The Other Guys Explosion Quotes

You know how when a guy and girl really like each other in a book, they talk about a spark between them? With Nox there is no spark. No. He bypassed the spark. When Nox touches me, there’s nothing less than the whistling, shrieking explosions of fireworks. Big ones. The ones they save till the end of the show.

If life is a movie most people would consider themselves the star of their own feature. Guys might imagine they're living some action adventure epic. Chicks maybe are in a rose-colored fantasy romance. And homosexuals are living la vida loca in a fabulous musical. Still others may take the indie approach and think of themselves as an anti-hero in a coming of age flick. Or a retro badass in an exploitation B movie. Or the cable man in a very steamy adult picture. Some people's lives are experimental student art films that don't make any sense. Some are screwball comedies. Others resemble a documentary, all serious and educational. A few lives achieve blockbuster status and are hailed as a tribute to the human spirit. Some gain a small following and enjoy cult status. And some never got off the ground due to insufficient funding. I don't know what my life is but I do know that I'm constantly squabbling with the director over creative control, throwing prima donna tantrums and pouting in my personal trailor when things don't go my way. Much of our lives is spent on marketing. Make-up, exercise, dieting, clothes, hair, money, charm, attitude, the strut, the pose, the Blue Steel look. We're like walking billboards advertising ourselves. A sneak peek of upcoming attractions. Meanwhile our actual production is in disarray--we're over budget, doing poorly at private test screenings and focus groups, creatively stagnant, morale low. So we're endlessly tinkering, touching up, editing, rewriting, tailoring ourselves to best suit a mass audience. There's like this studio executive in our heads telling us to cut certain things out, make it "lighter," give it a happy ending, and put some explosions in there too. Kids love explosions. And the uncompromising artist within protests: "But that's not life!" Thus the inner conflict of our movie life: To be a palatable crowd-pleaser catering to the mainstream... or something true to life no matter what they say?

When I started everything, and by everything, I mean life, suicide was a joke. If I have to ride in that car with you, I'll slash my wrists with a butter knife. It was as real as a unicorn. No, less than that. It was as real as the explosion around an animated coyote. A hundred thousand people threaten to kill themselves every day and make a hundred thousand other people laugh, because like a cartoon, it's funny and meaningless. Gone even before you turn off the TV. Then it was a disease. Something other people got, if they lived someplace dirty enough to get the infection under their nails. It was not a pleasant dinner table conversation, Cole, and like the flu, it only killed the weak. If you'd been exposed, you didn't talk about it. Wouldn't want to put other people off their feed. It wasn't until high school that it became a possibility. Not an immediate one, not like It is a possibility I will download this album because the guitar is so sick it makes me want to dance, but possibility in the way that some people said when they grew up, they might be a fireman or an astronaut or a CPA who works late every single weekend while his wife has an affair with the guy who drives the DHL truck. It became a possibility like Maybe when I grow up, I will be dead.

That maybe I’m the answer,’ I blurted. ‘To healing your heart. I could … you know, be your boyfriend. As Lester. If you wanted. You and me. You know, like … yeah.’ I was absolutely certain that up on Mount Olympus, the other Olympians all had their phones out and were filming me to post on Euterpe-Tube. Reyna stared at me long enough for the marching band in my circulatory system to play a complete stanza of ‘You’re a Grand Old Flag’. Her eyes were dark and dangerous. Her expression was unreadable, like the outer surface of an explosive device. She was going to murder me. No. She would order her dogs to murder me. By the time Meg rushed to my aid, it would be too late. Or worse – Meg would help Reyna bury my remains, and no one would be the wiser. When they returned to camp, the Romans would ask, What happened to Apollo? Who? Reyna would say. Oh, that guy? Dunno, we lost him. Oh, well! the Romans would reply, and that would be that. Reyna’s mouth tightened into a grimace. She bent over, gripping her knees. Her body began to shake. Oh, gods, what had I done? Perhaps I should comfort her, hold her in my arms. Perhaps I should run for my life. Why was I so bad at romance? Reyna made a squeaking sound, then a sort of sustained whimper. I really had hurt her! Then she straightened, tears streaming down her face, and burst into laughter. The sound reminded me of water rushing over a riverbed that had been dry for ages. Once she started, she couldn’t seem to stop. She doubled over, stood upright again, leaned against a tree and looked at her dogs as if to share the joke. ‘Oh … my … gods,’ she wheezed. She managed to restrain her mirth long enough to blink at me through the tears, as if to make sure I was really there and she’d heard me correctly. ‘You. Me? HA-HA-HA-HA-HA-HA-HA.

