Sofa King Quotes

Inside, they pretended they would dream, but they did not. They sprawled on the living room sofa and Adam studied the tattoo that covered Ronan's back: all the sharp edges that hooked wondrously and fearfully into each other. 'Unguibus et rostro,' Adam said. Ronan put Adam's fingers to his mouth. He was never sleeping again.

But still, sometimes, in the heart of winter when the light outside seemed yellow- sleepy, like a cat curled up on a sofa...

Revenge is sweet, but ice cream is sweeter.” She goes to the freezer and removes a tub of mint chocolate chip. She brings that and two spoons back to the sofa. “For now, accept this delight, unworthy though it is for the Queen of Faerie in exile.

Her voice was so melancholy that Gansey was struck all at once by what he and Blue really lost by keeping their relationship a secret. Blue radiated psychic energy for others, but touch was where she gained hers back. She was always hugging her mother or holding Noah’s hand or linking her elbow in Adam’s or resting her boots on Ronan’s legs as they sat on the sofa. Touching Gansey’s neck just between his hair and his collar. This worry in her tone demanded fingers braided together, arms on shoulders, cheeks rested against chests. But because Gansey was too cowardly to tell Adam about falling in love with her, she had to stand there with her sadness by herself. Aurora took Blue’s hand.

That night, Ronan didn’t dream. After Gansey and Blue had left the Barns, he leaned against one of the front porch pillars and looked out at his fireflies winking in the chilly darkness. He was so raw and electric that it was hard to believe that he was awake. Normally it took sleep to strip him to this naked energy. But this was not a dream. This was his life, his home, his night. After a few moments, he heard the door ease open behind him and Adam joined him. Silently they looked over the dancing lights in the fields. It was not difficult to see that Adam was working intensely with his own thoughts. Words kept rising up inside Ronan and bursting before they ever escaped. He felt he’d already asked the question; he couldn’t also give the answer. Three deer appeared at the tree line, just at the edge of the porch light’s reach. One of them was the beautiful pale buck, his antlers like branches or roots. He watched them, and they watched him, and then Ronan could not stand it. “Adam?” When Adam kissed him, it was every mile per hour Ronan had ever gone over the speed limit. It was every window-down, goose-bumps-on-skin, teeth-chattering-cold night drive. It was Adam’s ribs under Ronan’s hands and Adam’s mouth on his mouth, again and again and again. It was stubble on lips and Ronan having to stop, to get his breath, to restart his heart. They were both hungry animals, but Adam had been starving for longer. Inside, they pretended they would dream, but they did not. They sprawled on the living room sofa and Adam studied the tattoo that covered Ronan’s back: all the sharp edges that hooked wondrously and fearfully into each other. “Unguibus et rostro,” Adam said. Ronan put Adam’s fingers to his mouth. He was never sleeping again.

There are, of course, three ways to hide behind a sofa.

Blue radiated psychic energy for others, but touch was where she gained hers back. She was always hugging her mother or holding Noah’s hand or linking her elbow in Adam’s or resting her boots on Ronan’s legs as they sat on the sofa. Touching Gansey’s neck just between his hair and his collar. This

Something lived in there, all right. He could smell it, a stench that made him think of damp plaster and moldering sofas and ancient mattresses rotting beneath half-liquid coats of mildew. It was familiar, that smell.

With a scroll and a book you will look like a scholar." she said "On that horse you will look like a king." "I might have to be a king. I don't have to look like one." (...) "I picked out the horse," said Sounis hastily and the king turned to him swaying a little as if with surprise. "You Sophos? I thought you were my friend!" "I am," the king of Sounis assured him. "He has all the fighting spirit of an apricot. His trainers have given up and sold him for farm work. Honestly, like riding a slowly moving sofa," Sounis swore. "On my honor.

