Greek God Quotes

We've searched our database for all the quotes and captions related to Greek God. Here they are! All 100 of them:

Rachel: You're a half-blood, too? Annabeth: Shhh! Just announce it to the world, how about? Rachel: Okay. Hey, everybody! These two aren't human! They're half Greek god!...They don't seem to care.
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
In a way, it's nice to know that there are Greek gods out there, because you have somebody to blame when things go wrong. For instance, when you're walking away from a bus that's just been attacked by monster hags and blown up by lightning, and it's raining on top of everything else, most people might think that's just really bad luck; when you're a half-blood, you understand that some devine force is really trying to mess up your day.
Rick Riordan (The Titan's Curse (Percy Jackson and the Olympians, #3))
She glared at me like she was about to punch me, but then she did something that surprised me even more. She kissed me. "Be careful seaweed brain." She said putting on her invisible cap and disappearing. I probably would have sat there all day, trying to remember my name, but then the sea demons came.
Rick Riordan
Can’t this thing go any faster?” Thalia demanded. Zoe glared at her. “I cannot control traffic.” You both sound like my mother,” I said. Shut up!” they both said in union.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
It's a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown I back, throat to the stars, "more like deer than human being." To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn.
Donna Tartt (The Secret History)
If a woman sleeps alone it puts a shame on all men. God has a very big heart, but there is one sin He will not forgive. If a woman calls a man to her bed and he will not go.
Nikos Kazantzakis (Zorba the Greek)
God changes his appearance every second. Blessed is the man who can recognize him in all his disguises.
Nikos Kazantzakis (Zorba the Greek)
You cannot know how frightened gods are of pain. There is nothing more foreign to them, and so nothing they ache more deeply to see.
Madeline Miller (Circe)
Experts in ancient Greek culture say that people back then didn't see their thoughts as belonging to them. When ancient Greeks had a thought, it occurred to them as a god or goddess giving an order. Apollo was telling them to be brave. Athena was telling them to fall in love. Now people hear a commercial for sour cream potato chips and rush out to buy, but now they call this free will. At least the ancient Greeks were being honest.
Chuck Palahniuk (Lullaby)
Something has got to hold it together. I'm saying my prayers to Elmer, the Greek god of glue.
Tom Robbins
You think I'm cute?" He said thinkly, pulling on her hand. She was glad he couldn't see her face. "I think you're..." Beautiful. Breathtaking. Like the person in a Greek myth who makes one of the gods stop caring about being a god.
Rainbow Rowell (Eleanor & Park)
I'm told I have the body of a god." "A Greek god, or one of those gods with the horse heads or elephant's legs coming out of their chests?" Alan asked. "Next time someone tells you that, ask them to specify.
Sarah Rees Brennan (The Demon's Covenant)
He asked, 'Croesus, who told you to attack my land and meet me as an enemy instead of a friend?' The King replied, 'It was caused by your good fate and my bad fate. It was the fault of the Greek gods, who with their arrogance, encouraged me to march onto your lands. Nobody is mad enough to choose war whilst there is peace. During times of peace, the sons bury their fathers, but in war it is the fathers who send their sons to the grave.
Herodotus (The Histories)
Oh, see then, the Simi is not in trouble. I just kill the Greek god and all’s fine. (Simi) You can’t kill a Greek god, Simi. It’s not allowed. (Acheron) There you go again, akri, saying no to the Simi. Don’t eat that, Simi. Don’t kill that, Simi. Stay here, Simi. Go to Katoteros, Simi, and wait for me to call you. I don’t like being told no, akri. (Simi)
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
There’s a Greek legend—no, it’s in something Plato wrote—about how true lovers are really two halves of the same person. It says that people wander around searching for their other half, and when they find him or her, they are finally whole and perfect. The thing that gets me is that the story says that originally all people were really pairs of people, joined back to back, and that some of the pairs were man and man, some woman and woman, and others man and woman. What happened was that all of these double people went to war with the gods, and the gods, to punish them, split them all in two. That’s why some lovers are heterosexual and some are homosexual, female and female, or male and male.
Nancy Garden (Annie on My Mind)
Okay. He had a point but it wasn’t like I could tell him anything. I could see me now: Guess what? You ever watch Clash of the Titans or read any Greek fables? Well those gods are real and yeah, I’m sort of a descendant of them. Kind of like the stepchild no one wants to claim. Oh, and I hadn’t even been around mortals until three years ago. Can we still be friends?
Jennifer L. Armentrout (Daimon (Covenant, #0.5))
Aphrodite had the beauty; Zeus had the thunderbolts. Everyone loved Aphrodite, but everyone listened to Zeus.
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
When everything goes wrong, what a joy to test your soul and see if it has endurance and courage! An invisible and all-powerful enemy—some call him God, others the Devil, seem to rush upon us to destroy us; but we are not destroyed.
Nikos Kazantzakis (Zorba the Greek)
There is no escape. You can't be a vagabond and an artist and still be a solid citizen, a wholesome, upstanding man. You want to get drunk, so you have to accept the hangover. You say yes to the sunlight and pure fantasies, so you have to say yes to the filth and the nausea. Everything is within you, gold and mud, happiness and pain, the laughter of childhood and the apprehension of death. Say yes to everything, shirk nothing. Don't try to lie to yourself. You are not a solid citizen. You are not a Greek. You are not harmonious, or the master of yourself. You are a bird in the storm. Let it storm! Let it drive you! How much have you lied! A thousand times, even in your poems and books, you have played the harmonious man, the wise man, the happy, the enlightened man. In the same way, men attacking in war have played heroes, while their bowels twitched. My God, what a poor ape, what a fencer in the mirror man is- particularly the artist- particularly myself!