Hennessy leaned over one of the shelves. The tediously normal-looking cell phone on it brightened to display a photograph of two young men as the lock screen. One was Ronan, laughing explosively. The other was a rather self-​contained-looking fellow, striking in an unusual sort of way, smirking a bit at whatever he’d just said. They were not exactly opposites but their appearances nonetheless gave the impression they were. Ronan’s dark, dramatic eyebrows, the other guy’s light, barely visible ones. Ronan’s emotions screamed upon his face while the other guy’s whispered. “Is that him?” Ronan addressed the dream at large. “Traitor. You didn’t have to show her.” “He doesn’t look like he’s filling a hole inside himself with your toxic presence,” Hennessy said. She kind of hated looking at them together. It made her feel ugly inside. “Are you guys in love five-​ever or do you think you’re a pretty board game to pass his time?” Now she sounded ugly, too.

See, guys, I have a little problem. Actually, it’s turning into a big problem. I’m not very good at being flexible, handling frustration, and solving problems. And you—and lots of other people—expect me to handle changes in plans, being told what to do, and things not going the way I thought they would as well as other kids. When you expect these things, I start to get frustrated, and then I have trouble thinking clearly, and then I get even more frustrated. Then you guys get frustrated, and that just makes things worse. Then I start doing things I wish I didn’t do and saying things I wish I didn’t say. Then you sometimes do things you wish you didn’t do and say things you wish you didn’t say. Then you punish me, and it gets really messy. After the dust settles—you know, when I start thinking clearly again—I end up being really sorry for the things I did and said. I know this isn’t fun for you, but rest assured, I’m not having any fun either.

I saw a guy the other day at a wedding, and I told him my theory on why we’ve seen this explosion in comedies in the past fifteen years. Number one, America is tacking hard to the right. That sort of extremism always kind of kicks up the need to create comedy. But the second thing is Avid. What’s Avid? It’s a digital movie-editing program that directors use, and it’s incredibly helpful. I think Avid is hugely responsible for this boom in comedy. In the past, one would have to shoot the film and edit it, which was a big deal. Now, filmmakers can record the laughs from a test audience at a screening, and we can then cut to the rhythm of those laughs, the rhythm of the audience. We synchronize the laughs with the film. We can really get our timing down to a hundredth of a second. You can decide where you want your story to kick in, where you want a little bit of mood, where you want a hard laugh line. All of this can really be calibrated to these test screenings that we do. It doesn’t mean that it becomes mathematical. It still ultimately means that you have to make creative choices, but you can just really get a lot out of it. Sort of like surgery with a laser compared with a regular scalpel. We’re able to download a movie onto the computer and literally do all our edits in minutes. The precision is incredible. You play back the audio of the test screening and get everything timed just right. Like, “This laugh is losing this next line; let’s split the difference here.” You’re able to achieve this rolling energy. You can try experimental edits, and do multiple test screenings, and it’s all because you can move so fast with this program. Comedy is the one genre that I think has just really benefited from this more than any other.

When you're responsible for half the planet's military spending, and 80 percent of its military R&D, certain things can be said with confidence: No one is going to get into a nuclear war with the United States, or a large-scale tank battle, or even a dogfight. You're the Microsoft, the Standard Oil of conventional warfare: Were they interested in competing in this field, second-tier military powers would probably have filed an antitrust suit with the Department of Justice by now. When you're the only guy in town with a tennis racket, don't be surprised if no one wants to join you on center court--or that provocateurs look for other fields on which to play. If you've got uniformed infantryman and tanks and battleships and jet fighters, you're too weak to take on the hyperpower. But, if you've got illiterate goatherds with string and hacksaws and fertilizer, you can tie him down for a decade. An IED is an "improvised" explosive device. Can we still improvise? Or does the planet's most lavishly funded military assume it has the luxury of declining to adapt to the world it's living in?

I think you’re good for Four, you know,” he says. I stare at my hands, curled in my lap. I don’t feel like explaining to him that we’re on the verge of breaking up--I don’t know him, and even if I did, I wouldn’t want to talk about it. All I can manage to say is, “Oh?” “Yeah. I can see what you bring out in him. You don’t know this because you’ve never experienced it, but Four without you is a much different person. He’s…obsessive, explosive, insecure…” “Obsessive?” “What else do you call someone who repeatedly goes through his own fear landscape?” “I don’t know…determined.” I pause. “Brave.” “Yeah, sure. But also a little bit crazy, right? I mean, most Dauntless would rather leap into the chasm than keep going through their fear landscapes. There’s bravery and then there’s masochism, and the line got a little hazy with him.” “I’m familiar with the line,” I say. “I know.” Amar grins. “Anyway, all I’m saying is any time you mash two different people against each other, you’ll get problems, but I can see that what you guys have is worthwhile, that’s all.” I wrinkle my nose. “Mash people against each other, really?” Amar presses his palms together and twists them back and forth, to illustrate. I laugh, but I can’t ignore the achy feeling in my chest.

