Soaring Gliding Quotes

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Falling in love is like leaping from a cliff. Your brain screams that it’s not a good idea and that hurt and pain will inevitably come to you. But your heart believes you can soar, glide and fly.
Marie Coulson (Bound Together (Bound Together, #1))
Starting the week with the wind at my back as I glide into a world of endless possibilities.
C. Toni Graham
Usually, when I dream of flying I am simply flapping my arms and somehow I lift off and glide through the sky. Last night was different. I missed you so much and my yearning was so powerful that I sprouted wings like a phoenix and soared to reach you. And now I finally understand: if you see lovers on a roof, do not worry. Surely, love has metamorphosed them.
Kamand Kojouri
The air is heavy, sweet with perfume, stirred only by a scratchy music that soars and glides and stuns itself against the walls.
Stuart Turton (The Seven Deaths of Evelyn Hardcastle)
The rat scuttles, the big cat creeps, the monkey dashes, The bat glides, the white crane soars, the lizard darts, And the owl hoots In the middle of the night.
Sandy Fussell (Owl Ninja (Samurai Kids, #2))
I saw thee once - only once - years ago: I must not say how many - but not many. It was a July midnight; and from out A full-orbed moon, that, like thine own soul, soaring, Sought a precipitate pathway up through heaven, There fell a silvery-silken veil of light, With quietude, and sultriness, and slumber, Upon the upturn'd faces of a thousand Roses that grew in an enchanted garden, Where no wind dared stir, unless on tiptoe - Fell on the upturn'd faces of these roses That gave out, in return for the love-light, Their odorous souls in an ecstatic death - Fell on the upturn'd faces of these roses That smiled and died in the parterre, enchanted By thee, and by the poetry of thy presence. Clad all in white, upon a violet bank I saw thee half reclining; while the moon Fell upon the upturn'd faces of the roses, And on thine own, upturn'd - alas, in sorrow! Was it not Fate, that, on this July midnight - Was it not Fate, (whose name is also Sorrow,) That bade me pause before that garden-gate, To breathe the incense of those slumbering roses? No footsteps stirred: the hated world all slept, Save only thee and me. (Oh, Heaven! - oh, G**! How my heart beats in coupling those two words!) Save only thee and me. I paused - I looked - And in an instant all things disappeared. (Ah, bear in mind the garden was enchanted!) The pearly lustre of the moon went out: The mossy banks and the meandering paths, The happy flowers and the repining trees, Were seen no more: the very roses' odors Died in the arms of the adoring airs. All - all expired save thee - save less than thou: Save only divine light in thine eyes - Save but the soul in thine uplifted eyes. I saw but them - they were the world to me. I saw but them - saw only them for hours - Saw only them until the moon went down. What wild heart-histories seemed to lie enwritten Upon those crystalline, celestial spheres! How dark a wo! yet how sublime a hope! How silently serene a sea of pride! How daring an ambition! yet how deep - How fathomless a capacity for love! But now, at length, dear Dian sank from sight, Into a western couch of thunder-cloud; And thou, a ghost, amid the entombing trees Didst glide away. Only thine eyes remained. They would not go - they never yet have gone. Lighting my lonely pathway home that night, They have not left me (as my hopes have) since. They follow me - they lead me through the years. They are my ministers - yet I their slave. Their office is to illumine and enkindle - My duty, to be saved by their bright fire, And purified in their electric fire, And sanctified in their elysian fire. They fill my soul with Beauty (which is Hope,) And are far up in Heaven - the stars I kneel to In the sad, silent watches of my night; While even in the meridian glare of day I see them still - two sweetly scintillant Venuses, unextinguished by the sun!
