“
I carried [Rudy] softly through the broken street...with him I tried a little harder [at comforting]. I watched the contents of his soul for a moment and saw a black-painted boy calling the name Jesse Owens as he ran through an imaginary tape. I saw him hip-deep in some icy water, chasing a book, and I saw a boy lying in bed, imagining how a kiss would taste from his glorious next-door neighbor. He does something to me, that boy. Every time. It's his only detriment. He steps on my heart. He makes me cry.
”
”
Markus Zusak (The Book Thief)
“
Soft hearts make the universe worth living in.
”
”
Veronica Roth (Carve the Mark (Carve the Mark, #1))
“
Baby,” his voice gentled, “this is me seein’ to that soft spot when I say quiet-like that I... will... be... there... in ten. And what I mean is, when I get there in ten, your ass better be there.”
Oh boy.
“Are you coming on your bike?”
“Yeah.”
“I’m in a tight, short, little aquamarine dress with high heels. I can’t get on a bike.
“You’re in a tight, short dress and high heels?” Tack asked.
“Yes.”
“I’ll be in there in five.
”
”
Kristen Ashley (Motorcycle Man (Dream Man, #4))
“
But when ye come, and all the flowers are dying,
If I am dead, as dead I well may be,
You'll come and find the place where I am lying,
And kneel and say Ave there for me,
And I shall hear, though soft you tread above me,
And all my grave will warmer, sweeter be,
For you will bend and tell me that you love me,
And I shall sleep in peace until you come to me
”
”
Frederic Edward Weatherly
“
Girls love each other like animals. There is something ferocious and unself-conscious about it. We don't guard ourselves like we do with boys. No one trains us to shield our hearts from each other. With girls, it's total vulnerability from the beginning. Our skin is bare and soft. We love with claws and teeth and the blood is just proof of how much. It's feral.
And it's relentless.
”
”
Leah Raeder (Black Iris)
“
You may
blame Aphrodite
soft as she is
she has almost
killed me with
love for that boy
”
”
Sappho
“
Give me priests who are fat and corrupt and cynical,(...) the sort who like to sit on soft satin cushions, nibble sweetmeats, and diddle little boys. It's the ones who believe in gods who make the trouble. (Tyrion)
”
”
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
“
I hear Warner laugh.
I see him smile.
It's the kind of smile that transforms him into someone else entirely, the kind of smile that puts stars in his eyes and a dazzle on his lips and I realize I've never seen him like this before. I've never seen his teeth--so straight, so white, nothing less than perfect. A flawless, flawless exterior for a boy with a black, black heart. It's hard to believe there's blood on the hands of the person I'm staring at. He looks soft and vulnerable--so human. His eyes are squinting from all his grinning and his cheeks are pink form the cold.
He has dimples.
He's easily the most beautiful thing I've ever seen.
And I wish I'd never seen it.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
Everyone I have lost
in the closing of a door
the click of the lock
is not forgotten, they
do not die but remain
within the soft edges
of the earth, the ash
of house fires and cancer
in sin and forgiveness
huddled under old blankets
dreaming their way into
my hands, my heart
closing tight like fists.
- "Indian Boy Love Song #1
”
”
Sherman Alexie (The Business of Fancydancing)
“
The girls were expected to grow up to be somebody's wife. They were also expected to read and write, those being considered soft indoor jobs that were too fiddly for the boys.
”
”
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
“
The boy is destined for greatness, but with you, he is in danger. You are linked, the two of you. You must leave him. This is what I have seen.”
I grew frustrated. “Is he in danger because of me?”
“He will die before his time with you by his side, unless you let him go. Fate or chance? Coincidence or destiny? I cannot say.” Her voice had turned soft.
Soft and sad.
A fist closed around my heart. I tried to let him go once before. It didn’t work.
“I can’t,” was all I said to her, and quietly.
“Then you will love him to ruins,” she said, and let my hands go.
”
”
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
“
You are such a bad boy." She tugged on the hair that brushed my collar.
"I can be real bad. You haven't seen anything yet," I murmured, bending my head so I could take a nip at the soft skin at the back of her neck.
"I'm not sure I could keep up with you. I'm extremely inexperienced. We are in completely different planets when it comes to sexual experience," her breathing was labored as I licked and kissed different sweet spots on her shoulders and collarbone.
"I didn't say anything about sex, Eva," I grinned before kissing her jawline. "You're the naughty one who brought up sex.
”
”
Abbi Glines (While It Lasts (Sea Breeze, #3))
“
It is the mundanes who look at me and see something they do not understand—a boy who is not quite white and not quite foreign either."
"Just as I am not human, and not demon either," Tessa said softly.
His eyes softened. "You are human," he said. "Never think you are not. I have seen you with your brother; I know how you care for him. If you can feel hope, guilt, sorrow, love—then you are human.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
But my heart isn't simple or straightforward. It's a complicated mess of wants and needs, boys and girls: soft, rough, and everything in between, an ever-shifting precipice from which to fall.
”
”
Tess Sharpe (Far From You)
“
A Woman's Question
Do you know you have asked for the costliest thing
Ever made by the Hand above?
A woman's heart, and a woman's life---
And a woman's wonderful love.
Do you know you have asked for this priceless thing
As a child might ask for a toy?
Demanding what others have died to win,
With a reckless dash of boy.
You have written my lesson of duty out,
Manlike, you have questioned me.
Now stand at the bars of my woman's soul
Until I shall question thee.
You require your mutton shall always be hot,
Your socks and your shirt be whole;
I require your heart be true as God's stars
And as pure as His heaven your soul.
You require a cook for your mutton and beef,
I require a far greater thing;
A seamstress you're wanting for socks and shirts---
I look for a man and a king.
A king for the beautiful realm called Home,
And a man that his Maker, God,
Shall look upon as He did on the first
And say: "It is very good."
I am fair and young, but the rose may fade
From this soft young cheek one day;
Will you love me then 'mid the falling leaves,
As you did 'mong the blossoms of May?
Is your heart an ocean so strong and true,
I may launch my all on its tide?
A loving woman finds heaven or hell
On the day she is made a bride.
I require all things that are grand and true,
All things that a man should be;
If you give this all, I would stake my life
To be all you demand of me.
If you cannot be this, a laundress and cook
You can hire and little to pay;
But a woman's heart and a woman's life
Are not to be won that way.
”
”
Joshua Harris (I Kissed Dating Goodbye)
“
I slide my hand between our mouths, just in time. His lips
are soft against my palm. I slowly, slowly remove it. “No, I
don’t love Max anymore. But I don’t want to give you this
broken, empty me. I want you to have me when I’m full,
when I can give something back to you. I don’t have much to
give right now.”
Cricket’s limbs are still, but his chest is pounding hard
against my own. “But you’ll want me someday? That feeling
you once had for me … that hasn’t left either?”
Our hearts beat the same wild rhythm. They’re playing the
same song.
“It never left,” I say.
”
”
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
“
Ever had a beer before?" Gabriel grinned.
She shook her head.
"Then I'm glad I'm your first."
"Have you ever held a boy's hand before?" She shook her head, and he laughed softly. "Then I'm glad I'm your first."
"Have you ever been kissed by a boy?"
She blushed deeply and shook her head.
"Then I'm glad I'm your first."
"Have you ever fallen asleep in the arms of a boy before, Beatrice?"
She shook her head.
"Then I'm glad I'm your first."
"I haven't really danced like this before," she said wistfully.
"Then I'm glad I'm your first."
"Has a man ever asked you to marry him before?"
She shook her head, covering her mouth with her hand.
"Then I'm glad I'm your first.
”
”
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
“
There’s a soft part of your brain. A place where you’re still just a child. Once someone’s poked the soft spot, the dent doesn’t go away. Like sticking your fingers in wet concrete.
”
”
Eliza Clark (Boy Parts)
“
You know that half the girls in school would have been after you."
He gave a soft laugh. "If they were into someone who was flunking out...I don't think I'd do too well with having to go to class when a bell rings or caring about homework..."
"A bad boy--even better. You'd have done well in Spanish class."
"If I ever went to it."
We lay in silence for a awhile; Alex's arms felt so warm and safe that I was starting to get sleepy. "Say something in Spanish," I mumbled.
He kissed my hair. "Te amo, Willow," he said quietly.
I came awake, smiling into the darkness. "What does that mean?" I whispered.
I could almost hear his own smile. "What do you think it means?"
I hugged him, kissing his collarbone and wondering if it was possible to actually die of happiness. "Te amo, Alex.
”
”
L.A. Weatherly (Angel (Angel, #1))
“
I loved all the boys with soft sad eyes, and lost souls.
”
”
Grace Coddington (Grace: A Memoir)
“
The boy held her tighter, murmured soft words to lull her to sleep.
"It's only a nightmare," he whispered. "The dreams will stop."
He didn't understand. The dreams were the only place it was safe to use her power now, and she longed for them.
”
”
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
“
The old man laid a withered, spotted hand on his shoulder. "It hurts, boy," he said softly. "Oh, yes. Choosing . . . it has always hurt. And always will. I know.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
Puck and Ironhorse each grabbed a rope and began drawing the platform up the side of the building. The dark, mirrored walls reflected a strange party back at us: a cat, two elf-boys, a girl in a slightly tattered gown, and a monstrous black man with glowing red eyes. I contemplated how strange my life had become, but was interrupted by a soft hiss overhead.
”
”
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
“
Draco, do it, or stand aside so one of us -" screeched the woman, but at that precise moment the door to the ramparts burst open once more and there stood Snape, his wand clutched in his hand as his black eyes swept the scene, from Dumbledore slumped against the wall, to the four Death Eaters, including the enraged werewolf, and Malfoy.
"We've got a problem, Snape," said the lumpy Amycus, whose eyes and wand were fixed alike upon Dumbledore, "the boy doesn't seem able -"
But somebody else had spoken Snape's name, quite softly.
"Severus ..."
The sound frightened Harry beyond anything he had experienced all evening. For the first time, Dumbledore was pleading.
Snape said nothing, but walked forwards and pushed Malfoy roughly out of the way. The three Death Eaters fell back without a word. Even the werewolf seemed cowed.
Snape gazed for a moment at Dumbledore, and there was revulsion and hatred etched in the harsh lines of his face.
"Severus ... please ..."
Snape raised his wand and pointed it directly at Dumbledore. "Avada Kedavra!