Lester.” Reyna sighed. “What in Tartarus are you saying? I’m not in the mood for riddles.” “That maybe I’m the answer,” I blurted. “To healing your heart. I could…you know, be your boyfriend. As Lester. If you wanted. You and me. You know, like…yeah.” I was absolutely certain that up on Mount Olympus, the other Olympians all had their phones out and were filming me to post on Euterpe-Tube. Reyna stared at me long enough for the marching band in my circulatory system to play a complete stanza of “You’re a Grand Old Flag.” Her eyes were dark and dangerous. Her expression was unreadable, like the outer surface of an explosive device. She was going to murder me. No. She would order her dogs to murder me. By the time Meg rushed to my aid, it would be too late. Or worse—Meg would help Reyna bury my remains, and no one would be the wiser. When they returned to camp, the Romans would ask What happened to Apollo? Who? Reyna would say. Oh, that guy? Dunno, we lost him. Oh, well! the Romans would reply, and that would be that. Reyna’s mouth tightened into a grimace. She bent over, gripping her knees. Her body began to shake. Oh, gods, what had I done? Perhaps I should comfort her, hold her in my arms. Perhaps I should run for my life. Why was I so bad at romance? Reyna made a squeaking sound, then a sort of sustained whimper. I really had hurt her! Then she straightened, tears streaming down her face, and burst into laughter. The sound reminded me of water rushing over a creek bed that had been dry for ages. Once she started, she couldn’t seem to stop. She doubled over, stood upright again, leaned against a tree, and looked at her dogs as if to share the joke. “Oh…my…gods,” she wheezed. She managed to restrain her mirth long enough to blink at me through the tears, as if to make sure I was really there and she’d heard me correctly. “You. Me? HA-HA-HA-HA-HA-HA-HA.

In my generation we did a lot of pleasure chasing—we, the generation responsible for today’s twenty-year-olds and thirty-year-olds and forty-year-olds. Before they came into our lives, we were on a pleasure binge, and the need for immediate gratification passed through us to our children. When I got out of the Army in 1944, the guys who were being discharged with me were mostly between the ages of eighteen and thirty. We came home to a country that was in great shape in terms of industrial capacity. As the victors, we decided to spread the good fortune around, and we did all kinds of wonderful things—but it wasn’t out of selfless idealism, let me assure you. Take the Marshall Plan, which we implemented at that time. It rebuilt Europe, yes, but it also enabled those war ruined countries to buy from us. The incredible, explosive economic prosperity that resulted just went wild. It was during that period that the pleasure principle started feeding on itself. One generation later it was the sixties, and those twenty-eight-year-old guys from World War II were forty-eight. They had kids twenty years old, kids who had been so indulged for two decades that it caused a huge, first-time-in-history distortion in the curve of values. And, boy, did that curve bend and bend and bend. These postwar parents thought they were in nirvana if they had a color TV and two cars and could buy a Winnebago and a house on the lake. But the children they had raised on that pleasure principle of material goods were by then bored to death. They had overdosed on all that stuff. So that was the generation who decided, “Hey, guess where the real action is? Forget the Winnebago. Give me sex, drugs, and rock ‘n’ roll.” Incredible mind-blowing experiences, head-banging, screw-your-brains-out experiences in service to immediate and transitory pleasures. But the one kind of gratification is simply an outgrowth of the other, a more extreme form of the same hedonism, the same need to indulge and consume. Some of those same sixties kids are now themselves forty-eight. Whatever genuine idealism they carried through those love-in days got swept up in the great yuppie gold rush of the eighties and the stock market nirvana of the nineties—and I’m afraid we are still miles away from the higher ground we seek.