Edgar Allan Poe (The Raven and Other Poems)
To Helen I saw thee once-once only-years ago; I must not say how many-but not many. It was a july midnight; and from out A full-orbed moon, that, like thine own soul, soaring, Sought a precipitate pathway up through heaven, There fell a silvery-silken veil of light, With quietude, and sultriness, and slumber Upon the upturn'd faces of a thousand Roses that grew in an enchanted garden, Where no wind dared to stir, unless on tiptoe- Fell on the upturn'd faces of these roses That gave out, in return for the love-light Thier odorous souls in an ecstatic death- Fell on the upturn'd faces of these roses That smiled and died in this parterre, enchanted by thee, by the poetry of thy prescence. Clad all in white, upon a violet bank I saw thee half reclining; while the moon Fell on the upturn'd faces of the roses And on thine own, upturn'd-alas, in sorrow! Was it not Fate that, on this july midnight- Was it not Fate (whose name is also sorrow) That bade me pause before that garden-gate, To breathe the incense of those slumbering roses? No footstep stirred; the hated world all slept, Save only thee and me. (Oh Heaven- oh, God! How my heart beats in coupling those two worlds!) Save only thee and me. I paused- I looked- And in an instant all things disappeared. (Ah, bear in mind this garden was enchanted!) The pearly lustre of the moon went out; The mossy banks and the meandering paths, The happy flowers and the repining trees, Were seen no more: the very roses' odors Died in the arms of the adoring airs. All- all expired save thee- save less than thou: Save only the divine light in thine eyes- Save but the soul in thine uplifted eyes. I saw but them- they were the world to me. I saw but them- saw only them for hours- Saw only them until the moon went down. What wild heart-histories seemed to lie enwritten Upon those crystalline, celestial spheres! How dark a woe! yet how sublime a hope! How silently serene a sea of pride! How daring an ambition!yet how deep- How fathomless a capacity for love! But now, at length, dear Dian sank from sight, Into western couch of thunder-cloud; And thou, a ghost, amid the entombing trees Didst glide away. Only thine eyes remained. They would not go- they never yet have gone. Lighting my lonely pathway home that night, They have not left me (as my hopes have) since. They follow me- they lead me through the years. They are my ministers- yet I thier slave Thier office is to illumine and enkindle- My duty, to be saved by thier bright light, And purified in thier electric fire, And sanctified in thier Elysian fire. They fill my soul with Beauty (which is Hope), And are far up in heaven- the stars I kneel to In the sad, silent watches of my night; While even in the meridian glare of day I see them still- two sweetly scintillant Venuses, unextinguished by the sun!
Edgar Allan Poe
What is it like to feel Tao? It is an effortless flowing, a sweeping momentum. It is like bird song soaring and gliding over a vast landscape. You can feel this in your life: Events will take on a perfect momentum, a glorious cadence. You can feel it in your body: The energy will rise up in you in a thrilling crescendo, setting your very nerves aglow. You can feel it in your spirit: You will enter a state of such perfect grace that you will resound over the landscape of reality like ephemeral bird song. When Tao comes to you in this way, ride it for all that you are worth. Don't interfere. Don't stop - that brings failure, alienation, and regret. Don't try to direct it. Let it flow and follow it. When the Tao is with you, put aside all other concerns. As long as the song lasts, follow. Just follow.
Ming-Dao Deng (365 Tao: Daily Meditations)
The kite soars high in the sky. A myriad of colours gliding by … day swept. [Kite Day]
Susan L. Marshall (Bare Spirit: The Selected Poems of Susan Marshall)
Life without strife is a rose without thorns. Alive as one is thriving today towards tomorrow, Nowhere is the past but simply a school of memory. Dreams, wishes, goals then becomes a wheel of “wills,” Spirit of a unique being on each soul breathing. Care to ponder some matter or another? Awareness sliding towards discovery gliding… Peace, contentment, fulfillment, Enwrapped like a mirage enchantment. Soaring freely, excitingly, happily home-love-bound! Over precious moments in a breathing of a soul, Flowing high emotions, feelings, hearts in bliss. All around any season of one's existence, one asks: “Anyone out there? A heart of a soul that didn’t harden? A touch of a soul that didn’t hurt? A life of a soul that didn't love?” Sands of time, rough, warm, indefinite, simply spreading, transforming, mounting. Oasis of a soul from a desert journey, flourishing with endless beauty and security. Utmost bliss, fulfillment and contentment, under covers a struggling, hopeful soul, Laboring service, living justice, loving peace and tranquillity passed on to humanity!�
Angelica Hopes (Rhythm of a Heart, Music of a Soul)
A lot of wives are trying too hard to make their marriages work, but they can’t sustain the weight of what they’re doing, and they crash. God says, “I want you to soar on the wind of the Holy Spirit. Position yourself in Me, and let Me glide your marriage into a changed relationship.” When you are doing it God’s way, you don’t have to flap because you can soar.
