Soma Quotes

We've searched our database for all the quotes and captions related to Soma. Here they are! All 100 of them:

Did you ever want to set someone's head on fire, just to see what it looked like? Did you ever stand in the street and think to yourself, I could make that nun go blind just by giving her a kiss? Did you ever lay out plans for stitching babies and stray cats into a Perfect New Human? Did you ever stand naked surrounded by people who want your gleaming sperm, squirting frankincense, soma and testosterone from every pore? If so, then you're the bastard who stole my drugs Friday night. And I'll find you. Oh, yes.
Warren Ellis (Transmetropolitan, Vol. 5: Lonely City)
Hug me till you drug me, honey; Kiss me till I'm in a coma: Hug me, honey, snuggly bunny; Love's as good as soma.
Aldous Huxley
In a properly organized society like ours, nobody has any opportunities for being noble or heroic. Conditions have got to be thoroughly unstable before the occasion can arise. When there are wars, where there are divided allegiances, where there are temptations to be resisted, objects of love to be fought for or defended - there, obviously, nobility and heroism have some sense. But there aren't any wars nowadays. The greatest care is taken to prevent you from loving anyone too much. There's no such thing as a divided allegiance; you're so conditioned that you can't help doing what you ought to do. And what you ought to do is on the whole so pleasant, so many of the natural impulses are allowed free play, that there really aren't any temptations to resist. And if ever, by some unlucky chance, anything unpleasant should somehow happen, why, there's always soma to give you a holiday from the facts. And there's always soma to calm your anger, to reconcile you to your enemies, to make you patient and long-suffering. In the past you could only accomplish these things by making a great effort and after years of hard moral training. now, you swallow two or three half-gramme tablets, and there you are. Anybody can be virtuous now. You can carry at least half your mortality about in a bottle. Christianity without tears - that's what soma is.
Aldous Huxley (Brave New World)
..there is always soma, delicious soma, half a gramme for a half-holiday, a gramme for a week-end, two grammes for a trip to the gorgeous East, three for a dark eternity on the moon...
Aldous Huxley (Brave New World)
Television is the soma of Aldous Huxley's Brave New World.
Robert MacNeil
Christianity without tears—that's what soma is.
Aldous Huxley (Brave New World)
Hug me till you drug me, honey; Kiss me till I’m in a coma: Hug me, honey, snuggly bunny; Love’s as good as soma.
Aldous Huxley (Brave New World)
Only two things are infinite, the universe and human stupidity, and I'm not sure about the former. - Albert Einstein
Soma Kar
A percepção não passa da soma dos nossos mal-entendidos.
Haruki Murakami (Sputnik Sweetheart)
For, if after fifty you don't live the aspirations of the young, go away. Who needs needs spectacled snails, salivating on the Soma of youth.
Aporva Kala (Life... Love... Kumbh...)
They had to stir the churn of the ocean, until the soma floated up, as butter floats from milk. And this task could not be undertaken in opposition to the Asuras, but only with their help. The pronouncement ran contrary to everything the Devas had previously thought. But in the end, what did they have to lose, given that their lives were so futile? Now they thought: Anything, so long as there be a trial, a risk, a task.
Roberto Calasso (Ka: Stories of the Mind and Gods of India)
Because our world is not the same as Othello’s world. You can’t make flivvers without steel-and you can’t make tragedies without social instability. The world’s stable now. People are happy; they get what they want, and they never want what they can’t get. They’re well off; they’re safe; they’re never ill; they’re not afraid of death; they’re blissfully ignorant of passion and old age; they’re plagued with no mothers or fathers; they’ve got no wives, or children, or lovers to feel strongly about; they’re so conditioned that they practically can’t help behaving as they ought to behave. And if anything should go wrong, there’s soma. Which you go and chuck out of the window in the name of liberty, Mr. Savage. Liberty!” He laughed. “Expecting Deltas to know what liberty is! And now expecting them to understand Othello! My good boy!
Aldous Huxley (Brave New World)
Fui y seré me ponen triste ...; tomo un gramo (de soma) y sólo soy.
Aldous Huxley (Un mundo feliz)
What you need is a gramme of soma.” “All the advantages of Christianity and alcohol; none of their defects.
Aldous Huxley (Brave New World)
We are not our own any more than what we possess is our own. We did not make ourselves, we cannot be supreme over ourselves. We are not our own masters. We are God's property. Is it not our happiness thus to view the matter? Is it any happiness or any comfort, to consider that we are our own? It may be thought so by the young and prosperous. These may think it a great thing to have everything, as they suppose, their own way–to depend on no one–to have to think of nothing out of sight, to be without the irksomeness of continual acknowledgment, continual prayer, continual reference of what they do to the will of another. But as time goes on, they, as all men, will find that independence was not made for man–that it is an unnatural state–will do for a while, but will not carry us on safely to the end …'" Mustapha Mond paused, put down the first book and, picking up the other, turned over the pages. "Take this, for example," he said, and in his deep voice once more began to read: "'A man grows old; he feels in himself that radical sense of weakness, of listlessness, of discomfort, which accompanies the advance of age; and, feeling thus, imagines himself merely sick, lulling his fears with the notion that this distressing condition is due to some particular cause, from which, as from an illness, he hopes to recover. Vain imaginings! That sickness is old age; and a horrible disease it is. They say that it is the fear of death and of what comes after death that makes men turn to religion as they advance in years. But my own experience has given me the conviction that, quite apart from any such terrors or imaginings, the religious sentiment tends to develop as we grow older; to develop because, as the passions grow calm, as the fancy and sensibilities are less excited and less excitable, our reason becomes less troubled in its working, less obscured by the images, desires and distractions, in which it used to be absorbed; whereupon God emerges as from behind a cloud; our soul feels, sees, turns towards the source of all light; turns naturally and inevitably; for now that all that gave to the world of sensations its life and charms has begun to leak away from us, now that phenomenal existence is no more bolstered up by impressions from within or from without, we feel the need to lean on something that abides, something that will never play us false–a reality, an absolute and everlasting truth. Yes, we inevitably turn to God; for this religious sentiment is of its nature so pure, so delightful to the soul that experiences it, that it makes up to us for all our other losses.'" Mustapha Mond shut the book and leaned back in his chair. "One of the numerous things in heaven and earth that these philosophers didn't dream about was this" (he waved his hand), "us, the modern world. 'You can only be independent of God while you've got youth and prosperity; independence won't take you safely to the end.' Well, we've now got youth and prosperity right up to the end. What follows? Evidently, that we can be independent of God. 'The religious sentiment will compensate us for all our losses.' But there aren't any losses for us to compensate; religious sentiment is superfluous. And why should we go hunting for a substitute for youthful desires, when youthful desires never fail? A substitute for distractions, when we go on enjoying all the old fooleries to the very last? What need have we of repose when our minds and bodies continue to delight in activity? of consolation, when we have soma? of something immovable, when there is the social order?
Aldous Huxley (Brave New World)
Punctured, utterly deflated, he dropped into a chair and, covering his face with his hands, began to weep. A few minutes later, however, he thought better of it and took four tablets of soma. Upstairs in his room the Savage was reading Romeo and Juliet.
Aldous Huxley (Brave New World)
Bottle of mine, it's you I've always wanted! Bottle of mine, why was I ever decanted? Skies are blue inside of you, The weather's always fine; For There ain't no Bottle in all the world Like that dear little Bottle of mine.
Aldous Huxley (Brave New World and Brave New World Revisited)
It wasn't natural talent that had shaped him into his present self. What he had done was simply think, make attempts, and learn from past failures. Anyone could do that, but it wasn't that easy. People were never willing to assess him properly, since that would mean they admitted that they had never struggled and make attempts.
Yūto Tsukuda (食戟のソーマ 13 [Shokugeki no Souma 13] (Food Wars: Shokugeki no Soma, #13))
O Inferno, de resto, não é tanto uma soma de tormentos, e sim a ilusão de que tais tormentos nunca cessam. O Inferno é eterno, ou não seria Inferno. tenho para mim que a principal diferença entre o Inferno e o Paraíso é que no Inferno nospesa o tempo, o tempo todo, enquanto no Paraíso não se sofre dele.
José Eduardo Agualusa (A Rainha Ginga e de Como os Africanos Inventaram o Mundo)
It’s like bees and honey. Each bee makes only a tiny, tiny drop of honey. It takes thousands of them, millions perhaps, all working together to make the pot of honey you have on your breakfast table. Now imagine that you could eat nothing but honey. That’s what it’s like for my kind of people…we feed on belief, on prayers, on love. It takes a lot of people believing just the tiniest bit to sustain us. That’s what we need, instead of food. Belief.” “And Soma is…” “To take the analogy further, it’s honey wine. Mead.” He chuckled. “It’s a drink. Concentrated prayer and belief, distilled into a potent liqueur.
Neil Gaiman (American Gods)
One thing about children is that you can choose to make or break them. I choose to allow them to be the very best versions of themselves.
Don Santo
... não há gestos, palavras, suspiros, que não contenham a soma de todos os crimes que os seres humanos cometeram e cometem.