I thought I'd never find you," Luce heard her past self say. "We will always find each other," Daniel answered, lifting her off the ground and squeezing her closer. "Always." "Hey,you two!" A voice shouted from a doorway in a neighboring building. "Are you coming?" Across the square from the empty lot, a small group of people were being herded into a solid stone building by a guy whose face Luce couldn't make out. That was where Luschka and Daniel were headed. It must have been their plan all along, to take shelter from the bombs together. "Yes," Luschka called to the others. She looked at Daniel. "Let's go with them." "No." His voice was curt. Nervous. Luce knew that tone all too well. "We'll be safer off the street. Isn't this why we agreed to meet here?" Daniel turned to look back behind them, his eyes sweeping right past the place where Luce was hiding. When the sky lit up with another round of golden-red explosions, Luschka screamed and buried her face in Daniel's chest. So Luce was the only one who saw his expression. Something was weighing on him. Something greater than fear of the bombs. Oh no. "Daniil!" A boy near the building was still holding open the door to the shelter. "Luschka! Daniil!" Everyone else was already inside. That was when Daniil spun Luschka around, pulled her ear close to his lips. In her shadowy hiding place, Luce ached to know what he was whispering. If he was saying any of the things Daniel ever told her when she was upset or overwhelmed. She wanted to run to them, to pull Luschka away-but she couldn't. Something deep inside her would not budge. She fixed on Luschka's expression as if her whole life depended on it. Maybe it did. Lsuchka nodded as Daniil spoke, and her face changed from terrified to calm, alost peaceful. She closed her eyes. She nodded one more time. Then she tipped back her head, and a smile spread slowly across her lips. A smile? But why? How? It was almost like she knew what was about to happen? Daniil held her in his arms and dipped her low. He leaned in for another kiss, pressing his lips firmly against hers, running his hands through her hair, then down her sides, across every inch of her. It was so passionate that Luce blushed, so intimate she couldn't breathe, so gorgeous that she couldn't tear her eyes away.Not for a second. Not even when Luschka screamed. And burst into a column of searing white flame.

The heart of rock will always remain a primal world of action. The music revives itself over and over again in that form, primitive rockabilly, punk, hard soul and early rap. Integrating the world of thought and reflection with the world of primitive action is *not* a necessary skill for making great rock 'n' roll. Many of the music's most glorious moments feel as though they were birthed in an explosion of raw talent and creative instinct (some of them even were!). But ... if you want to burn bright, hard *and* long, you will need to depend on more than your initial instincts. You will need to develop some craft and a creative intelligence that will lead you *farther* when things get dicey. That's what'll help you make crucial sense and powerful music as time passes, giving you the skills that may also keep you alive, creatively and physically. The failure of so many of rock's artists to outlive their expiration date of a few years, make more than a few great albums and avoid treading water, or worse, I felt was due to the misfit nature of those drawn to the profession. These were strong, addictive personalities, fired by compulsion, narcissism, license, passion and an inbred entitlement, all slammed over a world of fear, hunger and insecurity. That's a Molotov cocktail of confusion that can leave you unable to make, or resistant to making, the lead of consciousness a life in the field demands. After first contact knocks you on your ass, you'd better have a plan, for some preparedness and personal development will be required if you expect to hang around any longer than your fifteen minutes. Now, some guys' five minutes are worth other guys' fifty years, and while burning out in one brilliant supernova will send record sales through the roof, leave you living fast, dying young, leaving a beautiful corpse, there *is* something to be said for living. Personally, I like my gods old, grizzled and *here*. I'll take Dylan; the pirate raiding party of the Stones; the hope-I-get-very-old-before-I-die, present live power of the Who; a fat, still-mesmerizing-until-his-death Brando—they all suit me over the alternative. I would've liked to have seen that last Michael Jackson show, a seventy-year-old Elvis reinventing and relishing in his talents, where Jimi Hendrix might've next taken the electric guitar, Keith Moon, Janis Joplin, Kurt Cobain and all the others whose untimely deaths and lost talents stole something from the music I love, living on, enjoying the blessings of their gifts and their audience's regard. Aging is scary but fascinating, and great talent morphs in strange and often enlightening ways. Plus, to those you've received so much from, so much joy, knowledge and inspiration, you wish life, happiness and peace. These aren't easy to come by.

