Sold My House Quotes

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I buried a nickel under the porch when I was 8, she said, but one day my grandma died & they sold the house & I never got to go back for it. A nickel used to mean something, I said. She nodded. It still does, she said & then she started to cry.
Brian Andreas (Story People)
The clothes are packed off to Goodwill I said my good-byes up on the hill The house is empty, the furniture sold Soon your smell will decay to mold Don't know why I bother calling, ain't nobody answering Don't know why I bother singing, ain't nobody listening "Disconnect" Collateral Damage, Track 10
Gayle Forman (Where She Went (If I Stay, #2))
And now my old dog is dead, and another I had after him, and my parents are dead, and that first world, that old house, is sold and lost, and the books I gathered there lost, or sold- but more books bought, and in another place, board by board and stone by stone, like a house, a true life built, and all because I was steadfast about one or two things: loving foxes, and poems, the blank piece of paper, and my own energy- and mostly the shimmering shoulders of the world that shrug carelessly over the fate of any individual that they may, the better, keep the Niles and Amazons flowing.
Mary Oliver (Blue Pastures)
Your house is lovely,” I say, even though it isn’t. It’s old; it could use a good cleaning. But the things inside it are lovely. “It’s empty now. All my things sold up. Can’t take it with you, you know.” “You mean when you die?” I whisper. He glares at me. “No. I mean to the nursing home.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
you know, I’ve either had a family, a job, something has always been in the way but now I’ve sold my house, I’ve found this place, a large studio, you should see the space and the light. for the first time in my life I’m going to have a place and the time to create.” no baby, if you’re going to create you’re going to create whether you work 16 hours a day in a coal mine or you’re going to create in a small room with 3 children while you’re on welfare, you’re going to create with part of your mind and your body blown away, you’re going to create blind crippled demented, you’re going to create with a cat crawling up your back while the whole city trembles in earthquake, bombardment, flood and fire. baby, air and light and time and space have nothing to do with it and don’t create anything except maybe a longer life to find new excuses for.
Charles Bukowski (The Last Night of the Earth Poems)
Long before it was known to me as a place where my ancestry was even remotely involved, the idea of a state for Jews (or a Jewish state; not quite the same thing, as I failed at first to see) had been 'sold' to me as an essentially secular and democratic one. The idea was a haven for the persecuted and the survivors, a democracy in a region where the idea was poorly understood, and a place where—as Philip Roth had put it in a one-handed novel that I read when I was about nineteen—even the traffic cops and soldiers were Jews. This, like the other emphases of that novel, I could grasp. Indeed, my first visit was sponsored by a group in London called the Friends of Israel. They offered to pay my expenses, that is, if on my return I would come and speak to one of their meetings. I still haven't submitted that expenses claim. The misgivings I had were of two types, both of them ineradicable. The first and the simplest was the encounter with everyday injustice: by all means the traffic cops were Jews but so, it turned out, were the colonists and ethnic cleansers and even the torturers. It was Jewish leftist friends who insisted that I go and see towns and villages under occupation, and sit down with Palestinian Arabs who were living under house arrest—if they were lucky—or who were squatting in the ruins of their demolished homes if they were less fortunate. In Ramallah I spent the day with the beguiling Raimonda Tawil, confined to her home for committing no known crime save that of expressing her opinions. (For some reason, what I most remember is a sudden exclamation from her very restrained and respectable husband, a manager of the local bank: 'I would prefer living under a Bedouin muktar to another day of Israeli rule!' He had obviously spent some time thinking about the most revolting possible Arab alternative.) In Jerusalem I visited the Tutungi family, who could produce title deeds going back generations but who were being evicted from their apartment in the old city to make way for an expansion of the Jewish quarter. Jerusalem: that place of blood since remote antiquity. Jerusalem, over which the British and French and Russians had fought a foul war in the Crimea, and in the mid-nineteenth century, on the matter of which Christian Church could command the keys to some 'holy sepulcher.' Jerusalem, where the anti-Semite Balfour had tried to bribe the Jews with the territory of another people in order to seduce them from Bolshevism and continue the diplomacy of the Great War. Jerusalem: that pest-house in whose environs all zealots hope that an even greater and final war can be provoked. It certainly made a warped appeal to my sense of history.
Christopher Hitchens (Hitch 22: A Memoir)
I am made to sow the thistle for wheat; the nettle for a nourishing dainty I have planted a false oath in the earth, it has brought forth a poison tree I have chosen the serpent for a councellor & the dog for a schoolmaster to my children I have blotted out from light & living the dove & the nightingale And I have caused the earthworm to beg from door to door I have taught the thief a secret path into the house of the just I have taught pale artifice to spread his nets upon the morning My heavens are brass my earth is iron my moon a clod of clay My sun a pestilence burning at noon & a vapor of death in night What is the price of Experience do men buy it for a song Or wisdom for a dance in the street? No it is bought with the price Of all that a man hath his house his wife his children Wisdom is sold in the desolate market where none come to buy And in the withered field where the farmer plows for bread in vain It is an easy thing to triumph in the summers sun And in the vintage & to sing on the waggon loaded with corn It is an easy thing to talk of patience to the afflicted To speak the laws of prudence to the houseless wanderer To listen to the hungry ravens cry in wintry season When the red blood is filled with wine & with the marrow of lambs It is an easy thing to laugh at wrathful elements To hear a dog howl at the wintry door, the ox in the slaughter house moan To see a god on every wind & a blessing on every blast To hear the sounds of love in the thunder storm that destroys our enemies house To rejoice in the blight that covers his field, & the sickness that cuts off his children While our olive & vine sing & laugh round our door & our children bring fruits and flowers Then the groans & the dolor are quite forgotten & the slave grinding at the mill And the captive in chains & the poor in the prison, & the soldier in the field When the shattered bone hath laid him groaning among the happier dead It is an easy thing to rejoice in the tents of prosperity Thus could I sing & thus rejoice, but it is not so with me!
William Blake (The Complete Poems)
The biggest spur to my interest in art came when I played van Gogh in the biographical film Lust For Life. The role affected me deeply. I was haunted by this talented genius who took his own life, thinking he was a failure. How terrible to paint pictures and feel that no one wants them. How awful it would be to write music that no one wants to hear. Books that no one wants to read. And how would you like to be an actor with no part to play, and no audience to watch you. Poor Vincent—he wrestled with his soul in the wheat field of Auvers-sur-Oise, stacks of his unsold paintings collecting dust in his brother's house. It was all too much for him, and he pulled the trigger and ended it all. My heart ached for van Gogh the afternoon that I played that scene. As I write this, I look up at a poster of his "Irises"—a poster from the Getty Museum. It's a beautiful piece of art with one white iris sticking up among a field of blue ones. They paid a fortune for it, reportedly $53 million. And poor Vincent, in his lifetime, sold only one painting for 400 francs or $80 dollars today. This is what stimulated my interest in buying works of art from living artists. I want them to know while they are alive that I enjoy their paintings hanging on my walls, or their sculptures decorating my garden
Kirk Douglas (Climbing The Mountain: My Search For Meaning)
One day, as Sarita tended to the wash, Gemma played in the garden. She was a knight, you see, with a sword fashioned out of wood. Most formidable, she was, though I didn't quite know how formidable. As I sat in my study, I heard screaming from outside. I ran to see what the commotion was. Sarita called to me, wide-eyed with fear, "Oh, Mr. Doyle, look- over there!" The tiger had entered the garden and was making his way toward where our Gemma frolicked with her wooden sword. Beside me, our house servant, Raj, drew his blade so stealthily it seemed to simply appear in his hand by magic. But Sarita stayed his hand. "If you run for him with your life, you will provoke the tiger," she advised. "We must wait."... I must tell you that it was the longest moment of my life. No one dared move. No one dared draw a breath. And all the while, Gemma played on, taking no notice until the great cat was upon her. She stood and faced him. They stared at one another as if each wondered what to make of the other, as if they sensed a kindred spirit. At last, Gemma placed her sword upon the ground. "Dear tiger," she said. "You may pass if you are peaceful." The tiger looked at the sword and back at Gemma, and without a sound, it passed on, dissappearing into the jungle." ... "The tiger had gone. He did not come around a gain. But I was a man possessed. The tiger had come too close, you see. I no longer felt safe. I hired the best tracker in Bombay. We hunted for days, tracking the tiger to the mountains there. We found him taking water from a small watering hole. He looked up but he did not charge. He took no notice of us at all but continued to drink. "Sahib, let us go," the boy said. "This tiger means you no harm." He was right, of course. But we had come all that way. The gun was in my hand. The tiger was before us. I took aim and shot it dead on the spot. I sold the tiger's skin for a fortune to a man in Bombay, and he called me brave for it. But it was not courage that brought me to that; it was fear..."But you," he says, smiling with a mix of sadness and pride, "you faced the tiger and survived." ... "The time has come for me to face my tiger, to look him in the eye and see which of us survives." - Mr. Doyle
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
I thought. I thought of the slow yellow autumn in the swamp and the high honey sun of spring and the eternal silence of the marshes, and the shivering light on them, and the whisper of the spartina and sweet grass in the wind and the little liquid splashes of who-knew-what secret creatures entering that strange old place of blood-warm half earth, half water. I thought of the song of all the birds that I knew, and the soft singsong of the coffee-skinned women who sold their coiled sweet-grass baskets in the market and on Meeting Street. I thought of the glittering sun on the morning harbor and the spicy, somehow oriental smells from the dark old shops, and the rioting flowers everywhere, heavy tropical and exotic. I thought of the clop of horses' feet on cobblestones and the soft, sulking, wallowing surf of Sullivan's Island in August, and the countless small vistas of grace and charm wherever the eye fell; a garden door, a peeling old wall, an entire symmetrical world caught in a windowpane. Charlestone simply could not manage to offend the eye. I thought of the candy colors of the old houses in the sunset, and the dark secret churchyards with their tumbled stones, and the puresweet bells of Saint Michael's in the Sunday morning stillness. I thought of my tottering piles of books in the study at Belleau and the nights before the fire when my father told me of stars and butterflies and voyages, and the silver music of mathematics. I thought of hot, milky sweet coffee in the mornings, and the old kitchen around me, and Aurelia's gold smile and quick hands and eyes rich with love for me.
Anne Rivers Siddons (Colony)
... WHEN ONE LOOKS INTO THE DARKNESS THERE IS ALWAYS SOMETHING THERE... Far-off, most secret, and inviolate Rose, Enfold me in my hour of hours; where those Who sought thee in the Holy Sepulchre, Or in the wine-vat, dwell beyond the stir And tumult of defeated dreams; and deep Among pale eyelids, heavy with the sleep Men have named beauty. Thy great leaves enfold The ancient beards, the helms of ruby and gold Of the crowned Magi; and the king whose eyes Saw the pierced Hands and Rood of elder rise In Druid vapour and make the torches dim; Till vain frenzy awoke and he died; and him Who met Fand walking among flaming dew By a grey shore where the wind never blew, And lost the world and Emer for a kiss; And him who drove the gods out of their liss, And till a hundred morns had flowered red Feasted, and wept the barrows of his dead; And the proud dreaming king who flung the crown And sorrow away, and calling bard and clown Dwelt among wine-stained wanderers in deep woods: And him who sold tillage, and house, and goods, And sought through lands and islands numberless years, Until he found, with laughter and with tears, A woman of so shining loveliness That men threshed corn at midnight by a tress, A little stolen tress. I, too, await The hour of thy great wind of love and hate. When shall the stars be blown about the sky, Like the sparks blown out of a smithy, and die? Surely thine hour has come, thy great wind blows, Far-off, most secret, and inviolate Rose? Out of sight is out of mind: Long have man and woman-kind, Heavy of will and light of mood, Taken away our wheaten food, Taken away our Altar stone; Hail and rain and thunder alone, And red hearts we turn to grey, Are true till time gutter away. ... the common people are always ready to blame the beautiful.
W.B. Yeats (The Secret Rose and Rosa Alchemica by W.B.Yeats, Fiction, Literary, Classics)
Streets were quieter then. Dogs had the run of the town and children played outdoors. The side streets were for Simon Says and Green Light and Giant Step and other games. We set up our own carnivals. We told fortunes and sold coin purses that we made. But the buses on Wisteria Drive meant no one played outside my house. Even the dogs were wary except for one who only had three legs and still chased cars.
Georgia Scott (American Girl: Memories That Made Me)
She hated the small and the mean, and yet that is all she had. I bought a few big houses myself along the way, simply because I was trying out something for her. In fact, my tastes were more modest -- but you don't know that until you have bought and sold for the ghost of your mother.
Jeanette Winterson (Why Be Happy When You Could Be Normal?)
I got a little carried away one day and sold my entire load of meat on my way to a delivery in Atlantic City. I put the seal on my lock after the whole load of meat was transferred to the guy. When I got to Atlantic City the seal was broken by the manager and there was no meat inside and I was mystified.
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
When the rich are too rich there are ways, and when the poor are too poor there are ways. Last winter we sold two girls and endured, and this winter, if this one my woman bears is a girl, we will sell again. One slave I have kept—the first. The others it is better to sell than to kill, although there are those who prefer to kill them before they draw breath. This is one of the ways when the poor are too poor. When the rich are too rich there is a way, and if I am not mistaken, that way will come soon.
Pearl S. Buck (The Good Earth (House of Earth, #1))
put it up for sale at an asking price of $25 million. I first looked at Mar-a-Lago while vacationing in Palm Beach in 1982. Almost immediately I put in a bid of $15 million, and it was promptly rejected. Over the next few years, the foundation signed contracts with several other buyers at higher prices than I’d offered, only to have them fall through before closing. Each time that happened, I put in another bid, but always at a lower sum than before. Finally, in late 1985, I put in a cash offer of $5 million, plus another $3 million for the furnishings in the house. Apparently, the foundation was tired of broken deals. They accepted my offer, and we closed one month later. The day the deal was announced, the Palm Beach Daily News ran a huge front-page story with the headline MAR-A-LAGO’S BARGAIN PRICE ROCKS COMMUNITY. Soon, several far more modest estates on property a fraction of Mar-a-Lago’s size sold for prices in excess of $18 million. I’ve been told that the furnishings in Mar-a-Lago alone are worth more than I paid for the house. It just goes to show that it pays to move quickly and decisively when the time is right. Upkeep
Donald J. Trump (Trump: The Art of the Deal)
Behind my office, to the south-east, was Police Headquarters, and I imagined all the good hard work that was being done there to crack down on Berlin's crime. Villainies like speaking disrespectfully of the Führer, displaying a 'Sold Out' sign in your butcher's shop window, not giving the Hitler Salute, and homosexuality. That was Berlin under the National Socialist Government: a big, haunted house with dark corners, gloomy staircases, sinister cellars, locked rooms and a whole attic full of poltergeists on the loose, throwing books, banging doors, breaking glass, shouting in the night and generally scaring the owners so badly that there were times when they were ready to sell up and get out. But most of the time they just stopped up their ears, covered their blackened eyes and tried to pretend that there was nothing wrong. Cowed with fear, they spoke very little, ignoring the carpet moving underneath their feet, and their laughter was the thin, nervous kind that always accompanies the boss's little joke.
