Solo Life Quotes

We've searched our database for all the quotes and captions related to Solo Life. Here they are! All 100 of them:

The steward just asked me if I was not afraid to travel alone, and I said, "Why, it is life.
Emily Hahn (Congo Solo: Misadventures Two Degrees North)
Single" means you are brave enough to face the glorious unknown of the unaccompanied journey.
Mandy Hale (The Single Woman–Life, Love, and a Dash of Sass: Embracing Singleness with Confidence)
It seems to me that the good lord in his infinate wisdom gave us three things to make life bearable- hope, jokes, and dogs. But the greatest of these was dogs.
Robyn Davidson (Tracks: A Woman's Solo Trek Across 1700 Miles of Australian Outback)
There are some places in life where you can only go alone. Embrace the beauty of your solo journey.
Mandy Hale (The Single Woman–Life, Love, and a Dash of Sass: Embracing Singleness with Confidence)
I’ve never once thought about the interpretative, the storytelling aspect of life, of my life. I always felt like I was in a story, yes, but not like I was the author of it, or like I had any say in its telling whatsoever. You can tell your story any way you damn well please. It’s your solo.
Jandy Nelson (The Sky Is Everywhere)
Life's a freaking mess. In fact, I'm going to tell Sarah we need to start a new philosophical movement: messessentialism instead of existentialism: For those who revel in the essential mess that is life. Because Gram's right, there's not one truth ever, just a bunch of stories, all going on at once, in our heads, in our hearts, all getting in the way of each other. It's all a beautiful calamitous mess. It's like the day Mr. James took us into the woods and cried triumphantly, "That's it! That's it!" to the dizzying cacophony of soloing instruments trying to make music together. That is it.
Jandy Nelson (The Sky Is Everywhere)
One thing I've learned in life is that I can speak for myself, that I can fight my own battles. I don't like anyone telling me how I'm supposed to feel or think or what I'm supposed to say.
Hope Solo
Never invest in any kind of relationship with anyone who is not willing to work on themselves just a little every day. A person who takes no interest in any form of self-improvement, personal development or spiritual growth will also not be inclined to make much of an effort building a truly meaningful connection with you. A relationship with only one partner willing to do the work ceases to be a relationship. And as anyone who has been there will tell you - it's pointless to try and dance the tango solo.
Anthon St. Maarten
Además no es tan malo vivir solo. Yo la paso bien, decidiendo a cada instante lo que quiero hacer, y gracias a la soledad me conozco; algo fundamental para vivir
Facundo Cabral
Solo se vive una vez. En realidad, es tu deber que sea una vida plena.
Jojo Moyes (Me Before You (Me Before You, #1))
Introvert conversations are like jazz, where each player gets to solo for a nice stretch before the other player comes in and does his solo. And like jazz, once we get going, we can play all night. Extrovert conversations are more like tennis matches, where thoughts are batted back and forth, and players need to be ready to respond. Introverts get winded pretty quickly.
Laurie A. Helgoe (Introvert Power: Why Your Inner Life Is Your Hidden Strength)
What would happen if you gave yourself permission to do something you’ve never done before? There’s only one way to find out.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
La realidad no es solo como se percibe en la superficie, también tiene una dimensión mágica y, si a uno se le antoja, es legítimo exagerarla y ponerle color para que el tránsito por esta vida no resulte tan aburrido.
Isabel Allende
There are some moments in life that are like pivots around which your existence turns—small intuitive flashes, when you know you have done something correct for a change, when you think you are on the right track. I watched a pale dawn streak the cliffs with Day-glo and realized this was one of them. It was a moment of pure, uncomplicated confidence—and lasted about ten seconds.
Robyn Davidson (Tracks: A Woman's Solo Trek Across 1700 Miles of Australian Outback)
What we seek when we wander usually leads us back home.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
Climb every mountain, Ford every stream, Follow every rainbow, 'Till you find your dream. A dream that will need All the love you can give, Every day of your life For as long as you live
Rodgers & Hammerstein (The Sound of Music (Rogers & Hammerstein): Piano Solo Selections)
When you're (traveling) with someone else, you share each discovery, but when you are alone, you have to carry each experience with you like a secret, something you have to write on your heart, because there's no other way to preserve it.
Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
Tomorrow is promised to no one. Prioritize today accordingly.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
Honoring your own boundaries is the clearest message to others to honor them, too.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
Embrace those parts of yourself that you've skillfully avoided until now. That's your true adventure.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
Life lessons are not journeys traveled in straight lines but are crossroads formed years and miles apart.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
Forgive someone today. Especially if that someone is you.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
A life is made up of a great number of small incidents and a small number of great ones.
Roald Dahl (Going Solo)
The next time someone tries to make you feel bad about feeling good, respond by continuing to live well.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
Experience is a master teacher, even when it’s not our own.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
What do you believe about who you are? About your capabilities? When was the last time you trusted yourself enough to test them?
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
Similarly, a Solo Date is an outing with yourself to satisfy some of your introvert cravings. And it is a delicious treat.