In scores of cities all over the United States, when the Communists were simultaneously meeting at their various headquarters on New Year’s Day of 1920, Mr. Palmer’s agents and police and voluntary aides fell upon them—fell upon everybody, in fact, who was in the hall, regardless of whether he was a Communist or not (how could one tell?)—and bundled them off to jail, with or without warrant. Every conceivable bit of evidence—literature, membership lists, books, papers, pictures on the wall, everything—was seized, with or without a search warrant. On this and succeeding nights other Communists and suspected Communists were seized in their homes. Over six thousand men were arrested in all, and thrust summarily behind the bars for days or weeks—often without any chance to learn what was the explicit charge against them. At least one American citizen, not a Communist, was jailed for days through some mistake—probably a confusion of names—and barely escaped deportation. In Detroit, over a hundred men were herded into a bull-pen measuring twenty-four by thirty feet and kept there for a week under conditions which the mayor of the city called intolerable. In Hartford, while the suspects were in jail the authorities took the further precaution of arresting and incarcerating all visitors who came to see them, a friendly call being regarded as prima facie evidence of affiliation with the Communist party. Ultimately a considerable proportion of the prisoners were released for want of sufficient evidence that they were Communists. Ultimately, too, it was divulged that in the whole country-wide raid upon these dangerous men—supposedly armed to the teeth—exactly three pistols were found, and no explosives at all. But at the time the newspapers were full of reports from Mr. Palmer’s office that new evidence of a gigantic plot against the safety of the country had been unearthed; and although the steel strike was failing, the coal strike was failing, and any danger of a socialist régime, to say nothing of a revolution, was daily fading, nevertheless to the great mass of the American people the Bolshevist bogey became more terrifying than ever. Mr. Palmer was in full cry. In public statements he was reminding the twenty million owners of Liberty bonds and the nine million farm-owners and the eleven million owners of savings accounts, that the Reds proposed to take away all they had. He was distributing boilerplate propaganda to the press, containing pictures of horrid-looking Bolsheviks with bristling beards, and asking if such as these should rule over America. Politicians were quoting the suggestion of Guy Empey that the proper implements for dealing with the Reds could be “found in any hardware store,” or proclaiming, “My motto for the Reds is S. O. S.—ship or shoot. I believe we should place them all on a ship of stone, with sails of lead, and that their first stopping-place should be hell.” College graduates were calling for the dismissal of professors suspected of radicalism; school-teachers were being made to sign oaths of allegiance; business men with unorthodox political or economic ideas were learning to hold their tongues if they wanted to hold their jobs. Hysteria had reached its height.

They did share a common bond; they were all after a piece of the American dream. It’s just that some guys were willing to go further than others to get there.

The best defense in fighting is an aggressive defense. Each defensive move must be accompanied by a counter-punch or be followed immediately by a counterpunch. And you cannot counter properly if you do not know how to punch. That does not mean that "a strong offense is the best defense." That overworked quotation may apply to other activities; but it does not apply to fighting. It does not apply when you're pitted against an experienced opponent. You may have the best attack in the world; but if you're an open target-if you're a "clay pigeon"-you'll likely get licked by the first experienced scrapper you tackle. YOU MUST HAVE A GOOD DEFENSE TO BE A WELL-ROUNDED FIGHTER. AND THE BEST DEFENSE IS AN AGGRESSIVE DEFENSE. Another reason for teaching punch first was this: You learned how to throw every important punch without having an opponent attempt to strike you. I'm convinced that it's wrong to try to teach beginners punching moves and defensive moves at the same time. Most humans cannot have two attitudes toward one subject at one time. And a beginner can't have two attitudes toward fighting. If you take any ten beginners and attempt to teach them punching and defense simultaneously, more than half of them will concentrate on defense instead of punching. That's a natural inclination, for it's only human that a fellow doesn't like to get hit in the face-or in the body either, for that matter. It follows that more than half the beginners will consider it more important to protect their own noses than to concentrate on learning how to belt the other guy in the nose. They'll develop "defense complexes" that will stick with them. Fellows with defense complexes rarely develop into good punchers. Even when they are shown how to hit correctly, they sprout bad punching habits while concentrating on blocking, parrying, back-pedaling and the like. They "pull" their punches; they side-step while trying to throw straight smashes; they move in with "clutching" fists that seek to encircle their opponents for clinches; and they do much showy but purposeless footwork. The little thought-ditch that is dug in the beginning will become the big channel for later fistic reactions. You're lucky. You're starting with the mental accent on punch. And it's a 100-to-1 shot that your attitude will not change. It's true that you haven't punched yet at a live target-at another fellow. Don't worry; there's plenty of time for that. And when you do start tossing at a live target, you'll know exactly how to toss. That exact knowledge will help you to become accurate and precise, as well as explosive, against a moving target.