Tony Evans (For Married Women Only: Three Principles for Honoring Your Husband (Tony Evans Speaks Out On...))
What will we do first?” Tabitha asked her. They were soaring high above the castle, descending in lazy loops as Tabitha slid from one warm updraft to another. Tabitha’s starlings glided around them like a halo.
Austin J. Bailey (The Mage & the Magpie (Magemother, #1))
They were as unexpected as a mirage, those dancers on the Pont des Arts. Strictly speaking, the bridge is for pedestrians only, but waltzing is allowed on special nights like this. A guitar, a violin, an accordian -- a tune everyone knows -- and the dancers begin to twirl, spin, soar and glide all around us, in love with life at 3/4 time. Did I say waltzing was allowed? Under these circumstances, it's mandatory.
Vivian Swift (Le Road Trip: A Traveler's Journal of Love and France)
God created us to soar, to dance, to fly—to live with gusto as we enjoy and discover the magnificence of the mysteries He has strewn through creation. He longs for us to hear His whispers throughout the day, to see the shadows of His ways moment by moment. But not only that; He also promises to walk with us through each day. Just as the sails caught the wind, letting the boat glide effortlessly through the water, so when our hearts are filled with the Spirit of God, we move ahead through life unburdened and with more ease.
Sally Clarkson (Own Your Life: Living with Deep Intention, Bold Faith, and Generous Love)
We don't jump, intentional. Shuffle, unsure. We don't confidently strut or crawl in despair. We're not dropped by some unseen hand, we don't squeeze in or glide with grace. We don't sprint (even when some might claim we're rushing). And we don't soar heavenward. We fall. Tumbling head over heels...
Joy McCullough (Enter the Body)
I swam underwater in a warm blue sea, gliding along a rocky seafloor. Colorful schools of fish scattered before me and dolphins swimming by my side struggled to keep up the pace. Picking up speed, I soared gracefully into the entrance of a sea cave, only to be engulfed by darkness and trapped in a small space. There was a sudden oppressive weight on my chest; I struggled to catch my breath as fear rose in my heart... ~ I woke to find the quilt pulled up over my head. Pushing it back, I came face to face with Charlie, sitting squarely on my chest with his eyes closed and paws curled up under his body.
Derrolyn Anderson (Between the Land and the Sea (Marina's Tales, #1))
The air is heavy, sweet with perfume, stirred only by a scratchy music that soars and glides and stuns itself against the walls. Large leaded windows look out over the garden at the rear of the house, gray clouds piling up beyond a cupola. Chairs and chaise longues have been gathered around the fire, young women draped over them like wilted orchids, smoking cigarettes and clinging to their drinks. The mood in the room is one of restless agitation rather than celebration. About the only sign of life comes from an oil painting on the far wall, where an old woman with coals for eyes sits in judgment of the room, her expression conveying her distaste for this gathering.
Stuart Turton (The 7½ Deaths of Evelyn Hardcastle)
Across the lilies was a pond, its waters a vibrant green from reflecting the trees around it. In the center of the pond swam two elegant white birds, their long necks curved toward one another. "Swans!" Cinderella breathed. She leaned against the bridge's rail and gazed at the pair of swans gliding across the pond. At her side, Charles rested his elbows on the bridge. "They're here every evening before sundown. Sometimes, during sunset, you can see the light dapple their feathers. Look." Rays of golden light stroked the swans' wings, which shimmered against the still waters. "I used to come here whenever I could to watch them," said Prince Charles. "I'm certain it's been the very same pair of swans for years. When I saw them, I'd feel a little less lonely." "How happy they look," mused Cinderella, watching as the swans took flight, their feet skidding across the pond before they soared into the sky. "Free to come and go as they please.