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
The love that I wanted so desperately: this isn’t what I thought
it would feel like. It’s made me dizzy and it’s grounded me. It’s
made me laugh when nothing is funny. It shimmers and it sparks,
but it can be comfortable, too, a sleepy smile and a soft touch and
a quiet, steady breath. Of course this boy—my rival, my alarm
clock, my unexpected ally—is at the center of it.
And somehow, it’s even better than I imagined.
”
”
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
“
Careful big man,” I whisper. “That sounds a lot like a king falling. The ground isn’t soft at my feet.
”
”
Meagan Brandy (Boys of Brayshaw High (Brayshaw, #1))
“
So I feared not just the violence of this world but the rules designed to protect you from it, the rules that would have you contort your body to address the block, and contort again to be taken seriously by colleagues, and contort again so as not to give the police a reason. All my life I’d heard people tell their black boys and black girls to “be twice as good,” which is to say “accept half as much.” These words would be spoken with a veneer of religious nobility, as though they evidenced some unspoken quality, some undetected courage, when in fact all they evidenced was the gun to our head and the hand in our pocket. This is how we lose our softness. This is how they steal our right to smile.
”
”
Ta-Nehisi Coates (Between the World and Me)
“
Poppy’s breathing hollowed and I leaned forward, knowing this was it. I pressed my forehead to hers, just one last time. Poppy lifted her soft hand to my hair. “I love you,” she whispered.
“I love you too, Poppymin.”
As I pulled back, Poppy looked into my eyes and said, “I’ll see you in your dreams.”
Trying to hold back my emotions, I rasped back, “I’ll see you in my dreams.
”
”
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
“
Who are you?” asked Shasta.
“Myself,” said the Voice, very deep and low so that the earth shook: and again “Myself,” loud and clear and gay: and then the third time “Myself,” whispered so softly you could hardly hear it, and yet it seemed to come from all around you as if the leaves rustled with it.
”
”
C.S. Lewis (The Horse and His Boy (Chronicles of Narnia, #5))
“
No,” she said with a soft chuckle. “I’m afraid he will sever the spine of any boy who breaks our girl’s heart.”
“Oh,” I said, relief flooding me. But she had an incredibly well thought-out point.
”
”
Darynda Jones (Eighth Grave After Dark (Charley Davidson, #8))
“
Hey,” said a soft voice.
Emma turned to see a boy with wavy hair and light brown skin looking at them with a mixture of annoyance and—no, it was mostly just annoyance.
“Raphael Santiago?” she said.
”
”
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
“
It's always the mother's fault, ain't it?" she said softly, collecting her coat. "That boy turn out bad cause his mama a drunk, or she a junkie. She let him run wild, she don't teach him right from wrong. She never home when he back from school. Nobody ever say his daddy a drunk, or his daddy not home after school. And nobody ever say they some kids just damned mean. ...
”
”
Lionel Shriver (We Need to Talk About Kevin)
“
No one knew his name to curse or extol, so I spoke it softly, beneath my breath.
“Aleksander,” I whispered. A boy’s name, given up. Almost forgotten.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
I like the idea of these bad boys having soft nougat centers.
”
”
J.W. Becton (Absolute Liability (A Southern Fraud Thriller, #1))
“
The most important thing we've learned,
So far as children are concerned,
Is never, NEVER, NEVER let
Them near your television set --
Or better still, just don't install
The idiotic thing at all.
In almost every house we've been,
We've watched them gaping at the screen.
They loll and slop and lounge about,
And stare until their eyes pop out.
(Last week in someone's place we saw
A dozen eyeballs on the floor.)
They sit and stare and stare and sit
Until they're hypnotised by it,
Until they're absolutely drunk
With all that shocking ghastly junk.
Oh yes, we know it keeps them still,
They don't climb out the window sill,
They never fight or kick or punch,
They leave you free to cook the lunch
And wash the dishes in the sink --
But did you ever stop to think,
To wonder just exactly what
This does to your beloved tot?
IT ROTS THE SENSE IN THE HEAD!
IT KILLS IMAGINATION DEAD!
IT CLOGS AND CLUTTERS UP THE MIND!
IT MAKES A CHILD SO DULL AND BLIND
HE CAN NO LONGER UNDERSTAND
A FANTASY, A FAIRYLAND!
HIS BRAIN BECOMES AS SOFT AS CHEESE!
HIS POWERS OF THINKING RUST AND FREEZE!
HE CANNOT THINK -- HE ONLY SEES!
'All right!' you'll cry. 'All right!' you'll say,
'But if we take the set away,
What shall we do to entertain
Our darling children? Please explain!'
We'll answer this by asking you,
'What used the darling ones to do?
'How used they keep themselves contented
Before this monster was invented?'
Have you forgotten? Don't you know?
We'll say it very loud and slow:
THEY ... USED ... TO ... READ! They'd READ and READ,
AND READ and READ, and then proceed
To READ some more. Great Scott! Gadzooks!
One half their lives was reading books!
The nursery shelves held books galore!
Books cluttered up the nursery floor!
And in the bedroom, by the bed,
More books were waiting to be read!
Such wondrous, fine, fantastic tales
Of dragons, gypsies, queens, and whales
And treasure isles, and distant shores
Where smugglers rowed with muffled oars,
And pirates wearing purple pants,
And sailing ships and elephants,
And cannibals crouching 'round the pot,
Stirring away at something hot.
(It smells so good, what can it be?
Good gracious, it's Penelope.)
The younger ones had Beatrix Potter
With Mr. Tod, the dirty rotter,
And Squirrel Nutkin, Pigling Bland,
And Mrs. Tiggy-Winkle and-
Just How The Camel Got His Hump,
And How the Monkey Lost His Rump,
And Mr. Toad, and bless my soul,
There's Mr. Rat and Mr. Mole-
Oh, books, what books they used to know,
Those children living long ago!
So please, oh please, we beg, we pray,
Go throw your TV set away,
And in its place you can install
A lovely bookshelf on the wall.
Then fill the shelves with lots of books,
Ignoring all the dirty looks,
The screams and yells, the bites and kicks,
And children hitting you with sticks-
Fear not, because we promise you
That, in about a week or two
Of having nothing else to do,
They'll now begin to feel the need
Of having something to read.
And once they start -- oh boy, oh boy!
You watch the slowly growing joy
That fills their hearts. They'll grow so keen
They'll wonder what they'd ever seen
In that ridiculous machine,
That nauseating, foul, unclean,
Repulsive television screen!
And later, each and every kid
Will love you more for what you did.
”
”
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
“
I don’t find you ugly, Hunter. No one who knew you could.” Her voice was achingly soft. “If anything, I’m grateful that you have these scars, because they saved you for me— for this moment in time. And that’s a little selfish of me, isn’t it? And yet I can’t help but feel that way.
”
”
Jessica Clare (Beauty and the Billionaire (Billionaire Boys Club, #2))
“
These boys need women who can take the heat without meltin’ like butter, and sometimes that heat is fiery. They need women who can give back their shit so they don’t walk all over ‘em and get bored out of their fucking skulls. And they need women who can go soft when the situation demands because they get hard knocks on a regular basis, sometimes literal y, and comin’ home to somethin’ soft is the only way to cope.
”
”
Kristen Ashley (Rock Chick Redemption (Rock Chick, #3))
“
First of all, it was October, a rare month for boys. Not that all months aren’t rare. But there be bad and good, as the pirates say. Take September, a bad month: school begins. Consider August, a good month: school hasn’t begun yet. July, well, July’s really fine: there’s no chance in the world for school. June, no doubting it, June’s best of all, for the school doors spring wide and September’s a billion years away.
But you take October, now. School’s been on a month and you’re riding easier in the reins, jogging along. You got time to think of the garbage you’ll dump on old man Prickett’s porch, or the hairy-ape costume you’ll wear to the YMCA the last night of the month. And if it’s around October twentieth and everything smoky-smelling and the sky orange and ash gray at twilight, it seems Halloween will never come in a fall of broomsticks and a soft flap of bedsheets around corners.
”
”
Ray Bradbury (Something Wicked This Way Comes)
“
And yet here he was, looking at Jem Carstairs, a boy so fragile-looking that he appeared to be made out of glass, with the hardness of his expression slowly dissolving into tentative uncertainty. "You are not really dying," he said, the oddest tone to his voice, "are you?"
Jem nodded. "So they tell me."
"I am sorry," Will said.
"No", Jem said softly. He drew his jacket aside and took a knife from the belt at his waist. "Don't be ordinary like that. Don't say you're sorry. Say you'll train with me."
He held the knife to Will, hilt first. Charlotte held her breath, afraid to move. She felt as if she were watching something very important happen, though she could not have said what.
Will reached out and took the knife, his eyes never leaving Jem's face. His fingers brushed the other boy's as he took the weapon from him. It was the first time, Charlotte thought that she had ever seen him touch any other person willingly.
"I'll train with you," he said.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
The few lamps we left on softly illuminate the walls, and I think about all the paper around us, all this love and pain and fear and hope. We’re surrounded by words. Nothing about this moment could be more perfect, because I’m absolutely in love with this room and the people in it, on the wall and otherwise. And with this one boy in particular.
”
”
Tamara Ireland Stone (Every Last Word)
“
LONDON. Michaelmas Term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall. Implacable November weather. As much mud in the streets as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill. Smoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snow-flakes — gone into mourning, one might imagine, for the death of the sun. Dogs, undistinguishable in mire. Horses, scarcely better; splashed to their very blinkers. Foot passengers, jostling one another’s umbrellas in a general infection of ill-temper, and losing their foot-hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if the day ever broke), adding new deposits to the crust upon crust of mud, sticking at those points tenaciously to the pavement, and accumulating at compound interest.
Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards, and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards; fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little ’prentice boy on deck. Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon, and hanging in the misty clouds.
Gas looming through the fog in divers places in the streets, much as the sun may, from the spongey fields, be seen to loom by husbandman and ploughboy. Most of the shops lighted two hours before their time — as the gas seems to know, for it has a haggard and unwilling look.
The raw afternoon is rawest, and the dense fog is densest, and the muddy streets are muddiest near that leaden-headed old obstruction, appropriate ornament for the threshold of a leaden-headed old corporation, Temple Bar. And hard by Temple Bar, in Lincoln’s Inn Hall, at the very heart of the fog, sits the Lord High Chancellor in his High Court of Chancery.
”
”
Charles Dickens (Bleak House)
“
Have you no pity?' Glokta could only shrug. 'I did have. As a boy I was soft-hearted beyond the point of foolishness. I swear, I would cry at a fly caught in a spider's web.' He grimaced at a brutal spasm through his leg as he turned for the door. 'Constant pain has cured me of that.
