Socks Lover Quotes

We've searched our database for all the quotes and captions related to Socks Lover. Here they are! All 38 of them:

I wanted to run after him, but remembered that it is ridiculous to run after one's wife's lover in one's socks; and I did not wish to be ridiculous but terrible.
Leo Tolstoy (The Kreutzer Sonata)
Wanted, wanted: Dolores Haze. Hair: brown. Lips: scarlet. Age: five thousand three hundred days. Profession: none, or "starlet" Where are you hiding, Dolores Haze? Why are you hiding, darling? (I Talk in a daze, I walk in a maze I cannot get out, said the starling). Where are you riding, Dolores Haze? What make is the magic carpet? Is a Cream Cougar the present craze? And where are you parked, my car pet? Who is your hero, Dolores Haze? Still one of those blue-capped star-men? Oh the balmy days and the palmy bays, And the cars, and the bars, my Carmen! Oh Dolores, that juke-box hurts! Are you still dancin', darlin'? (Both in worn levis, both in torn T-shirts, And I, in my corner, snarlin'). Happy, happy is gnarled McFate Touring the States with a child wife, Plowing his Molly in every State Among the protected wild life. My Dolly, my folly! Her eyes were vair, And never closed when I kissed her. Know an old perfume called Soliel Vert? Are you from Paris, mister? L'autre soir un air froid d'opera m'alita; Son fele -- bien fol est qui s'y fie! Il neige, le decor s'ecroule, Lolita! Lolita, qu'ai-je fait de ta vie? Dying, dying, Lolita Haze, Of hate and remorse, I'm dying. And again my hairy fist I raise, And again I hear you crying. Officer, officer, there they go-- In the rain, where that lighted store is! And her socks are white, and I love her so, And her name is Haze, Dolores. Officer, officer, there they are-- Dolores Haze and her lover! Whip out your gun and follow that car. Now tumble out and take cover. Wanted, wanted: Dolores Haze. Her dream-gray gaze never flinches. Ninety pounds is all she weighs With a height of sixty inches. My car is limping, Dolores Haze, And the last long lap is the hardest, And I shall be dumped where the weed decays, And the rest is rust and stardust.
Vladimir Nabokov (Lolita)
Yeah, you lose this attitude, I can help you work that hurt out.” Who was this man? He held onto his tragedy for seventeen fucking years, how could he stand there and tell me he could help me work through mine? “Really, Joe? Like you helped me work out my grief at losing Tim?” I asked sarcastically. “That’s not what I was offerin’, buddy, but you want it like that I’ll give it to you.” “You’re unbelievable,” I snapped. “I’m yours.” That socked me in the gut too, so hard it winded me and all I could do was stare up at him. Taking advantage, his face dipped close and his hands curled around both sides of my head. “First fuckin’ time you smiled at me in my bed, that’s when it happened,” he murmured.
Kristen Ashley (At Peace (The 'Burg, #2))
You're a freak. But I really can't accept these-' Were you raised in a barn? Don't be ruuuuuude, my boy. They're a gift.' Blay shook his head. 'Take them, John. You're just going to lose this argument, and it will save us from the theatrics.' Theatrics?' Qhuinn leaped up and assumed a Roman oratory pose. 'Whither thou knowest thy ass from thy elbow, young scribe?' Blay blushed. 'Come on-' Qhuinn threw himself at Blay, grasping onto the guy's shoulders and hanging his full weight off him. 'Hold me. Your insult has left me breathless. I'm agasp.' Blay grunted and scrambled to keep Qhuinn up off the floor. 'That's agape.' Agasp sounds better.' Blay was trying not to smile, trying not to be delighted, but his eyes were sparkling like sapphires and his cheeks were getting red. With a silent laugh, John sat on one of the locker room benches, shook out his pair of white socks, and pulled them on under his new old jeans. 'You sure, Qhuinn? 'Cause I have a feeling they're going to fit and you might change your mind. Qhuinn abruptly lifted himself off Blay and straightened his clothes with a sharp tug. 'And now you offend my honor.' Facing off at John, he flipped into a fencing stance. Touché.' Blay laughed. 'That's en garde, you damn fool.' Qhuinn shot a look over his shoulder. 'ça va, Brutus?' Et tu?' That would be tutu, I believe, and you can keep the cross-dressing to yourself, ya perv.' Qhuinn flashed a brilliant smile, all twelve kinds of proud for being such an ass. 'Now, put the fuckers on, John, and let's be done with this. Before we have to put Blay in an iron lung.' Try sanitarium.' No, thanks, I had a big lunch.
