Soap Me Quotes

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Soap?" "School of America in Paris" he explains. "SOAP". Nice. My father sent me here to be cleansed.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Neighbors bring food with death and flowers with sickness and little things in between. Boo was our neighbor. He gave us two soap dolls, a broken watch and chain, a pair of good-luck pennies, and our lives. But neighbors give in return. We never put back into the tree what we took out of it: we had given him nothing, and it made me sad.
Harper Lee (To Kill a Mockingbird)
Do you remember,” he said, “when we first met and I told you I was ninety percent sure putting a rune on you wouldn’t kill you—and you slapped me in the face and told me it was for the other ten percent?” Clary nodded. “I always figured a demon would kill me,” he said. “A rogue Downworlder. A battle. But I realized then that I just might die if I didn’t get to kiss you, and soon.” Clary licked her dry lips. “Well, you did,” she said. “Kiss me, I mean.” He reached up and took a curl of her hair between his fingers. He was close enough that she could feel the warmth of his body, smell his soap and skin and hair. “Not enough,” he said, letting her hair slip through his fingers. “If I kiss you all day every day for the rest of my life, it won’t be enough.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
This is, by far, the craziest shit I have ever seen," Kenji says. "I really never would've believed it. Not in a million years." "It's like a soap opera... But with worse acting." "I think it's kind of sweet...
Tahereh Mafi (Ignite Me (Shatter Me, #3))
Maybe I could love you someday." If you ever do," he said, "come and let me know. You know where to find me." Her teeth were chattering harder. "I can't lose you, Simon. I can't." You never will. I'm not leaving you. But I'd rather have what we have, which is real and true and important, than have you pretend anything else. When I'm with you, I want to know I'm with the real you, the real Clary." She leaned her head against his, closing her eyes. He still felt like Simon, despite everything; still smelled like him, like his laundry soap. "Maybe I don't know who that is." But I do.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
No short-haired, yellow-bellied, son of tricky dicky Is gonna mother hubbard soft soap me With just a pocketful of soap.
John Lennon
They always gives me bath salts," complained Nobby. "And bath soap and bubble bath and herbal bath lumps and tons of bath stuff and I can't think why, 'cos it's not as if I hardly ever has a bath. You'd think they'd take the hint, wouldn't you?
Terry Pratchett (Hogfather)
The older woman waiting for admittance looked at me, then over her shoulder at Patch, who was vanishing down the hall. “Honey,” she told me, “he looks slippery as soap.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
After a while it occurred to me that between the covers of each of those books lay a boundless universe waiting to be discovered while beyond those walls, in the outside world, people allowed life to pass by in afternoons of football and radio soaps, content to do little more than gaze at their navels.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
Then she did something that really surprised me. She blinked back tears and put out her arms. I stepped forward and hugged her. Butterflies started turning my stomach into a mosh pit. "Hey, it's... it's okay." I patted her back. I was aware of everything in the room. I felt like I could read the tiniest print on any book on the shelves. Annabeth's hair smelled like lemon soap. She was shivering.
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
Promise me you’ll marry me. Not now. Someday. Because I need to know.” Claire felt a flutter inside, like a bird trying to fly, and a rush of heat that made her dizzy. And something else, something fragile as a soap bubble, and just as beautiful. Joy, in the middle of all this horror and heartbreak. “Yes,” she whispered back. “I promise.” And she kissed him, and kissed him, and kissed him, while the sun came up and bathed Morganville in one last, shining day.
Rachel Caine (Last Breath (The Morganville Vampires, #11))
And to me also, who appreciate life, the butterflies, and soap-bubbles, and whatever is like them amongst us, seem most to enjoy happiness.
Friedrich Nietzsche (Thus Spoke Zarathustra)
If you will die for me, I will die for you and our graves will be like two lovers washing their clothes together in a laundromat If you will bring the soap I will bring the bleach.
Richard Brautigan
You do not,’ cried Giovanni, sitting up, ‘love anyone! You never have loved anyone, I am sure you never will! You love your purity, you love your mirror—you are just like a little virgin, you walk around with your hands in front of you as though you had some precious metal, gold, silver, rubies, maybe diamonds down there between your legs! You will never give it to anybody, you will never let anybody touch it—man or woman. You want to be clean. You think you came here covered with soap and you think you will go out covered with soap—and you do not want to stink, not even for five minutes, in the meantime.’ He grasped me by the collar, wrestling and caressing at once, fluid and iron at once: saliva spraying from his lips and his eyes full of tears, but with the bones of his face showing and the muscles leaping in his arms and neck. ‘You want to leave Giovanni because he makes you stink. You want to despise Giovanni because he is not afraid of the stink of love. You want to kill him in the name of all your lying little moralities. And you—you are immoral. You are, by far, the most immoral man I have met in all my life. Look, look what you have done to me. Do you think you could have done this if I did not love you? Is this what you should do to love?
James Baldwin (Giovanni’s Room)
Apparently unaffected, she rose. "Yeah, you're probably right. I should be going." She feigned a yawn. "You've gotta head back to work and I've gotta head to jail. Big night for me. I'm planning to shiv someone for a bar of soap. --
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
You love me. You ignore me. You save my life, then you cook my mother into soap.
Chuck Palahniuk (Fight Club)
In order to get the things I want, it helps me to pretend I’m a figure in a daytime drama, a schemer. Soap opera characters make emphatic pronouncements. They ball up their fists and state their goals out loud. ‘I will destroy Buchanan Enterprises,’ they say. ‘Phoebe Wallingford will pay for what she’s done to our family.’ Walking home with the back half of the twelve-foot ladder, I turned to look in the direction of Hugh’s loft. ‘You will be mine,’ I commanded.
David Sedaris (Me Talk Pretty One Day)
LADY LAZARUS I have done it again. One year in every ten I manage it-- A sort of walking miracle, my skin Bright as a Nazi lampshade, My right foot A paperweight, My face a featureless, fine Jew linen. Peel off the napkin O my enemy. Do I terrify?-- The nose, the eye pits, the full set of teeth? The sour breath Will vanish in a day. Soon, soon the flesh The grave cave ate will be At home on me And I a smiling woman. I am only thirty. And like the cat I have nine times to die. This is Number Three. What a trash To annihilate each decade. What a million filaments. The peanut-crunching crowd Shoves in to see Them unwrap me hand and foot-- The big strip tease. Gentlemen, ladies These are my hands My knees. I may be skin and bone, Nevertheless, I am the same, identical woman. The first time it happened I was ten. It was an accident. The second time I meant To last it out and not come back at all. I rocked shut As a seashell. They had to call and call And pick the worms off me like sticky pearls. Dying Is an art, like everything else. I do it exceptionally well. I do it so it feels like hell. I do it so it feels real. I guess you could say I've a call. It's easy enough to do it in a cell. It's easy enough to do it and stay put. It's the theatrical Comeback in broad day To the same place, the same face, the same brute Amused shout: 'A miracle!' That knocks me out. There is a charge For the eyeing of my scars, there is a charge For the hearing of my heart-- It really goes. And there is a charge, a very large charge For a word or a touch Or a bit of blood Or a piece of my hair or my clothes. So, so, Herr Doktor. So, Herr Enemy. I am your opus, I am your valuable, The pure gold baby That melts to a shriek. I turn and burn. Do not think I underestimate your great concern. Ash, ash-- You poke and stir. Flesh, bone, there is nothing there-- A cake of soap, A wedding ring, A gold filling. Herr God, Herr Lucifer Beware Beware. Out of the ash I rise with my red hair And I eat men like air. -- written 23-29 October 1962
Sylvia Plath (Ariel)
Despite having known him for almost a year, there were a lot of things I still didn't know about Zachary Goode. Like how soap and shampoo could smell so much better on him than anyone else. Like where he went when he wasn't mysteriously showing up at random (and frequently dangerous) points in my life. And, most of all, I didn't know how, when he mentioned the jacket, he made me think about the sweet, romantic part of the night last November when he'd given it to me, and not the terrible, bloody, international-terrorists-are-trying-to-kidnap-me part that came right after
Ally Carter (Only the Good Spy Young (Gallagher Girls, #4))
I have a little dog who likes to nap with me. He climbs on my body and puts his face in my neck. He is sweeter than soap. He is more wonderful than a diamond necklace, which can't even bark...
Mary Oliver
He wraps his arms around me and holds me tight for a few seconds. His breaths tickle my ear, and I close my eyes, letting myself finally relax. He smells like wind and sweat and soap, like Tobias and like safety.
Veronica Roth (Allegiant (Divergent, #3))
Cricket removes his hand. I blink at him, and he cautiously offers his arm. I hesitate. And then I take it. And then we're so close that I smell him. I smell him. His scent is clean like a bar of soap, but with a sweet hint of mechanical oil. We don't speak as he leads me across the street to the bus stop. I press against him. Just a little. His other arm jumps, and he lowers it. But then he raises it again, slowly, and his hand comes to rest on top of mine. It scorches. The heat carries a message: I care about you. I want to be connected to you. Don't let go.
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
So, you got QVC? (Simi) Afraid not, sweetie. (Astrid) You got Soap Net? (Zarek shook his head.) You got any TV? (Simi) Sorry. (Zarek) Are you kidding? You boring people. A demon needs her cable. Akri done tricked me. He didn’t tell me I’d have to go without cable. (Simi)
Sherrilyn Kenyon (Dance with the Devil (Dark-Hunter, #3))
For me the thing that signals a great story is what we might call its autonomy, the fact that it detaches itself from its author like a soap bubble blown from a clay pipe.
Julio Cortázar (Around the Day in Eighty Worlds)
Nobody needs to go anywhere else. We are all, if we only knew it, already there. If I only knew who in fact I am, I should cease to behave as what I think I am; and if I stopped behaving as what I think I am, I should know who I am. What in fact I am, if only the Manichee I think I am would allow me to know it, is the reconciliation of yes and no lived out in total acceptance and the blessed experience of Not-Two. In religion all words are dirty words. Anybody who gets eloquent about Buddha, or God, or Christ, ought to have his mouth washed out with carbolic soap.
Aldous Huxley (Island)
Let me stay here," he said. "There was soap.
Gabriel García Márquez
My fingers caught on something else as I withdrew them. It was his T-shirt, the white one with the holes in it. I filled my hands with the fabric and brought it up to my face. I caught the barest, faintest scent of him, soap and sandalwood and smoke, and in that moment, I felt not loss but need. Noah was there for me when I had no one else. He believed me when no one else did. He could not be gone, I thought, but my throat began to hurt and my chest began to tighten and I curled up in bed, knees to chest, head to knees, waiting for tears that never came and sleep that did.
Michelle Hodkin (The Retribution of Mara Dyer (Mara Dyer, #3))
Even without them touching me, I feel dirty about what I do. Alex does even filthier things but says it all washes off with soap. I don’t believe that. I think it all leaves stains. Indelible stains.
Ellen Hopkins (Tricks (Tricks, #1))
His mouth twisted into a perceptive, sexy smile. "Hmm." "Hmm?" I looked away, flustered, automatically using irritation to cover my discomfort up. "What does 'hmm' have to do with anything? Could you ever use more than five words? All this grunting and miced words make you come across--primal." His smile tipped higher. "Primal." "You're impossible." "Me Jev, you Nora." "Stop it." But I nearly smiled in spite of myself. "Since we're keeping it primal, you smell good," he observed. Hw moved closer, makin me acutely aware of his size, the rise and fall of his chest, the warm burn of his skin on mine. Electricity tingled along my scalp, and I shuddered with pleasure. "It's called a shower...," I began automatically, then trailed off. My memory snagged, taken aback by a compelling and forceful sense of undue familiarity. "Soap, shampoo, hot water," I added, almost as an afterthought. "Naked. I know the drill," Jev said, something unreadable passing over his eyes. Unsure how to proceed, I attempted to wash away the moment with an airy laugh. "Are you flirting with me, Jev?" "Does it feel that way to you?" "I don't know you well enough to say either way." I tried to keep my voice level, neutral even. "Then we'll have to change that." Still uncertain of his motives, I cleared my throat. Two could play this game. "Running from bad guys together is your idea of playing getting-to-know-you?" "No. This is." He dipped my body backward, drawing me up in a slow arc until he raised me flush against him. In his arms, my joints loosened, my defenses melting as he led me through the sultry steps.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
She wouldn't let go of the letter. She took it into the tub with her and squeezed it up in a wet ball, and only let me leave it in the soap dish when she saw that it was coming to pieces like snow.
F. Scott Fitzgerald (The Great Gatsby)
They're the ones inside a soap bubble. Not me.
Antonia Michaelis (The Storyteller)
And then I wonder, does my brother think of me this way? We entered this world together, one after the other, beats in a pulse. But I will be first to leave it. That's what I've been promised. When we were children, did he dare to imagine an empty space beside him where I then stood giggling, blowing soap bubbles through my fingers? When I die, will he be sorry that he loved me? Sorry that we were twins? Maybe he already is.
Lauren DeStefano (Fever (The Chemical Garden, #2))
Jaime," I said softly, "are you happy about it? About the baby?" Outlawed in Scotland, barred from his own home, and with only vague prospects in France, he could pardonably have been less than enthused about acquiring an additional obligation. He was silent for a moment, only hugging me harder, then sighed briefly before answering. "Aye, Sassenach," His hand stayed downward, gently rubbing my belly. "I'm happy. And proud as a stallion. But I am most awfully afraid too." "About the birth? I'll be all right." I could hardly blame him for apprehension; his own mother had died in childbirth, and birth and its complications were the leading cause of death for women in these times. Still, I knew a thing or two myself, and I had no intention whatever of exposing myself to what passed for medical care here. "Aye, that--and everything," he said softly. "I want to protect ye like a cloak and shield you and the child wi' my body." His voice was soft and husky, with a slight catch in it. "I would do anything for ye...and yet...there's nothing I can do. It doesna matter how strong I am, or how willing; I canna go with you where ye must go...nor even help ye at all. And to think of the things that might happen, and me helpless to stop them...aye, I'm afraid, Sassenach. "And yet"--he turned me toward him, hand closing gently over one breast--"yet when I think of you wi' my child at your breast...then I feel as though I've gone hollow as a soap bubble, and perhaps I shall burst with joy.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
I scoured myself with lye soap from head to toe to get the evil funk of demon snot off me. I have flossed things the gods never meant to be flossed and used things that would be toxic to most living organisms. All to sanitize my body for your chewing pleasure.
Sherrilyn Kenyon (No Mercy (Dark-Hunter, #15; Were-Hunter, #7))
Poking his head back through the bars, he kissed me. Not a quick peck on the cheek, either. No, kisses from Kale were enough to make a porn star blush. Just part of the awesome that was my boyfriend. My über hot, strangely innocent-yet-could-kill-you-with-a-bar-of-soap boyfriend.
Jus Accardo (Toxic (Denazen, #2))
Warner leans back, just a little. “Tell me what you want,” he says desperately. “Tell me what to do,” he says, “and I’ll do it.” “This is, by far, the craziest shit I have ever seen,” Kenji says. “I really never would’ve believed it. Not in a million years.” “It’s like a soap opera.” Ian nods. “But with worse acting.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
I’ve been stealing your soaps,” I tell him. He raises his eyebrows at me. “Sorry.” I feel myself blush. “Don’t feel bad,” he says, serious so suddenly. “You can have anything of mine you want. You can have all of it.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
Was I just curious about what the agenda might be at a vampire summit? Did I want the attention of more undead members of society? Did I want to be known as a fangbanger, one of those humans who simply adored the walking dead? Did some corner of me long for a chance to be near Bill without seeking him out, still trying to make some emotional sense of his betrayal? Or was this about Eric? Unbeknownst to myself, was I in love with the flamboyant Viking who was so handsome, so good at making love, and so political, all atthe same time? This sounded like a promising set of problems for a soap opera season.
Charlaine Harris (All Together Dead (Sookie Stackhouse, #7))
I’m a little dirty,” he said huskily, running his hand up and down the outside of one of her thighs. “I washed up but should have showered. Didn’t expect this.” “You probably should have expected this.” Her voice sounded a little breathless. “Yeah,” he agreed, his eyes darkening. “I probably should have.” “It’s okay,” she told him. “I’m washable.” Images of showers and soap bubbles tripped through her mind and she hoped through his as well. He gave her a little grin. “Good to know. Means I can get you really dirty.” Juliet felt her breathing quicken. She put her hand against his face, over his scar. “I really want that.” Sawyer slid a hand up her back and into her hair. He urged her closer until her lips were nearly against his. “Me, too.
Erin Nicholas (Beauty and the Bayou (Boys of the Bayou, #3))
He swallowed and shifted his weight a little uneasily, and then said, very quietly, his lips almost touching hers, 'Promise me you'll marry me. Not now. Someday. Because I need to know." Claier felt a flutter inside, like a bird trying to fly, and a ruch of heat that made her dizzy. And something else, something fragile as a soap bubble, and just as beautiful. Joy, in the middle of all this horror and heartbreak. 'Yes,' she whispered back. 'I promise.' And she kissed him, and kissed him, and kissed him, while the sun came up and bathed Morganville in one last, shining day.
Rachel Caine (Last Breath (The Morganville Vampires, #11))
In the afternoon dark clouds suddenly color the sky a mysterious shade and it starts raining hard, pounding the roof and windows of the cabin. I strip naked and run outside, washing my face with soap and scrubbing myself all over. It feels wonderful. In my joy I shut my eyes and shout out meaningless words as the large raindrops strike me on the cheeks, the eyelids, chest, side, penis, legs, and butt - the stinging pain like a religious initiation or something. Along with the pain there's a feeling of closeness, like for once in my life the world's treating me fairly. I feel elated, as if all of a sudden I've been set free. I face the sky, hands held wide apart, open my mouth wide, and gulp down the falling rain.
Haruki Murakami (Kafka on the Shore)
But Carroll's were more convoluted, and they struck me as funny in a new way: 1) Babies are illogical. 2) Nobody is despised who can manage a crocodile. 3) Illogical persons are despised. Therefore, babies cannot manage crocodiles. And: 1) No interesting poems are unpopular among people of real taste. 2) No modern poetry is free from affectation. 3) All of your poems are on the subject of soap bubbles. 4) No affected poetry is popular among people of taste. 5) Only a modern poem would be on the subject of soap bubbles. Therefore, all your poems are uninteresting.
Steve Martin (Born Standing Up: A Comic's Life)
I breathed him in, feeling the effect of him— his nearness, his support— permeate my being. The smell of his soap was muted now, the naturally seductive scent of his skin altering the fragrance into something richer and more delicious. When I was restless, he settled me.
Sylvia Day (Captivated by You (Crossfire, #4))
I'm not British.I'm American." I smile. "Sure you are." "I am.You have to be an American to attend SOAP,remember?" "Soap?" "School of America in Paris," he explains. "SOAP." Nice.My father sent me here to be cleansed.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Nothing I have witnessed, from lava to crustacean, assailed me liked the caked debris haunting that small plastic soap hammock in the smaller of the bathrooms. Nausea is not a sufficient word.
Werner Herzog
My mother brought me up to be respectable,” she said. “She never let me near the scullery, or the kitchen either.” “I don’t believe this!” Peter said. “Why is it respectable not to know how to do things? Is it respectable to light a fire with a bar of soap?
Diana Wynne Jones (House of Many Ways (Howl's Moving Castle, #3))
In a seperate cloth pouch I found little bottles of shampoo and soap and a toothbrush and the like,as well as a tiny brown glass vial of perfumed oil. It smelled of violets and chocolate. Yeah,like I needed the zombies to find me any more delicious.That'd be like a cow wearing eau de gravy.
Lia Habel (Dearly, Departed (Gone with the Respiration, #1))
I shower in the dark, barely able to tell soap from conditioner, and tell myself that I will emerge new and strong, that the water will heal me.
Veronica Roth (Insurgent (Divergent, #2))
I knew this would happen," Marla says. "You're such a flake. You love me. You ignore me. You save my life, then you cook my mother into soap.
Chuck Palahniuk (Fight Club)
I love hotel soaps. For some reason, I always believe those little soaps will bring me luck. So far, they have only brought me soap.
Edmond Manning (King Perry (The Lost and Founds, #1))
Now, say some shit like that to me again and I'll wash your mouth out with something other than soap, you feel me?” he grouses.
Mandi Beck (Love Hurts (Caged Love, #1))
Soap. If you’re going to do that, we might as well kill two birds with one stone.” Fen’s brows furrowed. “Why would you want to do that? Arrows are much more accurate.
Dana Marie Bell (Howl For Me (True Destiny, #3))
Despite all that she did for me, Melanie had a distant smell. She smelled like a floral guest soap in a strange house I was visiting.
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
I have never been able to use that soap since. Scents are too evocative and the merest whiff jerks me back to that first night away from my wife, and to the feeling I had then.
James Herriot (All Creatures Great and Small / All Things Bright and Beautiful / All Things Wise and Wonderful: Three James Herriot Classics)
...Television is cretinizing me – I can feel it. Soon I’ll be like the TV artists. You know the people I mean. Girls who subliminally model themselves on kid-show presenters, full of faulty melody and joy, Melody and Joy. Men whose manners show newscaster interference, soap stains, film smears. Or the cretinized, those who talk on buses and streets as if TV were real, who call up networks with strange questions, stranger demands...If you lose your rug, you can get a false one. If you lose your laugh, you can get a false one. If you lose your mind, you can get a false one.