Laurie A. Helgoe (Introvert Power: Why Your Inner Life Is Your Hidden Strength)
Some journeys can only be traveled alone.
Ken Poirot
Porque la experiencia es eso: una triste riqueza que solo sirve para saber cómo se debería haber vivido, pero no para vivir nuevamente.
Josefina Vicens (El libro vacío)
When the person understand sense of life, is because has been consumed well
Giuseppe Sirugo
Say the planet is born at midnight and it runs for one day. First there is nothing. Two hours are lost to lava and meteors. Life doesn’t show up until three or four a.m. Even then, it’s just the barest self-copying bits and pieces. From dawn to late morning—a million million years of branching—nothing more exists than lean and simple cells. Then there is everything. Something wild happens, not long after noon. One kind of simple cell enslaves a couple of others. Nuclei get membranes. Cells evolve organelles. What was once a solo campsite grows into a town. The day is two-thirds done when animals and plants part ways. And still life is only single cells. Dusk falls before compound life takes hold. Every large living thing is a latecomer, showing up after dark. Nine p.m. brings jellyfish and worms. Later that hour comes the breakout—backbones, cartilage, an explosion of body forms. From one instant to the next, countless new stems and twigs in the spreading crown burst open and run. Plants make it up on land just before ten. Then insects, who instantly take to the air. Moments later, tetrapods crawl up from the tidal muck, carrying around on their skin and in their guts whole worlds of earlier creatures. By eleven, dinosaurs have shot their bolt, leaving the mammals and birds in charge for an hour. Somewhere in that last sixty minutes, high up in the phylogenetic canopy, life grows aware. Creatures start to speculate. Animals start teaching their children about the past and the future. Animals learn to hold rituals. Anatomically modern man shows up four seconds before midnight. The first cave paintings appear three seconds later. And in a thousandth of a click of the second hand, life solves the mystery of DNA and starts to map the tree of life itself. By midnight, most of the globe is converted to row crops for the care and feeding of one species. And that’s when the tree of life becomes something else again. That’s when the giant trunk starts to teeter.
Richard Powers (The Overstory)
Una strada c'è nella vita, e la cosa buffa è che te ne accorgi solo quando è finita. Ti volti indietro e dici «Oh, ma guarda, c'è un filo!». Quando vivi, non lo vedi, il filo, eppure c'è. Perché tutte le decisioni che prendi, tutte le scelte che fai sono determinate, tu credi, dal tuo libero arbitrio, ma anche questa è una balla. Sono determinate da qualcosa dentro di te che innanzitutto è il tuo istinto.
Tiziano Terzani (La fine è il mio inizio)
Practice makes comfort. Expand your experiences regularly so every stretch won’t feel like your first.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
Indulgence comes in all varieties: a mouthful of gourmet chocolate, a hot stone massage, a week in Paris or 20 uninterrupted minutes to get lost in a book.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
Cultivate the art of maximizing serendipitous opportunities.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
La felicidad es vivir sintiendo, lo menos posible, que el hombre, en realidad, está solo.
Banana Yoshimoto (Kitchen)
Camel trips, as I suspected all along, and as I was about to have confirmed, do not being or end: they mere change form.
Robyn Davidson (Tracks: A Woman's Solo Trek Across 1700 Miles of Australian Outback)
Don’t put off your adventures while you wait for available friends to join.
Francis Shenstone (The Explorer's Mindset: Unlock Health Happiness and Success the Fun Way)
Mistakes help to sharpen your next steps. They don’t prove that you shouldn’t try again.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
When we establish human connections within the context of shared experience we create community wherever we go.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
When a thing beckons you to explore it without telling you why or how, this is not a red herring; it’s a map.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
We often mistake letting go for giving up. Knowing the difference between the two can make all the difference in the end.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
The energy that, until now, had swelled up in the space between life and death turned toward a thirst for love.
Kabi Nagata (My Solo Exchange Diary Vol. 1)
E' sbagliato pensare di risolvere grossi problemi con il solo ausilio delle patate fritte.
Douglas Adams (Life, the Universe and Everything (The Hitchhiker's Guide to the Galaxy, #3))
I would recommend a solo flight to all prospective suicides. It tends to make clear the issue of whether one enjoys being alive or not.
T.H. White (England Have My Bones)
Follow your heart. Then root its longing with the facts.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
Some days I miss flying so much it makes my entire chest hurt, feels like I can't breathe sometimes. I try not to think about the fact that I'll never have thousands of feet of air between me and the ground again. But it's those times that I have to remind myself that at least I got the chance to do it sometime in my life. A couple dozen solo flights are better than having never done it at all.
Keary Taylor (What I Didn't Say)
Showing up begins long before you stand at the start. Prove yourself an exception in a world where people talk more than act. Intent without follow-through is hollow. Disappoint yourself enough times and empty is how you feel. Make yourself proud. Fill yourself up. Show up.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
Ho guadagnato una vita, un biglietto per la morte, e viaggio ancora. In certi momenti ho creduto d'essere giunto, alla fine del viaggio mi sbagliavo. Erano solo imprevisti del cammino.
