Solitary Road Quotes

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If any of [my stories] succeed in causing their readers to feel pleasantly uncomfortable when walking along a solitary road at nightfall, or sitting over a dying fire in the small hours, my purpose in writing them will have been attained.
M.R. James
Genuine love not only respects the individuality of the other but actually cultivates it, even at the risk of separation or loss. The ultimate goal of life remains the spiritual growth of the individual, the solitary journey to peaks that can be climbed only alone.
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
He walked on in silence, the solitary sound of his footsteps echoing in his head, as in a deserted street, at dawn. His solitude was so complete, beneath a lovely sky as mellow and serene as a good conscience, amid that busy throng, that he was amazed at his own existence; he must be somebody else's nightmare, and whoever it was would certainly awaken soon.
Jean-Paul Sartre (The Age of Reason (Roads to Freedom, #1))
I was free with every road as my home. No limitations and no commitments. But then summer passed and winter came and I fell short for safety. I fell for its spell, slowly humming me to sleep, because I was tired and small, too weak to take or handle those opinions and views, attacking me from every angle. Against my art, against my self, against my very way of living. I collected my thoughts, my few possessions and built isolated walls around my values and character. I protected my own definition of beauty and success like a treasure at the bottom of the sea, for no one saw what I saw, or felt the same as I did, and so I wanted to keep to myself. You hide to protect yourself.
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
In the morning they came up out of the ravine and took to the road again. He'd carved the boy a flute from a piece of roadside cane and he took it from his coat and gave it to him. The boy took it wordlessly. After a while he fell back and after a while the man could hear him playing. A formless music for the age to come. Or perhaps the last music on earth called up from out of the ashes of its ruin. The man turned and looked back at him. He was lost in concentration. The man thought he seemed some sad and solitary changeling child announcing the arrival of a traveling spectacle in shire and village who does not know that behind him the players have all been carried off by wolves.
Cormac McCarthy (The Road)
A man who seeks only the light, while shirking his responsibilities, will never find illumination. And one who keep his eyes fixed upon the sun ends up blind..." "It doesn't matter what others think -because that's what they will think, in any case. So, relax. Let the universe move about. Discover the joy of surprising yourself." "The master says: “Make use of every blessing that God gave you today. A blessing cannot be saved. There is no bank where we can deposit blessings received, to use them when we see fit. If you do not use them, they will be irretrievably lost. God knows that we are creative artists when it comes to our lives. On one day, he gives us clay for sculpting, on another, brushes and canvas, or a pen. But we can never use clay on our canvas, nor pens in sculpture. Each day has its own miracle. Accept the blessings, work, and create your minor works of art today. Tomorrow you will receive others.” “You are together because a forest is always stronger than a solitary tree,” the master answered. "The forest conserves humidity, resists the hurricane and helps the soil to be fertile. But what makes a tree strong is its roots. And the roots of a plant cannot help another plant to grow. To be joined together in the same purpose is to allow each person to grow in his own fashion, and that is the path of those who wish to commune with God.” “If you must cry, cry like a child. You were once a child, and one of the first things you learned in life was to cry, because crying is a part of life. Never forget that you are free, and that to show your emotions is not shameful. Scream, sob loudly, make as much noise as you like. Because that is how children cry, and they know the fastest way to put their hearts at ease. Have you ever noticed how children stop crying? They stop because something distracts them. Something calls them to the next adventure. Children stop crying very quickly. And that's how it will be for you. But only if you can cry as children do.” “If you are traveling the road of your dreams, be committed to it. Do not leave an open door to be used as an excuse such as, 'Well, this isn't exactly what I wanted. ' Therein are contained the seeds of defeat. “Walk your path. Even if your steps have to be uncertain, even if you know that you could be doing it better. If you accept your possibilities in the present, there is no doubt that you will improve in the future. But if you deny that you have limitations, you will never be rid of them. “Confront your path with courage, and don't be afraid of the criticism of others. And, above all, don't allow yourself to become paralyzed by self-criticism. “God will be with you on your sleepless nights, and will dry your tears with His love. God is for the valiant.” "Certain things in life simply have to be experienced -and never explained. Love is such a thing." "There is a moment in every day when it is difficult to see clearly: evening time. Light and darkness blend, and nothing is completely clear nor completely dark." "But it's not important what we think, or what we do or what we believe in: each of us will die one day. Better to do as the old Yaqui Indians did: regard death as an advisor. Always ask: 'Since I'm going to die, what should I be doing now?'” "When we follow our dreams, we may give the impression to others that we are miserable and unhappy. But what others think is not important. What is important is the joy in our heart.” “There is a work of art each of us was destined to create. That is the central point of our life, and -no matter how we try to deceive ourselves -we know how important it is to our happiness. Usually, that work of art is covered by years of fears, guilt and indecision. But, if we decide to remove those things that do not belong, if we have no doubt as to our capability, we are capable of going forward with the mission that is our destiny. That is the only way to live with honor.
Paulo Coelho (Maktub)
what sets wilderness apart in the modern day is not that it's dangerous (it's almost certainly safer than any town or road) or that it's solitary (you can, so they say, be alone in a crowded room) or full of exotic animals (there are more at the zoo). it's that five miles out in the woods you can't buy anything.
Bill McKibben (The Age of Missing Information)
On a pitch black, starless night, a solitary man was trudging along the main road from Marchiennes to Montsou, ten kilometres of cobblestones running straight as a die across the bare plain between fields of beet.
Émile Zola (Germinal)
The man thought he seemed some sad and solitary changeling child announcing the arrival of a traveling spectacle in shire and village who does not know that behind him the players have all been carried off by wolves.
Cormac McCarthy (The Road)
Lovers who only pursue the joys of visible flesh have never succeeded in becoming united, nor in loving each other. When they lie side by side in their beds, they are nevertheless far apart, separated by an impassable thread of air, by the sword of forgetfulness; because they will never dream the same dream. Each of them pursues his solitary road, without his companion. Only when lovers are capable of dreaming the same dream are they truly Lovers. When they love one another in their dreams.
Miguel Serrano (Nos Book of the Resurrection)
Writing is a strange and solitary activity. There are dispiriting times when you start working on the first few pages of a novel. Every day, you have the feeling you are on the wrong track. This creates a strong urge to go back and follow a different path. It is important not to give in to this urge, but to keep going. It is a little like driving a car at night, in winter, on ice, with zero visibility. You have no choice, you cannot go into reverse, you must keep going forward while telling yourself that all will be well when the road becomes more stable and the fog lifts.
Patrick Modiano
It was a fossilized path: the will which had cut this gash out of these solitary places so that the blood and sap would flow there was long since dead - and dead too were the circumstances which had guided this will. A whitish and indurated scar remained, gradually gnawed away by the earth like a flesh that heals itself, yet its direction was still vaguely cut into the horizon; a language and crepuscular sign rather than a way forward - a worn-out lifeline which still vegetated through the fallow land as it does on the palm of a hand. It was so old that, since it had been constructed, the very configuration of the land must have changed imperceptibly.
Julien Gracq
What?" I ask. I don't get anything about this day. Everything is just off. "Are you sure?" "Am I sure where I live? Yeah. Steeple Drive." "Your cabin is on this road?" "Is it just me, or is everything I'm saying slightly freaking you out?
Travis Thrasher (Solitary (Solitary Tales, #1))
[Sylvia Plath] was now far along a peculiarly solitary road on which not many would risk following her. So it was important for her to know that her messages were coming back clear and strong. Yet not even her determinedly bright self-reliance could disguise the loneliness that came from her almost palpably, like a heat haze. She asked for neither sympathy nor help but, like bereaved widow at a wake, she simply wanted company in her mourning.
