a-bitch done? He come by an' he got on white pants. An' he says, 'Come on, le's go out to my yacht.' By God, I'll whang him some day!" He breathed heavily. "I ain't been out with a woman sence I los' my eye. An' he says stuff like that." And big tears cut channels in the dirt beside his nose. Tom said impatiently, "Whyn't you roll on? Got no guards to keep ya here." "Yeah, that's easy to say. Ain't so easy to get a job - not for a one-eye' man." Tom turned on him. "Now look-a-here, fella. You got that eye wide open. An' ya dirty, ya stink. Ya jus' askin' for it. Ya like it. Lets ya feel sorry for yaself. 'Course ya can't get no woman with that empty eye flappin' aroun'. Put somepin over it an' wash ya face. You ain't hittin' nobody with no pipe wrench." "I tell ya, a one-eye' fella got a hard row," the man said. "Can't see stuff the way other fellas can. Can't see how far off a thing is. Ever'thing's jus' flat." Tom said, "Ya full of crap. Why, I knowed a one-legged whore one time. Think she was takin' two-bits in a alley? No, by God! She's gettin' half a dollar extra. She says, 'How many one-legged women you slep' with? None!' she says. 'O.K.,' she says. 'You got somepin pretty special here, an it's gonna cos' ya half a buck extry.' An' by God, she was gettin' 'em, too, an' the fellas comin' out thinkin' they're pretty lucky. She says she's good luck. An' I knowed a hump-back in - in a place I was. Make his whole livin' lettin' folk rub his hump for luck. Jesus Christ, an' all you got is one eye gone." The man said stumblingly, "Well, Jesus, ya see somebody edge away from ya, an' it gets into ya." "Cover it up then, goddamn it. Ya stickin' it out like a cow's ass. Ya like to feel sorry for yaself. There ain't nothin' the matter with ya. Buy yaself some white pants. Ya gettin' drunk and cryin' in ya bed, I bet." ... The one-eyed man said softly, "Think - somebody'd like - me?" "Why, sure," said Tom. "Tell 'em ya dong's growed sence you los' your eye.
John Steinbeck (The Grapes of Wrath)
These days, there are so few pure country people left on the concession roads that we may be in need of a new category of membership, much as sons and daughters of veterans are now allowed to join the Legion. A few simple questions could be asked, a small fee paid and (assuming that the answers are correct) you could be granted the status of an "almost local." Here are some of the questions you might be asked: Do you have just one suit for weddings and funerals? Do you save plastic buckets? Do you leave your car doors unlocked at all times? Do you have an inside dog and an outside dog? Has your outside dog never been to town? When you pass a neighbour in the car, do you wave from the elbow or do you merely raise one finger from the steering wheel? Do you have trouble keeping the car or truck going in a straight line because you are looking at crops or livestock? Do you sometimes find yourself sitting in the car in the middle of a dirt road chatting with a neighbour out the window while other cars take the ditch to get around you? Can you tell whose tractor is going by without looking out the window? Can people recognize you from three hundred yards away by the way you walk or the tilt of your hat? If somebody honks their horn at you, do you automatically smile and wave? Do most of your conversations open with some observation about the weather? Is your most important news source the store in the village? Have you had surgery in the local hospital? If you hear about a death or a fire in the community, does the woman in your house immediately start making sandwiches or a cake? Do you sometimes find yourself referring to a farm in the neighbourhood by the name of someone who owned it more than twenty-five years ago? If you answered yes to all of the above questions, consider it official: you are a local.
Dan Needles (True Confessions from the Ninth Concession)
Miss Ellen sighed. She tucked her hair behind her ear. She had red hair, like Master Jefferson. "But that's nonsensical," she said. "If you have money, there's no reason why anyone should care what you buy. It shouldn't be anyone's business but your own." She glared at Maddy. Maddy knew what she meant, but understood his mama's side too. "If I tried to buy a gun," he said. "Oh, a gun," said Miss Ellen. "A book is not a gun." "No," Maddy said. "A book is much more dangerous." Miss Ellen stared at him. "Somebody could take a gun away from me," Maddy said. "I learn what's in a book, it's mine for keeps.
Kimberly Brubaker Bradley (Jefferson's Sons)
Naw. But I just can’t get used to it,” Bigger said. “I swear to God I can’t. I know I oughtn’t think about it, but I can’t help it. Every time I think about it I feel like somebody’s poking a red-hot iron down my throat. Goddammit, look! We live here and they live there. We black and they white. They got things and we ain’t. They do things and we can’t. It’s just like living in jail. Half the time I feel like I’m on the outside of the world peeping in through a knothole in the fence….
Richard Wright (Native Son)
It was hard to thank Mrs. Haykin and get away. It made you feel rather unhappy, too—and selfish, because Mrs. Haykin never had a holiday herself. She lived alone. Once, so neighbours said, she had had a husband, three sons and a daughter there, and somebody was always going in and out. But that was long ago—before the Stevens’ time.
R.C. Sherriff (The Fortnight in September)
A man ain't nothing but a man," said Baby Suggs. "But a son? Well now, that's somebody
Toni Morrison (Beloved (Beloved Trilogy, #1))
It's always somebody's son.
Lucinda Berry (One of Our Own)
Paul said to his Ephesian readers, discouraged because of his imprisonment, “My suffering is for your glory.” Why? Because that is how it works. Suffering and glory are closely linked. Suffering glorifies God to the universe and eventually even achieves a glory for us. And do you know why suffering and glory are so tied to each other? It is because of Jesus. Philippians 2 tells us Jesus laid aside his glory. Why? Charles Wesley’s famous Christmas carol tells you. Mild he lays his glory by; born that men no more may die; Born to raise the sons of earth. Born to give them second birth. Jesus lost all his glory so that we could be clothed in it. He was shut out so we could get access. He was bound, nailed, so that we could be free. He was cast out so we could approach. And Jesus took away the only kind of suffering that can really destroy you: that is being cast away from God. He took that so that now all suffering that comes into your life will only make you great. A lump of coal under pressure becomes a diamond. And the suffering of a person in Christ only turns you into somebody gorgeous. Jesus Christ suffered, not so that we would never suffer but so that when we suffer we would be like him. His suffering led to glory. And you can see it in Paul. Paul is happy to be in prison because “my sufferings are for your glory,” he says. He is like Jesus now. Because that is how Jesus did it. And if you know that that glory is coming, you can handle suffering, too.