Philip Kerr (March Violets (Bernie Gunther, #1))
Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment.  The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death?  Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become. As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge.  The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper.  She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale. Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?” I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.  “Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”             I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”  I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank. “Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”   I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”   So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.
K. Ritz (Sheever's Journal, Diary of a Poison Master)
HAZEL WASN’T PROUD OF CRYING. After the tunnel collapsed, she wept and screamed like a two-year-old throwing a tantrum. She couldn’t move the debris that separated her and Leo from the others. If the earth shifted any more, the entire complex might collapse on their heads. Still, she pounded her fists against the stones and yelled curses that would’ve earned her a mouth-washing with lye soap back at St. Agnes Academy. Leo stared at her, wide-eyed and speechless. She wasn’t being fair to him. The last time the two of them had been together, she’d zapped him into her past and shown him Sammy, his great-grandfather—Hazel’s first boyfriend. She’d burdened him with emotional baggage he didn’t need, and left him so dazed they had almost gotten killed by a giant shrimp monster. Now here they were, alone again, while their friends might be dying at the hands of a monster army, and she was throwing a fit. “Sorry.” She wiped her face. “Hey, you know…” Leo shrugged. “I’ve attacked a few rocks in my day.” She swallowed with difficulty. “Frank is…he’s—” “Listen,” Leo said. “Frank Zhang has moves. He’s probably gonna turn into a kangaroo and do some marsupial jujitsu on their ugly faces.” He helped her to her feet. Despite the panic simmering inside her, she knew Leo was right. Frank and the others weren’t helpless. They would find a way to survive. The best thing she and Leo could do was carry on. She studied Leo. His hair had grown out longer and shaggier, and his face was leaner, so he looked less like an imp and more like one of those willowy elves in the fairy tales. The biggest difference was his eyes. They constantly drifted, as if Leo was trying to spot something over the horizon. “Leo, I’m sorry,” she said. He raised an eyebrow. “Okay. For what?” “For…” She gestured around her helplessly. “Everything. For thinking you were Sammy, for leading you on. I mean, I didn’t mean to, but if I did—” “Hey.” He squeezed her hand, though Hazel sensed nothing romantic in the gesture. “Machines are designed to work.” “Uh, what?” “I figure the universe is basically like a machine. I don’t know who made it, if it was the Fates, or the gods, or capital-G God, or whatever. But it chugs along the way it’s supposed to most of the time. Sure, little pieces break and stuff goes haywire once in a while, but mostly…things happen for a reason. Like you and me meeting.” “Leo Valdez,” Hazel marveled, “you’re a philosopher.” “Nah,” he said. “I’m just a mechanic. But I figure my bisabuelo Sammy knew what was what. He let you go, Hazel. My job is to tell you that it’s okay. You and Frank—you’re good together. We’re all going to get through this. I hope you guys get a chance to be happy. Besides, Zhang couldn’t tie his shoes without your help.” “That’s mean,” Hazel chided, but she felt like something was untangling inside her—a knot of tension she’d been carrying for weeks. Leo really had changed. Hazel was starting to think she’d found a good friend. “What happened to you when you were on your own?” she asked. “Who did you meet?” Leo’s eye twitched. “Long story. I’ll tell you sometime, but I’m still waiting to see how it shakes out.” “The universe is a machine,” Hazel said, “so it’ll be fine.” “Hopefully.” “As long as it’s not one of your machines,” Hazel added. “Because your machines never do what they’re supposed to.” “Yeah, ha-ha.” Leo summoned fire into his hand. “Now, which way, Miss Underground?” Hazel scanned the path in front of them. About thirty feet down, the tunnel split into four smaller arteries, each one identical, but the one on the left radiated cold. “That way,” she decided. “It feels the most dangerous.” “I’m sold,” said Leo. They began their descent.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
The next day, when I came home from the library, there was a small, used red record player in my room. I found my mother in the kitchen and spotted a bandage taped to her arm. “Ma,” I asked. “Where did you get the money for the record player?” “I had it saved,” she lied. My father lived well, had a large house and an expensive imported car, wanted for little, and gave nothing. My mother lived on welfare in a slum and sold her blood to the Red Cross to get me a record player. “Education is everything, Johnny,” she said, as she headed for the refrigerator to get me food. “You get smart like regular people and you don’t have to live like this no more.” She and I were not hugging types, but I put my hand on her shoulder as she washed the dishes with her back to me and she said, in best Brooklynese, “So go and enjoy, already.” My father always said I was my mother’s son and I was proud of that. On her good days, she was a good and noble thing to be a part of. That evening, I plugged in the red record player and placed it by the window. My mother and I took the kitchen chairs out to the porch and listened to Beethoven’s Sixth Symphony from beginning to end, as we watched the oil-stained waters of the Mad River roll by. It was a good night, another good night, one of many that have blessed my life.
John William Tuohy
Once, my grandmama told me a story about her great-grandmama. She'd come across the ocean, been kidnapped and sold. Said her great-grandmama told her that in her village, they ate fear. Said it turned the food to sand in they mouth. Said everyone knew about the death march to the cost, that word had come down about the ships, about how they packed men and women into them. Some heard it was even worse for those who sailed off, sunk into the far. Because that's what it looked like when the ship crossed the horizon: like the ship sailed off and sunk, bit by bit, into the water. Her grandmama said they never went out at night, and even in the day, they stayed in the shadows of they houses. But still, they came for her. Kidnapped her here, and she learned the boats didn't sink to some watery place, sailed by white ghosts. She learned that bad things happened on that ship, all the way until it docked. That her skin grew around the chains. That her mouth shaped to the muzzle. That she was made into an animal under the hot, bright sky, the same sky the rest of her family was under, somewhere far aways, in another world. I knew what that was, to be made a animal.
Jesmyn Ward (Sing, Unburied, Sing)
As a youth I enjoyed — indeed, like most of my contemporaries, revered — the agitprop plays of Brecht, and his indictments of Capitalism. It later occurred to me that his plays were copyrighted, and that he, like I, was living through the operations of that same free market. His protestations were not borne out by his actions, neither could they be. Why, then, did he profess Communism? Because it sold. The public’s endorsement of his plays kept him alive; as Marx was kept alive by the fortune Engels’s family had made selling furniture; as universities, established and funded by the Free Enterprise system — which is to say by the accrual of wealth — house, support, and coddle generations of the young in their dissertations on the evils of America.
David Mamet (The Secret Knowledge: On the Dismantling of American Culture)
Fairy tales, fantasy, legend and myth...these stories, and their topics, and the symbolism and interpretation of those topics...these things have always held an inexplicable fascination for me," she writes. "That fascination is at least in part an integral part of my character — I was always the kind of child who was convinced that elves lived in the parks, that trees were animate, and that holes in floorboards housed fairies rather than rodents. You need to know that my parents, unlike those typically found in fairy tales — the wicked stepmothers, the fathers who sold off their own flesh and blood if the need arose — had only the best intentions for their only child. They wanted me to be well educated, well cared for, safe — so rather than entrusting me to the public school system, which has engendered so many ugly urban legends, they sent me to a private school, where, automatically, I was outcast for being a latecomer, for being poor, for being unusual. However, as every cloud does have a silver lining — and every miserable private institution an excellent library — there was some solace to be found, between the carved oak cases, surrounded by the well–lined shelves, among the pages of the heavy antique tomes, within the realms of fantasy. Libraries and bookshops, and indulgent parents, and myriad books housed in a plethora of nooks to hide in when I should have been attending math classes...or cleaning my room...or doing homework...provided me with an alternative to a reality I didn't much like. Ten years ago, you could have seen a number of things in the literary field that just don't seem to exist anymore: valuable antique volumes routinely available on library shelves; privately run bookshops, rather than faceless chains; and one particular little girl who haunted both the latter two institutions. In either, you could have seen some variation upon a scene played out so often that it almost became an archetype: A little girl, contorted, with her legs twisted beneath her, shoulders hunched to bring her long nose closer to the pages that she peruses. Her eyes are glued to the pages, rapt with interest. Within them, she finds the kingdoms of Myth. Their borders stand unguarded, and any who would venture past them are free to stay and occupy themselves as they would.
Helen Pilinovsky
My physical eyes are like sunglasses, filtering out the colors, but when I'm out here, the aura that emanates from every living thing is clearly visible to me. People, animals, and even plants are surrounded by this transparent bubble of color. Over the years, I've learned that the colors can tell you quite a bit about a person. Like right now, Rei is surrounded by this lemonade yellow, which looks nice, but it's the same shade of yellow my mom has whn she's sold a house to someone and the loan falls through. Sigh.
Gina Rosati (Auracle)
At first my father owned slaves, but by and by he sold them, and hired others by the year from the farmers. For a girl of fifteen he paid twelve dollars a year and gave her two linsey-wolsey frocks and a pair of “stogy” shoes—cost, a modification of nothing; for a negro woman of twenty-five, as general house servant, he paid twenty-five dollars a year and gave her shoes and the aforementioned linsey-wolsey frocks; for a strong negro woman of forty, as cook, washer, etc., he paid forty dollars a year and the customary two suits of clothes; and for an able bodied man he paid from seventy-five to a hundred dollars a year and gave him two suits of jeans and two pairs of “stogy” shoes—an outfit that cost about three dollars. But times have changed.
Mark Twain (Autobiography of Mark Twain: The Complete and Authoritative Edition, Volume 1)
I did not think I could stand a Christmas at my parents' house, with a plastic tree and no snow and the TV going constantly. It was not as if my parent were so anxious to have me, either. In recent years they had fallen in with a gabby, childless couple, older than they were, called the MacNatts. Mr MacNatt was an auto-parts salesman; Mrs MacNat was shaped like a pigeon and sold Avon.
Donna Tartt
Not very long ago I was driving with my husband on the back roads of Grey County, which is to the north and east of Huron County. We passed a country store standing empty at a crossroads. It had old-fashioned store windows, with long narrow panes. Out in front there was a stand for gas pumps which weren't there anymore. Close beside it was a mound of sumac trees and strangling vines, into which all kinds of junk had been thrown. The sumacs jogged my memory and I looked back at the store. It seemed to me that I had been here once, and the the scene was connected with some disappointment or dismay. I knew that I had never driven this way before in my adult life and I did not think I could have come here as a child. It was too far from home. Most of our drives out of town where to my grandparents'house in Blyth--they had retired there after they sold the farm. And once a summer we drove to the lake at Goderich. But even as I was saying this to my husband I remembered the disappointment. Ice cream. Then I remembered everything--the trip my father and I had made to Muskoka in 1941, when my mother was already there, selling furs at the Pine Tree Hotel north of Gravehurst.
Alice Munro (The View from Castle Rock)
To an American Negro living in the northern part of the United States the word South has an unpleasant sound, an overtone of horror and of fear. For it is in the South that our ancestors were slaves for three hundred years, bought and sold like cattle. It is in the South today that we suffer the worst forms of racial persecution and economic exploitation--segregation, peonage, and lynching. It is in the Southern states that the color line is hard and fast, Jim Crow rules, and I am treated like a dog. Yet it is in the South that two-thirds of my people live: A great Black Belt stretching from Virginia to Texas, across the cotton plantations of Georgia and Alabama and Mississippi, down into the orange groves of Florida and the sugar cane lands of Louisiana. It is in the South that black hands create the wealth that supports the great cities--Atlanta, Memphis, New Orleans, where the rich whites live in fine houses on magnolia-shaded streets and the Negroes live in slums restricted by law. It is in the South that what the Americans call the "race problem" rears its ugly head the highest and, like a snake with its eyes on a bird, holds the whole land in its power. It is in the South that hate and terror walk the streets and roads by day, sometimes quiet, sometimes violent, and sleep n the beds with the citizens at night.
Langston Hughes (Good Morning, Revolution: Uncollected Social Protest Writings)
years, my family had sold the estate around the house, piece by piece, so that the sprawling peach orchard and even the grand front drive had given way to tidy bungalows lining the long road to the main house. Grandma had said it made gossip travel even faster, the way they built houses so close together these days. I always told her that the good citizens of Sugarland, Tennessee, needed no help. Still, I loved the place. And I absolutely despised letting
Angie Fox (Southern Spirits (Southern Ghost Hunter Mysteries, #1))
the back of their trucks, or that woman who sold fresh vegetables right out of her garden and smiled like the sun when you said good mornin’?’ Somebody’ll say, ‘Oh, they sell all those things at the supermarket now, and you don’t have to go hither and yon to buy what you need, it’s all under one roof. And why don’t they do that to everythin’? Just put a whole town’s stores under one roof so the rain won’t fall on you and you won’t get cold. Wouldn’t that be a jim-dandy idea?’ ” My father worked his knuckles for a moment. “And then you’ll have stores and roads and houses, but you won’t have towns anymore. Not the way they are now. And you’ll walk into one of those stores under one roof and you’ll ask for somethin’ and the gum-chewin’ girl’ll say no, we don’t have that. We don’t have that, and we can’t get it for you because they don’t make that anymore. That’s not what people want, you see. People only want what the big banners hangin’ from the ceilin’ tell them to want. We only have those things, and they’re made by machines a thousand a minute. But they’re perfect, she’ll say. Not an imperfection in the lot. And when you use it up or get tired of it or when the banners change, you can just throw it away because it’s made to be thrown away. Now! she’ll say, How many of these perfect things do you need today, and please hurry because there’s a line behind you.