Oriana Fallaci (A Man)
Mick's album was called She's the Boss, which said it all. I've never listened to the entire thing all the way through. Who has? It's like Mein Kampf. Everybody had a copy, but nobody listened to it.
Keith Richards (Life)
Es curioso cómo nos pasamos la vida preocupados por cosas que siempre terminan teniendo solución, para bien o para mal. Tememos las malas situaciones como si fueran el final y no lo son. Final solo hay uno y ese... ese sí que no tiene vuelta de hoja.
Elísabet Benavent (La magia de ser nosotros (La magia de ser... #2))
Risk: no full life occurs without it.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
Never underestimate the lingering effects of a dash of spontaneous comfort.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
It's tempting to believe that a break from life's routine will only cause chaos. But regimen does not ensure security. The only constant we can count on is change.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
Sometimes we have to break down to break through.
Gina Greenlee (Postcards and Pearls:Life Lessons from Solo Moments in New York)
When life events mimic shattered glass, carefully locate the pieces then gently pick them up.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
When your safety is in question follow your intuition. It will help you balance along the precipice between vulnerability and adventure.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
If you can’t remember when you last basked in your own glow, it means you’re overdue.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
Molti di noi cercano di dare un senso alla propria vita, ma la nostra vita ha un senso solo se siamo capaci di raggiungere questi tre traguardi: amare, essere amati e saper perdonare.
Joël Dicker (Le Livre des Baltimore (Marcus Goldman, #2))
Non ho atteso una risposta ai miei quesiti e sono rimasta seduta dov’ero, pronta ad alzarmi e ballare da sola sul brano seguente, che mi auguravo non essere un lento. In effetti, questo è forse il più grande difetto che si potrebbe imputarmi. Mi è sempre piaciuto pensarmi legata a un passato che non ho mai conosciuto, imprigionata in un tempo che non mi appartiene, ma sono solo un’esponente della mia generazione, e la mia generazione va di fretta. I lenti, a quanto pare, non li conosce più.
Sara Zelda Mazzini (I Dissidenti)
Quien obtiene favores sin tener méritos, debe temblar: fracasará después, cien veces, en cada cambio de viento. Los nobles ingenios solo confían en sí mismos, luchan, salvan los obstáculos, se imponen.
José Ingenieros (El hombre mediocre)
Un viso è come la copertina di un libro: può suscitare la voglia di sfogliarlo oppure riporlo subito nello scaffale. Ma solo cominciando a leggerlo ci si rende conto se vale la pena di continuare oppure no.
Piero Angela (Ti amerò per sempre: la scienza dell'amore)
And like tea dissolving in hot water, the sun dissolved in the sky… creating a velvet horizon, announcing for the stars’ night dance with the moon, the awaited joy for the wounded souls. -- From Bali – The Rebirth
Abeer Allan
She loved the feeling of doing something on her own, and doing it in a routine. It felt thrillingly adult and affirmed her most cherished hope, the hope that she might have an actual inner life of substance and note.
Megan Nolan (Ordinary Human Failings)
Ciascuno esamini i propri pensieri: li troverà sempre occupati dal passato e dall'avvenire. Non pensiamo quasi mai al presente, o se ci pensiamo, è solo per prenderne lume al fine di predisporre l'avvenire. Il presente non è mai il nostro fine: il passato o il presente sono i nostri mezzi; solo l'avvenire è il nostro fine. Così non viviamo mai, ma speriamo di vivere, e, preparandoci sempre ad essere felici, è inevitabile che non siamo mai tali.
Blaise Pascal
Is there a place you can go to break away for a little while? If you haven't yet built your tree house, it's never too late to start.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
The help we give to others creates the ripple of good feeling we give to ourselves.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
Forget black and white and try on gray. In hair color, wardrobe or life choices, it may feel more enlivening than you imagine.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
The notion of the perfect time is more than myth. It's the ultimate self-delusion.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
To commune with your heart and soul, be willing to go out of your mind.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
As you consider your next move, practice this definition of trust: the willingness to take steps while simultaneously waiting for “instructions.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
Relinquish the notion of lost opportunity and try on a new reality: “Where I am is where I’m supposed to be.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
Stand up for yourself by not standing yourself up.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
Treasure yourself for being, not doing.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
Name the fears that are holding you back. It's the equivalent of flooding the boogeyman with light.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
Morir es tan solo una forma particularmente exacta de envejecer.
Alessandro Baricco (Mr Gwyn)
He was like the other half of myself,' says Boris...Ulrich says, 'You haven't lost {him}, you know. I don't know if it helps to say that. I lost a friend once myself, and I know how it goes. 'He'll find his way inside you, and you'll carry him onward. Behind your heartbeat, you'll hear another one, faint and out of step. People will say you are speaking his opinons, or your hair has turned like his. 'There are no more facts about him -- that part is over. Now is the time for essential things...Gradually you'll grow older than him, and love him as your son. 'You'll live astride the line that separates life from death. You'll become experienced in the wisdom of grief. You won't wait until people die to grieve for them; you'll give them their grief while they are still alive, for then judgment falls away, and there remains only the miracle of being.