Elena Ferrante
Um país é a sua história, bispo; a soma de todas as suas histórias. Somos o que nossos pais fizeram de nós, suas vitórias nos deram o que temos.
Bernard Cornwell (Sword Song (The Saxon Stories, #4))
Soma sèma estin.
Plato
[...] Poteva anche essere un conducente di risciò - una bestia da soma umana - però mio padre era un uomo con un progetto. Il suo progetto ero io.
Aravind Adiga (The White Tiger)
Christianity without tears—that’s what soma is.
Aldous Huxley (Brave New World)
لا يمكن للحب أن يكون مبكرًا أبدًا
Isabel Allende (A Soma dos Dias)
These three tools of light, energy, and mass by which the Divine geometer constructs the cosmos and by which the symbolic geometer approximates archetypal patterns are also mirrored in us. What scientists call “light, energy, and mass” are the traditional “spirit, soul, and body” described by Plutarch as nous (divine intellect), psyche (soul), and soma (body).
Michael S. Schneider (A Beginner's Guide to Constructing the Universe: The Mathematical Archetypes of Nature, Art, and Science)
Onde terá ficado aquela criança que apenas conhece da fotografia e cuja memória há muito se perdeu na sedimentação dos dias? Não se recorda quando se separaram. Quando um deixou de ser o outro. Onde está nele aquela criança? O homem que é hoje é o resultado de todos os dias daquela criança? E se os dias tivessem sido outros, seria outro homem? Se ele pudesse apagar alguns dias, seriam todos os outros suficientes para para ele ser quem hoje é? Apagar alguns dias. Apagar um dia, que fosse aquele dia. Será o homem apenas o conjunto das suas memórias ou será antes a soma de todos os seus esquecimentos?
Joaquim Mestre (O Perfumista)
Retórica dos namorados, dá-me uma comparação exata e poética para dizer o que foram aqueles olhos de Capitu. Não me acode imagem capaz de dizer, sem quebra da dignidade do estilo, o que eles foram e me fizeram. Olhos de ressaca? Vá, de ressaca. É o que me dá ideia daquela feição nova. Traziam não sei que fluido misterioso e enérgico, uma força que arrastava para dentro, como a vaga que se retira da praia, nos dias de ressaca. Para não ser arrastado, agarrei-me às outras partes vizinhas, às orelhas, aos braços, aos cabelos espalhados pelos ombros, mas tão depressa buscava as pupilas, a onda que saía delas vinha crescendo, cava e escura, ameaçando envolver-me, puxar-me e tragar-me. Quantos minutos gastamos naquele jogo? Só os relógios do céu terão marcado esse tempo infinito e breve. A eternidade tem as suas pêndulas; nem por não acabar nunca deixa de querer saber a duração das felicidades e dos suplícios. Há de dobrar o gozo aos bem-aventurados do céu conhecer a soma dos tormentos que já terão padecido no inferno os seus inimigos; assim também a quantidade das delícias que terão gozado no céu os seus desafetos aumentará as dores aos condenados do inferno. Este outro suplício escapou ao divino Dante; mas eu não estou aqui para emendar poetas. Estou para contar que, ao cabo de um tempo não marcado, agarrei-me definitivamente aos cabelos de Capitou, mas então com as mãos, e disse-lhe, – para dizer alguma cousa, – que era capaz de os pentear, se quisesse. – Você? – Eu mesmo. – Vai embaraçar-me o cabelo todo, isso sim. – Se embaraçar, você desembaraça depois. – Vamos ver.
Machado de Assis (Dom Casmurro)
At the age of three, Tito Mukhopadhyay was diagnosed with severe autism, but his mother, Soma, refused to accept the conventional wisdom of the time that her son would be unable to interact with the outside world. She read to him, taught him to write in English, and challenged him to write his own stories.
Temple Grandin (The Way I See It: A Personal Look at Autism and Asperger's)
But, ma'am, I have a question for you," Ahmet, the Turkish miner who survived the Soma mine fire, had asked me. "Why didn't you come before the fire? Why didn't you think of us before?" What I had wanted to say-but did not have the courage to say-were the reasons, Ahmet, I had not thought of so many things.
Suzy Hansen (Notes on a Foreign Country: An American Abroad in a Post-American World)
Because our world is not the same as Othello's world. You can't make flivvers without steel—and you can't make tragedies without social instability. The world's stable now. People are happy; they get what they want, and they never want what they can't get. They're well off; they're safe; they're never ill; they're not afraid of death; they're blissfully ignorant of passion and old age; they're plagued with no mothers or fathers; they've got no wives, or children, or lovers to feel strongly about; they're so conditioned that they practically can't help behaving as they ought to behave. And if anything should go wrong, there's soma." The Savage was silent for a little. "All the same," he insisted obstinately, "Othello's good, Othello's better than those feelies." "Of course it is," the Controller agreed. "But that's the price we have to pay for stability. You've got to choose between happiness and what people used to call high art. We've sacrificed the high art.
Aldous Huxley (Brave New World)
We must learn to die daily to the known and limited, accepting our outer lives are but an offering to the inner spirit. Then everyday will be a new birth into eternity.
David Frawley (Soma in Yoga and Ayurveda: The Power of Rejuvenation and Immortality)
Svaki filosofski Sistem gde Telo čoveka ne igra jednu fundamentalnu ulogu, jeste nespretan, nesretan. Saznanje ima telo čoveka za granicu.
Paul Valéry (Quaderni Vol. III: Sistema - Psicologia - Soma e CEM - Sensibilità - Memorie)
》Moje telo《 mi je strano kao bilo koji drugi predmet - (ako ne i mnogo više -) a bliskije mi je, više prvotnije i prvobitnije JA od svake misli.
Paul Valéry (Quaderni Vol. III: Sistema - Psicologia - Soma e CEM - Sensibilità - Memorie)
Se a vida era a soma das escolhas que eu tinha feito, eu apenas teria de tomar decisões melhores.
Samantha Verant (Seven Letters from Paris)
No se pueden fabricar coches sin acero; y no se pueden crear tragedias sin inestabilidad social. Actualmente el mundo es estable. La gente es feliz; tiene lo que desea, y nunca desea lo que no puede obtener. Está a gusto; está a salvo; nunca está enferma; no teme la muerte; ignora la pasión y la vejez; no hay padres ni madres que estorben; no hay esposas, ni hijos, ni amores excesivamente fuertes. Nuestros hombres están condicionados de modo que apenas pueden obrar de otro modo que como deben obrar. Y si algo marcha mal, siempre queda el soma.
Aldous Huxley (Brave New World)
Kwa sababu ya udadisi wa hali ya juu nasoma kila kitu ninachokutana nacho hasa vile visivyonipendeza. Ukitaka kupata maarifa usisome tu vitabu vinavyokupendeza. Soma vitabu visivyokupendeza.
Enock Maregesi
But God's the reason for everything noble and fine and heroic. If you had a God …" "My dear young friend," said Mustapha Mond, "civilization has absolutely no need of nobility or heroism. These things are symptoms of political inefficiency. In a properly organized society like ours, nobody has any opportunities for being noble or heroic. Conditions have got to be thoroughly unstable before the occasion can arise. Where there are wars, where there are divided allegiances, where there are temptations to be resisted, objects of love to be fought for or defended–there, obviously, nobility and heroism have some sense. But there aren't any wars nowadays. The greatest care is taken to prevent you from loving any one too much. There's no such thing as a divided allegiance; you're so conditioned that you can't help doing what you ought to do. And what you ought to do is on the whole so pleasant, so many of the natural impulses are allowed free play, that there really aren't any temptations to resist. And if ever, by some unlucky chance, anything unpleasant should somehow happen, why, there's always soma to give you a holiday from the facts. And there's always soma to calm your anger, to reconcile you to your enemies, to make you patient and long-suffering. In the past you could only accomplish these things by making a great effort and after years of hard moral training. Now, you swallow two or three half-gramme tablets, and there you are. Anybody can be virtuous now. You can carry at least half your morality about in a bottle. Christianity without tears–that's what soma is.
Aldous Huxley (Brave New World)
Soma dies; pneuma departs; only sarx remains,” it said in a voice that was a paradox: both sonorous and entirely without tone. “So it has always been; so shall it always be; life sucks, then you die.
Stephen King (Desperation)
. . .psyche and soma [are] two aspects of a unitary process, one mental and the other physical, much like the head and tail faces of a coin. Whatever one does with the coin affects both sides simultaneously.
Alexander Lowen
We want to know. We want to know who we are and what we are capable of. I want to know. And yet we were dragged into another war. Another seemingly inevitable and gruesome legacy passed down, along with soma.
Jeno Marz (Falaha's Journey: A Spacegirl's Account in Three Movements)
Ninguém realmente começa algo novo, sra. Nemur. Todo mundo constrói em cima das falhas de outros homens. Não existe nada original de verdade na ciência. A contribuição de cada homem à soma de conhecimento é o que conta.