Al Álvarez (The Savage God: A Study of Suicide)
At the farther edge of the town they came upon a solitary house in a field and they crossed and entered and walked through the rooms. They came upon themselves in a mirror and he almost raised the pistol. It's us, Papa, the boy whispered. It's us.
Cormac McCarthy (The Road)
We pass and leave you lying. No need for rhetoric, for funeral music, for melancholy bugle-calls. No need for tears now, no need for regret. We took our risk with you; you died and we live. We take your noble gift, salute for the last time those lines of pitiable crosses, those solitary mounds, those unknown graves, and turn to live our lives out as we may. Which of us were fortunate--who can tell? For you there is silence and cold twilight drooping in awful desolation over those motionless lands. For us sunlight and the sound of women's voices, song and hope and laughter, despair, gaiety, love--life. Lost terrible silent comrades, we, who might have died, salute you.
Richard Aldington (Roads to Glory (Arts and Literature Series))
Greenlight. dirt roads and autobahns The road less traveled may not be a dirt road; for some, it may be the autobahn. Robert Frost was right, taking the road less traveled can make all the difference. But that road isn’t necessarily the road with the least traffic. It may be the road that we, personally, have traveled less. The introvert may need to get out of the house, engage with the world, get public. The extrovert may need to stay home and read a book. Sometimes we need to get out there, sometimes we need to get in there. Some days our road less traveled is a solitary dirt trail. On others it’s the subway on the 7 line.
Matthew McConaughey (Greenlights)
Great marriages cannot be constructed by individuals who are terrified by their basic aloneness, as so commonly is the case, and seek a merging in marriage. Genuine love not only respects the individuality of the other but actually seeks to cultivate it, even at the risk of separation or loss. The ultimate goal of life remains the spiritual growth of the individual, the solitary journey to peaks that can be climbed only alone.
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
What did it matter, since it was unreality, all of it, the pain and desire, the beginning and the end? There was no reality except this solitary road, this quite solitary road, along which on went rather puzzled, rather tired...
H.G. Wells
I am a lonely figure when I run the roads. People wonder how far I have come, how far I have to go. They see me alone and friendless on a journey that has no visible beginning or end. I appear isolated and vulnerable, a homeless creature. It is all they can do to keep from stopping the car and asking if they can take me wherever I'm going. I know this because I feel it myself. When I see the runner I have much the same thoughts. No matter how often I run the roads myself, I am struck by how solitary my fellow runner appears. The sight of a runner at dusk or in inclement weather makes me glad to be safe and warm in my car and headed for home. And at those times, I wonder how I can go out there myself, how I can leave the comfort and warmth and that feeling of intimacy and belonging, to do this distracted thing. But when finally I am there, I realise it is not comfort and warmth I am leaving, not intimacy and belonging I am giving up, but the loneliness that pursues me this day and every day. I know that the real loneliness, the real isolation, the real vulnerability, begins long before I put on my running shoes.
George Sheehan
writing, which is solitary, is fine company for organizing, which is communal. It just took me a while to discover that both can happen wherever you are.
Gloria Steinem (My Life on the Road)
Looking down the road that runs along the bluff, I spy a solitary figure in the rain. The Turning Angel.
Greg Iles (Turning Angel (Penn Cage #2))
There are such moments in a life. Solitary seconds on which the reality of what life means pivots and turns from a dead end toward a road of untrodden grass that stretches on forever.
Jonathan Maberry (Fire & Ash (Rot & Ruin, #4))
Wake up O dear, Into the glory of another morn, The night has ended, darkness has shredded. Bathed in the delight of heavenly shower, The earth is decked by sparkling dews. Fly high upon the celestial spheres, for The skies are clear, horizons boundless Devoid of the clouds of deadly grief. March ahead O dearest life, Towards the road that appears endless Follow the paces of invisible time - Until its dusk, yet another night!
Preeth Padmanabhan Nambiar (The Solitary Shores)
The old woman sits on a bench before the door and quarrels With her meagre pale demoralized daughter. Once when I passed I found her alone, laughing in the sun And saying that when she was first married She lived in the old farmhouse up Garapatas Canyon. (It is empty now, the roof has fallen But the log walls hang on the stone foundation; the redwoods Have all been cut down, the oaks are standing; The place is now more solitary than ever before.) "When I was nursing my second baby My husband found a day-old fawn hid in a fern-brake And brought it; I put its mouth to the breast Rather than let it starve, I had milk enough for three babies. Hey how it sucked, the little nuzzler, Digging its little hoofs like quills into my stomach. I had more joy from that than from the others." Her face is deformed with age, furrowed like a bad road With market-wagons, mean cares and decay. She is thrown up to the surface of things, a cell of dry skin Soon to be shed from the earth's old eye-brows, I see that once in her spring she lived in the streaming arteries, The stir of the world, the music of the mountain.
Robinson Jeffers (The Selected Poetry)
Ideas are goddesses who deign at times to make themselves visible to a solitary mortal, at a turning in the road, even in his bedroom while he sleeps, when they, standing framed in the doorway, bring him the annunciation of their tidings.
Marcel Proust (In Search of Lost Time [volumes 1 to 7])
I felt deeply in my heart both the sorrow of one that goes and the grief of one that remains, just as a solitary bird separated from his flock in dark clouds, and wrote in answer: From this day forth, alas, The dew-drops shall wash away The letters on my hat Saying 'A party of two'.
Matsuo Bashō (The Narrow Road to the Deep North and Other Travel Sketches)
About six in the evening I came out of the moorland to a white ribbon of road which wound up the narrow vale of a lowland stream. As I followed it, fields gave place to bent, the glen became a plateau, and presently I had reached a kind of pass where a solitary house smoked in the twilight. The road swung over a bridge, and leaning on the parapet was a young man. He was smoking a long clay pipe and studying the water with spectacled eyes. In his left hand was a small book with a finger marking the place. Slowly he repeated— As when a Gryphon through the wilderness With winged step, o'er hill and moory dale Pursues the Arimaspian. He jumped round as my step rung on the keystone, and I saw a pleasant sunburnt boyish face. 'Good evening to you,' he said gravely. 'It's a fine night for the road.' The smell of peat smoke and of some savoury roast floated to me from the house.
John Buchan (The Thirty Nine Steps)
There were some places, and streets, where he did not venture since he had learnt that others had claims there greater than his own - not the gangs of meths drinkers who lived in no place and no time, nor the growing number of the young who moved on restlessly across the face of the city, but vagrants like himself who, despite the name which the world has given them, had ceased to wander and now associated themselves with one territory or 'province' rather than another. All of them led solitary lives, hardly moving from their own warren of streets and buildings: it is not known whether they chose the area, or whether the area itself had callen them and taken them in, but they had become the guardian spirits (as it were) of each place. Ned now knew some of their names: Watercress Joe, who haunted the streets by St Mary Woolnoth, Black Sam who lived and slept beside the Commercial Road between Whitechapel and Limehouse, Harry the Goblin who was seen only by Spitalfields and Artillery Lane, Mad Frank who walked continually through the streets of Bloomsbury, Italian Audrey who was always to be found in the dockside area of Wapping (it was she who had visited Ned in his shelter many years before), and 'Alligator' who never moved from Greenwich.
