“
Hugh and I have been together for so long that in order to arouse extraordinary passion, we need to engage in physical combat. Once, he hit me on the back of the head with a broken wineglass, and I fell to the floor pretending to be unconscious. That was romantic, or would have been had he rushed to my side rather than stepping over my body to fetch the dustpan.
”
”
David Sedaris (Dress Your Family in Corduroy and Denim)
“
Her butler opened it for her. His name was Boredom. She said, 'Boredom, fetch me a plaything.' He said 'Very good ma'am,' and putting on his white gloves so that fingerprints would not show he tapped at my heart and I thought he said his name was Love.
”
”
Jeanette Winterson (Written on the Body)
“
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your
and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
”
”
Sarah Kane (Crave)
“
It doesn't sound so far-fetched, right? When two people love each other? While a part of me still wants to believe it's possible, I know it's not going to happen
”
”
Nicholas Sparks (Dear John)
“
Breeze strolled over to the table and chose a seat with his characteristic decorum. The portly man raised his dueling cane, pointing it at Ham. 'I see that my period of intellectual respite has come to an end.'
Ham smiled. 'I thought up a couple beastly questions while I was gone, and I've been saving them just for you, Breeze.'
'I'm dying of anticipation,' Breeze said. He turned his cane toward Lestibournes. 'Spook, drink.'
Spook rushed over and fetched Breeze a cup of wine.
'He's such a fine lad,' Breeze noted, accepting the drink. 'I barely even have to nudge him Allomantically. If only the rest of you ruffians were so accommodating.'
Spook frowned. 'Niceing the not on the playing without.'
'I have no idea what you just said, child,' Breeze said. 'So I'm simply going to pretend it was coherent, then move on.'
Kelsier rolled his eyes. 'Losing the stress on the nip,' he said. 'Notting without the needing of care.'
'Riding the rile of the rids to the right,' Spook said with a nod.
'What are you two babbling about?' Breeze said testily.
'Wasing the was of brightness,' Spook said. 'Nip the having of wishing of this.'
'Ever wasing the doing of this,' Kelsier agreed.
'Ever wasing the wish of having the have,' Ham added with a smile. 'Brighting the wish of wasing the not.'
Breeze turned to Dockson with exasperation. 'I believe our companions have finally lost their minds, dear friend.'
Dockson shrugged. Then, with a perfectly straight face, he said, 'Wasing not of wasing is.
”
”
Brandon Sanderson (Mistborn: The Final Empire (Mistborn, #1))
“
Gansey stepped in then, putting his phone neatly into his pocket, fetching out his keys instead. There was still something stretched thin about his expression. He looked, in fact, like he had in the cave, his face streaked and unfamiliar. It was so strange to see him without his Richard Campbell Gansey III guise on in public that Blue couldn't stop staring at his face. No — it wasn't his face. It was the way he stood, his shoulder shrugged, chin ducked, gaze from below uncertain eyebrows.
"SHE WAS ALL RIGHT," Jesse assured him.
"My head knew that," Gansey said. "But the rest of me didn't.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
Was it really so far-fetched to think that words had a way of shaping a person's whole life?
”
”
Kami Garcia (Beautiful Redemption (Caster Chronicles, #4))
“
Well, so you don't get too cocky, I myself often complete the TV Guide crossword puzzle." He puffed out his chest. "In pen.
”
”
Shelly Laurenston (Go Fetch! (Magnus Pack, #2))
“
Han spotted a child‟s homespun dolly in the ditch, pressed into the mud. He reined in, meaning to climb down and fetch it so he could clean it up for his little sister. Then he remembered that Mari was dead and had no need of dollies anymore.
Grief was like that. It gradually faded into a dull ache, until some simple sight or sound or scent hit him like a hammer blow.
”
”
Cinda Williams Chima (The Exiled Queen (Seven Realms, #2))
“
It is an old, old adage that if you want someone to do something, get them to believe it is their idea. Humanity is mind controlled and onlyslightly more conscious than your average zombie. Far fetched? No, no. I define mind control as the manipulation of someone's mind so that they think, and therefor act, the way you want them to.
”
”
David Icke
“
Sméagol won't grub for roots and carrotses and - taters. What's taters, precious, eh, what's taters?'
'Po-ta-toes,' said Sam. 'The Gaffer's delight, and rare good ballast for an empty belly. But you won't find any, so you needn't look. But be good Sméagol and fetch me some herbs, and I'll think better of you. What's more, if you turn over a new leaf, and keep it turned, I'll cook you some taters one of these days. I will: fried fish and chips served by S. Gamgee. You couldn't say no to that.' 'Yes, yes we could. Spoiling nice fish, scorching it. Give me fish now, and keep nassty chips!'
'Oh, you're hopeless,' said Sam. 'Go to sleep!
”
”
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
“
Then be wise about it. There are two kinds of important men, Shallan. There are those who, when the boulder of time rolls toward them, stand up in front of it and hold out their hands. All their lives, they've been told how great they are. They assume the word itself will bend to their whims as their nurse did when fetching them a fresh cup of milk.
Those men end up squished.