Hermann Hesse
I wake up every morning and think: You know what would be good today? Not dying.
Rick Riordan (Percy Jackson's Greek Gods)
It had happened. Thucydides, his archrival, was a general. Glaucon, from his own tribe, was a general. And Pericles was no longer a general. He was just a citizen with one vote. And an idea
Yvonne Korshak (Pericles and Aspasia: A Story of Ancient Greece)
But gods are born of ichor and nectar, their excellences already bursting from their fingertips. So they find their fame by proving what they can mar: destroying cities, starting wars, breeding plagues and monsters. All that smoke and savor rising so delicately from our altars. It leaves only ash behind.
Madeline Miller (Circe)
A man. A really manly man with a lot of mannishness in his manliness.
Robert Thier (Storm and Silence (Storm and Silence, #1))
THAT Perseus always won. That's why my momhad named me after him, even if he was son of Zeus ann I was son of Posidon. The original Perseus was one of the only heros in the greek myths who got a happy ending. The others died-betrayed, mauled, mutilated, poisoned, or cursed by the gods. My mom hoped i would inherit Perseus's luck. Judging by how my life was going so far, i wasn't too optimistic.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
So Aphrodite married Hephaestus and the celebrity ship Aphrophaestus completely dominated Olympian tabloid news for like a thousand years. Did they live happily ever after? HAHAHAHAHA. No.
Rick Riordan (Percy Jackson's Greek Gods)
You look like a Greek God sent down by the immortal Zeus from Mount Olympus to taunt the rest of us inferior beings with your astonishing beauty, I said, which somehow in translation came out as "you look fine, why?
John Boyne (The Heart's Invisible Furies)
At the end of the hall stood a walnut door with a bronze plaque: ASCLEPIUS MD, DMD, DME, DC, DVS, FAAN, OMG, EMT, TTYL, FRCP, ME, IOU, OD, OT, PHARMD, BAMF, RN, PHD, INC., SMH There may have been more acronyms in the list, but by that point Leo's brain had exploded.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
Hermes played a little Mozart and some One Direction, and Apollo cried, ‘I must have it! The girls will go wild for that!
Rick Riordan (Percy Jackson's Greek Gods)
I'd had years of practise looking dumb when people threw out Greek names I didn't know. It's a skill of mine. Annabeth keeps telling me to read a book of Greek myths, but I don't see the need. It's easier just to have folks explain stuff.
Rick Riordan (The Demigod Diaries (The Heroes of Olympus))
Do you know my dog's name? [...] "It is from an ancient word, kerberos. It means 'spotted.'" I blinked. "You're a genuine Greek god. You're the Lord of the Underworld. And . . . you named your dog *Spot*?
Jim Butcher (Skin Game (The Dresden Files, #15))
I wondered, not for the first time, why we Greek deities had never created a god of family therapy. We certainly could have used one. Or perhaps we had one before I was born, and she quit.
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
He fixed his dark eyes on her. 'I am Kekrops, the first and eternal king of Athens. I would welcome you to my city.' He held up the covered platter. ' Also, I brought a Bundt cake.' Piper glanced at her friends. 'A trick?' 'Probably?' Annabeth said. 'At least he brought dessert.' Percy smiled down at the snake guys. 'Welcome aboard!
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
We had old architects and were working with what we had on hand. You’ve hired this new, young architect now, and, Pericles, I’m going to build you a statue of Athena—all gold and ivory, think of that, Pericles—and taller than our city walls.” Pericles raised his eyes toward the birds.
Yvonne Korshak (Pericles and Aspasia: A Story of Ancient Greece)
In the beginning. I wasn't there.
Rick Riordan (Percy Jackson's Greek Gods)
Free yourself from one passion to be dominated by another and nobler one. But is not that, too, a form of slavery? To sacrifice oneself to an idea, to a race, to God? Or does it mean that the higher the model the longer the longer the tether of our slavery?
Nikos Kazantzakis (Zorba the Greek)
You're already married!" Hera protested. "To me!" "Curses!" said Zeus. "Er, I mean, of course, dear.
Rick Riordan (Percy Jackson's Greek Gods)
I mean, five gods in one stomach—dang. That's enough for doubles tennis, including a ref. They'd been down there so long, they were probably hoping Kronos would swallow down a deck of cards or a Monopoly game.
Rick Riordan (Percy Jackson's Greek Gods)
Hey girl," he said, wiggling his eyebrows. "You must be the riptide, 'cause you sweep me off my feet." He'd be practicing that pickup line for years. He was glad he finally got yo use it.
Rick Riordan (Percy Jackson's Greek Gods)
If I ever become a king, I’m totally going to ask him for an army of giant golden acid-spitting llamas. Okay, sorry. I got distracted again.
Rick Riordan (Percy Jackson's Greek Gods)
My favorite son!" Gaea cried. "You are awesome! I knew I could count on you, uh... which one are you again?
Rick Riordan (Percy Jackson's Greek Gods)
I beg your pardon?” Catherine interrupted. “Are you implying that women have poor judgment?” “In these matters, yes.” Leo gestured to Christopher. “Just look at the fellow, standing there like a bloody Greek god. Do you think she chose him because of his intellect?” “I graduated from Cambridge,” Christopher said acidly. “Should I have brought my diploma?” “In this family,” Cam interrupted, “there is no requirement of a university degree to prove one’s intelligence. Lord Ramsay is a perfect example of how one has nothing to do with the other.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
The Greeks created gods that were in their image; warlike but creative, wise but ferocious, loving but jealous, tender but brutal, compassionate, but vengeful.
Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
Zeus, first cause, prime mover; for what thing without Zeus is done among mortals?
Aeschylus (Agamemnon (Oresteia, #1))
Incoming!" yelled Poseidon. They shifted-as much as they could in the cramped space-and Rocky landed in their midst. "This is not a baby," Hades noticed "I think it's a rock." He was observant that way.
Rick Riordan (Percy Jackson's Greek Gods)
In a way, it's nice to know there are Greek gods out there, because you have somebody to blame when things go wrong. For instance, when you're walking away from a bus that's just been attacked by monster hags and blown up by lightning, and it's raining on top of everything else.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
Behold, my children!" she said. "The instrument of my revenge. I will call it a scythe!" The Titans muttered among themselves: What is that for? Why is it curved? How do you spell scythe?
Rick Riordan (Percy Jackson's Greek Gods)
Excuse me, have you seen Death? Big guy with black feathery wings? Likes to reap souls?
Rick Riordan (Percy Jackson's Greek Gods)
You’re like a god from a Greek myth, Saiman. You have no empathy. You have no concept of the world beyond your ego. Wanting something gives you an automatic right to obtain it by whatever means necessary with no regard to the damage it may do. I would be careful if I were you. Friends and objects of deities’ desires dropped like flies. In the end the gods always ended up miserable and alone." — Kate Daniels
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
Before you realize this truth, say the Yogis, you will always be in despair, a notion nicely expressed in this exasperated line from the Greek stoic philosopher Epictetus: 'You bear God within you, poor wretch, and know it not.
Elizabeth Gilbert (Eat, Pray, Love)
He was also the god of (take a deep breath) commerce, languages, thievery, cheeseburgers, trickery, eloquent speaking, feasts, cheeseburgers, hospitality, guard dogs, birds of omen, gymnastics, athletic competitions, cheeseburgers, cheeseburgers and telling fortunes with dice. Okay, I just tossed in the cheeseburgers to see if you were paying attention. Also, I’m hungry.
Rick Riordan (Percy Jackson's Greek Gods)
Me, I’m late to meet my girlfriend. Annabeth is going to kill me. Hope you enjoyed the stories. Stay safe out there, demigods. Peace from Manhattan, Percy Jackson
Rick Riordan (Percy Jackson's Greek Gods)
The complaint was the answer. To have heard myself making it was to be answered. Lightly men talk of saying what they mean. Often when he was teaching me to write in Greek the Fox would say, 'Child, to say the very thing you really mean, the whole of it, nothing more or less or other than what you really mean; that's the whole art and joy of words.' A glib saying. When the time comes to you at which you will be forced at last to utter the speech which has lain at the center of your soul for years which you have, all that time, idiot-like, been saying over and over, you'll not talk about the joy of words. I saw well why the gods do not speak to us openly, nor let us answer. Till that word can be dug out of us, why should they hear the babble that we think we mean? How can they meet us face to face till we have faces?
C.S. Lewis (Till We Have Faces)
Did they live happily ever after? HAHAHAHAHA. No.
Rick Riordan (Percy Jackson's Greek Gods)
You can't swing a cat in Ancient Greece without hitting one of Zeus's ex-girlfriends.
Rick Riordan (Percy Jackson's Greek Gods)
I believe . . . that the petal of a flower or a tiny worm on the path says far more, contains far more than all the books in the library. One cannot say very much with mere letters and words. Sometimes I'll be writing a Greek letter, a theta or an omega, and tilt my pen just the slightest bit; suddenly the letter has a tail and becomes a fish; in a second it evokes all the streams and rivers of the world, all that is cool and humid, Homer's sea and the waters on which Saint Peter wandered; or becomes a bird, flaps its tail, shakes out its feathers, puffs itself up, laughs, flies away. You probably don't appreciate letters like that, very much, do you, Narcissus? But I say: with them God wrote the world.
Hermann Hesse (Narcissus and Goldmund)
I see murky visions of other gods and rival magic." That REALLY didn't sound good. "What do you mean?" I asked. "what OTHER GODS?" "I don't know, Sadie. But Egypt has always faced challenges from outside –– magicians from elsewhere, even gods from elsewhere. Just be vigilant." ~Ruby & Sadie Kane about...? Possibly Greeks?
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
He liked such sharpness, for there was nothing in him that had any blood you might spill.
Madeline Miller (Circe)
Ah, but I’m wise ,” Athena said. “Wise enough to make you do it instead.
Rick Riordan (Percy Jackson's Greek Gods)
I cannot imagine a life without books. Without Father's stories of the ancient Greek gods and goddesses, without pirate stories and fairy tales and poems. Without the hope of another way, of freedom and adventure beyond what we have here and now. How dark life would be.
Jessica Spotswood (Star Cursed (The Cahill Witch Chronicles, #2))
G.I. Joe boxers!’ Apollo screamed. ‘OH—oh, I can’t even... HAHAHAHAHA!’ ‘Aphrodite,’ Athena giggled. ‘You look simply lovely.’ The gods couldn't stop laughing. Soon they were rolling on the floor, wiping tears from their eyes, taking photos with their phones to post on Tumblr.
Rick Riordan (Percy Jackson's Greek Gods)
Hey, for a scythe, cookies, and a chance to commit murder, Kronos could hide his true feelings.