The good news was that the smoke, whatever its source, was not getting closer to us. The bad news was that it was moving towards Oban. We wasted no time rowing across the loch. The group we’d already sent over remained visible and clearly busy, though doing what was anybody’s guess from our vantage point in the birlinn. It was getting on past noon, and I hated the idea of leaving the birlinn behind. Crafting it had been a singularly powerful experience, one that I wasn’t sure was repeatable. The birlinn we’d made was unique. In the end, though, it was a boat. It wasn’t alive like the three hundred people we were trying to keep breathing. Not to mention the thousands in Oban who could die. I’d planned to take one of the oars to give a rower a break, but I must have looked haggard. When I’d gone to offer, the bloke with the oar had taken one look at me and said, “Naw, mate.” Sitting on a thwart next to Eilidh, I fervently wished for something to distract me from the radiating warmth on my left. Rowing would at least give me something to do that wasn’t thinking about that heat or second guessing all the decisions we’d made in the past few days. We could have taken the strongest of us and returned to Oban, leaving the other three hundred to take the slower route around the loch. Sure, that was a possibility. But if we’d done that, we’d have left them vulnerable, including the children. That wasn’t acceptable to me or to anyone else. Oban had the advantage of numbers and at least some preparation at this point; the people with us did not. There were any number of things we could be questioning, but if we sat here picking apart the instincts we’d followed, all we’d do was pick up an ulcer. We were still alive. That was all that mattered. I tuned back in to the birlinn to hear a couple of the rowers talking, both of them darting glances at me and Eilidh in the process. “. . . wrecked all of Sackington’s guns and stole his grenades,” one of them said, not really trying to be quiet. Eilidh zeroed in on him like a bloodhound catching a whiff of the quarry. “Yes. We did.” “Erm, he wasn’t saying it was a bad thing!” one of the rowers blurted out. “Yes, I was! We could have used those instead of hitting things with sticks, for fuck’s sake,” the other one said. “No offense.” “Mate, they don’t even work anymore,” I said, and when I could almost see his thoughts pivot to but there’s magic now, I sighed. “We happened to be present when someone figured out how to use their magic to fire a rifle at one of Bawbag’s simulacra. Not only did the bullet literally bounce right back, but it killed his daughter when it ricocheted, and his next shot was dead on. Can you guess what happened then?” “He died,” said the guy who had tried to reassure me they weren’t questioning that decision. He had sandy brown hair that was a mess of waves half stuck to his head with sweat from the exertion, and his muscles were bulging out of his shirt—guess he was getting those Strength increases. “Did he die?” the other bloke asked. “Aye, he might as well have just shot himself in the heart. Even swords bounced right off that damn thing—piercing it with the point seems to be the only thing even marginally successful, and that might be imbuing it with Purifire more than the actual poke.” “I know how to shoot a gun,” Eilidh said bluntly. “And amateurs with firearms tend to hurt much more than they help, let alone in a state of active combat. This isn’t the fucking Wild West.” She sounded Done with a capital D, and I didn’t blame her. To his credit, the bloke seemed to mull that over for a bit before nodding as if ceding the point. Whatever the Ascended Alliance knew about friendly fire of an arcane nature, that did not extend to human-made explosives. If

Our incomplete knowledge of physical reality enriches our human experiences by maintaining its novelty, its unanticipated outcomes, its newness. It allows us each to live our lives as a great adventure. What sense of satisfaction would a scientist derive from inquiry if the laws of physics were all clearly revealed as part of the act of creation. What joy would there be in searching for buried treasure if you knew all along where you hid it? It’s the mystery that underwrites the joy of discovery.” —Bernard Haisch, The God Theory “If you were God, could you possibly dream up any more educational, contrasted, thrilling, beautiful, tantalizing world than Earth? If you think you could, do you imagine you would be outdoing Earth if you designed a world free of germs, diseases, poisons, pains, malice, explosives, and conflicts so its people could relax and enjoy it? Would you, in other words, try to make the world nice and safe—or would you let it be provocative, dangerous, and exciting?” —Guy Murchie, The Seven Mysteries of Life: An Exploration of Science and Philosophy “The origin of the universe is the exact opposite of random. Our lives are the exact opposite of pointless. It is not matter that creates an illusion of consciousness, but consciousness that creates an illusion of matter. —Bernard Haisch, The God Theory

In a perfect world, the child would respond with something like “See, guys, I have a little problem. Actually, it’s a pretty big problem. I’m not very good at being flexible, handling frustration, and solving problems. And you—and lots of other people—expect me to handle changes in plans and things not going the way I thought they would with great ease. When you expect these things, I start to get frustrated, and then I have trouble thinking clearly, and then I get even more frustrated. Then you guys get frustrated, and that just makes it worse. Then I start doing things I wish I didn’t do and saying things I wish I didn’t say. Then you sometimes do things you wish you didn’t do and say things you wish you didn’t say. Then you punish me, and it gets really messy. After the dust settles—you know, when I start thinking clearly again—I end up being really sorry for the things I did and said. I know this isn’t fun for you, but rest assured, I’m not having any fun either.