Other men stand to the side when the boulder of time passes, but are quick to say, 'See what I did! I made the boulder roll there. Don't make me do it again!'
These men end up getting everyone else squished."
"Is there not a third type of person?"
"There is, but they are oh so rare. These know they can't stop the boulder. So they walk beside it, study it, and bide their time. Then they shove it-ever so slightly- to create a deviation in its path.
These are the men who actually change the world. And they terrify me. For men never see as far as they think they do.
”
”
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
Can you stand? (Aimee)
I’m not helpless. (Fang)
Oh, look! Mr. Macho is back in all his glory. Hello, Mr. Macho, it’s so not good to see you again. But you know, Mr. Macho, that you’ve been bedridden to the point that your legs aren’t used to carrying your weight and you’re not really human. So if you want to get up and fall, gods forbid I do anything to stop it. After all, I live for America’s Funniest Home Videos. Should I fetch a camcorder now? (Aimee)
”
”
Sherrilyn Kenyon (Bad Moon Rising (Dark-Hunter, #18; Were-Hunter, #4; Hellchaser, #2))
“
One saw a bird dying, shot by a man. It was flying with rhythmic beat and beautifully, with such freedom and lack of fear. And the gun shattered it; it fell to the earth and all the life had gone out of it. A dog fetched it, and the man collected other dead birds. He was chattering with his friend and seemed so utterly indifferent. All that he was concerned with was bringing down so many birds, and it was over as far as he was concerned. They are killing all over the world. Those marvellous, great animals of the sea, the whales, are killed by the million, and the tiger and so many other animals are now becoming endangered species. Man is the only animal that is to be dreaded.
”
”
J. Krishnamurti (Krishnamurti to Himself: His Last Journal)
“
So, you’re a Man for Hire?” “That’s right.” “Why don’t you just call yourself a detective?” “I was worried that might make me sound intelligent.
”
”
Luke Arnold (The Last Smile in Sunder City (The Fetch Phillips Archives #1))
“
So there’s no way home?” Agatha asked, eyes welling. “Not unless it’s your ending,” the School Master said. “And going home together is a rather far-fetched ending for two girls fighting for opposing sides, don’t you think?
”
”
Soman Chainani (The School for Good and Evil (The School for Good and Evil, #1))
“
Then it sounds to me like you love her. And if you love her, then tell her she belongs to you and she needs to get over it. Show her who's in charge. That's what I did with Sara."
Zach seemed less than pleased when they all laughed so hard Conall actually fell off the bed.
”
”
Shelly Laurenston (Go Fetch! (Magnus Pack, #2))
“
My advice is really this: what we hear the philosophers saying and what we find in their writings should be applied in our pursuit of the happy life. We should hunt out the helpful pieces of teaching, and the spirited and noble-minded sayings which are capable of immediate practical application—not far-fetched or archaic expressions or extravagant metaphors and figures of speech—and learn them so well that words become works. No one to my mind lets humanity down quite so much as those who study philosophy as if it were a sort of commercial skill and then proceed to live in a quite different manner from the way they tell other people to live.
”
”
Seneca (Letters from a Stoic)
“
The Fetch was intelligent, diabolically so, and intelligent people devised intelligent cruelties. That was where the Red Queen had always excelled.
”
”
Erika Johansen (The Queen of the Tearling (The Queen of the Tearling, #1))
“
Halt," said Horace, "I've been thinking..."
Halt and Will exchanged an amused glance. "Always a dangerous pastime," they chorused. For many years, it had been Halt's unfailing response when Will had made the same statement. Horace waited patiently while they had their moment of fun, then continued.
"Yes, yes. I know. But seriously, as we said last night, Macindaw isn't so far away from here..."
"And?" Halt asked, seeing how Horace had left the statement hanging.
"Well, there's a garrison there and it might not be a b ad idea for one of to go fetch some reinforcements. It wouldn't hurt to have a dozen knights and men-at-arms to back us up when we run into Tennyson."
But Halt was already shaking his head.
"Two problems, Horace. It'd take too long for one of us to get there, explain it all and mobilize a force. And even if we could do it quickly, I don't think we'd want a bunch of knights blundering around the countryside, crashing through the bracken, making noise and getting noticed." He realized that statement had been a little tactless. "No offense, Horace. Present company excepted, of course.
”
”
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
“
Where am I?" Magnus croaked.
"Nazca."
"Oh, so we went on a little trip."
"You broke into a man's house," Catarina said. "You stole a carpet and enchanted it to fly. Then you sped off into the night air. We pursued you on foot."
"Ah," said Magnus.
"You were shouting some things."
"What things?"
"I prefer not to repeat them," Catarina said. "I also prefer not to remember the time we spent in the desert. It is a mammoth desert, Magnus. Ordinary deserts are quite large. Mammoth deserts are so called because they are larger than ordinary deserts."
"Thank you for that interesting and enlightening information," Magnus croaked.
"You told us to leave you in the desert, because you planned to start a new life as a cactus," Catarina said, her voice flat. "Then you conjured up tiny needles and threw them at us. With pinpoint accuracy."
"Well," he said with dignity. "Considering my highly intoxicated state, you must have been impressed with my aim."
"'Impressed' is not the word to use to describe how I felt last night, Magnus."