Peter Ackroyd (Hawksmoor)
7. Character is built in the course of your inner confrontation. Character is a set of dispositions, desires, and habits that are slowly engraved during the struggle against your own weakness. You become more disciplined, considerate, and loving through a thousand small acts of self-control, sharing, service, friendship, and refined enjoyment. If you make disciplined, caring choices, you are slowly engraving certain tendencies into your mind. You are making it more likely that you will desire the right things and execute the right actions. If you make selfish, cruel, or disorganized choices, then you are slowly turning this core thing inside yourself into something that is degraded, inconstant, or fragmented. You can do harm to this core thing with nothing more than ignoble thoughts, even if you are not harming anyone else. You can elevate this core thing with an act of restraint nobody sees. If you don’t develop a coherent character in this way, life will fall to pieces sooner or later. You will become a slave to your passions. But if you do behave with habitual self-discipline, you will become constant and dependable. 8. The things that lead us astray are short term—lust, fear, vanity, gluttony. The things we call character endure over the long term—courage, honesty, humility. People with character are capable of a long obedience in the same direction, of staying attached to people and causes and callings consistently through thick and thin. People with character also have scope. They are not infinitely flexible, free-floating, and solitary. They are anchored by permanent attachments to important things. In the realm of the intellect, they have a set of permanent convictions about fundamental truths. In the realm of emotion, they are enmeshed in a web of unconditional loves. In the realm of action, they have a permanent commitment to tasks that cannot be completed in a single lifetime.
David Brooks (The Road to Character)
As for the other experiences, the solitary ones, which people go through alone, in their bedrooms, in their offices, walking the fields and the streets of London, he had them; had left home, a mere boy, because of his mother; she lied; because he came down to tea for the fiftieth time with his hands unwashed; because he could see no future for a poet in Stroud; and so, making a confidant of his little sister, had gone to London leaving an absurd note behind him, such as great men have written, and the world has read later when the story of their struggles has become famous. London has swallowed up many millions of young men called Smith; thought nothing of fantastic Christian names like Septimus with which their parents have thought to distinguish them. Lodging off the Euston Road, there were experiences, again experiences, such as change a face in two years from a pink innocent oval to a face lean, contracted, hostile. But of all this what could the most observant of friends have said except what a gardener says when he opens the conservatory door in the morning and finds a new blossom on his plant: — It has flowered; flowered from vanity, ambition, idealism, passion, loneliness, courage, laziness, the usual seeds, which all muddled up (in a room off the Euston Road), made him shy, and stammering, made him anxious to improve himself, made him fall in love with Miss Isabel Pole, lecturing in the Waterloo Road upon Shakespeare. Was he not like Keats? she asked; and reflected how she might give him a taste of Antony and Cleopatra and the rest; lent him books; wrote him scraps of letters; and lit in him
Virginia Woolf (Complete Works of Virginia Woolf)
Although she was a recluse, she was not entirely apart from the world. She lived sealed in a cottage joined to the church in the city of Norwich. The modern fiction is that an anchorite was walled into a tiny church alcove with barely room for a prie-dieu and hard bed. Julian would probably have had a suite of rooms as well as a walled garden. Solitaries were even allowed to have cattle and property. They also had guests. The life was simple with much time devoted to prayer and contemplation, but it was not the cruel torture we might imagine. A main road passed right outside her house and Julian gave spiritual direction and advice to the many people who sought her out. One of these was Margery Kempe, who while certainly not of Julian’s sanctity, has entered history for writing the first biography of women in English. Nor was Julian entirely alone within her cottage. She would have had a maid (we know the names of two of them). And she may have had pets.
Julian of Norwich (All Will Be Well: 30 Days with Julian of Norwich (Great Spiritual Teachers))
There are also natural gifts of an on-the-road life. For instance, witnessing the northern lights in Colorado, or walking under a New Mexico moon bright enough to reveal the lines in my palm, or hearing the story of a solitary elephant in a Los Angelas zoo reunited with an elephant friend of many ears before, or finding myself snowed into Chicago with a fireplace, a friend and a reason to cancel everything. More reliably than anything else on earth, the road will force you to live in the present.
Gloria Steinem (My Life on the Road)
September 10, 1965 Dear Francesca, Enclosed are two photographs. One is the shot I took of you in the pasture at sunrise. I hope you like it as much as I do. The other is of Roseman Bridge before I removed your note tacked to it. I sit here trolling the gray areas of my mind for every detail, every moment, of our time together. I ask myself over and over, “What happened to me in Madison County, Iowa?” And I struggle to bring it together. That’s why I wrote the little piece, “Falling from Dimension Z,” I have enclosed, as a way of trying to sift through my confusion. I look down the barrel of a lens, and you’re at the end of it. I begin work on an article, and I’m writing about you. I’m not even sure how I got back here from Iowa. Somehow the old truck brought me home, yet I barely remember the miles going by. A few weeks ago, I felt self-contained, reasonably content. Maybe not profoundly happy, maybe a little lonely, but at least content. All of that has changed. It’s clear to me now that I have been moving toward you and you toward me for a long time. Though neither of us was aware of the other before we met, there was a kind of mindless certainty humming blithely along beneath our ignorance that ensured we would come together. Like two solitary birds flying the great prairies by celestial reckoning, all of these years and lifetimes we have been moving toward one another. The road is a strange place. Shuffling along, I looked up and you were there walking across the grass toward my truck on an August day. In retrospect, it seems inevitable—it could not have been any other way—a case of what I call the high probability of the improbable. So here I am walking around with another person inside of me. Though I think I put it better the day we parted when I said there is a third person we have created from the two of us. And I am stalked now by that other entity. Somehow, we must see each other again. Any place, anytime. Call me if you ever need anything or simply want to see me. I’ll be there, pronto. Let me know if you can come out here sometime—anytime. I can arrange plane fare, if that’s a problem. I’m off to southeast India next week, but I’ll be back in late October. I Love You, Robert P. S., The photo project in Madison County turned out fine. Look for it in NG next year. Or tell me if you want me to send a copy of the issue when it’s published. Francesca Johnson set her brandy glass on the wide oak windowsill and stared at an eight-by-ten black-and-white photograph of herself.
Robert James Waller (The Bridges Of Madison County)
All their men—brothers, uncles, fathers, husbands, sons—had been picked off one by one by one. They had a single piece of paper directing them to a preacher on DeVore Street. The War had been over four or five years then, but nobody white or black seemed to know it. Odd clusters and strays of Negroes wandered the back roads and cowpaths from Schenectady to Jackson. Dazed but insistent, they searched each other out for word of a cousin, an aunt, a friend who once said, “Call on me. Anytime you get near Chicago, just call on me.” Some of them were running from family that could not support them, some to family; some were running from dead crops, dead kin, life threats, and took-over land. Boys younger than Buglar and Howard; configurations and blends of families of women and children, while elsewhere, solitary, hunted and hunting for, were men, men, men. Forbidden public transportation, chased by debt and filthy “talking sheets,” they followed secondary routes, scanned the horizon for signs and counted heavily on each other. Silent, except for social courtesies, when they met one another they neither described nor asked about the sorrow that drove them from one place to another. The whites didn’t bear speaking on. Everybody knew.
Toni Morrison (Beloved (Beloved Trilogy, #1))
From "The Jasmine Farm" by Elizabeth von Arnim, c 1934: "...except for a little trickle of water somewhere near, and the piping, on an oleander bush, of a solitary bird, so great a stillness surrounded her that in the whole world there might have been no one but herself. Relaxed she sat, her hands palm upwards on her lap, her mouth open because she was too tired to keep it shut. If she had known it, she was being exquisitely welcomed. The scented air, floating past her, lingered to pat her face. From a row of Madonna lilies, under the windows of the house, came fragrance, crossing the grass to greet her. Slanting shadows cooled her. The bird piped away, as if to her alone, songs of wisdom and good cheer. She was surrounded, companioned, pressed upon by beauty; and, for all she saw of it, it might have been Tottenham Court Road in a fog. 'Lift up your heart,' something whispered--'foolish woman, lift up your heart.' But of what use is it to exhort the absorbed, those who are steeped in their own particular tragedies, to do things like that? She heard the whisper, she recognised that familiar words were drifting through her mind, and all she did about it was listlessly to wonder that anybody had enough energy to lift up anything.