Block City What are you able to build with your blocks? Castles and palaces, temples and docks. Rain may keep raining, and others go roam, But I can be happy and building at home. Let the sofa be mountains, the carpet be sea, There I'll establish a city for me: A kirk and a mill and a palace beside, And a harbor as well where my vessels may ride. Great is the palace with pillar and wall, A sort of a tower on top of it all, And steps coming down in an orderly way To where my toy vessels lie safe in the bay. This one is sailing and that one is moored: Hark to the song of the sailors on board! And see on the steps of my palace, the kings Coming and going with presents and things!

in his land, owing to the absence of settees and sofas of all sorts, the king, chiefs, and great people generally, were in the custom of fattening some of the lower orders for ottomans; and to furnish a house comfortably in that respect, you had only to buy up eight or ten lazy fellows, and lay them round in the piers and alcoves. Besides, it was very convenient on an excursion; much better than those garden-chairs which are convertible into walking-sticks; upon occasion, a chief calling his attendant, and desiring him to make a settee of himself under a spreading tree, perhaps in some damp marshy place.

Her voice was so melancholy that Gansey was struck all at once by what he and Blue really lost by keeping their relationship a secret. Blue radiated psychic energy for others, but touch was where she gained hers back. She was always hugging her mother or holding Noah’s hand or linking her elbow in Adam’s or resting her boots on Ronan’s legs as they sat on the sofa. Touching Gansey’s neck just between his hair and his collar. This worry in her tone demanded fingers braided together, arms on shoulders, cheeks rested against chests. But because Gansey was too cowardly to tell Adam about falling in love with her, she had

I thought of kissing Astrid under the fire escape. I thought of Norm’s rusty microbus and of his father, Cicero, sitting on the busted-down sofa in his old trailer, rolling dope in Zig-Zag papers and telling me if I wanted to get my license first crack out of the basket, I’d better cut my fucking hair. I thought of playing teen dances at the Auburn RolloDrome, and how we never stopped when the inevitable fights broke out between the kids from Edward Little and Lisbon High, or those from Lewiston High and St. Dom’s; we just turned it up louder. I thought of how life had been before I realized I was a frog in a pot. I shouted: “One, two, you-know-what-to-do!” We kicked it in. Key of E. All that shit starts in E.

All racehorse names in Britain have to be registered with Weatherby’s, who will ensure that names are not repeated and are not rude or offensive. Names such as Wear the Fox Hat or Sofa King Fast have been rejected on the grounds of poor taste. Other racing authorities are sometimes not as eagle-eyed or aware or how a name might sound when a commentator is in full flow. In South Africa, Hoof Hearted had tens of runs without troubling the judge while, in France, Big Tits was similarly unsuccessful.

When Adam kissed him, it was every mile per hour Ronan had ever gone over the speed limit. It was every window-down, goose-bumps-on-skin, teeth-chattering-cold night drive. It was Adam's ribs under Ronan's hands and Adam's mouth on his mouth, again and again and again. It was stubble on lips and Ronan having to stop, to get his breath, to restart his heart. They were both hungry animals, but Adam had been starving for longer. Inside, they pretended they would dream, but they did not. They sprawled on the living room sofa and Adam studied the tattoo that covered Ronan's back: all the sharp edges that hooked wondrously and fearfully into each other. "Unguibus et rostro," Adam said. Ronan put Adam's fingers to his mouth. He was never sleeping again.

The first of June! The Kings are off to the seashore tomorrow, and I'm free. Three months' vacation—how I shall enjoy it!" exclaimed Meg, coming home one warm day to find Jo laid upon the sofa in an unusual state of exhaustion, while Beth took off her dusty boots, and Amy made lemonade for the refreshment of the whole party.

My father was neither an ally nor a confidant, but it seemed backward to me that this hardworking man would be relegated to the sofa while my lazy mother got the king-size bed. I resented her for that, but she seemed immune to guilt and shame. I think she got away with so much because she was beautiful. She looked like Lee Miller if Lee Miller had been a bedroom drunk. I assume she blamed my father for ruining her life—she got pregnant and dropped out of college to marry him. She didn’t have to, of course. I was born in August 1973, seven months after Roe v. Wade. Her family was the country club brand of alcoholic Southern Baptists—Mississippi loggers on one side, Louisiana oilmen on the other—or else, I assumed, she would have aborted me. My father was twelve years older than my mother. She’d been just nineteen years old and already four months pregnant when they got married. I’d figured that out as soon as I could do the math.