Robert McCammon (Boy's Life)
When a fine old carpet is eaten by mice, the colors and patterns of what's left behind do not change,' wrote my neighbor and friend, the poet Jane Hirschfield, after she visited an old friend suffering from Alzheimer's disease in a nursing home. And so it was with my father. His mind did not melt evenly into undistinguishable lumps, like a dissolving sand castle. It was ravaged selectively, like Tintern Abbey, the Cistercian monastery in northern Wales suppressed in 1531 by King Henry VIII in his split with the Church of Rome. Tintern was turned over to a nobleman, its stained-glass windows smashed, its roof tiles taken up and relaid in village houses. Holy artifacts were sold to passing tourists. Religious statues turned up in nearby gardens. At least one interior wall was dismantled to build a pigsty. I've seen photographs of the remains that inspired Wordsworth: a Gothic skeleton, soaring and roofless, in a green hilly landscape. Grass grows in the transept. The vanished roof lets in light. The delicate stone tracery of its slim, arched quatrefoil windows opens onto green pastures where black-and-white cows graze. Its shape is beautiful, formal, and mysterious. After he developed dementia, my father was no longer useful to anybody. But in the shelter of his broken walls, my mother learned to balance her checkbook, and my heart melted and opened. Never would I wish upon my father the misery of his final years. But he was sacred in his ruin, and I took from it the shards that still sustain me.
Katy Butler (Knocking on Heaven's Door: The Path to a Better Way of Death)
Why, all our art treasures of to-day are only the dug-up commonplaces of three or four hundred years ago. I wonder if there is real intrinsic beauty in the old soup-plates, beer-mugs, and candle-snuffers that we prize so now, or if it is only the halo of age glowing around them that gives them their charms in our eyes. The “old blue” that we hang about our walls as ornaments were the common every-day household utensils of a few centuries ago; and the pink shepherds and the yellow shepherdesses that we hand round now for all our friends to gush over, and pretend they understand, were the unvalued mantel-ornaments that the mother of the eighteenth century would have given the baby to suck when he cried. Will it be the same in the future? Will the prized treasures of to-day always be the cheap trifles of the day before? Will rows of our willow-pattern dinner-plates be ranged above the chimneypieces of the great in the years 2000 and odd? Will the white cups with the gold rim and the beautiful gold flower inside (species unknown), that our Sarah Janes now break in sheer light-heartedness of spirit, be carefully mended, and stood upon a bracket, and dusted only by the lady of the house? That china dog that ornaments the bedroom of my furnished lodgings. It is a white dog. Its eyes blue. Its nose is a delicate red, with spots. Its head is painfully erect, its expression is amiability carried to verge of imbecility. I do not admire it myself. Considered as a work of art, I may say it irritates me. Thoughtless friends jeer at it, and even my landlady herself has no admiration for it, and excuses its presence by the circumstance that her aunt gave it to her. But in 200 years’ time it is more than probable that that dog will be dug up from somewhere or other, minus its legs, and with its tail broken, and will be sold for old china, and put in a glass cabinet. And people will pass it round, and admire it. They will be struck by the wonderful depth of the colour on the nose, and speculate as to how beautiful the bit of the tail that is lost no doubt was. We, in this age, do not see the beauty of that dog. We are too familiar with it. It is like the sunset and the stars: we are not awed by their loveliness because they are common to our eyes. So it is with that china dog. In 2288 people will gush over it. The making of such dogs will have become a lost art. Our descendants will wonder how we did it, and say how clever we were. We shall be referred to lovingly as “those grand old artists that flourished in the nineteenth century, and produced those china dogs.” The “sampler” that the eldest daughter did at school will be spoken of as “tapestry of the Victorian era,” and be almost priceless. The blue-and-white mugs of the present-day roadside inn will be hunted up, all cracked and chipped, and sold for their weight in gold, and rich people will use them for claret cups; and travellers from Japan will buy up all the “Presents from Ramsgate,” and “Souvenirs of Margate,” that may have escaped destruction, and take them back to Jedo as ancient English curios.
Jerome K. Jerome (Complete Works of Jerome K. Jerome)
When Ghada, the beautiful 78 year old Palestinian woman, offered me the bread she had just conjured up on the makeshift and primitive cast iron lid balanced upon a rocky fire outside of her sparse UNRWA tent in 2015 it was precisely then that I decided that my life had to change. No longer could I justify vulgar material possessions and unnecessary finances. I returned home, sold my house,moved into a modest but adequate abode and gave a lot of time and funds to helping those with nothing. Some of us aren't destined to feel rapturous love...find deep faith...have a sense of belonging in this world but thanks to Ghada and the many like her, both young and old,that I encountered in Gaza and the West Bank I finally realized and truly understood what it meant to be a human being and what the real purpose of this life is....to help,to give,to speak out,to speak up,to right the many wrongs...to do all of those things without ever once expecting a single thing in return. After all, it is neither heroic or special to do what is just.
Russell Patient
I looked back and forth between them, feeling the heat of their anger, the unspoken words swelling in the air like smoke. Jerry took a slow sip from his beer and lit another cigarette. "You don't know anything about that little girl," he told Nona. "You're just jealous because Cap belongs to her now." I could see Nona's heartbeat flutter beneath her t-shirt, the cords tightening in her neck. "Her mommy and daddy might have paid for him," she whispered. "But he's mine." I waited for Jerry to cave in to her, to apologize, to make things right between them. But he held her gaze, unwavering. "He's not." Nona stubbed her cigarette out on the barn floor, then stood. "If you don't believe me," she whispered, "I'll show you." My sister crossed the barn to Cap's stall and clicked her tongue at him. His gold head appeared in the doorway and Nona swung the stall door open. "Come on out." she told him. Don't!" I said, but she didn't pause. Cap took several steps forward until he was standing completely free in the barn. I jumped up, blocking the doorway so that he couldn't bolt. Jerry stood and widened himself beside me, stretching out his arms. "What the hell are you doing?" he asked. Nona stood beside Cap's head and lifted her arms as though she was holding an invisible lead rope. When she began to walk, Cap moved alongside her, matching his pace to hers. Whoa," Nona said quietly and Cap stopped. My sister made small noises with her tongue, whispering words we couldn't hear. Cap's ears twitched and his weight shifted as he adjusted his feet, setting up perfectly in showmanship form. Nona stepped back to present him to us, and Jerry and I dropped our arms to our sides. Ta da!" she said, clapping her hands at her own accomplishment. Very impressive," Jerry said in a low voice. "Now put the pony away." Again, Nona lifted her hands as if holding a lead rope, and again, Cap followed. She stepped into him and he turned on his heel, then walked beside her through the barn and back into his stall. Once he was inside, Nona closed the door and held her hands out to us. She hadn't touched him once. Now," she said evenly. "Tell me again what isn't mine." Jerry sank back into his chair, cracking open a fresh beer. "If that horse was so important to you, maybe you shouldn't have left him behind to be sold off to strangers." Nona's face constricted, her cheeks and neck darkening in splotches of red. "Alice, tell him," she whispered. "Tell him that Cap belongs to me." Sheila Altman could practice for the rest of her life, and she would never be able to do what my sister had just done. Cap would never follow her blindly, never walk on water for her. But my eyes traveled sideways to Cap's stall where his embroidered halter hung from its hook. If the Altmans ever moved to a different town, they would take Cap with them. My sister would never see him again. It wouldn't matter what he would or wouldn't do for her. My sister waited a moment for me to speak, and when I didn't, she burst into tears, her shoulders heaving, her mouth wrenching open. Jerry and I glanced at each other, startled by the sudden burst of emotion. You can both go to hell," Nona hiccuped, and turned for the house. "Right straight to hell.
Aryn Kyle (The God of Animals)
when I was the proud owner of eight houses. I had become addicted to finding broken-down, slummy houses in London and making structural alterations, decorating and furnishing them. When the second war came and I had to pay war damage insurance on all these houses, it was not so funny. However, in the end they all showed a good profit when I sold them. It had been an enjoyable hobby while it lasted–and I am always interested to walk past one of ‘my’ houses, to see how they are being kept up, and to guess the sort of person who is living in them now. On
Agatha Christie (Agatha Christie: An Autobiography)
Young man,” he went on, raising his head again, “in your face I seem to read some trouble of mind. When you came in I read it, and that was why I addressed you at once. For in unfolding to you the story of my life, I do not wish to make myself a laughing-stock before these idle listeners, who indeed know all about it already, but I am looking for a man of feeling and education. Know then that my wife was educated in a high-class school for the daughters of noblemen, and on leaving, she danced the shawl dance before the governor and other personages for which she was presented with a gold medal and a certificate of merit. The medal … well, the medal of course was sold—long ago, hm … but the certificate of merit is in her trunk still and not long ago she showed it to our landlady. And although she is most continually on bad terms with the landlady, yet she wanted to tell some one or other of her past honours and of the happy days that are gone. I don’t condemn her for it. I don’t blame her, for the one thing left her is recollection of the past, and all the rest is dust and ashes. Yes, yes, she is a lady of spirit, proud and determined. She scrubs the floors herself and has nothing but black bread to eat, but won’t allow herself to be treated with disrespect. That’s why she would not overlook Mr. Lebeziatnikov’s rudeness to her, and so when he gave her a beating for it, she took to her bed more from the hurt to her feelings than from the blows. She was a widow when I married her, with three children, one smaller than the other. She married her first husband, an infantry officer, for love, and ran away with him from her father’s house. She was exceedingly fond of her husband; but he gave way to cards, got into trouble and with that he died. He used to beat her at the end: and although she paid him back, of which I have authentic documentary evidence, to this day she speaks of him with tears and she throws him up at me; and I am glad, I am glad that, though only in imagination, she should think of herself as having once been happy.… And she was left at his death with three children in a wild and remote district where I happened to be at the time; and she was left in such hopeless poverty that, although I have seen many ups and downs of all sorts, I don’t feel equal to describing it even. Her relations had all thrown her off. And she was proud, too, excessively proud.… And then, honoured sir, and then, I, being at the time a widower, with a daughter of fourteen left me by my first wife, offered her my hand, for I could not bear the sight of such suffering. You can judge the extremity of her calamities, that she, a woman of education and culture and distinguished family, should have consented to be my wife. But she did! Weeping and sobbing and wringing her hands, she married me! For she had nowhere to turn! Do you understand, sir, do you understand what it means when you have absolutely nowhere to turn? No, that you don’t understand yet…
Fyodor Dostoevsky (Crime and Punishment)
I’m supposed to believe you sold your emeralds out of some freakish start-out of a frivolous desire to go off with a man you claim was your brother?” “Goodness, I don’t know what you are supposed to believe. I only know I did it.” “Madam!” he snapped. “You were on the verge of tears, according to the jeweler to whom you sold them. If you were in a frivolous mood, why were you on the verge of tears?” Elizabeth gave him a vacuous look. “I liked my emeralds.” Guffaws erupted from the floor to the rafters. Elizabeth waited until they were finished before she leaned forward and said in a proud, confiding tone, “My husband often says that emeralds match my eyes. Isn’t that sweet?” Sutherland was beginning to grind his teeth, Elizabeth noted. Afraid to look at Ian, she cast a quick glance at Peterson Delham and saw him watching her alertly with something that might well have been admiration. “So!” Sutherland boomed in a voice that was nearly a rant. “We are now supposed to believe that you weren’t really afraid of your husband?” “Of course I was. Didn’t I just explain how very cruel he can be?” she asked with another vacuous look. “Naturally, when Bobby showed me his back I couldn’t help thinking that a man who would threaten to cut off his wife’s allowance would be capable of anything-“ Loud guffaws lasted much longer this time, and even after they died down, Elizabeth noticed derisive grins where before there had been condemnation and disbelief. “And,” Sutherland boomed, when he could be heard again, “we are also supposed to believe that you ran off with a man you claim is your brother and have been cozily in England somewhere-“ Elizabeth nodded emphatically and helpfully provided, “In Helmshead-it is the sweetest village by the sea. I was having a very pleas-very practical time until I read the paper and realized my husband was on trial. Bobby didn’t think I should come back at all, because he was still provoked about being put on one of my husband’s ships. But I thought I ought.” “And what,” Sutherland gritted, “do you claim is the reason you decided you ought?” “I didn’t think Lord Thornton would like being hanged-“ More mirth exploded through the House, and Elizabeth had to wait for a full minute before she could continue. “And so I gave Bobby my money, and he went on to have his own agreeable life, as I said earlier.” “Lady Thornton,” Sutherland said in an awful, silky voice that made Elizabeth shake inside, “does the word ‘perjury’ have any meaning to you?” “I believe,” Elizabeth said, “it means to tell a lie in a place like this.” “Do you know how the Crown punishes perjurers? They are sentenced to gaol, and they live their lives in a dark, dank cell. Would you want that to happen to you?” “It certainly doesn’t sound very agreeable,” Elizabeth said. “Would I be able to take my jewels and gowns?” Shouts of laughter shook the chandeliers that hung from the vaulted ceilings. “No, you would not!” “Then I’m certainly happy I haven’t lied.
Judith McNaught (Almost Heaven (Sequels, #3))
Is your cheese this good? This wasn’t plain old housing projects “cheese food”; nor was it some smelly, curdled, reluctant Swiss cheese material snatched from a godforsaken bodega someplace, gathering mold in some dirty display case while mice gnawed at it nightly, to be sold, to some sucker fresh from Santo Domingo. This was fresh, rich, heavenly, succulent, soft, creamy, kiss-my-ass, cows-gotta-die-for-this, delightfully salty, moo-ass, good old white folks cheese, cheese to die for, cheese to make you happy, cheese to bet the cheese boss, cheese for the big cheese, cheese to end the world ...
James McBride (Deacon King Kong)
Nick's number waited impatiently on the screen, tapping its foot. I could press the red button to cancel the call. Without pressing anything, I set the phone down on my bedside table, crossed my arms,and glared at it. Good:Nick wouldn't think I was chasing him. Bad:Nick would die alone in his house from complications related to his stupendous wipeout.The guilt of knowing I could have saved his life if not for my outsized ego would be too much for me to bear.I would retreat from public life.I would join a nearby convent and knit potholders from strands of my own hair.No,I would crochet Christmas ornaments in the shape of delicate snowflakes.Red snowflakes! They would be sold in the souvenir shops around town.I would support a whole orphanage from the proceeds of snowflakes I crocheted from my hair.All the townspeople of Snowfall would tell tourists the story of Crazy Sister Hayden and the tragedy of her lost love. Or I could call Nick.Jesus! I snatched up the phone and pressed the green button. His phone switched straight to voice mail.Great,I hadn't found out whether he was dying,and if he recovered later,he would see my number on his phone and roll his eyes. Damage control: Beeeeep! "Hey,Nick,it's Hayden.Just,ah, wanted to know how a crash like that feels." Wait,I was trying to get him to call me back,right?He would not return my call after a message like that. "Actually just wondering whether you're ready to make out again and then have another argument." He might not return that call,either. "Actually,I remembered your mother isn't home,and I wanted to make sure you're okay.Please give me a call back." Pressed red button.Set phone on nightstand.Folded arms.Glared at phone. Picked it up. "Freaking stupid young love!" I hollered,slamming it into the pillows on my bed. Doofus jumped up, startled. Ah-ha.