Rick Riordan (Percy Jackson's Greek Gods)
Why would anyone love a monster?' asked Perseus. 'Who are you to decide who is worthy of love?' said Hermes. 'I mean, I wasn't...' 'And who are you to decide who is a monster?' added the messenger god.
Natalie Haynes (Stone Blind: Medusa's Story)
Maybe the lesson is: Know when to brag and when to keep your mouth shut. Or: Sometimes life isn’t fair, even if you are as gifted as Athena. Or maybe: Don’t give away free tapestries.
Rick Riordan (Percy Jackson's Greek Gods)
Theophane gave birth to a magical ram named Krysomallos, who for some reason had wool made of gold. Eventually, Krysomallos would be skinned for his fleece, which became known as the Golden Fleece, which means I am related to a sheepskin rug.
Rick Riordan (Percy Jackson's Greek Gods)
Kronos became the Titan of time. He couldn’t pop around the time stream like Doctor Who or anything, but he could occasionally make time slow down or speed up. Whenever you’re in an incredibly boring lecture that seems to take forever, blame Kronos. Or when your weekend is way too short, that’s Kronos’s fault, too.
Rick Riordan (Percy Jackson's Greek Gods)
He was proud of his "hometown" goddess, even if he hadn't found his one true pairing (OTP) yet.
Rick Riordan (Percy Jackson's Greek Gods)
Note to self: If you’re trying not to have kids, don’t marry a lady who is the Titan of motherhood.
Rick Riordan (Percy Jackson's Greek Gods)
ZEUS SUX and TYPHOEUS WUZ HERE.
Rick Riordan (Percy Jackson's Greek Gods)
Annabeth and I were relaxing on the Great Lawn in Central Park when she ambushed me with a question. “You forgot, didn’t you?” I went into red-alert mode. It’s easy to panic when you’re a new boyfriend. Sure, I’d fought monsters with Annabeth for years. Together we’d faced the wrath of the gods. We’d battled Titans and calmly faced death a dozen times. But now that we were dating, one frown from her and I freaked. What had I done wrong? I mentally reviewed the picnic list: Comfy blanket? Check. Annabeth’s favorite pizza with extra olives? Check. Chocolate toffee from La Maison du Chocolat? Check. Chilled sparkling water with twist of lemon? Check. Weapons in case of sudden Greek mythological apocalypse? Check. So what had I forgotten? I was tempted (briefly) to bluff my way through. Two things stopped me. First, I didn’t want to lie to Annabeth. Second, she was too smart. She’d see right through me. So I did what I do best. I stared at her blankly and acted dumb.
Rick Riordan (The Demigod Diaries (The Heroes of Olympus))
There is only one sin god will not forgive Boss, and that is to deny a woman who is in wanting ~ Zorba
Nikos Kazantzakis (Zorba the Greek)
You’ve probably met moms like that. You say, “Yeah, I scored a goal in the soccer game last night.” And she says, “Oh, that’s nice. All fourteen of my children are the captains of their teams, and they make straight A’s and can play the violin.” And you just want to smack her.
Rick Riordan (Percy Jackson's Greek Gods)
Resonably neat and clean?" Adrienne said incredulously. "that man is flawless from head to toe! He makes David and the Greek gods and Pan seem all out of proportion. He is raw sex in a bottle, uncorked. And somebody should cork it! He's -accck! Bah!" Adrienne spluttered and stuttered as she belatedly realised her words. Lydia was laughing so hard tears misted her eyes.
Karen Marie Moning
I know you have not thought about it. Italians always act without thinking, it's the glory and the downfall of your civilisation. A German plans a month in advance what his bowel movements will be at Easter, and the British plan everything in retrospect, so it always looks as though everything occurred as they intended. The French plan everything whilst appearing to be having a party, and the Spanish...well, God knows. Anyway, Pelagia is Greek, that's my point.
Louis de Bernières (Corelli’s Mandolin)
If then you do not make yourself equal to God, you cannot apprehend God; for like is known by like. Leap clear of all that is corporeal, and make yourself grown to a like expanse with that greatness which is beyond all measure; rise above all time and become eternal; then you will apprehend God. Think that for you too nothing is impossible; deem that you too are immortal, and that you are able to grasp all things in your thought, to know every craft and science; find your home in the haunts of every living creature; make yourself higher than all heights and lower than all depths; bring together in yourself all opposites of quality, heat and cold, dryness and fluidity; think that you are everywhere at once, on land, at sea, in heaven; think that you are not yet begotten, that you are in the womb, that you are young, that you are old, that you have died, that you are in the world beyond the grave; grasp in your thought all of this at once, all times and places, all substances and qualities and magnitudes together; then you can apprehend God. But if you shut up your soul in your body, and abase yourself, and say “I know nothing, I can do nothing; I am afraid of earth and sea, I cannot mount to heaven; I know not what I was, nor what I shall be,” then what have you to do with God?
Hermes Trismegistus (Hermetica: The Greek Corpus Hermeticum and the Latin Asclepius)
Gaea snarled in frustration. "Don't be cowards! It's very simple. You take this sharp pointy blade and you cut your dad into small pieces so he can't bother us again. Whichever of you does this will be the ruler of the universe! Also, I will make you those cookies you used to like, with the sprinkles.
Rick Riordan (Percy Jackson's Greek Gods)
His big claim to fame was that the Golden Fleece—that magical sheepskin rug I'm related to—ended up in his kingdom, which made the place immune to disease, invasion, stock-market crashes, visits from Justin Bieber and pretty much any other natural disaster.