Timothy J. Keller (Walking with God through Pain and Suffering)
Every now and then somebody would ask, “Whatever happened to Danny from The Shining?… When the [sequel] idea would pop up in my mind I would think, “Now Danny’s 20, or now he’s 25 … I wonder if he’s drinking like his father?’ ” Finally I decided “Okay, why don’t I use that in the story and just revisit that whole issue? Like father, like son.” —Stephen King, February 2013
Stephen King (The Shining (The Shining, #1))
How would it feel if for an instance we stop being someone’s son/daughter, someone’s father/mother, someone’s husband/wife, someone’s lover, somebody’s employee, a countryman of some nation, a faithful devotee of some religion or a follower of some ideal and live only being a part of this wonderful, incredible and mysterious creation, wouldn't it would be something worth living for?
Bikrant
Antidepression medication is temperamental. Somewhere around fifty-nine or sixty I noticed the drug I’d been taking seemed to have stopped working. This is not unusual. The drugs interact with your body chemistry in different ways over time and often need to be tweaked. After the death of Dr. Myers, my therapist of twenty-five years, I’d been seeing a new doctor whom I’d been having great success with. Together we decided to stop the medication I’d been on for five years and see what would happen... DEATH TO MY HOMETOWN!! I nose-dived like the diving horse at the old Atlantic City steel pier into a sloshing tub of grief and tears the likes of which I’d never experienced before. Even when this happens to me, not wanting to look too needy, I can be pretty good at hiding the severity of my feelings from most of the folks around me, even my doctor. I was succeeding well with this for a while except for one strange thing: TEARS! Buckets of ’em, oceans of ’em, cold, black tears pouring down my face like tidewater rushing over Niagara during any and all hours of the day. What was this about? It was like somebody opened the floodgates and ran off with the key. There was NO stopping it. 'Bambi' tears... 'Old Yeller' tears... 'Fried Green Tomatoes' tears... rain... tears... sun... tears... I can’t find my keys... tears. Every mundane daily event, any bump in the sentimental road, became a cause to let it all hang out. It would’ve been funny except it wasn’t. Every meaningless thing became the subject of a world-shattering existential crisis filling me with an awful profound foreboding and sadness. All was lost. All... everything... the future was grim... and the only thing that would lift the burden was one-hundred-plus on two wheels or other distressing things. I would be reckless with myself. Extreme physical exertion was the order of the day and one of the few things that helped. I hit the weights harder than ever and paddleboarded the equivalent of the Atlantic, all for a few moments of respite. I would do anything to get Churchill’s black dog’s teeth out of my ass. Through much of this I wasn’t touring. I’d taken off the last year and a half of my youngest son’s high school years to stay close to family and home. It worked and we became closer than ever. But that meant my trustiest form of self-medication, touring, was not at hand. I remember one September day paddleboarding from Sea Bright to Long Branch and back in choppy Atlantic seas. I called Jon and said, “Mr. Landau, book me anywhere, please.” I then of course broke down in tears. Whaaaaaaaaaa. I’m surprised they didn’t hear me in lower Manhattan. A kindly elderly woman walking her dog along the beach on this beautiful fall day saw my distress and came up to see if there was anything she could do. Whaaaaaaaaaa. How kind. I offered her tickets to the show. I’d seen this symptom before in my father after he had a stroke. He’d often mist up. The old man was usually as cool as Robert Mitchum his whole life, so his crying was something I loved and welcomed. He’d cry when I’d arrive. He’d cry when I left. He’d cry when I mentioned our old dog. I thought, “Now it’s me.” I told my doc I could not live like this. I earned my living doing shows, giving interviews and being closely observed. And as soon as someone said “Clarence,” it was going to be all over. So, wisely, off to the psychopharmacologist he sent me. Patti and I walked in and met a vibrant, white-haired, welcoming but professional gentleman in his sixties or so. I sat down and of course, I broke into tears. I motioned to him with my hand; this is it. This is why I’m here. I can’t stop crying! He looked at me and said, “We can fix this.” Three days and a pill later the waterworks stopped, on a dime. Unbelievable. I returned to myself. I no longer needed to paddle, pump, play or challenge fate. I didn’t need to tour. I felt normal.
Bruce Springsteen (Born to Run)
But you were brave, eh, Granda, charging up that beach, ye must have been brave.’ ‘I was scared, son,’ he’d telt me, his face sombre. ‘But most of all ah wis angry; angry at being there. Really angry. I wanted tae take it out on somebody, then go hame.’ ‘But that man hud tae be stoaped though, Faither,’ my dad had implored, ‘ye said so yirsel!’ ‘Ah know that. Ah wis angry that he wis allowed tae git started in the first place.
Irvine Welsh (Skagboys (Mark Renton Series Book 1))
It was The Gospel From Outer Space, by Kilgore Trout. It was about a visitor from outer space... [who] made a serious study of Christianity, to learn, if he could, why Christians found it so easy to be cruel. He concluded that at least part of the trouble was slipshod storytelling in the New Testament. He supposed that the intent of the Gospels was to teach people, among other things, to be merciful, even to the lowest of the low. But the Gospels actually taught this: Before you kill somebody, make absolutely sure he isn't well connected. So it goes. The flaw in the Christ stories, said the visitor from outer space, was that Christ, who didn't look like much, was actually the Son of the Most Powerful Being in the Universe. Readers understood that, so, when they came to the crucifixion, they naturally thought...: Oh, boy — they sure picked the wrong guy to lynch that time! And that thought had a brother: "There are right people to lynch." Who? People not well connected. So it goes. The visitor from outer space made a gift to Earth of a new Gospel. In it, Jesus really was a nobody, and a pain in the neck to a lot of people with better connections than he had. He still got to say all the lovely and puzzling things he said in the other Gospels. So the people amused themselves one day by nailing him to a cross and planting the cross in the ground. There couldn't possibly be any repercussions, the lynchers thought. The reader would have to think that too, since the Gospel hammered home again and again what a nobody Jesus was. And then, just before the nobody died, the heavens opened up, and there was thunder and lightning. The voice of God came crashing down. He told the people that he was adopting the bum as his son, giving him the full powers and privileges of the Son of the Creator of the Universe throughout all eternity. God said this: From this moment on, He will punish anybody who torments a bum who has no connections!