Jennifer Echols (The Ex Games)
Each night when I returned to the rooming house in Hong Kong, I lay on a cot with wet towels over my chest. The walls were sweating because I couldn’t open the windows for fresh air. The building was on a fishy street on the Kowloon side. This was not the part where the fish were sold. There it smelled of the morning sea, salty and sharp. I was living in Kowloon Walled City, along the low point in a wide gutter, where the scales and blood and guts gathered, swept there by the fishmongers’ buckets of water at night. When I breathed the air, it was the vapors of death, a choking sour stink that reached like fingers into my stomach and pulled my insides out. Forever in my nose, that is the fragrance of Fragrant Harbor.
Amy Tan (The Bonesetter's Daughter)
can …’ As I listened, I looked up at the white clouds drifting past. Finally, they had opened – it had started to snow – snowflakes were falling outside. I opened the window and reached out my hand. I caught a snowflake. I watched it disappear, vanish from my fingertip. I smiled. And I went to catch another one. Acknowledgements I’m hugely indebted to my agent, Sam Copeland, for making all this happen. And I’m especially grateful to my editors – Ben Willis in the United Kingdom and Ryan Doherty in the United States – for making the book so much better. I also want to thank Hal Jensen and Ivàn Fernandez Soto for their invaluable comments; Kate White for years of showing me how good therapy works; the young people and staff at Northgate and everything they taught me; Diane Medak for letting me use her house as a writing retreat; Uma Thurman and James Haslam for making me a better writer. And for all their helpful suggestions, and encouragement, Emily Holt, Victoria Holt, Vanessa Holt, Nedie Antoniades, and Joe Adams. Author Biography Alex Michaelides read English at Cambridge University and screenwriting at the American Film Institute. He wrote the film Devil You Know starring Rosamund Pike, and co-wrote The Con is On. His debut novel, The Silent Patient, is also being developed into a major motion picture, and has been sold in thirty-nine territories worldwide. Born in Cyprus to a Greek-Cypriot father and English mother, Michaelides now lives in London, England.
Alex Michaelides (The Silent Patient)
was tempted to tell him the truth: “See here, sir, the reason is there’s so much misery in Spain that we have to dunk our bread in puddles, there are no cats left in my town because we’ve eaten all the rats, the Republicans killed my mother because she had a cousin who was a nun hiding in our house, and then the Nationalists killed my father because he refused to bend his knee before a portrait of the caudillo. I have no family left, but I don’t wanna spend the rest of my life breaking my back in the mines, devoured by lice, and I sold my grandmother’s wedding ring—may she rest in peace—so I could buy a third-class ticket on a ship and start from zero, with just the clothes on my back, on the other side of the world. The reason is I wanna survive.
Susana López Rubio (The Price of Paradise)
THE GHOST OF THE AUTHOR'S MOTHER HAS A CONVERSATION WITH HIS FIANCÉE ABOUT HIGHWAYS ...and down south, honey. When the side of the road began to swell with dead and dying things, that's when us black children knew it was summer. Daddy didn't keep clocks in the house. Ain't no use when the sky round those parts always had some flames runnin' to horizon, lookin' like the sun was always out. back when I was a little girl, I swear, them white folk down south would do anything to stop another dark thing from touching the land, even the nighttime. We ain't have streetlights, or some grandmotherly voice riding through the fields on horseback tellin' us when to come inside. What we had was the stomach of a deer, split open on route 59. What we had was flies resting on the exposed insides of animals with their tongues touching the pavement. What we had was the smell of gunpowder and the promise of more to come, and, child, that'll get you home before the old folks would break out the moonshine and celebrate another day they didn't have to pull the body of someone they loved from the river. I say 'river' because I want you to always be able to look at the trees without crying. When we moved east, I learned how a night sky can cup a black girl in its hands and ask for forgiveness. My daddy sold the pistol he kept in the sock drawer and took me to the park. Those days, I used to ask him what he feared, and he always said "the bottom of a good glass." And then he stopped answering. And then he stopped coming home altogether. Something about the first day of a season, honey. Something always gotta sacrifice its blood. Everything that has its time must be lifted from the earth. My boys don't bother with seasons anymore. My sons went to sleep in the spring once and woke up to a motherless summer. All they know now is that it always be colder than it should be. I wish I could fix this for you. I'm sorry none of my children wear suits anymore. I wish ties didn't remind my boys of shovels, and dirt, and an empty living room. They all used to look so nice in ties. I'm sorry that you may come home one day to the smell of rotting meat, every calendar you own, torn off the walls, burning in a trashcan. And it will be the end of spring. And you will know.
Hanif Abdurraqib (The Crown Ain't Worth Much (Button Poetry))
I wrote about a place called Alki Beach. When I had first crossed the bridge into West Seattle, I could see the city skyline over Puget Sound. I stood on a strip of purple-gray beach sand. A pier house sold hairy mussels and one-hour bike rentals. Copper and metal signs whipped against the wind. Old couples toted bouquets under wooden pergolas. Those singing and strolling on the beach eventually curved around the bend toward the northern arc and out of sight. I wanted to live here by its waters, read its signs, admire the wind as one admires an old friend. The skyscrapers across the water might be a bracelet across my wrist—the Ferris wheel, city stadium, ships in the harbor. I had never known that joy was a practice the way poetry was a practice. Somebody asked if they could
E.J. Koh (The Magical Language of Others)
When I got off the phone, my earbuds were still in from the call and my phone started playing a song, which it sometimes does, without my explicit instruction. The song it played was a U2 song from an album that was released when I was finishing high school, an album I played on a CD boom box, lying on my bed, staring up at the ceiling, thinking about how I was at the end of some beginning, which made what came next the beginning of the end. I walked over to the bodega on a corner at Sixth and bought a pack of cigarettes. The man who sold them to me didn’t look at me funny; he didn’t tell me I was too old to be playing games like this. I went back to the bench and lit a cigarette and inhaled, the smoke entering my body and filling it with poison, with something. — THE HOUSE IN East Hampton was no longer Toby’s, as if it ever was,
Taffy Brodesser-Akner (Fleishman Is in Trouble)
I am now going to state three facts, which will startle a large class of readers on this side of the Atlantic, very much. Firstly, there is a joint-stock piano in a great many of the boarding-houses. Secondly, nearly all these young ladies subscribe to circulating libraries. Thirdly, they have got up among themselves a periodical called The Lowell Offering, ‘A repository of original articles, written exclusively by females actively employed in the mills,’—which is duly printed, published, and sold; and whereof I brought away from Lowell four hundred good solid pages, which I have read from beginning to end. The large class of readers, startled by these facts, will exclaim, with one voice, ‘How very preposterous!’ On my deferentially inquiring why, they will answer, ‘These things are above their station.’ In reply to that objection, I would beg to ask what their station is.
Charles Dickens (American Notes and Pictures from Italy)
In the same month that Corey extended his invitation for food or caffeine, a major American publisher issued my follow-up to I Hate the Internet. It was a novel that ended up with the title The Future Won’t Be Long. It was a massive commercial failure. Less than 300 copies sold in its first six months! I Hate the Internet sold 300 copies in its first two weeks! Reader, this was shocking. If for no other reason than the simple fact that The Future Won’t Be Long was published by Penguin Random House. Penguin Random House is the biggest publishing conglomerate in the world. It’s a multibillion-dollar multinational corporation owned by another multibillion-dollar multinational corporation called Bertelsmann, which spent much of World War Two producing Nazi propaganda and using Jewish slaves to work in its factories. My book was backed by Nazi money! And it still failed!
Jarett Kobek (Only Americans Burn in Hell)
There are subtler ways of killing. Call it death by statistics. Today, white man lets his statistics do the killing for him. Indian reservations in South Dakota have the highest rates of poverty and unemployment and the highest rates of infant mortality and teenage suicide, along with the lowest standard of living and the lowest life expectancy — barely forty years! — in the country. Those statistics amount to genocide. Genocide also disguises itself in the form of poor health facilities and wretched housing and inadequate schooling and rampant corruption. Our remaining lands, eyed by a thousand local schemers only too eager to stir up trouble and division on the reservation, continue to be sold off acre by acre to pay off tribal and individual debts. No square inch of our ever-shrinking territory seems beyond the greedy designs of those who would drive us into nonexistence.
Leonard Peltier (Prison Writings: My Life Is My Sun Dance)
In other words, money isn’t a material reality – it is a psychological construct. It works by converting matter into mind. But why does it succeed? Why should anyone be willing to exchange a fertile rice paddy for a handful of useless cowry shells? Why are you willing to flip hamburgers, sell health insurance or babysit three obnoxious brats when all you get for your exertions is a few pieces of coloured paper? People are willing to do such things when they trust the figments of their collective imagination. Trust is the raw material from which all types of money are minted. When a wealthy farmer sold his possessions for a sack of cowry shells and travelled with them to another province, he trusted that upon reaching his destination other people would be willing to sell him rice, houses and fields in exchange for the shells. Money is accordingly a system of mutual trust, and not just any system of mutual trust: money is the most universal and most efficient system of mutual trust ever devised. What created this trust was a very complex and long-term network of political, social and economic relations. Why do I believe in the cowry shell or gold coin or dollar bill? Because my neighbours believe in them. And my neighbours believe in them because I believe in them. And we all believe in them because our king believes in them and demands them in taxes, and because our priest believes in them and demands them in tithes. Take a dollar bill and look at it carefully. You will see that it is simply a colourful piece of paper with the signature of the US secretary of the treasury on one side, and the slogan ‘In God We Trust’ on the other. We accept the dollar in payment, because we trust in God and the US secretary of the treasury. The crucial role of trust explains why our financial systems are so tightly bound up with our political, social and ideological systems, why financial crises are often triggered by political developments, and why the stock market can rise or fall depending on the way traders feel on a particular morning.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
I wasn’t sure what to do. I knew that the main house was about a quarter mile up the drive. I could leave my car here and walk it. See what’s what. But what would be the point? I hadn’t been up here in six years. The retreat probably sold the land, and the new owner probably craved privacy. That might explain all this. Still it didn’t feel right. What would be the harm, I thought, in going up and knocking on the door of the main house? Then again, the thick chain and no trespassing signs were not exactly welcome mats. I was still trying to decide what to do when a Kraftboro police cruiser pulled up next to me. Two officers got out. One was short and stocky with bloated gym muscles. The other was tall and thin with slicked-back hair and the small mustache of a guy in a silent movie. Both wore aviator sunglasses, so you couldn’t see their eyes. Short and Stocky hitched up his pants a bit and said, “Can I help you?” They both gave me hard stares. Or at least I think they were hard stares. I mean, I couldn’t see their eyes. “I
Harlan Coben (Six Years)
Jesus in the Temple of God in Jerusalem Matthew 21 12: AND JESUS WENT INTO THE TEMPLE OF GOD, AND CAST OUT ALL THEM THAT SOLD AND BOUGHT IN THE TEMPLE, AND OVERTHROW THE TABLES OF THE MONEY-CHANGERS, AND THE SEATS OF THEM THAT SOLD DOVES Rebellion is individual. It comes out of the truth of one being. Revolutions are organized, but you can not organize a rebellion. Revolutions becomes establishment, and then they fail. Rebellion comes out of the truth and authenticity of one being's heart. Revolution is organized and political, rebellion is spiritual. A revolution is of the future, rebellion is here and now. In revolution, you try to change others, in rebellion you change yourself. Jesus is a rebel. Christianity is the organized religion, which appeared after Jesus was murdered. Christianity is established by the same establishment that Jesus rebelled against. Jesus is a rebel, who lived out of his own love, truth and understanding. AND HE SAID TO THEM, IT IS WRITTEN, MY HOUSE SHALL BE CALLED THE HOUSE OF PRAYER Jesus entered the temple of God in Jerusalem, and saw that the temple had been destryed. It was not a house of prayer. People were not meditating, people were not praying. The temple was no longer the abode of God. Priests have always been against God. The talk about God, but they are basically against God. They do not teach truth. The temple of God in Jerusalem had been destroyed by the priests. Christianity is based on one simple word: love. But the result of Christianity is wars, murder and crusades. The priests go on talking about love, but he does not live in love. AND HE SAID UNTO THEM, IT IS WRITTEN, MY HOUSE SHALL BE CALLED THE HOUSE OF PRAYER; BUT YE HAVE MADE IT A DEN OF THIEVES Jesus says that the temple of God, is not longer a house of prayer. It is a house of thieves. AND WHEN HE WAS COME INTO THE TEMPLE, THE CHIEF PRIESTS AND THE ELDERS OF THE PEOPLE CAME UNTO HIM AS HE WAS TEACHING AND SAID, BY WHAT AUTHORITY DOES THOU THESE THINGS? AND WHO GAVE THEE THIS AUTHORITY? Organized religion always asks about authority, status, as if truth needs some authority, some licensing from the outside. The priests talks the language of the establishment, even while meeting a mystic like Jesus. Truth arises from your own being, this is the inner authority. Truth is born out of your own being. The priests asks Jesus who has given him the authority to overthrow the tables of the money-changers? Who has given him the authority to change the rules of the temple? But Jesus did not answer the priests. He remained silent. Jesus is his own authority. Jesus whole message is to be your own authority. You are not here to follow anybody. You are here to be yourself. Your life is yours. Your love is your inner being. The priests wanted to arrest Jesus and throw him into prison, but they were afraid of the masses of people who listened to Jesus. They had to wait for the right moment to arrest him. The authentic mystic is always a danger to the priests and the organized religion. When you can allow the yes to be born in you, there is no need to go to a temple. Then God desends in you. Whenever a man is ready, God finds him.