Rick Riordan (Percy Jackson's Greek Gods)
Wonderful, Annabeth thought. Her own mother, the most levelheaded Olympian, was reduced to a raving, vicious scatterbrain in a subway station. And, of all the gods who might help them, the only ones not affected by the Greek-Roman schism seemed to be Aphrodite, Nemesis and Dionysus. Love, revenge, wine. Very helpful.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
The wine god sighed. 'Oh Hades if I know. But remember, boy, that a kind act can sometimes be as powerful as a sword. As a mortal, I was never a great fighter or athlete or poet. I only made wine. The people in my village laughed at me. They said I would never amount to anything. Look at me now. Sometimes small things can become very large indeed.' He left me alone to think about that. And as I watched Clarisse and Chris singing a stupid campfire song together, holding hands in the darkness, where they thought nobody could see them, I had to smile.
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
In this story, the sun moves. In this story, every night meets a dawn and burns away in the bright morning. In this story, Winter can never hold back the Spring... He is the best of all possible audiences, the only Audience to see every scene, the Author who became a Character and heaped every shadow on Himself. The Greeks were right. Live in fear of a grinding end and a dank hereafter. Unless you know a bigger God, or better yet, are related to Him by blood.
N.D. Wilson (Notes From The Tilt-A-Whirl: Wide-Eyed Wonder in God's Spoken World)
At the ed of the hall stood a walnut door with a bronze plaque: ASCLEPIUS MD, DMD, DME, DC, DVS, FAAN, OMG, EMT, TTYL, FRCP, ME, IOU, OD, OT, PHARMD, BAMF, RN, PHD, INC., SMH There may have been more acronyms in the list, but by that point Leo's brain had exploded.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
The Greeks had a word, xenia—guest friendship—a command to take care of traveling strangers, to open your door to whoever is out there, because anyone passing by, far from home, might be God. Ovid tells the story of two immortals who came to Earth in disguise to cleanse the sickened world. No one would let them in but one old couple, Baucis and Philemon. And their reward for opening their door to strangers was to live on after death as trees—an oak and a linden—huge and gracious and intertwined. What we care for, we will grow to resemble. And what we resemble will hold us, when we are us no longer. . . .
Richard Powers (The Overstory)
The very quality of your life, whether you love it or hate it, is based upon how thankful you are toward God. It is one's attitude that determines whether life unfolds into a place of blessedness or wretchedness. Indeed, looking at the same rose bush, some people complain that the roses have thorns while others rejoice that some thorns come with roses. It all depends on your perspective. This is the only life you will have before you enter eternity. If you want to find joy, you must first find thankfulness. Indeed, the one who is thankful for even a little enjoys much. But the unappreciative soul is always miserable, always complaining. He lives outside the shelter of the Most High God. Perhaps the worst enemy we have is not the devil but our own tongue. James tells us, "The tongue is set among our members as that which . . . sets on fire the course of our life" (James 3:6). He goes on to say this fire is ignited by hell. Consider: with our own words we can enter the spirit of heaven or the agonies of hell! It is hell with its punishments, torments and misery that controls the life of the grumbler and complainer! Paul expands this thought in 1 Corinthians 10:10, where he reminds us of the Jews who "grumble[d] . . . and were destroyed by the destroyer." The fact is, every time we open up to grumbling and complaining, the quality of our life is reduced proportionally -- a destroyer is bringing our life to ruin! People often ask me, "What is the ruling demon over our church or city?" They expect me to answer with the ancient Aramaic or Phoenician name of a fallen angel. What I usually tell them is a lot more practical: one of the most pervasive evil influences over our nation is ingratitude! Do not minimize the strength and cunning of this enemy! Paul said that the Jews who grumbled and complained during their difficult circumstances were "destroyed by the destroyer." Who was this destroyer? If you insist on discerning an ancient world ruler, one of the most powerful spirits mentioned in the Bible is Abaddon, whose Greek name is Apollyon. It means "destroyer" (Rev. 9:11). Paul said the Jews were destroyed by this spirit. In other words, when we are complaining or unthankful, we open the door to the destroyer, Abaddon, the demon king over the abyss of hell! In the Presence of God Multitudes in our nation have become specialists in the "science of misery." They are experts -- moral accountants who can, in a moment, tally all the wrongs society has ever done to them or their group. I have never talked with one of these people who was happy, blessed or content about anything. They expect an imperfect world to treat them perfectly. Truly, there are people in this wounded country of ours who need special attention. However, most of us simply need to repent of ingratitude, for it is ingratitude itself that is keeping wounds alive! We simply need to forgive the wrongs of the past and become thankful for what we have in the present. The moment we become grateful, we actually begin to ascend spiritually into the presence of God. The psalmist wrote, "Serve the Lord with gladness; come before Him with joyful singing. . . . Enter His gates with thanksgiving and His courts with praise. Give thanks to Him, bless His name. For the Lord is good; His lovingkindness is everlasting and His faithfulness to all generations" (Psalm 100:2, 4-5). It does not matter what your circumstances are; the instant you begin to thank God, even though your situation has not changed, you begin to change. The key that unlocks the gates of heaven is a thankful heart. Entrance into the courts of God comes as you simply begin to praise the Lord.