Rana Dasgupta (Solo)
In una parola, ero troppo codardo per fare quello che sapevo essere giusto, così come ero stato troppo codardo per evitare di fare quello che sapevo sbagliato. A quel tempo, non avevo avuto nessuna esperienza del mondo e non imitavo nessuno dei suoi molti abitanti che agiscono in questo modo. Genio assolutamente naturale, scoprii questa linea di condotta tutto da solo.
Charles Dickens (Great Expectations)
The further I go on in life, the more convinced I am that every Christian is a struggling Christian, dependent on help from brothers and sisters who know their needs and vulnerabilities. Lungs don’t work without hearts, or legs without feet. We’re simply not designed for solo flight.
Rebecca McLaughlin (Confronting Christianity: 12 Hard Questions for the World's Largest Religion)
So I had made a decision which carried with it things that I could not articulate at the time. I had made the choice instinctively, and only later had given it meaning. The trip had never been billed in my mind as an adventure in the sense of something to be proved. And it struck me then that the most difficult things has been the decision to act, the rest had been merely tenacity -- and the fears were paper tigers. One really could do anything one had decided to do whether it were changing a job, moving to a new place, divorcing a husband or whatever,m one really cold act to change and control one's life;and the procedure, the process, was its own reward.
Robyn Davidson (Tracks: A Woman's Solo Trek Across 1700 Miles of Australian Outback)
—A veces, Clark, tú eres la única razón que tengo para levantarme por las mañanas. —Entonces, vamos a alguna parte. —Las palabras salieron de mi boca antes incluso de que supieraque iba a pronunciarlas. —¿Qué? —Vamos a alguna parte. Una semana, solo para divertirnos. Tú y yo. Ni uno solo de estos... Will esperó. —¿Imbéciles? —... imbéciles. Di que sí, Will. Vamos.
Jojo Moyes (Me Before You (Me Before You, #1))
Whether you are surrounded by the singing of a lamp or the sounds of a storm, by the breathing of the evening or the sighing of the sea, there is a vast melody woven of a thousand voices that never leaves you and only occasionally leaves room for your solo. (Letters on Life)
Rainer Maria Rilke
You haven't lost Iraki, you know. I don't know if it helps to say that. I lost a friend once myself, and I know how it goes. 'He'll find his way inside you, and you'll carry him onward. Behind your heartbeat, you'll hear another one, faint and out of step. People will say you are speaking his opinions, or your hair has turned like his. 'There are no more facts about him, that part is over. Now is the time for essential things. You'll see visions of him wherever you go. You'll see his eyes so moist, his intentions so blinding, you'll think he is more alive than you. You will look around and wonder if it was you who died. 'Gradually you'll grow older than him, and love him as your son. 'In the future, you'll live astride the line separating life from death. You'll become experienced in the wisdom of grief. You won't wait until people die to grieve for them. You'll give them their grief while they are still alive, for then judgement falls away, and there remains only the miracle of being.'
Rana Dasgupta (Solo)
—Eso es todo. Ese día mi abuelo me explicó que nosotros somos distintos de los animales, que solo hacen lo que su naturaleza les dicta. En cambio, nosotros somos libres. Es el mayor don que hemos recibido. Gracias a la libertad podemos convertirnos en algo distinto de lo que somos. La libertad nos permite soñar y los sueños son la sangre de nuestra vida, aunque a veces cuestan algún azote y un largo viaje. «Jamás renuncies a tus sueños. Nunca tengas miedo de soñar, por mucho que los demás se rían de ti», eso me dijo mi abuelo, «pues si lo haces renunciarías a ser tú mismo». Aún recuerdo los ojos brillantes con que subrayó sus palabras.
Alessandro D'Avenia (Blanca como la nieve, roja como la sangre)
I hope he invites me to walk with him, or at least share some local gossip. My heart is singing . . . but no duet. Duets and collaborations. All of nature longs for harmony. Girls are no different. Men need to realize, life is not a solo act. Unity is a potent force, but men don't always see the importance of unifying with a good woman. Find the right woman and watch a man's world transform into a modern-day Paradise. All I'm asking for is a little noticing and a chat or two.
Michael Ben Zehabe (Persianality)
—¿Dios? ¿Dios? Te he oído hablar de muchos dioses. Si te refieres a Mitra... —Mitra, Apolo, Arturo, Cristo, llámalo como quieras —dije—. ¿Qué importa el nombre que le den los hombres? Es la misma luz, y los hombres deben vivir con esta luz o morir. Yo sólo sé que Dios es la fuente de toda la luz que ilumina la tierra y que su designio está en todo el mundo y pasa por cada hombre como un gran río que no podemos detener ni desviar; solo podemos beber de él mientras vivimos y encomendar nuestros cuerpos en él cuando morimos.