Elizabeth Lim (So This is Love)
C’mon,” said Harry, and he led Hermione and Mrs. Cattermole to the door. When the Patronuses glided out of the dungeon there were cries of shock from the people waiting outside. Harry looked around; the dementors were falling back on both sides of them, melding into the darkness, scattering before the silver creatures. “It’s been decided that you should all go home and go into hiding with your families,” Harry told the waiting Muggle-borns, who were dazzled by the light of the Patronuses and still cowering slightly. “Go abroad if you can. Just get well away from the Ministry. That’s the--er--new official position. Now, if you’ll just follow the Patronuses, you’ll be able to leave from the Atrium.” They managed to get up the stone steps without being intercepted, but as they approached the lifts Harry started to have misgivings. If they emerged into the Atrium with a silver stag, an otter soaring alongside it, and twenty or so people, half of them accused Muggle-borns, he could not help feeling that they would attract unwanted attention.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
New flames built inside her. He swiped a tongue down her sensitive folds once, twice before returning to her clit. Jada cried out, her throat arching. Aching. He didn’t stop. Not when she pleaded. Not when she begged. Thank God. She panted for more. Implored him to release her from this torture. To keep going. He took his cues from her, alternating between slowing and quickening the pace of his fingers and tongue as she responded. “Yes. Like that. Please. Donovan.” She looked down as he looked up. The expression on his face dazzled her. Determined. Intense. Focused on her. Making sure she was taken care of. Turned on. Wild. “Anything you want, baby.” He lowered his head and continued to feast on her like she was a banquet. Strong glides of his tongue were followed by slower swirls. Right when she was about to explode, he gentled his touch. The torture continued until she couldn’t take it anymore. “Donovan,” she pleaded. “I…can’t…” “I got you, baby.” A gentle squeeze of her clit with his teeth and she soared over the edge, tumbling straight down into the abyss.
Jamie Wesley (Fake It Till You Bake It (Sugar Blitz, #1))
Six blocks away at the telegraph office, Marie-Laure’s father presses his face to the window to watch two German motorcycles with sidecars roar through the Porte Saint-Vincent. The shutters of the town are drawn, but between slats, over sills, a thousand eyes peer out. Behind the motorcycles roll two trucks. In the rear glides a single black Mercedes. Sunlight flashes from the hood ornaments and chrome fittings as the little procession grinds to a stop on the ringed gravel drive in front of the soaring lichen-streaked walls of the Château de Saint-Malo.
Anthony Doerr (All the Light We Cannot See)
On your left you can see the Stationary Circus in all its splendor! Not far nor wide will you find dancing bears more nimble than ours, ringmasters more masterful, Lunaphants more buoyant!” September looked down and leftward as best she could. She could see the dancing bears, the ringmaster blowing peonies out of her mouth like fire, an elephant floating in the air, her trunk raised, her feet in mid-foxtrot—and all of them paper. The skin of the bears was all folded envelopes; they stared out of sealing-wax eyes. The ringmaster wore a suit of birthday invitations dazzling with balloons and cakes and purple-foil presents; her face was a telegram. Even the elephant seemed to be made up of cast-off letterheads from some far-off office, thick and creamy and stamped with sure, bold letters. A long, sweeping trapeze swung out before them. Two acrobats held on, one made of grocery lists, the other of legal opinions. September could see Latin on the one and lemons, ice, bread (not rye!), and lamb chops on the other in a cursive hand. When they let go of the trapeze-bar, they turned identical flips in the air and folded out into paper airplanes, gliding in circles all the way back down to the peony-littered ring. September gasped and clapped her hands—but the acrobats were already long behind them, bowing and catching paper roses in their paper teeth.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
And I see: Dominating the skyline, at the top of a tall building, a giant searchlight scanning the city. It glides eerily, swirls over the black water. It floats, soars above the skyline, encircles the nightcity. And crazily excited I wonder suddenly if that spotlight swirling nightly is not trying somehow to embrace it all—to embrace that fusion of savage contradictions within this legend called America And I know what it is I have searched beyond Neil’s immediate world of sought pain—something momentarily lost—something found again in the park, the fugitive rooms, the derelict jungles: the world of uninvited, unasked-for pain … found now, liberatingly, even in the memory of Neil himself. And I could think in that moment, for the first time really: It’s possible to hate the filthy world and still love it with an abstract pitying love.