On the sofa, a huge orange tabby cat regarded me with characteristic feline apathy before hopping down and stalking to the door. “This is Francis.” Lucas opened the door and the tom wandered lazily outside, stopping on the landing to clean a paw. I laughed, moving to the center of the room. “Francis? He looks more like a… Max. Or maybe a King.” He shut and locked the door, his ghost smile turning his mouth up on one side. “Trust me, he’s superior enough without a macho name to back it up

It was perplexing to Adam how he had regarded this as normal for so long. He remembered how the neighbors used to turn away from his bruised face; he used to think, stupidly, that they said nothing because they thought he had somehow deserved it. Now, though, he wondered how many of them had huddled on the floor in front of their sofas, or hidden in their rooms, or cried beneath the little porch in the bitter rain. He felt a sudden urge to save all these other Adams hidden in plain view, though he didn't know if they would listen to him.

Decision time. It's too dark for you to see your surroundings. So I'll describe. You choose." He pulled the pins out of her hair, tunneling his fingers through it as it tumbled to her shoulders. "The fireplace is across the hall. There's a shag rug in front of it. The living room's to our right. It has a wide, cushy sectional sofa. The den's to our left. It has a leather recliner that tilts way, way back. Upstairs, there are two bedrooms. The guest room's got a queen-size bed and a huge area rug. The master's got a king-size bed and extra pillows. What's your pleasure?" "Where are the condoms?" "In the master." "Sold.

[...]a man and a boy, side by side on a yellow Swedish sofa from the 1950s that the man had bought because it somehow reminded him of a zoot suit, watching the A’s play Baltimore, Rich Harden on the mound working that devious ghost pitch, two pairs of stocking feet, size 11 and size 15, rising from the deck of the coffee table at either end like towers of the Bay Bridge, between the feet the remains in an open pizza box of a bad, cheap, and formerly enormous XL meat lover’s special, sausage, pepperoni, bacon, ground beef, and ham, all of it gone but crumbs and parentheses of crusts left by the boy, brackets for the blankness of his conversation and, for all the man knew, of his thoughts, Titus having said nothing to Archy since Gwen’s departure apart from monosyllables doled out in response to direct yes-or-nos, Do you like baseball? you like pizza? eat meat? pork?, the boy limiting himself whenever possible to a tight little nod, guarding himself at his end of the sofa as if riding on a crowded train with something breakable on his lap, nobody saying anything in the room, the city, or the world except Bill King and Ken Korach calling the plays, the game eventless and yet blessedly slow, player substitutions and deep pitch counts eating up swaths of time during which no one was required to say or to decide anything, to feel what might conceivably be felt, to dread what might be dreaded, the game standing tied at 1 and in theory capable of going on that way forever, or at least until there was not a live arm left in the bullpen, the third-string catcher sent in to pitch the thirty-second inning, batters catnapping slumped against one another on the bench, dead on their feet in the on-deck circle, the stands emptied and echoing, hot dog wrappers rolling like tumbleweeds past the diehards asleep in their seats, inning giving way to inning as the dawn sky glowed blue as the burner on a stove, and busloads of farmhands were brought in under emergency rules to fill out the weary roster, from Sacramento and Stockton and Norfolk, Virginia, entire villages in the Dominican ransacked for the flower of their youth who were loaded into the bellies of C-130s and flown to Oakland to feed the unassuageable appetite of this one game for batsmen and fielders and set-up men, threat after threat giving way to the third out, weak pop flies, called third strikes, inning after inning, week after week, beards growing long, Christmas coming, summer looping back around on itself, wars ending, babies graduating from college, and there’s ball four to load the bases for the 3,211th time, followed by a routine can of corn to left, the commissioner calling in varsity teams and the stars of girls’ softball squads and Little Leaguers, Archy and Titus sustained all that time in their equally infinite silence, nothing between them at all but three feet of sofa;