Elizabeth von Arnim (La fattoria dei gelsomini)
If I have sinned so much, if I have been, since then, so solitary, if my soul has taken such a swirling and solitary movement, if I have doubted everything, if I have been a fatalist, and have been a pessimistic child who awaits death every day, and who almost seeks it out, if I have opened myself slowly and late to happiness, and if I am still a somber man, incapable of laughing whole-heartedly, it is because you left me that June 24th upon that road. But if I have believed in eternal realities . . . if I have thrust myself toward them, it is also because I was alone, because you were no longer there to be my God, to fill my heart with your abundant and dominating life.
André Trocmé
III. Ah Vastness of Pines Ah vastness of pines, murmur of waves breaking, slow play of lights, solitary bell, twilight falling in your eyes, toy doll, earth-shell, in whom the earth sings! In you the rivers sing and my soul flees in them as you desire, and you send it where you will. Aim my road on your bow of hope and in a frenzy I will free my flock of arrows. On all sides I see you waist of fog, and yousilence hunts my afflicted hours; my kisses anchor, and my moist desire nests in you with your arms of transparent stone. Ah your mysterious voice that love tolls and darkens in the resonant and dying evening! Thus in deep hours I have seen, over the fields, the ears of wheat tolling in the mouth of the wind.
Pablo Neruda (Twenty Love Poems and a Song of Despair)
Methodical writing distracts me from the present condition of men. But the certainty that everything has been already written nullifies or makes phantoms of us all. I know of districts where the youth prostrate themselves before books and barbarously kiss the pages, though they do not know how to make out a single letter. Epidemics, heretical disagreements, the pilgrimages which inevitably degenerate into banditry, have decimated the population. I believe I have mentioned the suicides, more frequent each year. Perhaps I am deceived by old age and fear, but I suspect that the human species - the unique human species - is on the road to extinction, while the Library will last on forever. Illuminated, solitary infinite, perfectly immovable, filled with precious volumes, useless, incorruptible, secret. Infinite, I have just written. I have not interpolated this adjective merely from rhetorical habit. It is not illogical, I say, to think that the world is infinite. Those who judge it to be limited, postulate that in remote places the corridors and stairs and hexagons could inconceivably cease - a manifest absurdity. Those who imagine it to be limitless forget that the possible number of books is limited. I dare insinuate the following solution to this ancient problem: the Library is limitless and periodic. If an eternal voyager were to traverse it in any direction, he would find, after many centuries, that the same volumes are repeated in the same disorder (which, repeated, would constitute an order: Order itself). My solitude rejoices in this elegant hope. Mar del Plata 1941
Jorge Luis Borges
The Major's laughter boomed out again. "And I never kept a diary in my life!" he cried. "Why there's enough cream in this situation to make a dishful of meringues. You and I, you know, the students of Tilling! The serious-minded students who do a hard day's work when all the pretty ladies have gone to bed. Often and often has old--I mean has that fine woman, Miss Mapp, told me that I work too hard at night! Recommended me to get earlier to bed, and do my work between six and eight in the morning! Six and eight in the morning! That's a queer time of day to recommend an old campaigner to be awake at! Often she's talked to you, too, I bet my hat, about sitting up late and exhausting the nervous faculties." Major Flint choked and laughed and inhaled tobacco smoke till he got purple in the face. "And you sitting up one side of the street," he gasped, "pretending to be interested in Roman roads, and me on the other pulling a long face over my diaries, and neither of us with a Roman road or a diary to our names. Let's have an end to such unsociable arrangements, old friend; you lining your Roman roads and the bottle to lay the dust over to me one night, and I'll bring my diaries and my peg over to you the next. Never drink alone--one of my maxims in life--if you can find someone to drink with you. And there were you within a few yards of me all the time sitting by your old solitary self, and there was I sitting by my old solitary self, and we each thought the other a serious-minded old buffer, busy on his life-work. I'm blessed if I ever heard of two such pompous old frauds as you and I, Captain! What a sight of hypocrisy there is in the world, to be sure! No offence--mind: I'm as bad as you, and you're as bad as me, and we're both as bad as each other. But no more solitary confinement of an evening for Benjamin Flint, as long as you're agreeable.
E.F. Benson (Miss Mapp (Lucia, #2))
According to the traditional philosophy of the Magicians, every man is a unique autonomous center of individual consciousness, energy, and will—a soul, in a word. Like a star shining and existing by its own inward light, it pursues its way in the star-spangled heavens, solitary, uninterfered with, except in so far as its heavenly course is gravitationally modified by the presence, near or far, of other stars. Since in the vast stellar spaces seldom are there conflicts between the celestial bodies, unless one happens to stray from its appointed course—a very rare occurrence—so in the realms of humankind there would lie no chaos, little conflict, and no mutual disturbance were each individual content to be grounded in the reality of his own high consciousness, aware of his ideal nature In the his true purpose in life, and eager to pursue the road which he must follow. Because men have strayed from the dynamic sources inhering within themselves and the universe, and have forsaken their true spiritual wills, because they have divorced themselves from the celestial essences, betrayed by a mess of more sickly pottage than ever Jacob did sell to Esau, the world in this day presents a people with so hopeless an aspect, and a humanity impressed with so despondent a mien. Ignorance of the course of the celestial orbit, and the significance of that orbit inscribed in the skies forever, is the root which is at the bottom of universal dissatisfaction, unhappiness, and race-nostalgia. And because of this the living soul cries for help to the dead, and the creature to a silent God. Of all this crying there comes usually—nothing. The lifting up of the hands in supplication brings no inkling of salvation. The frantic gnashing of teeth results but in mute despair and loss of vital energy. Redemption is only from within and is wrought out by the soul itself with suffering and through time, with much endeavor and strain of the spirit.
Israel Regardie (The Tree of Life: An Illustrated Study in Magic)
Indeed, he could not be long in discovering that people beyond a suspicion of unbalance, or not obviously coveting the moment's arrest of attention gained them by their statements, never had experience with or knowledge of the restless dead. Slowly accepting this as evidence that no such things existed, Mr. Lecky found terrors deeper, and to him more plausible, to fill that unoccupied place - the simple sense of himself alone, and, not unassociated with it, the conception of a homicidal maniac quietly pursuing him. The first was exemplified by chance solitude in what he had considered deep woods. No part in it was played by natural dismay which he might have felt at finding himself lost, and none by any tangible suggestion of danger. Mr. Lecky could not even remember where or when it was. Long ago, under a seamless gray sky which would probably end with snow; in an autumnal silence free from birds, unmoved by the least breath of wind, he had come to be walking at random impulse. Leaves, yellow, tan, drifted deep and loose over the difficulties of an uneven hillside. His feet crashed and crackled in them. He was not going anywhere. He had nothing in mind. It might have been this receptive vacancy of thought which let him, little by little, grow aware of a menace. The unnatural light leaf-buried ground, the low dark sky, the solitary noise of his unskilled progress - none of them was good. He began to notice that though the fall of leaves left an apparent bright openness, in reality it merely pushed to a distance the point at which the woods became as impenetrable as a wall. He walked more and more slowly, listening, hearing nothing; looking, seeing nothing. Soon he stopped, for he was not going any farther. Standing in the deep leaves beneath trees bare and practically dead in the catalepsy of impending winter, he knew that he did not want to be here. A great evil - no more to be named than, met, to be escaped - waited fairly close. So he left. He got out of those woods onto an open road where he need not watch for anything he could not see.