Kurt Vonnegut Jr. (Slaughterhouse-Five)
But that’s not what he does. Instead he gets in a twist, piles on the insults, starts with the tortures, overlooks the good points Caliban’s got, such as musical talent. But by the end, Prospero’s learning that maybe not everything is somebody else’s fault. Plus, he sees that the bad in Caliban is pretty much the same as the bad in him, Prospero. They’re both angry, both name-callers, both full of revenge: they’re joined at the hip. Caliban is like his bad other self. Like father, like son. So he owns up: ‘This thing of darkness I acknowledge mine.’ That’s what he says, and that’s what he means.
Margaret Atwood (Hag-Seed)
People witness the end of their small worlds every day: when somebody's marriage ends, when his only son dies, when a husband/wife dies, when he is diagnosed with a terminal illness, when your party is erased from the political map, when a leader faces a coup, when your town is bombed and your house is hit...
Bangambiki Habyarimana (The Great Pearl of Wisdom)
Afterwards, sometimes she dared to remember being in his arms. How, after only clumsy couplings with others, she and this man had straightaway come together as a perfect fit. How they moved together, in effortless synchronicity and with such deep pleasure. How when their exercise left them exhausted, she cried a little, so Vinius wiped her eye with his index finger, murmuring kindly, 'No tears!' before they both fell into profound sleep. How her troubled mind had drowned in peace, her body melting against his... He was dead. No point speculating. Cherish the past for what it was, an ideal, a signal that human happiness might be a possibility. Raise your standards. Make a decent life, Lucilla. Life is all there is. If it's only once, it must be good... He had been right. If perfection only happened once, that was better than never. Now nothing for her would ever again entail complete despair. So thank you, Gaius Vinius Clodianus, son of Marcus, thank you for your good deed, a deed that brightened somebody's dark world.
Lindsey Davis (Master and God)
Public business, my son, must always be done by somebody. It will be done by somebody or other. If wise men decline it, others will not; if honest men refuse it, others will not. A young man should weigh well his plans. Integrity should be preserved in all events, as essential to his happiness, through every stage of his existence. His first maxim then should be to place his honor out of reach of all men. In order to do this he must make it a rule never to become dependent on public employments for subsistence. Let him have a trade, a profession, a farm, a shop, something where he can honestly live, and then he may engage in public affairs, if invited, upon independent principles. My advice to my children is to maintain an independent character. O
David McCullough (John Adams)
To Jesus she already is somebody. Like the loving father of the prodigal son, Jesus is frantically scanning the horizon, watching for Madonna to return to him. He's absolutely convinced that she's so valuable that she's worth dying for. 'Greater love has no one than this,' said Jesus in John 15:13, 'that one lay down his life for his friends.' That's what He did for her on the cross!
Lee Strobel (What Jesus Would Say)
So what’s your secret?” Jed asked. “There’s two secrets, son. One is to love your woman, not with your whole heart but with your soul. If you got an inklin’ that you aren’t finished chasin’ skirts, then you ain’t ready to settle down anyway. The other is to respect your woman.” Everett poured coffee from the thermos into his cup. “That’s different from loving her. That means you don’t belittle her, not in front of other people or in private. Your job is to not only make her feel like she’s gorgeous but to know in your heart that she really is and to drop down on your knees every once in a while and thank God that he put her in your life. You do those things and you’ll be just fine. If you don’t, somebody else will and you’ll lose the best thing that ever happened to you.” “Good
Carolyn Brown (The Yellow Rose Beauty Shop)
Oh, upon my word and honour,” cried Mr. Toots, whose tender heart was moved by the Captain’s unexpected distress, “this is a most wretched sort of affair this world is! Somebody’s always dying, or going and doing something uncomfortable in it. I’m sure I never should have looked forward so much, to coming into my property, if I had known this. I never saw such a world. It’s a great deal worse than Blimber’s.
Charles Dickens (Dombey and Son)
Hazel led Percy to a black crypt built into the side of the hill. Standing in front was a teenage boy in black jeans and an aviator jacket. “Hey,” Hazel called. “I’ve brought a friend.” The boy turned. Percy had another one of those weird flashes: like this was somebody he should know. The kid was almost as pale as Octavian, but with dark eyes and messy black hair. He didn’t look anything like Hazel. He wore a silver skull ring, a chain for a belt, and a black T-shirt with skull designs. At his side hung a pure-black sword. For a microsecond when he saw Percy, the boy seemed shocked—panicked even, like he’d been caught in a searchlight. “This is Percy Jackson,” Hazel said. “He’s a good guy. Percy, this is my brother, the son of Pluto.” The boy regained his composure and held out his hand. “Pleased to meet you,” he said. “I’m Nico di Angelo.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
whether lack of privacy isn’t the worst thing about a small town, and she says, And also the best. I love going to the post office in the morning and knowing everybody. The only time we honk a car horn is with a wave. It’s touching when somebody asks about my son or my dad’s health. We can’t afford not to care about other people in a place this small. Our survival, in a way, depends on minimizing privacy because the lack of it draws us into each other’s lives, and that’s a major resource in a little town where there aren’t a thousand entertainments. There’s an elderly man who lost his little granddaughter to a drunk, a hit-and-run driver, a few months ago. Every time the old gentleman comes into the Emma Chase, he retells the story, and every time people listen. What’s that worth to a person? Or to a community? A café like this serves to bond us.
William Least Heat-Moon (PrairyErth: A Deep Map)
Who’s worse, soldier, you or him? Dunno, sir! It’s a trick question, soldier. Well, him, obviously. 1 mean I’m sitting here loung-ing; he’s practically dying out there. I expected more from you, son. How? You’re a smart kid. You should be able to see when somebody’s faking. And soldier— Yes. —Good job out there. I’m glad you’re still on board. I don’t feel any better. Life’s not about feeling better; it’s about getting the job done.