In 1968, at fifteen, she turned on the television and watched chaos flaring up across the country like brush fires. Martin Luther King, Jr., then Bobby Kennedy. Students in revolt at Columbia. Riots in Chicago, Memphis, Baltimore, D.C.—everywhere, everywhere, things were falling apart. Deep inside her a spark kindled, a spark that would flare in Izzy years later. Of course she understood why this was happening: they were fighting to right injustices. But part of her shuddered at the scenes on the television screen. Grainy scenes, but no less terrifying: grocery stores ablaze, smoke billowing from their rooftops, walls gnawed to studs by flame. The jagged edges of smashed windows like fangs in the night. Soldiers marching with rifles past drugstores and Laundromats. Jeeps blocking intersections under dead traffic lights. Did you have to burn down the old to make way for the new? The carpet at her feet was soft. The sofa beneath her was patterned with roses. Outside, a mourning dove cooed from the bird feeder and a Cadillac glided to a dignified stop at the corner. She wondered which was the real world.

I ask him about his novel. I fancy that Leo writes historical fiction, and for some reason I'm convinced his era is the Roman Empire. I have no reason to suppose this...it's just a fancy. "Romance," he says. "I write romance." My surprise clearly needs no words because he continues to explain. "My agent will tell you it's a story about passionate friendships and reluctant relationships in modern America, but really it's a romance." "Oh...set today?" I'm still thinking gladiators. "Modern America, remember." "Have you...have you always written romance?" "Yes, and what's more, so have you. The mystery writers, the historical novelists, the political thriller writers, the science fiction writers...everybody but the people who write instruction manuals is writing romance. We dress our stories up with murders, and discussions about morality and society, but really we just care about relationships." "You can't be serious. You're saying Stephen King writes romances?" "Yes, ma'am!" Leo sits back in the sofa. "The killer clown is entertaining and all that, but what we're really interested in is whether the fat kid gets the pretty girl.

said he was attracted to the way I lived my life, the way I’d dance easily, laugh loudly, fill a room with colour; but instead of sitting back and enjoying the butterfly, he caught it. He framed me like a butterfly, pinning me into his frame, but the pins that hold the butterfly in place are not easily visible, and no one can see I’m being held down. Over the years the butterfly has faded – he’s stripped me of everything that made me what I was, and now he’s left with this dull, colourless woman who’s scared to say what she really thinks. And I can’t dance any more. It’s hard to reconcile the person I once was with the woman I am now, standing helplessly in my beautiful bedroom with handmade oak wardrobes and gold silk eiderdown. The only reason I get out of bed in the morning is my children; they are my reason to live, and without them I don’t think I would survive. Things have never been perfect between Simon and I, but until Caroline, my life was bearable, but now I see her curling up on our king-sized bed. She’s lounging seductively on our sofa, arms around the boys, my boys, and she’s in my kitchen serving breakfast. This woman wants to take over my husband, but she’ll also take over my life,