"I thank you for stopping me there," Magnus said. "It was for the best. You are a true friend. No harm done. Let's say no more about it. Could you possibly fetch me - "
"Oh, we couldn't stop you," Catarina interrupted. "We tried, but you giggled, leaped onto the carpet, and flew away again. You kept saying that you wanted to go to Moquegua."
"What did I do in Moquegua?"
"You never got there," Catarina said. "But you were flying about and yelling and trying to, ahem, write messages for us with your carpet in the sky."
"We then stopped for a meal," Catarina said. "You were most insistent that we try a local specialty that you called cuy. We actually had a very pleasant meal, even though you were still very drunk."
"I'm sure I must have been sobering up at that point," Magnus argued.
"Magnus, you were trying to flirt with your own plate."
"I'm a very open-minded sort of fellow!"
"Ragnor is not," Catarina said. "When he found out that you were feeding us guinea pigs, he hit you over the head with your plate. It broke."
"So ended our love," Magnus said. "Ah, well. It would never have worked between me and the plate anyway. I'm sure the food did me good, Catarina, and you were very good to feed me and put me to bed - "
Catarina shook her head."You fell down on the floor. Honestly, we thought it best to leave you sleeping on the ground. We thought you would remain there for some time, but we took our eyes off you for one minute, and then you scuttled off. Ragnor claims he saw you making for the carpet, crawling like a huge demented crab.
”
”
Cassandra Clare (The Bane Chronicles)
“
Cormac smiled at her, but it was Finn who spoke. "Can I ask you a question?"
"Sure."
He leaned forward conspiratorially. "So, if I gave you some catnip would you act all weird and stoned?"
"I don't know. If I throw a stick, will you fetch?" She smiled sweetly at Cormac's cousin.
Burke made a choking noise, covering a laugh with his hand. Finn screwed up his face, as if in disgust. "Dude. I am NOT a dog."
"And I’m not a pampered house cat.
”
”
Jeanette Battista (Leopard Moon (Moon, #1))
“
They'll uncouple easily enough," Omar said dryly.
"You're wrong" Rafe met the man's one-eyed gaze head on.
My heart slowed. What was he doing?
Omar snorted. "You'll forget her in a week."
"Not a chance. I've loved her since I was ten, long before we even met"...
"So if you try to take her from me," Rafe went on lightly, though his eyes had a dangerous gleam, "I will stick a steel knife in your happily ever after and gouge out its guts
”
”
Kat Falls (Inhuman (Fetch, #1))
“
People", Shai said, rising to fetch another seal, "by nature attempt to exercise power over what is around them. We build walls to shelter us from the wind, roofs to stop the rain. We tame the elements, bend nature to our wills. It make us feel as if we're in control. Except in doing so, we merely replace one influence with another. Instead of the wind affecting us, it is a wall. A man-made wall. The fingers of man's influence are all about, touching everything. Man-made rugs, man-made food. Every single thing in the city that we touch, see, feel, experience comes as the result of some person's influence.
”
”
Brandon Sanderson (The Emperor's Soul (The Cosmere))
“
A child said What is the grass? fetching it to me with full hands;
How could I answer the child? I do not know what it is any more
than he.
I guess it must be the flag of my disposition, out of hopeful green
stuff woven.
Or I guess it is the handkerchief of the Lord,
A scented gift and remembrancer designedly dropt,
Bearing the owner's name someway in the corners, that we may see
and remark, and say Whose?
Or I guess the grass is itself a child, the produced babe of the
vegetation.
Or I guess it is a uniform hieroglyphic,
And it means, Sprouting alike in broad zones and narrow zones,
Growing among black folks as among white,
Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I
receive them the same.
And now it seems to me the beautiful uncut hair of graves.
Tenderly will I use you curling grass,
It may be you transpire from the breasts of young men,
It may be if I had known them I would have loved them,
It may be you are from old people, or from offspring taken soon out
of their mothers' laps,
And here you are the mothers' laps.
This grass is very dark to be from the white heads of old mothers,
Darker than the colorless beards of old men,
Dark to come from under the faint red roofs of mouths.
O I perceive after all so many uttering tongues,
And I perceive they do not come from the roofs of mouths for
nothing.
...
What do you think has become of the young and old men?
And what do you think has become of the women and children?
They are alive and well somewhere,
The smallest sprout shows there is really no death,
And if ever there was it led forward life, and does not wait at the
end to arrest it,
And ceas'd the moment life appear'd.
All goes onward and outward, nothing collapses,
And to die is different from what any one supposed, and luckier.
”
”
Walt Whitman (Song of Myself)
“
Dogs are wonderful, and in many ways unique. But they are remarkably unremarkable in their intellectual and experiential capacities. Pigs are every bit as intelligent and feeling, by any sensible definition of the words. They can't hop into the back of a Volvo, but they can fetch, run and play, be mischievous, and reciprocate affection. So why don't they get to curl up by the fire? Why can't they at least be spared being tossed on the fire?