Swami Dhyan Giten
To sit indoors was silly. I postponed the search for Savchenko and Ludmila till the next day and went wandering about Paris. The men wore bowlers, the women huge hats with feathers. On the café terraces lovers kissed unconcernedly - I stopped looking away. Students walked along the boulevard St. Michel. They walked in the middle of the street, holding up traffic, but no one dispersed them. At first I thought it was a demonstration - but no, they were simply enjoying themselves. Roasted chestnuts were being sold. Rain began to fall. The grass in the Luxembourg gardens was a tender green. In December! I was very hot in my lined coat. (I had left my boots and fur cap at the hotel.) There were bright posters everywhere. All the time I felt as though I were at the theatre. I have lived in Paris off and on for many years. Various events, snatches of conversation have become confused in my memory. But I remember well my first day there: the city electrified my. The most astonishing thing is that is has remained unchanged; Moscow is unrecognizable, but Paris is still as it was. When I come to Paris now, I feel inexpressibly sad - the city is the same, it is I who have changed. It is painful for me to walk along the familiar streets - they are the streets of my youth. Of course, the fiacres, the omnibuses, the steam-car disappeared long ago; you rarely see a café with red velvet or leather settees; only a few pissoirs are left - the rest have gone into hiding underground. But these, after all, are minor details. People still live out in the streets, lovers kiss wherever they please, no one takes any notice of anyone. The old houses haven't changed - what's another half a century to them; at their age it makes no difference. Say what you will, the world has changed, and so the Parisians, too, must be thinking of many things of which they had no inkling in the old days: the atom bomb, mass-production methods, Communism. But with their new thoughts they still remain Parisians, and I am sure that if an eighteen-year-old Soviet lad comes to Paris today he will raise his hands in astonishment, as I did in 1908: "A theatre!
Ilya Ehrenburg (Ilya Ehrenburg: Selections from People, Years, Life)
Sometimes a sanctuary, sometimes a prison, that house on the hill has always been my home. I've spent my life yearning toward it, wanting to escapt it, paralyzed by its hold on me. (There are many ways to be crippled, I've learned over the years, many forms of paralysis.) Some sense memories fade as soon as they're past. Others are etched in your mind for the rest of your life. We should've sold this house when we had the chance. You're the inmate and I'm the warden. The words hand in the air between us. But as long as neither of us mentions them, we can pretend they were never said. The older I get, the more I believe that the greatest kindness is acceptance. There are many ways to love and be loved. Too bad it's taken most of a lifetime for me to understand what that means. Wyeth: Christina's World--The painting is more a psychological landscape than a portrait, a portrayal of a state of mind rather than a place. Like the house, like the landscape, she perseveres. As an embodiment of the strength of the American character, she is vibrant, pulsating, immortal.
Christina Baker Kline (A Piece of the World)
What is a “pyramid?” I grew up in real estate my entire life. My father built one of the largest real estate brokerage companies on the East Coast in the 1970s, before selling it to Merrill Lynch. When my brother and I graduated from college, we both joined him in building a new real estate company. I went into sales and into opening a few offices, while my older brother went into management of the company. In sales, I was able to create a six-figure income. I worked 60+ hours a week in such pursuit. My brother worked hard too, but not in the same fashion. He focused on opening offices and recruiting others to become agents to sell houses for him. My brother never listed and sold a single house in his career, yet he out-earned me 10-to-1. He made millions because he earned a cut of every commission from all the houses his 1,000+ agents sold. He worked smarter, while I worked harder. I guess he was at the top of the “pyramid.” Is this legal? Should he be allowed to earn more than any of the agents who worked so hard selling homes? I imagine everyone will agree that being a real estate broker is totally legal. Those who are smart, willing to take the financial risk of overhead, and up for the challenge of recruiting good agents, are the ones who get to live a life benefitting from leveraged Income. So how is Network Marketing any different? I submit to you that I found it to be a step better. One day, a friend shared with me how he was earning the same income I was, but that he was doing so from home without the overhead, employees, insurance, stress, and being subject to market conditions. He was doing so in a network marketing business. At first I refuted him by denouncements that he was in a pyramid scheme. He asked me to explain why. I shared that he was earning money off the backs of others he recruited into his downline, not from his own efforts. He replied, “Do you mean like your family earns money off the backs of the real estate agents in your company?” I froze, and anyone who knows me knows how quick-witted I normally am. Then he said, “Who is working smarter, you or your dad and brother?” Now I was mad. Not at him, but at myself. That was my light bulb moment. I had been closed-minded and it was costing me. That was the birth of my enlightenment, and I began to enter and study this network marketing profession. Let me explain why I found it to be a step better. My research led me to learn why this business model made so much sense for a company that wanted a cost-effective way to bring a product to market. Instead of spending millions in traditional media ad buys, which has a declining effectiveness, companies are opting to employ the network marketing model. In doing so, the company only incurs marketing cost if and when a sale is made. They get an army of word-of-mouth salespeople using the most effective way of influencing buying decisions, who only get paid for performance. No salaries, only commissions. But what is also employed is a high sense of motivation, wherein these salespeople can be building a business of their own and not just be salespeople. If they choose to recruit others and teach them how to sell the product or service, they can earn override income just like the broker in a real estate company does. So now they see life through a different lens, as a business owner waking up each day excited about the future they are building for themselves. They are not salespeople; they are business owners.
Brian Carruthers (Building an Empire:The Most Complete Blueprint to Building a Massive Network Marketing Business)
Work" I laid telephone line, then cable when it came along. I pulled T-shirts off a silk-screen press. I cleaned offices in buildings thirty-five floors high. I filed the metal edges of grease fryers hot off a welding line. I humped sod in townhouse complexes, and when it became grass I cut it. I sorted mail. I washed police cars, and then I changed their oil. I installed remotes on gas meters so a truck could simply drive down the street and get the readings. I set posts and put up fences, wood and chain link. Five a.m. at the racetrack, I walked hot horses after their exercise. I bathed them. I mopped and swept aisles in a grocery store. Eventually, I stocked shelves. I corrected errors on mortgage papers for a bank. I racked tables in a pool hall. There’s more I’m not telling you. All of this befell me as an adult. As a kid, I cut neighbors’ lawns and delivered newspapers, and I watched after little kids while their parents worked. I painted houses. I collected frogs from ponds and sold them to pet stores. And so on. At fifteen, I went for a busboy position at an all-night diner, but they told me to come back when I turned sixteen. I did. Sometimes, on top of one, I took a second job. It gave me just enough time to sleep between the two. And eat. My father worked, harder than I did, and then he died. Then I worked harder. My mother said, “You’re the man of the house now.” I was seventeen. She kept an eye on me, to make sure I worked. I did. You've just read about all that. Eventually she died, too. I watched my social security numbers grow. I have a pretty good lump. I could leave it to somebody, a spouse or dependent. But there's no one. I have no plan to spend it, but I’ve paid into it. Today I quit my job, my jobs. I had them all written down, phone numbers too, and I called them. You should have seen me, dialing and dialing, crossing names off the list as I went. Some of them I called sounded angry. Some didn’t remember me, and a few didn’t answer. Others had answering machines, but I told the machines I quit anyway. I think about my father. How he worked. I sit by the phone now, after quitting all my jobs, and wish he could see this. A blank calendar on the wall. A single bulb hanging over my head, from a single cord, like the one he wrapped around his neck just before he died.
Michael Stigman
sighed. “I can’t say that you weren’t expected.” “I’m just going to be walking around here and taking some measurements. It says here… you own eighty acres? That is one of the most gorgeous mansions I have ever seen,” he rambled on. “It must have cost you millions. I could never afford such a beauty. Well, heck, for that matter I couldn’t afford the millions of dollars in taxes a house like this would assess, let alone such a pricey property. Do you have an accountant?” Zo opened her mouth to respond, but he continued, “For an estate this size, I would definitely have one.” “I do have an accountant,” she cut in, with frustration. “Furthermore, I have invested a lot of money bringing this mansion up to speed. You can see my investment is great.” “Of course, it would be. The fact of the matter is, Mrs. Kane, a lot of people are in over their heads in property. You still have to pay up, or we take the place. Well, I’ll get busy now. Pay no mind to me.” He walked on, taking notes. “Clairrrrre!” Zo called as soon as she entered the house. “Bring your cell phone!” Two worry-filled months went by and many calls were made to lawyers, before Zoey finally picked one that made her feel confident. And then the letter came with the totals and the due date. “There is no way we can pay this, Mom, even if we sold off some of our treasures, because a lot of them are contracted to museums anyway. I am feeling awfully poor all of a sudden, and insecure.” “Yes, and I did some research, thinking I’d be forced to sell. It’s unlikely that anyone else around here can afford this place. It looks like they are going to get it all; they aren’t just charging for this year. What we have here is a value about equal to a little country. And all the new construction sites for housing developments suddenly popping up on this side of the river, does not help. Value is going up.” Zo put her head in her hands. “Ohhh, oh, oh, oh!” “Yeah, bring out the ice-cream and cake. I need comforting,” sighed Claire. The cell phone rang. “Yes, tonight? You guys have become pretty good to us, haven’t you?! You know, Bob, Mom and I thought we were just going to pig out on ice cream and cake. We found out we are losing this estate and are going to be poor again and we are bummed out.” There was a long pause. “No, that’s okay, I understand. Yeah, okay, bye.” “Well?” Zo ask dryly. “He was appropriately sorry, and he got off the phone fast, saying he remembered he had other business to take care of. Do you want to cry? I do…” “I’ll get the cake and dish the ice cream. You make our tea and we’ll cry together.” A pitter patter began to drum on the window. “Rain again. It seems softer though, dear.” “I thought you said this was going to be a softer rain!” It started to pour. “At least this is not a thunder storm… What was that?” “Thunder,” replied Claire, unmoved and resigned. An hour had gone by when there was a rapping at the door. “People rarely use the doorbell, ever notice that?” Zo asked on the way to the door. She opened it to reveal two wet guys holding a pizza, salad, soft drink, and giant chocolate chip cookies in a plastic container. In a plastic
Zoey Kane (The Riddles of Hillgate (Z & C Mysteries #1))
checked the load, and slipped it under my belt behind my right hip. “Are you supposed to be wearing a bulletproof vest, are you supposed to be carrying a gun?” a guard asked. “Isn’t that against the rules?” “What rules?” I said. He didn’t have an answer for that. I put on my leather coat. The money was still packed in the gym bags, the gym bags strapped to the dolly in the center of my living room. I grabbed the handle and started wheeling it to the back door of my house. I had a remote control hanging from the lock on the window overlooking my unattached garage. I used it to open the garage door. “There’s no reason for you guys to hang around anymore,” I said. The guards followed me out of my back door, across the driveway, and into the garage just the same. They stood by and watched while I loaded the dolly and the gym bags into the trunk of the Audi. “Nice car,” one of them said. If he had offered me ten bucks, I would have sold the Audi and all of its contents to him right then and there. Because he didn’t, I unlocked the driver’s door and slid behind the wheel. “Good luck,” the guard said and closed the door for me. He smiled like I was a patient about to be wheeled into surgery; smiled like he felt sorry for me. I put the key in the ignition, started up the car, depressed the clutch, put the transmission in reverse, and—sat there for five seconds, ten, fifteen … Why are you doing this? my inner voice asked. Are you crazy? The guard watched me through the window, an expression of concern mixed with puzzlement on his face. “McKenzie, are you okay?” he asked. “Never better,” I said. I slowly released the clutch and backed the Audi out of my driveway
David Housewright (Curse of the Jade Lily (Mac McKenzie, #9))
The tyro knows nothing, and everybody, including himself, knows it. But the next, or second, grade thinks he knows a great deal and makes others feel that way too. He is the experienced sucker, who has studied not the market itself but a few remarks about the market made by a still higher grade of suckers. The second-grade sucker knows how to keep from losing his money in some of the ways that get the raw beginner. It is this semisucker rather than the 100 per cent article who is the real all-the-year-round support of the commission houses. He lasts about three and a half years on an average, as compared with a single season of from three to thirty weeks, which is the usual Wall Street life of a first offender. It is naturally the semisucker who is always quoting the famous trading aphorisms and the various rules of the game. He knows all the don'ts that ever fell from the oracular lips of the old stagers excepting the principal one, which is: Don't be a sucker! This semisucker is the type that thinks he has cut his wisdom teeth because he loves to buy on declines. He waits for them. He measures his bargains by the number of points it has sold off from the top. In big bull markets the plain unadulterated sucker, utterly ignorant of rules and precedents, buys blindly because he hopes blindly. He makes most of the money until one of the healthy reactions takes it away from him at one fell swoop. But the Careful Mike sucker does what I did when I thought I was playing the game intelligently according to the intelligence of others. I knew I needed to change my bucket-shop methods and I thought I was solving my problem with any change, particularly one that assayed high gold values according to the experienced traders among the customers.
Edwin Lefèvre (Reminiscences of a Stock Operator)
What in the world happened?” Phil asked me. “Did you flip your truck?” “It’s a long story,” I said. “Let’s go duck-hunting.” We ended up having one of our best duck hunts of the season. When we returned to Phil’s house, I filled up about twenty bottles of water. My busted radiator leaked the entire way home, and I had to stop every couple of miles to fill it up with water. There was a body shop close to our house, so I pulled in there before going home. “Well, whatcha think?” I asked the mechanic. “Well, we can fix it,” he said. “I can get you a radiator.” “What’s it going to cost me?” I asked. “Well, what are you going to do with the deer?” he said. “I can get you a radiator for the deer.” About that time, the mechanic’s assistant walked up to my truck. “What are you going to do with the rack of horns?” the assistant asked me. “Hey, if you can fix my door so it will close, you can have the horns,” I told him. There’s nothing quite like good, old-fashioned redneck bartering. Unfortunately, I didn’t get off so easy with the damage to Missy’s car. In all the excitement of the day, I’d completely forgotten to tell her that I’d wrecked her car. When I got home, she told me somebody pulled in the driveway and sideswiped it. I couldn’t tell a lie. “You remember how you scolded me about forgetting to turn out the carport light?” I said. “Yeah,” she said. “Well, this is what happens when you start worrying about small things like that,” I said. A big argument ensued, but Missy took her car to the body shop, and it cost us several hundred dollars to fix it. Two days after we picked up her car, I was driving it to Phil’s house. Wouldn’t you know it? Another deer jumped in front of me in the road. I totaled Missy’s car. We had to buy her a new car, and my truck never drove the same after it was wrecked, either. I sold it for—you guessed it—a thousand bucks.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
let my thoughts be bestowed on her who has shown so much devotion for me. Madame de Belliere ought to be there by this time," he said, as he turned towards the secret door. After he had locked himself in, he opened the subterranean passage, and rapidly hastened towards the means of communicating between the house at Vincennes and his own residence. He had neglected to apprise his friend of his approach, by ringing the bell, perfectly assured that she would never fail to be exact at the rendezvous; as, indeed, was the case, for she was already waiting. The noise the superintendent made aroused her; she ran to take from under the door the letter he had thrust there, and which simply said, "Come, marquise; we are waiting supper for you." With her heart filled with happiness Madame de Belliere ran to her carriage in the Avenue de Vincennes, and in a few minutes she was holding out her hand to Gourville, who was standing at the entrance, where, in order the better to please his master, he had stationed himself to watch her arrival. She had not observed that Fouquet's black horse arrived at the same time, all steaming and foam-flaked, having returned to Saint-Mande with Pelisson and the very jeweler to whom Madame de Belliere had sold her plate and her jewels. Pelisson introduced the goldsmith into the cabinet, which Fouquet had not yet left. The superintendent thanked him for having been good enough to regard as a simple deposit in his hands, the valuable property which he had every right to sell; and he cast his eyes on the total of the account, which amounted to thirteen hundred thousand francs. Then, going for a few moments to his desk, he wrote an order for fourteen hundred thousand francs, payable at sight, at his treasury, before twelve o'clock the next day. "A hundred thousand francs profit!" cried the goldsmith. "Oh, monseigneur, what generosity!" "Nay, nay, not so, monsieur," said Fouquet, touching him on the shoulder; "there are certain kindnesses which can never be repaid. This profit is only what you have earned; but the interest of your money still remains to be arranged." And, saying this, he unfastened from his sleeve a diamond button, which the goldsmith himself had often valued at three thousand pistoles.