Daniel Keyes
Ukipata matatizo kumbuka kwamba Yesu alipata matatizo pia, na kutokana na matatizo hayo mimi na wewe tulipata uhuru. Soma Biblia. Soma nyimbo katika kitabu cha Zaburi zinazomsifu Mungu katika kipindi cha matatizo. Funga na kuomba ukiamini kwamba mapenzi ya Mungu kwetu ni huru, yasiyokuwa na masharti yoyote. Toa msamaha kwa waliokukosea. Ni kitu cha muhimu kujilimbikizia imani katika kipindi cha amani, ili matatizo yakitokea usiweze kuyumba.
Enock Maregesi
Querendo ou não, iremos todos envelhecer. As pernas irão pesar, a coluna doer, o colesterol aumentar. A imagem no espelho irá se alterar gradativamente e perderemos estatura, lábios e cabelos. A boa notícia é que a alma pode permanecer com o humor dos dez, o viço dos vinte e o erotismo dos trinta anos. Erótica é a alma que se diverte, que se perdoa, que ri de si mesma e faz as pazes com sua história. Que usa a espontaneidade pra ser sensual, que se despe de preconceitos, intolerâncias, desafetos. Erótica é a alma que aceita a passagem do tempo com leveza e conserva o bom humor apesar dos vincos em torno dos olhos e o código de barras acima dos lábios; erótica é a alma que não esconde seus defeitos, que não se culpa pela passagem do tempo. Erótica é a alma que aceita suas dores, atravessa seu deserto e ama sem pudores. #BOMDIA!!!! ["Erótica é a alma", por Fabíola Simões- blog "A soma de todos os afetos"]
Fabíola Simões
Só é saudável em nós aquilo pelo que não somos especificamente nós mesmos: são nossas aversões que nos individualizam; nossas tristezas que nos concedem um nome; nossas perdas que nos fazem possuidores de nosso eu. Só somos nós mesmos pela soma de nossos fracassos.
Emil M. Cioran (Breviário de Decomposição)
O capitalismo deu uma importante contribuição à harmonia global ao estimular as pessoas a parar de considerar a economia como um jogo de soma zero, no qual o seu luco é o meu prejuízo, e em vez disso vê-lo como uma situação de ganha-ganha, na qual o seu lucro é também o meu lucro.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
And if ever, by some unlucky chance, anything unpleasant should somehow happen, why, there's always soma to give you a holiday from the facts. And there's always soma to calm your anger, to reconcile you to your enemies, to make you patient and long-suffering. In the past you could only accomplish these things by making a great effort and after years of hard moral training. Now, you swallow two or three half-gramme tablets, and there you are. Anybody can be virtuous now. You can carry at least half your morality about in a bottle. Christianity without tears–that's what soma is.
Aldous Huxley (Brave New World)
if ever by some unlucky chance such a crevice of time should yawn in the solid substance of their distractions, there is always soma, delicious soma, half a gramme for a half-holiday, a gramme for a week-end, two grammes for a trip to the gorgeous East, three for a dark eternity on the moon;
Aldous Huxley (Brave New World)
Estou espantado, desiludido, satisfeito comigo. Estou triste, abatido, entusiasmado. Sou também tudo isso e não sou capaz de fazer a soma. Não estou em condições de determinar um valor ou não-valor definitivo, não tenho um juízo sobre mim e sobre a minha vida. Não tenho a certeza absoluta de nada.
C.G. Jung (Memories, Dreams, Reflections)
Who was it who said something about the Indians being argumentative, good soul, let him come to Haridwar and meet this bunch. Good for him too, if he adapts with age; for if after fifty you don't live the aspirations of the young, go away. Who needs spectacle snails salivating on the Soma of youth?
Aporva Kala
There is such a thing as "live" cooking. Instead of chefs cooking in a kitchen and bringing a complete dish to the waiting customer... the chefs cook out on the floor where the customer can watch them perform. Good performances heighten anticipation for the dish... and entertain the customer by showing them how contrasting ingredients come together. "Wooow! Look at how many he's doing at once!" "He's crazy fast!" "Cool..." Soma has put on a flamboyant show... ... to capture the hearts of his customers! Not bad! Who would have thought he'd turn his own skills... ... into a performance to turn the situation around.
Yūto Tsukuda (食戟のソーマ 5 [Shokugeki no Souma 5] (Food Wars: Shokugeki no Soma, #5))
Father... this Institute, which you have denied with all of your might... ... is the place where I've lived, grown and been reborn. I have become a different chef... ... a different person! "All right! Time for the clincher, don'tcha think? You've already swiped a ton from me, so why not finish the job? Go on and say it!" "You can't be serious?! Must I?" "C'mon! Who else could close this out but our Captain? Do it!" "Ugh. Fine. If you insist." "THE WINNER IS... THE RESISTANCE!" "HAPPY TO SERVE!
Yūto Tsukuda (食戟のソーマ 30 [Shokugeki no Souma 30] (Food Wars: Shokugeki no Soma, #30))
Mustapha Mond paused, put down the first book and, picking up the other, turned over the pages. “Take this, for example,” he said, and in his deep voice once more began to read: “’A man grows old; he feels in himself that radical sense of weakness, of listlessness, of discomfort, which accompanies the advance of age; and, feeling thus, imagines himself merely sick, lulling his fears with the notion that this distressing condition is due to some particular cause, from which, as from an illness, he hopes to recover. Vain imaginings! That sickness is old age; and a horrible disease it is. They say that it is the fear of death and of what comes after death that makes men turn to religion as they advance in years. But my own experience has given me the conviction that, quite apart from any such terrors or imaginings, the religious sentiment tends to develop as we grow older; to develop because, as the passions grow calm, as the fancy and sensibilities are less excited and less excitable, our reason becomes less troubled in its working, less obscured by the images, desires and distractions, in which it used to be absorbed; whereupon God emerges as from behind a cloud; our soul feels, sees, turns towards the source of all light; turns naturally and inevitably; for now that all that gave to the world of sensations its life and charms has begun to leak away from us, now that phenomenal existence is no more bolstered up by impressions from within or from without, we feel the need to lean on something that abides, something that will never play us false-a reality, an absolute and everlasting truth. Yes, we inevitably turn to God; for this religious sentiment is of its nature so pure, so delightful to the soul that experiences it, that it makes up to us for all our other losses.”’ Mustapha Mond shut the book and leaned back in his chair. “One of the numerous things in heaven and earth that these philosophers didn’t dream about was this” (he waved his hand), “us, the modern world. ’You can only be independent of God while you’ve got youth and prosperity; independence won’t take you safely to the end.’ Well, we’ve now got youth and prosperity right up to the end. What follows? Evidently, that we can be independent of God. ’The religious sentiment will compensate us for all our losses.’ But there aren’t any losses for us to compensate; religious sentiment is superfluous. And why should we go hunting for a substitute for youthful desires, when youthful desires never fail? A substitute for distractions, when we go on enjoying all the old fooleries to the very last? What need have we of repose when our minds and bodies continue to delight in activity? of consolation, when we have soma? of something immovable, when there is the social order?
Aldous Huxley (Brave New World)
Her sense of artistry reached even as far as her plating and presentation... arranging her tarts in a woven basket like a bouquet of flowers. The sight of her bringing them to us was like a scene straight out of a fairy tale! Yes... she too... is like a character straight from fantasy. A fairy godmother who casts her spells on ordinary ingredients... ... turning them into beautiful and delicious princesses of food! All who take a bite of her apples... ... fall under her spell... ... and are transported into a land of dreams!
Yūto Tsukuda (食戟のソーマ 28 [Shokugeki no Souma 28] (Food Wars: Shokugeki no Soma, #28))
Freedom lies in being bold.”   – Robert Frost                    
Soma Stanford (Jade Wallace)
There's a bunch of stuff I want to do. But a weapon of my own? That's something I don't have yet.
Kokone Nata (Play It Cool, Guys, Vol. 1)
In the light of our Mexican discoveries, I was now asking myself whether Soma could have been a mushroom. I said to myself that inevitably the poets would introduce into their hymns innumerable hints for the identification of the celebrated Soma, not of course to help us, millennia later and thousands of miles away, but as their poetic inspiration freely dictated.
R. Gordon Wasson (Persephone's Quest: Entheogens and the Origins of Religion)
Em qualquer acontecimento a história de todos não é a história de cada um nem tampouco a soma dessas histórias e ninguém aqui no final pode entender o motivo de sua presença pois ninguém tem como saber no que o acontecimento consiste. Na verdade, se a pessoa soubesse é bem provável que se ausentasse e como você pode ver isso não pode ser parte do plano se é que algum plano há.
Cormac McCarthy (Blood Meridian)
Weaving his tale into the river’s drift, Narada began the legend of Rama, prince of Ayodhya, who was as noble as the sea is deep, as powerful as Mahavishnu, whose Avatara he was when the treta yuga was upon the world, as steadfast as the Himalaya, handsome as Soma the Moon God, patient as the Earth, generous as Kubera, just as Dharma; but his rage if roused like the fire at the end of time.