”
”
Jonathan Safran Foer (Eating Animals)
“
It felt like being shot with an arrow, and Will jerked back. His wineglass crashed to the floor and shattered. He lurched to his feet, leaning both hands on the table. He was vaguely aware of stares, and the landlords anxious voice in his ear, but the pain was too great to think through, almost too great to breathe through. The tightness in his chest, the one he had thought of as one end of a cord tying him to Jem, had pulled so taut that it was strangling his heart. He stumbled away from his table, pushing through a knot of customers near the bar, and passed to the front door of the inn. All he could think of was air, getting air into his lungs to breathe. He pushed the doors open and half-tumbled out into the night. For a moment the pain in his chest eased, and he fell back against the wall of the inn. Rain was sheeting down, soaking his hair and clothes. He gasped, his heart stuttering with a misture of terror and desperation. Was this just the distance from Jem affecting him? He had never felt anything like this, even when Jem was at his worst, even when he'd been injured and Will had ached with sympathetic pain.
The cord snapped.
For a moment everything went white, the courtyard bleeching through as if with acid. Will jackknifed to his knees, vomiting up his supper into the mud. When the spasms had passed , he staggard to his feet and blindly away from the inn, as if trying to outpace his own pain. He fetched up against the wall of the stables, beside the horse trough. He dropped to his knees to plunge his hands into the icy water-and saw his own reflection. There was his face, as white as death, and his shirt, and a spreading stain of red across the front. With wet hands he siezed at his lapels and jerked the shirt open. In the dim light that spilled from the inn, he could see that his parabati rune, just over his heart, was bleeding. His hands were covered in blood, blood mixed with rain, the same ran that was washing the blood away from his chest, showing the rune as it began to fade from black to silver, changing all that had been sense in Will's life into nonsense.
Jem was dead.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
There are definitely some hos on this campus,” she began. “And plenty more in this city. And the fact that you're so different from those types only makes it that much more likely that you'll fetch a nice figure on eBay for the popping of your cherry,” she joked suggestively.
”
”
Zack Love (The Syrian Virgin (The Syrian Virgin, #1))
“
Gabe was unusually tall, so he had to be careful where he stood, for if he blocked the sun, his shadow could cause flowers to wither and old women to send their grandchildren inside to fetch their sweaters. Because of his height, many thought Gabe to be much older than he was. This was both a blessing and a curse.
”
”
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
“
If we were to judge nature by its common sense or likelihood, we wouldn't believe the world existed. In nature, improbabilities are the one stock in trade. The whole creation is one lunatic fringe....No claims of any and all revelations could be so far-fetched as a single giraffe.
”
”
Annie Dillard (Pilgrim at Tinker Creek)
“
I've got nothing left to lose. No friends. No money. Nobody to disappoint. All I have is the perfect cup of coffee. So, for now, I'll drink the coffee.
”
”
Luke Arnold (The Last Smile in Sunder City (The Fetch Phillips Archives #1))
“
Ow! Dammit!"
"Watch your language. This is a holy place."
"Hah!" I grumbled. "If it's so holy, why don't they have a holy elevator? Or a holy librarian who can go fetch the blasted book for us?
”
”
Cecily White (Prophecy Girl (Angel Academy, #1))
“
For Love, to which we may now return, has two faces; one white, the other black; two bodies; one smooth, the other hairy. It has two hands, two feet, two tails, two, indeed, of every member and each one is the exact opposite of the other. Yet, so strictly are they joined together that you cannot separate them. In this case, Orlando’s love began her flight towards him with her white face turned, and her smooth and lovely body outwards. Nearer and nearer she came wafting before her airs of pure delight. All of a sudden (at the sight of the Archduchess presumably) she wheeled about, turned the other way round; showed herself black, hairy, brutish; and it was Lust the vulture, not Love, the Bird of Paradise that flopped, foully and disgustingly, upon his shoulders. Hence he ran; hence he fetched the footman.
”
”
Virginia Woolf (Orlando)
“
He seemed to weave, like the spider, from pure impulse, without reflection. Every man's work, pursued steadily, tends in this way to become an end in itself, and so to bridge over the loveless chasms of life. Silas's hand satisfied itself with throwing the shuttle, and his eye with seeing the little squares in the cloth complete themselves under his effort. Then there were the calls of hunger; and Silas, in his solitude, had to provide his own breakfast, dinner, and supper, to fetch his own water from the well, and put his own kettle on the fire; and all these immediate promptings helped, along with the weaving, to reduce his life to the unquestioning activity of a spinning insect. He hated the thought of the past; there was nothing that called out his love and fellowship toward the strangers he had come amongst; and the future was all dark, for there was no Unseen Love that cared for him. Thought was arrested by utter bewilderment, not its old narrow pathway was closed, and affection seemed to have died under the bruise that had fallen on its keenest nerves.
”
”
George Eliot (Silas Marner)
“
Prayer is based on the remote possibility that someone is actually listening; but so is a lot of conversation. If the former seems far-fetched, consider the latter: even if someone is listening to your story, and really hearing, that person will disappear from existence in the blink of a cosmic eye, so why bother to tell this perhaps illusory and possibly un-listening person something he or she is unlikely to truly understand, just before the two of you blip back out of existence? We like to talk to people who answer us, intelligently if possible, but we do talk without needing response or expecting comprehension. Sometimes, the event is the word, the act of speaking. Once we pull that apart a bit, the action of talking becomes more important than the question of whether the talking is working-because we know, going in, that the talking is not working. That said, one might as well pray.