Francis Frangipane
He raised an eyebrow. "You claim not to know me? Of course I'm Thoth. Also called Djehuti. Also called--" I [Sadie] stifled a laugh. "Ja-hooty?" Thoth looked offended. "In Ancient Egyptian, it's a perfectly fine name. The Greeks called me Thoth. Then later they confused me with their god Hermes. Even had the nerve to rename my sacred city Hermopolis, though we're nothing alike. Believe me, if you've ever met Hermes--
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
The principles underlying propaganda are extremely simple. Find some common desire, some widespread unconscious fear or anxiety; think out some way to relate this wish or fear to the product you have to sell; then build a bridge of verbal or pictorial symbols over which your customer can pass from fact to compensatory dream, and from the dream to the illusion that your product, when purchased, will make the dream come true. They are selling hope. We no longer buy oranges, we buy vitality. We do not just buy an auto, we buy prestige. And so with all the rest. In toothpaste, for example, we buy not a mere cleanser and antiseptic, but release from the fear of being sexually repulsive. In vodka and whisky we are not buying a protoplasmic poison which in small doses, may depress the nervous system in a psychologically valuable way; we are buying friendliness and good fellowship, the warmth of Dingley Dell and the brilliance of the Mermaid Tavern. With our laxatives we buy the health of a Greek god. With the monthly best seller we acquire culture, the envy of our less literate neighbors and the respect of the sophisticated. In every case the motivation analyst has found some deep-seated wish or fear, whose energy can be used to move the customer to part with cash and so, indirectly, to turn the wheels of industry.
Aldous Huxley (Brave New World Revisited)
(We) consist of everything the world consists of, each of us, and just as our body contains the genealogical table of evolution as far back as the fish and even much further, so we bear everything in our soul that once was alive in the soul of men. Every god and devil that ever existed, be it among the Greeks, Chinese, or Zulus, are within us, exist as latent possibilities, as wishes, as alternatives. If the human race were to vanish from the face of the earth save for one halfway talented child that had received no education, this child would rediscover the entire course of evolution, it would be capable of producing everything once more, gods and demons, paradises, commandments, the Old and New Testament.
Hermann Hesse (Demian)
You’ll be seeing him tomorrow night, anyway.” “I am?” Hyacinth asked, at precisely the moment Mr. St. Clair said, “She will?” “You’re accompanying me to the Pleinsworth poetry reading,” Lady D told her grandson. “Or have you forgotten?” Hyacinth sat back, enjoying the sight of Gareth St. Clair’s mouth opening and closing in obvious distress. He looked a bit like a fish, she decided. A fish with the features of a Greek god, but still, a fish. “I really…” he said. “That is to say, I can’t—” “You can, and you will be there,” Lady D said. “You promised.” He regarded her with a stern expression. “I cannot imagine—” “Well, if you didn’t promise, you should have done, and if you love me…” Hyacinth coughed to cover her laugh, then tried not to smirk when Mr. St. Clair shot a dirty look in her direction. “When I die,” he said, “surely my epitaph will read, ‘He loved his grandmother when no one else would.’” “And what’s wrong with that?” Lady Danbury asked.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
In this sense the Dionysian man resembles Hamlet: both have once looked truly into the essence of things, they have gained knowledge, and nausea inhibits action; for their action could not change anything in the eternal nature of things; they feel it to be ridiculous or humiliating that they should be asked to set right a world that is out of joint. Knowledge kills action; action requires the veils of illusion: that is the doctrine of Hamlet, not that cheap wisdom of Jack the Dreamer who reflects too much and, as it were, from an excess of possibilities does not get around to action. Not reflection, no--true knowledge, an insight into the horrible truth, outweighs any motive for action, both in Hamlet and in the Dionysian man. Now no comfort avails any more; longing transcends a world after death, even the gods; existence is negated along with its glittering reflection in the gods or in an immortal beyond. Conscious of the truth he has once seen, man now sees everywhere only the horror or absurdity of existence; now he understands what is symbolic in Ophelia's fate; now he understands the wisdom of the sylvan god, Silenus: he is nauseated. Here, when the danger to his will is greatest, art approaches as a saving sorceress, expert at healing. She alone knows how to turn these nauseous thoughts about the horror or absurdity of existence into notions with which one can live: these are the sublime as the artistic taming of the horrible, and the comic as the artistic discharge of the nausea of absurdity. The satyr chorus of the dithyramb is the saving deed of Greek art; faced with the intermediary world of these Dionysian companions, the feelings described here exhausted themselves.
Friedrich Nietzsche (The Birth of Tragedy / The Case of Wagner)
Free yourself from one passion to be dominated by another and nobler one. But is not that, too, a form of slavery? To sacrifice oneself to an idea, to a race, to God? Or does it mean that the higher the model the longer the tether of our slavery? Then we can enjoy ourselves and frolic in a more spacious arena and die without having come to the end of the tether. Is that, then, what we call liberty?
Nikos Kazantzakis (Zorba the Greek)
-’Tell me’, he said, ‘who gives better offerings, a miserable man or a happy one’? -’A happy one, of course.’ -’Wrong. A happy man is too occupied with his life. He thinks he is beholden to no one. But make him shiver, kill his wife, cripple his child, then you will hear from him. He will starve his family for a month to buy yo a pure-white yearling calf. If he can afford it, he will buy you a hundred’. -’But surely, I said, you have to reward him eventually. Otherwise he will stop offering’. -’Oh, you would be surprised how long he will go on. But yes, in the end, it’s best to give him something. Then he will be happy again. And you can start over.