Ramesh Menon (The Ramayana: A Modern Retelling of the Great Indian Epic)
we find in the body an objective witness to our life that has no investment whatsoever in our skewed ego-versions of things. In addition, our Soma not only knows the truth of how it is with us, others, and the world, but it appreciates and, in a strange way, delights in everything. Even more, it wants to communicate this to us and provide mentoring. Our Soma is literally an infinite ocean of practical wisdom, and
Reginald A. Ray (The Awakening Body:: Somatic Meditation for Discovering Our Deepest Life)
The Gnostics believed that we can experience resurrection before death. In other words, Gnostics are granted such special knowledge that they can regenerate their bodies and resurrect themselves before dying. Moreover, they have special abilities to control their DNA. The Sufi Dervishes know and teach these practices. Additionally, in Dzogchen (a teaching from the Nyingma school of Tibetan Buddhism) they speak of the "Rainbow Body". The exceptional practitioners of Dzogchen, when they are about to die, concentrate on their Body of Pure Light. His physical body releases itself into a body of non-material light (a Sambhogakaya) with the capacity to exist and to remain where and when indicated by one's compassion. In Gnosticism, this is called the radiant body, resurrection body, or immortal body (the soma athanaton). This body has also been called 'The Philosopher's Stone.
Laurence Galian (Alien Parasites: 40 Gnostic Truths to Defeat the Archon Invasion!)
In The Sunset Sky The sunset sky dazzling with the golden hues, Taking bow in brilliant sparkle of experience Is it not a climax, of the story so far, that was today? Or is it building anticipation of the night yet to come. Watch the days go, some proud of their accomplishments Some leaving sighs of disappointments, Leaving all in awe of its Amaranthine twists and turns And the fortunate get to see the moon trying to steal the show from setting sun, Oh she is such a show off, isn't she, basking in reflected glory Its magical, the sunset sky,Puzzling, sometimes just like a riddle, Leaving the nature stunned and amazed For it has been filling the canvas whole day with colours And now the sunset threatens to hide them all And in dark all the colours will be same A cue for the wise. Sunset sky has so much to offer, is she not a fine exampleof how uncertain a life can be Often reminding no matter what you planned, there will besome unexpected returns For End has its own brain, its own script Charting its own course So why just the beginning,every moment of the life should be grand, meted with equal passion and fervor She has been so clever; the sunset sky Leaving Twinkling cryptic messages for the night sky For even the dark has sparkle and hope if you keep your head up, A constant reminder that exuberance is an attitude of deep,rich, warm hearts I want my sunset sky to be grand, magical, and full of stories of my life that has been And its memories to linger on in this world, in the tomorrow and a few more years to come
Soma Mukherjee
It’s time to assume your glorified body, your celestial body, your radiant body, your spiritual body (soma pneumatikon) – the vehicle for your out-of-body experiences. When you attain your “diamond body,” you become one of “the immortals”. You are now one of the cloudwalkers. Pure mind is superconductive. It can never run down or degrade or experience any friction. Your eternal mind is a Golden Mind. It’s a Star Mind, it’s the Glory of the Whole Universe.
Steve Madison (Ultrahuman)
A storm of fruity sweetness! A concerto of seafood and herbs! And a fragrant duet of thick lamb mousse and creamed root vegetables! All three glasses present their own colorful tableau that unfolds across your tongue! "Though each glass maintains a clear and unique flavor profile... ... from creamed raw sea urchin to smoked scallop mousse- the perfect accenting layer is always slipped into the perfect place. It's like a gorgeous richly colored show of mousses is dancing in my mouth!
Yūto Tsukuda (食戟のソーマ 34 [Shokugeki no Souma 34] (Food Wars: Shokugeki no Soma, #34))
family? Surely more than genes, eye color, flesh. Family was story: truth and struggle and retribution. Family was time. At the other end of the continent Felix was lying in a hospital bed, asleep, surrounded by kin—Soma and the boys, the ghosts of the Chileans he had known, the disappeared, the still-here. Winkler had a single memory of an infant girl at a window. Faces in a dream, phantoms in the periphery. If he had learned anything it was that family was not so much what you were given as what you were able
Anthony Doerr (About Grace)
Muita gente fala que é preciso aprender com o exemplo dos pais e dos professores e coisa e tal. Pode até ser! Não foi o que aconteceu comigo, mas pode ser! Só acho que estão deixando de colocar um fator importante nessa soma de quem nos influencia. Algumas vezes, para um garoto encontrar o caminho certo, é preciso que seu guia, seu modelo inspirador, seja como um reflexo dele mesmo no espelho, alguém com quem consiga se identificar de fato, entende? Refiro-me a se identificar principalmente nessa coisa da idade.
Camilo Gomes Jr. (Em memória)
[...] if you are sitting opposite me, I can see you as another person like myself; without you changing or doing anything differently, I can now see you as a complex physical chemical system, perhaps with its own idiosyncrasies but chemical none the less for that; seen in this way, you are no longer a person but an organism [...]. There is no dualism in the sense of the coexistence of two different essences or substances there in the object, psyche and soma; there are two different experiential Gestalts: person and organism.
R.D. Laing (The Divided Self: An Existential Study in Sanity and Madness)
Unlike Japan, Italy's cuisine has long centered on meat dishes. In their home province of Tuscany, duck, rabbit, and even boar would be served in the right season. I suspect that is how they learned how to butcher and dress a duck. The breast meat was glazed with a mixture of soy sauce, Japanese mustard, black pepper and honey to give it a strong, spicy fragrance... the perfect complement to the sauce. Duck and salsa verde. They found and enhanced the Japanese essence of both... ... to create an impressive and thoroughly Japanese dish!
Yūto Tsukuda (Food Wars!: Shokugeki no Soma, Vol. 3)
Järvi tyyntyy hiljalleen. On rauhaisaa, hyönteiset vain surisevat kuusissa. On kuin suuri käsi sivelisi viileän pehmeästi maata, että se nukkuisi. Auringon viimeiset säteet valaisevat kirkon ristiä, punaisia tiilikattoja ja valkeiksi maalattuja talonseiniä. Jossakin ikkunassa leimahtelee niin kuin sisällä olisi tuli irti. Tuolla alhaalla he elävät, riemuitsevat ja kärsivät, riitelevät kansantulosta, kunniasta ja arvojärjestyksestä, siellä he juoruavat, kadehtivat ja rakastavat. Pieni soma asutuskeskus, joka häviää näkyvistä kun nostaa käden sen eteen.
Veikko Huovinen (Siintävät vuoret)
I just let the apples soak up the roses' scent." "You what?!" "This takes a teeny little while to do, but... first, you take the petals off the damask's and wash them gently. When you've washed a whole big fluffy pile of petals... you dump them all into a big pot of water! Let that boil down, and you get a sweet, pink rose syrup! While that was reducing, I lightly heated thin apple slices in an extract I made from boiled apple peels. Then I poured the rose syrup over them and let them soak for 30 minutes. That way the delicate pink color and sweet scent of the roses gently seeped into the apples. Just boiling the lot of them together into a mush like a barbarian is hardly royal, you know. An elegant and relaxing bath in rose-scented water. That is much more fitting for the Queen of Roses. If I had to give a name to perfect my new dessert, I'd call it... The Queen's Apple Tart!
Yūto Tsukuda (食戟のソーマ 28 [Shokugeki no Souma 28] (Food Wars: Shokugeki no Soma, #28))
Observo-me a escrever como nunca me observei a pintar, e descubro o que há de fascinante neste ato: na pintura, vem sempre o momento em que o quadro não suporta nem mais uma pincelada (mau ou bom, ela irá torná-lo pior), ao passo que estas linhas podem prolongar-se infinitamente, alinhado parcelas de uma soma que nunca será começada, mas que é, nesse alinhamento, já trabalho perfeito, já obra definitiva porque conhecida. É sobretudo a ideia do prolongamento infinito que me fascina. Poderei escrever sempre, até ao fim da vida, ao passo que os quadros, fechados em si mesmos, repelem, são eles próprios isolados na sua pele, autoritários, e, também eles, insolentes.
José Saramago (Manual of Painting and Calligraphy)
This wrap! It's made of rice! Now I get it... it's a variation on a Bánh Xèo!" BÁNH XÈO Literally meaning "Sizzling Cake," it is a Vietnamese rice-flour pancake. The batter is made from rice flour, water, coconut milk and other ingredients and is then spread thinly and fried like a crepe. Once cooked, ingredients like pork, shrimp, and bean sprouts are folded inside. I see the concept behind this dish now! It's mixing piping-hot rice with juicy fried chicken! Fried chicken and rice have always been a golden combination. Here they've recreated that in a form that's easy to eat on the go and just as delicious. And they even managed to do it in an innovative and eye-catching way!