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
He saw it for the first time: on the day he died he would be wearing unmatching socks, there would be unanswered e-mails, and in the hovel he called home there would still be shirts missing cuff buttons, a malfunctioning light in the hall, and unpaid bills, uncleared attics, dead flies, friends waiting for a reply and lovers he had not owned up to.
Ian McEwan (Solar)
Okay, my man, in a minute you are gonna hear a bunch of shit that’s gonna knock your socks off. So, two seconds to prepare, Ivey is my best friend, outside you my only real one, as you know. What you don’t know, she is not my lover. She’s my friend. And I’m gay. You tell anyone, I’ll shoot you and you know I’m not fucking with you about that. Deal with it. We gotta move on, like, now.
Kristen Ashley (Play It Safe)
Lovers are fun, but kind of stupid, too. They say stupid things to each other and they ignore all their friends because they’re too busy staring, and they get jealous, and they have fights over dumb shit like who did the dishes last or why they can’t fold their fucking socks, and maybe the sex gets bad, or maybe they stop finding each other interesting, and then somebody bangs someone else, and everyone cries, and they see each other years later, and that person you once shared everything with is a total stranger you don’t even want to be around because it’s awkward.
Becky Chambers (The Long Way to a Small, Angry Planet (Wayfarers, #1))
And there’s nothing better than brothers. Friends are great, but they come and go. Lovers are fun, but kind of stupid, too. They say stupid things to each other and they ignore all their friends because they’re too busy staring, and they get jealous, and they have fights over dumb shit like who did the dishes last or why they can’t fold their fucking socks, and maybe the sex gets bad, or maybe they stop finding each other interesting, and then somebody bangs someone else, and everyone cries, and they see each other years later, and that person you once shared everything with is a total stranger you don’t even want to be around because it’s awkward. But brothers. Brothers never go away. That’s for life. And I know married folks are supposed to be for life, too, but they’re not always. Brothers you can’t get rid of. They get who you are, and what you like, and they don’t care who you sleep with or what mistakes you make, because brothers aren’t mixed up in that part of your life. They see you at your worst, and they don’t care. And even when you fight, it doesn’t matter so much, because they still have to say hi to you on your birthday, and by then, everybody’s forgotten about it, and you have cake together.” She nodded. “So as much as I love my present, and as nice as it is to get a thank you, I don’t need either of ’em. Nothing’s too much to ask when it comes to brothers.
Becky Chambers (The Long Way to a Small, Angry Planet (Wayfarers, #1))
Happiness There's just no accounting for happiness, or the way it turns up like a prodigal who comes back to the dust at your feet having squandered a fortune far away. And how can you not forgive? You make a feast in honor of what was lost, and take from its place the finest garment, which you saved for an occasion you could not imagine, and you weep night and day to know that you were not abandoned, that happiness saved its most extreme form for you alone. No, happiness is the uncle you never knew about, who flies a single-engine plane onto the grassy landing strip, hitchhikes into town, and inquires at every door until he finds you asleep midafternoon as you so often are during the unmerciful hours of your despair. It comes to the monk in his cell. It comes to the woman sweeping the street with a birch broom, to the child whose mother has passed out from drink. It comes to the lover, to the dog chewing a sock, to the pusher, to the basket maker, and to the clerk stacking cans of carrots in the night. It even comes to the boulder in the perpetual shade of pine barrens, to rain falling on the open sea, to the wineglass, weary of holding wine.
Jane Kenyon
My shoes are made of Spanish leather, My socks are made of silk; I wear a ring on every finger, I wash myself in milk.
D.H. Lawrence (Sons and Lovers)
She has had two lovers. The first was a visiting scientist who never returned, and the second was a Canadian named John who scattered things—ties, coins, socks, breath mints—around any room he entered.
Anthony Doerr (All the Light We Cannot See)
Welcome to the real world of marriage, where hairs are always on the sink and little white spots cover the mirror, where arguments center on which way the toilet paper comes off and whether the lid should be up or down. It is a world where shoes do not walk to the closet and drawers do not close themselves, where coats do not like hangers and socks go AWOL during laundry. In this world, a look can hurt and a word can crush. Intimate lovers can become enemies, and marriage a battlefield.
Gary Chapman (The Five Love Languages: The Secret to Love that Lasts)
They are beautiful, heart-rendingly beautiful, those wilds, with a quality of wide-eyed, unsung, innocent surrender that my lacquered, toy-bright Swiss villages and exhaustively lauded Alps no longer possess. Innumerable lovers have clipped and kissed on the trim turf of old-world mountainsides, on the innerspring moss, by a handy, hygienic rill, on rustic benches under the initialed oaks, and in so many cabanes in so so many beech forests. But in the Wilds of America the open-air lover will not find it easy to indulge in the most ancient of all crimes and pastimes. Poisonous plants burn his sweetheart's buttocks, nameless insects sting his; sharp items of the forest floor prick his knees, insects hers; and all around there abides a sustained rustle of potential snakes--que dis-je,of semi-extinct dragons!--while the crablike seeds of ferocious flowers cling, in a hideous green crust, to gartered black sock and sloppy white sock alike.