Ned Vizzini (It's Kind of a Funny Story)
The dead man’s nephew, excused from this duty, walks far ahead out of earshot. We are free as we go stumbling and sweating along to say exactly what we please, without fear of offending. “Heavy son of a bitch.…” “All blown up like he is, you’d think he’d float like a balloon.” “Let’s just hope he don’t explode.” “He won’t. We let the gas out.” “What about lunch?” somebody asks; “I’m hungry.” “Eat this.” “Why’d the bastard have to go so far from the road?” “There’s something leaking out that zipper.” “Never mind, let’s try to get in step here,” the sheriff says. “Goddamnit, Floyd, you got big feet.” “Are we going in the right direction?” “I wonder if the old fart would walk part way if we let him out of that bag?” “He won’t even say thank you for the ride.” “Well I hope this learned him a lesson, goddamn him. I guess he’ll stay put after this.…” Thus we meditate upon the stranger’s death.
Edward Abbey (Desert Solitaire)
number four, Privet Drive, were proud to say that they were perfectly normal, thank you very much. They were the last people you’d expect to be involved in anything strange or mysterious, because they just didn’t hold with such nonsense. Mr Dursley was the director of a firm called Grunnings, which made drills. He was a big, beefy man with hardly any neck, although he did have a very large moustache. Mrs Dursley was thin and blonde and had nearly twice the usual amount of neck, which came in very useful as she spent so much of her time craning over garden fences, spying on the neighbours. The Dursleys had a small son called Dudley and in their opinion there was no finer boy anywhere. The Dursleys had everything they wanted, but they also had a secret, and their greatest fear was that somebody would discover it. They didn’t think they could bear it if anyone found out about the Potters. Mrs Potter was Mrs Dursley’s
J.K. Rowling (Harry Potter and the Philosopher's Stone (Harry Potter, #1))
Lieutenant Thomas R. Gilligan, thirty-seven, was off duty and out of uniform, checking out TVs in an electronics store. He went to investigate the commotion and stopped James Powell, a ninth grader who had joined the mob of angry students. Powell was unarmed, according to witnesses. Gilligan maintained that the boy flashed a knife. He shot him three times. Two days later, Harlem erupted. Pierce told Carney, "You have the people who are angry. Justifably so. And then there's the police force. How are they going to defend this shit? Again! And city hall and the activists. And in the way back of the room, you can barely hear a little voice, and that's the family. They've lost a son. Somebody has to speak for them." "They're going to sue?" "Sue and win. You know they ain't going to fire the bastard." Sermon crept into his voice here. "What kind of message will that send--that their police force is accountable? We'll sue, and it will take years, and the city will pay because millions and millions are still cheaper than putting a true price on killing a black boy.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Cesar knew better. He did. And love. Love just makes a man weak. A woman, a child—doesn’t matter what face the love has, love makes you stupid, it takes you out of your character, twists you, folds you, it drags you out into deep waters and drowns you. Love has you thinking about all the things you buried. All the things you left behind. It has you thinking about your mother, who was a nurse once, wearing scrubs and coming home late, before all the fighting, before the vodka, before the heroin, before Cesar found her in the bathtub sleeping in her own blood. Love has you crying on the couch while you’re feeding your baby. Not even a month old and you’re leaving him. Not because you want to, but because of love. Because you love him and you know he’s better off with somebody else. Because it’s the right thing to do. But righteousness doesn’t take the edge of the sting. Because it hurts. Because he’s looking up at you. His eyes wide in awe like you’re God herself. Your son cannot understand a word that you’re saying. He doesn’t understand that you’re saying goodbye.
Daniel Abbott (The Concrete)
See to it, brothers, that none of you has a sinful, unbelieving heart that turns away from the living God. But encourage one another daily. . . . HEBREWS 3:12–13 OCTOBER 24 An old man from a small New York State community appeared on a national television show. The program’s host was one of the greatest quipsters in the business, but he nearly lost the show to this old man, who was so full of light and fun that he had everybody rocking with laughter. The host finally said to him, “Sir, you are the happiest man I ever had on my show. How did you get to be so happy?” “Why, son,” said the old man, “every morning when I wake up, I have two choices for the day. One choice is to be unhappy. The other choice is to be happy. So, faced with those two choices, I choose to be happy.” Now what that happy old man was referring to is one of the greatest powers that you and I possess: the power to choose. By the power of choice, you can either make your life creative or you can destroy it. Somebody said that history swings on small hinges. Similarly, human life develops according to small decisions. We determine our future by our immense power of choice.
Norman Vincent Peale (Positive Living Day by Day)
It contained a sad, but too common story of the hard-heartedness of the wealthy, and the misery endured by the children of the highborn. Blood is not water, it is said, but gold with them is dearer far than the ties of nature; to keep and augment their possessions being the aim and end of their lives, the existence, and, more especially, the happiness of their children, appears to them a consideration at once trivial and impertinent, when it would compete with family views and family greatness. To this common and and iniquitous feeling these luckless beings were sacrificed; they had endured the worst, and could be injured no more; but their orphan child was a living victim, less thought of than the progeny of the meanest animal which might serve to augment their possessions. Mrs. Baker felt some complacency on reading this letter; with the common English respect for wealth and rank, she was glad to find that her humble roof had sheltered a man who was the son — she did not exactly know of whom, but of somebody, who had younger sons and elder sons, and possessed, through wealth, the power of behaving frightfully ill to a vast number of persons.