Yūto Tsukuda (食戟のソーマ 5 [Shokugeki no Souma 5] (Food Wars: Shokugeki no Soma, #5))
Wednesday got comfortable, ordered himself a Jack Daniel’s. “My kind of people see your kind of people…” He hesitated. “It’s like bees and honey. Each bee makes only a tiny, tiny drop of honey. It takes thousands of them, millions perhaps, all working together to make the pot of honey you have on your breakfast table. Now imagine that you could eat nothing but honey. That’s what it’s like for my kind of people…we feed on belief, on prayers, on love. It takes a lot of people believing just the tiniest bit to sustain us. That’s what we need, instead of food. Belief.” “And Soma is…” “To take the analogy further, it’s honey wine. Mead.” He chuckled. “It’s a drink. Concentrated prayer and belief, distilled into a potent liqueur.
Neil Gaiman (American Gods)
Bernard's other victim-friend was Helmholtz. When, discomfited, he came and asked once more for the friendship to preserve, Helmholtz gave it; and give it without a reproach, without a comment, as though he had forgotten that there had been a quarrel. Touched, Bernard felt himself at the same time humiliated by this magnanimity - a magnanimity the more extraordinary and therefore the more humiliating in that it owed nothing to soma and everything to Helmholtz's character. It was the Helmholtz of daily life who forgot and forgave, not the Helmholtz of a half-gramme holiday. Bernard was duly grateful (it was an enormous comfort to have his friend again) and also duly resentful (it would be a pleasure to take some revenge on Helmholtz for his generosity).
Aldous Huxley (Brave New World)
Out of all of the meats you can get from a cow... ... the tail meat has the most gelatin! Season the oxtail with salt and pepper, dust it with flour and sear it in a frying pan to give it a good color, and then set it to simmer until it's good and tender. That way, by the time it has thoroughly soaked up the demi-glace sauce... ... all of the sticky gelatin in it will have begun to melt out... ... giving the meat a decadently chewy and gooey texture! That, together with the demi-glace sauce, creates a much richer taste experience. He found a way to give his dish a more powerful, full-bodied flavor without getting rid of the white miso! That was Hisako's idea! Oxtail does not come close to the famously luxuriant texture of turtle meat, of course... ... but the gelatin it does contain is perfect for a beef stew!
Yūto Tsukuda (食戟のソーマ 11 [Shokugeki no Souma 11] (Food Wars: Shokugeki no Soma, #11))
The typical smell from skin-on pork belly is completely erased by the spices used. All that reaches the tongue... are the mild sweetness of the fats and the zesty richness of the curry!" "It's amazingly delicious!" "After I parboiled, seasoned and pan seared the pork belly... I braised it in a mixture of oyster sauce, soy sauce, Shaoxing wine and other seasonings. I gave it its fragrance with star anise, ginger and Sichuan pepper." Strange. The meat is incredibly heavy and filling... yet this dish is so easy to eat! Why? "IT'S THE RICE! Now I see! She mixed a dash of rock salt and Sichuan-peppercorn oil into the rice! The refreshing scent and tongue-tingling flavor of the peppercorn oil ameliorates the oiliness of the fats... ... but its spiciness makes you want another bite of the sweet meat... it's a chain reaction!
Yūto Tsukuda (食戟のソーマ 7 [Shokugeki no Souma 7] (Food Wars: Shokugeki no Soma, #7))
There is only one historical development that has real significance. Today, when we finally realise that the keys to happiness are in the hands of our biochemical system, we can stop wasting our time on politics and social reforms, putsches and ideologies, and focus instead on the only thing that can make us truly happy: manipulating our biochemistry. If we invest billions in understanding our brain chemistry and developing appropriate treatments, we can make people far happier than ever before, without any need of revolutions. Prozac, for example, does not change regimes, but by raising serotonin levels it lifts people out of their depression. Nothing captures the biological argument better than the famous New Age slogan: ‘Happiness begins within.’ Money, social status, plastic surgery, beautiful houses, powerful positions – none of these will bring you happiness. Lasting happiness comes only from serotonin, dopamine and oxytocin.1 In Aldous Huxley’s dystopian novel Brave New World, published in 1932 at the height of the Great Depression, happiness is the supreme value and psychiatric drugs replace the police and the ballot as the foundation of politics. Every day, each person takes a dose of ‘soma’, a synthetic drug which makes people happy without harming their productivity and efficiency. The World State that governs the entire globe is never threatened by wars, revolutions, strikes or demonstrations, because all people are supremely content with their current conditions, whatever they may be. Huxley’s vision of the future is far more troubling than George Orwell’s Nineteen Eighty-Four. Huxley’s world seems monstrous to most readers, but it is hard to explain why. Everybody is happy all the time – what could be wrong with that?
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
He was a big, rather clumsy man, with a substantial bay window that started in the middle of the chest. I should guess that he was less muscular than at first sight he looked. He had large staring blue eyes and a damp and pendulous lower lip. He didn't look in the least like an intellectual. Creative people of his abundant kind never do, of course, but all the talk of Rutherford looking like a farmer was unperceptive nonsense. His was really the kind of face and physique that often goes with great weight of character and gifts. It could easily have been the soma of a great writer. As he talked to his companions in the streets, his voice was three times as loud as any of theirs, and his accent was bizarre…. It was part of his nature that, stupendous as his work was, he should consider it 10 per cent more so. It was also part of his nature that, quite without acting, he should behave constantly as though he were 10 per cent larger than life. Worldly success? He loved every minute of it: flattery, titles, the company of the high official world...But there was that mysterious diffidence behind it all. He hated the faintest suspicion of being patronized, even when he was a world figure. Archbishop Lang was once tactless enough to suggest that he supposed a famous scientist had no time for reading. Rutherford immediately felt that he was being regarded as an ignorant roughneck. He produced a formidable list of his last month’s reading. Then, half innocently, half malevolently: "And what do you manage to read, your Grice?" I am afraid", said the Archbishop, somewhat out of his depth, "that a man in my position doesn't really have the leisure..." Ah yes, your Grice," said Rutherford in triumph, "it must be a dog's life! It must be a dog's life!
C.P. Snow
I would like, in conclusion, to mention the peculiar theory of world creation in the Clementine Homilies. In God, pneuma and soma are one. When they separate, pneuma appears as the Son and “archon of the future Aeon,” but soma, actual substance (ούοία) or matter , divides into four, corresponding to the four elements (which were always solemnly invoked at initiations). From the mixing of the four parts there arose the devil, the “archon of this Aeon,” and the psyche of this world. Soma had become psychized (): “God rules this world as much through the devil as through the Son, for both are in his hands.”97 God unfolds himself in the world in the form of syzygies (paired opposites), such as heaven/earth, day/night, male/female, etc. The last term of the first series is the Adam/Eve syzygy. At the end of this fragmentation process there follows the return to the beginning, the consummation of the universe () through purification and annihilation
C.G. Jung (Aion: Researches into the Phenomenology of the Self (Collected Works, Vol 9ii))
Levei o homem, apesar da sua resistência, a ver o mar. Jamais esquecerei a cara dele, os olhos, a boca, as mãos, quando a paisagem marítima lhe bateu no rosto. Amparei-o nos meus braços enquanto ele tentava dizer alguma coisa, enquanto a sua boca abria e fechava com a língua emaranhada, os olhos encardidos de horizonte. É, na nossa vida, completamente desnecessário ter qualquer proximidade com o mar, mas a sua simples visão provoca alterações profundas na alma. Creio que, tal como o resultado de uma soma é uma evidência para a razão, a presença do mar é uma evidência para os sentimentos. Nada é estanque na natureza, por isso não é só o delicado equilíbrio entre os sais de sódio e de potássio que se altera radicalmente, modificando a composição do corpo, dos ossos, do sangue, é também a alma que fica salgada, ondulada, habitada por tubarões, algas, sargos, polvos, ostras e cachalotes. Julgo que aquele homem saiu dali com a certeza de que era, tal como todos os homens o são, um náufrago.
Afonso Cruz (Mar)
We have been removed from the environment within which we evolved and with which we are uniquely designed to interact. Now we interact and coevolve with only the grosser, more monolithic, human-made commercial forms which remain available within our new laboratory-space station. Because we live inside the new environment, we are not aware that any tradeoff has been made. We have had to sacrifice the billions of small, detailed, multispectral experiences—emotional, physical, instinctive, sensual, intuitive and mental—that were appropriate and necessary for humans interacting with natural environments. Like the Micronesian islander in Chapter Four trapped between two modes of experience, we have found that functioning on an earlier multidimensional level has become not only useless but counterproductive. If we remained so attuned to the varieties of snowflakes that we could find fifty-six varieties as the Eskimo can; or to dreams so that we could find hundreds of distinct patterns as the Senoi Indians can; or to the minute altitude strata, inch by inch above the ground, occupied by entirely different species of flying insects as the California Indians once could; all this sensitivity would cripple any attempt to get along in the modern world. None of it would get us jobs, which gets us money, which in turn gets us food, housing, transportation, products, or entertainment, which are the fulfillments presently available in our new world. We have had to re-create ourselves to fit. We have had to reshape our very personalities to be competitive, aggressive, mentally fast, charming and manipulative. These qualities succeed in today’s world and offer survival and some measure of satisfaction within the cycle of work-consume, work-consume, work-consume. As for any dormant anxieties or unreconstructed internal wilderness, these may be smoothed over by compulsive working, compulsive eating, compulsive buying, compulsive sex, and then our brands of soma: alcohol, Librium, Valium, Thorazine, marijuana and television.