Vladimir Nabokov (Lolita)
This is your life. This is yours. You can establish an exact inventory of your meager fortune, the precise balance sheet of your first quarter-century. You are twenty-five years old, you have twenty-nine teeth, three shirts and eight socks, a few books you no longer read, a few records you no longer play. You do not want to remember anything else, be it your family or your studies, your friends and lovers, or your holidays and plans. You traveled and you brought nothing back from your travels. Here you sit, and you want only to wait, just to wait until there is nothing left to wait for: for night to fall and the passing hours to chime, for the days to slip away and the memories to fade.
Georges Perec (Un homme qui dort)
The Loneliness of the Military Historian Confess: it's my profession that alarms you. This is why few people ask me to dinner, though Lord knows I don't go out of my way to be scary. I wear dresses of sensible cut and unalarming shades of beige, I smell of lavender and go to the hairdresser's: no prophetess mane of mine, complete with snakes, will frighten the youngsters. If I roll my eyes and mutter, if I clutch at my heart and scream in horror like a third-rate actress chewing up a mad scene, I do it in private and nobody sees but the bathroom mirror. In general I might agree with you: women should not contemplate war, should not weigh tactics impartially, or evade the word enemy, or view both sides and denounce nothing. Women should march for peace, or hand out white feathers to arouse bravery, spit themselves on bayonets to protect their babies, whose skulls will be split anyway, or,having been raped repeatedly, hang themselves with their own hair. There are the functions that inspire general comfort. That, and the knitting of socks for the troops and a sort of moral cheerleading. Also: mourning the dead. Sons,lovers and so forth. All the killed children. Instead of this, I tell what I hope will pass as truth. A blunt thing, not lovely. The truth is seldom welcome, especially at dinner, though I am good at what I do. My trade is courage and atrocities. I look at them and do not condemn. I write things down the way they happened, as near as can be remembered. I don't ask why, because it is mostly the same. Wars happen because the ones who start them think they can win. In my dreams there is glamour. The Vikings leave their fields each year for a few months of killing and plunder, much as the boys go hunting. In real life they were farmers. The come back loaded with splendour. The Arabs ride against Crusaders with scimitars that could sever silk in the air. A swift cut to the horse's neck and a hunk of armour crashes down like a tower. Fire against metal. A poet might say: romance against banality. When awake, I know better. Despite the propaganda, there are no monsters, or none that could be finally buried. Finish one off, and circumstances and the radio create another. Believe me: whole armies have prayed fervently to God all night and meant it, and been slaughtered anyway. Brutality wins frequently, and large outcomes have turned on the invention of a mechanical device, viz. radar. True, valour sometimes counts for something, as at Thermopylae. Sometimes being right - though ultimate virtue, by agreed tradition, is decided by the winner. Sometimes men throw themselves on grenades and burst like paper bags of guts to save their comrades. I can admire that. But rats and cholera have won many wars. Those, and potatoes, or the absence of them. It's no use pinning all those medals across the chests of the dead. Impressive, but I know too much. Grand exploits merely depress me. In the interests of research I have walked on many battlefields that once were liquid with pulped men's bodies and spangled with exploded shells and splayed bone. All of them have been green again by the time I got there. Each has inspired a few good quotes in its day. Sad marble angels brood like hens over the grassy nests where nothing hatches. (The angels could just as well be described as vulgar or pitiless, depending on camera angle.) The word glory figures a lot on gateways. Of course I pick a flower or two from each, and press it in the hotel Bible for a souvenir. I'm just as human as you. But it's no use asking me for a final statement. As I say, I deal in tactics. Also statistics: for every year of peace there have been four hundred years of war.
Margaret Atwood (Morning In The Burned House: Poems)
When a woman is leaving her man, when a woman finally decides her departure, Does she still need to water the plants everyday? Does she still need to wash his shirts, socks and jeans? Check all his pockets before washing them? Does she still need to cook food every evening before he comes back? Or just leave everything uncooked in the fridge? Like those days when he was a bachelor? Does she still need to wash the dishes, and sweep the floor? Does she still kiss him? When he comes back through the evening door? Does she still want to make love with hi,? Does she, or will she cry, when she feels her body needs somebody to cover it and warm it, but not this one, the one lies beside hers? Does she, or will she say, I am leaving you, on a particular day? Or at a particular time? Or in a particular moment? Does she, or will she hire a car or a taxi, to take all her things before he understands what is happening? Does she, or will she cry, cry loudly, when she starts leading her lead to a new life, a life without anybody waiting for her and without anybody lighting a fire for her?