We went away, leaving Dan sitting on the door-sill reading his book, and Jimmy P. snoozing blissfully on the sofa. When we returned—Felix and the girls and I were ahead of the others—Dan was still sitting in precisely the same place and attitude; but there was no Jimmy in sight. "Dan, where's the baby?" cried Felicity. Dan looked around. His jaw fell in blank amazement. I never say any one look as foolish as Dan at that moment. "Good gracious, I don't know," he said helplessly. "You've been so deep in that wretched book that he's got out, and dear knows where he is," cried Felicity distractedly. "I wasn't," cried Dan. "He MUST be in the house. I've been sitting right across the door ever since you left, and he couldn't have got out unless he crawled right over me. He must be in the house." "He isn't in the kitchen," said Felicity rushing about wildly, "and he couldn't get into the other part of the house, for I shut the hall door tight, and no baby could open it—and it's shut tight yet. So are all the windows. He MUST have gone out of that door, Dan King, and it's your fault." "He DIDN'T go out of this door," reiterated Dan stubbornly. "I know that." "Well, where is he, then? He isn't here. Did he melt into air?" demanded Felicity. "Oh, come and look for him, all of you. Don't stand round like ninnies. We MUST find him before his mother gets here. Dan King, you're an idiot!" Dan was too frightened to resent this, at the time. However and wherever Jimmy had gone, he WAS gone, so much was certain. We tore about the house and yard like maniacs; we looked into every likely and unlikely place. But Jimmy we could not find, anymore than if he had indeed melted into air. Mrs. Patterson came, and we had not found him. Things were getting serious. Uncle Roger and Peter were summoned from the field. Mrs. Patterson became hysterical, and was taken into the spare room with such remedies as could be suggested. Everybody blamed poor Dan. Cecily asked him what he would feel like if Jimmy was never, never found. The Story Girl had a gruesome recollection of some baby at Markdale who had wandered away like that— "And they never found him till the next spring, and all they found was—HIS SKELETON, with the grass growing through it," she whispered. "This beats me," said Uncle Roger, when a fruitless hour had elapsed. "I do hope that baby hasn't wandered down to the swamp. It seems impossible he could walk so far; but I must go and see. Felicity, hand me my high boots out from under the sofa, there's a girl." Felicity, pale and tearful, dropped on her knees and lifted the cretonne frill of the sofa. There, his head pillowed hardly on Uncle Roger's boots, lay Jimmy Patterson, still sound asleep!

I spent more time than was strictly necessary in the plush red corridors of the Hotel Metropole in Hanoi. For some reason, I had convinced myself that I needed to see the inside of suite 228, which was otherwise referred to in the voluminous hotel literature as "the Graham Greene Suite." Greene, whom I had been mildly fixated on for some time, had stayed there during the fifties. I was staying next door in suite 226, and after several days of wondering how I was going to get into his room, I noticed the maid's cart outside. When she finally ducked out to refill her stash of aloe shampoo and little almond soaps, I slipped through the half-opened door. Inside was a bare mahogany desk, a brass lamp, a king-size bed with a modern, striped duvet, and several spindly French sofas, also striped. I couldn't help feeling vastly let down. The setting was devoid of both Greene's seediness - he later regretted popularising the word "seedy" - and his elegance, which should not, of course, have come as a surprise. The Metropole was gutted after the war and rebuilt. And even if it hadn't been, I knew from experience that this sort of literary pilgrimage is always anticlimactic: the writer is dead and what remains of him is in his books.

Wrath bared his fangs. “John, as God is my fucking witness, I will cut you if you don’t—” “Easy, there, big guy,” V gritted out. “I’m going to translate. You want to hit the library where we can—” “No, I want to fucking know where my shellan is!” Wrath boomed. John started signing, and whereas most of the time people translated half sentences sequentially, V waited until he’d finished the whole report. A couple of the Brothers muttered in the background as they shook their heads. “In the library,” V ordered the King in a way John never could have. “You’re gonna wanna do this in the library.” Wrong thing to say. Wrath wheeled on the Brother and went for him with such speed and accuracy no one was prepared: One minute V was standing next to the King; the next he was defending himself against an attack that was as unprovoked as it was . . . well, vicious. And then things went shit-wild. Like Wrath knew he was on the thin edge of a bad ledge, he broke off from V, and went total wrecking ball on the billiards room. The first thing he ran into was the pool table Butch was chilling next to—and there was barely any time for the cop to get that ashtray up off the side rails: Wrath grabbed the gunnels and flipped the thing like it was nothing but a card table, the mahogany and slate-topped behemoth flying up so high, it wiped out the hanging light fixture above, its weight so great it splintered the marble floor beneath on landing. Without missing a breath, the King EF5’d into his next victim . . . the heavy leather sofa that Rhage had just leaped up off. Talk about your couch-icopters. The entire thing came at John at about five feet off the floor, the pair of ends trading places as it spun around and around, cushions flying in all directions. He didn’t take it personally—especially as its mate do-si-doed with the bar, smashing the top-shelf bottles, liquor splashing all over the walls, the floor, the fire that was crackling in the hearth. Wrath wasn’t finished. The King picked up a side table, hauled it overhead, and pitched it in the direction of the TV. It missed the plasma screen, but managed to shatter an old-fashioned mirror—although the Sony didn’t last. The coffee table that had been in between the two sofas did that deed, killing the muted image of the two Boston guys and the old man from Southie with the baseball bat shilling for DirectTV. The Brothers just let Wrath go. It wasn’t that they were afraid of getting hurt. Hell, Rhage stepped in and caught the first couch before it tore a hunk off of the archway’s molding. They just weren’t stupid. Wrath - Beth x Overnight = Psycho-hose Beast