Mary Wollstonecraft Shelley (Falkner)
Mr and Mrs Dursley, of number four, Privet Drive, were proud to say that they were perfectly normal, thank you very much. They were the last people you’d expect to be involved in anything strange or mysterious, because they just didn’t hold with such nonsense. Mr Dursley was the director of a firm called Grunnings, which made drills. He was a big, beefy man with hardly any neck, although he did have a very large moustache. Mrs Dursley was thin and blonde and had nearly twice the usual amount of neck, which came in very useful as she spent so much of her time craning over garden fences, spying on the neighbours. The Dursleys had a small son called Dudley and in their opinion there was no finer boy anywhere. The Dursleys had everything they wanted, but they also had a secret, and their greatest fear was that somebody would discover it. They didn’t think they could bear it if anyone found out about the Potters. Mrs Potter was Mrs Dursley’s sister, but they hadn’t met for several years; in fact, Mrs Dursley pretended she didn’t have a sister, because her sister and her good-for-nothing husband were as unDursleyish as it was possible to be. The Dursleys shuddered to think what the neighbours would say if the Potters arrived
J.K. Rowling (Harry Potter and the Philosopher's Stone (Harry Potter, #1))
I now perceive that it will be a very unfortunate one for Harriet. You will puff her up with such ideas of her own beauty, and of what she has a claim to, that, in a little while, nobody within her reach will be good enough for her. Vanity working on a weak head, produces every sort of mischief. Nothing so easy as for a young lady to raise her expectations too high. Miss Harriet Smith may not find offers of marriage flow in so fast, though she is a very pretty girl. Men of sense, whatever you may chuse to say, do not want silly wives. Men of family would not be very fond of connecting themselves with a girl of such obscurity — and most prudent men would be afraid of the inconvenience and disgrace they might be involved in, when the mystery of her parentage came to be revealed. Let her marry Robert Martin, and she is safe, respectable, and happy for ever; but if you encourage her to expect to marry greatly, and teach her to be satisfied with nothing less than a man of consequence and large fortune, she may be a parlour-boarder at Mrs. Goddard’s all the rest of her life — or, at least, (for Harriet Smith is a girl who will marry somebody or other,) till she grow desperate, and is glad to catch at the old writing-master’s son.
Jane Austen (The Complete Novels)
Meeting the Prince of Wales I’ve known her [the Queen] since I was tiny so it was no big deal. No interest in Andrew and Edward--never thought about Andrew. I kept thinking, ‘Look at the life they have, how awful’ so I remember him coming to Althorp to stay, my husband, and the first impact was ‘God, what a sad man.’ He came with his Labrador. My sister was all over him like a bad rash and I thought, ‘God, he must really hate that.’ I kept out of the way. I remember being a fat, podgy, no make-up, unsmart lady but I made a lot of noise and he liked that and he came up to me after dinner and we had a big dance and he said: ‘Will you show me the gallery?’ and I was just about to show him the gallery and my sister Sarah comes up and tells me to push off and I said ‘At least, let me tell you where the switches are to the gallery because you won’t know where they are,’ and I disappeared. And he was charm himself and when I stood next to him the next day, a 16-year old, for someone like that to show you any attention--I was just so sort of amazed. ‘Why would anyone like him be interested in me?’ and it was interest. That was it for about two years. Saw him off and on with Sarah and Sarah got frightfully excited about the whole thing, then she saw something different happening which I hadn’t twigged on to, i.e. when he had his 30th birthday dance I was asked too. ‘Why is Diana coming as well?’ [my] sister asked. I said: ‘Well, I don’t know but I’d like to come.’ ‘Oh, all right then,’ that sort of thing. Had a very nice time at the dance--fascinating. I wasn’t at all intimidated by the surroundings [Buckingham Palace]. I thought, amazing place. Then I was asked to stay at the de Passes in July 1980 by Philip de Pass who is the son. ‘Would you like to come and stay for a couple of nights down at Petworth because we’ve got the Prince of Wales staying. You’re a young blood, you might amuse him.’ So I said ‘OK.’ So I sat next to him and Charles came in. He was all over me again and it was very strange. I thought ‘Well, this isn’t very cool.’ I thought men were supposed not to be so obvious, I thought this was very odd. The first night we sat down on a bale at the barbecue at this house and he’d just finished with Anna Wallace. I said: ‘You looked so sad when you walked up the aisle at Lord Mountbatten’s funeral.’ I said: ‘It was the most tragic thing I’ve ever seen. My heart bled for you when I watched. I thought, “It’s wrong, you’re lonely--you should be with somebody to look after you.
Andrew Morton (Diana: Her True Story in Her Own Words)
The next morning I showed up at dad’s house at eight, with a hangover. All my brothers’ trucks were parked in front. What are they all doing here? When I opened the front door, Dad, Alan, Jase, and Willie looked at me. They were sitting around the living room, waiting. No one smiled, and the air felt really heavy. I looked to my left, where Mom was usually working in the kitchen, but this time she was still, leaning over the counter and looking at me too. Dad spoke first. “Son, are you ready to change?” Everything else seemed to go silent and fade away, and all I heard was my dad’s voice. “I just want you to know we’ve come to a decision as a family. You’ve got two choices. You keep doing what you’re doing--maybe you’ll live through it--but we don’t want nothin’ to do with you. Somebody can drop you off at the highway, and then you’ll be on your own. You can go live your life; we’ll pray for you and hope that you come back one day. And good luck to you in this world.” He paused for a second then went on, a little quieter. “Your other choice is that you can join this family and follow God. You know what we stand for. We’re not going to let you visit our home while you’re carrying on like this. You give it all up, give up all those friends, and those drugs, and come home. Those are your two choices.” I struggled to breathe, my head down and my chest tight. No matter what happened, I knew I would never forget this moment. My breath left me in a rush, and I fell to my knees in front of them all and started crying. “Dad, what took y’all so long?” I burst out. I felt broken, and I began to tell them about the sorry and dangerous road I’d been traveling down. I could see my brothers’ eyes starting to fill with tears too. I didn’t dare look at my mom’s face although I could feel her presence behind me. I knew she’d already been through the hell of addiction with her own mother, with my dad, with her brother-in-law Si, and with my oldest brother, Alan. And now me, her baby. I remembered the letters she’d been writing to me over the last few months, reaching out with words of love from her heart and from the heart of the Lord. Suddenly, I felt guilty. “Dad, I don’t deserve to come back. I’ve been horrible. Let me tell you some more.” “No, son,” he answered. “You’ve told me enough.” I’ve seen my dad cry maybe three times, and that was one of them. To see my dad that upset hit me right in the gut. He took me by my shoulders and said, “I want you to know that God loves you, and we love you, but you just can’t live like that anymore.” “I know. I want to come back home,” I said. I realized my dad understood. He’d been down this road before and come back home. He, too, had been lost and then found. By this time my brothers were crying, and they got around me, and we were on our knees, crying. I prayed out loud to God, “Thank You for getting me out of this because I am done living the way I’ve been living.” “My prodigal son has returned,” Dad said, with tears of joy streaming down his face. It was the best day of my life. I could finally look over at my mom, and she was hanging on to the counter for dear life, crying, and shaking with happiness. A little later I felt I had to go use the bathroom. My stomach was a mess from the stress and the emotions. But when I was in the bathroom with the door shut, my dad thought I might be in there doing one last hit of something or drinking one last drop, so he got up, came over, and started banging on the bathroom door. Before I could do anything, he kicked in the door. All he saw was me sitting on the pot and looking up at him while I about had a heart attack. It was not our finest moment. That afternoon after my brothers had left, we went into town and packed up and moved my stuff out of my apartment. “Hey bro,” I said to my roommate. “I’m changing my life. I’ll see ya later.” I meant it.