”
”
Jennifer Michael Hecht (Doubt: A History)
“
What Rangers do, or more correctly, what Rangers’ apprentices do, is the housework.”
Will had a sinking feeling as the suspicion struck him that he’d made a tactical error. “The…housework?” he repeated. Halt nodded, looking distinctly pleased with himself.
“That’s right. Take a look around.” He paused, gesturing around the interior of the cabin for Will to do as he suggested, then continued, “See ay servants?”
“No, sir,” Will said slowly.
“No sir indeed!” Halt said. “Because this isn’t a mighty castle with a staff of servants. This is a lowly cabin. And it has water to be fetched and firewood to be chopped and floors to be swept and rugs to be beaten. And who do you suppose might do all those things, boy?”
Will tried to think of some answer other than the one which now seemed inevitable. Nothing came to mind, so he finally said, in a defeated tone, “Would that be me, sir?”
“I believe it would be,” the Ranger told him, then rattled off a list of instructions crisply. “Bucket there. Barrel outside the door. Water in the river. Ax in the lean-to, firewood behind the cabin. Broom by the door and I believe you can probably see where the floor might be?”
“Yes, sir,” said Will, beginning to roll up his sleeves.
”
”
John Flanagan (The Ruins of Gorlan (Ranger's Apprentice, #1))
“
My goals may seem impossibly far-fetched when really they're not.
Break them down into steps and see how I accomplish great things.
I can easily reach from A to B.
I can manage from B to C.
I can then make it from C to D.
And so eventually, I will find my way from A to Z.
”
”
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
“
Good stitchery," Kelsea told him. "But it will scar anyway, won't it?"
The Fetch nodded. "I'm not God, nor am I the queen's surgeon." He gave her a mocking bow. "But it won't fester, and you can tell people that you took the wound in battle."
"Battle?"
"It was a battle getting all that armor off you, and I'll tell the world so."
Kelsea smiled, put down the mirror, and turned to him.
”
”
Erika Johansen (The Queen of the Tearling (The Queen of the Tearling, #1))
“
A ring-whorled prow rode in the harbour,
ice-clad, outbound, a craft for a prince.
They stretched their beloved lord in his boat,
laid out by the mast, amidships,
the great ring-giver. Far fetched treasures
were piled upon him, and precious gear.
I have never heard before of a ship so well furbished
with battle tackle, bladed weapons
and coats of mail. The massed treasure
was loaded on top of him: it would travel far
on out into the ocean's sway.
They decked his body no less bountifully
with offerings than those first ones did
who cast him away when he was a child
and launched him alone over the waves.
And they set a gold standard up
high above his head and let him drift
to wind and tide, bewailing him
and mourning their loss. No man can tell,
no wise man in hall or weathered veteran
knows for certain who salvaged that load.
”
”
Seamus Heaney (Beowulf)
“
Remember what I said when I led to Omar and the queen?" I bobbed my head, unable to look away from his jewel-like eyed, shining in the darkness...so much like Chorda's. "That was the lie. Good-bye, Lane," he said and then crept into the darkness.
”
”
Kat Falls (Inhuman (Fetch, #1))
“
Can you conceive of an injustice, criminal in nature, encroaching upon your life’s course? Yes, you; reading this. -- Does your status, as it were, have you so psychologically fractured you honestly believe you’re immune? If thought occupies you for more than a second, you’re entrenched in ignorance you favor.
What should be an innate appreciation of society holds little to no relevance today. Your financial footing takes priority over just about any and everything. Being alive, able bodied, and breathing isn’t enough. What happens when that’s all stripped away?
The choice to exist in the creation of social media was yours, where a mere accusation, or negative posting could damage what should be held in the highest regard, your reputation. The cyber establishment’s chokehold is fierce, and you feel it, yet you constantly wonder why you can’t breathe, but hey, you’re “woke” right?
Your foundation, personal and or financial might be buckling, but you’re clueless, even though it was you who shared every delicate and secular aspect of your life.
Our brand has replaced moral fiber, dictating and tampering with the control of humanity. Are we waiting for the catastrophic crash of mankind? It appears so, when you step back from the edge, watch and listen? That’s a predicament that wasn’t even on your radar, but here you are, “woke,” right?
A roof over your head, clothes on your back, sustenance, hell, even the air you breathe, all taken for granted. This should be a daunting notion I’m setting before the appetite of your consciousness, but perhaps it remains far-fetched. The question you should be asking yourself is, how woke are you; really?
Regardless of gender, a simple compliment, smile, assistance, or jealousy can ignite a desire to stalk or destroy a person. -- The only untainted bubble any of us occupied was in utero, so you are not above reproach of any kind. Whatever self-made bacterial hubris you’ve placed yourself in, outside of that, speaks to the degree of self-importance encasing you, so it’s impossible for you to appreciate what it is to be “woke,” in the real world.