Martin Amis (Money)
She swallowed, watching as the servants and Harry and Bert trooped out of the room. Lad, apparently not the brightest dog in the world, sat down next to Mickey O’Connor and leaned against his leg. Mr. O’Connor looked at the dog, looked at the damp spot growing on his breeches where the dog was leaning, and sighed. “I find me life is not as quiet as it used to be afore ye came to me palace, Mrs. Hollingbrook.” Silence lifted her chin. “You’re a pirate, Mr. O’Connor. I cannot believe your life was ever very quiet.” He gave her an ironic look. “Aye, amazin’, isn’t it? Yet since yer arrival me servants no longer obey me and I return home to find me kitchen flooded.” He crossed to a cupboard and took down a china teapot, a tin of tea, and a teacup. “And me dog smells like a whorehouse.” Silence glanced guiltily at Lad. “The only soap we could find was rose scented.
Elizabeth Hoyt (Scandalous Desires (Maiden Lane, #3))
Every night I had nightmares. I dreamed of rats the size of cats, dead bodies, and needles stuck into me. After we found out that the Nazi's had made soup out of Jewish fat, I dreamed that soap bars spoke to me in the voices of my parents and sisters, asking me, "Why are you washing with us?
Eva Mozes Kor (Surviving the Angel of Death: The True Story of a Mengele Twin in Auschwitz)
Allie.” Dean leans forward and fixes me with an eerily somber stare. “This show is fucking stupid.” “I know,” I say sheepishly. “But it’s addictive. Trust me, one episode of this crap and you’ll be hooked.” “Sorry, baby doll, but I can pretty much guarantee that’s not gonna happen.” * Dean It happened. God help me. I’m into this show. I came over tonight with the single-minded purpose of working the charm and convincing Allie to get naked with me again. Instead, I’m sipping on a margarita, I’ve just watched two hours’ worth of a French soap opera, and now I’m texting Logan to let him know I won’t make it to Malone’s. Because…God help me…I want to know what happens next.
Elle Kennedy (The Score (Off-Campus, #3))
It surprises me, though it shouldn't, how short the memories of these politicians are. They forget the brutal lengths women have gone to in order to terminate pregnancies when abortion was illegal or when abortion is unaffordable. Women have thrown themselves down stairs and otherwise tried to physically harm themselves to force a miscarriage. Dr. Waldo Fielding noted in the New York Times, "Almost any implement you can imagine had been and was used to start an abortion—darning needles, crochet hooks, cut-glass salt shakers, soda bottles, sometimes intact, sometimes with the top broken off." Women have tried to use soap and bleach, catheters, natural remedies. Women have historically resorted to any means necessary. Women will do this again if we are backed into that terrible corner. This is the responsibility our society has forced on women for hundreds of years.
Roxane Gay (Bad Feminist)
You know, Ella, you're not the first woman who's ever been in this shower with me--" "I'm shocked." I leaned back against him as he soaped my back. "--but you're for damn sure the first one who's ever worried about wasting water." "How much, would you say?" "Ten gallons per minute, give or take." "Oh my God. Hurry.We can't stay in here long. We'll throw the entire ecological system out of balance.
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
What are you doing?" "Washing your hair," he murmured and proceeded to stroke and massage the shampoo into her short, sopping cap of hair. "I'm going to enjoy smelling my soap on you." His lips curved. "You're a fascinating woman, Eve. Here we are, wet, naked, both of us half dead from a very memorable night, and still you watch me with very cool, very suspicious eyes." "You're a suspicious character, Roarke." "I think that's a compliment.
J.D. Robb (Naked in Death (In Death, #1))
Grandma Estella used to bathe me there when I was younger, working my knees and elbow with a washcloth and Ivory soap. Once, I asked her why she needed to scrub so hard it hurt. "Because we are not dirty people," she had said. Later, when I asked Mama about it, she told me when Grandma Estella was a little girl, her own teachers called her a dirty Mexican and it never left her, the shame of dirt.
Kali Fajardo-Anstine (Sabrina & Corina)
My fellow, you strike me at present as being situated in the moon, kingdom of dream, province of illusion, capital: Soap-Bubble.
Victor Hugo
What a mystery it was to me then: how she knew what temperature to keep the room overnight and what to dress the babies in so they’d be warm but not overly so, how she knew when to give paracetamol for a fever, and what times they needed to sleep depending on how old they were, and when to bring them into our beds for cuddles and when to be strict about sleep skills, and what the fuck sleep skills are, and not to use soap in their baths, and to try olive oil for the cradle cap, and which foods were safe for starting solids, and exactly how to serve them. How did she know all of this? It must have been built in, that’s what I thought. When Orly came along and it was just me, I realized how she’d known. She’d fucking learned. She’d had to, because somebody had to keep the babies alive, and so she bloody well got on with it.
Charlotte McConaghy (Wild Dark Shore)
The cult of friendship disturbs me. It's like our quality is supposed to be measured by the number of friends we have. For me, it's quite the inverse. When somebody says "I'm friends with everyone" I just assume they have the spine of your average jellyfish and the integrity of your average soap dish. "I have tons of close friends!" Ok, then you obviously have no standards. "I've slept with lots of people!" Good, I will shake your hand from inside this Hazmat suit. It's like you have to have friends or you're nothing, and you gotta have lots of friends, and the more friends you have the more value you have. This Is a way of lowering our standards to fit in. I'm a big fan of quality over quantity. Everyone wants to look at their life like it's a beer commercial they can just climb into. The larger the circle of friends the more alcohol is involved to blind yourself to the fact that you cant stand most of these assholes.
Stefan Molyneux
I’m not sure,” she said. “There’s no one answer to that. You have to find your own way. Sometimes I try to erase myself. I imagine a big pink soft soap eraser, and it’s going back and forth, back and forth, and it starts down at my toes, back and forth, back and forth, and there they go-poof!-my toes are gone. And then my feet. And then my ankles. But that’s the easy part. The hard part is erasing my senses-my eyes, my ears, my nose, my tongue. And last to go is my brain. My thoughts, memories, all the voices inside my head. That’s the hardest, erasing my thoughts.” She chuckled faintly. “My pumpkin. And then, if I’ve done a good job, I’m erased. I’m gone. I’m nothing. And then the world is free to flow into me like water into an empty bowl.
Jerry Spinelli (Stargirl (Stargirl, #1))
Fen shook his head and soaped up his hands. “You humans are very strange, mate.” Fen tipped his head. “I saw this video that showed women being tortured.” Jeff sobered. “What?” “They were submitting voluntarily too.” Jeff immediately relaxed as Fen’s hands ran over his body. “What were they doing?” “Getting something called a Brazilian...
Dana Marie Bell (Howl For Me (True Destiny, #3))
The Patty Winters Shows were all repeats. Life remained a blank canvas, a cliche, a soap opera. I felt lethal, on the verge of frenzy. My nightly bloodlust overflowed into my days and I had to leave the city. My mask of sanity was a victim of impending slippage. This was bone season for me and I needed a vacation. I needed to go to the Hamptons.
Bret Easton Ellis (American Psycho)
Arthuriana has become a genre in itself, more like TV soap opera where people think they know the characters. All that's fair enough, but it does remove the mythic power of the feminine and masculine principles. So I prefer it in its original form, even if you have to wade through Mallory's 'Le Morte d'Arthur' -- people smashing people for pages and pages! It still has the resonances of myth about it, which makes it work for me. I don't want to know if Mordred led an unhappy childhood or not.
Michael Moorcock
...the solitude was intoxicating. On my first night there I lay on my back on the sticky carpet for hours, in the murky orange pool of city glow coming through the window, smelling heady curry spices spiraling across the corridor and listening to two guys outside yelling at each other in Russian and someone practicing stormy flamboyant violin somewhere, and slowly realizing that there was not a single person in the world who could see me or ask me what I was doing or tell me to do anything else, and I felt as if at any moment the bedsit might detach itself from the buildings like a luminous soap bubble and drift off into the night, bobbing gently above the rooftops and the river and the stars.
Tana French (In the Woods)
Should i even bother scanning the crowd for my parents? I could turn around and go back to the dormitory. Then I see her. My mother stands alone near the railing with her hands clasped in front of her. she has never looked more out of place, with her gray slacks and gray jacket buttoned at the throat, her hair in its simple twist and her face placid. I start toward her, tears jumping into my eyes. She came. She came for me. I walk faster. She sees me, and for a second her expression is blank, like she doesn't know who I am. Then her eyes light up, and she opens her arms. She smells like soap and laundry detergent.
Veronica Roth (Divergent (Divergent, #1))
Me, I'm a bloody tissue sample dried on a bare mattress in my room at the Paper Street Soap Company.
Chuck Palahniuk (Fight Club)
He reminded me of the typical soap-opera star. His words were fake, his smile was fake, and his very presence affected me like nails on a chalkboard.
Jamie McGuire (Requiem (Providence, #2))
If the Palace doesn’t like my art, then I lose my work visa, and believe me, I do not want to go back to doing teen soaps in Wilmington.
Heather Cocks (The Royal We (Royal We, #1))
What the hell kind of soap opera did I just walk into here?” He runs a hand through his hair and says, “Why am I always getting involved in other people’s personal shit? Why can’t I just mind my own business? Why can’t I just keep my mouth shut?
Tahereh Mafi (Restore Me (Shatter Me, #4))
In writing the short novel Fahrenheit 451 I thought I was describing a world that might evolve in four or five decades. But only a few weeks ago, in Beverly Hills one night, a husband and wife passed me, walking their dog. I stood staring after them, absolutely stunned. The woman held in one hand a small cigarette-package-sized radio, its antenna quivering. From this sprang tiny copper wires which ended in a dainty cone plugged into her right ear. There she was, oblivious to man and dog, listening to far winds and whispers and soap-opera cries, sleep-walking, helped up and down curbs by a husband who might just as well not have been there. This was not fiction.
Ray Bradbury
What are you doing here?" I whispered, smiling in the dark. "I had to see you," he breathed into my cheek as he wrapped his arms around me, pulling me down until we were lying side by side on the bed. "I have so much to tell you, Aspen." "Shhh, don't say a word. If anyone hears, there'll be hell to pay. Just let me look at you." And so I obeyed. I stayed there, quiet and still, while Aspen stared into my eyes. When he had his fill of that, he went to nuzzling his nose into my neck and hair. And then his hands were moving up and down the curve of my waist to my hip over and over and over. I heard his breathing get heavy, and something about that drew me in. His lips, hidden in my neck, started kissing me. I drew in sharp breaths. I couldn't help it. Aspen's lips traveled up my chin and covered my mouth, effectively silencing my gasps. I wrapped myself around him, our rushed grabbing and the humidity of the night covering us both in sweat. It was a stolen moment. Aspen's lips finally slowed, though I was nowhere near ready to stop. But we had to be smart. If we went any further, and there was ever evidence of it, we'd both be thrown in jail. Another reason everyone married young: Waiting is torture. "I should go," he whispered. "But I want you to stay." My lips were by his ears. I could smell his soap again. "America Singer, one day you will fall asleep in my arms every night. And you'll wake up to my kisses every morning. And them some." I bit my lip at the thought. "But now I have to go. We're pushing our luck." I sighed and loosened my grip. He was right. "I love you, America." "I love you, Aspen." These secret moments would be enough to get me through everything coming: Mom's disappointment when I wasn't chosen, the work I'd have to do to help Aspen save, the eruption that was coming when he asked Dad for my hand, and whatever struggles we'd go through once we were married. None of it mattered. Not if I had Aspen.
Kiera Cass (The Selection (The Selection, #1))
When I’d checked into the bathroom with Seymour’s diary under my arm, and had carefully secured the door behind me, I spotted a message almost immediately. It was not, however, in Seymour’s handwriting but, unmistakably, in my sister Boo Boo’s. With or without soap, her handwriting was always almost indecipherably minute, and she had easily managed to post the following message up on the mirror; 'Raise high the roof beam, carpenters. Like Ares comes the bridegroom, taller far than a tall man. Love, Irving Sappho, formerly under contract to Elysium Studios Ltd. Please be happy happy happy with your beautiful Muriel. This is an order. I outrank everybody on this block.
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
Are you cold?” he asks, turning toward me to run the backs of his fingers up and down my upper arm, as if testing the temperature of my skin. “Here,” he says, taking off his jacket and draping it over my shoulders. The jacket is warm and heavy and smells just like Nash, like whatever cologne or soap he uses. I figure it must be called delicious, maybe by Armani or some other fancy designer. It almost makes my mouth water. “Is that better?” He wraps his arm around me, too, as if to ensure I won’t be cold. Of course, I won’t complain. Even if I was sweating, I wouldn’t complain. “That’s much better, thank you.
M. Leighton (Down to You (The Bad Boys, #1))
Life, with all its ups and downs, taught me priceless lessons. I learned that we all make our own private little worlds, just like children make the soap bubbles. With patience and practice and a model to follow, they manage to make their bubbles larger or more lasting. It’s much the same for we adults and the unique worlds we create for ourselves.
Lili Naghdi (On Loving)
You must attract a lot of attention on the road,” I said, “doing all that.” “Yeah, sometimes,” she said. “Yesterday, I pulled into a gas station, and this truck driver followed right behind me and pulled up alongside. He said, ‘Ma’am, I have been driving behind you for the last forty-five minutes, and I’ve been watching. First you did your makeup. Then you did your hair. Then you did your nails. I just wanted to get up close and see what you looked like.’ He gave me a big wink and told me I was right pretty. But then he said, ‘Let me ask you something. I noticed every couple of minutes you’ve been reaching over and foolin’ with something on the seat next to you. Whatcha got over there?’ ‘That’s my TV,’ I told him. ‘I can’t miss my soaps!
John Berendt (Midnight in the Garden of Good and Evil)
We are seeing a globalization of indifference. There is a culture of conflict, which makes us think only of ourselves. Makes us live in soap bubbles which, however lovely, are also insubstantial. We've become used to the suffering of others. It doesn't affect me. No one in our world feels responsible.
Jonathan Pryce - Pope Francis
For quite some time now, like the foetus inside a womb, a terrible knowledge had been ripening within me and filling my soul with frightened foreboding: that the Infinite Universe is inflating at incredible speed, like some ridiculous soap bubble. I become obsessed with a miser's piercing anxiety whenever I allow myself to think that the Universe may be slipping out into space, like water through cupped hands, and that, ultimately—perhaps even today, perhaps not till tomorrow or for several light years—it will dissolve for ever into emptiness, as though it were made not of solid matter but only of fleeting sound.
Tadeusz Borowski (This Way for the Gas, Ladies and Gentlemen)
And even to me, one who likes life, it seems butterflies and soap bubbles and whatever is of their kind among human beings know most about happiness. To see these light, foolish, delicate, sensitive little souls fluttering--that seduces Zarathustra to tears and songs. I would only believe in a god who knew how to dance. And when I saw my devil, there I found him earnest, thorough, deep, somber; it was the spirit of gravity -- through him all things fall. Not by wrath does one kill, but by laughing. Up, let us kill the spirit of gravity!
Friedrich Nietzsche
With that, she pounced upon me, like an eagle on a lamb, and my face was squeezed into wooden bowls in sinks, and my head was put under taps of water-butts, and I was soaped, and kneaded, and towelled, and thumped, and harrowed, and rasped, until I really was quite beside myself. (I may here remark that I suppose myself to be better acquainted than any living authority, with the ridgy effect of a wedding-ring, passing unsympathetically over the human countenance.)
Charles Dickens (Great Expectations)
Sex appeal wasn’t created in a gym with weights and treadmills. No, it was born in powerful, grungy garages where men, real fucking men worked with their hands. Where they got so dirty, they had to use a special manly soap to clean themselves up. You can’t find that shit at Bath & Body. Pure fucking testosterone.
Amy Daws (Wait With Me (Wait With Me, #1))
It just wasn’t supposed to end like this.” She looks at me with red-rimmed eyes and yellow skin. Colors should be a good thing, but now, they’re marks, omens of bad tidings. “I was supposed to grow up, go to college, get a job,” she continues in that gut-clenching croak. “Meet my dream guy, marry, have k-kids. You were going to live next door and we would grow old in the same nursing home. Chuck oatmeal at each other and watch soap operas all day in our rocking chairs. That was my daydream. My perfect life. I don’t want to keep asking myself why until the end, but … ” A lone tear trails down her sunken cheek. This time I don’t reach out to wipe the water away; I let it go. Down, down, until it drips off the side of her jaw. This is humanity. This is life and death in one room.
Kelsey Sutton (Some Quiet Place (The Other Plane, #1))
It is true we love life; not because we are wont to live, but because we are wont to love. There is always some madness in love. But there is always, also, some method in madness. And to me also, who appreciate life, the butterflies, and soap-bubbles, and whatever is like them amongst us, seem most to enjoy happiness
Friedrich Nietzsche (Thus Spoke Zarathustra)
Is soap cool again, or is body wash still the way to go?
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
It reminded me of seeing a preview for a new soap opera episode; not matter how off-the-wall my theories were, the show's writers always came up with something unexpected.
Nicole Castle (Chance Assassin: A Story of Love, Luck, and Murder (Chance Assassin, #1))
Snatching my hand in the death grip of his fingers, he pulls me off the wall to line his chest, closing his body around me in a muscular cage which smells of leather and soap.
Poppet (Sveta (Neuri, #1))
My life is a soap opera.
C.E. Starkweather (Bully Me (Bully Me Book 1))
Gasoline-scented soap is a great idea that’s a terrible idea. Plus, if I made soap that smelled like petroleum, The US Military would invade my shower and kill me.
Jarod Kintz (There are Two Typos of People in This World: Those Who Can Edit and Those Who Can't)
Zay shrugged one shoulder. “I wouldn’t say it was entirely innocent. All that warm, wet water touching us everywhere. And the soap definitely had ulterior motives.” I wrapped the towel around me, tucking it tight at the top. “That career in comedy? Walk away now, Jones.
Devon Monk (Magic on the Storm (Allie Beckstrom, #4))
The shimmering bubbles of happiness that had been floating all around me popped one by one, the whole breathlessness of our summer becoming nothing more than old soap on a stained industrial carpet.
Heather Demetrios (I'll Meet You There)
After that first crowded day I retired to one of those green-tiled sanctuaries and lathered myself with a new bar of a famous toilet soap which Helen had put in my bag. I have never been able to use that soap since. Scents are too evocative and the merest whiff jerks me back to that first night away from my wife, and to the feeling I had then. It was a dull, empty ache which never really went away.
James Herriot (Three James Herriot Classics: Volume 1 (All Creatures Great and Small, #1-3))
I want gifts and Christmas music. I don’t care how many Draziri are out there. They won’t take Christmas from me.” “Yes, but we don’t have a suitable male,” Orro said. “And only one dog.” I looked at him. “What is this Christmas?” Wing asked. Orro turned from the stove. “It’s the rite of passage during which the young males of the human species learn to display aggression and use weapons.” Sean stopped what he was doing and looked at Orro. “The young men go out in small packs,” Orro continued. “They brave the cold and come into conflict with other packs and they have to prove their dominance through physical combat. Their fathers teach them lessons in the proper use of swear words, and the young men have to undergo tests of endurance, like holding soap in their mouths and licking cold metal objects.” Sean made a strangled noise. “At the end of their trials, they go to see a wise elder in a red suit to prove their worth. If they are judged worthy, the family erects a ceremonial tree and presents them with gifts of weapons.” Sean was clearly struggling, because his head was shaking. “Also,” Orro added, “a sacrificial poultry is prepared and then given to the wild animals, probably to appease the nature spirits.” Sean roared with laughter.
Ilona Andrews (One Fell Sweep (Innkeeper Chronicles, #3))
Every single time I get sent to her, she asks me questions that sound like they came from some “How to Talk to Statistical Black Children Who Come to Your Office Often” handbook. How is your home life? (None of your business.) Have you witnessed any traumatic events lately, such as shootings? (Just because I live in the “ghetto” doesn’t mean I dodge bullets every day.) Are you struggling to come to terms with your father’s murder? (It was twelve years ago. I barely remember him or it.) Are you struggling to come to terms with your mother’s addiction? (She’s been clean for eight years. She’s only addicted to soap operas these days.) What’s good with you, homegirl, nah’mean? (Okay, she hasn’t said that, but give her time.)