Mary Stewart (The Crystal Cave (Arthurian Saga, #1))
«Perché quella piccola voce ostinata nella nostra testa ci tormenta così?» disse , guardandoci. «Forse perché ci ricorda che siamo vivi, che siamo mortali, che abbiamo anime autonome - che, dopotutto, siamo troppo pavidi per cedere, ma che pure ci procurano un grave malessere? È una cosa terribile imparare da bambini che si è un essere separato dal resto del mondo, che niente e nessuno soffre i nostri medesimi solori di scottature alla lingua o di sbucciature alle ginocchia: che ognuno è solo con i propri acciacchi e le proprie pene, Ancor più terribile, invecchiando, scoprire che nessuna persona - non importa quanto vicina - potrà mai capirci davvero. I nostri io sono ciò che ci rende più infelici, ed è per questo che bramiamo perderli, non credere?»
Donna Tartt (The Secret History)
He can hum the music in his old man's quivering voice, but he prefers it in his head, where it lives on in violins and reedy winds. If he imagines it in rehearsal he can remember every step of his three-minute solo as if he had danced it only yesterday, but he knows, too, that one time, onstage in Berlin, he had not danced it as he had learned it; this much he knows but cannot recreate, could no recreate it even a moment after he had finished dancing it. While dancing he had felt blind to the stage and audience, deaf to the music. He had let his body do what it needed to do, free to expand and contract in space, to soar and spin. So, accordingly, when he tries to remember the way he danced it on stage, he cannot hear the music or feel his feet or get a sense of the audience. He is embryonic, momentarily cut off from the world around him. The three most important minutes of his life, the ones that determined his fate and future, are the three to which he cannot gain access, ever.
Evan Fallenberg (When We Danced on Water)
The world is full of books, movies and stories about how the loss of a loved one, or a change in fortune, or a severe illness or another tragedy of such magnitude catapulted someone to reset their lives and chase long-forgotten dreams. I’m thinking of Cheryl Strayed, who hiked the Pacific Crest Trail solo after the unexpected and heartbreaking death of her mother, and Elizabeth Gilbert, who embarked on a year-long journey around the world after a painful divorce and depression. I admire their grit to pick themselves up and do something extraordinary in the face of tragedy. But what about the tragedy of a mundane, average, unfulfilling life?
Shivya Nath (The Shooting Star: A Girl, Her Backpack and the World)
Despues pinto un poco. Hay tranquilidad y silencio en estos dias y aprovecho que puedo concentrarme. La soledad. Quizas uno escribe y pinta no solo para crear un espacio de libertad alrededor, sino tambien para sentirse acompaNado. No exactamente para romper la soledad. No se trata de eso. La soledad siempre estA ahI. La siento, la toco, hablo con ella. Forma parte de mi vida. La soledad es inevitable. Y ayuda. Me concentro mas. Soy mas yo cuando convivimos bien apretaditos: la soledad y yo. Nos adoramos. No podria vivi sin la soledad. my translation: Later I paint a little bit. There's tranquility and silence in these days and I benefit from being able to concentrate. Loneliness. Maybe one writes and paints not only to create a space of freedom, but rather also to feel accompanied. Not exactly to break loneliness. It's not about that. Loneliness is always there. I feel it. I touch it. I talk with it. It forms part of my life. Loneliness is inevitable. And it helps. I concentrate more. I'm more me when we live pushed together: loneliness and me. We worship each other. I couldn't live with out loneliness.
Pedro Juan Gutiérrez (Animal tropical)
...the most important aspects of someone’s life are the very things not listed in an index.' There were never entries for “memory,” or 'regrets,' or even 'love,' in the lowercase. It was always 'Education (post-secondary)' or 'Awards (see also: Best Debut R&B Country CD by a Female Artist, Solo).' Indexes never seemed to get to the heart of the matter. There was never a heading for hope or fear. Or dreams, recalled. Smiles, remem­ bered. Anger. Beauty. Or even images that lingered, glimpses of something that had made an impression. A doorway. A window. A reflection on glass. The smell of rain. Never any of that. Just a tally of proper nouns and famous names. And why only one life? Why not the web of other lives that define us? What of their indexes, their moments?
Will Ferguson (419)
Someone said that living life is like playing a violin solo in public and learning to play the instrument as we go along. This saying describes the experience very well, but no one should worry about that. We are in this world for exactly that purpose—to learn. While we are learning we do not expect to produce a perfect work. On this plane we are all students, and what matters is that each year we shall find the quality of our workmanship definitely better. People are sometimes depressed because their lives do not present a simple, logical, harmonious unfoldment, because their histories seem to be full of inconsistencies, repetitions, dead ends. This, however, is only to be expected during the learning period. Your life has not been rehearsed. It is an adventure, and a discovery, and a training, and it is the final goal that matters.