John Rechy (City of Night (Independent Voices))
. For the night-wind has a dismal trick of wandering round and round a building of that sort, and moaning as it goes; and of trying, with its unseen hand, the windows and the doors; and seeking out some crevices by which to enter. And when it has got in; as one not finding what it seeks, whatever that may be, it wails and howls to issue forth again: and not content with stalking through the aisles, and gliding round and round the pillars, and tempting the deep organ, soars up to the roof, and strives to rend the rafters: then flings itself despairingly upon the stones below, and passes, muttering, into the vaults. Anon, it comes up stealthily, and creeps along the walls, seeming to read, in whispers, the Inscriptions sacred to the Dead. At some of these, it breaks out shrilly, as with laughter; and at others, moans and cries as if it were lamenting. It has a ghostly sound too, lingering within the altar; where it seems to chaunt, in its wild way, of Wrong and Murder done, and false Gods worshipped, in defiance of the Tables of the Law, which look so fair and smooth, but are so flawed and broken. Ugh! Heaven preserve us, sitting snugly round the fire! It has an awful voice, that wind at Midnight, singing in a church!
Charles Dickens (The Complete Works of Charles Dickens)
He raised his wand, but a dull hopelessness was spreading through him: How many more lay dead that he did not yet know about; he felt as though his soul had already half left his body. . . . “HARRY, COME ON!” screamed Hermione. A hundred dementors were advancing, gliding toward them, sucking their way closer to Harry’s despair, which was like a promise of a feast. . . . He saw Ron’s silver terrier burst into the air, flicker feebly, and expire; he saw Hermione’s otter twist in midair and fade; and his own wand trembled in his hand, and he almost welcomed the oncoming oblivion, the promise of nothing, of no feeling. . . . And then a silver hare, a boar, and a fox soared past Harry, Ron, and Hermione’s heads: The dementors fell back before the creatures’ approach. Three more people had arrived out of the darkness to stand beside them, their wands outstretched, continuing to cast their Patronuses: Luna, Ernie, and Seamus. “That’s right,” said Luna encouragingly, as if they were back in the Room of Requirement and this was simply spell practice for the D.A. “That’s right, Harry . . . come on, think of something happy. . . .” “Something happy?” he said, his voice cracked. “We’re all still here,” she whispered, “we’re still fighting. Come on, now. . . .
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
A thing of beauty is a joy for ever: Its loveliness increases; it will never Pass into nothingness; but still will keep A bower quiet for us, and a sleep Full of sweet dreams, and health, and quiet breathing. …yes, in spite of all, Some shape of beauty moves away the pall From our dark spirits. Such the sun, the moon, Trees old and young, sprouting a shady boon For simple sheep; and such are daffodils With the green world they live in; Nor do we merely feel these essences For one short hour; no, even as the trees That whisper round a temple become soon Dear as the temple’s self, so does the moon, The passion poesy, glories infinite, Haunt us till they become a cheering light Unto our souls, and bound to us so fast, That, whether there be shine, or gloom o’ercast, They alway must be with us, or we die. For ‘twas the morn: Apollo’s upward fire Made every eastern cloud a silvery pyre Of brightness so unsullied, that therein A melancholy spirit well might win Oblivion, and melt out his essence fine Into the winds: rain-scented eglantine Gave temperate sweets to that well-wooing sun; Man’s voice was on the mountains; and the mass Of nature’s lives and wonders puls’d tenfold, To feel this sun-rise and its glories old. With a faint breath of music, which ev’n then Fill’d out its voice, and died away again. Within a little space again it gave Its airy swellings, with a gentle wave, To light-hung leaves, in smoothest echoes breaking Through copse-clad vallies,—ere their death, oer-taking The surgy murmurs of the lonely sea. All I beheld and felt. Methought I lay Watching the zenith, where the milky way Among the stars in virgin splendour pours; And travelling my eye, until the doors Of heaven appear’d to open for my flight, I became loth and fearful to alight From such high soaring by a downward glance: So kept me stedfast in that airy trance, Spreading imaginary pinions wide. When, presently, the stars began to glide, And lo! from opening clouds, I saw emerge The loveliest moon, that ever silver’d o’er A shell for Neptune’s goblet: she did soar So