”
”
Fayton Hollington (TWISTED)
“
After this, Boy became very curious about the mansion where the clothes and the food came from. He made me describe everything. Then he asked Good Thing 'Are there books in this mansion, too?'
'And pictures and jewels,' Good Thing said through me. 'What does Master wish me to fetch? There is a golden harp, a musical box like a bird, a—'
'Just books,' said Boy. 'I need to learn. I'm still so ignorant.
”
”
Diana Wynne Jones (Unexpected Magic: Collected Stories)
“
Okay. Fine.” Angelina was silent. For about fifteen seconds. “But you do know that a vibrator can’t really be your boyfriend.”
Miki dropped her head into her hands. “I will not discuss Mr. Happy with the likes of you.”
Angelina sighed. “I find the fact that you named your vibrator disturbing on so many levels.”
“Best relationship I’ve ever had.
”
”
Shelly Laurenston (Go Fetch! (Magnus Pack, #2))
“
...I know how she must have felt. Pressure to be in charge of the world. So much responsibility. The whole world on her...to let go and just give herself to you, to give up to you..."
"I'm glad you understand...few women do."
"Oh, they do. They're just afraid to admit it... in the dusty dark little corner of every woman's heart... lives the hunger to fetch a powerful man his slippers on her hands and knees.
”
”
Tiffany Reisz (Seven Day Loan (The Original Sinners, #0.15))
“
Nobody ever got started on a career as a writer by exercising good judgment, and no one ever will, either, so the sooner you break the habit of relying on yours, the faster you will advance. People with good judgment weigh the assurance of a comfortable living represented by the mariners’ certificates that declare them masters of all ships, whether steam or sail, and masters of all oceans and all navigable rivers, and do not forsake such work in order to learn English and write books signed Joseph Conrad. People who have had hard lives but somehow found themselves fetched up in executive positions with prosperous West Coast oil firms do not drink and wench themselves out of such comfy billets in order in their middle age to write books as Raymond Chandler; that would be poor judgment. No one on the payroll of a New York newspaper would get drunk and chuck it all to become a free-lance writer, so there was no John O’Hara. When you have at last progressed to the junction that enforces the decision of whether to proceed further, by sending your stuff out, and refusing to remain a wistful urchin too afraid to beg, and you have sent the stuff, it is time to pause and rejoice.
”
”
George V. Higgins
“
Kitty got up to fetch a table, and, as she passed, her eyes met Levin's. She felt for him with her whole heart, the more because she was pitying him for a suffering of which she was herself the cause. "If you can forgive me, forgive me," said her eyes, "I am so happy."
"I hate them all, and you, and myself," his eyes responded, and he took up his hat. But he was not destined to escape. Just as they were arranging themselves round the table, and Levin was on the point of retiring, the old Prince came in, and, after greeting the ladies, addressed Levin.
”
”
Leo Tolstoy (Anna Karenina)
“
May I have a glass of water? For some reason, my throat suddenly feels incredibly parched."
Harriet nodded but before she could take so much as a single step toward the kitchen, Lucetta brushed past her.
"I'll get it." She grabbed Millie's hand and began tugging her out of the room. "You can help."
"But it doesn't take two people to fetch a ... ouch ... Did you just pinch me? Because that felt remarkably like a pinch, and ... " Millie's voice faded away as Lucetta hauled her into the hallway and toward the kitchen, shutting the door firmly behind them.
”
”
Jen Turano (After a Fashion (A Class of Their Own, #1))
“
Then, there’s friendship. I get the idea, of course, but it looks different when other people do it. They seem at ease with each other, while I always feel like a tourist. During my first year in Sunder City, I thought people spent time with me as some sort of charity. I wasn’t witty or insightful or especially interesting, so I thought they only kept me around to be nice.
”
”
Luke Arnold (The Last Smile in Sunder City (The Fetch Phillips Archives #1))
“
Her clothes were almost dry by the time she reached the gatehouse. The portcullis was down and the gates barred, so she turned aside to a postern door. The gold cloaks who had the watch sneered when she told them to let her in. “Off with you,” one said. “The kitchen scraps are gone, and we’ll have no begging after dark.”
“I’m not a beggar,” she said. “I live here.”
“I said, off with you. Do you need a clout on the ear to help your hearing?”
“I want to see my father.”
The guards exchanged a glance. “I want to fuck the queen myself, for all the good it does me,” the younger one said.
The older scowled. “Who’s this father of yours, boy, the city ratcatcher?”
“The Hand of the King,” Arya told him.
Both men laughed, but then the older one swung his fist at her, casually, as a man would swat a dog. Arya saw the blow coming even before it began. She danced back out of the way, untouched. “I’m not a boy,” she spat at them. “I’m Arya Stark of Winterfell, and if you lay a hand on me my lord father will have both your heads on spikes. If you don’t believe me, fetch Jory Cassel or Vayon Poole from the Tower of the Hand.” She put her hands on her hips. “Now are you going to open the gate, or do you need a clout on the ear to help your hearing?
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
I spent the afternoon musing on Life. If you come to think of it, what a queer thing Life is! So unlike anything else, don't you know, if you see what I mean. At any moment you may be strolling peacefully along, and all the time Life's waiting around the corner to fetch you one. You can't tell when you may be going to get it. It's all dashed puzzling. Here was poor old George, as well-meaning a fellow as every stepped, getting swatted all over the ring by the hand of Fate. Why? That's what I asked myself. Just Life, don't you know. That's all there was about it.