Emmet Fox (Around the Year with Emmet Fox: A Book of Daily Readings)
Solo For Ear-Trumpet The carriage brushes through the bright Leaves (violent jets from life to light); Strong polished speed is plunging, heaves Between the showers of bright hot leaves The window-glasses glaze our faces And jar them to the very basis — But they could never put a polish Upon my manners or abolish My most distinct disinclination For calling on a rich relation! In her house — (bulwark built between The life man lives and visions seen) — The sunlight hiccups white as chalk, Grown drunk with emptiness of talk, And silence hisses like a snake — Invertebrate and rattling ache…. Then suddenly Eternity Drowns all the houses like a sea And down the street the Trump of Doom Blares madly — shakes the drawing-room Where raw-edged shadows sting forlorn As dank dark nettles. Down the horn Of her ear-trumpet I convey The news that 'It is Judgment Day!' 'Speak louder: I don't catch, my dear.' I roared: 'It is the Trump we hear!' 'The What?' 'THE TRUMP!' 'I shall complain! …. the boy-scouts practising again.
Edith Sitwell
Bisognerebbe saper attendere, raccogliere, per una vita intera e possibilmente lunga, senso e dolcezza, e poi, proprio alla fine, si potrebbero forse scrivere dieci righe valide. Perché i versi non sono, come crede la gente, sentimenti (che si acquistano precocemente), sono esperienze. Per scrivere un verso bisogna vedere molte città, uomini e cose, bisogna conoscere gli animali, bisogna capire il volo degli uccelli e comprendere il gesto con cui i piccoli fiori si aprono al mattino. Bisogna saper ripensare a itinerari in regioni sconosciute, a incontri inaspettati e congedi previsti da tempo, a giorni dell'infanzia ancora indecifrati, ai genitori che eravamo costretti a ferire quando portavano una gioia e non la comprendevamo (era una gioia per qualcun altro), a malattie infantili che cominciavano in modo così strano con tante profonde e grevi trasformazioni, a giorni in stanze silenziose e raccolte e a mattine sul mare, al mare sopratutto, a mari, a notti di viaggio che passavano con un alto fruscio e volavano assieme alle stelle - e ancora non è sufficiente poter pensare a tutto questo. Bisogna avere ricordi di molte notti d'amore, nessuna uguale all'altra, di grida di partorienti e di lievi, bianche puerpere addormentate che si rimarginano. Ma bisogna anche essere stati accanto ad agonizzanti, bisogna essere rimasti vicino ai morti nella stanza con la finestra aperta e i rumori intermittenti. E non basta ancora avere ricordi. Bisogna saperli dimenticare, quando sono troppi, e avere la grande pazienza di attendere che ritornino. Perché i ricordi in sé ancora non sono. Solo quando diventano sangue in noi, sguardo e gesto, anonimi e non più distinguibili da noi stessi, soltanto allora può accadere che in un momento eccezionale si levi dal loro centro e sgorghi la prima parola di un verso.
Rainer Maria Rilke (The Notebooks of Malte Laurids Brigge)
I'll tell you what I miss. I miss that throbbing heart telling me to take a leap when the sky looks too dark. I miss the walk that I took in the narrow cobblestoned pathways that fumed of history and undying stories of love and loss. I miss the coffee that scented like mist in a frozen dream in a land of strange beauty. I miss the afternoon tea that followed my pen to hours of happy melancholy. I miss the muse I saw dance in a foreign land of near heart. I miss the stranger smiling at me from a corner and teaching me his language to smile at my twinkled happiness. I miss that symphony of mad evenings ending in a sky full of stars to fill my soul with an unknown ecstasy. I miss that hand of an old woman trying to tell me her story. I miss that child running up to me in a crowd of unknown faces to hand me her candy. I miss that night where I lay back on a distant balcony gazing at the solitary moon for hours knowing that it is shining at my homeland just as bright. I miss that stranger listening to my heart and telling me how beautiful it is. I miss a wandering soul, who went on filling her breath with life of eternal love in the wings of Life. And I'll tell you now when I look back I see how wonderful Time has treated me and how grateful I am to have lived in moments that roar of a beautiful Life lived with a heart throbbing to take a leap once again in that ocean of Life's beguiling journey.
Debatrayee Banerjee
If only I could cry. I am beyond that. The light, the light, lending itself to empty downtown Saturday, but still the stupid insensate cars flush by oblivious to their stupidity, my silent plea. It isn't Mexico. It's not Paris. It's a painting by Hopper come to life. I am trapped inside a dead thing. Language is impossible here, even in English. Who has the arrogance to say: I'm mad, this is my crazy view of things, help me. I'm trapped in a silent world, a tableau of forty years ago. The walls are different, the tables, the heights of the veiling and the chairs. I loom above this letter. The view past the rows of cakes in the plate glass window is unfamiliar. I am a ghost. There is nothing now between me and death. Death is the unfamiliarity of everything, the strangeness of the once familiar. The same spatial configurations only the light is hollow, sick. I think I lack the energy to hit expensive discos which I don't know where they are to be rejected tonight. I look passable. My energy's low. I love to dance but despair is not a good muse. This Mexico, babe. Men who don't love you but act wildly as if they do initially. Self-involved, narcissistic men... The men drink and philosophize about pain. The women live it solo and culturelessly. No one cries, except easily, sentimentally. The devil, therefore God, exists. Oaxaca was a pushover compared to this. Pain had boundaries there. Spare us big cities, oh lord!