”
”
Joe Abercrombie (Last Argument of Kings (The First Law, #3))
“
You can love someone, hell, you can love a lot of someones, but when you find the right person--the one that you're meant to be with--it's like..." "You can breathe for the first time," she finishes for me. "Yes." I cant help but smile.I needed to find that to understand." And you have," She says softly."Lucy." "Lucy," I agree.
”
”
Cheryl McIntyre (Before Now (Sometimes Never, #2))
“
Harry Potter," he said very softly. His voice might have been part of the spitting fire. "The Boy Who Lived."
None of the Death Eaters moved. They were waiting. Everything was waiting. Hagrid was struggling, and Bellatrix was panting, and Harry thought inexplicably of Ginny, and her blazing look, and the feel of her lips on his--
Voldemort had raised his wand. His head was still tilted to one side, like a curious child, wondering what would happen if he proceeded. Harry looked back into the red eyes, and wanted it to happen now, quickly, while he could still stand, before he lost control, before he betrayed fear--
He saw the mouth move and a flash of green light, and everything was gone.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Mmpf. You’re so heavy. Do you have bricks in your pocket? Get off me.”
“But you’re so warm,” he whines. “And soft. And you smell so good. Like woman and sex and me.
”
”
Christina Lauren (Sweet Filthy Boy (Wild Seasons, #1))
“
For too long, I was a soft, demure little dove. And then they burned me. Scorched me. Turns out I’m a dragon and I’m fed the fuck up with boys and their bullshit.
”
”
Elsie Silver (Powerless (Chestnut Springs, #3))
“
They play in the Meadow. The dancing girl with the dark hair and blue eyes. The boy with blond curls and gray eyes, struggling to keep up with her on his chubby toddler legs. It took five, ten, fifteen years for me to agree. But Peeta wanted them so badly. When I first felt her stiring inside of me, I was consumed with a terror that felt as old as life itself. Only the joy of holding her in my arms could tame it. Carrying him was easier, but not much.
The questions are just beginning. The arenas have been completely destroyed, the memorials have been built, there are no more Hunger Games. But they still teach about them at school, and the girl knows we played a role in them. The boy will know in a few years. how can I tell them about that world without frightning them to death? My children, who take the words of the song for granted:
Deep in the meadow, under the willow
A bed of grass, a soft green pillow
Lay down your head, and close your eyes
And when again they open, the sun will rise
Here it's safe, here it's warm
Here the daisies guard you from every harm
Here your dreams are sweet snd tomorrow brings them true
Here is the place where I love you.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
The train skimmed on softly, slithering, black pennants fluttering, black confetti lost on its own sick-sweet candy wind, down the hill, with the two boys pursuing, the air was so cold they ate ice cream with each breath.
”
”
Ray Bradbury (Something Wicked This Way Comes)
“
The infant-inconvenience kicked in response, and Conall twitched at the sensation.
“Active little pup, isn’t he?”
“She,” corrected his wife. “As if any child of mine would dare be a boy.”
It was a long-standing argument.
“Boy,” replied Conall. “Any child as difficult as this one has been from the start must, perforce, be male.”
Alexia snorted.
“As if my daughter would be calm and biddable.”
Conall grinned, catching one of her hands and bringing it in for a kiss, all prickly whiskers and soft lips.
“Very good point, wife. Very good point.
”
”
Gail Carriger (Heartless (Parasol Protectorate, #4))
“
Puck swung the cannon around in anger. The nozzle spun and hit Sabrina in the chest. The force was so pawerful she was knocked right off the platform and fell backward off the tower. She saw sky above her and felt the wind in her hair. How ironic, she thought, as she fell to her certain death, that at that moment she would have given anything to be a giant goose again.
Air rushed past Sabrina's ears and suddenly she felt her back tingling again. A moment later she was hanging upside down, inches from the ground. She looked up to find her savior, only to find that her her wasn't a person but a long, furry tail sticking out of the back of her pants. It was wrapped around a beam in the tower a kept her swinging there like a monkey.
Puck floated down to her, his wings flapping softly enough to allow him to hover.
"I bet you think this is hilarious. Look what you did to me with your stupid pranks. I have a tail!" she raged.
Puck's face was trembling. "I'm sorry."
"What?" Sabrina said blankly.
"I almost killed you. I'm sorry, Sabrina," he said, rubbing his eyes on his filthy hoodie. He lifted her off the tower and set her on the ground.
"Since when do you care?" Sabrina said, still stunned by the boy's apology.
”
”
Michael Buckley (The Everafter War (The Sisters Grimm, #7))
“
And I'm not too great at that sort of comforting thing, especially when my hands are cold and the bed is warm. I carried him softly through the broken street, with one salty eye and a heavy, deathly heart. With him I tried a little harder. I watched the contents of his soul for a moment and saw a black-painted boy calling the name Jesse Owens as he ran through an imaginary tape. I saw him hip-deep in some icy water chasing a book, and I saw a boy lying in bed, imagining how a kiss would taste from his glorious next door neighbour. He does something to me, that boy. Every time. He steps on my heart. He makes me cry.
”
”
Markus Zusak (The Book Thief)
“
Once upon a time, there was a boy. He lived in a village that no longer exists, on the edge of a field that no longer exists, where everything was discovered and everything was possible. A stick could be a sword. A pebble could be a diamond. A tree was a castle.
Once upon a time, there was a boy who lived in a house across the field from a girl who no longer exists. They made up a thousand games. She was the Queen and he was the King. In the autumn light, her hair shone like a crown. They collected the world in small handfuls. When the sky grew dark, they parted with leaves in their hair.
Once upon a time there was a boy who loved a girl, and her laughter was a question he wanted to spend his whole life answering. When they were ten he asked her to marry him. When they were eleven he kissed her for the first time. When they were thirteen they got into a fight and for three weeks they didn't talk. When they were fifteen she showed him the scar on her left breast. Their love was a secret they told no one. He promised her he would never love another girl as long as he lived. "What if I die?" she asked. "Even then," he said. For her sixteenth birthday, he gave her an English dictionary and together they learned the words. "What's this?" he'd ask, tracing his index finger around her ankle and she'd look it up. "And this?" he'd ask, kissing her elbow. "Elbow! What kind of word is that?" and then he'd lick it, making her giggle. "What about this," he asked, touching the soft skin behind her ear. "I don't know," she said, turning off the flashlight and rolling over, with a sigh, onto her back. When they were seventeen they made love for the first time, on a bed of straw in a shed. Later-when things happened that they could never have imagined-she wrote him a letter that said: When will you learn that there isn't a word for everything?
”
”
Nicole Krauss (The History of Love)
“
Looking at you reminds me of the kind of man I should be with."
"And what kind of man is that? Drunken, poor, pathetic?"
"No. I´ve never met him, but I see him plain as day. He has crinkles around his eyes when he smiles and tanned skin from working outdoors. Honest labor has callused his hands. He and I will hunt together, cook and eat big family meals together. He´ll marry me and love my family, too." Voice gone soft, she said, "He´ll give me a baby boy and a girl.
”
”
Kresley Cole (Lothaire (Immortals After Dark, #11))
“
Cept for Ben, who I can’t describe much further without seeming soft and stupid and like a boy, so I won’t, just to say that I never knew my pa, but if you woke up one day and had a choice of picking one from a selecshun, if someone said, here, then, boy, pick who you want, then Ben wouldn’t be the worst choice you could make that morning.
”
”
Patrick Ness (The Knife of Never Letting Go (Chaos Walking, #1))
“
He plunged his arms deep to embrace
One who vanished in agitated water.
Again and again he kissed
The lips that seemed to be rising to kiss his
But dissolved, as he touched them,
Into a soft splash and a shiver of ripples.
How could he clasp and caress his own reflection?
And still he could not comprehend
What the deception was, what the delusion.
He simply became more excited by it.
Poor misguided boy! Why clutch so vainly
At such a brittle figment? What you hope
To lay hold of has no existence.
Look away and what you love is nowhere.
”
”
Ovid (Tales from Ovid: 24 Passages from the Metamorphoses)
“
I reach out and take his hand.
“Well, he probably used up a lot of resources helping me knock you out,” I say mischievously.
“Yeah, about that,” says Peeta, entwining his fingers in mine. “Don’t try something like that again.”
“Or what?” I ask.
“Or . . . or . . .” He can’t think of anything good. “Just give me a minute.”
“What’s the problem?” I say with a grin.
“The problem is we’re both still alive. Which only reinforces the idea in your mind that you did the right thing,” says Peeta.
“I did do the right thing,” I say.
“No! Just don’t, Katniss!” His grip tightens, hurting my hand, and there’s real anger in his voice. “Don’t die for me. You won’t be doing me any favors. All right?”
I’m startled by his intensity but recognize an excellent opportunity for getting food, so I try to keep up. “Maybe I did it for myself, Peeta, did you ever think of that? Maybe you aren’t the only one who . . . who worries about . . . what it would be like if. . .”
I fumble. I’m not as smooth with words as Peeta. And while I was talking, the idea of actually losing Peeta hit me again and I realized how much I don’t want him to die. And it’s not about the sponsors. And it’s not about what will happen back home.
And it’s not just that I don’t want to be alone. It’s him. I do not want to lose the boy with the bread.
“If what, Katniss?” he says softly.
I wish I could pull the shutters closed, blocking out this moment from the prying eyes of Panem. Even if it means losing food. Whatever I’m feeling, it’s no one’s business but mine.
“That’s exactly the kind of topic Haymitch told me to steer clear of,” I say evasively, although Haymitch never said anything of the kind. In fact, he’s probably cursing me out right now for dropping the ball during such an emotionally charged moment. But Peeta somehow catches it.
“Then I’ll just have to fill in the blanks myself,” he says, and moves in to me.
This is the first kiss that we’re both fully aware of. Neither of us hobbled by sickness or pain or simply unconscious. Our lips neither burning with fever or icy cold. This is the first kiss where I actually feel stirring inside my chest. Warm and curious.
This is the first kiss that makes me want another.
But I don’t get it. Well, I do get a second kiss, but it’s just a light one on the tip of my nose because Peeta’s been distracted.