Xiaolu Guo (A Concise Chinese-English Dictionary for Lovers)
Friends are great, but they come and go. Lovers are fun, but kind of stupid, too. They say stupid things to each other and they ignore all their friends because they’re too busy staring, and they get jealous, and they have fights over dumb shit like who did the dishes last or why they can’t fold their fucking socks, and maybe the sex gets bad, or maybe they stop finding each other interesting, and then somebody bangs someone else, and everyone cries, and they see each other years later, and that person you once shared everything with is a total stranger you don’t even want to be around because it’s awkward. But brothers. Brothers never go away. That’s for life. And I know married folks are supposed to be for life, too, but they’re not always. Brothers you can’t get rid of. They get who you are, and what you like, and they don’t care who you sleep with or what mistakes you make, because brothers aren’t mixed up in that part of your life. They see you at your worst, and they don’t care. And even when you fight, it doesn’t matter so much, because they still have to say hi to you on your birthday, and by then, everybody’s forgotten about it, and you have cake together.
Becky Chambers (The Long Way to a Small, Angry Planet (Wayfarers, #1))
The Heat of Autumn" The heat of autumn is different from the heat of summer. One ripens apples, the other turns them to cider. One is a dock you walk out on, the other the spine of a thin swimming horse and the river each day a full measure colder. A man with cancer leaves his wife for his lover. Before he goes she straightens his belts in the closet, rearranges the socks and sweaters inside the dresser by color. That’s autumn heat: her hand placing silver buckles with silver, gold buckles with gold, setting each on the hook it belongs on in a closet soon to be empty, and calling it pleasure.
Jane Hirshfield (After)
He had always assumed that a time would come in adulthood, a kind of plateau, when he would have learned all the tricks of managing, of simply being. All mail and e-mails answered, all papers in order, books alphabetically on the shelves, clothes and shoes in good repair in the wardrobes, and all his stuff where he could find it, with the past, including its letters and photographs, sorted into boxes and files, the private life settled and serene, accommodation and finances likewise. In all these years this settlement, the calm plateau, had never appeared, and yet he had continued to assume, without reflecting on the matter, that it was just around the next turn, when he would exert himself and reach it, that moment when his life became clear and his mind free, when his grown-up existence could properly begin. But not long after Catriona's birth, about the time he met Darlene, he thought he saw it for the first time: on the day he died he would be wearing unmatching socks, there would be unanswered e-mails, and in the hovel he called home there would still be shirts missing cuff buttons, a malfunctioning light in the hall, and unpaid bills, uncleared attics, dead flies, friends waiting for a reply, and lovers he had not owned up to. Oblivion, the last word in organization, would be his only consolation.
Ian McEwan (Solar)
Blake took off his jacket and blanketed her undergarments on the ground. He unbuttoned his shirt with the carelessness of a man standing in front of his dresser. His hands never hitched. Livia wanted to cheer as he revealed his chest to the sun. But Blake had other plans. He put his chest against hers, and his sun-drenched hands ran from her shoulders to her lower back, pulling her to him with a hard jerk. He was a gentleman, but not necessarily a gentle lover. Their hearts beat as if they were trying to touch from the inside out. Blake ghost-kissed Livia, not quite letting their lips touch. She felt his hot mint breath on her cheek. Blake reached for his pants, and Livia longed to release the button for him, but he needed to do this. He removed his pants and boxer briefs in one swift motion. He kicked off his socks and shoes. All that remained was the mask. Blake and Livia stood apart for a moment before he gathered her again in his arms. With no more material between their bodies, he touched every part of her. He spun her so her back pressed against his chest and he could warm her breasts with his hands. “I always wanted to know if your lips were the same color as your nipples. But they’re not. I think the sun has faded your lips just a bit.” Blake’s liquid silk voice tickled her neck. Livia could feel the scratch of the ski mask. She remembered that the first time she’d heard his voice it was just like this, from behind her. She begged her hands not to remove his mask. They were having a hard time listening. She squirmed until she and Blake were chest to chest again. She kissed his shoulder instead of his mouth. Blake was glorious naked. Powerful.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
