Sober Sunday Quotes

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Another thing that no one tells you about drinking as you get older is that it isn’t the hangovers that become crippling, but rather the acute paranoia and dread in the sober hours of the following day that became a common feature of my mid-twenties. The gap between who you were on a Saturday night, commandeering an entire pub garden by shouting obnoxiously about how you’ve always felt you had at least three prime-time sitcom scripts in you, and who you are on a Sunday afternoon, thinking about death and worrying if the postman likes you or not, becomes too capacious.
Dolly Alderton (Everything I Know About Love: Now a Major BBC One Series)
THE MOON AND THE YEW TREE This is the light of the mind, cold and planetary. The trees of the mind are black. The light is blue. The grasses unload their griefs on my feet as if I were God, Prickling my ankles and murmuring of their humility. Fumy, spiritous mists inhabit this place Separated from my house by a row of headstones. I simply cannot see where there is to get to. The moon is no door. It is a face in its own right, White as a knuckle and terribly upset. It drags the sea after it like a dark crime; it is quiet With the O-gape of complete despair. I live here. Twice on Sunday, the bells startle the sky Eight great tongues affirming the Resurrection. At the end, they soberly bong out their names. The yew tree points up. It has a Gothic shape. The eyes lift after it and find the moon. The moon is my mother. She is not sweet like Mary. Her blue garments unloose small bats and owls. How I would like to believe in tenderness The face of the effigy, gentled by candles, Bending, on me in particular, its mild eyes. I have fallen a long way. Clouds are flowering Blue and mystical over the face of the stars. Inside the church, the saints will be all blue, Floating on their delicate feet over the cold pews, Their hands and faces stiff with holiness. The moon sees nothing of this. She is bald and wild. And the message of the yew tree is blackness -- blackness and silence. --written 22 October 1961
Sylvia Plath (Ariel)
Long enshrined traditions around communion aside, there are always folks who fancy themselves bouncers to the heavenly banquet, charged with keeping the wrong people away from the table and out of the church. Evangelicalism in particular has seen a resurgence in border patrol Christianity in recent years, as alliances and coalitions formed around shared theological distinctives elevate secondary issues to primary ones and declare anyone who fails to conform to their strict set of beliefs and behaviors unfit for Christian fellowship. Committed to purifying the church of every errant thought, difference of opinion, or variation in practice, these self-appointed gatekeepers tie up heavy loads of legalistic rules and place them on weary people’s shoulders. They strain out the gnats in everyone else’s theology while swallowing their own camel-sized inconsistencies. They slam the door of the kingdom in people’s faces and tell them to come back when they are sober, back on their feet, Republican, Reformed, doubtless, submissive, straight.
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
Mungojerrie and Rumpleteazer were a very notorious couple of cats. As knockabout clowns, quick-change comedians, Tight-rope walkers and acrobats They had an extensive reputation. [...] When the family assembled for Sunday dinner, With their minds made up that they wouldn’t get thinner On Argentine joint, potatoes and greens, And the cook would appear from behind the scenes And say in a voice that was broken with sorrow "I'm afraid you must wait and have dinner tomorrow! For the joint has gone from the oven like that!" Then the family would say: "It's that horrible cat! It was Mungojerrie – or Rumpleteazer!" - And most of the time they left it at that. Mungojerrie and Rumpleteazer had a wonderful way of working together. And some of the time you would say it was luck And some of the time you would say it was weather. They would go through the house like a hurricane, And no sober person could take his oath Was it Mungojerrie – or Rumpleteazer? Or could you have sworn that it mightn't be both? And when you heard a dining room smash Or up from the pantry there came a loud crash Or down from the library came a loud ping From a vase which was commonly said to be Ming Then the family would say: "Now which was which cat? It was Mungojerrie! And Rumpleteazer!" And there's nothing at all to be done about that!
T.S. Eliot (Old Possum's Book of Practical Cats)
for the people sat in their Sunday clothes, soberly nodding agreement with all the preachers said about impending doom on earth and searing flame hereafter, and came out Monday morning as before; they gave the Lord His day, and kept the other six for their own uses.