James Gould Cozzens (Castaway)
Catherine was too wretched to be fearful. The journey in itself had no terrors for her; and she began it without either dreading its length or feeling its solitariness. Leaning back in one comer of the carriage, in a violent burst of tears, she was conveyed some miles beyond the walls of the abbey before she raised her head; and the highest point of ground within the park was almost closed from her view before she was capable of turning her eyes towards it. Unfortunately, the road she now travelled was the same which only ten days ago she had so happily passed along in going to and from Woodston; and, for fourteen miles, every bitter feeling was rendered more severe by the review of objects on which she had first looked under impressions so different. Every mile, as it brought her nearer Woodston, added to her sufferings, and when within the distance of five, she passed the turning which led to it, and thought of Henry, so near, yet so unconscious, her grief and agitation were excessive. The day which she had spent at that place had been one of the happiest of her life.
Jane Austen (Northanger Abbey)
You sit and lean against the wall, and look at the beautiful, riddlesome totality. The Summa52 lies before you like a book, and an unspeakable greed seizes you to devour it. Consequently you lean back and stiffen and sit for a long time. You are completely incapable of grasping it. Here and there a light flickers, here and there a fruit falls from high trees which you can grasp, here and there your foot strikes gold. But what is it, ifyou compare it with the totality, which lies spread out tangibly close to you? You stretch out your hand, but it remains hanging in invisible webs. You want to see it exactly as it is but something cloudy and opaque pushes itself exactly in between. You would like to tear a piece out of it; it is smooth and impenetrable like polished steel. So you sink back against the wall, and when you have crawled through all the glow- ing hot crucibles of the Hell of doubt, you sit once more and lean back, and look at the wonder of the Summa that lies spread out before you. Here and there a light flickers, here and there a fruit falls. For you it is all too little. But you begin to be satisfied with yourself, and you pay no attention to the years passing away. What are years? What is hurrying time to him that sits under a tree? Your time passes like a breath of air and you wait for the next light, the next fruit. The writing lies before you and always says the same, if you believe in words. But if you believe in things in whose places only words stand, you never come to the end. And yet you must go an endless road, since life flows not only down a finite path but also an infinite one. But the unbounded makes you53 anxious since the unbounded is fearful and your humanity rebels against it. Consequently you seek limits and restraints so that you do not lose yoursel£ tumbling into infinity Restraint becomes imperative for you. You cry out for the word which has one meaning and no other, so that you escape boundless ambiguity. The word becomes your God, since it protects you from the countless possibilities of interpretation. The word is protective magic against the daimons of the unending, which tear at your soul and want to scatter you to the winds. You are saved if you can say at last: that is that and only that. You spealc the magic word, and the limitless is finally banished. Because of that men seek and make words.54 He who breaks the wall ofwords overthrows Gods and defiles temples. The solitary is a murderer. He murders the people, because he thus thinks and thereby breaks down ancient sacred walls. He calls up the daimons of the boundless. And he sits, leans back, and does not hear the groans of mankind, whom the fearful fiery smoke has seized. And yet you cannot find the new words if you do not shatter the old words. But no one should shatter the old words, unless he finds the new word that is a firm rampart against the limitless and grasps more life in it than in the old word. A new word is a new God for old men. Man remains the same, even if you create a new model of God for him. He remains an imitator. What was word, shall become man. The word created the world and came before the world. It lit up like a light in the darkness, and the darkness did not comprehend it.55 And thus the word should become what the darkness can comprehend, since what use is the light if the darkness does not comprehend it? But your darkness should grasp the light. The God of words is cold and dead and shines from afar like the moon, mysteriously and inaccessibly: Let the word return to its / creator, to man, and thus the word will be heightened in man. Man should be light, limits, measure. May he be your fruit, for which you longingly reach. The darkness does not compre- hend the word, but rather man; indeed, it seizes him, since he himself is a piece of the darkness. Not from the word down to man, but from the word up to man: that is what the darkness comprehends. The darkness is your mother; she is dangerous.
C.G. Jung
In the night I awoke. Was this my own voice reciting what was written? “ ‘And every secret thing shall be opened, and every dark place illuminated.’ ” Dear God, no, do not let them know this, do not let them know the great accumulation of all of this, this agony and joy, this misery, this solace, this reaching, this gouging pain, this . . . But they will know, each and every one of them will know. They will know because what you are remembering is what has happened to each and every one of them. Did you think this was more or less for you? Did you think—? And when they are called to account, when they stand naked before God and every incident and utterance is laid bare—you, you will know all of it with each and every one of them! I knelt in the sand. Is this possible, Lord, to be with each of them when he or she comes to know? To be there for every single cry of anguish? For the grief-stricken remembrance of every incomplete joy? Oh, Lord, God, what is judgment and how can it be, if I cannot bear to be with all of them for every ugly word, every harsh and desperate cry, for every gesture examined, for every deed explored to its roots? And I saw the deeds, the deeds of my own life, the smallest, most trivial things, I saw them suddenly in their seed and sprout and with their groping branches; I saw them growing, intertwining with other deeds, and those deeds come to form a thicket and a woodland and a great roving wilderness that dwarfed the world as we hold it on a map, the world as we hold it in our minds. Dear God, next to this, this endless spawning of deed from deed and word from word and thought from thought—the world is nothing. Every single soul is a world! I started to cry. But I would not close off this vision—no, let me see, and all those who lifted the stones, and I, I blundering, and James' face when I said it, I am weary of you, my brother, and from that instant outwards a million echoes of those words in all present who heard or thought they heard, who would remember, repeat, confess, defend . . . and so on it goes for the lifting of a finger, the launching of the ship, the fall of an army in a northern forest, the burning of a city as flames rage through house after house! Dear God, I cannot . . . but I will. I will. I sobbed aloud. I will. O Father in Heaven, I am reaching to You with hands of flesh and blood. I am longing for You in Your perfection with this heart that is imperfection! And I reach up for You with what is decaying before my very eyes, and I stare at Your stars from within the prison of this body, but this is not my prison, this is my Will. This is Your Will. I collapsed weeping. And I will go down, down with every single one of them into the depths of Sheol, into the private darkness, into the anguish exposed for all eyes and for Your eyes, into the fear, into the fire which is the heat of every mind. I will be with them, every solitary one of them. I am one of them! And I am Your Son! I am Your only begotten Son! And driven here by Your Spirit, I cry because I cannot do anything but grasp it, grasp it as I cannot contain it in this flesh-and-blood mind, and by Your leave I cry. I cried. I cried and I cried. “Lord, give me this little while that I may cry, for I've heard that tears accomplish much. . . .” Alone? You said you wanted to be alone? You wanted this, to be alone? You wanted the silence? You wanted to be alone and in the silence. Don't you understand the temptation now of being alone? You are alone. Well, you are absolutely alone because you are the only One who can do this! What judgment can there ever be for man, woman, or child—if I am not there for every heartbeat at every depth of their torment?
Anne Rice (Christ the Lord: The Road to Cana (Life of Christ Book 2))
Most of these reveal a psychological shrewdness about human fallibility: • A man of genius is but seldom ruined but by himself. • If you are idle, be not solitary; if you are solitary, be not idle. • There are people whom one should like very well to drop, but would not wish to be dropped by. • All censure of self is oblique praise. It is in order to show how much he can spare. • Man’s chief merit consists in resisting the impulses of his nature. • No place affords a more striking conviction of the vanity of human hopes than a public library. • Very few can boast of hearts which they dare lay open to themselves. • Read over your compositions, and wherever you meet with a passage you think is particularly fine, strike it out. • Every man naturally persuades himself he can keep his resolutions; nor is he convinced of his imbecility but by length of time and frequency of experiment. Through his moral essays, Johnson was able to impose order on the world, to anchor his experiences in the stability of the truth. He had to still himself in order to achieve an objective perception of the world. When people are depressed, they often feel overcome by a comprehensive and yet hard to pin down sadness. But Johnson jumps directly into the pain, pins it down, dissects it, and partially disarms it. In his essay on sorrow he observes that most passions drive you to their own extinction. Hunger leads to eating and satiety, fear leads to flight, lust leads to sex. But sorrow is an exception. Sorrow doesn’t direct you toward its own cure. Sorrow builds upon sorrow. That’s because sorrow is “that state of mind in which our desires are fixed upon the past, without looking forward to the future, an incessant wish that something were otherwise than it has been, a tormenting and harassing want of some enjoyment or possession we have lost.” Many try to avoid sorrow by living timid lives. Many try to relieve sorrow by forcing themselves to go to social events. Johnson does not approve of these stratagems. Instead, he advises, “The safe and general antidote against sorrow is employment…. Sorrow is a kind of rust of the soul, which every new idea contributes in its passage to scour away. It is the putrefaction of stagnant life and is remedied by exercise and motion.