”
”
P.G. Wodehouse (My Man Jeeves (Jeeves, #1))
“
Is Jayfeather back?” Bumblestripe nodded. “He got back just after you left.” “Was he okay?” Bumblestripe shrugged. “He snapped at Hazeltail for getting in the way, hissed at Cherrypaw for trampling on Ferncloud’s moss, and ordered Foxleap and Toadstep to fetch comfrey.” He glanced warily over his shoulder. “So I guess he’s fine.
”
”
Erin Hunter (The Last Hope (Warriors:Omen of the Stars #6))
“
They laid me down again while somebody fetched a stretcher. As soon as I knew that the bullet had gone clean through my neck I took it for granted that I was done for. I had never heard of a man or an animal getting a bullet through the middle of the neck and surviving it. The blood was dribbling out of the comer of my mouth. ‘The artery's gone,’ I thought. I wondered how long you last when your carotid artery is cut; not many minutes, presumably. Everything was very blurry. There must have been about two minutes during which I assumed that I was killed. And that too was interesting—I mean it is interesting to know what your thoughts would be at such a time. My first thought, conventionally enough, was for my wife. My second was a violent resentment at having to leave this world which, when all is said and done, suits me so well. I had time to feel this very vividly. The stupid mischance infuriated me. The meaninglessness of it! To be bumped off, not even in battle, but in this stale comer of the trenches, thanks to a moment's carelessness! I thought, too, of the man who had shot me—wondered what he was like, whether he was a Spaniard or a foreigner, whether he knew he had got me, and so forth. I could not feel any resentment against him. I reflected that as he was a Fascist I would have killed him if I could, but that if he had been taken prisoner and brought before me at this moment I would merely have congratulated him on his good shooting. It may be, though, that if you were really dying your thoughts would be quite different.
”
”
George Orwell (Homage to Catalonia)
“
They have no craving for truth as a transcendental reality. Indeed, the concept has no place in their values. Truth to the Pirahãs is catching a fish, rowing a canoe, laughing with your children, loving your brother, dying of malaria. Does this make them more primitive? Many anthropologists have suggested so, which is why they are so concerned about finding out the Pirahãs notions about God, the world, and creation.
But there is an interesting alternative to think about things. Perhaps it is their presence of these concerns that makes a culture more primitive, and their absense that renders a culture more sophisticated. If that is true, the Pirahãs are a very sophisticated people. Does this sound far-fetched? Let's ask ourselves if it is more sophisticated to look at the universe with worry, concern, and a believe that we can understand it all, or to enjoy life as it comes, recognizing the likely futility of looking for truth or God?
”
”
Daniel L. Everett (Don't Sleep, There Are Snakes: Life and Language in the Amazonian Jungle)
“
Speaking of shabby looks, we're going to have to give you a haircut soon.
...WHAT?
These feathers are getting messy.
LET ME UNDERSTAND THIS CORRECTLY. YOU WISH TO CUT MY MANE?
Thunder tigers grow manes?
OF COURSE! HOW ELSE WOULD YOU TELL MALES FROM FEMALES?
This is a trick question, right?
A MANE IS A SIGN A MALE ARASHITORA HAS REACHED MATURITY.
Her laughter rang out in his mind.
So it's going to be a few more decades growing, then?
HMPH. I'LL HAVE YOU KNOW MOST FEMALES FIND IT FETCHING.
”
”
Jay Kristoff (Endsinger (The Lotus Wars, #3))
“
Because I never wanted you to know!' Alastair burst out. 'Because I wanted you to have a childhood, a thing I never had. I wanted you to be able to love and respect your father as I never could. Every time he made a mess, who do you think had to clean it up? Who told you Father was ill or sleeping when he was drunk? Who went out and fetched him when he passed out in a gin palace and smuggled him in through the back door? Who learned at ten years old to refill the brandy bottles with water each morning so no one would notice the levels had sunk—?' He broke off, breathing hard.
”
”
Cassandra Clare (Chain of Gold (The Last Hours, #1))
“
To kill for murder is an immeasurably greater evil than the actual crime itself. Judicial murder is immeasurably more horrible than one committed by a robber. Someone killed by a robber, knifed at night in forest or somewhere, certainly keeps hoping for a rescue right up to the last second. There have been instances of people whose throats have been cut still hoping for rescue right up to the last second. There have been instances of people whose throats have been cut still hoping, or running away, or pleading for their lives. But all this final hope, which makes dying ten times easier is taken away by that certain; the sentence is pronounced and the whole agony resides in the fact that there’s no escape. There is no greater torture in the world than that. Fetch a soldier and stand him right in front of a cannon during a battle and fire at him, he’ll go on hoping; but read out a certain death sentence to that same soldier and he’ll go off his head or bust into tears. Who can say that human nature can bear such a thing like that without going mad? Why this disgusting pointless, unnecessary mockery? Perhaps there exists a man who has had his sentence read out to him and been allowed to suffer before being told: “Be off, you’ve been pardoned.” That man could tell you perhaps. Christ himself spoke of such agony and terror. No, a man should not be treated so!