Angie Thomas (On the Come Up)
Coconut,” I say. “You always smell coconut-y.” Then, because it’s dark in the van, and because I’m wiped out from all the panic and my guard is down, I add, “You always smell good.” “Sex Wax.” “What?” I sit up a little straighter. He reaches down to the floorboard and tosses me what looks like a plastic-wrapped bar of soap. I hold it up to the window to see the label in the streetlight. “Mr. Zog’s Sex Wax,” I read. “You rub it on the deck of your board,” he explains. “For traction. You know, so you don’t slip off while you’re surfing.” I sniff it. That’s the stuff, all right. “I bet your feet smell heavenly.” “You don’t have a foot fetish thing, do you?” he asks, voice playful. “I didn’t before, but now? Who knows.” The tires of the van veer off the road onto the gravelly shoulder, and he cuts the wheel sharply to steer back onto the pavement. “Oops.” We chuckle, both embarrassed. I toss the wax onto the floorboard. “Well, another mystery solved
Jenn Bennett (Alex, Approximately)
First, you hand over some basics--overwhelming joy, existential angst, a giving-in to desire, etc. And then you promise to withstand talking idly about the weather, to encourage cliché, to uphold the virtues of average. You hand over the need to be understood and, in return, you get a bar of Normal soap. And you can wash in it and be daily reborn to a safe world of modest, enduring love or, at least, mild, well-mannered bonding.
Julianna Baggott (Which Brings Me to You)
Merkin had used only one drop of the “just soap.” Two drops would have made her Master walk slightly awkwardly. Three drops would have made a Victorian gentleman utter something really lustful, such as “you transfix me quite.
Sorin Suciu (The Scriptlings)
Many building custodians across the country would tell you that UCLA left the shower and dressing room the cleanest of any team. We picked up all the tape, never there soap on the shower floor for someone to slip on, made sure all the showers were turned off and all towels were accounted for. The towels were always deposited in a receptacle, if there was one, or stacked nearly near the door. It seems to me that this is everyone's responsibility-not just the mangers's. Furthermore, I believe it is a form of discipline that should be a way of life, not to please some building custodian, but as an expression of courtesy and politeness that each of us owes to his follow-man. These little things establish a spirit of togetherness and consideration that help unite the team into a solid unit.
John Wooden (They Call Me Coach)
Wonder then is a force of liberation, it makes sense of what our souls inherently know we were meant for. Every mundane glimpse is salve on a wound, instructions for how to set the bone right again. If you really want to get free, find God on the subway, find God in the soap bubble. Me, I meet God in the taste of my grandmas chicken, I hear God in the raspy leather of Nina Simones voice, I see the face of God in the boney teenager bagging my groceries and why shouldn't I? My faith is held together by wonder, by ever defined commitment to presence and paying attention.
Cole Arthur Riley (This Here Flesh: Spirituality, Liberation, and the Stories That Make Us)
Let me soap you," he murmured. "Thank you for your good intentions," she said, "but my two hands are quite enough." "Even if it's just your back," the foreigner begged. "That would be silly," she said. "People never soap their backs.
Gabriel García Márquez (One Hundred Years of Solitude)
She reached for the milk and honey soap, then poured it into the puff, but when she started washing him with it, he chuckled. “Uh, sweetheart?” “Hmm?” Candice mumbled as she stared at some interesting spot on his arm. “Real men don’t use puffs,” he said, amused and turned on by having Candice’s undivided attention. She finally managed to drag her gaze away from his forearm and stared at him as if he’d lost his mind. “You can’t be serious?” When he only shrugged, she rolled her eyes. “What does it matter what I use, so long as you’re clean?” “It matters, believe me.” Blade knew he sounded absurd but he couldn’t help it. It was bad enough he’d let her put bandages on a few measly cuts; if word got out he’d let her use a peach-colored puff and milk-and-honey bath soap he’d never hear the end of it. A man had to put his foot down somewhere.
Anne Rainey (Tasting Candy (Vaughn, #2))
I relaxed back into the mattress as other elements in the room began to filter though my senses, namely the extraordinary warmth at my back. The air was filled with the smell of masculine skin and hints of cologne, soap, and dryer sheets. Hank was back. And his scent wasn't the only thing surrounding me; his arm was thrown over my hip and my back was tucked nicely against his front. ... It was nice. Good. Right, even. And then another feeling struck me in a novel way. Protected. I felt protected. A disbelieving laugh bubbled in my throat as I lay there, a small smile parked on my face. I was always the one out there protecting people. And after Will and I had split, I'd had no one to go to for comfort, to let all my guards down, to take a rest from being the caregiver, provider, guard, and detective. To let someone else be tough for a while. Had to admit, I liked it. And I never thought in a gazillion years I'd find this feeling with an off-worlder. I liked Hank's strength, his power, his quirky humor, even the badass attitude he caught sometimes. I was in so much trouble.
Kelly Gay (The Hour of Dust and Ashes (Charlie Madigan, #3))
When he stepped into the shower, the hot water scalded him. He let it run over his face, burning his eyelids. He put up with the pain, his jaw clenched and his muscles taut, suppressing the urge to howl with loneliness in the suffocating steam. For four years, one month, and twelve days, Nikon always got into the shower with him after they made love and soaped his back slowly, interminably. And often she put her arms around him, like a little girl in the rain. One day I'll leave without ever really knowing you. You'll remember my big, dark eyes. The reproachful silences. The moans of anxiety as I slept. The nightmares you couldn't save me from. You'll remember all this when I'm gone.
Arturo Pérez-Reverte (The Club Dumas)
I went to the bathroom when I got home and examined the cut. The swelling seemed down. Maybe. Maybe the light in the bathroom just wasn’t strong enough for me to see clearly. I cleaned it with soap and water, patted it dry, applied hand sanitizer, and then rebandaged my finger.
John Green (Turtles All the Way Down)
Soap wasn't invented until the Romans, who also invented interesting sex. (Since my editor informs me that a gardening book is not a proper venue for discussions of interesting sex, I will go into this topic in more detail when I write my private memoirs, 'A Petunia Named Desire').
Cassandra Danz (Mrs. Greenthumbs: How I Turned a Boring Yard into a Glorious Garden and How You Can, Too)
It’s that I no longer know where I am. I seem to move around perfectly easily among people, to have perfectly normal relations with them. Is it possible, I ask myself, that all of them are participants in a crime of stupefying proportions? Am I fantasizing it all? I must be mad! Yet every day I see the evidences. The very people I suspect produce the evidence, exhibit it, offer it to me. Corpses. Fragments of corpses that they have bought for money. It is as if I were to visit friends, and to make some polite remark about the lamp in their living room, and they were to say, “Yes, it’s nice, isn’t it? Polish-Jewish skin it’s made of, we find that’s best, the skins of young Polish-Jewish virgins.” And then I go to the bathroom and the soap wrapper says, “Treblinka – 100% human stereate.” Am I dreaming, I say to myself? What kind of house is this? Yet I’m not dreaming. I look into your eyes, into Norma’s, into the children’s, and I see only kindness, human kindness. Calm down, I tell myself, you are making a mountain out of a molehill. This is life. Everyone else comes to terms with it, why can't you? Why can't you?
J.M. Coetzee (Elizabeth Costello)
I bet you didn’t know,” he said, “whenever you wanted to shower – I liked to come on the soap. ” I gaped at him. “You did what?” He gave a deep laugh then drew a long, slow breath through his mouth. Under my ass, I could feel how much remembering this was arousing him. “I used to come on the soap. I loved thinking about you rubbing my come all over your body, your nipples, your stomach….” He trailed his finger down to my pubic bone. “…Between your legs.” My breath hitched when he traced his finger down to my testicles. Just that simple touch was enough to get me going again, but I knew this arousal wasn’t merely from the physical contact. I pressed my lips tight and moaned.” “I always wondered if you ever experimented with it,” he continued, his voice now soft and husky. “Did you ever lube yourself? I loved thinking you had my come in your ass.” “Ven….” I closed my eyes when he licked my chest. “Ahh, I always knew you were a pervert but this takes perversity to a whole new level.
Passhenette1 (Chronic Carnalli Complex (Carnalli Brothers, #2))
She scrubs me until I spit soapy water. Pig, she smiles. A man should smell better than his country— such is the silence of a woman who speaks against silence, knowing silence moves us to speak. She throws my shoes and glasses in the air, I am of deaf people and I have no country but a bathtub and an infant and a marriage bed! Soaping together is sacred to us. Washing each other’s shoulders. You can fuck anyone—but with whom can you sit in water?
Ilya Kaminsky (Deaf Republic)
Nine-thirty. I throw on my bathrobe. With soap in one hand, and potty, hairpins, panties, curlers and a wad of cotton in the other, I hurry out of the bathroom. The next in line invariably calls me back to remove the gracefully curved but unsightly hairs that I’ve left in the sink. Ten o’clock. Time
Anne Frank (The Diary of a Young Girl)
We stand staring at each other silently, and then he takes three giant strides toward me and wraps his arms around me so tight it’s like his large body is a cocoon around mine. He smells like sun and soap and something new that I don’t recognize. When he speaks, his voice is a deep rasp that I want to drown in.
Carley Fortune (Every Summer After)
She was looking at him steadily; he however, found it difficult to look back at her; it was like gazing into a brilliant light. Nice view, he said feebly, pointing toward with window. She ignored this. He could not blame her. I couldn't think what to get you, she said. You didn't have to get me anything. She disregarded this too. I didn't know what would be useful. Nothing too big, because you wouldn't be able to take it with you. He chanced a glance at her. She was not tearful; that was one of the many wonderful things about Ginny, she was rarely weepy. He had sometimes thought that having six brothers must have toughened her up. She took a step closer to him. So then I thought, I'd like you to have something to remember me by, you know, if you meet some Veela when you're off doing whatever you're doing. I think dating opportunities are going to be pretty thin on the ground, to be honest. There's the silver lining I've been looking for, she whispered, and then she was kissing him as she had never kissed him before, and Harry was kissing her back, and it was blissful oblivion better than firewhiskey; she was the only real thing in the world, Ginny, the feel of her, one hand at her back and one in her long, sweet-smelling hair- The door banged open behind them and they jumped apart. Oh, said Ron pointedly. Sorry. Ron! Hermione was just behind him, slight out of breath. There was a strained silence, then Ginny had said in a flat little voice, Well, happy birthday anyway, Harry. Ron's ears were scarlet; Hermione looked nervous. Harry wanted to slam the door in their faces, but it felt as though a cold draft had entered the room when the door opened, and his shining moment had popped like a soap bubble. All the reasons for ending his relationship with Ginny, for staying well away from her, seemed to have slunk inside the room with Ron, and all happy forgetfulness was gone. He looked at Ginny, wanting to say something, though he hardly knew what, but she had turned her back on him. He thought that she might have succumbed, for once, to tears. He could not do anything to comfort her in front of Ron. I'll see you later, he said, and followed the other two out of the bedroom.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
This here," he said playing with it, "is a stone, and will, after a certain time, perhaps turn into soil, and will turn from soil into a plant or animal or human being. In the past, I would have said: This stone is just a stone, it is worthless, it belongs to the world of the Maja; but because it might be able to become also a human being and a spirit in the cycle of transformations, therefore I also grant it importance. Thus, I would perhaps have thought in the past. But today I think: this stone is a stone, it is also animal, it is also god, it is also Buddha, I do not venerate and love it because it could turn into this or that, but rather because it is already and always everything— and it is this very fact, that it is a stone, that it appears to me now and today as a stone, this is why I love it and see worth and purpose in each of its veins and cavities, in the yellow, in the gray, in the hardness, in the sound it makes when I knock at it, in the dryness or wetness of its surface. There are stones which feel like oil or soap, and others like leaves, others like sand, and every one is special and prays the Om in its own way, each one is Brahman, but simultaneously and just as much it is a stone, is oily or juicy, and this is this very fact which I like and regard as wonderful and worthy of worship.
Hermann Hesse (Siddhartha)
It's hard to do nothing totally. Even just sitting here, like this, our bodies are churning, our minds are chattering. There's a whole commotion going on inside us." "That's bad?" I said. "It's bad if we want to know what's going on outside ourselves." "Don't we have eyes and ears for that?" She nodded. "They're okay most of the time. But sometimes they just get in the way. The earth is speaking to us, but we can't hear because of all the racket our senses are shaking. Sometimes we need to erase them, erase our senses. Then-maybe- the earth will touch us. The universe will speak. The stars will whisper." The sun was glowing orange now, clipping the mountains' purple crests. "So how do I become this nothing?" "I'm not sure,"she said "There's no one answer to that. You have to find your own way. Sometimes I try to erase myself. I imagine a big pink soft soap eraser, and it's going back and forth, back and forth, and it starts down at my toes, back and forth, back and forth, and there they go-poof!-my toes are gone. And then my feet. And then my ankles. But that's the easy part. The hard part is erasing my senses-my eyes,my ears,my nose, my tongue. And last to go is my brain. My thoughts, memories, all the voices inside my head. That's the hardest, erasing my thoughts." She chuckled faintly. "My pumpkin. And then, if I've done a good job, I'm erased. I'm gone. I'm nothing. And then the world is free to flow into me like water into and empty bowl." "And?" I said. "And I see. I hear. But not with eyes and ears. I'm not outside my world anymore, and I'm not really inside it either. The thing is, there's no difference anymore between me and the universe. The boundary is gone. I am it and it is me. I am a stone, a cactus thorn. I am rain." She smiled dreamily. "I like that most of all, being rain.
Jerry Spinelli (Stargirl (Stargirl, #1))
Why ever wash a bath towel, he would say, when the towel cannot be dirtier than you, since it only touches you at your cleanest, after you’ve just bathed? Why close a drawer or make a bed when you are just going to reopen the drawer and unmake the bed in a few hours? Why clean a soap dish when the dirt is soap? Why fold underpants?
William Landay (All That Is Mine I Carry with Me)
You want to be clean. You think you came here covered with soap and you think you will go out covered with soap—and you do not want to stink, not even for five minutes, in the meantime.’ He grasped me by the collar, wrestling and caressing at once, fluid and iron at once: saliva spraying from his lips and his eyes full of tears, but with the bones of his face showing and the muscles leaping in his arms and neck. ‘You want to leave Giovanni because he makes you stink. You want to despise Giovanni because he is not afraid of the stink of love. You want to kill him in the name of all your lying little moralities. And you—you are immoral. You are, by far, the most immoral man I have met in all my life. Look, look what you have done to me. Do you think you could have done this if I did not love you? Is this what you should do to love?
James Baldwin (Giovanni’s Room)
Neighbors bring food with death and flowers with sickness and little things in between. Boo was our neighbor. He gave us two soap dolls, a broken watch and chain, a pair of good-luck pennies, and our lives. But neighbors give in return. We never put back into the tree what we took out of it: we had given him nothing, and it made me sad.
Harper Lee (To Kill a Mockingbird)
This is meant to be in praise of the interval called hangover, a sadness not co-terminous with hopelessness, and the North American doubling cascade that (keep going) “this diamond lake is a photo lab” and if predicates really do propel the plot then you might see Jerusalem in a soap bubble or the appliance failures on Olive Street across these great instances, because “the complex Italians versus the basic Italians” because what does a mirror look like (when it´s not working) but birds singing a full tone higher in the sunshine. I´m going to call them Honest Eyes until I know if they are, in the interval called slam clicker, Realm of Pacific, because the second language wouldn´t let me learn it because I have heard of you for a long time occasionally because diet cards may be the recovery evergreen and there is a new benzodiazepene called Distance, anti-showmanship, anti-showmanship, anti-showmanship. I suppose a broken window is not symbolic unless symbolic means broken, which I think it sorta does, and when the phone jangles what´s more radical, the snow or the tires, and what does the Bible say about metal fatigue and why do mothers carry big scratched-up sunglasses in their purses. Hello to the era of going to the store to buy more ice because we are running out. Hello to feelings that arrive unintroduced. Hello to the nonfunctional sprig of parsley and the game of finding meaning in coincidence. Because there is a second mind in the margins of the used book because Judas Priest (source: Firestone Library) sang a song called Stained Class, because this world is 66% Then and 33% Now, and if you wake up thinking “feeling is a skill now” or “even this glass of water seems complicated now” and a phrase from a men´s magazine (like single-district cognac) rings and rings in your neck, then let the consequent misunderstandings (let the changer love the changed) wobble on heartbreakingly nu legs into this street-legal nonfiction, into this good world, this warm place that I love with all my heart, anti-showmanship, anti-showmanship, anti-showmanship.
David Berman
Each day, you bring me joy. I admire your eagerness, determination, strong work ethics, and your kick-ass personality. You're my girl, and I will always be your number one fan.
Kristina Stangl (My Life is a Soap Opera (Sex, Lies & Politics, #3))
These things matter to me, Daniel, says the man with six days to live. They are sitting on the porch in the last light. These things matter to me, son. The way the hawks huddle their shoulders angrily against hissing snow. Wrens whirring in the bare bones of bushes in winter. The way swallows and swifts veer and whirl and swim and slice and carve and curve and swerve. The way that frozen dew outlines every blade of grass. Salmonberries thimbleberries cloudberries snowberries elderberries salalberries gooseberries. My children learning to read. My wife's voice velvet in my ear at night in the dark under the covers. Her hair in my nose as we slept curled like spoons. The sinuous pace of rivers and minks and cats. Fresh bread with too much butter. My children's hands when they cup my face in their hands. Toys. Exuberance. Mowing the lawn. Tiny wrenches and screwdrivers. Tears of sorrow, which are the salt sea of the heart. Sleep in every form from doze to bone-weary. Pay stubs. Trains. The shivering ache of a saxophone and the yearning of a soprano. Folding laundry hot from the dryer. A spotless kitchen floor. The sound of bagpipes. The way horses smell in spring. Red wines. Furnaces. Stone walls. Sweat. Postcards on which the sender has written so much that he or she can barely squeeze in the signature. Opera on the radio. Bathrobes, back rubs. Potatoes. Mink oil on boots. The bands at wedding receptions. Box-elder bugs. The postman's grin. Linen table napkins. Tent flaps. The green sifting powdery snow of cedar pollen on my porch every year. Raccoons. The way a heron labors through the sky with such a vast elderly dignity. The cheerful ears of dogs. Smoked fish and the smokehouses where fish are smoked. The way barbers sweep up circles of hair after a haircut. Handkerchiefs. Poems read aloud by poets. Cigar-scissors. Book marginalia written with the lightest possible pencil as if the reader is whispering to the writer. People who keep dead languages alive. Fresh-mown lawns. First-basemen's mitts. Dish-racks. My wife's breasts. Lumber. Newspapers folded under arms. Hats. The way my children smelled after their baths when they were little. Sneakers. The way my father's face shone right after he shaved. Pants that fit. Soap half gone. Weeds forcing their way through sidewalks. Worms. The sound of ice shaken in drinks. Nutcrackers. Boxing matches. Diapers. Rain in every form from mist to sluice. The sound of my daughters typing their papers for school. My wife's eyes, as blue and green and gray as the sea. The sea, as blue and green and gray as her eyes. Her eyes. Her.
Brian Doyle (Mink River)
Despite all that she did for me, Melanie had a distant smell. She smelled like a floral guest soap in a strange house I was visiting. What I mean is, she didn’t smell to me like my mother.
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
Feeling witless and utterly drained, Lillian let herself collapse over him, her head coming to rest on the center of his chest. His heart pounded and thundered beneath her ear for long minutes before it eased into something approaching a normal rhythm. “My God,” he muttered, his arms sliding around her, then falling away as if even that required too much effort. “Lillian. Lillian.” “Mmm?” She blinked drowsily, experiencing an overwhelming need to sleep. “I’ve changed my mind about negotiating. You can have whatever you want. Any conditions, anything that’s in my power to accomplish. Just put my mind at ease and say you’ll be my wife.” Lillian managed to lift her head and stare into his heavy-lidded eyes. “If this is an example of your bargaining ability,” she said, “I’m rather worried about your corporate affairs. You don’t surrender this easily to your business partners’ demands, I hope.” “No. Nor do I sleep with them.” A slow grin spread across her face. If Marcus was willing to take a leap of faith, then she would do no less. “Then to put your mind at ease, Westcliff… yes, I’ll be your wife. Though I warn you… you may be sorry you didn’t negotiate when you learn my conditions later. I may want a board position on the soap company, for example…” “God help me,” he muttered, and with a deep sigh of contentment, he fell asleep.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Why do you smell so good?” he asks, still smiling as he avoids my question. He leans in again, leaves light kisses along my jawline, under my chin. “It’s making me crazy.” “I’ve been stealing your soaps,” I tell him. He raises his eyebrows at me. “Sorry.” I feel myself blush. “Don’t feel bad,” he says, serious so suddenly. “You can have anything of mine you want. You can have all of it.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
I got back from the University late in the afternoon, had a quick swim, ate my dinner, and bolted off to the Stanton house to see Adam. I saw him sitting out on the galley reading a book (Gibbon, I remember) in the long twilight. And I saw Anne. I was sitting in the swing with Adam, when she came out the door. I looked at her and knew that it had been a thousand years since I had last seen her back at Christmas when she had been back at the Landing on vacation from Miss Pound's School. She certainly was not now a little girl wearing round-toed, black patent-leather, flat-heeled slippers held on by a one-button strap and white socks held up by a dab of soap. She was wearing a white linen dress, cut very straight, and the straightness of the cut and the stiffness of the linen did nothing in the world but suggest by a kind of teasing paradox the curves and softnesses sheathed by the cloth. She had her hair in a knot on the nape of her neck, and a little white ribbon around her head, and she was smiling at me with a smile which I had known all my life but which was entirely new, and saying, 'Hello, Jack,' while I held her strong narrow hand in mine and knew that summer had come.