“I think your wound is bleeding again. Come on, lie down, it’s bedtime anyway,” he says.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Hey, pal," Matthew whispered. He was the only person who could get away with calling Ronan pal. Matthew Lynch was a bear of a boy, square and solid and earnest. His head was covered with soft, golden curls completely unlike any of his other family members. And in his case, the perfect Lynch teeth were framed by an easy, dimpled smile. He had two brands of smile: the one that was preceded by a shy dip of his chin, a dimple, and then BAM, smile. And the one that teased for a moment before BAM, an infectious laugh. Females of all ages called him adorable. Males of all ages called him buddy. Matthew failed at many more things than either of his older brothers, but unlike Declan or Ronan, he always tried his hardest.
Ronan had dreamt one thousand nightmares about something happening to him.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
The witch grunted. "Love gone wrong. The worst."
Jace made a soft, almost inaudible noise at that—a chuckle. Dorothea's ears pricked like a cat's. "What's so funny, boy?"
"What would you know about it?" he said. "Love, I mean."
Dorothea folded her soft white hands in her lap. "More than you might think," she said.
"Didn't I read your tea leaves, Shadowhunter? Have you fallen in love with the wrong person yet?"
Jace said, "Unfortunately, Lady of the Haven, my one true love remains myself."
Dorothea roared at that. "At least," she said, "you don't have to worry about rejection, Jace Wayland."
"Not necessarily. I turn myself down occasionally, just to keep it interesting.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
Jack shook his head. 'Books. What is it with women and books? My sisters were the same. They were always buying books for boys they fancied.'
Ellie bent down and picked up the stone and put it on the table. 'It's like sending a love letter without having to write it yourself,' she said softly.
”
”
Hazel Osmond (Who's Afraid of Mr Wolfe?)
“
He enjoyed the soft sound of night wind and the knowledge that he was the only boy — perhaps the only human being — out there in the dark on the windy, frozen-grass meadows on this night that smelled of coming snow, alienated from the lighted windows and the warm hearths, very aware that he was of the village but not part of it at that moment. It was a thrilling, almost erotic feeling — an illicit discovery of self separated from everyone and everything else in the cold and dark
”
”
Dan Simmons (The Terror)
“
Do me a favor,” he whispers, curling my fingers over the back of his and bringing them to his mouth. “What?” His eyes never leave mine as he brushes his lips over my knuckles. “Dream of me tonight,” he says softly. He watches me, waiting for a response. I have no words, so I simply nod. He doesn’t need to know that no one else occupies my dreams. No one. “Dream of my lips, teasing you.” Straightening one of my fingers, he kisses the tip. His voice is like velvet and his words are like an aphrodisiac. “Dream of my tongue, tasting you.” His tongue sneaks out to flick the end of my finger. A surge of desire rocks my core. “And I’ll dream of you. Of what it feels like to be inside your warm, wet body.
”
”
M. Leighton (Up to Me (The Bad Boys, #2))
“
James sat forward and kissed him. It was all so familiar now. They had moved beyond the clumsy petting and munching. Mungo would stop frequently to apologize, he felt so inept, and James would cradle his face and guide Mungo’s lips back to his. Now their kisses were soft and tender and offered without the fear of refusal. A kiss lasted hours. They lay with their mouths together and Mungo cupped his nose in the divot of James’s cheek, and then they led each other in a silent ramble, one would change the direction and the other would follow, over and over until an arm went dead, or the microwave pinged. A hand might slip under a T-shirt but it never dared to do anything else. Mungo knew he wanted to spend his life doing this, just kissing this one boy. There was no need to rush.
”
”
Douglas Stuart (Young Mungo)
“
My eyelids began to become heavy as I sat so contentedly in Rune’s arms.
“Poppymin?”
“Mm?”
“Have I been enough for you too?” The gruff tone of Rune’s voice caused my heart to break, but I nodded softly.
“More than anything,” I confirmed and, with a smile, added just for him, “You’ve been as special as special can be.
”
”
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
“
Poppy sighed, a peaceful smile gracing her face. Then Poppy closed her eyes, tilting her chin up for her final kiss, her hand squeezing mine.
Lowering myself to her mouth, I pressed the softest, most meaningful kiss to her soft lips. Poppy breathed out through her nose, her sweet scent engulfing me … and she never breathed again.
Reluctantly pulling back, I opened my eyes, now witnessing Poppy in eternal sleep. She was as beautiful now as ever she was in life.
”
”
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
“
She studied the relaxed lines of his features. The soft flutter of his long, dark eyelashes. The adorable way his arms cradled Mrs. Snuggles against his bandaged chest.
I don’t know what to do.
She hadn’t meant to transmit the words, but... it felt good to say them. And it was like like he could hear her. He hadn’t even flinched. His breathing hadn’t changed rhythm.
So she told him, I really wish you were awake.
He let out a snuffly snore, which gave her the courage to ask, What if I just want you to wake up because I’m tired of fighting the echoes all by myself?
That wasn’t the right question, though.
What if I want you to wake up because I miss you?
She’d been trying to stay busy, trying not to look at the beautiful boy sleeping over in the corner.
She hated having him so close and still so far away.
And when she turned to Fitz, his eyes were more than fluttering.
One blink.
Two.
Three.
And then... they stayed open.
”
”
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))
“
My name...my name is Mary. I'm here with a friend.'
Rhage stopped breathing. His heart skipped a beat and then slowed. "Say that again,' he whispered.
'Ah, my name is Mary Luce. I'm a friend of Bella's...We came here with a boy, with John Matthew. We were invited.'
Rhage shivered, a balmy rush blooming out all over his skin. The musical lilt of her voice, the rhythm of her speech, the sound of her words, it all spread through him, calming him, comforting him. Chaining him sweetly.
He closed his eyes. 'Say something else.'
'What?' she asked, baffled.
'Talk. Talk to me. I want to hear your voice.'
She was silent, and he was about to demand that she speak when she said, 'You don't look well. Do you need a doctor?'
He found himself swaying. The words didn't matter. It was her sound: low, soft, a quiet brushing in his ears. He felt as if here being stroked on the inside of his skin.
'More,' he said, twisting his palm around to the front of her neck so he could feel the vibrations in her throat better.
'Could you... could you please let go of me?'
'No.' He brought his other arm up. She was wearing some kind of fleece, and he moved the collar aside, putting his hand on her shoulder so she couldn't get away from him. 'Talk.'
She started to struggle. 'You're crowding me.'
'I know. Talk.'
'Oh for God's sake, what do you want me to say?'
Even exasperated, her voice was beautiful. 'Anything.'
'Fine. Get your hand off my throat and let me go or I'm going to knee you where it counts.'
He laughed. Then sank his lower body into her, trapping her with his thighs and hips. She stiffened against him, but he got an ample feel of her. She was built lean, though there was no doubt she was female. Her breasts hit his chest, her hips cushioned his, her stomach was soft.
'Keep talking,' he said in her ear. God, she smelled good. Clean. Fresh. Like lemon.
When she pushed against him, he leaned his full weight into her. Her breath came out in a rush.
'Please,' he murmured.
Her chest moved against his as if she were inhaling. 'I... er, I have nothing to say. Except get off of me.'
He smiled, careful to keep his mouth closed. There was no sense showing off his fangs, especially if she didn't know what he was. 'So say that.'
'What?'
'Nothing. Say nothing. Over and over and over again. Do it.'
She bristled, the scent of fear replaced by a sharp spice, like fresh, pungent mint from a garden. She was annoyed now. 'Say it.'
"Fine. Nothing. Nothing.' Abruptly she laughed, and the sound shot right through to his spine, burning him. 'Nothing, nothing. No-thing. No-thing. Noooooothing. There, is that good enought for you? Will you let me go now?
”
”
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
“
Here's what vampires shouldn't be: pallid detectives that drink Bloody Marys and work only at night; lovelorn southern gentlemen; anorexic teenage girls; boy-toys with big dewy eyes. What should they be? Killers, honey. Stone killers that can't get enough of that tasty Type-A. Bad boys and girls. Hunters. In other words, Midnight America. Red, white and blue, accent on the red. Those vamps got hijacked by a lot of soft-focus romance.
(
American Vampire Vol. 1
: Introduction-"SUCK ON THIS" by Stephen King)
”
”
Stephen King
“
A little thing, like children putting flowers in my hair, can fill up the widening cracks in my self-assurance like soothing lanolin. I was sitting out on the steps today, uneasy with fear and discontent. Peter, (the little boy-across-the-street) with the pointed pale face, the grave blue eyes and the slow fragile smile came bringing his adorable sister Libby of the flaxen braids and the firm, lyrically-formed child-body. They stood shyly for a little, and then Peter picked a white petunia and put it in my hair. Thus began an enchanting game, where I sat very still, while Libby ran to and fro gathering petunias, and Peter stood by my side, arranging the blossoms. I closed my eyes to feel more keenly the lovely delicate-child-hands, gently tucking flower after flower into my curls. "And now a white one," the lisp was soft and tender. Pink, crimson, scarlet, white ... the faint pungent odor of the petunias was hushed and sweet. And all my hurts were smoothed away. Something about the frank, guileless blue eyes, the beautiful young bodies, the brief scent of the dying flowers smote me like the clean quick cut of a knife. And the blood of love welled up in my heart with a slow pain.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
Katar," said Britta, "I thought you would want to stay with your friends from home while they were here, so I had your things moved from your room in the delegates' wing."
"You can have my things brought in too," said Peder, throwing himself onto the nearest bed. He sighed as he sank into the soft mattress and rolled onto his side.
"Um... I don't think boys are-" Britta began.
"Don't you mind me!" Peder pulled a blanket over his head.
Miri didn't know how he could even pretend to fall asleep. She could barely keep from pacing.
"Don't worry, Britta," said Esa. "We'll kick him out before night. Off to your fancy apprenticeship, big brother."
She nudged Peder's shape under the blanket. Peder made an exaggerated snoring noise.
”
”
Shannon Hale (Palace of Stone (Princess Academy, #2))
“
I smiled sweetly at his embarressment, beginning to walk again, kicking up golden leaves. I heard him scuffling leaves behind me. "And what was the point of this again?"
Forget it!" Sam said. "Do you you like this place or not?"
I stoped in my tracks, spinning to face him. "Hey." I pointed at him; he raised his eyebrows and stopped in his tracks. "You didn't think Jack would be here at all, did you?"
His thick black eyebrows went up even farther.
Did you evan intend to look for him at all?"
He held his hands up as if a surrender. "What do you want me to say?"
You were trying to see if I would reconize it, wern't you?" I took anouther step, colsing the distance between us. I could feel the heat of his body, even without touching him, in the increasing cold of the day. "YOU told me about this wood somehow. How did you show it to me?"