Shelby Foote (Jordan County)
Each of us should realize the importance of having a talk with our own soul
Sunday Adelaja
That evening Mr. Utterson came home to his bachelor house in sombre spirits and sat down to dinner without relish. It was his custom of a Sunday, when this meal was over, to sit close by the fire, a volume of some dry divinity on his reading-desk, until the clock of the neighbouring church rang out the hour of twelve, when he would go soberly and gratefully to bed. On this night, however, as soon as the cloth was taken away, he took up a candle and went into his business-room. There he opened his safe, took from the most private part of it a document endorsed on the envelope as Dr. Jekyll’s Will, and sat down with a clouded brow to study its contents. The will was holograph, for Mr. Utterson, though he took charge of it now that
Robert Louis Stevenson (Dr. Jekyll and Mr. Hyde)
And it is sobering to realise that, at least for armies and corporations, the answer is straightforward: intelligence is mandatory but consciousness is optional. Armies and corporations cannot function
Yuval Noah Harari (Homo Deus: ‘An intoxicating brew of science, philosophy and futurism’ Mail on Sunday)
In Antwerp, the more tongues you could master, the more you could succeed. If he lacked a phrase in one language, he had it in another, and his earnest vehemence made up for any gaps. He sought out, as he had in Italy, the company of sober elders, whose table talk was refined and who would give away their wisdom to a young foreigner who admired them, one who asks questions, questions, and looks impressed by the replies. Such dignitaries always need a repository for their secrets, just as they need a man who will take a confidential dispatch and be back with an answer before you notice he’s gone. The drawback is that one must consent to their indoor lives: no calcio, just polite archery on a Sunday. The courtyards where one trades in wool and money may be open to the sky, yet they cannot help but smell of tallow, ink and dinners, seeped into the wool of dark winter garments: he would walk, and under the shadow of the Steen with its warehouses take a breath of river air, and imagine the great world beyond. There were some hundred of his countrymen – Englishmen, that is – dwelling in or around their English House; they lived side by side with the Castilian nation, the Portuguese and the Germans, but they were cherished by the city because they paid so well for their privileges.
Hilary Mantel (The Mirror & the Light (Thomas Cromwell, #3))
We convince ourselves that life will be better after we get married, have a baby, then another. Then we are frustrated that the kids aren't old enough and we'll be more content when they are. After that we're frustrated that we have teenagers to deal with. We will certainly be happy when they are out of that stage. We tell ourselves that our life will be complete when our spouse gets his or her act together, when we get a nicer car, are able to go on a nice vacation, when we retire. The truth is, there's no better time to be happy than right now. Your life will always be filled with challenges. It's best to admit this to yourself and decide to be happy anyway. One of my favorite quotes comes from Alfred D Souza. He said, "For a long time it had seemed to me that life was about to begin - real life. But there was always some obstacle in the way, something to be gotten through first, some unfinished business, time still to be served, a debt to be paid. Then life would begin. At last it dawned on me that these obstacles were my life." This perspective has helped me to see that there is no way to happiness. Happiness is the way. So, treasure every moment that you have. Stop waiting until you finish school, until you go back to school, until you lose ten pounds, until you gain ten pounds, until you have kids, until your kids leave the house, until you start work, until you retire, until you get married, until you get divorced, until Friday night, until Sunday morning, until you get a new car or home, until your car or home is paid off, until spring, until summer, until fall, until winter, until you are off welfare, until the first or fifteenth, until your song comes on, until you've had a drink, until you've sobered up, until you die, until you are born again to decide that there is no better time than right now to be happy.
Crystal Boyd
You’re really nice,” I slur. We’re waiting for the valet to bring Gavin’s truck around, and it feels like the fresh Colorado air has increased my alcohol level from drunk to trashed . . . and I still haven’t cracked open my wine.   “You’re pretty nice too.” He’s watching me closely, and I’m trying to watch him closely. His eyes are crinkled with amusement; mine are struggling to focus.   “I really wish you were an investment banker.”   Oh no. The loose lips part of the night has arrived.   “Besides my mom, you’re probably the only person in the world who does.”   “Because everyone else would miss their superstar quarterback in his super-hot pants throwing the ball every Sunday?” Sober me hates drunk me so hard right now.   “Because I’m terrible with numbers. I had three different tutors trying to get me to pass my math courses in college. And I’m not sure most of the fans focus on my pants, but I’m glad you do.” His body is shaking with laughter as he nudges me with his shoulder.
Alexa Martin (Intercepted (Playbook, #1))
She suppressed an eye roll when he reiterated his question as if she had not heard it. She regarded him more closely then, and not for the first time, she noted that he was a handsome man. Alarmingly so. Were he anything other than a vicar and she anyone else but his patroness, she might have found herself attracted to him, in fact. The wildly inappropriate notion amused her while also sending a warm wave throughout her body, and she fanned herself again as she laughed aloud. Embarrassed by her sudden outburst, she managed to sober herself before speaking. “Next Sunday, you say?” “Yes, next Sunday. Why do you laugh?” Nerves, she supposed, and then she laughed again. “I don’t really know.” “You don’t really know whether you’ll attend church next Sunday, or you don’t really know why you are laughing?” “A little of both, perhaps.” She laughed yet again, and when he did not, she sucked in her cheeks in an attempt to stifle more laughter. “Forgive me, Mr. Rodman. In answer to your question, I don’t know whether I’ll be in church next Sunday. I could be back in London then, for all I know.