David Brooks (The Road to Character)
Pilgrimage is premised on the idea that the sacred is not entirely immaterial, but that there is a geography of spiritual power. Pilgrimage walks a delicate line between the spiritual and the material in its emphasis on the story and its setting though the search is for spirituality, it is pursued in terms of the most material details of where the Buddha was born or where Christ died, where the relics are or the holy water flows. Or perhaps it reconciles the spiritual and the material, for to go on pilgrimage is to make the body and its actions express the desires and beliefs of the soul. Pilgrimage unites belief with action, thinking with doing, and it makes sense that this harmony is achieved when the sacred has material presence and location. Protestants, as well as the occasional Buddhist and Jew, have objected to pilgrimages as a kind of icon worship and asserted that the spiritual should be sought within as something wholly immaterial, rather than out in the world. There is a symbiosis between journey and arrival in Christian pilgrimage, as there is in mountaineering. To travel without arriving would be as incomplete as to arrive without having traveled. To walk there is to earn it, through laboriousness and through the transformation that comes during a journey. Pilgrimages make it possible to move physically, through the exertions of one's body, step by step, toward those intangible spiritual goals that are otherwise so hard to grasp. We are eternally perplexed by how to move toward forgiveness or healing or truth, but we know how to walk from here to there, however arduous the jour ney. Too, we tend to imagine life as a journey, and going on an actual expedition takes hold of that image and makes it concrete, acts it out with the body and the imagination in a world whose geography has become spiritualized. The walker toiling along a road toward some distant place is one of the most compelling and universal images of what it means to be human, depicting the individual as small and solitary in a large world, reliant on the strength of body and will. In pilgrim age, the journey is radiant with hope that arrival at the tangible destination will bring spiritual benefits with it. The pilgrim has achieved a story of his or her ow and in this way too becomes part of the religion made up of stories of travel and transformation.
Rebecca Solnit (Wanderlust: A History of Walking)
Military officers destitute of military knowledge; naval officers with no idea of a ship; civil officers without a notion of affairs; brazen ecclesiastics, of the worst world worldly, with sensual eyes, loose tongues, and looser lives; all totally unfit for their several callings, all lying horribly in pretending to belong to them, but all nearly or remotely of the order of Monseigneur, and therefore foisted on all public employments from which anything was to be got; these were to be told off by the score and the score. People not immediately connected with Monseigneur or the State, yet equally unconnected with anything that was real, or with lives passed in travelling by any straight road to any true earthly end, were no less abundant. Doctors who made great fortunes out of dainty remedies for imaginary disorders that never existed, smiled upon their courtly patients in the ante-chambers of Monseigneur. Projectors who had discovered every kind of remedy for the little evils with which the State was touched, except the remedy of setting to work in earnest to root out a single sin, poured their distracting babble into any ears they could lay hold of, at the reception of Monseigneur. Unbelieving Philosophers who were remodelling the world with words, and making card-towers of Babel to scale the skies with, talked with Unbelieving Chemists who had an eye on the transmutation of metals, at this wonderful gathering accumulated by Monseigneur. Exquisite gentlemen of the finest breeding, which was at that remarkable time—and has been since—to be known by its fruits of indifference to every natural subject of human interest, were in the most exemplary state of exhaustion, at the hotel of Monseigneur. Such homes had these various notabilities left behind them in the fine world of Paris, that the spies among the assembled devotees of Monseigneur—forming a goodly half of the polite company—would have found it hard to discover among the angels of that sphere one solitary wife, who, in her manners and appearance, owned to being a Mother. Indeed, except for the mere act of bringing a troublesome creature into this world—which does not go far towards the realisation of the name of mother—there was no such thing known to the fashion. Peasant women kept the unfashionable babies close, and brought them up, and charming grandmammas of sixty dressed and supped as at twenty.
Charles Dickens (A Tale of Two Cities)
As for the other experiences, the solitary ones, which people go through alone, in their bedrooms, in their offices, walking the fields and the streets of London, he had them; had left home, a mere boy, because of his mother; she lied; because he came down to tea for the fiftieth time with his hands unwashed; because he could see no future for a poet in Stroud; and so, making a confidant of his little sister, had gone to London leaving an absurd note behind him, such as great men have written, and the world has read later when the story of their struggles has become famous. London has swallowed up many millions of young men called Smith; thought nothing of fantastic Christian names like Septimus with which their parents have thought to distinguish them. Lodging off the Euston Road, there were experiences, again experiences, such as change a face in two years from a pink innocent oval to a face lean, contracted, hostile. But of all this what could the most observant of friends have said except what a gardener says when he opens the conservatory door in the morning and finds a new blossom on his plant: — It has flowered; flowered from vanity, ambition, idealism, passion, loneliness, courage, laziness, the usual seeds, which all muddled up (in a room off the Euston Road), made him shy, and stammering, made him anxious to improve himself, made him fall in love with Miss Isabel Pole, lecturing in the Waterloo Road upon Shakespeare. Was he not like Keats? she asked; and reflected how she might give him a taste of Antony and Cleopatra and the rest; lent him books; wrote him scraps of letters; and lit in him such a fire as burns only once in a lifetime, without heat, flickering a red gold flame infinitely ethereal and insubstantial over Miss Pole; Antony and Cleopatra; and the Waterloo Road. He thought her beautiful, believed her impeccably wise; dreamed of her, wrote poems to her, which, ignoring the subject, she corrected in red ink; he saw her, one summer evening, walking in a green dress in a square. “It has flowered,” the gardener might have said, had he opened the door; had he come in, that is to say, any night about this time, and found him writing; found him tearing up his writing; found him finishing a masterpiece at three o’clock in the morning and running out to pace the streets, and visiting churches, and fasting one day, drinking another, devouring Shakespeare, Darwin, The History of Civilisation, and Bernard Shaw.
Virginia Woolf (Complete Works of Virginia Woolf)
When a traveller in north central Massachusetts takes the wrong fork at the junction of the Aylesbury pike just beyond Dean’s Corners he comes upon a lonely and curious country. The ground gets higher, and the brier-bordered stone walls press closer and closer against the ruts of the dusty, curving road. The trees of the frequent forest belts seem too large, and the wild weeds, brambles, and grasses attain a luxuriance not often found in settled regions. At the same time the planted fields appear singularly few and barren; while the sparsely scattered houses wear a surprisingly uniform aspect of age, squalor, and dilapidation. Without knowing why, one hesitates to ask directions from the gnarled, solitary figures spied now and then on crumbling doorsteps or on the sloping, rock-strown meadows. Those figures are so silent
H.P. Lovecraft (Complete Collection of H.P. Lovecraft - 150 eBooks with 100+ Audio Books Included (Complete Collection of Lovecraft's Fiction, Juvenilia, Poems, Essays and Collaborations))
I felt deeply in my heart both the sorrow of one that goes and grief of one that remains, just as a solitary bird separated from his flock in dark clouds.
Matsuo Bashō (The Narrow Road to the Deep North and Other Travel Sketches)
If you've been around Los Angeles much, you know that desolate, unlighted strip of highway, Chavez Ravine Road, that stretches from Adobe Street to Elysian Park. It's solitary and lonely enough in the daytime.