Robert Penn Warren
Filth, filth, filth, from morning to night. I know they're poor but they could wash. Water is free and soap is cheap. Just look at that arm, nurse.' The nurse looked and clucked in horror. Francie stood there with the hot flamepoints of shame burning her face. The doctor was a Harvard man, interning at the neighborhood hospital. Once a week, he was obliged to put in a few hours at one of the free clinics. He was going into a smart practice in Boston when his internship was over. Adopting the phraseology of the neighborhood, he referred to his Brooklyn internship as going through Purgatory, when he wrote to his socially prominent fiancee in Boston. The nurse was as Williamsburg girl... The child of poor Polish immigrants, she had been ambitious, worked days in a sweatshop and gone to school at night. Somehow she had gotten her training... She didn't want anyone to know she had come from the slums. After the doctor's outburst, Francie stood hanging her head. She was a dirty girl. That's what the doctor meant. He was talking more quietly now asking the nurse how that kind of people could survive; that it would be a better world if they were all sterilized and couldn't breed anymore. Did that mean he wanted her to die? Would he do something to make her die because her hands and arms were dirty from the mud pies? She looked at the nurse... She thought the nurse might say something like: Maybe this little girl's mother works and didn't have time to wash her good this morning,' or, 'You know how it is, Doctor, children will play in the dirt.' But what the nurse actuallly said was, 'I know, Isn't it terrible? I sympathize with you, Doctor. There is no excuse for these people living in filth.' A person who pulls himself up from a low environment via the bootstrap route has two choices. Having risen above his environment, he can forget it; or, he can rise above it and never forget it and keep compassion and understanding in his heart for those he has left behind him in the cruel upclimb. The nurse had chosen the forgetting way. Yet, as she stood there, she knew that years later she would be haunted by the sorrow in the face of that starveling child and that she would wish bitterly that she had said a comforting word then and done something towards the saving of her immortal soul. She had the knowledge that she was small but she lacked the courage to be otherwise. When the needle jabbed, Francie never felt it. The waves of hurt started by the doctor's words were racking her body and drove out all other feeling. While the nurse was expertly tying a strip of gauze around her arm and the doctor was putting his instrument in the sterilizer and taking out a fresh needle, Francie spoke up. My brother is next. His arm is just as dirty as mine so don't be suprised. And you don't have to tell him. You told me.' They stared at this bit of humanity who had become so strangely articulate. Francie's voice went ragged with a sob. 'You don't have to tell him. Besides it won't do no godd. He's a boy and he don't care if he is dirty.'... As the door closed, she heard the doctor's suprised voice. I had no idea she'd understand what I was saying.' She heard the nurse say, 'Oh, well,' on a sighing note.
Betty Smith (A Tree Grows in Brooklyn)
It’s annoying when you’re honorable,” I say. He grabs more soap, then kneels down to wash my legs. “Why is that?” The steam is getting to me. I feel lightheaded, nauseous. “It makes it harder to hate you,” I confess.
Laura Thalassa (Bespelled (Bewitched, #2))
HAZEL WASN’T PROUD OF CRYING. After the tunnel collapsed, she wept and screamed like a two-year-old throwing a tantrum. She couldn’t move the debris that separated her and Leo from the others. If the earth shifted any more, the entire complex might collapse on their heads. Still, she pounded her fists against the stones and yelled curses that would’ve earned her a mouth-washing with lye soap back at St. Agnes Academy. Leo stared at her, wide-eyed and speechless. She wasn’t being fair to him. The last time the two of them had been together, she’d zapped him into her past and shown him Sammy, his great-grandfather—Hazel’s first boyfriend. She’d burdened him with emotional baggage he didn’t need, and left him so dazed they had almost gotten killed by a giant shrimp monster. Now here they were, alone again, while their friends might be dying at the hands of a monster army, and she was throwing a fit. “Sorry.” She wiped her face. “Hey, you know…” Leo shrugged. “I’ve attacked a few rocks in my day.” She swallowed with difficulty. “Frank is…he’s—” “Listen,” Leo said. “Frank Zhang has moves. He’s probably gonna turn into a kangaroo and do some marsupial jujitsu on their ugly faces.” He helped her to her feet. Despite the panic simmering inside her, she knew Leo was right. Frank and the others weren’t helpless. They would find a way to survive. The best thing she and Leo could do was carry on. She studied Leo. His hair had grown out longer and shaggier, and his face was leaner, so he looked less like an imp and more like one of those willowy elves in the fairy tales. The biggest difference was his eyes. They constantly drifted, as if Leo was trying to spot something over the horizon. “Leo, I’m sorry,” she said. He raised an eyebrow. “Okay. For what?” “For…” She gestured around her helplessly. “Everything. For thinking you were Sammy, for leading you on. I mean, I didn’t mean to, but if I did—” “Hey.” He squeezed her hand, though Hazel sensed nothing romantic in the gesture. “Machines are designed to work.” “Uh, what?” “I figure the universe is basically like a machine. I don’t know who made it, if it was the Fates, or the gods, or capital-G God, or whatever. But it chugs along the way it’s supposed to most of the time. Sure, little pieces break and stuff goes haywire once in a while, but mostly…things happen for a reason. Like you and me meeting.” “Leo Valdez,” Hazel marveled, “you’re a philosopher.” “Nah,” he said. “I’m just a mechanic. But I figure my bisabuelo Sammy knew what was what. He let you go, Hazel. My job is to tell you that it’s okay. You and Frank—you’re good together. We’re all going to get through this. I hope you guys get a chance to be happy. Besides, Zhang couldn’t tie his shoes without your help.” “That’s mean,” Hazel chided, but she felt like something was untangling inside her—a knot of tension she’d been carrying for weeks. Leo really had changed. Hazel was starting to think she’d found a good friend. “What happened to you when you were on your own?” she asked. “Who did you meet?” Leo’s eye twitched. “Long story. I’ll tell you sometime, but I’m still waiting to see how it shakes out.” “The universe is a machine,” Hazel said, “so it’ll be fine.” “Hopefully.” “As long as it’s not one of your machines,” Hazel added. “Because your machines never do what they’re supposed to.” “Yeah, ha-ha.” Leo summoned fire into his hand. “Now, which way, Miss Underground?” Hazel scanned the path in front of them. About thirty feet down, the tunnel split into four smaller arteries, each one identical, but the one on the left radiated cold. “That way,” she decided. “It feels the most dangerous.” “I’m sold,” said Leo. They began their descent.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Do you hear me? Is it ever time for you to understand. I meant I meant that for I never thought you could think you were low. Were lost at the moment when they cut you off. Cut your head out heart brain. It is not I know was not that but to me it was to me. Like I could have seen you in the bright of day. Like the light could have come up from the sea and take you over. Me over. Is there. Forgive that. Forgive that me that I was fallen down. That I was under the weather under the same sky and did not. Not yet. If I took. If I had taken your good right hand I might have pulled you. Up. Pulled the black sea out of us. Saw you. Left you. Is there some truth in that? I went out to the cold. Thought I'd know what to do. Bring you with me. Bring you with. Sad and sad and sad fool me slipping down. Slope hill mountainside. Muck and stones on me. On my feet and rain in my hair. I thought about it but I could not stop. Pushed it further in. Needle and syringe. This will take me out of that. Like it could. As though it might do in any way. Forgive me. Forgive me that that I didn't see. Look out my eyes. That I didn't know what I was doing though I did though I did. Oh do you love me. Can you love me. Do you love me still. My sins. My grievous. Woe my wrong. I went out to him and said do what you will if you want. If you're able will you save me from that. I put a pillow on my face on your face and I said suffocate. It could have been. It could have been that. If I chose if I didn't. If I knew what to do. I don't so by the way I'm telling you. I'm warning now what a monster I have become. Soap in my mouth my eyes my hair turning bitter at the smallest drop. Of the rain give me the rain and all that. Wash oh yes wash that's it wash away. My. Sin.
Eimear McBride (A Girl Is a Half-Formed Thing)
I write this sitting in the kitchen sink. That is, my feet are in it; the rest of me is on the draining-board, which I have padded with our dog's blanket and the tea-cosy. I can't say that I am really comfortable, and there is a depressing smell of carbolic soap, but this is the only part of the kitchen where there is any daylight left. And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house. Though even that isn't a very good poem. I have decided my best poetry is so bad that I mustn't write any more of it. Drips from the roof are plopping into the water-butt by the back door. The view through the windows above the sink is excessively drear. Beyond the dank garden in the courtyard are the ruined walls on the edge of the moat. Beyond the moat, the boggy ploughed fields stretch to the leaden sky. I tell myself that all the rain we have had lately is good for nature, and that at any moment spring will surge on us. I try to see leaves on the trees and the courtyard filled with sunlight. Unfortunately, the more my mind's eye sees green and gold, the more drained of all colour does the twilight seem. It is comforting to look away from the windows and towards the kitchen fire, near which my sister Rose is ironing - though she obviously can't see properly, and it will be a pity if she scorches her only nightgown. (I have two, but one is minus its behind.) Rose looks particularly fetching by firelight because she is a pinkish person; her skin has a pink glow and her hair is pinkish gold, very light and feathery. Although I am rather used to her I know she is a beauty. She is nearly twenty-one and very bitter with life. I am seventeen, look younger, feel older. I am no beauty but I have a neatish face. I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it. The house itself was built in the time of Charles II, but it was grafted on to a fourteenth-century castle that had been damaged by Cromwell. The whole of our east wall was part of the castle; there are two round towers in it. The gatehouse is intact and a stretch of the old walls at their full height joins it to the house. And Belmotte Tower, all that remains of an even older castle, still stands on its mound close by. But I won't attempt to describe our peculiar home fully until I can see more time ahead of me than I do now. I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how to write a novel - I intend to capture all our characters and put in conversations. It ought to be good for my style to dash along without much thought, as up to now my stories have been very stiff and self-conscious. The only time father obliged me by reading one of them, he said I combined stateliness with a desperate effort to be funny. He told me to relax and let the words flow out of me.
Dodie Smith (I Capture the Castle)
The rest of us, we'd lay down our lives for years, but Blackwell... he'd do that and more. He'd rip the beating heart from his chest. He'd give up his soul if ye'd only-" "It is making a rather large and fallacious assumption that I have a heart to give... or a soul." Dorian Blackwell's smooth voice didn't echo through the washroom as theirs did. He slithered into their midst with a serpentine stealth, striking before Murdoch's words uncovered any of his secrets. Gasping, Farah sank deep into the bath, thankful the water was now cloudy with soap, though she did draw her knees under her chin and anchor them with her arms, just in case. "Get out!" she insisted in an unsteady voice. "I'm indecent." "That makes two of us." He'd moved closer. So close, in fact, that Farah knew if she looked behind her, she'd find his mismatched eyes staring down at her from her towering height. Perhaps, despite the opaque water, he could see the flesh that quivered just below the surface. The thought sent bolts of heat and mortification through her. "Leave," Farah ordered, unable to face him for fear she'd lost her nerve. "Stand up and make me.
Kerrigan Byrne (The Highwayman (Victorian Rebels, #1))
This is, by far, the craziest shit I have ever seen,” Kenji says. “I really never would’ve believed it. Not in a million years.” “It’s like a soap opera.” Ian nods. “But with worse acting.” “I think it’s kind of sweet,” Winston says.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
I also forgot to say that the account that is soon going to have to start -- since I can no longer withstand the pressure of the facts -- the account that soon is going to have to start is written with the sponsorship of the most popular soft drink in the world even though it's not paying me a cent, a soft drink distributed in every country. Moreover it's the same soft drink that sponsored the last earthquake in Guatemala. Even though it tastes like nail polish, Aristolino soap and chewed plastic. None of this keeps everyone from loving it with servility and subservience. Also because -- and now I'm going to say something difficult that only I understand -- because this drink which contains coca is today. It's a way for a person to be up-to-date and in the now.
Clarice Lispector (The Hour of the Star)
It seemed to take the most colossal effort to do simple things. I remember bursting into tears because I had used up the cake of soap that was in the shower. I cried because one of the keys stuck for a second on my computer. I found everything excruciatingly difficult, and so, for example, the prospect of lifting the telephone receiver seemed to me like bench-pressing four hundred pounds. The reality that I had to put on not just one but two socks and then two shoes so overwhelmed me that I wanted to go back to bed.
Andrew Solomon (The Noonday Demon)
The frontispiece featured a brochure from a Parisian brothel of the belle époque. It came as a profound shock when I realised that some of the sexual specialities offered by ‘Mademoiselle Hortense’ were completely unknown to me. I had no idea what a ‘voyage through the yellow land’ or a ‘Russian imperial soap’ could possibly mean. Certain sexual practices had vanished from human memory, in one century – not unlike certain forms of skilled labour, such as cobbling or bell-ringing. How could anyone argue that Europe wasn’t in decline?
Michel Houellebecq (Soumission)
Bob, don’t!” Percy said, his eyes pleading. “He’ll destroy you permanently. No coming back. No regeneration.” Bob shrugged. “Who knows what will be? You must go now. Tartarus is right about one thing. We cannot defeat him. We can only buy you time.” The Doors tried to close on Annabeth’s foot. “Twelve minutes,” said the Titan. “I can give you that.” “Percy... hold the Doors.” Annabeth jumped and threw her arms around the Titan’s neck. She kissed his cheek, her eyes so full of tears, she couldn’t see straight. Bob’s stubbly face smelled of cleaning supplies — fresh lemony furniture polish and Murphy Oil wood soap. “Monsters are eternal,” she told him, trying to keep herself from sobbing. “We will remember you and Damasen as heroes, as the best Titan and the best giant. We’ll tell our children. We’ll keep the story alive. Someday, you will regenerate.” Bob ruffled her hair. Smile lines crinkled around his eyes. “That is good. Until then, my friends, tell the sun and the stars hello for me. And be strong. This may not be the last sacrifice you must make to stop Gaea.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
In the course of my life I have had pre-pubescent ballerinas; emaciated duchesses, dolorous and forever tired, melomaniac and morphine-sodden; bankers' wives with eyes hollower than those of suburban streetwalkers; music-hall chorus girls who tip creosote into their Roederer when getting drunk... I have even had the awkward androgynes, the unsexed dishes of the day of the *tables d'hote* of Montmartre. Like any vulgar follower of fashion, like any member of the herd, I have made love to bony and improbably slender little girls, frightened and macabre, spiced with carbolic and peppered with chlorotic make-up. Like an imbecile, I have believed in the mouths of prey and sacrificial victims. Like a simpleton, I have believed in the large lewd eyes of a ragged heap of sickly little creatures: alcoholic and cynical shop girls and whores. The profundity of their eyes and the mystery of their mouths... the jewellers of some and the manicurists of others furnish them with *eaux de toilette*, with soaps and rouges. And Fanny the etheromaniac, rising every morning for a measured dose of cola and coca, does not put ether only on her handkerchief. It is all fakery and self-advertisement - *truquage and battage*, as their vile argot has it. Their phosphorescent rottenness, their emaciated fervour, their Lesbian blight, their shop-sign vices set up to arouse their clients, to excite the perversity of young and old men alike in the sickness of perverse tastes! All of it can sparkle and catch fire only at the hour when the gas is lit in the corridors of the music-halls and the crude nickel-plated decor of the bars. Beneath the cerise three-ply collars of the night-prowlers, as beneath the bulging silks of the cyclist, the whole seductive display of passionate pallor, of knowing depravity, of exhausted and sensual anaemia - all the charm of spicy flowers celebrated in the writings of Paul Bourget and Maurice Barres - is nothing but a role carefully learned and rehearsed a hundred times over. It is a chapter of the MANCHON DE FRANCINE read over and over again, swotted up and acted out by ingenious barnstormers, fully conscious of the squalid salacity of the male of the species, and knowledgeable in the means of starting up the broken-down engines of their customers. To think that I also have loved these maleficent and sick little beasts, these fake Primaveras, these discounted Jocondes, the whole hundred-franc stock-in-trade of Leonardos and Botticellis from the workshops of painters and the drinking-dens of aesthetes, these flowers mounted on a brass thread in Montparnasse and Levallois-Perret! And the odious and tiresome travesty - the corsetted torso slapped on top of heron's legs, painful to behold, the ugly features primed by boulevard boxes, the fake Dresden of Nina Grandiere retouched from a medicine bottle, complaining and spectral at the same time - of Mademoiselle Guilbert and her long black gloves!... Have I now had enough of the horror of this nightmare! How have I been able to tolerate it for so long? The fact is that I was then ignorant even of the nature of my sickness. It was latent in me, like a fire smouldering beneath the ashes. I have cherished it since... perhaps since early childhood, for it must always have been in me, although I did not know it!
Jean Lorrain (Monsieur de Phocas)
We go quiet as the next episode picks up exactly where it left off. Antoine manages to subdue Marie-Thérèse, and the two proceed to argue for ten minutes. Don’t ask me about what, because it’s in French, but I do notice that the same word—héritier—keeps popping up over and over again during their fight. “Okay, we need to look up that word,” I say in aggravation. “I think it’s important.” Allie grabs her cell phone and swipes her finger on the screen. I peek over her shoulder as she pulls up a translation app. “How do you think you spell it?” she asks. We get the spelling wrong three times before we finally land on a translation that makes sense: heir. “Oh!” she exclaims. “They’re talking about the father’s will.” “Shit, that’s totally it. She’s pissed off that Solange inherited all those shares of Beauté éternelle.” We high five at having figured it out, and in the moment our palms meet, pure clarity slices into me and I’m able to grasp precisely what my life has become. With a growl, I snatch the remote control and hit stop. “Hey, it’s not over yet,” she objects. “Allie.” I draw a steady breath. “We need to stop now. Before my balls disappear altogether and my man-card is revoked.” One blond eyebrow flicks up. “Who has the power to revoke it?” “I don’t know. The Man Council. The Stonemasons. Jason Statham. Take your pick.” “So you’re too much of a manly man to watch a French soap opera?” “Yes.” I chug the rest of my margarita, but the salty flavor is another reminder of how low I’ve sunk. “Jesus Christ. And I’m drinking margaritas. You’re bad for my rep, baby doll.” I shoot her a warning look. “Nobody can ever know about this.” “Ha. I’m going to post it all over the Internet. Guess what, folks—Dean Sebastian Kendrick Heyward-Di Laurentis is over at my place right now watching soaps and drinking girly drinks.” She sticks her tongue out at me. “You’ll never get laid again.” She’s right about that. “Can you at least add that the night ended with a blowjob?” I grumble. “Because then everyone will be like, oh, he suffered through all that so he could get his pole waxed.” “Your pole waxed? That’s such a gross description.” But her eyes are bright and she’s laughing as she says it.
Elle Kennedy (The Score (Off-Campus, #3))
It is really not so repulsive to see the poor asking for money as to see the rich asking for more money. And advertisement is the rich asking for more money. A man would be annoyed if he found himself in a mob of millionaires, all holding out their silk hats for a penny; or all shouting with one voice, “Give me money.” Yet advertisement does really assault the eye very much as such a shout would assault the ear. “Budge’s Boots are the Best” simply means “Give me money”; “Use Seraphic Soap” simply means “Give me money.” It is a complete mistake to suppose that common people make our towns commonplace, with unsightly things like advertisements. Most of those whose wares are thus placarded everywhere are very wealthy gentlemen with coronets and country seats, men who are probably very particular about the artistic adornment of their own homes. They disfigure their towns in order to decorate their houses.
G.K. Chesterton
Sophronia thought of Felix's blue eyes and lazy ways. And then of Soap's dark, cheerful gaze and jocularity. She thought that she wanted Soap's gentle personality and Felix's focused attention. She wanted Felix's breezy, relaxed approach to high society and Soap's easy infiltration of the lower orders. She wanted humor, and kind hands, and sweet smiles, and genuine longing looks. She wanted that expression she had caught between Captain Niall and Sidheag. She wanted trust. . . I want someone who will remind me of who I am. Once I've figured that out. What she said was 'I want a man who stays out of my way.
Gail Carriger (Waistcoats & Weaponry (Finishing School, #3))
Ding! Princess Alpacca, pronounced like the animal, first in line to the throne of Alieya Island, a small nation below the south of France. The Queen invited her to Wessco after an attempted coup forced her family into exile last year. She doesn’t speak English and I don’t know a word of Aliesh. This is going to be a challenge. Guermo, her translator, glares at me like I’m the bubonic plague in human form—with a mixture of hatred, disgust, and just a touch of fear. She speaks in Aliesh, looking at me. And Guermo translates. “She says she thinks you are very ugly.” Princess Alpacca nods vigorously. She’s pretty in a cute kind of way. Wild curly hair, round hazel eyes, a tiny bulbous nose, and full cheeks. “She says she doesn’t like you or your stupid country,” Guermo informs me. Another nod and a blank but eager smile. “She says she would rather throw herself off the rocks to her death in the waves and be devoured by the fish than be your queen.” I look him in the face. “She barely said anything.” He shrugs. “She says it with her eyes. I know these things. If you weren’t so stupid you would know too.” More nodding. “Fantastic.” She says something to Guermo in Aliesh, then he says something back—harshly and disapproving. And now, they’re arguing. But they can stay. Guermo is obviously in love with Alpacca and she clearly has no idea. My presence will force him to admit his feelings . . . but does she return his infatuation? It’ll be like living in a Latin soap opera—dramatic, passionate, and over the top. I have to see how it ends. Ding!