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
Meeting the Prince of Wales Then I was asked to stay at the de Passes in July 1980 by Philip de Pass who is the son. ‘Would you like to come and stay for a couple of nights down at Petworth because we’ve got the Prince of Wales staying. You’re a young blood, you might amuse him.’ So I said ‘OK.’ So I sat next to him and Charles came in. He was all over me again and it was very strange. I thought ‘Well, this isn’t very cool.’ I thought men were supposed not to be so obvious, I thought this was very odd. The first night we sat down on a bale at the barbecue at this house and he’d just finished with Anna Wallace. I said: ‘You looked so sad when you walked up the aisle at Lord Mountbatten’s funeral.’ I said: ‘It was the most tragic thing I’ve ever seen. My heart bled for you when I watched. I thought, “It’s wrong, you’re lonely--you should be with somebody to look after you.”’ The next minute he leapt on me practically and I thought this was very strange, too, and I wasn’t quite sure how to cope with all this. Anyway we talked about lots of things and anyway that was it. Frigid wasn’t the word. Big F when it comes to that. He said: ‘You must come to London with me tomorrow. I’ve got to work at Buckingham Palace, you must come to work with me.’ I thought this was too much. I said: ‘No, I can’t.’ I thought ‘How will I explain my presence at Buckingham Palace when I’m supposed to be staying with Philip?’ Then he asked me to Cowes on Britannia and he had lots of older friends there and I was fairly intimidated but they were all over me like a bad rash. I felt very strange about the whole thing, obviously somebody was talking. I came in and out, in and out, then I went to stay with my sister Jane at Balmoral where Robert [Fellowes, Jane’s husband] was assistant private secretary [to the Queen]. I was terrified--shitting bricks. I was frightened because I had never stayed at Balmoral and I wanted to get it right. The anticipation was worse than actually being there. I was all right once I got in through the front door. I had a normal single bed! I have always done my own packing and unpacking--I was always appalled that Prince Charles takes 22 pieces of hand luggage with him. That’s before the other stuff. I have four or five. I felt rather embarrassed. I stayed back at the castle because of the press interest. It was considered a good idea. Mr and Mrs Parker-Bowles were there at all my visits. I was the youngest there by a long way. Charles used to ring me up and say: ‘Would you like to come for a walk, come for a barbecue?’ so I said: ‘Yes, please.’ I thought this was all wonderful.
Andrew Morton (Diana: Her True Story in Her Own Words)
Borman drank and set the bottle on his knee and held it by the neck. Hell, Western. You aint even an asshole. I havent progressed that far. No. Just a garden variety turd. I dont know. But not a son of a bitch. No. Or a prick. Borman smiled. No. You aint a prick. What about a fuck of some description? I dont know. Fuck has got to have an adjective in front of it. Like sick fuck. Yeah. Like sick fuck. Poor fuck, dumb fuck. You think I’m a dumb fuck? I dont know what kind of a fuck you are. But some kind. Yeah. Are you a sick fuck? Probably. Yeah. What’s the worst thing you can be? Borman thought about that. A piece of shit. There aint no reprieve from that. Total contempt. Total. No such thing as an apology. Not for that. Are you a son of a bitch? Me? Absolutely. No question. No question. Goldplated with a warranty. Is that why you’re out here? You mean did God send me out here to waste away in the swamps because I was a son of a bitch? Yeah. Probably. Do you believe in God? Hell, Bobby. Who knows. If somebody calls somebody just a plain fuck it just means they left off the adjective? Plain is an adjective. Is Long John a son of a bitch? No. He’s too pathetic. Is he a sick fuck? Let me put it this way. If you look up sick fuck in the dictionary you’ll find his picture. Damn I hate that about Oiler.
Cormac McCarthy (The Passenger (The Passenger #1))
One day she split into two, grew restless, started going out to look for herself. She went to places where men and women met. Everyone said: fortunately she has woken up, life is short, one needs to make the most of it, she used to be lackluster, now she is somebody. No one knew she was being so unhappy that she needed to go looking for life. That was when she picked a man, loved him and love came to thicken her blood and the mystery. She gave birth to a son, her husband died after impregnating her. She carried on and developed very well. She gathered up all of her pieces and didn’t seek other people any more. Once more she found the window where she’d go sit in her own company. And now, more than ever, there had never been a happier or more complete thing or being.
Clarice Lispector (Near to the Wild Heart)
He turned around and looked at her, in this instance, in precisely the same way that, at one time or another, in one year or another, all his brothers and sisters (and especially his brothers) had turned around and looked at her. Not just with objective wonder at the rising of a truth, fragmentary or not, up through what often seemed to be an impenetrable mass of prejudices, cliches, and bromides. But with admiration, affection, and, not least, gratitude. And, oddly or no, Mrs. Glass invariably took this ‘tribute,’ when it came, in beautiful stride. She would look back with grace and modesty at the son or daughter who had given her the look. She now presented this gracious and modest countenance to Zooey. ‘You do,’ she said, without accusation in her voice. ‘Neither you nor Buddy know how to talk to people you don't like.’ She thought it over. ‘Don't love, really,’ she amended. And Zooey continued to stand gazing at her, not shaving. ‘It's not right,’ she said—gravely, sadly. ‘You're getting so much like Buddy used to be when he was your age. Even your father's noticed it. If you don't like somebody in two minutes, you're done with them forever.’ Mrs. Glass looked over, abstractedly, at the blue bathmat, across the tiled floor. Zooey stood as still as possible, in order not to break her mood. ‘You can't live in the world with such strong likes and dislikes,’ Mrs. Glass said to the bathmat, then turned again toward Zooey and gave him a long look, with very little, if any, morality in it. ‘Regardless of what you may think, young man,’ she said.