Madeline Miller (Circe)
But I don’t understand. Why do you want me to think that this is great architecture? He pointed to the picture of the Parthenon. That, said the Dean, is the Parthenon. - So it is. - I haven’t the time to waste on silly questions. - All right, then. - Roark got up, he took a long ruler from the desk, he walked to the picture. - Shall I tell you what’s rotten about it? - It’s the Parthenon! - said the Dean. - Yes, God damn it, the Parthenon! The ruler struck the glass over the picture. - Look,- said Roark. - The famous flutings on the famous columns – what are they there for? To hide the joints in wood – when columns were made of wood, only these aren’t, they’re marble. The triglyphs, what are they? Wood. Wooden beams, the way they had to be laid when people began to build wooden shacks. Your Greeks took marble and they made copies of their wooden structures out of it, because others had done it that way. Then your masters of the Renaissance came along and made copies in plaster of copies in marble of copies in wood. Now here we are, making copies in steel and concrete of copies in plaster of copies in marble of copies in wood. Why?
Ayn Rand (The Fountainhead)
He lunges at me, pushing me against the wall of the elevator. Before I know it, he's got both of my hands in one of his in a vise-like grip above my head, and he's pinning me to the wall using his hips. Holy shit. His other hand grabs my hair and yanks down, bringing my face up, and his lips are on mine. It's only just not painful. I moan into his mouth, giving his tongue an opening. He takes full advantage, his tongue expertly exploring my mouth. I have never been kissed like this. My tongue tentatively strokes his and joins his in a slow, erotic dance that's all about touch and sensation, all bump and grind. He brings his hand up to grasp my chin and holds me in place. I'm helpless, my hands pinned, my face held, and his hips restraining me. His erection is against my belly. Oh my... He wants me. Christian Grey, Greek god, wants me, and I want him, here... now, in the elevator.
E.L. James
Let no one reduce to tears or reproach This statement of the mastery of God, Who, with magnificent irony, gave Me at once both books and night Of this city of books He pronounced rulers These lightless eyes, who can only Peruse in libraries of dreams The insensible paragraphs that yield With every new dawn. Vainly does the day Lavish on them its infinite books, Arduous as the arduous manuscripts Which at Alexandria did perish. Of hunger and thirst (a Greek story tells us) Dies a king amidst fountains and gardens; I aimlessly weary at the confines Of this tall and deep blind library. Encyclopedias, atlases, the East And the West, centuries, dynasties Symbols, cosmos and cosmogonies Do walls proffer, but pointlessly. Slow in my shadow, I the hollow shade Explore with my indecisive cane; To think I had imagined Paradise In the form of such a library. Something, certainly not termed Fate, rules on such things; Another had received in blurry Afternoons both books and shadow. Wandering through these slow corridors I often feel with a vague and sacred dread That I am another, the dead one, who must Have trodden the same steps at the same time. Which of the two is now writing this poem Of a plural I and of a single shadow? How important is the word that names me If the anathema is one and indivisible? Groussac or Borges, I see this darling World deform and extinguish To a pale, uncertain ash Resembling sleep and oblivion
Jorge Luis Borges
All this is flashy rhetoric about loving you. I never had a selfless thought since I was born. I am mercenary and self-seeking through and through: I want God, you, all friends, merely to serve my turn. Peace, re-assurance, pleasure, are the goals I seek, I cannot crawl one inch outside my proper skin: I talk of love --a scholar's parrot may talk Greek-- But, self-imprisoned, always end where I begin. Only that now you have taught me (but how late) my lack. I see the chasm. And everything you are was making My heart into a bridge by which I might get back From exile, and grow man. And now the bridge is breaking. For this I bless you as the ruin falls. The pains You give me are more precious than all other gains.
C.S. Lewis (Poems)
All the demons of Hell formerly reigned as gods in previous cultures. No it's not fair, but one man's god is another man's devil. As each subsequent civilization became a dominant power, among its first acts was to depose and demonize whoever the previous culture had worshipped. The Jews attacked Belial, the god of the Babylonians. The Christians banished Pan and Loki anda Mars, the respective deities of the ancient Greeks and Celts and Romans. The Anglican British banned belief in the Australian aboriginal spirits known as the Mimi. Satan is depicted with cloven hooves because Pan had them, and he carries a pitchfork based on the trident carried by Neptune. As each deity was deposed, it was relegated to Hell. For gods so long accustomed to receiving tribute and loving attention, of course this status shift put them into a foul mood.
Chuck Palahniuk (Damned (Damned, #1))
What we believe affects our choices, our actions, and subsequently, our lives. The Greeks believed in thier gods, and this belief affected everything else. History is written according to what men believe, whether or not it's true. As the writer of your own history, what you believe influences the paths you take. Do you believe in something that may be a myth? I'm not talking about religious beliefs, per se. I'm talking about things you've told yourself, or things you've been told for so long that you just assume that they are true.
Amy Harmon (A Different Blue)
Oh, I believe you. It’s too ridiculous not to be true. It’s just that each time my world gets stranger, I think: Right. We’re at maximum oddness now. At least I know the full extent of it. First, I find out my brother and I are descended from the pharaohs and have magic powers. All right. No problem. Then I find out my dead father has merged his soul with Osiris and Why not? Then my uncle takes over the House of Life and oversees hundreds of magicians around the world. Then my boyfriend turns out to be a hybrid magician boy/immortal god of funerals. And all the while I’m thinking, Of course! Keep calm and carry on! I’ve adjusted! And then you come along on a random Thursday, la-di-da, and say, Oh, by the way, Egyptian gods are just one small part of the cosmic absurdity. We’ve also got the Greeks to worry about! Hooray!
Rick Riordan (The Staff of Serapis (Demigods & Magicians, #2))
Do you remember what we were speaking of earlier, of how bloody, terrible things are sometimes the most beautiful?” he said. “It’s a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown back, throat to the stars, ‘more like deer than human being.’ To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn.