Maryse Holder (Give Sorrow Words: Maryse Holder's Letters From Mexico)
Al final la vida nos da la oportunidad de mirarnos en el espejo y vernos de verdad. Sucede pocas veces. En algunos casos se trata de situaciones grandilocuentes en las que uno supera la adversidad. Otras, solamente nos vemos, como me vi yo en aquel momento. Era una persona fuerte; mis padres me habían educado para serlo. «Sé independiente», «sé tú misma». Y lo era, con las cosas buenas y las cosas malas, pero incluso en las malas había aprendido. El último año me había servido para quitarme del todo ese cascarón que me impedía llegar a ser quien realmente soy. Ni mejor ni peor. Menos autoexigente porque, ¿qué problema había en no ser perfecta? Nadie puede serlo y correr detrás de ese objetivo la hace a una sumamente infeliz. A pesar de ello, me empeñaba en verme a mí misma a través de un cristal distorsionado, porque creo que era mucho más fácil creerme a pies juntillas que necesitaba desesperadamente ciertas cosas para regir mi vida que ver que a nuestro alrededor (por norma general) solo tenemos lo que elegimos. Y hay que elegir siempre por uno mismo.
Elísabet Benavent (Alguien como yo (Mi elección #3))
I skipped between the dancers, twirling my skirts. The seated, masked musicians didn’t look up at me as I leaped before them, dancing in place. No chains, no boundaries—just me and the music, dancing and dancing. I wasn’t faerie, but I was a part of this earth, and the earth was a part of me, and I would be content to dance upon it for the rest of my life. One of the musicians looked up from his fiddling, and I halted. Sweat gleamed on the strong column of his neck as he rested his chin upon the dark wood of the fiddle. He’d rolled up the sleeves of his shirt, revealing the cords of muscle along his forearms. He had once mentioned that he would have liked to be a traveling minstrel if not a warrior or a High Lord—now, hearing him play, I knew he could have made a fortune from it. “I’m sorry, Tam,” Lucien panted, appearing from nowhere. “I left her alone for a little at one of the food tables, and when I caught up to her, she was drinking the wine, and—” Tamlin didn’t pause in his playing. His golden hair damp with sweat, he looked marvelously handsome—even though I couldn’t see most of his face. He gave me a feral smile as I began to dance in place before him. “I’ll look after her,” Tamlin murmured above the music, and I glowed, my dancing becoming faster. “Go enjoy yourself.” Lucien fled. I shouted over the music, “I don’t need a keeper!” I wanted to spin and spin and spin. “No, you don’t,” Tamlin said, never once stumbling over his playing. How his bow did dance upon the strings, his fingers sturdy and strong, no signs of those claws that I had come to stop fearing … “Dance, Feyre,” he whispered. So I did. I was loosened, a top whirling around and around, and I didn’t know who I danced with or what they looked like, only that I had become the music and the fire and the night, and there was nothing that could slow me down. Through it all, Tamlin and his musicians played such joyous music that I didn’t think the world could contain it all. I sashayed over to him, my faerie lord, my protector and warrior, my friend, and danced before him. He grinned at me, and I didn’t break my dancing as he rose from his seat and knelt before me in the grass, offering up a solo on his fiddle to me.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
(This is from a tribute poem to Ronnie James Dio: Former lead vocalist of the band Rainbow, Black Sabbath. This is written with all the titles of the hit songs of DIO. The titles are all in upper case) You can “CATCH THE RAINBOW” – “A RAINBOW IN THE DARK” Through “ROCK & ROLL CHILDREN” “HOLY DIVER” will lurk “BEFORE THE FALL” of “ELECTRA” “ALL THE FOOLS SAILED AWAY” “JESUS,MARY AND THE HOLY GHOST”- “LORD OF THE LAST DAY” “MASTER OF THE MOON” you are When my “ONE FOOT IN THE GRAVE” With our “BLACK”, “COLD FEET”, “MYSTERY” of “PAIN” you crave You’re “CAUGHT IN THE MIDDLE”, “BETWEEN TWO HEARTS” When “HUNGRY FOR HEAVEN” “HUNTER OF THE HEART” hurts “FALLEN ANGELS” “FEED MY HEART” “FEVER DREAMS” “FEED MY HEAD” “I AM” “ANOTHER LIE” “AFTER ALL (THE DEAD)” Not “GUILTY” if you “HIDE IN THE RAINBOW’’ With your perfect “GUITAR SOLO” “DON’T TELL THE KIDS” to “DREAM EVIL” Don’t “GIVE HER THE GUN” to follow “DON’T TALK TO STRANGERS” Those “EVIL EYES” can see “LORD OF THE NIGHT” “MISTREATED”; “MY EYES” hate to fancy “SHAME ON THE NIGHT” “TURN UP THE NIGHT” Now it’s “TIME TO BURN” “TWISTED” “VOODOO” does “WALK ON WATER” And today its our turn “BLOOD FROM A