I imagine you not telling me to whisper. I imagine you not saying oh don't say this literally. You want me to evoke as opposed to mere describing. You want me to be an invisible scribe that an octoepoose was hiding. I'm not sure if my facial features are an autograph that your Picasso smile is signing. Infamous for the mirror I shook when my sock puppets were pining? I am not just a fish that you gave wings to! I don't simply flop in the air whenever you brush some mannequinn's hair. There is a reason for the bad timing. Exquisite imbalances. A child enjoying the pink sky. I won't say that is my clue! Playing The Beatles on a kazoo is beautiful oooh ooooh Your laughter is a woman with alot of eyeballs on her stomach that pretends that she doesn't see the colors of all them songs. In the pre dawn hours we dance with delusions and illusions. The eternal seamstress does not care for Frakenstein's dress(she still loves our unique caress ) She loves and laughs despite some so-called scientist. Where is that emperor and his nakedness! Darling, our atoms need never split. We compliment in so many ways that all our night's and days have become one swirling sunrise/sunset that only true lovers can scoff at(those who shhhhh) The flower is not passive or apologetic. It blooms through the fractured net. Floating magnetic(eep eeep) You are not just some seductress. You are the leader of an elite group of intergalactic seductress impersonators who reveal corruption but then choose to love. We embrace conclusions that make the puddle heart awake with ethereal drum beat gongs. You think of a heroic poodle in the dark. We both know that the trapeze artist that followed us was not a cliche. He smelled differently. He had never met a floating lady that showed him how to appreciate a symphony without taking away his love for a good rock n roll melody. I am not sure I can only whisper of such realities. I am not sure I can only whisper of such realities.-
Junipurr- Sometimes Trudy
I always had trouble with the feet of Jón the First, or Pre-Jón, as I called him later. He would frequently put them in front of me in the evening and tell me to take off his socks and rub his toes, soles, heels and calves. It was quite impossible for me to love these Icelandic men's feet that were shaped like birch stumps, hard and chunky, and screaming white as the wood when the bark is stripped from it. Yes, and as cold and damp, too. The toes had horny nails that resembled dead buds in a frosty spring. Nor can I forget the smell, for malodorous feet were very common in the post-war years when men wore nylon socks and practically slept in their shoes. How was it possible to love these Icelandic men? Who belched at the meal table and farted constantly. After four Icelandic husbands and a whole load of casual lovers I had become a vrai connaisseur of flatulence, could describe its species and varieties in the way that a wine-taster knows his wines. The howling backfire, the load, the gas bomb and the Luftwaffe were names I used most. The coffee belch and the silencer were also well-known quantities, but the worst were the date farts, a speciality of Bæring of Westfjord. Icelandic men don’t know how to behave: they never have and never will, but they are generally good fun. At least, Icelandic women think so. They seem to come with this inner emergency box, filled with humour and irony, which they always carry around with them and can open for useful items if things get too rough, and it must be a hereditary gift of the generations. Anyone who loses their way in the mountains and gets snowed in or spends the whole weekend stuck in a lift can always open this special Icelandic emergency box and get out of the situation with a good story. After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal. I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines. Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of
Hallgrímur Helgason
I keep my socks in a filing cabinet, if that tells you what kind of lover I am.
Jarod Kintz (Love quotes for the ages. Specifically ages 18-81.)
Old lovers are like socks. They always show up full of static cling and missing their mate.
Paula Wall (If I Were a Man, I'd Marry Me)
there’s nothing better than brothers. Friends are great, but they come and go. Lovers are fun, but kind of stupid, too. They say stupid things to each other and they ignore all their friends because they’re too busy staring, and they get jealous, and they have fights over dumb shit like who did the dishes last or why they can’t fold their fucking socks, and maybe the sex gets bad, or maybe they stop finding each other interesting, and then somebody bangs someone else, and everyone cries, and they see each other years later, and that person you once shared everything with is a total stranger you don’t even want to be around because it’s awkward. But brothers. Brothers never go away. That’s for life. And I know married folks are supposed to be for life, too, but they’re not always. Brothers you can’t get rid of. They get who you are, and what you like, and they don’t care who you sleep with or what mistakes you make, because brothers aren’t mixed up in that part of your life. They see you at your worst, and they don’t care. And even when you fight, it doesn’t matter so much, because they still have to say hi to you on your birthday, and by then, everybody’s forgotten about it, and you have cake together.