Donna Tartt (The Secret History)
Tell me what you do with the food you eat, and I'll tell you who you are. Some turn their food into fat and manure, some into work and good humor, and others, I'm told, into God. So there must be three sorts of men. I'm not one of the worst, boss, nor yet one of the best. I'm somewhere in between the two. What I eat I turn into work and good humor. That's not too bad, after all!' He looked at me wickedly and started laughing. 'As for you, boss,' he said, 'I think you do your level best to turn what you eat into God. But you can't quite manage it, and that torments you. The same thing's happening to you as happened to the crow.' 'What happened to the crow, Zorba?' 'Well, you see, he used to walk respectably, properly - well, like a crow. But one day he got it into his head to try and strut about like a pigeon. And from that time on the poor fellow couldn't for the life of him recall his own way of walking. He was all mixed up, don't you see? He just hobbled about.
Nikos Kazantzakis (Zorba the Greek)
Tell me something. Do you believe in God?' Snow darted an apprehensive glance in my direction. 'What? Who still believes nowadays?' 'It isn't that simple. I don't mean the traditional God of Earth religion. I'm no expert in the history of religions, and perhaps this is nothing new--do you happen to know if there was ever a belief in an...imperfect God?' 'What do you mean by imperfect?' Snow frowned. 'In a way all the gods of the old religions were imperfect, considered that their attributes were amplified human ones. The God of the Old Testament, for instance, required humble submission and sacrifices, and and was jealous of other gods. The Greek gods had fits of sulks and family quarrels, and they were just as imperfect as mortals...' 'No,' I interrupted. 'I'm not thinking of a god whose imperfection arises out of the candor of his human creators, but one whose imperfection represents his essential characteristic: a god limited in his omniscience and power, fallible, incapable of foreseeing the consequences of his acts, and creating things that lead to horror. He is a...sick god, whose ambitions exceed his powers and who does not realize it at first. A god who has created clocks, but not the time they measure. He has created systems or mechanisms that serves specific ends but have now overstepped and betrayed them. And he has created eternity, which was to have measured his power, and which measures his unending defeat.' Snow hesitated, but his attitude no longer showed any of the wary reserve of recent weeks: 'There was Manicheanism...' 'Nothing at all to do with the principles of Good and Evil,' I broke in immediately. 'This god has no existence outside of matter. He would like to free himself from matter, but he cannot...' Snow pondered for a while: 'I don't know of any religion that answers your description. That kind of religion has never been...necessary. If i understand you, and I'm afraid I do, what you have in mind is an evolving god, who develops in the course of time, grows, and keeps increasing in power while remaining aware of his powerlessness. For your god, the divine condition is a situation without a goal. And understanding that, he despairs. But isn't this despairing god of yours mankind, Kelvin? Is it man you are talking about, and that is a fallacy, not just philosophically but also mystically speaking.' I kept on: 'No, it's nothing to do with man. man may correspond to my provisional definition from some point of view, but that is because the definition has a lot of gaps. Man does not create gods, in spite of appearances. The times, the age, impose them on him. Man can serve is age or rebel against it, but the target of his cooperation or rebellion comes to him from outside. If there was only a since human being in existence, he would apparently be able to attempt the experiment of creating his own goals in complete freedom--apparently, because a man not brought up among other human beings cannot become a man. And the being--the being I have in mind--cannot exist in the plural, you see? ...Perhaps he has already been born somewhere, in some corner of the galaxy, and soon he will have some childish enthusiasm that will set him putting out one star and lighting another. We will notice him after a while...' 'We already have,' Snow said sarcastically. 'Novas and supernovas. According to you they are candles on his altar.' 'If you're going to take what I say literally...' ...Snow asked abruptly: 'What gave you this idea of an imperfect god?' 'I don't know. It seems quite feasible to me. That is the only god I could imagine believing in, a god whose passion is not a redemption, who saves nothing, fulfills no purpose--a god who simply is.
Stanisław Lem (Solaris)
A Persian, a Turk, an Arab, and a Greek were traveling to a distant land when they began arguing over how to spend the single coin they possessed among themselves. All four craved food, but the Persian wanted to spend the coin on angur; the Turk, on uzum; the Arab, on inab; and the Greek, on stafil. The argument became heated as each man insisted on having what he desired. A linguist passing by overheard their quarrel. “Give the coin to me,” he said. “I undertake to satisfy the desires of all of you.” Taking the coin, the linguist went to a nearby shop and bought four small bunches of grapes. He then returned to the men and gave them each a bunch. “This is my angur!” cried the Persian. “But this is what I call uzum,” replied the Turk. “You have brought me my inab,” the Arab said. “No! This in my language is stafil,” said the Greek. All of a sudden, the men realized that what each of them had desired was in fact the same thing, only they did not know how to express themselves to each other. The four travelers represent humanity in its search for an inner spiritual need it cannot define and which it expresses in different ways. The linguist is the Sufi, who enlightens humanity to the fact that what it seeks (its religions), though called by different names, are in reality one identical thing. However—and this is the most important aspect of the parable—the linguist can offer the travelers only the grapes and nothing more. He cannot offer them wine, which is the essence of the fruit. In other words, human beings cannot be given the secret of ultimate reality, for such knowledge cannot be shared, but must be experienced through an arduous inner journey toward self-annihilation. As the transcendent Iranian poet, Saadi of Shiraz, wrote, I am a dreamer who is mute, And the people are deaf. I am unable to say, And they are unable to hear.
Reza Aslan (No God But God: The Origins, Evolution and Future of Islam)