J.D. Salinger (Franny and Zooey)
Jd_O wti d-d- God saw all that He had made, and behold, it was very good. And there was evening and there was morning, the sixth day. -GENESIS 1:31 As we look at life, are we bound to the idea that bad things happen to people? Look at all the bad news on television and radio. The newspapers are full of disasters: people dying of illness, accidents, drownings, fires destroying property, uprisings in countries abroad, and on and on. Do you sometimes ask God, "Why me?" As we look around, we get the idea that everything is falling apart, and our whole world is in a spiral downward. Charles L. Allen expressed this idea about our perspective: Our glasses aren't half-empty; they are really half-full. He says, It seems to be a general belief that the will of God is to make things distasteful for us, like taking medicine when we are sick or going to the dentist. Somebody needs to tell us that sunrise is also God's will. In fact, the good things in life far outweigh the bad. There are more sunrises than cyclones. His glass was certainly half-full. There's a story of a young boy who was on top of a pile of horse manure digging as fast and as hard as he could. His father, seeing his son work so hard on a pile of smelly waste, asked, "Weston, what are you doing on that pile of horse manure?" Weston replied, "Daddy, with this much horse manure there must be a pony here somewhere." This son certainly had his glass half-full. You, too, can choose to be positive in all events of life. There is goodness in everything-if we will only look for it. PRAYER Father God, thank You for helping me be a positive person. I appreciate You giving me
Emilie Barnes (The Tea Lover's Devotional)
Rosewater was on the next bed, reading, and Billy drew him into the conversation, asked him what he was reading this time. So Rosewater told him. It was The Gospel from Outer Space, by Kilgore Trout. It was about a visitor from outer space, shaped very much like a Tralfamadorian by the way. The visitor from outer space made a serious study of Christianity, to learn, if he could, why Christians found it so easy to be cruel. He concluded that at least part of the trouble was slipshod storytelling in the New Testament. He supposed that the intent of the Gospels was to teach people, among other things, to be merciful, even to the lowest of the low. But the Gospels actually taught this: Before you kill somebody, make absolutely sure he isn't well connected. So it goes. The flaw in the Christ stories, said the visitor from outer space, was that Christ, who didn't look like much, was actually the Son of the Most Powerful Being in the Universe. Readers understood that, so, when they came to the crucifixion, they naturally thought, and Rosewater read out loud again: Oh, boy—they sure picked the wrong guy to lynch that time! And that thought had a brother: ''There are right people to lynch.'' Who? People not well connected. So it goes. The visitor from outer space made a gift to Earth of a new Gospel. In it, Jesus really was a nobody, and a pain in the neck to a lot of people with better connections than he had. He still got to say all the lovely and puzzling things he said in the other Gospels. So the people amused themselves one day by nailing him to a cross and planting the cross in the ground. There couldn't possibly be any repercussions, the lynchers thought. The reader would have to think that, too, since the new Gospel hammered home again and again what a nobody Jesus was. And then, just before the nobody died, the heavens opened up, and there was thunder and lightning. The voice of God came crashing down. He told the people that he was adopting the bum as his son giving him the full powers and privileges of The Son of the Creator of the Universe throughout all eternity. God said this: From this moment on, He will punish horribly anybody who torments a bum who has no connections!
Kurt Vonnegut Jr. (Slaughterhouse-Five)
What is involved in appearing to court me?” He quirked an eyebrow at her. “You haven’t been courted before? What about the climbing cits and baronets’ sons? They never came up to scratch?” “Many of them did.” She wondered what he’d look like if somebody were to shave off those piratical eyebrows. “They did not bother much with the other part of the business.” “The wooing?” “The nonsense.” “We need the nonsense,” he said. “We need to drive out at the fashionable hour; we need to be seen arm in arm at the social events. I need to call upon you at the proper times with flowers in hand, to spend time with your menfolk when I creditably can. I’ll carry your purchases when you go shopping and be heard begging you to save your waltzes for me.” “There’s a problem,” she said, curiously disappointed to see the flaw in his clever scheme. He was a wonderful dancer; that was just plain fact. And she loved flowers, and loved the greenery and fresh air of Hyde Park. She also liked to shop but generally contented herself with the occasional minor outing with her sisters. And to hear him begging for her waltzes… “What sort of problem can there possibly be? Couples are expected to court in spring. It’s the whole purpose behind the Season.” “If you court me like that, Their Graces will get wind of it. They very likely already know you’ve called on me.” “And this is a problem how?” He wasn’t a patient man, or one apparently plagued with meddlesome parents. “They will start, Mr. Hazlit. They will get their hopes up. They will sigh and hint and quiz my siblings, all in hopes that you will take me off their hands.” “Then they will be disappointed. Parents expect to be disappointed. My sister was a governess, and she has explained this to me.” He looked like he was winding up for a lecture before the Royal Society, so she put a hand on his arm. “I do not like to disappoint Their Graces,” she said quietly. “They have suffered much at the hands of their children.” He blinked at her, his lips pursing as if her sentiments were incomprehensible. “I won’t declare for you,” he said. “If they let their hopes be raised by a few silly gestures, then that is their problem. You have many siblings. Let them fret over the others.” “It isn’t like that.” She cocked her head to study him. Hadn’t he had any parents at all? “I could have seventeen siblings, and Their Graces would still worry about me. You mentioned having sisters. Do you worry less about the one than the other?” “I do not.” He didn’t seem at all pleased with this example. “I worry about them both, incessantly. Excessively, to hear them tell it, but they have no regard for my feelings, else they’d write more than just chatty little…” “Yes?” “Never mind.” Some
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
A child is born; he is already somebody. To pick one set of circumstances, let's say that he is a bright boy born into a middle-class family that demands good grades and promotes a worldview that includes playing musical instruments, playing sports, admiring nature, going to college, and getting a good job. The parents pay lip service to the idea that thinking is a good thing but do not do much thinking themselves and do not really like it when their son thinks. They pay lip service to the idea that family members should love one another but don't love much and aren't very warm or friendly. They likewise pay lip service to the ideals of freedom but present their son with the clear message that he is not free to get mediocre grades, not free to dispute their core beliefs, and not free to really be himself. Of course, this all confuses him. In this environment, he becomes sadder than he was born to be, saddened by having to perform at piano recitals that don't interest him and that make him woefully anxious, saddened by having to take his boring classes seriously, saddened by his parents' inability to love him or take an interest in him, saddened by what he learns in school about how human beings treat one another, and saddened most of all by his inability to make sense of this picture of life—a picture that everyone seems to be holding as the way to live but that to him feels odd, contradictory, empty, and meaningless.