I keep trying to tell you. You wont listen. Because you're stubbon. It's how we speek- it's the only words we have. Just pictures. Just simple little picters. You HAVE changed Grace. Just not your skin. I want you to believe me." His hands were still raise, but he was starting to grin at me in the failing light.
So you brought me here to see this." I stepped forward again, and he stepped back.
Do you like it?"
Under false pretence." Anouther step forward; anouther back. The grine widened
So do you like it?"
When you knew we wouldn't come across anybody else."
His teeth flashed in his grin. "Do you like it?"
I punched my hands into his chest. "You know I love it. You knew I would." I went to punch him, and he grabed my wrists. For a moment we stood there like that, him looking down at me with a grin half-caught on his face, and me lookingup at him: Still Life with Boy and Girl. It would've been the perfect moment to kiss me, but he didn't. He just looked at me and looked at me, and by the time I relizeed I could just as easily kiss him, I noticed that his grin was slipping away.
Sam slowly lowered my wrists and relesed them. "I'm glad." he said very quietly.
My arms still hung by my sides, right where Sam had put them. I frowned at him. "You were supposed to kiss me."
I thought about it."
I just kept looking at the soft, sad shape of his lips, looking just like his voice sounded. I was probably staring, but I couldn't stop thinking about how much I wanted him to kiss me and how stupide it was to want it so badly. "Why don't you?"
He leaned over and gave mr the lightest of kisses. His lips, cool and dry, ever so polite and incredibly maddening. "I have to get inside soon," he whispered "It's getting cold
”
”
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
“
Ella.”
I jump when his warm hand covers mine, and then his head moves to rest on my
shoulder. His soft hair tickles my bare skin, and I force myself not to run a
comforting hand through it. He doesn’t deserve comfort right now.
“You can’t leave,” he whispers, his breath fanning over my neck. “I don’t want
you to go.”
He kisses my shoulder, but there’s nothing sexual about it. Nothing romantic in
the way his hand tightens over my knuckles.
“You belong with us. You’re the best thing that ever happened to this family.”
Surprise filters through me. Okay. Wow.
“You’re ours,” Easton mumbles. “I’m sorry about tonight. I really am, Ella.
Please…don’t be mad at me.”
My anger melts away. He sounds like a lost little boy, and I can’t stop myself
from stroking his hair now. “I’m not mad. But dammit, Easton, the gambling needs
to stop. I might not be there to bail you out next time.”
“I know.” He groans. “You shouldn’t have had to bail me out tonight. I promise
I’ll pay you back, every last cent. I…” He lifts his head and presses a kiss to my
cheek. “Thank you for doing that. I mean it.”
Sighing, I turn my eyes back to the road. “You’re welcome.
”
”
Erin Watt (Paper Princess (The Royals, #1))
“
The distant sea, lapping the sandy shore with measured sound; the nearer cries of the donkey-boys; the unusual scenes moving before her like pictures, which she cared not in her laziness to have fully explained before they passed away; the stroll down to the beach to breathe the sea-air, soft and warm on the sandy shore even at the end of November; the great long misty sea-line touching the tender-coloured sky; the white sail of a distant boat turning silver in some pale sunbeam: - it seemed as if she could dream her life away in such luxury of pensiveness, in which she made her present all in all, from not daring to think of the past, or wishing to contemplate the future.
”
”
Elizabeth Gaskell (North and South)
“
Birthdays were wretched, delicious things when you lived in Beau Rivage. The clock stuck midnight, and presents gave way to magic.
Curses bloomed.
Girls bit into sharp apples instead of birthday cake, chocked on the ruby-and-white slivers, and collapsed into enchanted sleep. Unconscious beneath cobweb canopies, frozen in coffins of glass, they waited for their princes to come. Or they tricked ogres, traded their voices for love, danced until their glass slippers cracked.
A prince would awaken, roused by the promise of true love, and find he had a witch to destroy. A heart to steal. To tear from the rib cage, where it was cushioned by bloody velvet, and deliver it to the queen who demanded the princess's death.
Girls became victims and heroines.
Boys became lovers and murderers.
And sometimes... they became both.
”
”
Sarah Cross (Kill Me Softly (Beau Rivage, #1))
“
In the variety of the tone of her words, moods, hugs, kisses, brushes of the lips, and this night the upside-down kiss over the back of the chair with her dark eyes heavy hanging and her blushing cheeks full of sweet blood and sudden tenderness brooding like a hawk over the boy over the back, holding the chair on both sides, just an instant, the startling sudden sweet fall of her hair over my face and the soft downward brush of her lips, a moment's penetration of sweet lip flesh, a moment's drowned in thinking and kissing in it and praying and hoping and in the mouth of life when life is young to burn cool skin eye-blinking joy - I held her captured upside down, also for just a second, and savored the kiss which first had surprised me like a blind man's bluff so I didn't know really who was kissing me for the very first instant but now I knew and knew everything more than ever, as, grace-wise, she descended to me from the upper dark where I'd thought only cold could be and with all her heavy lips and breast in my neck and on my head and sudden fragrance of the night brought with her from the porch, of some 5 & 10 cheap perfumes of herself the little hungry scent of perspiration warm in her flesh like presciousness.
”
”
Jack Kerouac (Maggie Cassidy)
“
It freaks me out they're sort of involved, and yet, one day, Viv's stepmom is going to order Henley to kill Viv."
"Tell me about it." Blue switched to an exaggerated shrewish voice. "By the way, garden boy, when you'e done trimming the hedges, could you cut out my daughter's heart and bring it to me so I can eat it? That's a lot to ask of someone you're paying minimum wage.
”
”
Sarah Cross (Kill Me Softly (Beau Rivage, #1))
“
The little boy leaned against his father's chest and slowly nodded. "Yes," he said. "I heard all of the
names, but I don't remember the other two… just the man who hurt Gillian."
"That's the name I most want," Brodick said softly. "Who is he, Alec?"
"Alec, please," Gillian began.
"Tell me, Alec. Who is he?"
"Baron," Alec whispered. "His name is Baron.
”
”
Julie Garwood (Ransom (Highlands' Lairds, #2))
“
Wow,” he muttered, his voice choked with tears. “Here we are, the last night and all, and I can't think of anything to say.”
I pressed my palm to his cheek, feeling the moisture beneath my fingers, and smiled at him. “How about 'goodbye'?”
“Nah.” Puck shook his head. “I make a point of never saying goodbye, princess. Makes it sound like you're never coming back.”
“Puck—”
He bent down and kissed me softly on the lips. Ash stiffened, arms tightening around me, but Puck slid out of reach before either of us could react. “Take care of her, ice-boy,” he said, smiling as he backed up several paces. “I guess I won't be seeing you, either, will I? It was...fun, while it lasted.”
“I'm sorry we didn't get to kill each other,” Ash said quietly.
Puck chuckled and bent to retrieve his fallen dagger. “My one and only regret. Too bad, that would have been an epic fight.” Straightening, he gave us that old, stupid grin, raising a hand in farewell. “See you around, lovebirds.
”
”
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
“
I turn to look at him. His face is smooth, without the blotches and spots that have begun to afflict the other boys. His features are drawn with a firm hand; nothing awry or sloppy, nothing too large—all precise, cut with the sharpest of knives. And yet the effect itself is not sharp. He turns and finds me looking at him. “What?” he says. “Nothing.” I can smell him. The oils that he uses on his feet, pomegranate and sandalwood; the salt of clean sweat; the hyacinths we had walked through, their scent crushed against our ankles. Beneath it all is his own smell, the one I go to sleep with, the one I wake up to. I cannot describe it. It is sweet, but not just. It is strong but not too strong. Something like almond, but that still is not right. Sometimes, after we have wrestled, my own skin smells like it. He puts a hand down, to lean against. The muscles in his arms curve softly, appearing and disappearing as he moves. His eyes are deep green on mine. My pulse jumps, for no reason I can name. He has looked at me a thousand thousand times, but there is something different in this gaze, an intensity I do not know. My mouth is dry, and I can hear the sound of my throat as I swallow. He watches me. It seems that he is waiting. I shift, an infinitesimal movement, towards him. It is like the leap from a waterfall. I do not know, until then, what I am going to do. I lean forward and our lips land clumsily on each other. They are like the fat bodies of bees, soft and round and giddy with pollen. I can taste his mouth—hot and sweet with honey from dessert. My stomach trembles, and a warm drop of pleasure spreads beneath my skin. More.
”
”
Madeline Miller (The Song of Achilles)
“
I trust you, Cash. I trust you.”
He grabs my wrist and presses his lips to the inside then pulls gently until I’m bent at the waist and my face is close to his.
“Come home with me. Please.” I can feel his warm breath on my lips, they’re so close. I lean forward to close the small gap, but he leans away. “Please,” he repeats softly.
I would never tell him, but he could ask me anything right now and I’d agree to it. Anything at all.
“Okay.” As soon as the words leave my lips, his mouth is on mine.
”
”
M. Leighton (Down to You (The Bad Boys, #1))
“
The things of your life arrived in their own time, like a train you had to catch. Sometimes this was easy, all you had to do was step onto it, the train was plush and comfortable and full of people smiling at you in a hush, and a conductor who punched your ticket and tousled your head with his big hand, saying, Ain’t you pretty, ain’t you the prettiest girl now, lucky lady taking a big train trip with your daddy, while you sank into the dreamy softness of your seat and sipped ginger ale from a can and watched the world float in magical silence past your window, the tall buildings of the city in the crisp autumn light and then the backs of the houses with laundry flapping and a crossing with gates where a boy was waving from his bicycle, and then the woods and fields and a single cow eating grass.......
.....Because sometimes it was one way, easy, and sometimes it was the other, not easy; the things of your life roared down to you and it was all you could do to grab hold and hang on. Your old life ended, and the train took you away to another...
”
”
Justin Cronin (The Passage (The Passage, #1))
“
Dad, will they ever come back?"
"No. And yes." Dad tucked away his harmonica. "No not them. But yes, other people like them. Not in a carnival. God knows what shape they'll come in next. But sunrise, noon, or at the latest, sunset tomorrow they'll show. They're on the road."
"Oh, no," said Will.
"Oh, yes, said Dad. "We got to watch out the rest of our lives. The fight's just begun."
They moved around the carousel slowly.
"What will they look like? How will we know them?"
"Why," said Dad, quietly, "maybe they're already here."
Both boys looked around swiftly.
But there was only the meadow, the machine, and themselves.
Will looked at Jim, at his father, and then down at his own body and hands. He glanced up at Dad.