Piers Morgan Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s. Just sitting in her private room was fascinating. Her magazines lay on the table, from Vogue to Hello, as well as her newspapers--the Daily Mail at the top of the pile, obviously, if distressingly. After I had spent ten minutes on my own, she swept in, gushing: “I’m so sorry to have kept you, Piers. I hope Paul has been looking after you all right.” And then came what was surely one of the most needless requests of all time: “Would you mind awfully if William joins us for lunch? He’s on an exeat from Eton, and I just thought that given you are a bit younger than most editors, it might be good for both of you to get to know each other.” “I’m sorry, but that would be terribly inconvenient,” I replied sternly. Diana blushed slightly and started a stuttering “Yes, of course, I’m so sorry…” apology, when I burst out laughing. “Yes, ma’am, I think I can stretch to allowing the future king to join us for lunch.” The absurdity of this conversation held no apparent bounds. But before he joined us, Diana wanted a little chat. “How’s your circulation?” she asked. Bloody rampant, I thought, as she nestled into her sofa, radiating a surprisingly high degree of sexual allure. “Oh very healthy, ma’am, thanks to you.” She laughed, a tad insincerely. We discussed her mate Fergie. “Can’t you go a bit easier on her?” Diana pleaded, with genuine concern in those extraordinarily big, expressively deep, blue eyes. “Well, she’s her own worst enemy,” I replied. “Look at this morning’s front pages--I mean, who the hell takes the Concorde the day after the papers reveal she’s 3 million in debt?” “I know, I know,” sighed the Princess, “but she means well; she has a big heart. It’s not easy for her.” We debated the merits of Fergie, or even Diana herself, emigrating away from the media firestorm. “Yes, but to where? I’ve thought about it often, but somebody would find me wherever I went.” And then I saw a flash of real sadness in her face, a desperation almost to have her anonymity back, but knowing it is gone forever. I asked what it was like “being Diana.” “Oh God, let’s face it, even I have had enough of Diana now--and I am Diana.” She screeched with laughter, and I saw her chameleon side. Able to switch so easily from misery to hilarity. “It’s been ridiculous recently, just one thing after another. But I can’t stop the press writing about me, can I? You are hardly going to say ‘Oh, okay then, we’ll leave you alone.’ I would like to have a good break. I meet a lot of ordinary people, and they are always so kind to me. They shout out things like ‘Eh, Di, I know what you’re going through, luv,’ and I laughed and think: ‘If only you really knew. He’s worrying about his allotment or whatever, and I’ve got things like the future of the monarchy on my mind.’” More screeches--she has a great laugh. A really earthy infectious cackle. Like a Sloaney Barbara Windsor.

Piers Morgan Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s. “How’s your circulation?” she asked. Bloody rampant, I thought, as she nestled into her sofa, radiating a surprisingly high degree of sexual allure. “Oh very healthy, ma’am, thanks to you.” She laughed, a tad insincerely.

Berry and three other old Etonians, James Bolton, Alex Lyle and Christian De Lotbiniere, were the brains behind “Ski Bob” travel. This was a company, named after their Eton housemaster Bob Baird, which had been formed when they discovered that they were too young legally to book holidays themselves. So these young entrepreneurs started their own company and within the twenty-strong group, which mainly compromised old Etonians, the greatest accolade was to be called “Bob.” Diana was soon Bob, Bob, Bobbing along. “You’re skating on thin ice,” she yelled in her Miss Piggy voice as she skied dangerously close behind members of the group. She joined in the pillow fights, charades, and satirical singsongs. Diana was teased mercilessly about a framed photograph of Prince Charles, taken at his Investiture in 1969, which hung in her school dormitory. Not guilty, she said. It was a gift to the school. When she stayed in the Berry chalet she slept on the living-room sofa. Not that she got much sleep. Medical student, James Colthurst, liked to regale the slumbering throng with unwelcome early morning renditions of Martin Luther King’s famous “I had a dream” speech or his equally unamusing Mussolini impersonation.