Jerry Mander (Four Arguments for the Elimination of Television)
EGGS BENEDICT It is made up of a poached egg, cheese, bacon and other ingredients on top of a muffin and seasoned with tangy hollandaise. It is one of the more traditional breakfast dishes served in North America. However, Eggs Benedict alone can hardly be called an original dish. Where's the surprise? Still, faced with such beauty... ... I can't help but want to take a bite. AAAH! A perfectly poached egg so soft it melts on the tongue. The refined tang of high-quality hollandaise sauce. Crispy, salty bacon and a sweet, soft muffin! All of these together wrap the tongue in an exquisite harmony of deliciousness! Wait, no. That isn't all. There is a greater depth to the flavor than that. But from what? Hm? What is that golden powder I see? AH! Karasumi! You've sprinkled karasumi on the muffin! *Karasumi: Dried mullet roe. It is considered a delicacy in Japan* I see! Karasumi is made of roe, which are fish eggs! It was the salty delicacy of the karasumi mixed with the richness of the egg yolk... ... that created such a deep and robust flavor!
Yūto Tsukuda (食戟のソーマ 4 [Shokugeki no Souma 4] (Food Wars: Shokugeki no Soma, #4))
This dish... it's sweet-and-sour pork but with black vinegar. In fact, you could call it "Black Vinegar Pork." The glossy black of the vinegar was used to great effect in the plating, giving the dish a classy and luxuriant appearance. But the moment you put a bite in your mouth... fresh, vibrant green tea explodes in a sea of invigorating green. It is extravagantly delicious. Chef Kuga's Sweet-and-Sour sauce includes not just black vinegar but also balsamic vinegar as well as Chef Mimasaka's smoked soy sauce! It destroys the traditional boundaries of sweet-and-sour pork, creating a dish that's rich, tangy and savory while erasing the pork's thick greasiness to push the taste of the green tea to the forefront! He has completely succeeded in taking the green tea leaves and making them the centerpiece of his dish! But the point most worthy of attention... ... is that this sublime taste experience wasn't created using solely Chinese-cooking techniques. It shows an equally deft use of traditional French techniques!" "What the... French?! But isn't he supposed to be a purely Sichuan-Chinese chef?!" "Yes, yes. I'm gonna explain, so quiet down and listen up, 'kay? See, there's another secret y'all don't know. That sweet-and-sour sauce? I based it on Sauce au Vinaigre Balsamique. That's a balsamic vinegar sauce used in a whole lot of French recipes." "Aha! Now I see. So that's where it came from! French Vinaigre Balsamique sauce is a reduction of balsamic vinegar and Glacé de Viande! It has a light tanginess and thick richness, which must have boosted the deliciousness of the sweet-and-sour pork into the stratosphere!
Yūto Tsukuda (食戟のソーマ 27 [Shokugeki no Souma 27] (Food Wars: Shokugeki no Soma, #27))
The seafood is so fresh it is otherworldly! Their rich umami flavors swirl together in my mouth like a whirlpool! The pike is transcendental fresh, yes? It's tender and fatty and melty sweet!" "I'm impressed he had the strength to cram this much powerful umami into a single dish! So refined, yet utterly savage. Ryo Kurokiba has reached a new pinnacle!" "That looks sooo good!" "But still, do all Japan pike have this much flavor in season?" "Good point. Not all do. How did he manage to create this strong of a flavor while using hardly any seasonings? Hm? Wait... it's faint, but I smell hints of a refreshing scent. A scent that is not seafood!" "It is the fragrance of herbs." "Exactly! I added a pat of this to the dish!" "Aha! Herb butter! Finely chopped herbs and spices are mixed into softened butter... ... and then wrapped up and chilled in the refrigerator for a day to allow the flavors to meld." "I stuck a pat of homemade herb butter into each wrap right before I put 'em in the oven. Baking on low heat made the butter melt slowly... ... allowing its richness to seep into every nook and cranny of the entire dish!" Both flavor and fragrance have the punch of an exploding warhead! What an impeccably violent dish!
Yūto Tsukuda (食戟のソーマ 12 [Shokugeki no Souma 12] (Food Wars: Shokugeki no Soma, #12))
Tender poached egg. Creamy mashed potatoes. And the thick layer of hot, melted cheese! Those are all incredibly delicious, but what takes the cake is the roux! It's been made in a VICHYSSOISE style!" VICHYSSOISE Boiled potatoes, onions, leeks and other ingredients are pureed with cream and soup stock to make this potage. It's often served chilled. Its creation is generally credited to Louis Diat, a French chef at the Ritz Carlton in New York, who first put it on the hotel's menu in 1917. "Amazing! It looks like a thick, heavy dish that would sit in the stomach like lead, but it's so easy to eat!" "The noodles! It's the udon noodles, along with the coriander powder, that makes it feel so much lighter! Coriander is known for its fresh, almost citrusy scent and its mildly spicy bite. It goes exceptionally well with the cumin kneaded into the noodles, each spice working to heighten the other's fragrance. AAAH! It's immensely satisfying!" "I have also included dill, vichyssoise's traditional topping. Dry roasting the dill seeds together with the cumin seeds made a spice mix that gave a strong aroma to the roux." "Hm! Fat noodles in a thick, creamy roux. Eating them is much the same experience as having dipping noodles. What an amazing concept to arrive at from a century-old French soup recipe!
Yūto Tsukuda (食戟のソーマ 7 [Shokugeki no Souma 7] (Food Wars: Shokugeki no Soma, #7))
This worship of the sacred fire did not belong exclusively to the populations of Greece and Italy. We find it in the East. The Laws of Manu as they have come to us show us the religion of Brahma completely established, and even verging towards its decline; but they have preserved vestiges and remains of a religion still more ancient—that of the sacred fire—which the worship of Brahma had reduced to a secondary rank, but could not destroy. The Brahmin has his fire to keep night and day; every morning and every evening he feeds it with wood; but, as with the Greeks, this must be the wood of certain trees. As the Greeks and Italians offer it wine, the Hindu pours upon it a fermented liquor which he calls soma. Meals, too, are religious acts, and the rites are scrupulously described in the Laws of Manu. They address prayers to the fire, as in Greece; they offer it the first fruits of rice, butter, and honey. We read that “the Brahmin should not eat the rice of the new harvest without having offered the first fruits of it to the hearth-fire; for the sacred fire is greedy of grain, and when it is not honored it will devour the existence of the negligent Brahmin.” The Hindus, like the Greeks and the Romans, pictured the gods to themselves as greedy not only of honors and respect, but of food and drink. Man believed himself compelled to satisfy their hunger and thirst if he wished to avoid their wrath.
Numa Denis Fustel de Coulanges (The Ancient City - Imperium Press: A Study on the Religion, Laws, and Institutions of Greece and Rome)
He seasoned the chicken with salt, pepper and mustard, and then grilled it to absolute perfection in clarified butter! The light coating of panko is toasted to a beautiful golden brown. Its crunch delightfully highlights the chicken's tender juiciness. "But what takes this dish's flavor and elevates it to a whole other level... are the tiny crumbles of Boudin Noir blood sausage you added during the grilling step!" "That's right! The Poussin Chicken had just been butchered, so I took a little of its blood and mixed it with some pork blood... to whip up my own special blood sausage! That gave the dish some real punch, don'tcha think?" "B-but that shouldn't even work! Blood sausage has such a powerful flavor it should have overwhelmed the more delicate Poussin Chicken... but that chicken flavor is still undeniably the centerpiece of this dish!" "That's from the fat. See, I didn't just grab some of the chicken's blood. I siphoned up some of its fat too. With this special injector here." Animal fat is just as jam-packed with richness and body as blood! A little dollop of that keeps the chicken balanced as the center of the dish while deepening its overall flavor! Not only that, he used the chain carving knife to add innumerable delicate hidden cuts in the chicken. Thanks to those, the flavors of the chicken, the sausage and the sauce all meld together seamlessly, creating a cohesive overall experience.
Yūto Tsukuda (食戟のソーマ 34 [Shokugeki no Souma 34] (Food Wars: Shokugeki no Soma, #34))
The fact is that the individual, though its genotypic sex is fixed at fertilisation, can be profoundly affected by the environment in which it develops. In the ants, bees, and termites the larval nutrition determines whether the genotypic female individual will become a fully developed female (‘queen’) or a sexually retarded worker. In these cases the whole organism is affected; but the gonads do not play a part in establishing the sexual differences of the body, or soma. In the vertebrates, however, the hormones secreted by the gonads are the essential regulators. Numerous experiments show that by varying the hormonal (endocrine) situation, sex can be profoundly affected. Grafting and castration experiments on adult animals and man have contributed to the modern theory of sexuality, according to which the soma is in a way identical in male and female vertebrates. It may be regarded as a kind of neutral element upon which the influence of the gonad imposes the sexual characteristics. Some of the hormones secreted by the gonad act as stimulators, others as inhibitors. Even the genital tract itself is somatic, and embryological investigations show that it develops in the male or female direction from an indifferent and in some respects hermaphroditic condition under the hormonal influence. Intersexuality may result when the hormones are abnormal and hence neither one of the two sexual potentialities is exclusively realised.