Becky Chambers (The Long Way to a Small, Angry Planet (Wayfarers, #1))
Sorting Laundry" Folding clothes, I think of folding you into my life. Our king-sized sheets like tablecloths for the banquets of giants, pillowcases, despite so many washings, seems still holding our dreams. Towels patterned orange and green, flowered pink and lavender, gaudy, bought on sale, reserved, we said, for the beach, refusing, even after years, to bleach into respectability. So many shirts and skirts and pants recycling week after week, head over heels recapitulating themselves. All those wrinkles To be smoothed, or else ignored; they're in style. Myriad uncoupled socks which went paired into the foam like those creatures in the ark. And what's shrunk is tough to discard even for Goodwill. In pockets, surprises: forgotten matches, lost screws clinking the drain; well-washed dollars, legal tender for all debts public and private, intact despite agitation; and, gleaming in the maelstrom, one bright dime, broken necklace of good gold you brought from Kuwait, the strangely tailored shirt left by a former lover… If you were to leave me, if I were to fold only my own clothes, the convexes and concaves of my blouses, panties, stockings, bras turned upon themselves, a mountain of unsorted wash could not fill the empty side of the bed.
Elisavietta Ritchie
I might be a fan of Audubon, I suppose." "Ah, birds. I can tell a lot about a person by the type of art they're drawn to. You say Audubon, and I think of someone with a meticulous eye for detail. But that's an easy assumption, isn't it? Not the sort of thing that impresses someone like you much." "Like me?" "Uh-huh. Skeptic." He studied her intently, and she was surprised to find herself unaffected, buffered from his scrutiny by her coat and her mittens, her ugly shoes and her padded socks, her warm cup of coffee and her anonymity. He rubbed his chin with his knuckle. "I would say a person who hangs Audubon on her walls is a person who believes in God, but not necessarily religion. A person who believes in free will, but also in the existence of a natural pecking order, pardon the pun, in all societies. Aware of it, and accepts it. I would say such a person has the capacity to be awed by nature and horrified by it, in equal amounts. A scientist's brain, but an artist's soul. How am I doing?" Alice smiled. "Remarkable." "You're not impressed. I see I'll have to up my game." He looked at her face, her eyes, and she looked back at him blandly, keeping her sharp corners hidden. She had little practice talking to strangers but embraced the thought that she could play the role of anyone she chose, trying on imagined identities to see what fit: businesswoman here for a meeting, opera impresario, wealthy collector, lover en route to a secret assignation. "Hmm," he said, narrowing his eyes while he watched her. "It's not so much an admiration for the artist as it is for the subject matter, correct? What is it about birds? People envy them the ability of flight, of course, but it must be more. Maybe not just their ability to fly, but to fly away 'from', is that it? To leave trouble behind, be free from boundaries, from expectations.
Tracy Guzeman (The Gravity of Birds)
...Kellen, it’s all just trial and error and making up your mind to live with a shitload of errors.” “Thank you for ripping the romanticism right out of love and crushing it,” Kellen said dryly. “Well, there’s good things about loving someone too. If you pick the right one, you’ll know you have someone to stand beside you no matter what life throws your way. It’s all peaks and valleys. That’s what marriage is. You’re stuck in a rotation of loving someone with all your heart and wanting to smother them with a pillow. It gets better when you’re older because you’re too tired to start over, plus prison isn’t a good place for a woman in her seventies.” Kellen smiled at Trulee. “I don’t know if you realize this or not, but you’re steadily talking me out of wanting to fall in love.” “Let’s deal in reality, honey. If you and Stevie have a long life together, she will eventually have the desire to smother you. Sleep with one eye open, and don’t dry your socks in the microwave like your uncle did this morning. The damn thing smells like a pickle sweltering on fresh asphalt in August. I couldn’t even rewarm my coffee in it. I’m not a good person to talk to about love right now because I’m definitely on the wanting to smother side of the rotation.” “So you’re saying my problem with having to tell Walt might be resolved by tomorrow morning after you’ve smothered him?” Kellen asked with a laugh. “Maybe by this afternoon, Walt does like to take a nap after a fishing trip.” Trulee laughed, too, and bumped Kellen with her shoulder. “Think about this, too. You won’t only want to smother Stevie, you’re gonna want to take a pillow to everyone in her family. The saying ‘you marry your in-laws’ is very true.” “Whew, that’s a sobering thought.” “You hang on to those sobering thoughts for dear life. No one is completely perfect, we all come with baggage. I’d been married to Walt a few months when I learned he enjoyed yodeling, and he wasn’t even any good at it. That was the first little bag he unpacked, the second was full of belches and farts. I started unpacking my bags, too, and one of them had my momma in it. I had her over to the house all the time because I missed her. I have only encountered Joan Sealy twice, and if Stevie unpacks her, you’d better have a pillow handy.” Kellen grinned. “Stop it.
Robin Alexander (Kellen's Moment)
Mum tries smiling at herself in the mirror again and from the lounge I can hear my dad having a solitary coughing fit. How can love look so old and tired? How can you be properly in love if you're thinking about washing machines and paying the electric- ity bills? How can I wander among the great literary lovers, hob nob with Lord Byron and share a steed with John Willoughby, and then suffer the hum drum when I come down to breakfast? Where have my fairy tales gone, Muse? I'm so frightened that this is a world where, when you kiss your handsome prince, he steps out of the magic puff of smoke and he's got socks and sandals on and a dirty t-shirt with a belly under it.