Emma Chase (Royally Matched (Royally, #2))
The Mad Gardener's Song He thought he saw an Elephant, That practised on a fife: He looked again, and found it was A letter from his wife. 'At length I realise,' he said, 'The bitterness of Life!' He thought he saw a Buffalo Upon the chimney-piece: He looked again, and found it was His Sister's Husband's Niece. 'Unless you leave this house,' he said, 'I'll send for the Police!' He thought he saw a Rattlesnake That questioned him in Greek: He looked again, and found it was The Middle of Next Week. 'The one thing I regret,' he said, 'Is that it cannot speak!' He thought he saw a Banker's Clerk Descending from the bus: He looked again, and found it was A Hippopotamus. 'If this should stay to dine,' he said, 'There won't be much for us!' He thought he saw a Kangaroo That worked a coffee-mill: He looked again, and found it was A Vegetable-Pill. 'Were I to swallow this,' he said, 'I should be very ill!' He thought he saw a Coach-and-Four That stood beside his bed: He looked again, and found it was A Bear without a Head. 'Poor thing,' he said, 'poor silly thing! It's waiting to be fed!' He thought he saw an Albatross That fluttered round the lamp: He looked again, and found it was A Penny-Postage Stamp. 'You'd best be getting home,' he said: 'The nights are very damp!' He thought he saw a Garden-Door That opened with a key: He looked again, and found it was A Double Rule of Three: 'And all its mystery,' he said, 'Is clear as day to me!' He thought he saw a Argument That proved he was the Pope: He looked again, and found it was A Bar of Mottled Soap. 'A fact so dread,' he faintly said, 'Extinguishes all hope!
Lewis Carroll (Sylvie and Bruno)
For all their weirdness, I LOVE the penis people. I don't understand them. I can't imagine I'll ever learn their language of grunting and scratching, but I'm going to try. If I have to devote my life to learning, I will do it. I can't explain the compulsion that is me thinking about Stephen now. Or just watching a boy walk by and wondering what is going on inside his head. To have him want to play with my hair and take me exciting places. To touch his amazingly fabulous butt and not be arrested for assault. Don't they have a distinct smell? When do they start producing that spicy, manly, different-from-me scent? I don't mean the sweaty, take-a-shower odor, but the yummy soap and a hint of cologne. The kind of scent that makes me want to inhale in their general vicinity just because I can. I get fluttery and gooey and cease to function at higher levels. Like I shut down except for feeling things; like the hot rays of Stephen's manliness and the solid rock of femur and muscle under his denim cargo pants.
Amber Kizer (One Butt Cheek at a Time (Gert Garibaldi's Rants and Raves, #1))
Dr. Jordan sits across from me. He smells of shaving soap, the English kind, and of ears; and of the leather o his boots. It is a reassuring smell and I always look forward to it, men that wash being preferable in this respect to those that do not What he has put on the table today is a potato, but he has not yet asked me about it, so it is just sitting there between us. I don't know what he expects me to say about it, except that I have peeled a good many of them in my time, and eaten them too, a fresh new potato is a joy with a little butter and salt, and parsley if available, and even the big old ones can bake up very beautiful; but they are nothing to have a long conversation about. Some potatoes look like babies' faces, or else like animals, and I once saw one that looked like a cat. But this one looks just like a potato, no more and no less. Sometimes I think that Dr. Jordan is a little off in the head. But I would rather talk with him about potatoes, if that is what he fancies, than not talk to him at all.
Margaret Atwood (Alias Grace)
IIf having people tell us apart is the first step towards independence, it's a simple thing. We just have to change the way we look on the outside. We should've done something like this sooner. We always blames other people for not being able to tell us apart...but maybe the reality is that we didn't put forth the effort so others could see the difference. If all we needed to do something as simple as this, I'm happy to do it. And if you want, Kaoru, I'm happy to have separate rooms too. But...nothing will ever change the fact that we are twins! I thought about it all night..and I remembered something Milord one said. Kaoru...you're wrong. It may be true that we can't continue on as we had before. Because if I'm dependent on you, nobody will take me seriously, least of all Haruhi. But to kill her emotions like this enforcer soaps to live separate lives isn't the only way to become independent, is it? Kaoru..we are twins. We share something very lucky and rare. It's called character. We may contradict ourselves but that's the way we are. Even the future, which most people alone face we face together. It's not a bad thing. From now on, we will influence each other and continue to grow individually.as long as we don't forget this or future will be many more times exciting that of most people. So we will remain close because if we don't do it be no point being born twins." -Hikaru
Bisco Hatori (Ouran High School Host Club, Vol. 12 (Ouran High School Host Club, #12))
...and suddenly the forgotten melody of those notes of the piano came back to me again. It soared aloft like a soap bubble, relfecting the whole world in miniature on its rainbow surface, and then softly burst. could I be altogether lost when that heavenly little melody had been secretly rooted within me and now put forth its lovely bloom with all its tender hues?
Hermann Hesse (Steppenwolf)
Nobody needs to go anywhere else. We are all, if we only knew it, already there. If I only knew who in fact I am, I should cease to behave as what I think I am; and if I stopped behaving as what I think I am, I should know who I am. What in fact I am, if only the Manichee I think I am would allow me to know it, is the reconciliation of yes and no lived out in total acceptance and the blessed experience of Not-Two. In religion all words are dirty words. Anybody who gets eloquent about Buddha, or God, or Christ, ought to have his mouth washed out with carbolic soap. Because his aspiration to perpetuate only the ‘yes’ in every pair of opposites can never, in the nature of things, be realized, the insulated Manichee I think I am condemns himself to endlessly repeated frustration, endlessly repeated conflicts with other aspiring and frustrated Manichees. Conflicts and frustrations—the theme of all history and almost all biography. “I show you sorrow,” said the Buddha realistically. But he also showed the ending of sorrow—self-knowledge, total acceptance, the blessed experience of Not-Two.
Aldous Huxley (Island)
In logic class, I opened my textbook—the last place I was expecting to find comic inspiration—and was startled to find that Lewis Carroll, the supremely witty author of Alice’s Adventures in Wonderland, was also a logician. He wrote logic textbooks and included argument forms based on the syllogism, normally presented in logic books this way: All men are mortal. Socrates is a man. _________________________________ Therefore, Socrates is mortal. But Carroll’s were more convoluted, and they struck me as funny in a new way: 1) Babies are illogical. 2) Nobody is despised who can manage a crocodile. 3) Illogical persons are despised. __________________________________________ Therefore, babies cannot manage crocodiles. And: 1) No interesting poems are unpopular among people of real taste. 2) No modern poetry is free from affectation. 3) All your poems are on the subject of soap bubbles. 4) No affected poetry is popular among people of taste. 5) Only a modern poem would be on the subject of soap bubbles. __________________________________________ Therefore, all your poems are uninteresting.
Steve Martin (Born Standing Up: A Comic's Life)
Some gifted people have all five and some less. Every gifted person tends to lead with one. As I read this list for the first time I was struck by the similarities between Dabrowski’s overexcitabilities and the traits of Sensitive Intuitives. Read the list for yourself and see what you identify with: Psychomotor This manifests as a strong pull toward movement. People with this overexcitability tend to talk rapidly and/or move nervously when they become interested or passionate about something. They have a lot of physical energy and may run their hands through their hair, snap their fingers, pace back and forth, or display other signs of physical agitation when concentrating or thinking something out. They come across as physically intense and can move in an impatient, jerky manner when excited. Other people might find them overwhelming and they’re routinely diagnosed as ADHD. Sensual This overexcitability comes in the form of an extreme sensitivity to sounds, smells, bright lights, textures and temperature. Perfume and scented soaps and lotions are bothersome to people with this overexcitability, and they might also have aversive reactions to strong food smells and cleaning products. For me personally, if I’m watching a movie in which a strobe light effect is used, I’m done. I have to shut my eyes or I’ll come down with a headache after only a few seconds. Loud, jarring or intrusive sounds also short circuit my wiring. Intellectual This is an incessant thirst for knowledge. People with this overexcitability can’t ever learn enough. They zoom in on a few topics of interest and drink up every bit of information on those topics they can find. Their only real goal is learning for learning’s sake. They’re not trying to learn something to make money or get any other external reward. They just happened to have discovered the history of the Ming Dynasty or Einstein’s Theory of Relativity and now it’s all they can think about. People with this overexcitability have intellectual interests that are passionate and wide-ranging and they study many areas simultaneously. Imaginative INFJ and INFP writers, this is you. This is ALL you. Making up stories, creating imaginary friends, believing in Santa Claus way past the ordinary age, becoming attached to fairies, elves, monsters and unicorns, these are the trademarks of the gifted child with imaginative overexcitability. These individuals appear dreamy, scattered, lost in their own worlds, and constantly have their heads in the clouds. They also routinely blend fiction with reality. They are practically the definition of the Sensitive Intuitive writer at work. Emotional Gifted individuals with emotional overexcitability are highly empathetic (and empathic, I might add), compassionate, and can become deeply attached to people, animals, and even inanimate objects, in a short period of time. They also have intense emotional reactions to things and might not be able to stomach horror movies or violence on the evening news. They have most likely been told throughout their life that they’re “too sensitive” or that they’re “overreacting” when in truth, they are expressing exactly how they feel to the most accurate degree.
Lauren Sapala (The Infj Writer: Cracking the Creative Genius of the World's Rarest Type)
To Evelyn our relationship is yellow and blue, but to me it’s a gray place, most of it blacked out, bombed, footage from the film in my head is endless shots of stone and any language heard is utterly foreign, the sound flickering away over new images: blood pouring from automated tellers, women giving birth through their assholes, embryos frozen or scrambled (which is it?), nuclear warheads, billions of dollars, the total destruction of the world, someone gets beaten up, someone else dies, sometimes bloodlessly, more often mostly by rifle shot, assassinations, comas, life played out as a sitcom, a blank canvas that reconfigures itself into a soap opera. It’s an isolation ward that serves only to expose my own severely impaired capacity to feel. I am at its center, out of season, and no one ever asks me for any identification.
Bret Easton Ellis (American Psycho)
The things about you I appreciate May seem indelicate: I'd like to find you in the shower And chase the soap for half an hour. I'd like to have you in my power And see your eyes dilate. I'd like to have your back to scour And other parts to lubricate. Sometimes I feel it is my fate To chase you screaming up a tower Or make you cower By asking you to differentiate Nietzsche from Schopenhauer. I'd like successfully to guess your weight And win you at a fête. I'd like to offer you a flower. I like the hair upon your shoulders, Falling like water over boulders. I like the shoulders too: they are essential. Your collar-bones have great potential (I'd like your particulars in folders Marked Confidential). I like your cheeks, I like your nose, I like the way your lips disclose The neat arrangement of your teeth (Half above and half beneath) In rows. I like your eyes, I like their fringes. The way they focus on me gives me twinges. Your upper arms drive me berserk. I like the way your elbows work. On hinges … I like your wrists, I like your glands, I like the fingers on your hands. I'd like to teach them how to count, And certain things we might exchange, Something familiar for something strange. I'd like to give you just the right amount And get some change. I like it when you tilt your cheek up. I like the way you not and hold a teacup. I like your legs when you unwind them. Even in trousers I don't mind them. I like each softly-moulded kneecap. I like the little crease behind them. I'd always know, without a recap, Where to find them. I like the sculpture of your ears. I like the way your profile disappears Whenever you decide to turn and face me. I'd like to cross two hemispheres And have you chase me. I'd like to smuggle you across frontiers Or sail with you at night into Tangiers. I'd like you to embrace me. I'd like to see you ironing your skirt And cancelling other dates. I'd like to button up your shirt. I like the way your chest inflates. I'd like to soothe you when you're hurt Or frightened senseless by invertebrates. I'd like you even if you were malign And had a yen for sudden homicide. I'd let you put insecticide Into my wine. I'd even like you if you were Bride Of Frankenstein Or something ghoulish out of Mamoulian's Jekyll and Hyde. I'd even like you as my Julian Or Norwich or Cathleen ni Houlihan. How melodramatic If you were something muttering in attics Like Mrs Rochester or a student of Boolean Mathematics. You are the end of self-abuse. You are the eternal feminine. I'd like to find a good excuse To call on you and find you in. I'd like to put my hand beneath your chin, And see you grin. I'd like to taste your Charlotte Russe, I'd like to feel my lips upon your skin I'd like to make you reproduce. I'd like you in my confidence. I'd like to be your second look. I'd like to let you try the French Defence And mate you with my rook. I'd like to be your preference And hence I'd like to be around when you unhook. I'd like to be your only audience, The final name in your appointment book, Your future tense.
John Fuller
Late afternoon light filters in through his pale curtains, and it casts the room in a dreamy kind of filter. If I were going to name it, I would call it “summer in the suburbs.” Peter looks beautiful in this light. He looks beautiful in any light, but especially this one. I take a picture of him in my mind, just like this. Any annoyance I felt over him forgetting my yearbook melts away when he snuggles closer to me, rests his head on my chest, and says, “I can feel your heart beating.” I start playing with his hair, which I know he likes. It’s so soft for a boy. I love the smell of his detergent, his soap, everything. He looks up at me and traces the bow of my lip. “I like this part the best,” he says. Then he moves up and brushes his lips against mine, teasing me. He bites on my bottom lip playfully. I like all his different kinds of kisses, but maybe this kind best. Then he’s kissing me with urgency, like he is utterly consumed, his hands in my hair, and I think, no, these are the best. Between kisses he asks me, “How come you only ever want to hook up when we’re at my house?” “I--I don’t know. I guess I never thought about it before.” It’s true we only ever make out at Peter’s house. It feels weird to be romantic in the same bed I’ve slept in since I was a little girl. But when I’m in Peter’s bed, or in his car, I forget all about that and I’m just lost in the moment.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
I want to say something else about desire. I really do not know what it is. I experience something which, sometimes, if I pull it apart, I cannot make reason of. The word seems to me to fall apart under the pull and drag of its commodified shapes, under the weight of our artifice and our conceit. It is sometimes impossible to tell what is real from what is manufactured. We live in a world filled with commodified images of desire. Desire clings to widgets, chairs, fridges, cars, perfumes, shoes, jackets, golf clubs, basketballs, telephones, water, soap powder, houses, neighbourhoods. Even god. It clings to an endless list of objects. It clings to the face of television sets and movie screens. It is glaciered in assigned objects, it is petrified in repetitive cliched gestures. Their repetition is tedious, the look and sound of them tedious. We become the repetition despite our best efforts. We become numb. And though against the impressive strength of this I can't hope to say all that desire might be, I wanted to talk about it not as it is sold to us but as one collects it, piece by piece, proceeding through a life. I wanted to say that life, if we are lucky, is a collection of aesthetic experiences as it is a collection of pratical experiences, which may be one and the same sometimes, and which if we are lucky we make a sense of. Making sense may be what desire is. Or, putting the senses back together.
Dionne Brand (A Map to the Door of No Return)
It is from a Mr. Percy Gorringe, sir. Omitting extraneous matter and concentrating on essentials, Mr. Gorringe wishes to borrow a thousand pounds from you.' I started sharply, causing the soap to shoot from my hand and fall with a dull thud on the fourth mat. With no preliminary warning to soften the shock, his words had momentarily unmanned me. It is not often that one is confronted with ear-biting on so majestic a scale, a fiver till next Wednesday being the normal tariff.
P.G. Wodehouse (Jeeves and the Feudal Spirit (Jeeves, #11))
They can’t all be as charming as me,” Vieve replied with a smile. “Or as adorable as me,” added Soap, coming up behind Vieve and nicking her cap. “Good evening, Miss Temminnick; Vieve. To what do we owe this honor? Shouldn’t you be watching a play or something highfalutin in town?” “Give it back!” Vieve made a grab for her hat, but Soap held it out of reach. “Can’t stand the theater.” “And I’m not allowed,” Sophronia added. “But Soap, Vieve and I were wondering if you could help us get out?” “Out?” “We want to pay a visit to Bunson’s.” “But why? No one will be there.” “Exactly,” crowed Vieve. “They’ve got something we want to see.” Soap was suspicious. “What kind of something?” “A communication machine,” Sophronia explained. Vieve nodded, grinning. Soap looked back and forth between them. He ended with Sophronia. “Not you as well? Gone barmy over mechanics, have you? I should never have introduced you two. It’ll all end in tears and oil.
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
Poem for My Father You closed the door. I was on the other side, screaming. It was black in your mind. Blacker than burned-out fire. Blacker than poison. Outside everything looked the same. You looked the same. You walked in your body like a living man. But you were not. would you not speak to me for weeks would you hang your coat in the closet without saying hello would you find a shoe out of place and beat me would you come home late would i lose the key would you find my glasses in the garbage would you put me on your knee would you read the bible to me in your smoking jacket after your mother died would you come home drunk and snore would you beat me on the legs would you carry me up the stairs by my hair so that my feet never touch the bottom would you make everything worse to make everything better i believe in god, the father almighty, the maker of heaven, the maker of my heaven and my hell. would you beat my mother would you beat her till she cries like a rabbit would you beat her in a corner of the kitchen while i am in the bathroom trying to bury my head underwater would you carry her to the bed would you put cotton and alcohol on her swollen head would you make love to her hair would you caress her hair would you rub her breasts with ben gay until she stinks would you sleep in the other room in the bed next to me while she sleeps on the pull-out cot would you come on the sheet while i am sleeping. later i look for the spot would you go to embalming school with the last of my mother's money would i see your picture in the book with all the other black boys you were the handsomest would you make the dead look beautiful would the men at the elks club would the rich ladies at funerals would the ugly drunk winos on the street know ben pretty ben regular ben would your father leave you when you were three with a mother who threw butcher knives at you would he leave you with her screaming red hair would he leave you to be smothered by a pillow she put over your head would he send for you during the summer like a rich uncle would you come in pretty corduroys until you were nine and never heard from him again would you hate him would you hate him every time you dragged hundred pound cartons of soap down the stairs into white ladies' basements would you hate him for fucking the woman who gave birth to you hate him flying by her house in the red truck so that other father threw down his hat in the street and stomped on it angry like we never saw him (bye bye to the will of grandpa bye bye to the family fortune bye bye when he stompled that hat, to the gold watch, embalmer's palace, grandbaby's college) mother crying silently, making floating island sending it up to the old man's ulcer would grandmother's diamonds close their heartsparks in the corner of the closet yellow like the eyes of cockroaches? Old man whose sperm swims in my veins, come back in love, come back in pain.
Toi Derricotte
I can believe things that are true and I can believe things that aren’t true and I can believe things where nobody knows if they’re true or not. I can believe in Santa Claus and the Easter Bunny and Marilyn Monroe and the Beatles and Elvis and Mister Ed. Listen—I believe that people are perfectible, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkledy lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone’s ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theatres from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we’ll all be wiped out by the common cold like the Martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind’s destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it’s aerodynamically impossible for a bumblebee to fly, that light is a wave and a particle, that there’s a cat in a box somewhere who’s alive and dead at the same time (although if they don’t ever open the box to feed it it’ll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn’t even know that I’m alive. I believe in an empty and godless universe of causal chaos, background noise and sheer blind luck. I believe that anyone who says that sex is overrated just hasn’t done it properly. I believe that anyone who claims to know what’s going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman’s right to choose, a baby’s right to live, that while all human life is sacred there’s nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, life is a cruel joke and that life is what happens when you’re alive and that you might as well lie back and enjoy it.
Neil Gaiman (American Gods)
And to me also, who appreciate life, the butterflies, the soap-bubbles, and whatever is like them amongst us, seem most to enjoy happiness. To see these light, foolish, pretty, lively little sprites flit about - that moveth Zarathustra to tears and songs. I should only believe in a God that would know how to dance. And when I saw my devil, I found him serious, thorough, profound, solemn: he was the spirit of gravity - through him all things fall. Not by wrath, but by laughter, do we slay. Come, let us slay the spirit of gravity!
Friedrich Nietzsche
Stacy said, “Baby, remember that you must love yourself first. It hurt me like crazy to know that I would never see Pam or my daughter again; so bad that I fell into a state of depression, and I wanted to give up on life.” Stacy wiped the tears from her eyes.  “I almost did… but God.” Stacy paused; she had to take a breather to get herself together. Jazz was on the other end drying her tears also.  Stacy continued, “When I gave up on me, he kept me. When I did not know which way to turn, he guided me. When I was at my lowest point he was there to show me that I am strong and I can get through all things through Christ Jesus who strengthens me!!! That setback not only showed me that God loves me, but it showed me that others love and care about me also.” She looked at Pastor G and whispered, “Thank you for being a friend.” 