Alexandre Dumas (Premium Collection - 27 Novels in One Volume: The Three Musketeers Series, The Marie Antoinette Novels, The Count of Monte Cristo, The ... Hero of the People, The Queen's Necklace...)
A dark-haired young woman was waiting in the atrium by the fountain. When she saw Arin, her face filled with light and tears. He almost ran across the short space between them to gather her in his arms. “Sister or lover?” Kestrel said. The woman looked up from their embrace. Her expression hardened. She stepped away from Arin. “What?” “Are you his sister or lover?” She walked up to Kestrel and slapped her across the face. “Sarsine!” Arin hauled her back. “His sister is dead,” Sarsine said, “and I hope you suffer as much as she did.” Kestrel’s fingers went to her cheek to press against the sting--and cover a smile with the heels of her tied hands. She remembered the bruises on Arin when she had bought him. His surly defiance. She had always wondered why slaves brought punishment upon themselves. But it had been sweet to feel a tipping of power, however slight, when that hand had cracked across her face. To know, despite the pain, that for a moment Kestrel had been the one in control. “Sarsine is my cousin,” Arin said. “I haven’t seen her in years. After the war, she was sold as a house slave. I was a laborer, so--” “I don’t care,” Kestrel said. His shadowed eyes met hers. They were the color of the winter sea--the water far below Kestrel’s feet when she had looked down and imagined what it would be like to drown. He broke the gaze between them. To his cousin he said, “I need you to be her keeper. Escort her to the east wing, let her have the run of the suite--” “Arin! Have you lost your mind?” “Remove anything that could be a weapon. Keep the outermost door locked at all times. See that she wants for nothing, but remember that she is a prisoner.” “In the east wing.” Sarsine’s voice was thick with disgust. “She’s the general’s daughter.” “Oh, I know.” “A political prisoner,” Arin said. “We must be better than the Valorians. We are more than savages.” “Do you truly think that keeping your clipped bird in a luxurious cage will change how the Valorians see us?” “It will change how we see ourselves.” “No, Arin. It will change how everyone sees you.” He shook his head. “She’s mine to do with as I see fit.” There was an uneasy rustle among the Herrani. Kestrel’s heart sickened. She kept trying to forget this: the question of what it meant to belong to Arin. He reached for her, pulling her firmly toward him as her boots dragged and squeaked against the tiles. With the flick of a knife, he cut the bonds at her wrists, and the sound of leather hitting the floor was loud in the atrium’s acoustics--almost as loud as Sarsine’s choked protest. Arin let Kestrel go. “Please, Sarsine. Take her.” His cousin stared at him. Eventually, she nodded, but her expression made clear that she thought he was indulging in something disastrous.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Sky's The Limit" [Intro] Good evening ladies and gentlemen How's everybody doing tonight I'd like to welcome to the stage, the lyrically acclaimed I like this young man because when he came out He came out with the phrase, he went from ashy to classy I like that So everybody in the house, give a warm round of applause For the Notorious B.I.G The Notorious B.I.G., ladies and gentlemen give it up for him y'all [Verse 1] A nigga never been as broke as me - I like that When I was young I had two pair of Lees, besides that The pin stripes and the gray The one I wore on Mondays and Wednesdays While niggas flirt I'm sewing tigers on my shirts, and alligators You want to see the inside, I see you later Here comes the drama, oh, that's that nigga with the fake, blaow Why you punch me in my face, stay in your place Play your position, here come my intuition Go in this nigga pocket, rob him while his friends watching And hoes clocking, here comes respect His crew's your crew or they might be next Look at they man eye, big man, they never try So we rolled with them, stole with them I mean loyalty, niggas bought me milks at lunch The milks was chocolate, the cookies, butter crunch 88 Oshkosh and blue and white dunks, pass the blunts [Hook: 112] Sky is the limit and you know that you keep on Just keep on pressing on Sky is the limit and you know that you can have What you want, be what you want Sky is the limit and you know that you keep on Just keep on pressing on Sky is the limit and you know that you can have What you want, be what you want, have what you want, be what you want [Verse 2] I was a shame, my crew was lame I had enough heart for most of them Long as I got stuff from most of them It's on, even when I was wrong I got my point across They depicted me the boss, of course My orange box-cutter make the world go round Plus I'm fucking bitches ain't my homegirls now Start stacking, dabbled in crack, gun packing Nickname Medina make the seniors tote my Niñas From gym class, to English pass off a global The only nigga with a mobile can't you see like Total Getting larger in waists and tastes Ain't no telling where this felon is heading, just in case Keep a shell at the tip of your melon, clear the space Your brain was a terrible thing to waste 88 on gates, snatch initial name plates Smoking spliffs with niggas, real-life beginner killers Praying God forgive us for being sinners, help us out [Hook] [Verse 3] After realizing, to master enterprising I ain't have to be in school by ten, I then Began to encounter with my counterparts On how to burn the block apart, break it down into sections Drugs by the selections Some use pipes, others use injections Syringe sold separately Frank the Deputy Quick to grab my Smith & Wesson like my dick was missing To protect my position, my corner, my lair While we out here, say the Hustlers Prayer If the game shakes me or breaks me I hope it makes me a better man Take a better stand Put money in my mom's hand Get my daughter this college grant so she don't need no man Stay far from timid Only make moves when your heart's in it And live the phrase sky's the limit Motherfuckers See you chumps on top [Hook]
The Notorious B.I.G
Some of my best friends work for us, too. Justin Martin, or Martin as we call him, played football at West Monroe High School. I pick on him, joking that he’s the only man I know who looks dumb but is really smart and looks old but is really young. If you’ve seen him on the show, you know exactly what I’m talking about. He only lacks his thesis to complete a master’s degree in wildlife biology, and he had a full scholarship to college. Martin is actually the only employee we have who ever worked in a sporting goods store that sold hunting products. He understands competitive pricing and inventory. I met Martin when he came to play poker at our house one Friday night. While on summer break from college, Martin was looking for some work. I was going out of town the next week, but I told him to come in and start calling sporting goods store. About three days later, I received an e-mai from martin@duckcommander.com. The guy already had a Duck Commander e-mail with his name on it! I really thought he was only going to be with us for a few days and then go back to what he was doing. I never really hired him; he just ended up staying. But Martin is an excellent hunter-which gave him an advantage-and he knows all about animals. Martin will do anything for you, and he is my liaison in the blind. I’ll give him new products that companies want us to try out, and he’ll come back to me with everyone’s feedback. Most important, Martin learned how to make our duck calls, which made him invaluable. Plus, he’s another guy I enjoy hanging out with, and what’s it all worth if you can’t work with people you like?
Willie Robertson (The Duck Commander Family)
A wealthy man and his son loved to collect works of art. They had in their collection works ranging from Picasso to Raphael and Rembrandt. When the Vietnam War broke out, the son was drafted and sent to fight in ’Nam. He was very courageous and died in battle. The father was notified and grieved deeply for his only son. About a month later, a young lad appeared at the door to his house and said, “Sir, you don’t know me, but I am the soldier for whom your son gave his life that fateful day. He was carrying me to safety when a bullet struck him in the heart. He died instantly. He used to often talk about you and your love for art. Here’s something for you,” he added, holding out a package. “It is something that I drew. I know I am not much of an artist, but I wanted you to have this from me as a small measure of memory and thanks.” It was a portrait of his son, painted by the young man. It captured the personality of his son. The father’s eyes welled up with tears as he thanked the young man for the painting. He offered to pay for the picture, but the man replied, “Oh! No, sir. I could never repay what your son did for me. It is my gift to you.” The father hung the portrait over his mantel and showed it proudly to all his visitors along with all of the great works of art he possessed. Some time later, the old man died. As decreed in his will, his paintings were all to be auctioned. Many influential and rich people gathered together, excited over the prospect of owning one of the masterpieces. On a platform nearby also sat the painting of his son. The auctioneer pounded his gavel. “Let’s start the bidding with the picture of his son. Who will bid for this picture?” There was silence. A voice shouted from the back, “Let’s skip this one. We want the famous masters.” But the auctioneer persisted. “Ten dollars, twenty dollars, what do I hear?” Another voice came back angrily, “We didn’t come here for this. Let’s have the Picassos, the Matisses, the van Goghs.” Still the auctioneer persisted. “The son. Anyone for the son? Who’ll take the son?” Finally a quavering voice came from the back. It was the longtime gardener of the house. “I’ll take the son for ten dollars. I am sorry, but that’s all I have.” “Ten dollars once, ten dollars twice, anybody for twenty dollars? Sold for ten dollars.” “Now let’s get on with the auction,” said a wealthy art aficionado sitting in the front row. The auctioneer laid down his gavel and spoke. “I am sorry, but the auction is over.” “But what about the other paintings? The masters?” “The auction is over,” said the auctioneer. “I was asked to conduct the auction with a stipulation, a secret stipulation that said that only the painting of the son would be auctioned. Whoever bought that painting would inherit the entire estate, paintings and all. The one who took the son gets everything.
Ramesh Richard (Preparing Evangelistic Sermons: A Seven-Step Method for Preaching Salvation)
I stood in shock as I looked at the devil himself. The man who molested, raped, and abused me my entire childhood. This is the same man my mother sold me to, to settle her drug debt. Now he’s in her house and answering the door.
Mz. Lady P. (Remy and Rose' 3:: Me and You Against the World)
I came here in 1906. I had been in Arkansas and sold some land for a nice profit so I thought I’d try my luck here in Oklahoma. I thought maybe I’d manage to buy some land with oil beneath its surface, but it appears that I might have missed the mark on that goal. I bought 40 acres and opened a boarding house since it presented some difficulty for people of color to find lodging in these parts. I could see that many people were arriving here to work in the oil fields and they needed a place to stay, so I figured I might as well provide that service. It was a small property located on a dusty road but it did quite well. Then I ventured out and built three office buildings where doctors, lawyers, dentists, and realtors could set up shop. Later we added barbershops and beauty salons to take care of the tenants. Those ventures proved to be good investments and provided me with the capital to build this hotel. As you can see, we have a rather tame clientele but they pay the bills.
Corinda Pitts Marsh (Holocaust in the Homeland: Black Wall Street's Last Days)
Obamacare is a program designed to shift control of the health care industry from the private sector to the public sector, from doctors, hospitals, and insurance companies to the federal government. The program was sold by Obama feigning outrage over insurance companies refusing to grant insurance to people with “preexisting conditions.” But this is the same as an insurance company not granting fire insurance to a guy whose house has already burned down. The whole point of insurance is to share the risk before the catastrophe occurs, not to have a catastrophe and then get other people to pay for your losses.
Dinesh D'Souza (Stealing America: What My Experience with Criminal Gangs Taught Me about Obama, Hillary, and the Democratic Party)
Did I ever tell you that we used to keep our horses where your house is?” “Yeah,” I mumbled. She continued her story, “My brothers used to get up early every morning and go across the street, well, there wasn’t a street there yet. It was just a dirt road, and they used to get up and clean the stables and feed the horses every morning. I would go over there once they had finished and give the horses a brush, even though none of those horses were mine. I had always wanted my own horse, but I never got one. When my father got older, he got rid of the horses and sold the land, all but this yard here." She spread her hand over the yard as she said this. "I grew up and got married and had to move away. My husband and I lived in an apartment above a bread store. And it was so cramped, let me tell you. There was nowhere to move around and no yard to take care of. It was terrible. I’m not saying I wanted my husband to die. I’d never have wished that in a million years. But I was so relieved to come home after two years, and I've lived here ever since." I had stopped raking, turned and looked at her. "I know why you don’t want to leave this street," she said, "You’ve been in that house your whole life, just like me. And no matter where you go it’s not going to seem like home. But just like me, you’re going to come back. You have to remind yourself of that. And I did hate being away from home, but it was the most memorable time in my life, being away. It was an adventure as much as it was scary. But when I came home, I learned to get out more. I went to beauty school and got a job at the salon and took trips with friends. I like to get away from the house so that I can come back and still appreciate it. And you will too after you come back.” I nodded at Violet. What she was saying made sense. “I’ll go,” I said, “Tell them I’ll go.” - The Stable House
Laura Smith
I began shopping at the bankruptcy attorney’s office, or the courthouse steps. In these shopping places, a $75,000 house could sometimes be bought for $20,000 or less. For $2,000, which was loaned to me from a friend for 90 days for $200, I gave an attorney a cashier’s check as a down payment. While the acquisition was being processed, I ran an ad advertising a $75,000 house for only $60,000 and no money down. The phone rang hard and heavy. Prospective buyers were screened and once the property was legally mine, all the prospective buyers were allowed to look at the house. It was a feeding frenzy. The house sold in a few minutes. I asked for a $2,500 processing fee, which they gladly handed over, and the escrow and title company took over from there. I returned the $2,000 to my friend with an additional $200. He was happy, the home buyer was happy, the attorney was happy, and I was happy. I had sold a house for $60,000 that cost me $20,000. The $40,000 was created from money in my asset column in the form of a promissory note from the buyer. Total working time: five hours.
Robert T. Kiyosaki (Rich Dad Poor Dad: What The Rich Teach Their Kids About Money - That The Poor And Middle Class Do Not!)