Anna Durbin (King of Wands)
sobered, nodded awkwardly, and acted like he wanted to speak, but didn’t. He turned to a laptop, gave it a command. The screens on the wall displayed what looked at first glance like a collage of images. At center was a photograph Acadia had recently taken of Alex Cross’s house from across Fifth Street. Dotted lines traveled from various windows in the house out to pictures of Dr. Alex, his wife, his grandmother, his daughter, and his younger son. Set off to one side was a framed picture of Damon, Alex Cross’s older son, seventeen and a student at a prep school in western Massachusetts. Digital lines went out from each portrait, linked to images of schools, police stations, churches, grocery stores, and various friends. There were also lines connecting each member of Cross’s family to calendar and clock icons. “He uses mind-mapping software and an Xbox 360 with Kinect to make it work,” Acadia explained. “It’s interactive, Marcus. Just stand in front of the camera and point to what you want.” Intrigued now, Sunday stepped in front of the screens and the Kinect camera. He pointed at the photograph of Cross. The screen instantly jumped to a virtual diary of the detective’s recent life, everything from photographs of Bree Stone, to his kids, to his white Chevy sedan and his best friend, John Sampson, and Sampson’s wife, Billie. Sunday pointed at the calendar, and the screens showed a chronological account of everything he had seen Cross do in the prior month.
James Patterson (Cross My Heart (Alex Cross, #21))
THE EVENING before WrestleMania, Vince sent a memo around that instructed his entire crew to convene first thing in the morning at the arena. There were predictable grumblings, with the performers unhappy that their night of pre-show decadence would have to be cut short because of the early wake-up call. The unofficial rule amongst many of the boys was that when it came to doing pay-per-view, having a hangover was a prerequisite because it made you sulky and focussed. Of course, the risk was that someone would go too far and be in no condition to perform come show time, but Vince's meeting made sure there would be little chance of that. Sure enough, everyone was accounted for on that dreary Sunday morning, tired, but for the most part sober.               The boys sat with sunglasses covering their heavy eyes, sipping black coffee from the local Starbucks while wondering what was so urgent that Vince had dragged them out of bed at the crack of dawn. Those who had known McMahon for a while had a good inkling; the meeting wasn't about anything at all. It was simply a front to keep everyone in check and make sure there were no major problems caused by someone having a little too much fun the night before the biggest show of the year. "I betcha Vince doesn't even show," whispered Paul Bearer to no one in particular, and sure enough, he didn't. Instead J.J. Dillon wandered into the room, and told the amassed throng that Vince wasn't coming, but he just wanted to tell them all to have a good show. It was classic McMahon; keeping his troops in check and running things from afar under his authoritarian rule.   THE
James Dixon (Titan Sinking: The Decline Of The WWF In 1995 (Titan Trilogy Book 1))
To join with the saints each Sunday should be the Christian’s highest joy. Those who struggle with boredom or indifference when it comes to the church would do well to heed Paul’s sober advice in 2 Corinthians 13:5: “Test yourselves to see if you are in the faith.
Nathan Busenitz (Men of the Word: Insights for Life from Men Who Walked with God)
The Museum's function, like the Library's, is not entirely beneficent. It certainly enables us to see dead productions scattered about the world and engulfed in cults or civilizations they sought to ornament as unified aspects of a single effort. In this sense our consciousness of painting as painting is based upon the Museum, But painting exists first of all in each painter who works, and it is there in a pure state, whereas the Museum compromises it with the somber pleasures of retrospection. One should go to the Museum as the painters go there, in the sober joy of work; and not as we go there, with a somewhat spurious reverence. The Museum gives us a thieves' conscience. We occasionally sense that these works were not after аll intended to end up between these morose walls, for the pleasure of Sunday strollers or Monday "intellectuals." We are well aware that something has been lost and that this self-communion with the dead is not the true milieu of art—that so many joys and sorrows, so much anger, and so many labors were not destined to reflect one day the Museum's mournful light...The Museum adds a false prestige to the true value of the works by detaching them from the chance circumstances they arose from and making us believe that the artist's hand was guided from the start by fate. Whereas the style of each painter throbbed in his life like his heart beat, and was just what enabled him to recognize every effort which differed from his own, the Museum converts this secret, modest, non-deliberated, involuntary, and, in short, living historicity into official and pompous history.
Maurice Merleau-Ponty (Signs)
So I practice the fifth Get: I get in touch with others. I tell my partner the truth about how crunchy I feel inside, how unevolved or vindictive. Or I pick up the three-hundred-pound phone and tell a close friend. Or I get in the car and head to where one of my precious communities has gathered. This might be a park, my church, my Sunday school room; with hikers, sober people, townsfolk.