Simone de Beauvoir (The Second Sex)
A história de uma família parece mais com um mapa topográfico do que com um romance, e uma biografia é a soma de todas as eras geológicas que você atravessou. Escrever-se a si mesma significa lembrar que você nasceu com raiva e que foi um despejo de lava denso e contínuo, antes que sua crosta endurecesse e rachasse para deixar aflorar uma espécie de amor, ou que a força inútil do perdão viesse polir e achatar qualquer formação de um vale em você. Reler-se a si mesma significa inventar aquilo pelo que você passou, detectar cada estrato de que está composta: os cristais de júbilo ou de solidão no fundo, as consequências de uma lembrança que evaporou, tudo o que foi escavado e depois inundado, apenas para se dar conta de que não é verdade que o tempo cura — há uma fratura que jamais será preenchida. A única coisa que o tempo faz é carregar consigo o pó e ervas daninhas, de modo que aquela fissura seja coberta até se transformar numa paisagem distinta, distante, quase de fábula, na qual se fala um idioma que não se conhece mais, tão verossímil quanto o élfico. Paisagens sobre as ruinas da sua família, e você se dá conta de que algumas palavras foram apagadas, mas outras salvas, algumas desapareceram, enquanto outras farão sempre parte da sua reverberação, e então finalmente se chega à margem do seu pai e da sua mãe, depois de anos acreditando que morrer ou enlouquecer fosse o único jeito de estar à altura deles. É lá então que você entende que tudo no seu sangue é uma chamada e você é somente eco de uma mitologia pregressa.
Claudia Durastanti (La straniera)
Fresh seafood stock made from shrimp and crab... It's hot and spicy- and at the same time, mellow and savory! Visions of lush mountains, cool springs and the vast ocean instantly come to mind! She brought out the very best flavors of each and every ingredient she used! "I started with the fresh fish and veggies you had on hand... ... and then simmered them in a stock I made from seafood trimmings until they were tender. Then I added fresh shrimp and let it simmer... seasoning it with a special blend I made from spices, herbs like thyme and bay leaves, and a base of Worcestershire sauce. I snuck in a dash of soy sauce, too, to tie the Japanese ingredients together with the European spices I used. Overall, I think I managed to make a curry sauce that is mellow enough for children to enjoy and yet flavorful enough for adults to love!" "Yum! Good stuff!" "What a surprise! To take the ingredients we use here every day and to create something out of left field like this!" "You got that right! This is a really delicious dish, no two ways about it. But what's got me confused... ... is why it seems to have hit him way harder than any of us! What on earth is going on?!" This... this dish. It... it tastes just like home! It looks like curry, but it ain't! It's gumbo!" Gumbo is a family dish famously served in the American South along the shores of the Gulf of Mexico. A thick and spicy stew, it's generally served over steamed rice. At first glance, it closely resembles Japan's take on curry... but the gumbo recipe doesn't call for curry powder. Its defining characteristic is that it uses okra as its thickener. *A possible origin for the word "gumbo" is the Bantu word for okra-Ngombu.*
Yūto Tsukuda (食戟のソーマ 31 [Shokugeki no Souma 31] (Food Wars: Shokugeki no Soma, #31))
Each bite is a tidal wave of savory, fatty eel juices... ... made fresh and tangy by the complementary flavors of olive oil and tomato! ...! It's perfect! This dish has beautifully encapsulated the superbness of Capitone Eel!" "Capitone specifically means 'Large Female Eel'! It's exactly this kind of eel that is served during Natale season from Christmas to New Year's. Compared to normal eels, the Capitone is large, thick and juicy! In fact, it's considered a delicacy!" "Yes, I've heard of them! The Capitone is supposed to be significantly meatier than the standard Anguilla." *Anguilla is the Italian word for regular eels.* "Okay. So the Capitone is special. But is it special enough to make a dish so delicious the judges swoon?" "No. The secret to the Capitone's refined deliciousness in this dish lies with the tomatoes. You used San Marzanos, correct?" "Ha Ragione! (Exactly!) I specifically chose San Marzano tomatoes as the core of my dish!" Of the hundreds of varieties of tomato, the San Marzano Plum Tomato is one of the least juicy. Less juice means it makes a less watery and runny sauce when stewed! "Thanks to the San Marzano tomatoes, this dish's sauce remained thick and rich with a marvelously full-bodied taste. The blend of spices he used to season the sauce has done a splendid job of highlighting the eel's natural flavors as well." "You can't forget the wondrous polenta either. Crispy on the outside and creamy in the middle. There's no greater garnish for this dish." *Polenta is boiled cornmeal that is typically served as porridge or baked into cakes.* "Ah. I see. Every ingredient of his dish is intimately connected to the eel. Garlic to increase the fragrance, onion for condensed sweetness... ... and low-juice tomatoes. Those are the key ingredients.
Yūto Tsukuda (食戟のソーマ 25 [Shokugeki no Souma 25] (Food Wars: Shokugeki no Soma, #25))
The key to this risotto is Japanese peppers of all things?!" "It's sharp, refreshing aroma highlights the mellow body of the cheese... while making the eel's umami flavor flash like an explosion!" "And that one key ingredient that quietly ties it all together... ... is garlic!" "Garlic?! In traditional Japanese cuisine?! That's almost unheard of!" "Those are special smoked garlic chips a junior of mine made. They were smoked using wood from a walnut tree, which is known to emphasize seafood flavors well. By lightly crushing those chips and sprinkling them on as a topping, I added a pleasantly crunchy texture to the dish. But the most critical feature of my dish... is that I broiled the eel using the Kansai region Kabayaki style. Unlike the Kanto region style, there's no steaming step. Leaving all that oil in gives the eel a more fragrant aroma with a heavier texture and stronger flavor... ... meaning it pairs much more naturally with a flavor as powerful as garlic. *Steaming the eel makes much of its natural oil seep out, leaving the flesh light and fluffy.* But what makes these chips so extraordinary... is that they're infused with Ibusaki's earnest passion and the pure sweat of his helpers, Aoki and Sato. There's no way they could not be delicious!" "Ew! Don't say they're infused with sweat! That's gross!" "This much alone is already an impressively polished gourmet course. What's in store for us in that teapot?" "That is eel-liver broth, my lady. I dressed the eel's liver and then sautéed it in olive oil with some smoked garlic chips. Then I poured the sake Sakaki and Marui made over the top and let the alcohol cook off before adding bonito stock to make a broth. It matches beautifully with the cheese that Yoshino and Nikumi made, creating a soft flavor with a splendid aftertaste.
Yūto Tsukuda (食戟のソーマ 25 [Shokugeki no Souma 25] (Food Wars: Shokugeki no Soma, #25))
I see bacon, green peppers, mushrooms... those are all found in Napolitan Spaghetti. I guess instead of the standard ketchup, he's used curry roux for the sauce? The noodles look similar to fettuccini." "Hm. I'm not seeing anything else that stands out about it. Given how fun and amusing the calzone a minute ago was... ... the impact of this one's a lot more bland and boring..." W-what the heck? Where did this heavy richness come from? It hits like a shockwave straight to the brain! "Chicken and beef stocks for the base... with fennel and green cardamom for fragrance! What an excellent, tongue-tingling curry sauce! It clings well to the broad fettuccini noodles too!" "For extra flavor is that... soy sauce?" "No, it's tamari soy sauce! Tamari soy sauce is richer and less salty than standard soy sauce, with a more full-bodied sweetness to it. Most tamari is made on Japan's eastern seaboard. " "That's not all either! I'm picking up the mellow hints of cheese! But I'm not seeing a single shred of any kind of cheese in here. Where's it hiding?" "Allow me to tell you, sir. First, look at the short edge of a noodle, please." ?! What on earth?! This noodle's got three layers!" "For the outer layers, I kneaded turmeric into the pasta dough. But for the inner layer, I added Parmesan cheese!" "I see! It's the combination of the tamari soy sauce and the parmesan cheese that gives this dish its incredible richness!" "Yeah, but wait a minute! If you go kneading cheese right into the noodles, wouldn't it just melt back out when you boiled them?" No... that's why they're in three layers! With the cheese in the middle, the outer layers prevented it from melting out! The deep, rich curry sauce, underscored with the flavor of tamari soy sauce... ... and the chewy noodles, which hit you with the mellow, robust taste of parmesan cheese with every bite! Many people are familiar with the idea of coating cream cheese in soy sauce... ... but who would have thought parmesan cheese would match this well with tamari soy sauce!