The American author Guy Murchie had another interesting perspective on the subject. And I quote: ‘If you were God, could you possibly dream up any more educational, contrasted, thrilling, beautiful, tantalizing world than Earth? If you think you could, do you imagine you would be outdoing Earth if you designed a world free of germs, diseases, poisons, pain, malice, explosives, and conflict—so its people could relax and enjoy it? Would you, in other words, try to make the world nice and safe? Or would you let it be provocative, dangerous, and exciting?

Because I can show you what the other guys missed and you know that," Sadie said. "And I figure that you're a hero, Gage, and there's a killer still out there. That's a ticking time bomb waiting to go off and I'm at the center of that explosion once he learns I survived. Now what are you going to do about it?

In that moment Paulette stepped outside anything that had ever hurt her before. Harve needed her more than she needed herself. But she had nothing to say. Nothing to offer him. She came up empty. “I may not have shot any of those babies in safety seats, but I took out my share o’ guys in a country I started thinking we had no right bein’ in. I could tell myself they’d signed up for it, knowing they might not go home, but that just didn’t cut it after a while.” … … “Oh, they were scumbags, alright. Other guys in my unit’d be ready to just level the kids too, cause they were getting in our way, but I said, Wait. Let me try goin’ in first. Let me come at ’em from the rear. “Other times I just lost myself in the righteous glory of cluster bombing the hell outa those bastards. “And for that one moment, in all the cheering and explosions it’s like all was right with the world. It was John Phillip Sousa at Disneyland. “But then you wake up a little. You just snuffed out future generations. Maybe bad guys can have good kids if you let ’em. We’ll never know now.” He was coming close to crying. “And then you see all those pieces; kid parts lying everywhere. “And their little faces. “If they even still had faces. “Once you finish throwing up, and then toss back a few at camp pub, your next job is to find something inside you that you can bury that under. “And then … what? Just go on living?” - From “The Gardens of Ailana

We were on the way to Baghdad when our Hummer was hit by a buried IED. The improvised explosive blew up just behind us; everybody in the vehicles freaked- except me and another guy who'd been at Fallujah since the start of the assault. We looked at each other, winked, then closed our eyes and went back to sleep. Compared to the month's worth of explosions and shit we'd just lived through, this was nothing.

or he’s so good at acting he has us thinking that.” Marcel smiled back at him. “I like you, Thaddeus. We think a lot alike. Okay, what else we got?” “Uh-oh, jumping down here, look at this. Guy named Angelo Andrus. He’s FBI counter-intelligence. Why in the world would they have counter-intelligence listed as a witness, I wonder?” “That’s strange,” Turquoise pointed out. “That’s the same name Juan gave us a couple of days ago.” “In what context?” Thaddeus asked. Turquoise shrugged. “Basically, Juan said the word on the street is that he’s the key to this whole thing. If we start with him, we’ll find our answers.” “Counter-intelligence could be any number of things,” Marcel said. “In the context of the FBI investigation into Johann Van Giersbergen and the bomb explosion, it might be they’re looking into the possibility one of their agents was a double agent, or it could be as simple as Andrus was in charge of the terrorist investigation, the team the US sent here at the time.” “Are you saying they might be looking into an FBI agent who’s gone over to the other side? Say, he’s working with the Russians?” Thaddeus asked. “Yes, or the Chinese or the Iranians. It’s been known to happen.” Thaddeus moved the mouse and scrolled back up to the top of the witness list. “Let’s see who else we’ve got besides Angelo Andrus and see whether we can derive more context about him. Under federal law and the rules

The engineers wanted us to be able to blow the booby traps we found so others wouldn’t get killed. Some guys really got off working with explosives. I mean, their eyes lit up, and they got all happy. It did weird things to people. It was interesting as hell to me, but I knew how dangerous that shit was.

The building was a sniper’s heaven; it was long with dozens of windows and many points of view. Three floors. Someone had put cardboard in each of the panes, dozens of cardboard boxes, making it almost impossible to see inside. The marines kept firing, thousands and thousands of rounds. The barrels of their machine guns glowed and sagged. “Get me another barrel,” one of the kids said. More firing commenced. “I don’t know who he is, but he is very well trained,” said Lieutenant Steven Berch, another one of the platoon leaders. Omohundro was downstairs. He listened to the commotion and called in an airstrike. “Just blow the building to shit,” he said. First a 2,000 -pound bomb, then a 500 -pounder flew into the building and burst. A cloud unfolded upward and revealed a gigantic fire. It rose through the ruined ceiling. Part of a wall collapsed. Crack! Crack! Crack! The marines ducked, cursed loudly and returned fire. No one spotted the sniper this time. The sniper fired back. The marines responded with another blast of gunfire, many thousands of rounds. I stood with some guys at the back of the roof, behind a shed. A blue and green parakeet fluttered out of the sky and hovered in tight circles. Bullets flew past. The parakeet landed on a slumping power line. The marines stared in amazement. “Someone’s pet?” a marine said. I ran across the top of the roof and the sniper took a shot. Crack! The bullet whizzed by. An artillery barrage began. First came the 155 mm shells, each filled with fifty pounds of high explosives. One after the other the shells sailed into the building. Fire swept through the three floors. What was left of the ceiling collapsed in the smoke. Cardboard sailed out of shattered windows. Twenty shells, then thirty, each one large enough to end the world. The shelling ceased and the shooting stopped. The building burned. Remarkably it still had a frame, and parts of its three floors still stood. Suddenly a sound rustled from a storefront on the first floor. The marines tensed. A cat sauntered out, dirty yellow, tail in the air. It walked like a runway model in front of a construction site. “Can I shoot it, sir?” a marine asked his squad leader. “Absolutely not,” came the reply. Crack!