I’m throwing a dinner party at my house, and you’re coming over.” “I am, huh? I kinda like it when you tell me what to do. For such a pretty boy, you sure can play butch.” He took a pen from the pen cup and wrote an address on a Post-it Note. “This is the house I live in with my brother. I just want to prepare you ahead of time, before you see the place. I do okay as a dentist, but my brother’s the one who put up the down payment. He’s a software engineer. He sold a few apps.” Megan checked the address and nodded. “He sold more than a few apps,” she said. “When you meet him, you should pretend that sort of thing impresses you, and that you think he’s cooler than me. I’ll know you’re faking it, of course, but he could use the self-esteem boost. The dinner party is in honor of his birthday. He’s turning the big three-oh, and he’s not very happy about getting older.” “Can I sit on his lap and sing him Happy Birthday?” “Seven o’clock,” he said. “Don’t bring any food or wine.” “Are you trying to use reverse psychology on me?” “Not at all,” he said. “My brother always gets enough food and wine to feed an army. All you need to bring is your gorgeous self.” “And I will. Wearing nothing but a trench coat,” she said. “Please wear clothes.
Angie Pepper (Romancing the Complicated Girl)
After I checked my suitcase, I walked through the terminal crying. When you go to boarding school, you're always leaving your family, not once but over and over and over, and it's not like it is when you're in college because you're older then and you're sort of supposed to be gone from them. I cried because of how guilty I felt, and because of how indulgent my guilt was. Standing in a store that sold bottled water and birthday cards and T-shirts that said Indiana in ornate writing, less than twenty minutes away from my father's house, I missed them so much I was tempted to call my mother and ask her to come wait with me for the plane; she'd have done it. But then she'd know what she'd probably only suspected--how messed up I really was, how much I'd been misleading them for the last four years. It would be much better once I got on the plane, better still back on campus. But while I was in their city, it just seemed like such a mistake that I had ever left home, such an error in judgement on all our parts.
Curtis Sittenfeld (Prep)
Narcissi and Daffodils live for generations. I know some double yellow Daffodils growing in my great-grandfather’s garden, that were planted over seventy years ago. The place was[153] sold and the house burned about thirty years since, and all this time has been entirely neglected. Some one told me that Daffodils and Narcissi still bloomed there bravely in the grass. With a cousin, one lovely day last spring, I took the train out to this old place and there found quantities of the dainty yellow flowers. We had come unprovided with any gardening implements, having nothing of the kind in town, and brought only a basket for the spoils, and a steel table-knife. We quickly found the knife of no avail, so borrowed a sadly broken coal-shovel from a tumble-down sort of a man who stood gazing at us from the door of a tumble-down house. The roots of the Daffodils were very deep, and neither of us could use a spade, so the driver of the ramshackle wagon taken at the station was pressed into service. Handling of shovel or spade was evidently an unknown art to him. The Daffodil roots were nearly a foot deep, but we finally got them, several hundreds of them, all we could[154] carry. The driver seemed to think us somewhat mad and said “Them’s only some kind of weed,” but when I told him the original bulbs from which all these had come were planted by my great-grandmother and her daughter, and that I wanted to carry some away, to plant in my own garden, he became interested and dug with all his heart. The bulbs were in solid clumps a foot across and had to be pulled apart and separated. They were the old Double Yellow Daffodil and a very large double white variety, the edges of the petals faintly tinged with yellow and delightfully fragrant. My share of the spoils is now thriving in my garden. By the process of division every three years, these Daffodils can be made to yield indefinitely, and perhaps some great-grandchild of my own may gather their blossoms.
Helena Rutherfurd Ely
I discovered something else, and that is that suckers differ among themselves according to the degree of experience. The tyro knows nothing, and everybody, including himself, knows it. But the next, or second, grade thinks he knows a great deal and makes others feel that way too. He is the experienced sucker, who has studied not the market itself but a few remarks about the market made by a still higher grade of suckers. The second-grade sucker knows how to keep from losing his money in some of the ways that get the raw beginner. It is this semisucker rather than the 100 per cent article who is the real all-the-year-round support of the commission houses. He lasts about three and a half years on an average, as compared with a single season of from three to thirty weeks, which is the usual Wall Street life of a first offender. It is naturally the semisucker who is always quoting the famous trading aphorisms and the various rules of the game. He knows all the don'ts that ever fell from the oracular lips of the old stagers excepting the principal one, which is: Don't be a sucker! This semisucker is the type that thinks he has cut his wisdom teeth because he loves to buy on declines. He waits for them. He measures his bargains by the number of points it has sold off from the top. In big bull markets the plain unadulterated sucker, utterly ignorant of rules and precedents, buys blindly because he hopes blindly. He makes most of the money until one of the healthy reactions takes it away from him at one fell swoop. But the Careful Mike sucker does what I did when I thought I was playing the game intelligently according to the intelligence of others. I knew I needed to change my bucket-shop methods and I thought I was solving my problem with any change, particularly one that assayed high gold values according to the experienced traders among the customers.
Edwin Lefèvre (Reminiscences of a Stock Operator)
very privilege of living in San Francisco at all, the homeless people down on Treat Avenue, the neighborhood where my mother’s house had sold for millions, the stories of people riding the train for two hours to get to work from places as distant as Stockton, people being taxed out of the homes they’d lived in for decades. “I mean, yeah, of course it does.” Thinking more, I felt a little ashamed
Barbara O'Neal (The Art of Inheriting Secrets)
My new neighborhood spread out before us: single-family row houses, the piazza join that sold knuckle-hard garlic knots, some factories, a Gold's Gym in a converted warehouse, and pretty much nothing else. The neighborhood was still quiet, not yet gentrified despite people like me taking up residence. Nothing was open twenty-four hours, and you could still hear the buzzing of streetlights.
Ling Ma (Severance)
While I was writing the previous paragraph, I was prompted again to look at the photograph of the young actress and to compare that image with the image presently in my mind, but then I recalled that I had sold most of my books before moving from the city where I had lived for most of my life to this township near the border. I had sold the books because this house where I now live is a mere cottage with space for only a few hundred books. I had sold the books also in order to keep faith with myself. For some years past, I had claimed that whatever deserved to be remembered from my experiences as a reader of books was, in fact, safely remembered. I had claimed also the converse of this: whatever I had forgotten from my experiences as a reader of books had not deserved to be remembered.
Gerald Murnane (Border Districts)
Right, the class thing here is strange. I mean, I’m American. We don’t do class.” “You don’t really believe that, do you?” Startled, I looked at him. He only looked back with his liquid black eyes. I said, “It’s not like here.” “Perhaps not. But you can’t possibly think it doesn’t exist.” “I guess.” I thought of those dinners I’d eaten, the very privilege of living in San Francisco at all, the homeless people down on Treat Avenue, the neighborhood where my mother’s house had sold for millions, the stories of people riding the train for two hours to get to work from places as distant as Stockton, people being taxed out of the homes they’d lived in for decades. “I mean, yeah, of course it does.” Thinking more, I felt a little ashamed—the country had been under siege over class for several years now. “But it’s different, don’t you think? America is essentially a meritocracy, in that you can earn your way up the ranks via education and money.” “But can you, really? University is wildly expensive, is it not? Not everyone can afford the cost.” I nodded.
Barbara O'Neal (The Art of Inheriting Secrets)
so julian bond was elected president and rap brown chief justice of the supreme court and nixon sold himself on 42nd street for a package of winstons
Nikki Giovanni (My House)
Just a damn minute,” Caleb barked, bringing her up short with a quick grasp on her elbow. “Where do you think you’re going?” “To my brother’s home,” Lily replied, her chin high. “Kindly unhand me, Major. If you don’t, I’ll scream.” Reluctantly Caleb let go of Lily’s arm. He swept his hat off his head and then put it back on again in a single furious motion. “I want to know what you’re doing here,” he hissed, keeping up with Lily’s short strides easily when she set out for Rupert’s home. Wagons and buggies rattled by on the brick street, and Lily indulged in a secret smile. “I’ve become a woman of means, Caleb,” she said, still walking briskly. By that time he’d taken her valise, so she swung her arms at her sides. “I’m going to buy all the things I need to homestead my land.” “That’s crazy. Who’s going to protect you from Indians and outlaws?” “I am,” Lily answered without pause, though inside she didn’t feel so confident. “I suppose I’ll marry one day, though.” Caleb swore softly. “Fine. Marry anybody you want to,” he snapped. “Thank you,” Lily replied in a dulcet tone. “I will.” She turned onto a side street, and her spirits lifted because she could see Rupert’s small house in the distance. “Tell me where you got the money for this harebrained project!” Caleb demanded. Lily looked up at him out of the corner of her eye. “I sold myself to every man on the post,” she whispered. “I let them do everything you’ve ever done.” Caleb was practically apoplectic. “I’m warning you, Lily Chalmers—” “Of what?” Just as Lily would have entered Rupert’s front gate Caleb caught hold of her again. He dropped the valise to the ground and gripped her by both shoulders. “Tell me.” Lily sighed. “I don’t know exactly where the money came from, Caleb,” she said moderately. “My mother sent it. Apparently her circumstances improved considerably after she got rid of us. Now, since I’ve answered your question—and may I say it was none of your business in the first place—will you stop carrying on in public?” Caleb glowered at her and let go of her arm. “We have to talk.” Lily worked the gate latch. “Why?” “Because when you go in there you’re going to find out that I’ve been here asking questions, that’s why.” Lily’s hand froze in midair. “What?” “I’ve hired a Pinkerton man to look for your sisters, Lily.” Lily was stunned. “I told you—” “That you didn’t want to be obligated. I know. But I wanted to do this for you, and I can afford it, so I went ahead.” Before
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
Just a damn minute,” Caleb barked, bringing her up short with a quick grasp on her elbow. “Where do you think you’re going?” “To my brother’s home,” Lily replied, her chin high. “Kindly unhand me, Major. If you don’t, I’ll scream.” Reluctantly Caleb let go of Lily’s arm. He swept his hat off his head and then put it back on again in a single furious motion. “I want to know what you’re doing here,” he hissed, keeping up with Lily’s short strides easily when she set out for Rupert’s home. Wagons and buggies rattled by on the brick street, and Lily indulged in a secret smile. “I’ve become a woman of means, Caleb,” she said, still walking briskly. By that time he’d taken her valise, so she swung her arms at her sides. “I’m going to buy all the things I need to homestead my land.” “That’s crazy. Who’s going to protect you from Indians and outlaws?” “I am,” Lily answered without pause, though inside she didn’t feel so confident. “I suppose I’ll marry one day, though.” Caleb swore softly. “Fine. Marry anybody you want to,” he snapped. “Thank you,” Lily replied in a dulcet tone. “I will.” She turned onto a side street, and her spirits lifted because she could see Rupert’s small house in the distance. “Tell me where you got the money for this harebrained project!” Caleb demanded. Lily looked up at him out of the corner of her eye. “I sold myself to every man on the post,” she whispered. “I let them do everything you’ve ever done.” Caleb was practically apoplectic. “I’m warning you, Lily Chalmers—” “Of what?” Just as Lily would have entered Rupert’s front gate Caleb caught hold of her again. He dropped the valise to the ground and gripped her by both shoulders. “Tell me.” Lily sighed. “I don’t know exactly where the money came from, Caleb,” she said moderately. “My mother sent it. Apparently her circumstances improved considerably after she got rid of us. Now, since I’ve answered your question—and may I say it was none of your business in the first place—will you stop carrying on in public?” Caleb glowered at her and let go of her arm. “We have to talk.” Lily worked the gate latch. “Why?” “Because when you go in there you’re going to find out that I’ve been here asking questions, that’s why.” Lily
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
Engineer’s fascination with CPVC began in the mid-1990s. During this period, in the construction and plumbing industry, pipes were still made of iron and copper. Engineer saw that corrosion was a major problem with galvanized pipes and India was materially behind the evolution curve in the use of plastics for pipes. In the United States, CPVC was the new anti-corrosion solution for plastic pipes, which was swiftly replacing metal (iron and copper) pipes in industrial applications. CPVC was also a superior product compared to PVC because of higher ductile strength, which gave it the ability to handle hot water up to 200 degrees Fahrenheit (93° Celsius) (PVC can handle hot water only up to 140 degrees Fahrenheit [60° Celsius]). B.F. Goodrich (now known as Lubrizol) held the patent for CPVC resin technology, and Engineer decided to tie up with them to bring CPVC to India. He travelled to the United States to forge a techno-financial joint venture (JV) deal with Thompson Plastics of USA, which provided Astral with the technical know-how for setting up the CPVC plant. Astral also acquired the licence for CPVC resin procurement from Lubrizol (the first Indian company to do so). With a JV partner on board and a licence in his hand, Engineer set up Astral Poly Technik in March 1996. Thompson put up 20 per cent of equity for the company and Engineer approached his uncle to fund another 20 per cent. For his personal equity contribution, Engineer sold his house in Ahmedabad. I met Engineer at Astral’s corporate office located off the bustling Sarkhej–Gandhinagar Highway and behind the prestigious Rajpath Club in Ahmedabad. Recalling those early days, Engineer told me, ‘There was a time when everything my father-in-law and I owned was mortgaged to build Astral.
Saurabh Mukherjea (The Unusual Billionaires)
I sold him the house, if you want to know.” “Maybe I’ll buy it back, when I sell my screenplay.
Mary Kay Andrews (Beach Town)
But there was one other agreement they hadn’t told me about, and that was for Cook County, Illinois, where I had my home, my office, and my first model store. The brothers had sold Cook County to the Frejlack Ice Cream Company interest for $5,000! It cost me $25,000 to buy that area from the Frejlacks, and it was blood money. I could not afford it. I was already in debt for all I was worth. I couldn’t blame the Frejlacks, of course, they were completely aboveboard and fair. But I could never forgive the McDonalds. Unwittingly or not, they had made an ass of me—in the Biblical sense. I’d been blindfolded by their assurances and led to grind like blind Samson in the prison house. My
Ray Kroc (Grinding It Out: The Making of McDonald's)
The war years ended the depression, but brought on many other stressful problems, such as living in a country that was at war with my parents’ homeland. Life changed, and with so many men being drafted into the military, jobs at last became available. By this time, my father was beyond the age of compulsory military service and fortunately found employment as a cook in midtown Manhattan. My parents sold the burdensome delicatessen and bought a house at nearby 25 Nelson Avenue. For years thereafter, my father worked at the then-famous Lindy’s Restaurant on Broadway in New York City. Starting as a cook, he was soon elevated to Night Chef. Eventually he became the Sous Chef and later the Head Chef at the well-known restaurant. It was a long commute into the city by both bus and train, but his steady employment, gratefully, brought in a sustaining income. Fuel and food were rationed during the war years, so there were times when he brought home meaty bones, supposedly for our dog “Putzy,” which instead wound up in our soup pot, which of course we shared with our dog. Most people we knew were poor and struggling to make ends meet, but since everyone was in the same boat, we took our lifestyle in stride. Things were still difficult, but we had shelter and food. I guess you might say we were luckier than most.