After I had spent ten minutes on my own, she swept in, gushing: “I’m so sorry to have kept you, Piers. I hope Paul has been looking after you all right.” And then came what was surely one of the most needless requests of all time: “Would you mind awfully if William joins us for lunch? He’s on an exeat from Eton, and I just thought that given you are a bit younger than most editors, it might be good for both of you to get to know each other.” “I’m sorry, but that would be terribly inconvenient,” I replied sternly. Diana blushed slightly and started a stuttering “Yes, of course, I’m so sorry . . .” apology, when I burst out laughing. “Yes, ma’am, I think I can stretch to allowing the future king to join us for lunch.” The absurdity of the conversation held no apparent bounds. “How’s your circulation?” she asked. Bloody rampant, I thought, as she nestled into her sofa, radiating a surprisingly high degree of sexual allure. “Oh very healthy, ma’am, thanks to you.” —Piers Morgan

Piers Morgan Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s. Just sitting in her private room was fascinating. Her magazines lay on the table, from Vogue to Hello, as well as her newspapers--the Daily Mail at the top of the pile, obviously, if distressingly. After I had spent ten minutes on my own, she swept in, gushing: “I’m so sorry to have kept you, Piers. I hope Paul has been looking after you all right.” And then came what was surely one of the most needless requests of all time: “Would you mind awfully if William joins us for lunch? He’s on an exeat from Eton, and I just thought that given you are a bit younger than most editors, it might be good for both of you to get to know each other.” “I’m sorry, but that would be terribly inconvenient,” I replied sternly. Diana blushed slightly and started a stuttering “Yes, of course, I’m so sorry…” apology, when I burst out laughing. “Yes, ma’am, I think I can stretch to allowing the future king to join us for lunch.” The absurdity of this conversation held no apparent bounds. But before he joined us, Diana wanted a little chat. “How’s your circulation?” she asked. Bloody rampant, I thought, as she nestled into her sofa, radiating a surprisingly high degree of sexual allure. “Oh very healthy, ma’am, thanks to you.” She laughed, a tad insincerely. We discussed her mate Fergie. “Can’t you go a bit easier on her?” Diana pleaded, with genuine concern in those extraordinarily big, expressively deep, blue eyes. “Well, she’s her own worst enemy,” I replied. “Look at this morning’s front pages--I mean, who the hell takes the Concorde the day after the papers reveal she’s £3 million in debt?” “I know, I know,” sighed the Princess, “but she means well; she has a big heart. It’s not easy for her.” We debated the merits of Fergie, or even Diana herself, emigrating away from the media firestorm. “Yes, but to where? I’ve thought about it often, but somebody would find me wherever I went.” And then I saw a flash of real sadness in her face, a desperation almost to have her anonymity back, but knowing it is gone forever. I asked what it was like “being Diana.” “Oh God, let’s face it, even I have had enough of Diana now--and I am Diana.” She screeched with laughter, and I saw her chameleon side. Able to switch so easily from misery to hilarity. “It’s been ridiculous recently, just one thing after another. But I can’t stop the press writing about me, can I? You are hardly going to say ‘Oh, okay then, we’ll leave you alone.’ I would like to have a good break. I meet a lot of ordinary people, and they are always so kind to me. They shout out things like ‘Eh, Di, I know what you’re going through, luv,’ and I laughed and think: ‘If only you really knew. He’s worrying about his allotment or whatever, and I’ve got things like the future of the monarchy on my mind.’” More screeches--she has a great laugh. A really earthy infectious cackle. Like a Sloaney Barbara Windsor.