Richard S. Prather (Shell Scott PI Mystery Series, Volume Three)
The sun had set long since. Bright stars shone out here and there in the sky. A red glow as of a conflagration spread above the horizon from the rising full moon, and that vast red ball swayed strangely in the gray haze. It grew light. The evening was ending, but the night had not yet come. Pierre got up and left his new companions, crossing between the campfires to the other side of the road where he had been told the common soldier prisoners were stationed. He wanted to talk to them. On the road he was stopped by a French sentinel who ordered him back. Pierre turned back, not to his companions by the campfire, but to an unharnessed cart where there was nobody. Tucking his legs under him and dropping his head he sat down on the cold ground by the wheel of the cart and remained motionless a long while sunk in thought. Suddenly he burst out into a fit of his broad, good-natured laughter, so loud that men from various sides turned with surprise to see what this strange and evidently solitary laughter could mean. "Ha-ha-ha!" laughed Pierre. And he said aloud to himself: "The soldier did not let me pass. They took me and shut me up. They hold me captive. What, me? Me? My immortal soul? Ha-ha-ha! Ha-ha-ha!..." and he laughed till tears started to his eyes. A man got up and came to see what this queer big fellow was laughing at all by himself. Pierre stopped laughing, got up, went farther away from the inquisitive man, and looked around him. The huge, endless bivouac that had previously resounded with the crackling of campfires and the voices of many men had grown quiet, the red campfires were growing paler and dying down. High up in the light sky hung the full moon. Forests and fields beyond the camp, unseen before, were now visible in the distance. And farther still, beyond those forests and fields, the bright, oscillating, limitless distance lured one to itself. Pierre glanced up at the sky and the twinkling stars in its faraway depths. "And all that is me, all that is within me, and it is all I!" thought Pierre. "And they caught all that and put it into a shed boarded up with planks!" He smiled, and went and lay down to sleep beside his companions.
Leo Tolstoy (War and Peace)
The best thing to do," said one of the malingerers, "is to sham madness. In the next room there are two other men from the school where I teach and one of them keeps shouting day and night : 'Giordano Bruno's stake is still smoldering ; renew Galileo's trial !'” “I meant at first to act the fool too and be a religious maniac and preach about the infallibility of the Pope, but finally I managed to get some cancer of the stomach for fifteen crowns from a barber down the road." "That's nothing," said another man. "Down our way there's a midwife who for twenty crowns can dislocate your foot so nicely that you're crippled for the rest of your life.” “My illness has run me into more than two hundred crowns already," announced his neighbor, a man as thin as a rake. "I bet there's no poison you can mention that I haven't taken. I'm simply bung full of poisons. I've chewed arsenic, I've smoked opium, I've swallowed strychnine, I've drunk vitriol mixed with phosphorus. I've ruined my liver, my lungs, my kidneys, my heart—in fact, all my insides. Nobody knows what disease it is I've got." "The best thing to do," explained someone near the door, "is to squirt paraffin oil under the skin on your arms. My cousin had a slice of good luck that way. They cut off his arm below the elbow and now the army'll never worry him any more.” “Well," said Schweik, "When I was in the army years ago, it used to be much worse. If a man went sick, they just trussed him up, shoved him into a cell to make him get fitter. There wasn't any beds and mattresses and spittoons like what there is here. Just a bare bench for them to lie on. Once there was a chap who had typhus, fair and square, and the one next to him had smallpox. Well, they trussed them both up and the M. O. kicked them in the ribs and said they were shamming. When the pair of them kicked the bucket, there was a dust-up in Parliament and it got into the papers. Like a shot they stopped us from reading the papers and all our boxes was inspected to see if we'd got any hidden there. And it was just my luck that in the whole blessed regiment there was nobody but me whose newspaper was spotted. So our colonel starts yelling at me to stand to attention and tell him who'd written that stuff to the paper or he'd smash my jaw from ear to ear and keep me in clink till all was blue. Then the M.O. comes up and he shakes his fist right under my nose and shouts: 'You misbegotten whelp ; you scabby ape ; you wretched blob of scum ; you skunk of a Socialist, you !' Well, I stood keeping my mouth shut and with one hand at the salute and the other along the seam of my trousers. There they was, running round and yelping at me. “We'll knock the newspaper nonsense out of your head, you ruffian,' says the colonel, and gives me 21 days solitary confinement. Well, while I was serving my time, there was some rum goings-on in the barracks. Our colonel stopped the troops from reading at all, and in the canteen they wasn't allowed even to wrap up sausages or cheese in newspapers. That made the soldiers start reading and our regiment had all the rest beat when it came to showing how much they'd learned.
Jaroslav Hašek (The Good Soldier Schweik)
The Titan's Fall by Stewart Stafford Colossus ship of the Titans, Flames of Tartarus in its belly, Unsinkable beneath the stars, Champagne popped too soon. In infinite glacial hubris, Collided with its own ambition, Immortal Gordian Knot slashed, And freezing death crept aboard. Cantering up Scotland Road, Trojan Seahorse's Achilles' Heel, Solitary children drowning, In heartbroken submersion. The River Styx fell silent, But for whimpered prayers. As Charon's boat of death, Ferried them to Hades. The tangled Medusan wreckage, Once a great wonder of the earth, Plunged into an underworld abyss - A terrible beauty on the seabed nests. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
According to Kuhn, there are a small number of revolutionary scientists. These often lonely individuals or groups are engaged in creating paradigm shifts or in the creation of new scientific disciplines. They are the solitary people on the road less traveled who often have to endure the hostility or marginalization by colleagues. But, according to Kuhn, the scientists engaged in revolutionary science are the ones who make a difference. They make possible the giant leaps forward. They are the visionaries.
Colm A. Kelleher (Hunt for the Skinwalker: Science Confronts the Unexplained at a Remote Ranch in Utah)
He streaks past all men and all phenomena and the more he comes closer, or appears to come closer to the self, the more feverish the craving to escape from himself becomes. Even more radical are the modifications to his being...he consumes himself in relentless self-devouring and his road is a solitary flame.
Stefan Zeig
After traversing the open plain, the road led through a grove of young ebony trees, where guinea-fowls and a hartebeest were seen; it then wound, with all the characteristic eccentric curves of a goat-path, up and down a succession of land-waves crested by the dark green foliage of the mango, and the scantier and lighter-coloured leaves of the enormous calabash. The depressions were filled with jungle of more or less density, while here and there opened glades, shadowed even during noon by thin groves of towering trees. At our approach fled in terror flocks of green pigeons, jays, ibis, turtledoves, golden pheasants, quails and moorhens, with crows and hawks, while now and then a solitary pelican winged its way to the distance.
Henry Morton Stanley (How I Found Livingstone: Travels, adventures, and discoveres in Central Africa, including an account of four months' residence with Dr. Livingstone, by Henry M. Stanley)
The real Christian life, they said, is not a solitary life of prayer and repentance. It is a life of sacrificial service, which involves practical solidarity with the poor and membership in a larger movement working to repair God’s kingdom on earth.
David Brooks (The Road to Character)
country road on the day they first viewed the property.  She had taken one look at it as they drove into the driveway and said she was ready to buy if he was.  In a forest thick with trees, that solitary tree had always been his favorite.  It was where he’d hung that lazy tire
Michael Bunker (Wick (Wick, #1))
I would have to travel this road secretely, unaided. A renegade. A solitary samurai.
Oliver Tate Submarine 2010
I am tired and drunk and still hungry. He is full of steak and Coca-Cola and, presumably, energy: enough energy to cross the road and walk up the steps inside the tower of the cathedral, which I have never entered.