Dad nodded, once, gravely, and then nodded at the carousel, and stepped up on it, and touched a brass pole.
Will stepped up beside him. Jim stepped up beside Will.
Jim stroked a horse's mane. Will patted a horse's shoulders.
The great machine softly tilted in the tides of night.
Just three times around, ahead, thought Will. Hey.
Just four times around, ahead, thought Jim. Boy.
Just ten times around, back, thought Charles Halloway. Lord.
Each read the thoughts in the other's eyes.
How easy, thought Will.
Just this once, thought Jim.
But then, thought Charles Halloway, once you start, you'd always come back. One more ride and one more ride. And, after awhile, you'd offer rides to friends, and more friends until finally...
The thought hit them all in the same quiet moment.
...finally you wind up owner of the carousel, keeper of the freaks...
proprietor for some small part of eternity of the traveling dark carnival shows....
Maybe, said their eyes, they're already here.
”
”
Ray Bradbury (Something Wicked This Way Comes)
“
I'm glad this happened," he said softly.
I hoped it was for real,and I didn't want to talk about it too much and ruin the lovely illusion that we were a couple.
So I said noncommittally, "Me too."
"Because I've been trying to get you back since the seventh grade."
I must have given him a very skeptical look.
He laughed at my expression. "Yeah, I have a funny way of showing it. I know. But you're always on my mind. You're in the front of my mind,on the tip of my tongue. So if someone breaks a beaker in chemistry class, I raise my hand and tell Ms. Abernathy you did it. If somebody brings a copy of Playboy to class, I stuff it in your locker."
"Oh!" I thought back to the January issue. "I wondered where that came from."
"And if Everett Walsh tells the lunch table what a wicked kisser you are and how far he would have gotten with you if his mother hadn't come in-"
I stamped my foot on the floorboard of the SUV."That is so not true! He'd already gotten as far as he was going. He's not that cute, and I had to go home and study for algebra.
"-It drives me insane to the point that I tell him to shut up or I'll make him shut up right there in front of everybody. Because I am supposed to be your boyfriend, and my mother is supposed to hate you,and you're supposed to be making out with me."
Twisted as this declaration was,it was the sweetest thing a boy had ever said to me.I dwelled on the soft lips that had formed the statement,and on the meaning of his words. "Okay." I scooted across the seat and nibbled the very edge of his superhero chin.
"Ah," he gasped, moving both hands from the steering wheel to the seat to brace himself. "I didn't mean now.I meant in general.Your dad will come out of the house and kill me.
”
”
Jennifer Echols (The Ex Games)
“
Maybe she should have been grateful for the soft, lingering, slow kisses in the kitchen. Because in that moment, she wasn't sure she was ready for a full-on, take-over-everything-including-her-body-and-heart Sawyer.
That was absolutely the best way to describe how he was looking at her right now.
She had no time to get ready, though. Sawyer's mouth took hers in a deep, hot kiss. He didn't say a word, gave her no real warning, just sealed his lips over hers and started kissing her as if it was his single goal in life to make her come with just his lips on hers.
”
”
Erin Nicholas (Beauty and the Bayou (Boys of the Bayou, #3))
“
All my life I'd heard people tell their black boys and black girls to be "twice as good," which is to say "accept half as much." These words would be spoken with a veneer of religious nobility, as though they evidenced some unspoken quality, some undetected courage, when in fact all they evidenced was the gun to our head and the hand in our pocket. This is how we lose our softness. This is how they steal our right to smile. No one told those little white children, with their tricycles, to be twice as good. I imagined their parents telling them to take twice as much. It seemed to me that our own rules redoubled plunder. It struck me that perhaps the defining feature of being drafted into the black race was the inescapable robbery of time, because the moments we spent readying the mask, or readying ourselves to accept half as much, could not be recovered. The robbery of time is not measured in lifespans but in moments. It is the last bottle of wine that you have just uncorked but do not have time to drink. It is the kiss that you do not have time to share, before she walks out of your life. It is the raft of second chances for them, and the twenty-three-hour days for us.
”
”
Ta-Nehisi Coates (Between the World and Me)
“
He is a demon, Clarissa,” said Valentine, still in the same soft voice. “A demon with a man’s face. I know how deceptive such monsters can be. Remember, I spared him once myself.”
“Monster?” echoed Clary. She thought of Luke, Luke pushing her on the swings when she was five years old, higher, always higher; Luke at her graduation from middle school, camera clicking away like a proud father’s; Luke sorting through each box of books as it arrived at his store, looking for anything she might like and putting it aside. Luke lifting her up to pull apples down from the trees near his farmhouse. Luke, whose place as her father this man was trying to take. “Luke isn’t a monster,” she said in a voice that matched Valentine’s, steel for steel. “Or a murderer. You are.”
“Clary!” It was Jace.
Clary ignored him. Her eyes were fixed on her father’s cold black ones. “You murdered your wife’s parents, not in battle but in cold blood,” she said. “And I bet you murdered Michael Wayland and his little boy, too. Threw their bones in with my grandparents’ so that my mother would think you and Jace were dead. Put your necklace around Michael Wayland’s neck before you burned him so everyone would think those bones were yours. After all your talk about the untainted blood of the Clave — you didn’t care at all about their blood or their innocence when you killed them, did you? Slaughtering old people and children in cold blood, that’s monstrous.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
Thank you for coming to save me.” She laughs, but it’s soft. “I didn’t save you. I can’t save anyone.” “You can. You did.” “I just hate that we hurt like this, you know?” “What do you mean?” She grabs my hand and squeezes. “I think about the things we’ve talked about in Empower. Articles we’ve read about all the girls who were thrown away by boys like they meant nothing. All the times a girl’s voice seemed to mean less than a boy’s. All the times the courts sent out a shit ruling on a rape case. It never really hit me, you know? I mean, it did, but not like this. I never thought it’d be my story. Or yours. I never wanted to let this be our story.
”
”
Ashley Herring Blake (Girl Made of Stars)
“
Fat Charlie was thirsty and his head hurt and his mouth tasted evil and his eyes were too tight in his head and all his teeth twinged and his stomach burned and his back was aching in a way that started around his knees and went up to his forehead and his brains had been removed and replaced with cotton balls and needles and pins which was why it hurt to try and think, and his eyes were not just too tight in his head but they must have rolled out in the night and been reattached with roofing nails; and now he noticed that anything louder than the gentle Brownian motion of air molecules drifting softly past each other was above his pain threshold. Also, he wished he were dead.
”
”
Neil Gaiman (Anansi Boys)
“
And yet, they hesitated. The knowledge that they might never see each other again, that some of them—maybe all of them—might not survive this night hung heavy in the air. A gambler, a convict, a wayward son, a lost Grisha, a Suli girl who had become a killer, a boy from the Barrel who had become something worse.
Inej looked at her strange crew, barefoot and shivering in their soot-stained prison uniforms, their features limned by the golden light of the dome, softened by the mist that hung in the air.
What bound them together? Greed? Desperation? Was it just the knowledge that if one or all of them disappeared tonight, no one would come looking? Inej’s mother and father might still shed tears for the daughter they’d lost, but if Inej died tonight, there would be no one to grieve for the girl she was now. She had no family, no parents or siblings, only people to fight beside. Maybe that was something to be grateful for, too.
It was Jesper who spoke first. “No mourners,” he said with a grin. “No funerals,” they replied in unison. Even Matthias muttered the words softly.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
when she was 7, a boy pushed her on the playground
she fell headfirst into the dirt and came up with a mouthful of gravel and lines of blood chasing each other down her legs
when she told her teacher what happened, she laughed and said ‘boys will be boys honey don’t let it bother you
he probably just thinks you’re cute’
but the thing is,
when you tell a little girl who has rocks in her teeth and scabs on her knees that hurt and attention are the same
you teach her that boys show their affection through aggression
and she grows into a young woman who constantly mistakes the two
because no one ever taught her the difference
‘boys will be boys’
turns into
‘that’s how he shows his love’
and bruises start to feel like the imprint of lips
she goes to school with a busted mouth in high school and says she was hit with a basketball instead of his fist
the one adult she tells scolds her
‘you know he loses his temper easily
why the hell did you have to provoke him?’
so she shrinks
folds into herself, flinches every time a man raises his voice
by the time she’s 16 she’s learned her job well
be quiet, be soft, be easy
don’t give him a reason
but for all her efforts, he still finds one
‘boys will be boys’ rings in her head
‘boys will be boys
he doesn’t mean it
he can’t help it’
she’s 7 years old on the playground again
with a mouth full of rocks and blood that tastes like copper love
because boys will be boys baby don’t you know
that’s just how he shows he cares
she’s 18 now and they’re drunk
in the split second it takes for her words to enter his ears they’re ruined
like a glass heirloom being dropped between the hands of generations
she meant them to open his arms but they curl his fists and suddenly his hands are on her and her head hits the wall and all of the goddamn words in the world couldn’t save them in this moment
she touches the bruise the next day
boys will be boys
aggression, affection, violence, love
how does she separate them when she learned so early that they’re inextricably bound, tangled in a constant tug-of-war
she draws tally marks on her walls ratios of kisses to bruises
one entire side of her bedroom turns purple, one entire side of her body
boys will be boys will be boys will be boys
when she’s 20, a boy touches her hips and she jumps
he asks her who the hell taught her to be scared like that and she wants to laugh
doesn’t he know that boys will be boys?
it took her 13 years to unlearn that lesson from the playground
so I guess what I’m trying to say is
i will talk until my voice is hoarse so that my little sister understands that aggression and affection are two entirely separate things
baby they exist in different universes
my niece can’t even speak yet but I think I’ll start with her now
don’t ever accept the excuse that boys will be boys
don’t ever let him put his hands on you like that
if you see hate blazing in his eyes don’t you ever confuse it with love
baby love won’t hurt when it comes
you won’t have to hide it under long sleeves during the summer
and
the only reason he should ever reach out his hand
is to hold yours
”
”
Fortesa Latifi
“
Two small figures were beating against the rock; the girl had fainted and lay on the the boy's arm. With a last effort Peter pulled her up the rock and then lay down beside her. Even as he also fainted he saw that the water was raising, He knew that they would soon be drowned, but he could do no more.
As they lay side by side a mermaid caught Wendy by the feet, and began pulling her softly into the water. Peter feeling her slip from him, woke with a start, and was just in time to draw her back. But he had to tell her the truth.
"We are on the rock, Wendy," he said, "but it is growing smaller. Soon the water will be over it."
She did not understand even now.