Maria Wallingford
Gradually, they draw back, and I’m left floating, drifting in a current of Charlie: his faintly spiced scent, the heat of his skin, the fine wool of his light sweater. A picture of my apartment flickers across my mind. The yellowy-red streetlights catching raindrops on my windowpane, the sound of cars slushing past, the radiator hissing against my socked feet. The smell of old books and crisp new ones, and the cologne whose cedarwood and amber notes are meant to conjure up the image of sun-soaked libraries. The creak of old floorboards, the shuffle of footsteps, half-drunken singing as revelers make their way home from the tequila bar across the street, stopping for dollar slices of pizza dripping with oil. I can almost believe I’m there. In my home, where it’s safe enough to relax, to undo the brackets of steel in my spine and slip out of my harsh outline to—settle. “You’re not useless, Charlie,” I whisper against his steady heartbeat. “You’re . . .” His hand is still in my hair. “Organized?” I smile into his chest. “Something like that,” I say. “It’ll come to me.
Emily Henry (Book Lovers)
In my youth . . . my sacred youth . . . in eaves sole sparowe sat not more alone than I . . . in my youth, my saucer-deep youth, when I possessed a mirror and both a morning and an evening comb . . . in my youth, my pimpled, shame-faced, sugared youth, when I dreamed myself a fornicator and a poet; when life seemed to be ahead somewhere like a land o’ lakes vacation cottage, and I was pure tumescence, all seed, afloat like fuzz among the butterflies and bees; when I was the bursting pod of a fall weed; when I was the hum of sperm in the autumn air, the blue of it like watered silk, vellum to which I came in a soft cloud; O minstrel galleons of Carib fire, I sang then, knowing naught, clinging to the tall slim wheatweed which lay in a purple haze along the highway like a cotton star . . . in my fumbling, lubricious, my uticated youth, when a full bosom and a fine round line of Keats, Hart Crane, or Yeats produced in me the same effect—a moan throughout my molecules—in my limeade time, my uncorked innocence, my jellybelly days, when I repeated Olio de Oliva like a tenor; then I would touch the page in wonder as though it were a woman, as though I were blind in my bed, in the black backseat, behind the dark barn, the dim weekend tent, last dance, date's door, reaching the knee by the second feature, possibly the thigh, my finger an urgent emissary from my penis, alas as far away as Peking or Bangkok, so I took my heart in my hand, O my love, O my love, I sighed, O Christina, Italian rose; my inflated flesh yearning to press against that flesh becoming Word—a word—words which were wet and warm and responsive as a roaming tongue; and her hair was red, long, in ringlets, kiss me, love me up, she said in my anxious oral ear; I read: Milton! thou shouldst be living at this hour; for I had oodles of needs, if England didn't; I was nothing but skin, pulp, and pit, in my grapevine time, during the hard-on priesthood of the poet; because then—in my unclean, foreskinned, and prurient youth—I devoutly believed in Later Life, in Passion, in Poetry, the way I thought only fools felt about God, prayer, heaven, foreknowledge, sin; for what was a poem if not a divine petition, a holy plea, a prophecy: [...] a stranger among strangers, myself the strangest because I could never bring myself to enter adolescence, but kept it about like a bit of lunch you think you may eat later, and later come upon at the bottom of a bag, dry as dust, at the back of the refrigerator, bearded with mold, or caked like sperm in the sock you've fucked, so that gingerly, then, you throw the mess out, averting your eyes, just as Rainer complained he never had a childhood—what luck!—never to have suffered birthpang, nightfear, cradlecap, lake in your lung; never to have practiced scales or sat numb before the dentist's hum or picked your mother up from the floor she's bled and wept and puked on; never to have been invaded by a tick, sucked by a leech, bitten by a spider, stung by a bee, slimed on by a slug, seared by a hot pan, or by paper or acquaintance cut, by father cuffed; never to have been lost in a crowd or store or parking lot or left by a lover without a word or arrogantly lied to or outrageously betrayed—really what luck!—never to have had a nickel roll with slow deliberation down a grate, a balloon burst, toy break; never to have skinned a knee, bruised a friendship, broken trust; never to have had to conjugate, keep quiet, tidy, bathe; to have lost the chance to be hollered at, bullied, beat up (being nothing, indeed, to have no death), and not to have had an earache, life's lessons to learn, or sums to add reluctantly right up to their bitter miscalculated end—what sublime good fortune, the Greek poet suggested—because Nature is not accustomed to life yet; it is too new, too incidental, this shiver in the stone, never altogether, and would just as soon (as Culp prefers to say) cancer it; erase, strike, stamp it out— [...]