Joanna Walsh (Vertigo)
After traversing the open plain, the road led through a grove of young ebony trees, where guinea-fowls and a hartebeest were seen; it then wound, with all the characteristic eccentric curves of a goat-path, up and down a succession of land-waves crested by the dark green foliage of the mango, and the scantier and lighter-coloured leaves of the enormous calabash. The depressions were filled with jungle of more or less density, while here and there opened glades, shadowed even during noon by thin groves of towering trees. At our approach fled in terror flocks of green pigeons, jays, ibis, turtledoves, golden pheasants, quails and moorhens, with crows and hawks, while now and then a solitary pelican winged its way to the distance. Nor was this enlivening prospect without its pairs of antelope, and monkeys which hopped away like Australian kangaroos; these latter were of good size, with round bullet heads, white breasts, and long tails tufted at the end. We arrived at Kikoka by 5 P.M., having loaded and unloaded our pack animals four times, crossing one deep puddle, a mud sluice, and a river, and performed a journey of eleven miles. The settlement of Kikoka is a collection of straw huts; not built after any architectural style, but after a bastard form, invented by indolent settlers from the Mrima and Zanzibar for the purpose of excluding as much sunshine as possible from the eaves and interior. A sluice and some wells provide them with water, which though sweet is not particularly wholesome or appetizing, owing to the large quantities of decayed matter which is washed into it by the rains, and is then left to corrupt in it. A
Henry Morton Stanley (How I Found Livingstone: Travels, adventures, and discoveres in Central Africa, including an account of four months' residence with Dr. Livingstone, by Henry M. Stanley)
...one odyssey of a stone perched on a hill surrounded by colorful flowers and a grove of trees -in other words, a place like Vinci. Looking at the crowd of stones along the road below, it decided it wanted to join them. ‘What am I doing here among these plants?’ the stone asked. ‘I want to live in the company of my fellow stones.’ So it rolled down to the others. ‘After a while,’ Leonardo recounted, ‘it found itself in continual distress from the wheels of the carts, the iron hoofs of horses, and the feet of the passers-by. One rolled it over, another trod upon it. Sometimes the stone raised itself up a little as it lay covered with mud or the dung of some animal, but it was in vain that it looked up at the spot whence it come as a place of solitude and tranquil peace.’ Leonardo drew a moral: ‘This is what happens to those who leave a life of solitary contemplation and choose to dwell in cities among people full of infinite evil.
Leonardo DaVinci
Mile after mile raced beneath the wheels of the convertible as it steadily neared the old battlefield named for the stream Rocky Run. Late in the afternoon they drove through the little town of Centerville. The main street, paved with red brick, was flanked by two rows of huge live oak trees. Behind them, quaint old houses stood in the shade of spreading magnolias. Farther on, the street led to a square, along which sprawled a handful of stores, a small stately courthouse, and a tall-pillared hotel. A solitary, bewhiskered man sat on the porch of the hostelry, smoking a pipe and rocking. “Looks mighty sleepy around here,” Chet remarked. “I think I’m going to fit right in with this life!” “A peaceful old town,” the general replied, smiling. “My place is a quarter mile down the road.
Franklin W. Dixon (The Secret of the Lost Tunnel (Hardy Boys, #29))
And again there was the long road, as straight as an arrow through the shimmering wall of fog, and the sudden apparition of the solitary columns of Persepolis on the terrace that seemed surreally suspended high above the plains
Annemarie Schwarzenbach (Morte na Pérsia)
The things that lead us astray are short term—lust, fear, vanity, gluttony. The things we call character endure over the long term—courage, honesty, humility. People with character are capable of a long obedience in the same direction, of staying attached to people and causes and callings consistently through thick and thin. People with character also have scope. They are not infinitely flexible, free-floating, and solitary. They are anchored by permanent attachments to important things. In the realm of the intellect, they have a set of permanent convictions about fundamental truths. In the realm of emotion, they are enmeshed in a web of unconditional loves. In the realm of action, they have a permanent commitment to tasks that cannot be completed in a single lifetime.
David Brooks (The Road to Character)
The ultimate goal of life remains the spiritual growth of the individual, the solitary journey to peaks that can be climbed only alone.
M. Scott Peck (The Road Less Traveled)
Walking towards the signal, where the sun hung high in the sky, the traveller was a solitary figure in an uncluttered scene. He felt as if this was the ending of something, not the beginning. He could walk away out of existence. Yet his boots made a solid, satisfactory sound against the road and his flesh felt real and comfortable about his bones. He was a good performer.
Storm Constantine (Stalking Tender Prey (The Grigori Trilogy, #1))
Survival was a solitary venture, and anyone who thought otherwise tended to die asking why life was so terribly unfair.
Arthur T. Bradley (Road Home (The Survivalist, #12))
Ever since I was five years old,” David-Néel wrote in My Journey to Lhasa, “I wished to move out of the narrow limits in which, like all children of my age, I was then kept. I craved to go beyond the garden gate, to follow the road that passed it by, and to set out for the Unknown. But strangely enough, this ‘Unknown’ fancied by my baby mind always turned out to be a solitary spot where I could sit alone, with no one near.
Alexandra David-Néel (My Journey to Lhasa: The Classic Story of the Only Western Woman Who Succeeded in Entering the Forbidden City)
His book accurately reflects what I feel in traveling in America—the solitary road trip that is in many respects a Zen experience, scattered with road candy, unavailable to motorists in any other country on earth.
Paul Theroux (Deep South: Four Seasons on Back Roads)
Solitary walking forces us to confront ourselves, freeing us from the limitations of the body as well as those of our usual environment that restrict us to conventional, acceptable, and prepackaged ways of thinking.
Bernard Ollivier (Out of Istanbul: A Journey of Discovery along the Silk Road)
Notwithstanding the fog which rose around, I perceived the walls and roofs of the houses of Soissons, with a half-moon peering from behind them. I alighted, and, with a heart fully acknowledging the sublimity of nature, gazed upon the imposing scene. A grasshopper was chirping in the neighboring field; the trees by the road side were softly rustling; and I saw, with the mind's eye, Peace hovering over the plain, now solitary and tranquil, where Caesar had conquered, Clovis had exercised his authority, and where Napoleon had all but fallen. It shows that men — even Caesar, Clovis, and Napoleon — are only passing shadows; and that war is a fantasy which terminates with them; whilst God — and Nature, which comes from God — and Peace, which comes from Nature — are things of eternity.
Victor Hugo (Le Rhin, tome 1)
It is also built sweetly through love and pleasure. When you have deep friendships with good people, you copy and then absorb some of their best traits. When you love a person deeply, you want to serve them and earn their regard. When you experience great art, you widen your repertoire of emotions. Through devotion to some cause, you elevate your desires and organize your energies. Moreover, the struggle against the weaknesses in yourself is never a solitary struggle. No person can achieve self-mastery on his or her own. Individual will, reason, compassion, and character are not strong enough to consistently defeat selfishness, pride, greed, and self-deception. Everybody needs redemptive assistance from outside—from family, friends, ancestors, rules, traditions, institutions, exemplars, and, for believers, God. We all need people to tell us when we are wrong, to advise us on how to do right, and to encourage, support, arouse, cooperate, and inspire us along the way.
David Brooks (The Road to Character)
Dirty Roads and Autobahns The road less travelled may not be a dirt road; for some it may be the autobahn. Robert Frost was right, taking the road less travelled can make all the difference. But that road isn’t necessarily the road with the least traffic. It may be the road that we, personally, have travelled less. The introvert may need to get out of the house, engage with the world, get public. The extrovert may need to stay home and read a book. Sometimes we need to get out there, Sometimes we need to get in there. Some days our road less travelled is a solitary dirt trail. On others it’s the subway on the 7 line.
Matthew McConaughey (Greenlights)