"We must go," she said, almost brightly.
"Yes," he answered faintly.
"Shall we swim or fly, Peter?"
He had to tell her.
"Do you think you could swim or fly as far as the island, Wendy, without my help?"
She had to admit she was too tired.
He moaned.
"What is it?" she asked, anxious about him at once.
"I can't help you, Wendy. Hook wounded me. I can neither fly nor swim."
"Do you mean we shall both be downed?"
"Look how the water is raising."
They put their hands over their eyes to shut out the sight. They thought they would soon be no more. As they sat thus something brushed against Peter as light as a kiss, and stayed there, as if to say timidly, "Can I be of any us?" It was the tail of a kite, which Michael had made some days before. It had torn itself out of his hand and floated away.
"Michael's kite," Peter said without interest, but the next moment he had seized the tail, and was pulling the kite towards him.
"It lifted Michael off the ground," he cried; "why should it not carry you?"
"Both of us!"
"It can't left two; Michael and Curly tried."
"Let us draw lots," Wendy said bravely.
"And you a lady; never." Already he had tied the tail round her. She clung to him; she refused to go without him; but with a "Good-bye, Wendy." he pushed her from the rock; and in a few minutes she was borne out of his sight. Peter was alone on the lagoon.
The rock was very small now; soon it would be submerged. Pale rays of light tiptoed across the waters; and by and by there was to be heard a sound at once the most musical and the most melancholy in the world: the mermaids calling to the moon.
”
”
J.M. Barrie (Peter Pan)
“
He leaned closer. “That’s what I’m trying to do. Your face is absolutely adorable when you blush.”
My ears burned. Oh great, am I the color of a tomato now?
“Yeah, well, I can make you blush,” I retorted. “By telling you how hot you are, and that when that little piece of black hair falls into your eyes, it’s so sexy it makes me forget my words, and...” I stopped, suddenly aware of how warm the mausoleum was.
“Go on,” Caspian prodded, shaking his head so that his hair covered one green eye. I blushed again, and glanced around me, slowly backing away from him. I just needed some... space to clear my head. He followed me, stalking my every move. My blood felt like pure oxygen racing through my veins, fizzy and bubbling and making me want to float away. A hard wall at my back stopped me, but Caspian kept coming. I thought desperately of some way to change the subject.
“I got you Moby-Dick,” I blurted out. He gave me a sly smile.
“Mmmm, did you? How... interesting.”
“And Treasure Island, and The Count of Monte Cristo.” I babbled on. “I thought you might like some boy books.” He stopped an inch away from me. I felt like I was his prisoner.
“Let’s go back to the sexy and hot thing,” Caspian said. “Could we add a gorgeous or mysterious in there, too?”
I gulped. “Like you don’t already know you’re all of those things. You probably had girls falling all over you before.”
Caspian cocked his head to one side. “True. But I always thought it was because I was the quiet new guy. And besides, there’s only one person I was ever really interested in.”
“Was?” I squeaked. Then I cleared my throat and tried again. “I mean—”
“Am,” Caspian corrected himself. “Technically, I guess it’s both. I was interested the first day I saw her, and I still am interested in her.”
His eyes glowed in the soft candlelight around us, and every last ounce of coherent thought left me.
“It’s... um... really. It’s...” My head felt like it was thickening and my body was overheating, every word dragged from somewhere in the depths of my fuzzy brain.
I waved a hand in front of my face to fan myself, and finally spit out what I was trying to say. “It’s hot in here. Don’t you think? It’s really warm.”
“I only feel warmth when I’m standing next to you,” Caspian said. He stepped half an inch closer. “Like right now.
”
”
Jessica Verday (The Haunted (The Hollow, #2))
“
It’s one of the secrets of strength: We’re so much more likely to find it in the service of others than we are to find it in service to ourselves. We have no idea why this is. It’s not just the mother who lifts the car to free her child, or the guy who shields his girlfriend when the gunman starts to fire. Those are extremes, brave extremes, which life rarely calls on us to offer. No, it is the less extreme strength—a strength that is not so much situational as it is constitutional—that we will find in order to give. How often did we see this, as we were dying? How many soft-spoken lovers turned into fierce watchdogs over our care? How many reticent parents shed that reticence to be there with us? Not all. Certainly, not everyone showed strength. Some supposedly strong people in our lives showed that their strength was actually made of straw. But so many held us up in ways they would not have held themselves. They saw us through, even as their worlds crumbled through their fingers. They kept fighting, even after we were gone. Or especially because we were gone. They kept fighting for us.
”
”
David Levithan (Two Boys Kissing)
“
Little girls are the nicest things that can happen to people. They are born with a bit of angel-shine about them, and though it wears thin sometimes, there is always enough left to lasso your heart—even when they are sitting in the mud, or crying temperamental tears, or parading up the street in Mother’s best clothes.
A little girl can be sweeter (and badder) oftener than anyone else in the world. She can jitter around, and stomp, and make funny noises that frazzle your nerves, yet just when you open your mouth, she stands there demure with that special look in her eyes. A girl is Innocence playing in the mud, Beauty standing on its head, and Motherhood dragging a doll by the foot.
God borrows from many creatures to make a little girl. He uses the song of a bird, the squeal of a pig, the stubbornness of a mule, the antics of a monkey, the spryness of a grasshopper, the curiosity of a cat, the speed of a gazelle, the slyness of a fox, the softness of a kitten, and to top it all off He adds the mysterious mind of a woman.
A little girl likes new shoes, party dresses, small animals, first grade, noisemakers, the girl next door, dolls, make-believe, dancing lessons, ice cream, kitchens, coloring books, make-up, cans of water, going visiting, tea parties, and one boy. She doesn’t care so much for visitors, boys in general, large dogs, hand-me-downs, straight chairs, vegetables, snowsuits, or staying in the front yard.
She is loudest when you are thinking, the prettiest when she has provoked you, the busiest at bedtime, the quietest when you want to show her off, and the most flirtatious when she absolutely must not get the best of you again. Who else can cause you more grief, joy, irritation, satisfaction, embarrassment, and genuine delight than this combination of Eve, Salome, and Florence Nightingale.
She can muss up your home, your hair, and your dignity—spend your money, your time, and your patience—and just when your temper is ready to crack, her sunshine peeks through and you’ve lost again. Yes, she is a nerve-wracking nuisance, just a noisy bundle of mischief. But when your dreams tumble down and the world is a mess—when it seems you are pretty much of a fool after all—she can make you a king when she climbs on your knee and whispers, "I love you best of all!
”
”
Alan Beck
“
The boy slept well in the woodland nest where he had laid himself down, in that kind of thin but refreshing sleep which people have when they begin to lie out of doors. At first he only dipped below the surface of sleep, and skimmed along like a salmon in shallow water, so close to the surface that he fancied himself in air. He thought himself awake when he was already asleep. He saw the stars
above his face, whirling on their silent and sleepless axis, and the leaves of the trees rustling against them, and he heard small changes in the grass. These little noises of footsteps and soft-fringed wing-beats and stealthy bellies drawn over the grass blades or rattling against the bracken at first frightened or interested him, so that he moved to see what they were (but never saw), then soothed him, so that he no longer cared to see what they were but trusted them to be themselves, and finally left him altogether as he swam down deeper and deeper, nuzzling into the scented turf, into the warm ground, into the unending waters under the earth.
”
”
T.H. White (The Sword in the Stone (The Once and Future King, #1))
“
I stood back up and looked down at my feces. A lovely snail-shell architecture, still steaming. Borromini. My bowels must be in good shape, because everyone knows you have nothing to worry about unless your feces are to soft or downright liquid.
I was seeing my shit for the first time (in the city you sit on the bowl, then flush right away, without looking). I was now calling it shit, which I think is what people call it. Shit is the most personal and private thing we have. Anyone can get to know the rest - your facial expression, your gaze, your gestures. Even your naked body: at the beach, at the doctor's, making love. Even your thoughts, since usually you express them, or else others guess them from the way you look at them or appear embarrassed. Of course, there are such things as secret thoughts... but in general thoughts too are revealed.
Shit, however, is not. Except for an extremely brief period of your life, when your mother is still changing your diapers, it is all yours. And since my shit at that moment must not have been all that different from what I had produced over the course of my past life, I was in that instant reuniting with my old, forgotten self, undergoing the first experience capable of merging with countless previous experiences, even those from when I did my business in the vineyards as a boy.
Perhaps if I took a god look around, I would find the remains of those shits past, and then, triangulating properly, Clarabelle's treasure.
But I stopped there. Shit was not my linden-blossom tea, of course not, how could I have expected to conduct my recherche with my sphincter? In order to rediscover lost time, one should have not diarrhea but asthma. Asthma is pneumatic, it is the breath (however labored) of the spirit: it is for the rich, who can afford cork-lined rooms. The poor, in the fields, attend less to spiritual than to bodily functions.
And yet I felt not disinherited but content, and I mean truly content, in a way I had not felt since reawakening. The ways of the Lord are infinite, I said to myself, they go even through the butthole.
”
”
Umberto Eco (The Mysterious Flame Of Queen Loana)
“
Wanting his mind on other matters, she deliiberately challenged his statement. "You don't know so much about me. There was a man once. He was crazy about me." She tried to look wordly. "Absolutely crazy for me."
His answering laughter was warm against her neck, her throat. His lips touched the skin over her pulse and skimmed lightly up to her ear. "Are you, by any chance, referring to that foppish boy with the orange hair and spiked collar? Dragon something?"
Savannah gasped and pulled away to glare at im. "How could you possibly know about him? I dated him last year."
Gregori nuzzled her neck, inhaling her fragrance, his hand sliding over her shoulder, moving gently over her satin skin to take possession of her breast. "He wore boots and rode a Harley." His breath came out in a rush as his palm cupped the soft weight, his thumb brushing her nipple into a hard peak.
The feel of his large hand-so strong, so warm and possessive on her-sent heat curling through her body. Desire rose sharply. He was seducing her with tenderness. Savannah didn't want it to happen. Her body felt better, but the soreness was there to remind her where this could all lead. Her hand caught at his wrist. "How did you find out about Dragon?" she asked, desperate to distract him, to distract herself. How could he make her body burn for his when she was so afraid of him, of having sex with him?