Aleta Williams (Salty: A Ghetto Soap Opera ( Episodes 1-3): African American Hood Series)
Oh God. We’re talking about me being naked, in the shower with cooter cream. Please world, end. Kill me. “I know it’s not soap. I just… if it’s scented… I can’t do scented. Flowers and stuff like that. Fruit-flavored soaps make… things… burnish.” She could tell from the peeks at his face Mr. Fitzwell had never stepped foot in bath and lotion store, wanting to try the array of fun fragrances. Nor had he purchased Peppermint Candy shower gel, foamed up his nether regions, and felt like he had dipped them in lava. Dove crossed and uncrossed her legs at the memory. Mr. Fitzwell seemed concerned. “Okay, just a heads-up. It’s definitely not good to put any fruits or plant life near your genitals.” He made a V with his hands and formed his own pretend vagina in front of his pants. Dove covered her eyes and tried to defend herself because now she could hear the sickly older woman beating her supporters with a purse. Dove’s mumbling got louder with her embarrassment. “I don’t put weird things down… there. Just make sure that the cream’s vagina-scented. Just plain. For vaginas.” She kept her eyes on the counter.
Debra Anastasia (Fire Down Below (Gynazule #1))
Mediating your own victimhood is just part of being a woman. Using it or denying it, hating it or loving it, and all of these at once. Being a victim is boring for everyone involved. It is boring for me to present myself through experiences which are instrumentalised constantly as narrative devices in soap operas and tabloids. Is this why I am so ashamed of talking about certain events, or of finding them interesting? This is part of the horror of being hurt generically. Your experiences are so common that they become impossible to speak about in an interesting way.
Megan Nolan (Acts of Desperation)
He broke away a little to murmur, ‘You’re sure about this?’ ‘I need to feel alive, Mac,’ said Simone ‘I have to know it . . . I don’t need flowers . . . I don’t need dinner . . . I don’t need romance . . . I need fucked.’ The word had an electric effect on Macandrew, who despite now wanting Simone so badly, still had reservations about the situation – mainly the fear that he was taking advantage of it. He felt the last of them wash away as she uttered the word. He pinned her to the wall and freed himself before reaching under her skirt to push her panties to one side and enter her hard and long. He cupped his hands round her backside and pulled her on to him, matching the thrust of his hips and being exhorted to ever greater efforts by Simone’s moans in his ear. ‘Christ, I want you,’ he gasped. ‘Then have me . . .’ The all too brief outcome of such passion left Macandrew holding Simone to him and resting his forehead on the wall as his breathing subsided. Simone broke the silence. ‘Tell me how you feel?’ she murmured. ‘After a moment’s thought, Macandrew said, ‘Embarrassed. Dare I ask about you?’ ‘Fucked,’ replied Simone. Macandrew smiled, feeling such a surge of relief when he saw that Simone was smiling too. She ran the tips of her fingers softly down his cheek. ‘Let’s go shower,’ she said. Showering together was as gentle an experience as their love-making had been passionate. They took lingering pleasure in tracing the contours of each other with soap and sponge and found it deliciously sensual. ‘Do you know what I’m going to do now?’ murmured Simone. ‘Tell me,’ said Macandrew drowsily as he closed his eyes and put his head back on the shower wall. Simone reached up and yanked the regulator over to COLD, causing Macandrew to let out a yelp of surprise. ‘Make an omelette,’ she said.
Ken McClure (Past Lives)
As she began to peel potatoes, he stood behind her and touched the tendrils of hair that had fallen from their clips and curled at the nape of her neck. Then he reached around her waist and leaned into her. All these years and still he was drawn to the smell of her skin, of sweet soap and fresh air. He whispered against her ear, “Dance with me.” “What?” “I said, let’s dance.” “Dance? Here, in the cabin? I do believe you’re the mad one.” “Please.” “There’s no music.” “We can remember some tune, can’t we?” and he began to hum “In the Shade of the Old Apple Tree.” “Here,” he said, and swung her around to face him, an arm still at her waist, her slight hand in his. He hummed louder and began to twirl them around the plank floor. “Hmmm, hmm, with a heart that is true, I’ll be waiting for you…” “… in the shade of the old apple tree.” She kissed him on the cheek, and he swept her back on his arm. “Oh, I’ve thought of one,” she said. “Let me think…” and she began to hum tentatively. Jack didn’t know it at first, but then it came to him and he began to sing along. “When my hair has all turned gray,” a swoop and a twirl beside the kitchen table, “will you kiss me then and say, that you love me in December as you do in May?” And then they were beside the woodstove and Mabel kissed him with her mouth open and soft. Jack pulled her closer, pressed their bodies together and kissed the side of her face and down her bare neck and, as she let her head gently lean away, down to her collarbone. Then he scooped an arm beneath her knees and picked her up. “What in heaven’s—you’ll break your back,” Mabel sputtered between a fit of laughter. “We’re too old for this.” “Are we?” he asked. He rubbed his beard against her cheek. She shrieked and laughed, and he carried her into the bedroom, though they had not yet eaten dinner.
Eowyn Ivey (The Snow Child)
A Letter To Say, "I'll See You Later" I remember just like it was yesterday the grapevine, clothesline, lilacs and peonies. I remember the secret hiding place for 50-cent pieces. I remember just like it was yesterday the color wheel Christmas Tree, The Honeymooner’s, The Dukes of Hazzard and Jeopardy! I remember just like it was yesterday the house was full of children, but I was your only and your favorite. You always made time for me, even when I deserved the fly swatter. I remember just like it was yesterday falling asleep to the scent of Dove soap on your pillow, you lying for me so I wouldn’t be abused again. I remember just like it was yesterday your big “Black Cat” and the late, dark nights driving to IFP and knowing there was “No Place Like Home.” I remember just like it was yesterday the “horns” in your ‘do and the smell of Raffinee wafting through the house and Listerine in the bathroom. I remember your bows and polka dots and “just a few fries.” I remember the green blanket. I remember just like it was yesterday the way it felt to sit on your lap and have you sing “She’s Grandma’s Little Baby.” I remember just like it was yesterday the day you told me I could “Shit in the sugar bowl.” I remember just like it was yesterday telling you that you were going to be a great-grandma…for the first time. I remember just like it was yesterday the 1st time you held him in your arms; you helped me raise him. Your house was always our home. I remember just like it was yesterday having my heart broken but you helped me mend it. I remember just like it was yesterday asking for your help when I couldn’t do it on my own; you’ve always been my rock. I remember just like it was yesterday confiding my secrets to you – you were the first to know another baby was on the way, this time a girl. I remember just like it was yesterday the joy they brought to your life; they were the reason you didn’t give up. I remember just like it was yesterday saying words I never meant, not spending more time with you because my life got in the way. I remember just like it was yesterday you loving on me, your strength and vitality, your faith, hope and kindness. I remember just like it was yesterday wishing for more tomorrows so I could tell you that I love you another time. I remember just like it was yesterday having you tell me you love me, “more than anyone will ever know.” I remember just like it was yesterday you taught me to never say good-bye, just say “I’ll see you later.
Amanda Strong
He left his shoes on the mat, mounted the stair unshod. Caroline stole after, with noiseless step. There was a gallery, and there was a passage; at the end of that passage Martin paused before a door and tapped. He had to tap twice—thrice. A voice, known to one listener, at last said, "Come in." The boy entered briskly. "Mr. Moore, a lady called to inquire after you. None of the women were about. It is washing-day, and the maids are over the crown of the head in soap-suds in the back kitchen, so I asked her to step up." "Up here, sir?" "Up here, sir; but if you object, she shall go down again." "Is this a place or am I a person to bring a lady to, you absurd lad?" "No; so I'll take her off." "Martin, you will stay here. Who is she?" "Your grandmother from that château on the Scheldt Miss Moore talks about." "Martin," said the softest whisper at the door, "don't be foolish." 508"Is she there?" inquired Moore hastily. He had caught an imperfect sound. "She is there, fit to faint. She is standing on the mat, shocked at your want of filial affection." "Martin, you are an evil cross between an imp and a page. What is she like?" "More like me than you; for she is young and beautiful." "You are to show her forward. Do you hear?" "Come, Miss Caroline." "Miss Caroline!" repeated Moore.
Charlotte Brontë (Shirley)
For once in her life, the thought of being on the back of a magnificent horse did not command Rycca's attention. She was far too busy looking at her magnicifent husband as he removed his sword belt and blithely shucked off his trousers. Naked, he walked straight into the pool, submerged completely, and came up a few minutes later, tossing streams of water from the thick mane of his hair. "Hand me the soap,would you?" Such a simple task, yet to fulfill it he would have to come closer.Or she would. "That's a lovely gown," he said, smiling. "All my gowns are lovely thanks to the Lady Krysta and your own generosity." "It would be a shame to get it wet." She looked at him in alarm, wondering if he would actually do such a thing. His answer was a look of pure innocence, which immediately confirmed her suspicions. "Do you have any idea how any women must have labored so long to make this gown?" "No,do you?" "Well,no,not actually because I never had a gown like this before, but even so, surely you wouldn't do anything to damage it?" "Just to be safe,why don't you take it off?" Oh,yes,that would certainly be safe. Indeed,never was she any safer than when was she naked and in his arms. Except, of course, from the danger of her own emotions. "I bathed when I awoke." "The day is warm." "The pool looks deep.Recall, I cannot swim." "Recall I mean to teach you.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
I met a man. I met a man. I let him throw me raound the bed. And smoked, me, spliffs and choked my neck until I said I was dead. I met a man who took me for walks. Long ones in the country. I offer up. I offer up in the hedge. I met a man I met with her. She and me and his friend to bars at night and drink champagne and bought me chips at every teatime. I met a man with condoms in his pockets. Don't use them. He loves children in his heart. No. I met a man who knew me once. who saw me around when I was a child. Who said you're a fine looking woman now. Who said come back marry me live on my farm. No. I met a man who was a priest I didn't I did. Just as well as many another one would. I met a man. I met a man. who said he'd pay me by the month. who said he'd keep me up in style and I'd be waiting when he arrived. No is what I say. I met a man who hit me a smack. I met a man who cracked my arm. I met a man who said what are you doing out so late at night. I met a man. I met a man. And wash my mouth out with soap. I wish I could. That I did then. I met a man. A stupid thing. I met a man. Should have turned on my heel. I thought. I didn't know to think. I didn't even know to speak. I met a man. I kept on walking. I met a man. I met a man. And I lay down. And slapped and cried and wined and dined. I met a man and many more and I didn't know you at all.
Eimear McBride (A Girl Is a Half-Formed Thing)
Therefore put on the full armor of God, so that when the day of evil comes, you may be able to stand your ground, and after you have done everything, to stand. Stand firm then, with the belt of truth buckled around your waist . . .” Lord, I put on the belt of truth. I choose a lifestyle of honesty and integrity. Show me the truths I so desperately need today. Expose the lies I’m not even aware that I’m believing. “. . . with the breastplate of righteousness in place . . .” And yes, Lord, I wear your righteousness today against all condemnation and corruption. Fit me with your holiness and purity—defend me from all assaults against my heart. “. . . and with your feet fitted with the readiness that comes from the gospel of peace . . .” I do choose to live for the gospel at any moment. Show me where the larger story is unfolding and keep me from being so lax that I think the most important thing today is the soap operas of this world. “In addition to all this, take up the shield of faith, with which you can extinguish all the flaming arrows of the evil one . . .” Jesus, I lift against every lie and every assault the confidence that you are good, and that you have good in store for me. Nothing is coming today that can overcome me because you are with me. “. . . Take the helmet of salvation . . .” Thank you, Lord, for my salvation. I receive it in a new and fresh way from you and I declare that nothing can separate me now from the love of Christ and the place I shall ever have in your kingdom. “. . . and the sword of the Spirit, which is the word of God . . .” Holy Spirit, show me specifically today the truths of the Word of God that I will need to counter the assaults and the snares of the Enemy. Bring them to mind throughout the day. “. . . And pray in the Spirit on all occasions with all kinds of prayers and requests. With this in mind, be alert and always keep on praying for all the saints.” Finally, Holy Spirit, I agree to walk in step with you in everything—in all prayer as my spirit communes with you throughout the day. (6:13-18)
John Eldredge (Wild at Heart Revised and Updated: Discovering the Secret of a Man's Soul)
Once upon a time I'd left Los Angeles and been swallowed down the throat of a life in which my sole loyalty was to my tongue. My belly. Myself. My mother called me selfish and so selfish I became. From nineteen to twenty-five I was a mouth, sating. For myself I made three-day braises and chose the most marbled meats, I played loose with butter and cream. My arteries were young, my life pooling before me, and I lapped, luxurious, from it. I drank, smoked, flew cheap red-eyes around Europe, I lived in thrilling shitholes, I found pills that made nights pass in a blink or expanded time to a soap bubble, floating, luminous, warm. Time seemed infinite, then. I begged famous chefs for the chance to learn from them. I entered competitions and placed in a few. I volunteered to work brunch, turn artichokes, clean the grease trap. I flung my body at all of it: the smoke and singe of the grill station, a duck's breast split open like a geode, two hundred oysters shucked in the walk-in, sex in the walk-in, drunken rides around Paris on a rickety motorcycle and no helmet, a white truffle I stole and shaved in secret over a bowl of Kraft mac n' cheese for me, just me, as my body strummed the high taut selfish song of youth. On my twenty-fifth birthday I served black-market fugu to my guests, the neurotoxin stinging sweetly on my lips as I waited to see if I would, by eating, die. At that age I believed I knew what death was: a thrill, like brushing by a friend who might become a lover.
C Pam Zhang (Land of Milk and Honey)
and drew her strength directly from our magickal Oklahoma earth. “U-we-tsi-a-ge-ya, it seems I need help at the lavender booth. I simply cannot believe how busy we are.” Grandma had barely spoken when a nun hurried up. “Zoey, Sister Mary Angela could use your help filling out cat adoption forms.” “I’ll help you, Grandma Redbird,” Shaylin said. “I love the smell of lavender.” “Oh, honey, that would be so sweet of you. First, could you run to my car and get into the trunk. There is another box of lavender soaps and sachets tucked back there. Looks like I’m going to sell out completely,” Grandma said happily. “Sure thing.” Shaylin caught the keys Grandma tossed to her and hurried toward the main exit of the school grounds which led to the parking lot, as well as the tree-lined road that joined Utica Street. “And I’ll call my momma. She said just let her know if we get too busy over here. She and the PTA moms will be back here in a sec,” said Stevie Rae. “Grandma, do you mind if I give Street Cats a hand? I’ve been dying to check out their new litter of kittens.” “Go on, u-we-tsi-a-ge-ya. I think Sister Mary Angela has been missing your company.” “Thanks, Grandma.” I smiled at her. Then I turned to Stevie Rae. “Okay, if your mom’s group is coming back, I’m gonna go help the nuns.” “Yeah, no problem.” Stevie Rae, shielding her eyes and peering through the crowd, added, “I see her now, and she’s got Mrs. Rowland and Mrs. Wilson with her.” “Don’t worry. We can handle this,” Shaunee said. “’Kay,” I said, grinning at both of them. “I’ll be back as soon as I can.” I left the cookie booth and noticed Aphrodite, clutching her big purple Queenies cup, was right on my heels. “I thought you didn’t want a lecture from the nuns.” “Better than a lecture from PTA moms.” She shuddered. “Plus, I like cats more than people.” I shrugged. “Okay, whatever.” We’d only gotten partway to the Street Cats tent when Aphrodite slowed way down. “Seriously. Effing. Pathetic.” She was muttering around her straw, narrowing her eyes, and glaring. I followed her gaze and joined her frown. “Yeah, no matter how many times I see them together, I still don’t get it.” Aphrodite and I had stopped to watch Shaunee’s ex-Twin BFF, Erin, hang all over Dallas. “I really thought she was better than that.” “Apparently not,” Aphrodite said. “Eeew,” I said, looking away from their way too public display of locked lips. “I’m telling you, there’s not enough booze in Tulsa to make watching those two suck face okay.” She made a gagging sound, which changed to a snort and a laugh. “Check out the wimple, twelve o’clock.” Sure enough, there was a nun I vaguely recognized as Sister Emily (one of the more uptight of the nuns) descending on the too-busy-with-their-tongues-to-notice couple. “She looks serious,” I said. “You know, a nun may very well be the direct opposite of an aphrodisiac. This should be entertaining. Let’s watch.” “Zoey! Over here!” I looked from the train wreck about to happen to see Sister Mary Angela waving me over to her.
P.C. Cast (Revealed (House of Night #11))
The rain beat against the windows and against the tin roof of the hotel. It came down in hissing roars, then in whispers, then in loud shishes like sandpaper rubbed against wood. She drank the second glassful, climbed off the bed and began undressing, and then we were together, the cheap naked bulb still blazing down on the bed. Thinking back, I remember the stupidest things; the way there was a taut crease just above her hips, in the small of her back. The way she smelled like a baby's breath, a sweet barely there smell that retreated and retreated, so that no matter how close you got to it you weren't sure it was there. The brown speckles in the lavender-gray eyes, floating very close to the surface when I kissed her, the eyes wide open and aware. But not caring. The eyes of a gourmet offered a stale chunk of bread, using it of necessity but not tasting it any more than necessary. I remember getting up and coming back to her, and of throwing a shoe at the light bulb, later, when the whisky was gone. I remember the smell of rain-darkness in the room and her telling me I'd cut my feet on the light-bulb glass on the floor. And how she said I was no better than a tramp myself, that I made love to the cadence of the raingusts on the roof, and it was true I was doing just that, but it seemed the natural thing then. And I felt so marvelously clean and soaped and so in tune with the whole damned universe that I had the feeling I could have clouded up and rained and lightninged myself, and blown that cheese-colored room to smithereens.
Elliott Chaze (Black Wings Has My Angel)
She lifted the cup to her lips. “You make good coffee.” “You haven’t tasted it yet.” “I can smell it. And I love the way it smells.” It’s not the coffee, he thought. Not all of it, at any rate. “Well, I love your perfume,” he said, because he was a dolt. She frowned. “I’m not wearing any. I mean, other than the soap and shampoo I use.” “Well, I like them, then. And I’m glad you stayed.” “Is this what you planned?” Their eyes met. Shit, she was perfect. Radiant as the candles had been. “You making it all the way to the coffee? Yeah, I guess a date was what I was after.” “I thought you agreed with me.” Man, that breathless quality in her voice made him want to have her up against his naked chest. “Agreed with you?” he said. “Hell, if it would make you happy, I’d say yes to anything. But what are you specifically referring to?” “You said…I shouldn’t date anyone.” Ah, right. “You shouldn’t.” “I don’t understand.” Fuck him, but he went for it. Rehv put his numb elbow on the table and leaned into her. As he closed the distance, her eyes got wider, but she didn’t pull back. He paused, to give her a chance to tell him to cut the shit. Why? He had no clue. His symphath side was into pauses only for analysis or to better capitalize on a weakness. But she made him want to be decent. Ehlena didn’t tell him to step off, however. “I don’t…understand,” she whispered. “It’s simple. I don’t think you should date anyone.” Rehv moved in even closer, until he could see the flecks of gold in her eyes. “But I’m not just anyone.” -Ehlena & Rehv
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
I just helped with a birthing." Amber flames lit his angry dark eyes. "Women have no business doing that kind of work. It's not decent!" Thoroughly provoked by his unreasonable attitude, Willow completely forgot Miriam's presence. "Well, that's a lamebrain thing to say, considering it's us females who do the birthing. All men do is prime their-" "Willow!" Miriam interjected. "That is quite enough!" Seemingly disgusted with both of them, Miriam waved Rider off dismissively. "Mr. Sinclair, you've seen for yourself she's quite all right so I suggest you take yourself elsewear." "Fine! It's a little too whiffy around here for me anyway." He jerked Sultan around and rode off in a monstrous huff. Willow was pricked by his disdain more than she cared to admit. "Did you hear what he said? He said I stink! You'd think I'd just climbed out of a pig sty! Hell, how would he know if I stink? He wasn't even close enough to sniff me." Miriam exhaled a deep sigh and wrinkled her nose. "Well, believe me, I'm close enough!" Miriam bristled but then recognized the teasing twinkle in Miriam's soft hazel eyes and broke into a grin. "It'll never do to stick you in a tub," the landlady observed. "I'd kill myself, filling and dumping it before we got you clean. Stay here and don't move. I'll be right back." Miriam returned, loaded down with towels, soap, and clean clothes. "Lead the way to that swimming hole you were telling me about." The two women silently traipsed down the narrow path to the river, Willow brooding over Rider's sarcasm and Miriam wondering if Willow's clothes could be laundered or if she should just burn them.
Charlotte McPherren (Song of the Willow)
May I care for you?” Flame nodded his head, and placing my hands on his scarred tattooed skin, I began to wash him, showing with my touch how much he meant to me. I soaped over his arms and across his chest. The entire time I did so, his eyes never moved from mine. Then as my hands moved down his hard stomach, he caught my wrist. I looked up in panic, but the soft expression on his face quickly assuaged any worry. I waited for him to speak, then he finally rasped, “No one has ever cared for me like this before.” My heart cracked, because as much as my life had been difficult, and as much as I had shunned their affection, I had my sisters. But for Flame… there was no one. Leaning in, until my breasts pressed against his hard chest, I said, “That is in the past. Because I will care for you every day for the rest of our lives. You are my Flame. I will treasure you always. More than you will ever know.