passionately bright, my dazzled soul Commingling with her argent spheres did roll Through clear and cloudy, even when she went At last into a dark and vapoury tent— Whereat, methought, the lidless-eyed train Of planets all were in the blue again. To commune with those orbs, once more I rais’d My sight right upward: but it was quite dazed By a bright something, sailing down apace, Making me quickly veil my eyes and face: What I know not: but who, of men, can tell That flowers would bloom, or that green fruit would swell To melting pulp, that fish would have bright mail, The earth its dower of river, wood, and vale, The meadows runnels, runnels pebble-stones, The seed its harvest, or the lute its tones, Tones ravishment, or ravishment its sweet, If human souls did never kiss and greet?
John Keats
For unknown ages after the explosive outpouring of matter and energy of the Big Bang, the Cosmos was without form. There were no galaxies, no planets, no life. Deep, impenetrable darkness was everywhere, hydrogen atoms in the void. Here and there, denser accumulations of gas were imperceptibly growing, globes of matter were condensing-hydrogen raindrops more massive than suns. Within these globes of gas was kindled the nuclear fire latent in matter. A first generation of stars was born, flooding the Cosmos with light. There were in those times, not yet any planets to receive the light, no living creatures to admire the radiance of the heavens. Deep in the stellar furnaces, the alchemy of nuclear fusion created heavy elements from the ashes of hydrogen burning, the atomic building blocks of future planets and lifeforms. Massive stars soon exhausted their stores of nuclear fuel. Rocked by colossal explosions, they returned most of their substance back into the thin gas from which they had once condensed. Here in the dark lush clouds between the stars, new raindrops made of many elements were forming, later generation of stars being born. Nearby, smaller raindrops grew, bodies far too little to ignite the nuclear fire, droplets in the interstellar mist on their way to form planets. Among them was a small world of stone and iron, the early Earth. Congealing and warming, the Earth released methane, ammonia, water and hydrogen gases that had been trapped within, forming the primitive atmosphere and the first oceans. Starlight from the Sun bathed and warmed the primeval Earth, drove storms, generated lightning and thunder. Volcanoes overflowed with lava. These processes disrupted molecules of the primitive atmosphere; the fragments fell back together into more and more complex forms, which dissolved into the early oceans. After a while the seas achieved the consistency of a warm, dilute soup. Molecules were organized, and complex chemical reactions driven, on the surface of clay. And one day a molecule arose that quite by accident was able to make crude copies of itself out of the other molecules in the broth. As time passed, more elaborate and more accurate self replicating molecules arose. Those combinations best suited to further replication were favored by the sieve of natural selection. Those that copied better produced more copies. And the primitive oceanic broth gradually grew thin as it was consumed by and transformed into complex condensations of self replicating organic molecules. Gradually, imperceptibly, life had begun. Single-celled plants evolved, and life began generating its own food. Photosynthesis transformed the atmosphere. Sex was invented. Once free living forms bonded together to make a complex cell with specialized functions. Chemical receptors evolved, and the Cosmos could taste and smell. One celled organisms evolved into multicellular colonies, elaborating their various parts into specialized organ systems. Eyes and ears evolved, and now the Cosmos could see and hear. Plants and animals discovered that land could support life. Organisms buzzed, crawled, scuttled, lumbered, glided, flapped, shimmied, climbed and soared. Colossal beasts thundered through steaming jungles. Small creatures emerged, born live instead of in hard-shelled containers, with a fluid like the early ocean coursing through their veins. They survived by swiftness and cunning. And then, only a moment ago, some small arboreal animals scampered down from the trees. They became upright and taught themselves the use of tools, domesticated other animals, plants and fire, and devised language. The ash of stellar alchemy was now emerging into consciousness. At an ever-accelerating pace, it invented writing, cities, art and science, and sent spaceships to the planets and the stars. These are some of the things that hydrogen atoms do, given fifteen billion years of cosmic evolution.