Anne Lamott (Almost Everything: Notes on Hope)
Returning to Bath, Dahmer moved in with his father and stepmother. However, it was not long before his excessive drinking got him in trouble with the law. In October 1981, he was arrested for disorderly conduct and resisting arrest. His dad tried to get him some help and introduced him to Alcoholics Anonymous, but it didn’t take. Thoughts of his earlier deed refused to go away, and his drinking caused conflict in the home. To appease his wife, his father suggested Jeff move in with his paternal grandmother in West Allis, Wisconsin—a working-class suburb of Milwaukee. His father felt it would serve two purposes: Jeff could look after his grandmother, who was getting on in years, and with him gone, there would finally be peace in their home. Dahmer’s move to Wisconsin was the beginning of some real soul searching. His grandmother was a very religious woman. He loved and admired her and felt she could help him get control of his life. She was kindly, loving, and tolerant, and she had a quiet serenity about her that he craved. He felt that religion might provide a way out of his predicament. They discussed religious matters, and he began to accompany her to Sunday service and weekday Bible study. This kept him sober during the day, but when Grandma retired for the evening, he began to drink again. He knew he had an alcohol problem, but felt his need to drink arose from the horrible memory he carried with him. He could never get it out of his mind. No matter how hard he tried, the knowledge of what he had done stayed with him.
Patrick Kennedy (GRILLING DAHMER: The Interrogation Of "The Milwaukee Cannibal")
That was how for years, all through that quarter of the continent, they had fought, fled, beckoned, resumed. . . . If you took a map and tried to follow them over it, zigzagging town to town, back and forth, it might not have been that easy to account for, even if you recalled how wild, how much better than "wild" it'd been not all that many years ago, out here, even with the workdays that had you longing for the comforts of territorial prison, yes hard as that, when whatever was going to become yours—your land, your stock, your family, your name, no matter, however much or little you had, you earned it, with never no second thoughts as to just killing somebody, if it even looked like they might want to take it. Maybe a dog catching their scent coming down the wind, or the way some trailhand might be wearing his waterproof, that could be enough—didn't matter, with everything brand new and the soldiering so hard, waking up each day never knowing how you'd end it, cashing 'em in being usually never too distant from your thoughts, when any ailment, or animal wild or broke, or a bullet from any direction might be enough to propel you into the beyond . . . why clearly every lick of work you could get in would have that same mortal fear invested into it—Karl Marx and them, well and good, but that's what folk had for Capital, back in early times out here—not tools on credit, nor seed money courtesy of some banker, just their own common fund of fear that came with no more than a look across the day arising. It put a shade onto things that parlor life would just never touch, so whenever she or Reef pulled up and got out, when it wasn't, mind, simple getting away in a hurry, it was that one of them had heard about a place, some place, one more next-to-last place, that hadn't been taken in yet, where you could go live for a time on the edge of that old day-to-day question, at least till the Saturday nights got quiet enough to hear the bell of the town clock ring you the hours before some Sunday it'd be too dreary to want to sober up for. . . . So in time you had this population of kind of roving ambassadors from places like that that were still free, who wherever they came to rest would be a little sovereign piece of that faraway territory, and they'd have sanctuary about the size of their shadow.
Thomas Pynchon
The form it took was a childish and yet hateful fancy. As he walked across the inner room towards the balcony, the large face of Sunday grew larger and larger; and Syme was gripped with a fear that when he was quite close the face would be too big to be possible, and that he would scream aloud. He remembered that as a child he would not look at the mask of Memnon in the British Museum, because it was a face, and so large. By an effort, braver than that of leaping over a cliff, he went to an empty seat at the breakfast-table and sat down. The men greeted him with good-humoured raillery as if they had always known him. He sobered himself a little by looking at their conventional coats and solid, shining coffee-pot; then he looked again at Sunday. His face was very large, but it was still possible to humanity
G.K. Chesterton (The Man Who Was Thursday)
From the amount of alcohol in his bloodstream he was 600 times more likely to have a fatal car crash than if sober. High on drink, drugs and adrenalin, desperate to ensure that Dodi’s decoy ruse worked successfully, Henri Paul drove like a maniac, roaring through a heavily built-up area at reckless speeds. As Dominic Lawson, former editor of the Sunday Telegraph and a friend of the Princess, has observed: ‘Drunk or sober, no chauffeur would travel at over 100 miles per hour in a tunnel with a 30 miles per hour limit, unless ordered to do so by his boss.
Andrew Morton (Diana: Her True Story in Her Own Words)