Tillie Cole (Souls Unfractured (Hades Hangmen, #3))
Listen to me. Listen very carefully. You’re trapped. Right now you’re trapped. You’re stuck to the bottom of someone’s shoe. You’re walking around in yourlife, like your own little isolation bubble, following their footprints, thinking: This is it. This is me. This is MY SELF. This is how it goes. This is how it works. These are the rules. But here is the secret. You are free. You’re not one of those fools. There is no bubble except the one they put you in. But it’s made of soap, of air—of nothing at all. Only, you’re taught that it’s indestructible—no way of getting through that barrier. And you can pop it with your little finger. You could pop it with your breath. You could blow on it and it would fizzle say. You are free. You can do what you want. When you want. How you want. On your time. You can destroy yourself, kill yourself— And then get up and walk away. You are free. No but. No or. No either. You are an indestructible machine. You are magnificent. You can steal; you can cheat. And you can lie. Be a liar. I am.
Dawn Kurtagich (And the Trees Crept In)
She kissed his lips and felt his smile form. Alone in this beautiful space, Blake and Livia made things right. Blake kissed her slowly and patiently, like he had all the time in the world. Carefully, they eased back to lie down, and Blake braced himself above her. He smelled of mint and fresh soap. Livia put her hands on his chest and felt the densely packed muscles there. Empowered by his adoration, she shrugged off her fleece shirt, enjoying the feeling of being trapped between his arms. Blake’s eyes became stormy seas. “Damn it all to hell,” he cursed. Despite his words, Livia believed she was winning this battle of seduction. Blake kissed her mouth and sucked on her bottom lip. He moved to her earlobe and breathed, “First, I will blow, then I will lick, last I will bite.” Holy crap. Blake blew a gentle stream of minty breath along the outside of Livia’s ear, down to her neck, and along the edge of her breasts where they peeked out of her bright blue bra. Blake took his time creating an elaborate pattern on her stomach, and Livia was pretty sure he’d spelled the word torture. He increased the pressure of his breath as he grazed below her belly button to the top of her jeans. He skipped back to her mouth and gave her another long, slow kiss. “And now I lick,” he murmured. Livia bit back the embarrassingly loud moan she felt building. He gently traced the same trail his breath had left, this time with his tongue. When he reached her breast, she lost control and grabbed his hair, intent on kissing him. “No. No.” Blake held her wrists above her head. “I’ve done this to you so many times in my mind. I won’t have you rush me.” Livia groaned and arched her back in an effort to change his mind. But his slow, sexy smile told her he was doing it his way. “Fine.” Livia dutifully kept her hands above her head as he picked up where he’d left off. His tongue had her making noises that surely scared the wildlife. He spent an inordinate amount of time licking just above her belt buckle. Then again he was back to her mouth. He spoke through his kiss. “I’m going to bite you now.” Blake began down the same flaming path on Livia’s body with his teeth, nibbling in time with her heartbeat. When it speeded up, he bit slightly harder. After what seemed to be sixteen million glorious years, Blake was at the top of her jeans again. A light, almost invisible, mist from the gray clouds now gave the clearing a slick sheen. The cool rain and his hot mouth were ecstasy. Blake unbuckled her belt and used his tongue and teeth to unbutton her jeans. He chuckled as he flipped her zipper with his teeth. Each pop of the releasing zipper filled the woods as he blew again on the newly revealed skin. Livia knew what to expect this time: blow, lick, bite. Oh, sweet God! This is heaven. At last, Livia could no longer obey and reached her hands down to his angelic face. Blake glanced up as if to rebuke her, but quickly smiled and let her sit up to meet his lips. Love. Crazy, soon, ever. Love, Livia’s mind raged. She tried to tell him with kisses, but it wasn’t enough. Blake knelt before her, and Livia straddled his thighs. She pulled back to try putting it into words and noticed how Blake glistened, covered in tiny raindrops. The clear, cool pond she’d described to Cole had just exploded over them. But instead of drowning, they wore it like a cloak.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
Before his death your father begged a promise from me. He made me swear that I would look after you and your mother.” “And you have,” she insisted. He held up his hand to prevent her from saying more. “And made me give my word that I would never touch you in any manner other than brotherly.” Another rueful smile. “So you see, I preferred being able to pretend that I had kept my promise rather than face the truth of breaking my word.” He broke her heart, damn him. “He made me promise not to become attached to you,” she confided, continuing with the evening’s truthful trend. “It seems Papa saw something that neither one of us did.” “Oh, I saw it. I’ve seen it since you were eighteen years old and we danced together at some insipid ball. I don’t remember where it was, or the day of the week, but I remember that you wore a pale tea-colored gown with Belgian lace, and that you had pearls in your hair.” She couldn’t breathe. The tilt of his lips, the bleakness of his gaze, it was all too horrible. “And you wore a red cravat,” she whispered. “I thought you looked so rakish in it.” “I was rakish,” he admitted. “Your father knew that.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
You do not", cried Giovanni, sitting up, "love anyone ! You never loved anyone, I am sure you never will! You love your purity you love your mirror - you are just like a little virgin, you walk around with your hands in front of you as though you had some precious metal, gold, silver, rubies, maybe diamonds down there between your legs! You will never give it to anybody, you will never let anybody touch it- man or woman. You want to be clean. You think you came here covered with soap and you think you go out covered with soap- and you do not want to stink, not even for five minutes, in the meantime." He grasped me by the collar, wrestling and caressing at once, fluid and iron at once: saliva spraying from his lips and his eyes full of tears, but with the bones of his face showing and the muscles leaping in his arms and neck. "You want to leave Giovanni because he makes you stink. You want to despise Giovanni because he is not afraid of the stink love . You want to kill in the name of all your lying little moralities. And you - you are immoral. You are, by far, the most immoral man I have met in all my life . Do you think you could have done this if I did not love you? Is this what you should do to love ?
James Baldwin (Giovanni’s Room)
So you were bored and decided to come looking for me?” He trailed a finger over the exposed part of her upper chest. “Something like that.” Blushing prettily, she brushed his hand away, but not before giving his fingers a squeeze. “Well, I’m busy, so unless you want to help Heather and me in our endeavors, you will have to find some way to amuse yourself.” Grey sighed. “All right, I’ll go, but only because I’m likely to ruin whatever beautification potions you two lovely witches are brewing.” Behind Rose, the maid Heather giggled. Grey grinned at Rose’s wide-eyed disbelief as she looked at first her maid and then him. “Have you always charmed women so easily?” Grey’s humor faded. “I’m afraid so.” And then softly, “It if offends you…” She shoved her palm into his shoulder. “Don’t be an idiot. Flirt with my maid all you want. But I don’t want to hear anything from you when I smile at the footmen.” God she was amazing. He slipped his arms around her, no caring that the maid could see, even though she made a great pretense of not looking. “Are you going out tonight?” Rose pushed against his chest. “Grey, I’m all sweat and grime.” “I don’t care. Answer me, are you going out?” She arched a brow. “Are you trying to get rid of me?” “No.” He held her gaze as he lowered his head, but he didn’t kiss her. He simply let the words drift across her sweet lips. “I’d keep you here every night if I could.” She shivered delicately. Christ, he could kiss her. He could make love to her right there. “All you have to do is ask.” “I won’t have you give up your society for me.” Something flickered in her dark eyes. “It wouldn’t be much of a sacrifice.” Because of the gossip? How long before she began to resent him for it? He could just push her away and be done with it-tell her to go out and find herself a lover, but he would rather carve up the rest of his face than do that. Instead, he took the coward’s route. He didn’t ask for an explanation. He didn’t want to know what she’d heart about him or what they’d said about her. He simply smiled and decided to take advantage of what time he had left. Because he loved having her with him, and spending what had always been lonely hours in company better than any he might have deserved or ever wished for. “You are sweaty and grimy,” he murmured in his most seductive tones. “And now I find I am as well. Shall we meet in the bath in, say, twenty minutes? I’ll scrub your back if you’ll scrub mine.” Of course, when she joined him later, and their naked bodies came together in the hot, soapy water, all thoughts of scrubbing disappeared. And so did-for a brief while-all of Grey’s misgivings. But he knew they’d be back.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Lord,it's hot in here!" she exclaimed, waving a bedraggled towel in front of her face. "Wouldn't mind a swim myself." Paying him no mind, she unfastened a couple of buttons on her shirt, parted it, and blotted the swells of her breasts with the towel. As she bent down and reached into a cupboard, the shirt gaped. Paralysis afflicted Rider from his eyeballs down. Unaware of his stymied condition, Willow rummaged though the cupboard and asked, "Did Juan and Taylo get back yet?" No answer. "Sinclair?" She found a chunk of soap and a towel and rose from her stooped position to find Rider's eyes glued to her breasts. The soap thunked Rider on his chest and broke his trance. He glanced up just in time to get a towel in his face but managed to catch it before it joined the soap on the floor. "I'm sorry. What did you say?" "Never mind," She spun away to face the stove and to conceal her flaming face. Busily stirring with one hand, she nonchalantly rebuttoned her blouse with the other. "Don't tarry," she warned over her shoulder, "supper is almost ready." Tarry? Tarry? If he remained a minute longer, he was going to have dessert here and now and to hell with supper! He lowered his hat a few discreet inches to hide the evidence of his stirring desire. Then,with an ease he didn't feel, he picked up the soap. "I'll hurry, and thanks for the soap." He turned to leave, then stopped, a devilish glint in his eye. After the emotional turmoil she'd just put him through, she more than deserved a little teasing. "You're welcome to join me for a swim, if you like." His smile was wide and audacious. "I'm not shy." Willow turned to face him, fork in hand. "Let's you and me get something straight, Sinclair. I ain't shy and I don't shock easy neither. You see, I reckon you ain't got nothin' my brothers don't." Her bald remark shocked him as intended but Rider was not to be outdone. "Maybe I don't." He grinned rakishly. "But I've been told I have a rather...exceptional physique." Willow rolled her eyes. "Well, as you can see, I ain't got time to do any comparing. Now,go take your bath and get outta my hair!" Rider swung the towel over his shoulder and turned to leave again. Disappointed by his inability to rile her, he added, "Shucks, Freckles. I was kind of hoping you'd scrub my back. I've been told my back is a mighty fi-" She jabbed the air with the big fork, motioning to the door. "I'm going! I'm going! This place is hazardous to a man's health." He ducked out the door,laughing. "And stop calling me Freckles!" she yelled after him. Grinning and shaking her head, Willow directed her attention back to the stove. Rider Sinclair was an odd egg if ever she saw one. One minute the man was purely obnoxious, the next, teasing and charming.
Charlotte McPherren (Song of the Willow)
Since my biographer may be too staid Or know too little to affirm that Shade Shaved in his bath, here goes: "He'd fixed a sort Of hinge-and-screw affair, a steel support Running across the tub to hold in place The shaving mirror right before his face And with his toe renewing tap-warmth, he'd Sit like a king there, and like Marat bleed." The more I weigh, the less secure my skin; In places it's ridiculously thin; Thus near the mouth: the space between its wick And my grimace, invited the wicked nick. Or this dewlap: some day I must set free The Newport Frill inveterate in me. My Adam's apple is a prickly pear: Now I shall speak of evil and despair As none has spoken. Five, six, seven, eight, Nine strokes are not enough. Ten. I palpate Through strawberry-and-cream the gory mess And find unchanged that patch of prickliness. I have my doubts about the one-armed bloke Who in commercials with one gliding stroke Clears a smooth path of flesh from ear to chin, Then wipes his faces and fondly tries his skin. I'm in the class of fussy bimanists. As a discreet ephebe in tights assists A female in an acrobatic dance, My left hand help, and holds, and shifts its stance. Now I shall speak...Better than any soap Is the sensation for which poets hope When inspiration and its icy blaze, The sudden image, the immediate phrase Over the skin a triple ripple send Making the little hairs all stand on end As in the enlarged animated scheme Of whiskers mowed when held up by Our Cream.
Vladimir Nabokov (Pale Fire)
«It's not easy to believe.» «I» she told him, «I can believe anything. You have no idea what I can believe.» «Really?» «I can believe things that are true and I can believe things that aren't true and I can believe things where nobody knows if they're true or not. I can believe in Santa Claus and the Easter Bunny and Marilyn Monroe and the Beatles and Elvis and Mister Ed. Listen - I believe that people are perfectible, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkledy lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone's ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we'll all be wiped out by the common cold like the Martians in "War of the Worlds". I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was one-armed Siberian shaman. I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumblebee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kind of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn't even know that I'm alive. I believe in an empty and godless universe of casual chaos, background noise, and sheer blind luck. I believe that anyone who says that sex is overrated just hasn't done it properly. I believe that anyone who claims to know what's going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman's right to choose, a baby's right to live, that while all human life is sacred there's nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, that life is a cruel joke, and that life is what happens when you're alive and that you might as well lie back and enjoy it.»
Neil Gaiman (American Gods (American Gods, #1))
Are his letters to Diana downstairs?" She sighed. "What is it about girls and letters? My husband left me messages in soap on the bathroom mirror. Utterly impermanent.Really wonderful-" She broke off and scowled. I would have thought she looked a little embarrassed, but I didn't think embarrassment was in her repertoire. "Anyway. Most of the correspondence between the Willings is in private collections. He had their letters with him in Paris when he died. In a noble but ultimately misguided act, his attorney sent them to his neice. Who put them all in a ghastly book that she illustrated. Her son sold them to finance the publication of six even more ghastly books of poetry. I trust there is a circle of hell for terrible poets who desecrate art." "I've seen the poetry books in the library," I told her. "The ones with Edward's paintings on the covers. I couldn't bring myself to read them." "Smart girl. I suppose worse things have been done, but not many.Of course, there was that god-awful children's television show that made one of his landscapes move.They put kangaroos in it. Kangaroos. In eastern Pennsylvania." "I've seen that,too," I admitted. I'd hated it. "Hated it.Not quite as much as the still life where Tastykakes replaced one orange with a cupcake, or the portrait of Diana dressed in a Playtex sports bra, but close." "Oh,God. I try to forget about the bra." Dr. Rothaus shuddered. "Well, I suppose they do far worse to the really famous painters.Poor van Gogh. All those hearing-aid ads." "Yeah." We shared a moment of quiet respect for van Gogh's ear.
Melissa Jensen (The Fine Art of Truth or Dare)
But Dave Wain that lean rangy red head Welchman with his penchant for going off in Willie to fish in the Rogue River up in Oregon where he knows an abandoned mining camp, or for blattin around the desert roads, for suddenly reappearing in town to get drunk, and a marvelous poet himself, has that certain something that young hip teenagers probably wanta imitate–For one thing is one of the world's best talkers, and funny too–As I'll show–It was he and George Baso who hit on the fantastically simple truth that everybody in America was walking around with a dirty behind, but everybody, because the ancient ritual of washing with water after the toilet had not occurred in all the modern antisepticism–Says Dave "People in America have all these racks of drycleaned clothes like you say on their trips, they spatter Eau de Cologne all over themselves, they wear Ban and Aid or whatever it is under their armpits, they get aghast to see a spot on a shirt or a dress, they probably change underwear and socks maybe even twice a day, they go around all puffed up and insolent thinking themselves the cleanest people on earth and they're walkin around with dirty azzoles–Isnt that amazing?give me a little nip on that tit" he says reaching for my drink so I order two more, I've been engrossed, Dave can order all the drinks he wants anytime, "The President of the United States, the big ministers of state, the great bishops and shmishops and big shots everywhere, down to the lowest factory worker with all his fierce pride, movie stars, executives and great engineers and presidents of law firms and advertising firms with silk shirts and neckties and great expensive traveling cases in which they place these various expensive English imported hair brushes and shaving gear and pomades and perfumes are all walkin around with dirty azzoles! All you gotta do is simply wash yourself with soap and water! it hasn't occurred to anybody in America at all! it's one of the funniest things I've ever heard of! dont you think it's marvelous that we're being called filthy unwashed beatniks but we're the only ones walkin around with clean azzoles?"–The whole azzole shot in fact had spread swiftly and everybody I knew and Dave knew from coast to coast had embarked on this great crusade which I must say is a good one–In fact in Big Sur I'd instituted a shelf in Monsanto's outhouse where the soap must be kept and everyone had to bring a can of water there on each trip–Monsanto hadnt heard about it yet, "Do you realize that until we tell poor Lorenzo Monsanto the famous writer that he is walking around with a dirty azzole he will be doing just that?"–"Let's go tell him right now!"–"Why of course if we wait another minute...and besides do you know what it does to people to walk around with a dirty azzole? it leaves a great yawning guilt that they cant understand all day, they go to work all cleaned up in the morning and you can smell all that freshly laundered clothes and Eau de Cologne in the commute train yet there's something gnawing at them, something's wrong, they know something's wrong they dont know just what!"–We rush to tell Monsanto at once in the book store around the corner. (Big Sur, Chap. 11)
Jack Kerouac (Big Sur)
Grey was here.” He hadn’t known, that was obvious from the way his eyes widened. “You lie.” Rose chuckled. “I saw him. I spoke to him. He said he came to see me. And then he ran out of here as though the hounds of hell were nipping at his heels.” Archer shook his head, an expression of disbelief on his face. “They tend to do that when Hades freezes over.” Then he offered her a grin. “He braved being seen in public just to come here and see you?” “He was watching from a balcony. I wouldn’t have known he was here if the fortune teller hadn’t told me.” His brows shot up. “And there’s a story for another time. Look, Lady Rose, I know he’s frustrating as all get-out, but you cannot expect Grey to change years of behavior in a week. You have to be patient-like waves lapping at a stone.” That was so very easily said. He wasn’t the one being pressured to find a husband. He wasn’t the one who felt as though everything she wanted was just out of reach. “You know, I suddenly find myself very interested in Lady Monteforte’s literary tastes. Shall I make the introductions?” “I will hang your puppy if you do not.” Rose grinned. He truly was the most charming of rascals. “How very fortunate for me then, that I do not own a puppy.” “For shame. Every young lady should have a puppy.” Rose made the introductions, and Archer wasted no time in asking Lady Monteforte if she cared to dance. For a moment it seemed the lady might decline, but then Rose offered to stay with Jacqueline and Archer offered the widow his arm. She hesitated before taking it. Interesting. Rose had never seen a woman react so coolly to Archer’s charm before. The Kane men were obviously losing their touch.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
This here,” he said playing with it, “is a stone, and will, after a certain time, perhaps turn into soil, and will turn from soil into a plant or animal or human being. In the past, I would have said: This stone is just a stone, it is worthless, it belongs to the world of the Maja; but because it might be able to become also a human being and a spirit in the cycle of transformations, therefore I also grant it importance. Thus, I would perhaps have thought in the past. But today I think: this stone is a stone, it is also animal, it is also god, it is also Buddha, I do not venerate and love it because it could turn into this or that, but rather because it is already and always everything — and it is this very fact, that it is a stone, that it appears to me now and today as a stone, this is why I love it and see worth and purpose in each of its veins and cavities, in the yellow, in the gray, in the hardness, in the sound it makes when I knock at it, in the dryness or wetness of its surface. There are stones which feel like oil or soap, and others like leaves, others like sand, and every one is special and prays the Om in its own way, each one is Brahman, but simultaneously and just as much it is a stone, is oily or juicy, and this is this very fact which I like and regard as wonderful and worthy of worship. — But let me speak no more of this. The words are not good for the secret meaning, everything always becomes a bit different, as soon as it is put into words, gets distorted a bit, a bit silly — yes, and this is also very good, and I like it a lot, I also very much agree with this, that this what is one man's treasure and wisdom always sounds like foolishness to another person.
Hermann Hesse (Siddhartha)
Cutting Board Maintenance Moisturize! Once a month I spend some quality time, just me and my cutting board family. Wood is porous and kind of alive—it expands and contracts, absorbs moisture and dries out. Without any TLC even the best wooden cutting board can crack, warp, or even rot from the inside. Luckily, all you need to prevent all of that is monthly moisturization. 1. Start with a clean and dry board: Using a soft dish sponge, scrub clean with dish soap. Remove any tough stains with a mixture of baking soda and water. Never use any harsh abrasives like bleach or steel wool. Rinse and then dry the board with a towel and leave it standing on its edge to fully dry. (If you can, it’s best to store your board standing on its edge when not in use so moisture doesn’t fester underneath.) When washing your board, be sure to wet both sides. This ensures that both sides are equally moist and dry at the same rate to prevent warping. 2. Apply a generous layer of food-grade mineral oil: Lay the board flat so excess oil doesn’t run off, and use your hands to spread a thick layer of mineral oil all over one side, rubbing into the edges and any grooves. Why mineral oil? Unlike most other oils, such as canola, olive, or coconut, mineral oil is totally flavorless and won’t grow rancid 3. Give it time to soak in: Let it sit for a few hours and preferably overnight to drink in as much oil as possible. 4. Buff and repeat: Use a towel to rub away any excess oil the board didn’t soak up. Next, buff the board, rubbing in any last remnants of oil. It should not feel slick or greasy when you’re done. Flip and repeat on the other side. • Level up: To give your board an almost velvety feel, after oiling both sides, rub them down with board cream. Board cream is a mixture of food-grade mineral oil and beeswax that you can purchase or make yourself. Using a towel, rub a thin, even layer all over the board. No need to wipe it off after.