Carl Sagan (Cosmos)
I'd watch the birds as a boy and Tutor Weng would snatch me back to his side. He'd had a smile for me then, knowing a child's dream to follow the birds skyward, but said that if I wished to fly, the only wings I could wear were those he offered, those made of books and learning. Only learning lifted us free and let us soar and glide with broad view and swift movement, and, persuaded, I'd put my wandering eyes back in his hands.
Ijen Kim (The Sunset Emperor)
Does a lack of life always equate to death? Perhaps it’s sometimes worse than that. For us, back then, it was. We were living an exiguity, an insufficiency which painfully demanded compensation, but to compensate for it we had nothing left. Silent. Perfectly silent as we were gliding across the icy earth. We didn't even leave traces anymore that could someday remind someone else that we had been there at all. How much does silence weigh and what amount of it can crush a man? However much: suddenly it was heavier on our shoulders. The silence, the air, the life that stuck to us like a tasteless chewing gum that we didn’t even want and all of a sudden, they ceased: the warm cloudlets, soaring into the icy air from my loosened lips. I stopped breathing.
Sima B. Moussavian (Tomorrow death died out: What if the future were past?)
Childhood is the period when we are full of dreams. We jump, we fly and we soar. It is almost as if wings have been implanted on us and we are rocketing and gliding in the sky. Sometimes, we reach the stars, sometimes we talk to the moon and at other times we swing on the rainbow. And these dreams are unidirectional, that is, we learn only to aspire and hope; without even wondering there could be any stop to our flights of fantasy.
Neelam Saxena Chandra (Lines of Fate: First Love and Other Stories)
To the timid, Opportunity says, "Approach." The hesitant whisper, "I'm unprepared, encroached." Opportunity smiles, "With me, you'll soar and glide." "For growth lies in challenges, not in the comfort beside
Enamul Haque
When we have a child, we take a leap off a cliff into magical air. We never stand on solid ground again. The updrafts and the downdrafts in this air are like none other. We soar, we glide, then we hit turbulence and hold on tight until the storm breaks and a cool morning breeze lifts us onward. We learn fear that we’ve never known, joy that we’ve never felt, and uncertainty that knows no bounds. In that air we know the best in life, even if we collide at times with the worst.
Edward M. Hallowell (The Childhood Roots of Adult Happiness: Five Steps to Help Kids Create and Sustain Lifelong Joy)
She isn't sure how long they sit like that, the two of them side by side, lost in their own thoughts, but it's a soft scratching sound that brings her attention back to the clearing. Opening her eyes, she looks across to where they had left the prone bird and is startled to see the hawk no longer lying beneath the leaf litter but standing upright, its head cocked, one beady orange eye peering at her with suspicion. "Look," she whispers, reaching for Jack's arm. Jack follows her gaze. The bird studies them a moment then hops clumsily away through the leaves towards the base of a tree. Lillian holds her breath, watching as it half-extends one wing. It hops a few more paces but it looks off-balance, too damaged to fly; but it's as if it hears her thought and determines to prove her wrong for suddenly it stretches out both wings and, in one fluid movement, takes flight across the clearing to land in the lowest branch of a nearby tree. Lillian feels her heart beating in her chest, a heady mix of excitement and elation. The sparrowhawk perches on the bough, its eye still fixed in their direction before it glides off the branch and sails low across the clearing in a showy swoop before soaring away through the trees and out of sight. "Well how about that?" says Jack. "Lazarus rises.
Hannah Richell (The Peacock Summer)
Even in our scientific age, which has taken much of the mystery out of many marvels, we still watch mesmerized as an eagle soars over a lake or a garter snake glides across the ground. How a ship in the heart of the sea, let’s say in a storm, somehow manages to stay afloat is a wonder. That a man ever obtains a woman’s affection or hand in marriage (or vice versa) is the greatest mystery of them all.