I reached for the doorknob just as the doorbell sounded for the second time that afternoon. “What is this?” I said. “Grand Central Station?” I pulled the door open. Mark London was standing on the porch. At the sight of Alex, his face shuttered. “Sorry,” he said. “Bad timing.” “Nope,” Alex said cheerfully. He stepped around me, then past Mark, and moved to the edge of the porch. “Try not to be stupid, London. If I hear you’ve hurt her, I may feel compelled to do something macho like break both your arms. I’m a jock. We can do things like that, you know.” Then he sauntered down the porch and out into the rain. “So,” Mark said after a moment. “You guys kiss and make up or something?” “You are an idiot,” I said. “You know perfectly well he and Elaine are crazy for each other. He’s probably heading next door right now. If the only reason you’re here is to be a pain, you’d better watch out because I’m planning to slam the door in your face.” “Don’t,” Mark said suddenly. “Don’t make me go away, Jo.” I felt the breath back up in my lungs. “Just tell me what you want, London.” “To see you, for one thing,” Mark said explosively. “You’ve been avoiding me for weeks.” “I’ve been avoiding you!” I all but shouted. “Who stopped talking to me as soon as his award-winning articles came out? What happened? You got what you wanted so you didn’t need me anymore?” “I can’t believe you’d think that,” Mark said. “What am I supposed to think?” I said. “I don’t even know you!” “Stop,” Mark said suddenly. “Just stop.” With one quick motion he reached out and pulled me onto the porch and into his arms. “I didn’t come to fight. God, you feel good.” “I am not a pushover,” I mumbled against his chest. I felt, as well as heard, the rumble of his laughter. “No, I know you’re not.” He eased back, taking my face between his hands, running one thumb along my right cheekbone. “I know we don’t know each other very well,” he said. “That’s going to change, beginning now. I want to spend as much time with you as possible.” “What about what I want?” He kissed me then. Long and deep and slow. I felt my heart roll over inside my chest, then settle down to beat in time to his. “What do you want?” Mark said when the kiss was over. “I don’t know,” I confessed. If ever there was a moment for absolute truth, I figured now was the time. “Not altogether. But I’m pretty sure you’re a part of it.” His lips twitched, with suppressed laughter or irritation, I couldn’t quite tell. “When do you think you’ll know for sure?” “Are we going to stand here and play twenty questions all day? How the heck should I know?” He laughed then, the sound unlike anything I’d ever heard from him before. Open and joyous. “I think I’m going to enjoy the next few months,” he said. I smiled. “Just so long as you don’t mind a few surprises.

Route 206 has only two lanes, which makes no sense in this over populated state, but presumably someone in power believes that restricting the road to only two lanes forestalls the advent of a further population explosion. Presumably these same people have not realized that a two-lane system clogs cars, frustrates drivers, and imperils a family of three (Mom, Dad, Ben) driving to a dinner deep in Southern New Jersey. These same people have not seen any logic to expanding a roadway so that a bleary, sweaty, fleshy man, vodka steaming from his pores, angry at the Range Rover sputtering in front of him, angry that the man with the ponytail driving the Range Rover has a Range Rover, angry at himself for not picking up Willy, his eleven-year-old son, from his mother's today because he went to the bar Fredo's instead, angry angry angry - so fuck it, fuck it all, he thought, I'm going to fucking pass this fucking asswipe Range Rover asshole, I don't care who's coming down the other side, I don't care if the President and his fucking Secret Service guys are barreling down this shitty road, fuck it all, I have the bigger car, I don't need a Range Rover, I have this, my TRUCK, my beautiful big motherfucking TRUCK, and goddamn it, what was up with the blond at the bar?