William H. Gass (The Tunnel)
And there’s nothing better than brothers. Friends are great, but they come and go. Lovers are fun, but kind of stupid, too. They say stupid things to each other and they ignore all their friends because they’re too busy staring, and they get jealous, and they have fights over dumb shit like who did the dishes last or why they can’t fold their fucking socks, and maybe the sex gets bad, or maybe they stop finding each other interesting, and then somebody bangs someone else, and everyone cries, and they see each other years later, and that person you once shared everything with is a total stranger you don’t even want to be around because it’s awkward. But brothers. Brothers never go away.
Becky Chambers (The Long Way to a Small, Angry Planet (Wayfarers, #1))
She sipped her morning coffee, her thick hair messy around her shoulders. She wore one of my blue linen shirts with only a pair of socks. I sat in sweatpants across from her at my kitchen table. She was telling me a story, but it was one of the rare times I wasn’t listening. I looked at her small nose above her wide lips, her eyes even lighter against her soft skin in the morning. All I could think of was how lucky I felt to have found her.
Laura Laperriere (The Paths We Never Took)
When a woman is leaving her man, when a woman finally decides her departure, Does she still need to water the plants everyday? Does she still need to wash his shirts, socks and jeans? Check all his pockets before washing them? Does she still need to cook food every evening before he comes back? Or just leave everything uncooked in the fridge? Like those days when he was a bachelor? Does she still need to wash the dishes, and sweep the floor? Does she still kiss him? When he comes back through the evening door? Does she still want to make love with him? Does she, or will she cry, when she feels her body needs somebody to cover it and warm it, but not this one, the one lies beside hers? Does she, or will she say, I am leaving you, on a particular day? Or at a particular time? Or in a particular moment? Does she, or will she hire a car or a taxi, to take all her things before he understands what is happening? Does she, or will she cry, cry loudly, when she starts leading her lead to a new life, a life without anybody waiting for her and without anybody lighting a fire for her?
Xiaolu Guo (A Concise Chinese-English Dictionary for Lovers)
He’s seen those lights up on the ridge a hundred times if he’s seen them once but still can’t get it through his head they might be natural. Caused by electricity in the air or something like that. He says they’re ghosts looking for each other. Well, I don’t think he’ll see much of them tonight. Fall is the best time for that.” “Kiser has got a lot of romance in him,” observed Gaither. His expression was steady and intense. I said, “I never noticed. I guess a man could do worse than be a lover of ghosts. What are you doing?” “Taking off my shoes and socks.” “What for? Gaither, I don’t want you to help me mop tonight.” “Why? It wouldn’t be the first time. Where’s that mop I brought you?” “I don’t know. It’s out on the back stoop. Gaither, I don’t WANT you to help me with my cleaning. It makes us look like we’re . . . Gaither!” Gaither was not listening. He had gone for the mop.
Vera Cleaver (Trial Valley)
Socks to keep your feet warm. Your diary, too—don’t worry, I haven’t read it or anything.” “I’d be surprised if you had. You’re more trustworthy than that.” “No, I’m illiterate.” Her eyes flared. “Anyway”—his voice was hard as his jawline—“I figured you’d want some of your own stuff.
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
And there’s nothing better than brothers. Friends are great, but they come and go. Lovers are fun, but kind of stupid, too. They say stupid things to each other and they ignore all their friends because they’re too busy staring, and they get jealous, and they have fights over dumb shit like who did the dishes last or why they can’t fold their fucking socks, and maybe the sex gets bad, or maybe they stop finding each other interesting, and then somebody bangs someone else, and everyone cries, and they see each other years later, and that person you once shared everything with is a total stranger you don’t even want to be around because it’s awkward. But brothers. Brothers never go away. That’s for life. And I know married folks are supposed to be for life, too, but they’re not always. Brothers you can’t get rid of. They get who you are, and what you like, and they don’t care who you sleep with or what mistakes you make, because brothers aren’t mixed up in that part of your life. They see you at your worst, and they don’t care. And even when you fight, it doesn’t matter so much, because they still have to say hi to you on your birthday, and by then, everybody’s forgotten about it, and you have cake together.
Becky Chambers (The Long Way to a Small, Angry Planet (Wayfarers, #1))
Ah, hell, V, you’re killing me.” Butch O’Neal mined through his sock drawer, looking for black silk, finding white cotton. No, wait. He pulled out one dress sock. Not exactly a triumph. “If I were killing you, cop, footwear’d be the last thing on your mind.
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))