John D. Hunt (The Path of Wisdom: A Practical Guide to Extraordinary Living)
Gregori’s body bent first, feathers shimmering iridescent in the moonlight. A six-foot wingspan spread, and he glided to the high branch of a nearby tree, razor-sharp talons digging into a branch. The owl’s body went motionless, blended into the night, simply waited. Aidan was next, a peculiar golden color, powerful and lethal, just as silent. Byron’s form was shorter, more compact, his feathers a mantle of white. Mikhail’s solid form wavered in the shadows, and he launched himself into the night sky, the other three following. As if in perfect understanding, they soared higher, shimmering feathers beating strongly as they raced silently toward the clouds high above the forest floor. The wind rushed against their bodies, under their wings, riffling feathers, brushing away every vestige of sadness and violence left behind by the vampire. In the air they wheeled and banked sharply, four great birds in perfect synchronization. Joy erased dread and the heavy weight of responsibility in Mikhail’s heart, lifted guilt and replaced it with rapture. The powerful wings beat strongly as they raced across the sky together, and Mikhail shared his joy with Raven because he couldn’t contain it, not even in the owl’s powerful body. It spilled out, an invitation, a need to share one more pleasure of Carpathian life. Think, my love. Visualize what I put in your head. Trust me as you have never trusted me before. Allow me to give you this gift. There was no hesitation on her part. With complete faith in him, Raven gave herself into his keeping, reaching eagerly for the vision. The slight discomfort, the strange disorientation as her physical body dissolved, did not faze her. Feathers shimmered, sprouted. Beside her, Jacques stepped back, allowing the smaller female owl to hop onto a tall stone angel before his own large frame compressed, reshaped. Together they launched themselves into the night and soared high to join the other four powerful birds circling above them.
Christine Feehan (Dark Prince (Dark, #1))
revealing not that the individual was powerless but that he was powerful. That no matter what befell him, his spirit could not be crushed if he refused to let it be. It was magical, astounding; the narrator stands at the edge of a cliff, staring down into the roiling waters, and his heart soars with joy: like a gull gliding on the currents of the wind. Joy at having loved and having been loved. At having lost. Joy at the very fact of his existence.
Katrin Schumann (This Terrible Beauty)
She pressed against him, the thrust of her hips no longer moving in a measured circular motion, but a jagged, erratic, desperate motion. She was near the edge. "August, August," she repeated over and over like she was in a trance. He twisted his fingers inside her and ground the palm of his hand against her, right against her clit. He pinched her nipple with his other hand. Her back arched as she came against his fingers, her body shaking, her eyes dazed with wonder and joy as a loud, prolonged cry spilled from her lips. Watching Sloane come was one of the top highlights of his life. But they weren't done. Once again, he turned their bodies. This time, Sloane landed underneath him. He hastily procured a condom from the nightstand drawer, donned it, and covered Sloane's warm, tempting body in less than ten seconds. She welcomed him back with open arms. He wasted no time, thrusting inside her in one smooth glide. He burrowed his head in her shoulder as his skin buzzed with lust. How had he denied himself for this long? Being with her like this left nirvana in the dust. Then she twined her legs around his waist and lifted her hips. "Oh, shit." How was it possible that this position felt even better? "August, please. Move." "Yes, ma'am." Her wish would always be his command. Her cries of harder, faster urged him on. She liked hard, long strokes. He could do this for the rest of his life if that's what she wanted. Each time she whimpered when he retreated, only to cry out in ecstasy when he returned, made his heart soar. Made his determination to make it even better for her to soar. The tingle started at the base of his spine and spread to his extremities. He wouldn't last much longer. But not without her. Never without her. He kissed her again and found her clit. When she got close, she liked him to press hard against the bundle of nerves. With her cries ringing in his ears, he came, stars shooting across his eyes, shaking with the intensity of the orgasm.
Jamie Wesley (A Legend in the Baking (Sugar Blitz, #2))