Eric Maisel (Why Smart People Hurt: A Guide for the Bright, the Sensitive, and the Creative)
As the months rolled on, John and Sarah began to understand themselves less as teachers and more as parents, living into the names Baba and Kama Kiwawa. It was clear the boys needed something Keu couldn’t provide, consistent support and affection. Sarah started giving out hugs and bandages, and John role-modeled manhood by providing food, shelter, and an education. But unlike many parents, John and Sarah didn’t dole out punishments. They left that to the council. On his first visit, Keu had appointed six boys with hair sprouting on their chins as the elders of Kiwawa. He spent a week with them on a hill near Kiwawa where he instructed them in the ways of a traditional elder council, showing them how to resolve problems that might arise according to the Pokot traditions. And each night after the guard heard John’s snores rumbling out of the camper, the council built a fire and legislated the day’s problems according to the nomadic values they had learned, sometimes choosing to defer ruling on more complicated matters until Keu returned. Stolen writing stick? The elders huddled together in the shadow of the illuminated acacia tree. The oldest returned and pointed at the offender: “Water-fetching duty for a week.” “Oee,” the boys would shout, the Pokot version of Amen. “Refusing to share meat?” “Three rope whippings.” “Oee.” “Crying because you miss your mother?” “Spend more time with Kama,” the oldest boy would say with compassion. “Oee.” “We were modeling the Pokot elders by becoming the keepers of justice and fairness. You see, Pokot elders can never settle a matter based on anger or some personal retribution. That is so unacceptable,” Michael explained. “A punishment is meant to reform the person as quickly as possible so the criminal can be brought back into the group. This is because every single person has a job to do, whether it is to fetch water, herd cows, or stand guard against Karamoja. And if you are gone, then someone else has to work harder in your absence. Nomads do not have prisons like the modern world, which changes our whole entire judicial system. In America you can lock somebody up in prison for two years for just a small crime like stealing a cow. And while in prison they are taken out of the community and are expected to think about what they have done. And then after those two years of isolation, a group of psychologists and lawyers and I don’t know who else will examine that person and see if they have changed their stealing ways. If not, then they lock them back up,” he said, turning an invisible key. “In America there is the potential to give up on somebody, to leave them outside of the community. But there are no prisons in the desert, and without prisons the elders are left with two choices: reform you or kill you. And as I said, if they kill you, they are not only losing a good worker, but also a brother and a son. And the desert has already taken so many of our sons.
Nathan Roberts (Poor Millionaires: The Village Boy Who Walked to the Western World and the American Boy Who Followed Him Home)
Miss Jeanette Bivens, one of the high school English teachers, was the Wave’s faculty adviser. She was a quiet, precise woman who had been at Welch High School so long that she had also been Dad’s English teacher. She was the first person in his life, he once told me, who’d showed any faith in him. She thought he was a talented writer and had encouraged him to submit a twenty-four-line poem called “Summer Storm” to a statewide poetry competition. When it won first prize, one of Dad’s other teachers wondered aloud if the son of two lowlife alcoholics like Ted and Erma Walls could have written it himself. Dad was so insulted that he walked out of school. It was Miss Bivens who convinced him to return and earn his diploma, telling him he had what it took to be somebody. Dad had named me after her;
Jeannette Walls (The Glass Castle)
(Somebody said about most retreats that we begin them in the name of the Father and of the Son and of the Holy Spirit, and we end as it was in the beginning, is now, and ever shall be, world without end. Amen.)
Anthony de Mello (Awareness)
It is certainly of service to a man to know who were his grandfathers and who were his grandmothers if he entertain an ambition to move in the upper circles of society, and also of service to be able to speak of them as of persons who were themselves somebodies in their time. No doubt we all entertain great respect for those who by their own energies have raised themselves in the world; and when we hear that the son of a washerwoman has become Lord Chancellor or Archbishop of Canterbury we do, theoretically and abstractedly, feel a higher reverence for such self-made magnate than for one who has been as it were born into forensic or ecclesiastical purple. But not the less must the offspring of the washerwoman have had very much trouble on the subject of his birth, unless he has been, when young as well as when old, a very great man indeed. After the goal has been absolutely reached, and the honour and the titles and the wealth actually won, a man may talk with some humour, even with some affection, of the maternal tub;
Anthony Trollope (Complete Works of Anthony Trollope)
Men were so violent, she complained. Why were men so violent? You had to be careful as a woman. You could get somebody's nose broken if you griped that they had pinched you or even looked at you funny. And of course that wasn't what you wanted; you just wanted to be left alone. Also, you knew that the mean son of a bitch that broke the poor jerk's nose was just getting his rocks off--didn't care about you personally.
Edward Hoagland (In the Country of the Blind)
Dodson looked saddened, as if Mr. Ingram had been stricken with some rare disease. “It’s a hustler’s world, son,” Dodson said, “and if you ain’t doing the hustlin’? Somebody’s hustlin’ you.” The
Joe Ide (IQ)
Look, when we get there let me handle things, okay?” Isaiah said. “This is what I do.” “I know you got the detective part down,” Dodson said, “but customer relations at this level ain’t the same as finding somebody’s lost dog. You need diplomacy, finesse, and salesmanship. Qualities your surly unpleasant ass is sadly lacking. You lucky you got skills, son, ’cause if you had to survive on your personality you’d be working at the morgue with dead people.” Cal’s
Joe Ide (IQ)
Never get too attached to any thing, son. Somebody will be there to take it from you.’” And
Debra Salonen (Montana Maverick (Big Sky Mavericks #4))