"Making love," he corrected, his voice husky, caressing, betraying the ease with which his mind moved like a shadow through hers."And to answer your question, I live in you, can touch you whenever I wish.I knew about all of them. Every damn one." He growled the worrds, and her breath caught in her throat. "He was the only one you thought of kissing." His mouth touched hers. Gently. Lightly. Returned for more. Coaxing, teasing, until she opened to him. He stole her breath, her reason, whirling her into a world of feeling.Bright colors and white-hot heat, the room falling away until there was only his broad shoulders,strong arms, hard body, and perfect,perfect mouth.
When he lifted his head, Savannah nearly pulled him back to her.He watched her face,her eyes cloudy with desire, her lips so beautiful, bereft of his. "Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul,I can see it shining in your eyes."
She touched his face, her palm molding his strong jaw. Why couldn't she resist his hungry eyes? "I think you're casting a spell over me. I can't remember what we were talking about."
Gregori smiled. "Kissing." His teeth nibbled gently at her chin. "Specifically,your wanting to kiss that orange-bearded imbecile."
"I wanted to kiss every one of them," she lied indignantly.
"No,you did not.You were hoping that silly fop would wipe my taste from your mouth for all eternity." His hand stroked back the fall of hair around her face.He feathered kisses along the delicate line of her jaw. "It would not have worked,you know.As I recall,he seemed to have a problem getting close to you."
Her eyes smoldered dangerously. "Did you have anything to do with his allergies?" She had wanted someone, anyone,to wipe Gregori's taste from her mouth,her soul.
He raised his voice an octave. "Oh, Savannah, I just have to taste your lips," he mimicked. Then he went into a sneezing fit. "You haven't ridden until you've ridden on a Harley,baby." He sneezed, coughed, and gagged in perfect imitation.
Savannah pushed his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. "It was you doing all that to him! That poor man-you damaged his ego for life. Each time he touched me, he had a sneezing fit."
Gregori raised an eyebrow, completely unrepentant. "Technically,he did not lay a hand on you.He sneezed before he could get that close.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
Do you want to know the first time I ever saw you?" he said with his lips at my ear.
I knew the story,but I nodded anyway, frantically.
"Your family had just moved in. You were...how old were you,Becks?"
I shrugged,and he ran his fingers over my head, calming me.He knew the answer.
"You were eleven," he said. "I was twelve.I remember Joey Velasquez talking about the pretty new girl in the neighborhood.Actually his exact words were 'the hot chick.' But I didn't think a thing about it until I saw you at the baseball field. We were having practice at the park and your family showed up for a picnic.You had so much dark hair,and it was hiding your face.Remember?"
I nodded. "I know what you're trying to do."
He ignored me. "I had to see if Joey was right,about the hot chick part, and I kept trying to get a good look at your face, but you never looked over our way.I hit home run after home run trying to get your attention, but you couldn't be bothered with my record-shattering, supherhuman performance."
I smiled,and breathed in slowly. I'd heard this story so many times before.The familiarity of it enveloped me with warmth. "So what did you do?" I asked, fully aware of the answer.
"I did the only thing I could think of. I went up to the bat,lined my feet up in the direction of your head,and swung away."
"Hitting the foulest foul ball anyone had ever seen," I continued the story.
I felt him chuckle next to me. "Yep. I figured in order to return the ball,you'd have to get really close to me, because..." He waited for me to fill in the blank.
"Because someone made the mistake of assuming I would throw like a girl," I said softly.
He pressed his lips against my head before he went on. "Which,of course, was stupid of me to think. You stood right where you were and chucked the ball farther than I'd ever seen a girl, or even any guy,chuck it."
"It was all those years of Bonnet Ball my parents forced on me."
"The entire team went nuts. You gave a little tiny shrug, like it was no big deal, and sat back down with your family. Completely ignoring me again. So my plan totally backfired. Not only did you get the attention of every boy on the field-which was not my intention-but I got reamed by the coach, who couldn't understand why I suddenly decided to stand perpendicular to home plate.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
You are not really dying,” he said, the oddest tone to his voice, “are you?”Jem nodded. “So they tell me.”“I am sorry,” Will said.“No,” Jem said softly. He drew his jacket aside and took a knife from the belt at his waist.“Don’t be ordinary like that. Don’t say you’re sorry. Say you’ll train with me.”
He held out the knife to Will, hilt rst. Charlotte held her breath, afraid to move. She feltas if she were watching something very important happen, though she could not have saidwhat.Will reached out and took the knife, his eyes never leaving Jem’s face. His fingers brushedthe other boy’s as he took the weapon from him. It was the rst time, Charlotte thought,that she had ever seen him touch any other person willingly.“I’ll train with you,” he said.
Jem, Will’s parabatai, treated her with the distant sweet kindness reserved for the littlesisters of one’s friends, but he would always side with Will. Kindly, but rmly, he put Willabove everything else in the world.Well, nearly everything. She had been most struck by Jem when she rst came to theInstitute—he had an unearthly, unusual beauty, with his silvery hair and eyes and delicate features. He looked like a prince in a fairy-tale book, and she might have considered developing an attachment to him, were it not so absolutely clear that he was entirely inlove with Tessa Gray. His eyes followed her where she went, and his voice changed when hespoke to her. Cecily had once heard her mother say in amusement that one of theirneighbors’ boys looked at a girl as if she were “the only star in the sky” and that was theway Jem looked at Tessa.Cecily didn’t resent it: Tessa was pleasant and kind to her, if a little shy, and with herface always stuck in a book, like Will. If that was the sort of girl Jem wanted, she and henever would have suited—and the longer she remained at the Institute, the more sherealized how awkward it would have made things with Will. He was ferociously protectiveof Jem, and he would have watched her constantly in case she ever distressed or hurt him inany way. No—she was far better out of the whole thing.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Evie stayed, however, the silence spinning out until it seemed that the pounding of his heart must be audible. “Do you want to know what I think, Sebastian?” she finally asked.
It took every particle of his will to keep his voice controlled. “Not particularly.”
“I think that if I leave this room, you’re going to ring that bell again. But no matter how many times you ring, or how often I come running, you’ll never bring yourself to tell me what you really want.”
Sebastian slitted his eyes open…a mistake. Her face was very close, her soft mouth only inches from his. “At the moment, all I want is some peace,” he grumbled. “So if you don’t mind—”
Her lips touched his, warm silk and sweetness, and he felt the dizzying brush of her tongue. A floodgate of desire opened, and he was drowning in undiluted pleasure, more powerful than anything he had known before. He lifted his hands as if to push her head away, but instead his trembling fingers curved around her skull, holding her to him. The fiery curls of her hair were compressed beneath his palms as he kissed her with ravenous urgency, his tongue searching the winsome delight of her mouth.
Sebastian was mortified to discover that he was gasping like an untried boy when Evie ended the kiss. Her lips were rosy and damp, her freckles gleaming like gold dust against the deep pink of her cheeks. “I also think,” she said unevenly, “that you’re going to lose our bet.”
Recalled to sanity by a flash of indignation, Sebastian scowled. “Do you think I’m in any condition to pursue other women? Unless you intend to bring someone to my bed, I’m hardly going to—”
“You’re not going to lose the bet by sleeping with another woman,” Evie said. There was a glitter of deviltry in her eyes as she reached up to the neckline of her gown and deliberately began to unfasten the row of buttons. Her hands trembled just a little. “You’re going to lose it with me.”
Sebastian watched incredulously as she stood and shed the dressing gown. She was naked, the tips of her breasts pointed and rosy in the cool air. She had lost weight, but her breasts were still round and lovely, and her hips still flared generously from the neat inward curves of her waist. As his gaze swept to the triangle of red hair between her thighs, a swell of acute lust rolled through him.
He sounded shaken, even to his own ears. “You can’t make me lose the bet. That’s cheating.”
“I never promised not to cheat,” Evie said cheerfully, shivering as she slipped beneath the covers with him.
“Damn it, I’m not going to cooperate. I—” His breath hissed between his teeth as he felt the tender length of her body press against his side, the springy brush of her private curls on his hip as she slid one of her legs between his. He jerked his head away as she tried to kiss him. “I can’t…Evie…” His mind searched cagily for a way to dissuade her. “I’m too weak.”
Ardent and determined, Evie grasped his head and turned his face to hers. “Poor darling,” she murmured, smiling. “Don’t worry. I’ll be gentle with you.”
“Evie,” he said hoarsely, aroused and infuriated and pleading, “I have to prove that I can last three months without—no, don’t do that. Damn you, Evie—
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
Where are you?” she shouted. “Don’t you see us?” taunted the woman’s voice. “I thought Hecate chose you for your skill.” Another bout of queasiness churned through Hazel’s gut. On her shoulder, Gale barked and passed gas, which didn’t help. Dark spots floated in Hazel’s eyes. She tried to blink them away, but they only turned darker. The spots consolidated into a twenty-foot-tall shadowy figure looming next to the Doors. The giant Clytius was shrouded in the black smoke, just as she’d seen in her vision at the crossroads, but now Hazel could dimly make out his form—dragon-like legs with ash-colored scales; a massive humanoid upper body encased in Stygian armor; long, braided hair that seemed to be made from smoke. His complexion was as dark as Death’s (Hazel should know, since she had met Death personally). His eyes glinted cold as diamonds. He carried no weapon, but that didn’t make him any less terrifying. Leo whistled. “You know, Clytius…for such a big dude, you’ve got a beautiful voice.” “Idiot,” hissed the woman. Halfway between Hazel and the giant, the air shimmered. The sorceress appeared. She wore an elegant sleeveless dress of woven gold, her dark hair piled into a cone, encircled with diamonds and emeralds. Around her neck hung a pendant like a miniature maze, on a cord set with rubies that made Hazel think of crystallized blood drops. The woman was beautiful in a timeless, regal way—like a statue you might admire but could never love. Her eyes sparkled with malice. “Pasiphaë,” Hazel said. The woman inclined her head. “My dear Hazel Levesque.” Leo coughed. “You two know each other? Like Underworld chums, or—” “Silence, fool.” Pasiphaë’s voice was soft, but full of venom. “I have no use for demigod boys—always so full of themselves, so brash and destructive.” “Hey, lady,” Leo protested. “I don’t destroy things much. I’m a son of Hephaestus.” “A tinkerer,” snapped Pasiphaë. “Even worse. I knew Daedalus. His inventions brought me nothing but trouble.” Leo blinked. “Daedalus…like, the Daedalus? Well, then, you should know all about us tinkerers. We’re more into fixing, building, occasionally sticking wads of oilcloth in the mouths of rude ladies—” “Leo.” Hazel put her arm across his chest. She had a feeling the sorceress was about to turn him into something unpleasant if he didn’t shut up. “Let me take this, okay?
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))