Yūto Tsukuda (食戟のソーマ 7 [Shokugeki no Souma 7] (Food Wars: Shokugeki no Soma, #7))
What is Gosetsu Udon, you ask? Meaning "snowy noodles," it is a local specialty from Kutchan, Hokkaido, one of the snowiest places on Earth! The Kutchan region is a big producer of potatoes, and one of the most famous kinds they grow is the extra mealy and starchy Irish Cobbler Potato, also called Danshaku. It's from that potato that Gosetsu Udon Noodles are made! In fact, Gosetsu Udon Noodles are 95 percent starch! First, boil the potatoes, and then peel them... Mash them until they're smooth and fluffy... Then add water, salt and flour to make the dough! "There wasn't enough flour left for us to use. But thankfully... ... there were a few bags of this still available!" Potato starch! That was meant to be used for dusting cutting boards and table surfaces when making handmade noodles! It's not normally used as an ingredient in noodles... but as it's potato starch, that changes when it comes to potato noodles! Acting as the glue holding the noodles together, it also adds that extra starchiness for making the finished noodles that much chewier!
Yūto Tsukuda (食戟のソーマ 21 [Shokugeki no Souma 21] (Food Wars: Shokugeki no Soma, #21))
... If I am correct... ... the secret to this sauce is honey and balsamic vinegar ." "Got it one, sir! Both ingredients have a mild sweetness that adds a layer of richness to the dish. The tartness of the vinegar ties it all together, ensuring the sweetness isn't too cloying and giving the overall dish a clean, pure aftertaste. The guide told me that Hokkaido bears really love their honey... ... so I tried all kinds of methods to add it to my recipe!" "Is that how he gave his sauce a rich, clean flavor powerful enough to cause the Gifting? Unbelievable! That's our Master Yukihira!" Something doesn't add up. A little honey and vinegar can't be enough to create that level of aftertaste. There has to be something else to it. But what? "...?! I got it! I know what you did! You caramelized the honey!" CARAMELIZATION Sugars oxidize when heated, giving them a golden brown color and a nutty flavor. Any food that contains sugar can be caramelized, making caramelization an important technique in everything from French cooking to dessert making. "I started out by heating the honey until it was good and caramelized. Then I added some balsamic vinegar to stretch it and give it a little thickness. Once that was done, I poured it over some diced onions and garlic that I'd sautéed in another pan, added some schisandra berries and then let it simmer. After it had reduced, I poured bear stock over it and seasoned it with a little salt... The result was a deep, rich sauce perfect for emphasizing the natural punch of my Bear-Meat Menchi Katsu!" "Oho! You musta come up with that idea while I was relaxing with my cup o' chai! Not bad, Yukihira-chin! Not bad at all! Don'tcha think?" "Y-yes, sir..." Plus, there is no debating how well honey pairs well with bear meat. The Chinese have long considered bear paws a great delicacy... ... because of the common belief that the mellow sweetness of the honey soaks into a bear's paw as it sticks it into beehives and licks the honey off of it. What a splendid idea pairing honey with bear meat, each accentuating the other... ... then using caramelization and balsamic vinegar to mellow it to just the right level. It's a masterful example of using both flavor subtraction and enhancement in the same dish!
Yūto Tsukuda (食戟のソーマ 22 [Shokugeki no Souma 22] (Food Wars: Shokugeki no Soma, #22))
Pingala pode ser definida como a energia dinâmica, ativa, masculina, positiva, yang, dentro de nossa personalidade. Ela tem um lado físico e mental. Suas qualidades materiais são luz, calor, solar, energia acumulando, criatividade, organização, focalizada (centrípeta) e contrativa. O lado mental positivo, dinâmico, dentro do sistema de Freud é o Eros, o princípio do prazer, e no sistema de Jung é a personalidade consciente, o lado racional e discriminativo. Podemos dizer que pingala é a energia psicossomática, aparentemente dirigida, a mente agindo sobre o corpo para motivar os órgãos da ação, os karmendriyas. Ela é a energia básica da vida. Ida é a energia dentro da personalidade, o qual é passiva, receptiva, feminina, negativa, yin. A um nível físico, ela é escura, fria, lunar, energia de dissipação, desorganização, entrópica, expansiva (centrífuga) e relaxante. No plano mental que Freud chamou Tanatos, o instinto da morte, e Jung chamou de anima, o inconsciente, íntimo feminina, emocional, sentimento intuitivo e não discriminatório, o fundo sobre o qual as diferenças podem ser vistas e que podem ser unificadas. Este é o aspecto soma físico do homem, onde a energia é dirigida para dentro, e o corpo age sobre a mente. Ida controla os órgãos dos sentidos, ou gyanendriyas, e, portanto, nos dá conhecimento e consciência do mundo em que vivemos. ... Carl Jung expressou as visões tântricas quando descreveu a força motriz da auto-realização, a qual chamou de “individuação”, como uma interação dialética entre os opostos, iniciando com o conflito e culminando em síntese e integração. Quando o equilíbrio perfeito é alcançado, estabilizado e aperfeiçoado, um estado de paz dinâmico é alcançado, que é um paradoxo, uma união de opostos, a síntese de fazer e não fazer, uma maneira totalmente nova de perceber e experenciar a vida. Poucos de nós realizam este terceiro estado espiritualizado, e muitos de nós oscilam de um estado a outro. A cada 90 a 180 minutos ida e pingala alternam sua posição dominante e somente por uns poucos segundos, ou minutos, sushumna entra em existência possível. É a meta de todas as técnicas de yoga balancear e equilibrar ida e pingala, força da vida e consciência, para que eles se unam em ajña chakra para criar a luz interna do conhecimento e bem-aventurança, e revelar a verdade.
Satyananda Saraswati (Kundalini Tantra)
Mustapha Mond paused, put down the first book and, picking up the other, turned over the pages. “Take this, for example,” he said, and in his deep voice once more began to read: “ ‘A man grows old; he feels in himself that radical sense of weakness, of listlessness, of discomfort, which accompanies the advance of age; and, feeling thus, imagines himself merely sick, lulling his fears with the notion that this distressing condition is due to some particular cause, from which, as from an illness, he hopes to recover. Vain imaginings! That sickness is old age; and a horrible disease it is. They say that it is the fear of death and of what comes after death that makes men turn to religion as they advance in years. But my own experience has given me the conviction that, quite apart from any such terrors or imaginings, the religious sentiment tends to develop as we grow older; to develop because, as the passions grow calm, as the fancy and sensibilities are less excited and less excitable, our reason becomes less troubled in its working, less obscured by the images, desires and distractions, in which it used to be absorbed; whereupon God emerges as from behind a cloud; our soul feels, sees, turns towards the source of all light; turns naturally and inevitably; for now that all that gave to the world of sensations its life and charms has begun to leak away from us, now that phenomenal existence is no more bolstered up by impressions from within or from without, we feel the need to lean on something that abides, something that will never play us false—a reality, an absolute and everlasting truth. Yes, we inevitably turn to God; for this religious sentiment is of its nature so pure, so delightful to the soul that experiences it, that it makes up to us for all our other losses.’ ” Mustapha Mond shut the book and leaned back in his chair. “One of the numerous things in heaven and earth that these philosophers didn’t dream about was this” (he waved his hand), “us, the modern world. ‘You can only be independent of God while you’ve got youth and prosperity; independence won’t take you safely to the end.’ Well, we’ve now got youth and prosperity right up to the end. What follows? Evidently, that we can be independent of God. ‘The religious sentiment will compensate us for all our losses.’ But there aren’t any losses for us to compensate; religious sentiment is superfluous. And why should we go hunting for a substitute for youthful desires, when youthful desires never fail? A substitute for distractions, when we go on enjoying all the old fooleries to the very last? What need have we of repose when our minds and bodies continue to delight in activity? of consolation, when we have soma? of something immovable, when there is the social order?
Aldous Huxley (Brave New World)
This broth! How can it be this rich and mellow?! It's just creamy enough to go perfectly with the noodles too! And this savory flavor! It's so deep and expansive!" "I grated some potato and added it to the stock. That's what's giving the broth its creaminess. Believe it or not, the potato is another vegetable that contains the umami compound glutamic acid. That compound seeped out into the broth, giving it it's rich and savory flavor. Plus, I only grated the potato roughly, so there are still little beads of potato in the broth, giving the texture some interesting highlights." "But what about this topping? What is it?! Hnngh! I knew it! Imo-Mochi Potato Cakes! They're soft and chewy on the inside and crisp and crunchy on the outside!" Imo-Mochi Potato Cakes are another Hokkaido specialty. Made with potatoes and potato starch, they're a popular treat with tourists. The heavy, chewy potato cakes soaked in the creamy broth are a pleasing textural contrast... ... to the light and sleek udon noodles while also giving the dish an extra sense of fullness and satisfaction! "Unbelievable. It's almost as if this one dish... ... contains all the expressions of a potato possible in cooking!" "Exactly! Y'see, this dish---" "This dish uses all facets of the Irish Cobbler Potato, accenting its starch, its unique texture and its umami goodness. In fact, it can be considered the ultimate in potato-noodle dishes!
Yūto Tsukuda (食戟のソーマ 21 [Shokugeki no Souma 21] (Food Wars: Shokugeki no Soma, #21))