Hank Bracker
And the people said, This is Iesus that Prophet of Nazareth in Galile. And Iesus went into the Temple of God, and cast out all them that sold and bought in the Temple, and ouerthrew the tables of the money chagers, & the seates of them that sold doues, And said to them, it is written, My house shall be called the house of prayer: but ye haue made it a denne of theeues. Then the blinde, and the halt came to him in the Temple, and he healed them.
Anonymous
It was only a little after five, nowhere near sundown, yet the day was finished, done for; the empty silent house was not vacant at all but filled with presences like held breath; and suddenly I wanted my mother; I wanted no more of this, no more of free will; I wanted to return, relinquish, be secure, safe from the sort of decisions and deciding whose foster twin was this having to steal an automobile. But it was too late now; I had already chosen, elected; if I had sold my soul to Satan for a mess of pottage, at least I would damn well collect the pottage and eat it too: hadn’t Boon himself just reminded me, almost as if he had foreseen this moment of weakness and vacillation in the empty house, and forewarned me: “We done gone through too much to let nothing stop us now.
William Faulkner (The Reivers (Vintage International))
By the time I bought Pronto Markets, it might have taken only a slightly bigger trailer, mostly to accommodate the cribs for the two kids we now had. We did find the money, somehow. Rexall was willing to take back paper. (Dart was in a hurry to wind up his retailing affairs. This was a big advantage for me, because if I walked away, he’d be left with a crumb of a bastard business.) We had $4,000 from Alice’s savings from her teaching school before she had the kids (we lived on my $325) and we sold our little house in which we had an equity of $7,000. I borrowed $2,000 from my grandmother and $5,000 from my father. (Pop, an engineer, spent most of his career being alternately employed and dis-employed by General Dynamics depending on the vagaries of the aerospace business; in between he owned a series of small businesses. I think he even had a Mac Tool route in 1962.)
Joe Coulombe (Becoming Trader Joe: How I Did Business My Way and Still Beat the Big Guys)
One of my purposes was to listen, to hear speech, accent, speech rhythms, overtones, and emphasis. For speech is so much more than words and sentences. I did listen everywhere. It seemed to me that regional speech is in the process of disappearing, not gone but going. Forty years of radio and twenty years of television must have this impact. Communications must destroy localness, by a slow, inevitable process. I can remember a time when I could almost pinpoint a man’s place of origin by his speech. That is growing more difficult now and will in some foreseeable future become impossible. It is a rare house or building that is not rigged with spiky combers of the air. Radio and television speech becomes standardized, perhaps better English than we have ever used. Just as our bread, mixed and baked, packaged and sold without benefit of accident or human frailty, is uniformly good and uniformly tasteless, so will our speech become one speech. I who love words and the endless possibility of words am saddened by this inevitability. For with local accent will disappear local tempo. The idioms, the figures of speech that make language rich and full of the poetry of place and time must go. And in their place will be a national speech, wrapped and packaged, standard and tasteless. Localness is not gone but it is going. In the many years since I have listened to the land the change is very great. Traveling west along the northern routes I did not hear a truly local speech until I reached Montana. That is one of the reasons I fell in love again with Montana. The West Coast went back to packaged English. The Southwest kept a grasp but a slipping grasp on localness. Of course the deep south holds on by main strength to its regional expressions, just as it holds and treasures some other anachronisms, but no region can hold out for long against the highway, the high-tension line, and the national television. What I am mourning is perhaps not worth saving, but I regret its loss nevertheless.
John Steinbeck (Travels With Charley: In Search of America)
And I realize now that the two main themes of my novels were stated by my siblings: "Here I am cleaning shit off of practically everything" and "No pain." The contents of this book are samples of work I sold in order to finance the writing of the novels. Here
Kurt Vonnegut Jr. (Welcome to the Monkey House)
But by 2007, the block I was on had only two or three houses still in the hands of their rightful owners. I excused myself from the group and walked around the corner, barely getting out of their eyesight in time to fall to my knees, chest heaving. It was the weight of the history, the scale of the theft, and how powerless we had proven to change any of it. These were properties that meant everything to people whose ancestors—grandparents, in some cases—had been sold as property. To this day, it’s hard for me to think about it without emotion.
Heather McGhee (The Sum of Us: What Racism Costs Everyone and How We Can Prosper Together)
The Roe v. Wade decision had come down on a Monday in January of 1973, and I remember the afternoon newspapers sold out as word spread. I watched my daddy sit down in his chair and silently read, shake his head and then leave the paper on the coffee table. We never discussed it, but surely he knew that there were houses out in the country where women went to have the procedure, even before the ruling. I’d gone to one in Opelika, one where Miss Pope believed I could get safe care. And it had still been a risk. Surely Daddy understood that women needed a trustworthy place. Some women traveled to New York to have the procedure, but that was too far for most of us. Make no mistake about it, that ruling was a big deal.
Dolen Perkins-Valdez (Take My Hand)
strong athletic body, and his brown hair combed nice and straight. He’d even cleaned his fingernails and washed his neck and ears, which I knew he didn’t like to do. There he was, sitting up straight and listening with shining eyes, in spite of knowing that as soon as the meeting was over he’d have to go home to a weathered old house with poor furniture and worn-out rugs on the floor and a swearing, drinking father who didn’t like him. I remembered the time about a month ago when Circus’s dad had been drunk on the same night they had a new baby at their house. Circus had stayed all night at my house. He and I were upstairs undressing, and he got tears in his eyes and doubled up his fists and looked terribly fierce because he was so mad at the people who made and sold beer and whiskey. That was the night he had said, his voice all trembly, “I wish they’d just once take a picture of my dad when he’s drunk and put that in their
Paul Hutchens (The Killer Bear (Sugar Creek Gang Original Series Book 2))
A couple of weeks before, while going over a Variety list of the most popular songs of 1935 and earlier, to use for the picture’s sound track – which was going to consist only of vintage recording played not as score but as source music – my eye stopped on a .933 standard, words by E.Y. (“Yip”) Harburg (with producer Billy Rose), music by Harold Arlen, the team responsible for “Over the Rainbow”, among many notable others, together and separately. Legend had it that the fabulous Ms. Dorothy Parker contributed a couple of lines. There were just two words that popped out at me from the title of the Arlen-Harburg song, “It’s Only a Paper Moon”. Not only did the sentiment of the song encapsulate metaphorically the main relationship in our story – Say, it’s only a paper moon Sailing over a cardboard sea But it wouldn’t be make-believe If you believed in me – the last two words of the title also seemed to me a damn good movie title. Alvin and Polly agreed, but when I tried to take it to Frank Yablans, he wasn’t at all impressed and asked me what it meant. I tried to explain. He said that he didn’t “want us to have our first argument,” so why didn’t we table this conversation until the movie was finished? Peter Bart called after a while to remind me that, after all, the title Addie Pray was associated with a bestselling novel. I asked how many copies it had sold in hardcover. Peter said over a hundred thousand. That was a lot of books but not a lot of moviegoers. I made that point a bit sarcastically and Peter laughed dryly. The next day I called Orson Welles in Rome, where he was editing a film. It was a bad connection so we had to speak slowly and yell: “Orson! What do you think of this title?!” I paused a beat or two, then said very clearly, slowly and with no particular emphasis or inflection: “Paper …Moon!” There was a silence for several moments, and then Orson said, loudly, “That title is so good, you don’t even need to make the picture! Just release the title! Armed with that reaction, I called Alvin and said, “You remember those cardboard crescent moons they have at amusement parks – you sit in the moon and have a picture taken?” (Polly had an antique photo of her parents in one of them.) We already had an amusement park sequence in the script so, I continued to Alvin, “Let’s add a scene with one of those moons, then we can call the damn picture Paper Moon!” And this led eventually to a part of the ending, in which we used the photo Addie had taken of herself as a parting gift to Moze – alone in the moon because he was too busy with Trixie to sit with his daughter – that she leaves on the truck seat when he drops her off at her aunt’s house. … After the huge popular success of the picture – four Oscar nominations (for Tatum, Madeline Kahn, the script, the sound) and Tatum won Best Supporting Actress (though she was the lead) – the studio proposed that we do a sequel, using the second half of the novel, keeping Tatum and casting Mae West as the old lady; they suggested we call the new film Harvest Moon. I declined. Later, a television series was proposed, and although I didn’t want to be involved (Alvin Sargent became story editor), I agreed to approve the final casting, which ended up being Jodie Foster and Chris Connolly, both also blondes. When Frank Yablans double-checked about my involvement, I passed again, saying I didn’t think the show would work in color – too cute – and suggested they title the series The Adventures of Addie Pray. But Frank said, “Are you kidding!? We’re calling it Paper Moon - that’s a million-dollar title!” The series ran thirteen episodes.
Peter Bogdanovich (Paper Moon)
I fell into the trap of viewing my stuff as money. I felt guilty about money I'd wasted, feared spending money to replace something, or dreamed of money I'd make if I sold it.
Dana K. White (Organizing for the Rest of Us: 100 Realistic Strategies to Keep Any House Under Control)
Once, I returned home from work, hung up my coat, dropped my briefcase on the floor, and walked into the kitchen. Bun was at the stove cooking supper. She seemed different. “You’re home early,” she said, without looking up. She sounded different, too. Oddly, she appeared much taller than she had that morning. Then she turned around. There was a strange woman in my house cooking supper! We went through the usual leaping and yelling and feinting at each other that occurs on such occasions, until at last recognition dawned, she being the wife and mother of the family to whom I had sold our house the previous month.
Patrick F. McManus (How I Got This Way)
In my house I did what I was told, and my father did the telling. He worked that way with everyone, as if his plans were the best, and his smile often sold it—but those smiles were never for me.
Ann Garvin (There's No Coming Back from This)
When I met Wendell Berry and told him that after I read Jayber Crow, I sold my house and moved to the country, his wife Tanya said, “Oh, boy. You’re not one of those are you?” Wendell sighed and said, “People tell us all the time that they want to move to Kentucky. That’s not what I mean. The point is to love where you are.
Andrew Peterson (Adorning the Dark: Thoughts on Community, Calling, and the Mystery of Making)
Walkers I had a walker when I was a baby, and my two older kids did too. One might think that something called a walker would help with walking. As it turns out, there’s research showing that babies who use walkers actually start walking as much as a month later than kids who don’t use walkers. Other studies have shown that walker use may delay mental and physical development. And then there’s the actual danger. Eighty percent of walker-involved accidents are falls down stairs, and most end in a head injury—often the result of the baby pulling something down on top of himself or using the walker as a launching pad so he can lunge after even more dangerous things on higher surfaces. Another common complaint about walkers is that babies can build up some real speed and fly around the house smacking into everything in sight—fun for them (until they get hurt), not so fun for you. My suggestion? Stay away from walkers (amazingly, they’re still being sold) and most of the “safe” alternatives that are out there, unless your pediatrician specifically tells you to get one. Your baby will learn to walk when he’s darn good and ready.
Armin A. Brott (The New Father: A Dad's Guide to the First Year (New Father Series Book 2))
My friend David Klagsbrun, who grew up around the corner from me in Larchmont, was turning forty that winter, and Matt and I drove up for his party in Katonah, where David lived with his wife and two young sons. It was good to be back in a car with Matt, the way we used to be all the time. The summer after our freshman year of college, I worked at a French restaurant in Larchmont and Matt sold a cleaning powder for septic tanks. In the evenings after dinner he would pick me up in his gray car at my mother’s house, and I’d roll us a joint—“Don’t make it too tight, Ar,” he’d say every time, and every time I’d say, “I got it,” and almost every time I would roll too tightly—and we would smoke it as we drove past David Klagsbrun’s house, past the parochial school on Weaver Street that looked like a fire station, over the bridge near the turnoff for that ersatz Hebrew school where I went when I demanded a bat mitzvah because everybody else was having one (and where once, when I was playing Tzeitel in our production of Fiddler on the Roof, I argued with the teacher about a dramatic point and he said, exasperated, “Do you want to direct this yourself?” And I said, “God, yes”). Then we’d coast into the Manor, the section of town with yards like parks and the kind of houses that make you stare with longing even when you are nineteen years old, as we were, and want nothing more than to get the hell out of the suburbs.
Ariel Levy (The Rules Do Not Apply)
For such a small town, it was always busy. He checked his watch. The grand opening of Brooke’s store had started half an hour ago. On the flight to New York City, he’d rearranged his week, pushing a few appointments into the evening so that he could be back home for Friday afternoon. His agent hadn’t been impressed, but after everything that had happened over the last few weeks, Eric was ready to cut him a break. A knock on the driver’s window scared the living daylights out of him. Caleb’s grinning face didn’t make it any better. He opened the door, scowling at his friend. “Are you trying to give me a heart attack?” “It’s called living dangerously. Welcome home.” Gabe had done his fair share of living dangerously and he wasn’t going back there in a hurry. “I thought your flight wasn’t arriving until ten o’clock tonight.” “I moved my appointments around. I wanted to be here for the opening of Brooke’s store.” “I’m heading there, too. Does Natalie know you’re here?” Gabe shook his head. “It’s a surprise.” So were the two bottles of champagne sitting on his back seat. He grabbed one of them before locking the truck. “Did you get your project finished?” Caleb’s smile disappeared. “Not yet. Something’s not working and I can’t figure out what’s wrong. Instead of staring at a blank computer screen, I thought I’d get out of the house and support Brooke. How was the Big Apple?” “Busy, noisy, and productive. My book’s scheduled to be released in early December.” “You’ll be hitting the Christmas market. Well done. Did they give you a pay raise?” Gabe rubbed his leg. Caleb’s grin took the sting out of the cramp making him limp. “You’ve been talking to Natalie’s mom.” “I saw them on Wednesday. Kathleen couldn’t stop raving about your book. But don’t worry, she didn’t give anything away.” “It doesn’t matter. It will be in the stores soon enough.” They turned the corner. Gabe stared at the number of people standing on the street. “All these people can’t be waiting to go into Brooke’s store.” “You wanna bet? The local paper ran an article about the store on Monday. Since then, social media has been going crazy. Mabel has been adding Facebook updates all week. She even snapped a picture of Natalie and her mom helping to wrap candy. I’m telling you, Brooke’s onto something.” Gabe wasn’t surprised. Her candy already sold well. The store
Leeanna Morgan (Falling for You (Sapphire Bay #1))