My guardian angel was studiously being no help whatsoever, sitting on my sofa reading The Way of Kings. I didn’t own the book, so I knew she brought it with her. That’s angelic power, right

My guardian angel was studiously being no help whatsoever, sitting on my sofa reading The Way of Kings. I didn’t own the book, so I knew she brought it with her. That’s angelic power, right there—strong enough to carry a Brandon Sanderson novel and still fly.

You might be viewed as our king or hero.” “Or?” Ryann prodded Ven. “Or… god…” Ven finished slowly, waiting for Sean to react badly. Sean took a seat on the sofa and rubbed at his face. “Fuck. I have a cult of Messenger Fairies?

Dad’s out on a date so Dog and I are passing the time by YouTube-ing scenes from The Lion King. The reason I can’t pick up the phone is because I attempted to lift Dog up as though he was Simba on Pride Rock during that ‘Circle Of Life’ song. Anyway, I couldn’t do it and he fell back onto me, landing on my arm, which now really hurts and I think I twisted my ankle so I’m staying put on the sofa. I think he’s put on a few pounds.

Sorry. I’m just a sentimental guy like that. But Nova sat on that sofa, and so did Carole King and Joan Armatrading. It feels like a part of music history.

Blue radiated psychic energy for others, but touch was where she gained hers back. She was always hugging her mother or holding Noah’s hand or linking her elbow in Adam’s or resting her boots on Ronan’s legs as they sat on the sofa. Touching Gansey’s neck just between his hair and his collar.

Wallflowers are harmless. They are pretty things that stand in corners with a pleasant look on their face. It's the wall-weeds I can't stand. They moan about the mantles, mope upon the sofas, and pout about the punch bowls, waiting to be asked, 'Are you all right? You look so sad.' Wall-weeds will linger for hours if you let them. And the only thing that seems to drive them away is other people's happiness.

Lottie was dozing on a large sofa by the bay window. A King Charles Spaniel lay by her feet. An

The young woman remained lying on her sofa a long while after the countess had left her. She fought her battle. Earth rose up against heaven, love against love, but her childhood's beloved won the victory. Where she lay, right here on the sofa, she saw the western sky glowing with a magnificent sunset. She thought that this was a greeting from the good king, and as she would not have been able to remain faithful to him if she had lived, she decided to die. She could do nothing else, when her mother wanted her to belong to one who could not be the good king's servant.

Matt’s Creation Room was a wide, colorful space dedicated to music. The walls were splashed with bright orange paint, green sofas, and cushions, which contrasted with the serious, dark upright Yamaha piano in the center of the room. There were other instruments in the room: several guitars, a violin, several drums, a bass guitar. The walls were like a private Hall of Fame covered with posters and even relics of famous singers. One wall was covered with pictures of Matt and his three platinum albums Matt, Superstar, and Moving On. The room was bathed in light entering through the wide windows. It was Matt’s Creation Room and he had obviously decorated the room according to his own tastes. After finishing her scales while waiting for Matt, she posted herself next to the windows to practice her audition song for La Cenerentola that Saturday evening. It was a beautiful, sorrowful song that Cinderella sang in the first scene about a king who looked for true love not in splendor and beauty, but in innocence and goodness.

He remembered how the neighbors used to turn away from his bruised face; he used to think, stupidly, that they said nothing because they thought he had somehow deserved it. Now, though, he wondered how many of them had huddled on the floor in front of their sofas, or hidden in their rooms, or cried beneath the little porch in the bitter rain. He felt a sudden urge to save all these other Adams hidden in plain view, though he didn’t know if they would listen to him. It struck him as a Gansey or a Blue impulse, and as he held that tiny, heroic spark in his mind, he realized that it was only because he believed that he had saved himself that he could imagine saving someone else.

Her child is not king, because he is a satellite to her own life. At the same time, her child is omnipresent because this satellite follows his mother everywhere, and together they share valuable moments. He might join her at a lunch, accompany her to a boutique, end up at a concert or a cocktail party, where he will fall asleep on a sofa as she watches over him with equal amounts of guilt and tenderness.