Sohla El-Waylly (Start Here: Instructions for Becoming a Better Cook)
You’ve always been so agreeable,” he remarked with something of a rueful tone. “I don’t understand why you haven’t told me to sod off.” She couldn’t help but chuckle. “Other than the simple fact that I would never say those words to anyone?” He glanced at her, eyes sparkling. “Even so. I am humbled by your easy acceptance of me. I behaved abominably toward you years ago and yet you act as though nothing ever happened.” Rose twirled the handle of her parasol. “We cannot change the past, Mr. Maxwell. I reckon I would be a much happier woman if I could. No, all we can do is go forward.” His brow furrowed. “Does that mean you forgive me?” She laughed again. “Yes, it does. I understand why you had to abandon your courtship after my father’s misfortune and I do not blame you for it.” Kellan shook his head. “You are too good.” “No,” she insisted with a sharp shake of her head. “I am not.” Lord, if he but knew just how not good she could be! Of course, if they were married he’d realize that on their wedding night, wouldn’t he? Or could she deceive him and make him believe she was a virgin? It wouldn’t be right, but she would do it to spare his feelings, and keep her secrets. “But, I can be practical when the situation calls for it.” “Is that why you’re here with me now?” he asked with amusement. “Practicality?” Rose’s smile was coy in reply. “Perhaps. Or perhaps I like giving the gossips something to natter about.” Kellan laughed aloud. “I’ve missed your wit, Rose. You always knew how to make me laugh.” “Yes.” She twirled her parasol again. “You as well. I’m glad that we are friends again.” “Friends,” he repeated. “Is that what we are?” It had been a while since she’d flirted with a man without the benefit of a mask, but she thought she remembered how to do it. “For now.” They were smiling at each other as they passed beneath the thick shade of trees that lined the track, and Rose felt a stirring of hope in her breast. Her heart wasn’t totally under Grey’s control, and for that she was extraordinarily happy.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Frederick looked great in the parade of old-fashioned suits I'd seen in since we'd met, of course. More than great. But I realized now that his consistently too-formal, out-of-date attire served as a constant reminder to me that Frederick was out of my league in every imaginable way--- and completely off-limits. Untouchable. And other. Now, though... "What do you think?" he asked. "Do I look like I fit in with modern society now?" With difficulty, I tore my eyes from the broad expanse of his chest now covered in a forest-green Henley that fit him like a glove and met his gaze. He was fidgeting a little as I looked back at him, drumming his fingertips against his upper thigh again, looking at me with a nervous intensity that stole the breath from my lungs. I let my eyes trail slowly down his body, drinking him in, taking in his new shirt and the dark blue jeans that fit him so well you wouldn't have guessed he'd had no idea what size he was twenty minutes ago. The other jeans he'd tried on lay folded in a pile on the chair beside him; his suit hung neatly on a hanger in the dressing room. I focused on these other details to distract myself from how Frederick not only looked just as hot in more casual clothes as he did in his stuffy suits, but also how he now looked attainable in a way that was dangerous to me, specifically. I had to avert my eyes. Looking right at him felt a little too much like looking directly at the sun. "You look great. You look unbelievable, actually." I heard his sharp intake of breath, only then realizing that that hadn't quite been what he'd asked me. All he'd asked was whether he looked like he fit in. My stomach swooped, my face suddenly feeling like it was on fire. Idiot. "That is... that is to say---" "You think I look great?" He was looking at me with an expression that felt somewhere between surprise and pleasure. He stepped from the dressing room, stopping when he was only a few inches away from me. I took an involuntary breath, breathing in the scent of lavender soap and new clothes that clung to him.
Jenna Levine (My Roommate Is a Vampire (My Vampires, #1))
He told me to stay away from you.” Strong hands roamed her back in the most comforting fashion. “You should have listened.” Rose raised her face to look at him. “But then I would not have known what it was to be truly happy.” Grey’s eyes widened, and for a moment he looked young and vulnerable. “Don’t say that. I’ve made you miserable.” She smiled sadly. “True, but those nights with you at Saint’s Row? That was happiness for me. The most I’ve ever known.” His mouth opened and she pressed her fingers again his lips to close them. “You don’t have to say anything. I already know it’s not what I want to hear.” Grey frowned, and reached up to move her hand from his face. He held her fingers within his. He gave off more heat than the fire she’d fried herself in front of earlier. Heat that went straight to her bones, right to the very center of her being, radiating out into her limbs. There was nothing seductive about their embrace and yet she ached inside, that wet and willing part of herself desperate to take him inside once more. She wanted to claim him, mark him. Ruin him for anyone else. “I was happy too,” he said softly. So softly she wouldn’t have known it was him who spoke were she not watching his beautiful lips as they formed the words. “God help me, you make me forget every vow and promise I’ve ever made.” Heart pounding, Rose didn’t resist as he dropped her hand to thread his fingers in her hair, pressing against her scalp. “You make me feel like someone else,” he told her gruffly. “A good man. A worthy man, and not a selfish bastard too corrupted to ever be loved.” Her eyes burned, but Rose managed to hold the tears at bay. She bit her lip, staring at him, she knew, with her heart in her eyes. She didn’t care. “You are a good man,” she whispered. “The best I know.” Who else would cut himself off from almost all contact with people simply to keep himself from returning to a way of life he wanted to leave behind? “You shouldn’t say things like that.” “Why not? I believe them.” “Because when you say them, I want to believe them.” And then he lowered his head and captured her mouth with his own.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
My plan is this,” I says. “We can easy find out if it’s Jim in there. Then get up my canoe to-morrow night, and fetch my raft over from the island. Then the first dark night that comes, steal the key out of the old man’s britches, after he goes to bed, and shove off down the river on the raft, with Jim, hiding daytimes and running nights, the way me and Jim used to do before. Wouldn’t that plan work?” “Work? Why cert‘nly, it would work, like rats a fighting. But it’s too blame’ simple; there ain’t nothing to it. What’s the good of a plan that ain’t no more trouble than that? It’s as mild as goose-milk. Why, Huck, it wouldn’t make no more talk than breaking into a soap factory.” I never said nothing, because I warn’t expecting nothing different; but I knowed mighty well that whenever he got his plan ready it wouldn’t have none of them objections to it. And it didn’t. He told me what it was, and I see in a minute it was worth fifteen of mine, for style, and would make Jim just as free a man as mine would, and maybe get us all killed besides. So I was satisfied, and said we would waltz in on it. I needn’t tell what it was, here, because I knowed it wouldn’t stay the way it was. I knowed he would be changing it around, every which way, as we went along, and heaving in new bullinesses wherever he got a chance. And that is what he done. Well, one thing was dead sure; and that was, that Tom Sawyer was in earnest and was actuly going to help steal that nigger out of slavery. That was the thing that was too many for me. Here was a boy that was respectable, and well brung up; and had a character to lose; and folks at home that had characters; and he was bright and not leather-headed; and knowing and not ignorant; and not mean, but kind; and yet here he was, without any more pride, or rightness, or feeling, than to stoop to this business, and make himself a shame, and his family a shame, before everybody. I couldn’t understand it, no way at all. It was outrageous, and I knowed I ought to just up and tell him so; and so be his true friend, and let him quit the thing right where he was, and save himself. And I did start to tell him; but he shut me up, and says: “Don’t you reckon I know what I’m about? Don’t I generly know what I’m about?” “Yes.” “Didn’t I say I was going to help steal the nigger?” “Yes.” “Well then.” That’s all he said, and that’s all I said. It warn’t no use to say any more; because when he said he’d do a thing, he always done it.
Mark Twain (The Adventures of Huckleberry Finn (Adventures of Tom and Huck, #2))
For a second he thought she might chuckle, and honest to God he didn't know what he would do if she did. "Grey, society didn't give you that scar. A woman you treated with no more regard than your dirty stockings gave you that scar. You cannot blame the actions of one on so many." HIs fingers tightened into fists at his side. "I do not blame all of society for her actions, of course not." "How could you? You don't even know who it was, do you?" "No." But he had suspicions. He was almost completely certain it had been Maggie-Lady Devane. He'd broken her heart the worst of them all. "Of course you don't." Suddenly her eyes were very dark and hard. "I suspect it could be one of a large list of names, all women who you toyed with and cast aside." A heavy chill settled over Grey's chest at the note of censure, and disapproval in her tone. He had known this day would come, when she would see him for what he truly was. He just hadn't expected it quite so soon. "Yes," he whispered. "A long list indeed." "So it's no wonder you would rather avoid society. I would too if I had no idea who my enemies were. It's certainly preferable to apologizing to every conquest and hope that you got the right one." She didn't say it meanly, or even mockingly, but there was definitely an edge to her husky voice. "Is this what we've come to, Rose?" he demanded. "You've added your name to the list of the women I've wronged?" She laughed then, knocking him even more off guard. "Of course not. I knew what I was getting myself into when I hatched such a foolhardy plan. No, your conscience need not bear the weight of me, grey." When she moved to stand directly before him, just inches away, it was all he could do to stand his ground and not prove himself a coward. Her hand touched his face, the slick satin of her gloves soft against his cheek. "I wish you would stop living under all this regret and rejoin the world," she told him in a tone laden with sorrow. "You have so much to offer it. I'm sure society would agree with me if you took the chance." Before he could engineer a reply, there was another knock at the door. Rose dropped her hand just as her mother stuck her head into the room. "Ah, there you are. Good evening, Grey. Rose, Lord Archer is here." Rose smiled. "I'll be right there, Mama." When the door closed once more, she turned to Grey. "Let us put an end to this disagreeable conversation and put it in the past where it belongs. Friends?" Grey looked down at her hand, extended like a man's. He didn't want to take it. In fact, he wanted to tell her what she could do with her offer of friendship and barely veiled insults. He wanted to crush her against his chest and kiss her until her knees buckled and her superior attitude melted away to pleas of passion. That was what he wanted.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
You are very quiet,” Archer remarked as they walked together to the refreshment table. They’d just finished a game of whist and when Rose begged off from a second round, Grey’s brother did the same. “My apologies,” she replied. “I do not mean to be rude.” “My brother doesn’t deserve to take up so much room in that lovely head of yours.” She might have been insulted by his disparaging Grey, or his familiarity with her, had she not been so surprised by the remark itself. “You are impertinent, sir.” He grinned-a grin so much more roguish than Grey’s. “One of my more charming traits. I did not mean offense, dear lady. Only that thinking about him will do you no good. The man is bent on punishing himself for the rest of his life.” Rose accepted the plate he offered her. “Thank you. Why would he wish to punish himself?” “Because he’s an ar…idiot. Sandwich?” He held up a cucumber sandwich caught in silver tongs. “Please. I’m not certain I wish to discuss your brother with you, Lord Archer.” “Not even if I can help you win him?” Rose’s heart froze-no, it simply stopped. Her entire body went numb. She would have dropped her plate had Archer not swept it from her hand into his own. “What makes you think I wish to win him?” He flashed her a coy glance. “Please, lady Rose. I’ve not made a career out of studying your sex to fall for your false innocence now.” Oh dear God. Had Grey told him? “I’ve seen the way you look at him, and I’ve had to put with hearing about you for the last four years-no offense.” Rose arched a brow as he piled food upon her plate. “None taken. I wasn’t aware that I looked at your brother in a manner different from how I might look upon anyone else.” “Mm.” He popped a small cake into his mouth, chewed, and swallowed. “That’s just it. You try too hard to treat him like everyone else. It’s obvious you care for him, and not just as the man who saved your life.” “Saved my life? How very dramatic.” He gave her a very serious look as he handed her the laden plate. “Where do you suppose you’d be right now if Grey hadn’t taken you in? Certainly not here, with such good food and charming company.” Point taken. And now she felt simply awful for the way she had spoken to Grey earlier. She was such a cow. “You shame me, sir.” And worse, he’d made tears come to her eyes. Staring at her food-such a wonderful array he’d picked for her-she blinked them away. He steered her toward a window seat where they sat in plain view of the room, but at least with a modicum of privacy. “My apologies, my lady. I did not mean to offend you with my plain and thoughtless words.” “Plain, perhaps. Thoughtless, I highly doubt it.” She managed a small smile. “I don’t think you do anything without thinking first.” Archer laughed, looking so much like Grey it hurt to look at him. “Were that but true.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Lady Rose, you grow lovelier every time I see you.” Had it been a stranger who spoke she might have been flustered, but since it was Archer, Grey’s younger brother, she merely grinned in response and offered her hand. “And your eyesight grows poorer every time you see me, sir.” He bowed over her fingers. “If I am blind it is only by your beauty.” She laughed at that, enjoying the good-natured sparkle in his bright blue eyes. He was so much more easy-natured than Grey, so much more full of life and flirtation. And yet, the family resemblance could not be denied even if Archer’s features were a little thinner, a little sharper. How would Grey feel if she found a replacement for him in his own brother? It was too low, even in jest. “Careful with your flattery, sir,” she warned teasingly. “I am trolling for a husband you know.” Archer’s dark brows shot up in mock horror. “Never say!” Then he leaned closer to whisper. “Is my brother actually fool enough to let you get away?” Rose’s heart lurched at the note of seriousness in his voice. When she raised her gaze to his she saw only concern and genuine affection there. “He’s packing my bags as we speak.” He laughed then, a deep, rich sound that drew the attention of everyone on the terrace, including his older brother. “Will you by chance be at the Devane musicale next week, Lord Archer?” “I will,” he remarked, suddenly sober. “As much as it pains me to enter that viper’s pit. I’m accompanying Mama and Bronte. Since there’s never been any proof of what she did to Grey, Mama refuses to cut the woman. She’s better than that.” Archer’s use of the word “cut” might have been ironic, but what a relief knowing he would be there. “Would you care to accompany Mama and myself as well?” He regarded her with a sly smile. “My dear, Lady Rose. Do you plan to use me to make my brother jealous?” “Of course not!” And she was honest to a point. “I wish to use your knowledge of eligible beaux and have you buoy my spirits. If that happens to annoy your brother, then so much the better.” He laughed again. This time Grey scowled at the pair of them. Rose smiled and waved. Archer tucked her hand around his arm and guided her toward the chairs where the others sat enjoying the day, the table before them laden with sandwiches, cakes, scones, and all kinds of preserves, cream, and biscuits. A large pot of tea sat in the center. “What are you grinning at?” Grey demanded as they approached. Archer gave his brother an easy smile, not the least bit intimidated. “Lady Rose has just accepted my invitation for both she and her dear mama to accompany us to the Devane musicale next week.” Grey stiffened. It was the slightest movement, like a blade of grass fighting the breeze, but Rose noticed. She’d wager Archer did too. “How nice,” he replied civilly, but Rose mentally winced at the coolness of his tone. He turned to his mother. “I’m parched. Mama, will you pour?” And he didn’t look at her again.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Why did you come here tonight?” she asked. “Other than the fact that you’ve finally come to your senses and realize you love me.” Chuckling, Grey reached up and untied the ribbons that held her mask. The pretty silk fell away to reveal the beautiful face beneath. “I missed you,” he replied honestly. “And you were right-about everything. I’m tired of drifting through life. I want to live again-with you.” A lone tear trickled down her cheek. “I think that might be the most romantic thing you’ve ever said to me.” He grinned. “I have more.” She pressed her fingers to his lips. “I’m tired of talking.” She kissed him, teasing his lips with the ripe curves of hers, sliding her tongue inside to rub against his in a sensual rhythm that had him fisting his hands in her skirts. By the time they reached Mayfair, Grey’s hair was mussed, Rose’s skirts crushed, and he was harder than an oratory competition for mutes. “I can’t believe you came,” she told him as the entered the house, arms wrapped around each other. “I’m so proud of you.” “I wouldn’t have done it without you.” She shook her head. “You did it for yourself not for me.” Perhaps that was true, and perhaps it wasn’t. He had no interest in discussing it tonight. “It’s just the beginning,” he promised. “I’m going to go wherever you want to go from now on. Within reason.” She laughed. “Of course. We can’t have you attending a musicale just to please me, can we?” She gazed up at him. “You know, I think I’m going to want to spend plenty of evenings at home as well. That time I spent out of society had some very soothing moments.” “Of course,” he agreed, thinking about all the things they could do to one another at home. Alone. “There has to be moderation.” Upstairs in their bedroom, he undressed her, unbuttoning each tiny button one by one until she sighed in exasperation. “In a hurry?” he teased. His wife got her revenge, when clad only in her chemise and stockings, she turned those nimble fingers of hers to his cravat, working the knot so slowly he thought he might go mad. She worsened the torment by slowly rubbing her hips against his thigh. His cock was so rigid he could hang clothes on it, and the need to bury himself inside her consumed him. Still, a skilled lover knows when to have patience-and a man in love knows that his woman’s pleasure comes far, far before his own. So, as ready as he was, Grey was in no hurry to let this night end, not when it might prove to be the best of his new-found life. Wearing only his trousers, he took Rose’s hand and led her to their bed. He climbed onto the mattress and pulled her down beside him, lying so that they were face-to-face. Warm fingers came up to gently touch the scar that ran down his face. Odd, but he hadn’t thought of it at all that evening. In fact, he’d almost forgot about it. “I heard you that night,” he admitted. “When you told me you loved me.” Her head tilted. “I thought you were asleep.” “No.” He held her gaze as he raised his own hand to brush the softness of her cheek. “I should have said it then, but I love you too, Rose. So much.” Her smile was smug. “I know.” She kissed him again. “Make love to me.” His entire body pulsed. “I intend to, but there’s one thing I have to do first.” Rose frowned. “What’s that?” Grey pulled the brand-new copy of Voluptuous from beneath the pillow where he’d hidden it before going to the ball. “There’s a story in here that I want to read to you.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.
Jack Kerouac (Dr. Sax)
SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.
Jack Kerouac (Dr. Sax)
There’s just one thing I don’t understand,” she remarked, setting the periodical aside for a moment. “And that is?” She tucked her skirts around her legs, denying him further glimpses of her ankles. “Would you by chance know what gamahuching is?” Grey would have thought himself far beyond the age of blushing, but the heat in his cheeks was unmistakable. “Good lord, Rose.” His voice was little more than a rasp. “That is hardly something a young woman brings up in casual conversation.” Oh, but he could show her what gamahuching was. He’d be all too happy to crawl between those trim ankles and climb upward until he found the slit in her drawers… Rose shrugged. “I suppose it might be offensive to someone of your age, but women aren’t as sheltered as they once were, Grey. If you won’t provide a definition, I’m sure Mr. Maxwell will when I see him tonight.” And with that threat tossed out between them, the little baggage returned her attention to her naughty reading. His age? What did she think he was, an ancient? Or was she merely trying to bait him? Tease him? Well, two could play at that game. And he refused to think of Kellan Maxwell, the bastard, educating her on such matters. “I believe you’ve mistaken me if you think I find gamahuching offensive,” he replied smoothly, easing himself down onto the blanket beside her. “I have quite the opposite view.” Beneath the high collar of her day gown, Rose’s throat worked as she swallowed. “Oh?” “Yes.” He braced one hand flat against the blanket near her hip, leaning closer as though they were co-conspirators. “But I’m afraid the notion might seem distasteful to a lady of your inexperience and sheltered upbringing.” Doe eyes narrowed. “If I am not appalled by the practice of frigging, why would anything else done between two adults in the course of making love offend me?” Christ, she had the sexual vocabulary of a whore and the naivete of a virgin. There were so many things that people could do to each other that very well could offend her-hell, some even offended him. As for frigging, that just made him think of his fingers deep inside her wet heat, her own delicate hand around his cock, which of course was rearing its head like an attention-seeking puppy. He forced a casual shrug. Let her think he wasn’t the least bit affected by the conversation. Hopefully she wouldn’t look at his crotch. “Gamahuching is the act of giving pleasure to a woman with one’s mouth and tongue.” Finally his beautiful innocent seductress blushed. She glanced down at the magazine in her hands, obviously reimagining some of what she had read. “Oh.” Then, her gaze came back to his. “Thank you.” Thank God she hadn’t asked if it was pleasurable because Grey wasn’t sure his control could have withstood that. Still, glutton for punishment that he was, he held her gaze. “Anything else you would like to ask me?” Rose shifted on the blanket. Embarrassed or aroused? “No, I think that’s all I wanted to know.” “Be careful, Rose,” he advised as he slowly rose to his feet once more. He had to keep his hands in front of him to disguise the hardness in his trousers. Damn thing didn’t show any sign of standing down either. “Such reading may lead to further curiosity, which can lead to rash behavior. I would hate to see you compromise yourself, or give your affection to the wrong man.” She met his gaze evenly, with a strange light in her eyes that unsettled him. “Have you stopped to consider Grey, that I may have done that already?” And since that remark rendered him so completely speechless, he turned on his heel and walked away.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))