STONE” “BORN ON THE SUN” I’m “BETTER IN THE DARK” “BREATHLESS” The “PRISONER OF PARADISE” you are! Forever you are deathless “SACRED HEART” “SHIVERS” Laying “NAKED IN THE RAIN” “THIS IS YOUR LIFE”- “ WILD ONE”! Your “GOLDEN RULES” we gain “IN DREAMS” “I SPEED AT NIGHT” I’m “LOSING MY INSANITY” “ANOTHER LIE”: “COMPUTER GOD” Your “HEAVEN AND HELL”- my vanity! By “KILLING THE DRAGON” “I COULD HAVE BEEN A DREAMER” I’m “THE LAST IN LINE” To “SCREAM” Like an “INVISIBLE” screamer Now that you are gone “THE END OF THE WORLD” is here “STRAIGHT THROUGH THE HEART” “PUSH” “JUST ANOTHER DAY” in fear “CHILDREN OF THE SEA” “ DYING IN AMERICA” Is it “DEATH BY LOVE”? “FACES IN THE WINDOW” looking for A “GYPSY” from above Dear “STARGAZER” from “STRANGE HIGHWAYS” Our love “HERE’S TO YOU” “WE ROCK” “ONE MORE FOR THE ROAD” The “OTHER WORLD” anew “ONE NIGHT IN THE CITY” with “NEON KNIGHTS” “THE EYES” “STAY OUT OF MY MIND” The “STARSTRUCK” “SUNSET SUPERMAN” Is what we long to find “THE MAN WHO WOULD BE KING” Is the “INSTITUTIONAL MAN” “SHOOT SHOOT” to “TURN TO STONE” “WHEN A WOMAN CRIES” to plan To “STAND UP AND SHOUT” before “ THE KING OF ROCK AND ROLL” Though “GOD HATES HEAVY METAL” “EAT YOUR HEART OUT” to reach the goal. From the poem- Holy Dio: the Diver (A tribute to Ronnie James Dio)
Munia Khan
Then it was horn time. Time for the big solo. Sonny lifted the trumpet - One! Two! - He got it into sight - Three! We all stopped dead. I mean we stopped. That wasn't Sonny's horn. This one was dented-in and beat-up and the tip-end was nicked. It didn't shine, not a bit. Lux leaned over-you could have fit a coffee cup into his mouth. "Jesus God," he said. "Am I seeing right?" I looked close and said: "Man, I hope not." But why kid? We'd seen that trumpet a million times. It was Spoof's. Rose-Ann was trembling. Just like me, she remembered how we'd buried the horn with Spoof. And she remembered how quiet it had been in Sonny's room last night... I started to think real hophead thoughts, like - where did Sonny get hold of a shovel that late? and how could he expect a horn to play that's been under the ground for two years? and - That blast got into our ears like long knives. Spoof's own trademark! Sonny looked caught, like he didn't know what to do at first, like he was hypnotized, scared, almighty scared. But as the sound came out, rolling out, sharp and clean and clear - new-trumpet sound - his expression changed. His eyes changed: they danced a little and opened wide. Then he closed them, and blew that horn. Lord God of the Fishes, how he blew it! How he loved it and caressed it and pushed it up, higher and higher and higher. High C? Bottom of the barrel. He took off, and he walked all over the rules and stamped them flat. The melody got lost, first off. Everything got lost, then, while that horn flew. It wasn't only jazz; it was the heart of jazz, and the insides, pulled out with the roots and held up for everybody to see; it was blues that told the story of all the lonely cats and all the ugly whores who ever lived, blues that spoke up for the loser lamping sunshine out of iron-gray bars and every hop head hooked and gone, for the bindlestiffs and the city slicers, for the country boys in Georgia shacks and the High Yellow hipsters in Chicago slums and the bootblacks on the corners and the fruits in New Orleans, a blues that spoke for all the lonely, sad and anxious downers who could never speak themselves... And then, when it had said all this, it stopped and there was a quiet so quiet that Sonny could have shouted: 'It's okay, Spoof. It's all right now. You get it said, all of it - I'll help you. God, Spoof, you showed me how, you planned it - I'll do my best!' And he laid back his head and fastened the horn and pulled in air and blew some more. Not sad, now, not blues - but not anything else you could call by a name. Except... jazz. It was Jazz. Hate blew out of that horn, then. Hate and fury and mad and fight, like screams and snarls, like little razors shooting at you, millions of them, cutting, cutting deep... And Sonny only stopping to wipe his lip and whisper in the silent room full of people: 'You're saying it, Spoof! You are!' God Almighty Himself must have heard that trumpet, then; slapping and hitting and hurting with notes that don't exist and never existed. Man! Life took a real beating! Life got groined and sliced and belly-punched and the horn, it didn't stop until everything had all spilled out, every bit of the hate and mad that's built up in a man's heart. ("Black Country")
Charles Beaumont (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)