”
”
Fyodor Dostoevsky (The Idiot)
“
As the years passed, new myths arose to explain the mysterious objects the strangers brought from the land of the dead. A nineteenth-century missionary recorded, for example, an African explanation of what happened when captains descended into the holds of their ships to fetch trading goods like cloth. The Africans believed that these goods came not from the ship itself but from a hole that led into the ocean. Sea sprites weave this cloth in an "oceanic factory, and, whenever we need cloth, the captain ... goes to this hole and rings a bell." The sea sprites hand him up their cloth, and the captain "then throws in, as payment, a few dead bodies of black people he has bought from those bad native traders who have bewitched their people and sold them to the white men." The myth was not so far from reality. For what was slavery in the American South, after all, but a system for transforming the labor of black bodies, via cotton plantations, into cloth?
”
”
Adam Hochschild (King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa)
“
After it had all been explained to me, my first thought was for poor old
Mohammed. He had to go to the mountains, but not Anna. She neither went to the mountains nor did she fetch the mountain to her she merely said "Scat." And they scatted. Mind you, although I knew by then that the mountains were not really there, and that I could move about freely and unhampered, there are occasions not many, I'm glad to say when I get the distinct feeling that I've been brought up pretty sharpish-like by a clunk on the head. It certainly feels as if I have walked into a mountain, even though I can't see it. Perhaps one day I shall be able to walk about freely, without ducking occasionally.
As for my problem about the heres and the theres, the explanation went like this
:
"Where are you?" she had said. "Here, of course," I replied.
"Where's me then?"
"There!"
"Where do you know about me?" "Inside myself someplace."
"Then you know my middle in your middle."
"Yes, I suppose so."
"Then you know Mister God in my middle in your middle, and everything you know,every person you know, you know in your middle. Every person and everything that
you know has got Mister God in his middle, and so you have got his Mister God in your middle too. It's easy.
”
”
Fynn (Mister God, This is Anna)
“
Don’t go.”
He shut his eyes and gripped her hand in his. Zoya knew the Healer had noticed it, knew he would probably gossip about it later. But she could weather the gossip. Saints knew she’d endured worse. And maybe she needed to feel his hand in hers after the shock of what they’d witnessed. She couldn’t stop seeing those women burn.
“You shouldn’t be here for this,” said the Healer. “It’s an ugly process.”
“I’m not going anywhere.”
The Healer flinched and Zoya wondered if the dragon had emerged, shining silver in her eyes. Let him gossip about that too.
Nikolai clung to her hand as the Healer stripped the ruined flesh from his arm. Only then could it be replaced with healthy skin. It seemed to take hours, first one arm, then the other. Whenever Zoya left the king’s side—to fetch a cool cloth for his head, to turn up the lanterns so that the Healer had better light—Nikolai would open his eyes and mutter, “Where is my general?”
“I’m here,” she repeated, again and again.
”
”
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
“
Hi!" she said, a bit louder than she meant to. Ian raised one eyebrow and Amy felt the beginnings of a blush. She started to give Ian a hug, but he had already bent forward to kiss her on the cheek. Her sudden movement three him off, and they ended up bumping foreheads.
"Sorry," Amy said, turning away so Ian wouldn't see that her face had turned bright red.
"Quite all right. I had forgotten you do things differently across the pond." He took a step back to look at Amy. "I take it jeans are the latest in evening wear here in the wild west?" He made an exaggerated show of narrowing her eyes. "Is that a juice stain on your blouse? How fetching.
”
”
Clifford Riley (Turbulence (The 39 Clues: Rapid Fire, #5))
“
I am not, I regret to say, a discreet and fetching sleeper. Most people when they nod off look as if they could do with a blanket; I look as if I could do with medical attention. I sleep as if injected with a powerful experimental muscle relaxant. My legs fall open in a grotesque come-hither manner; my knuckles brush the floor. Whatever is inside—tongue, uvula, moist bubbles of intestinal air—decides to leak out. From time to time, like one of those nodding-duck toys, my head tips forward to empty a quart or so of viscous drool onto my lap, then falls back to begin loading again with a noise like a toilet cistern filling. And I snore, hugely and helplessly, like a cartoon character, with rubbery flapping lips and prolonged steam-valve exhalations. For long periods I grow unnaturally still, in a way that inclines onlookers to exchange glances and lean forward in concern, then dramatically I stiffen and, after a tantalizing pause, begin to bounce and jostle in a series of whole-body spasms of the sort that bring to mind an electric chair when the switch is thrown. Then I shriek once or twice in a piercing and effeminate manner and wake up to find that all motion within five hundred feet has stopped and all children under eight are clutching their mothers’ hems. It is a terrible burden to bear.
”
”
Bill Bryson (In a Sunburned Country)
“
Every aspect of the multipronged legal system even today is dominated by males: police, prosecutors, judges, probation officers. In addition, the state legislatures that make the laws are still disproportionately male. So how does the abuser come to the far-fetched conclusion that women are somehow lurking in the shadows, pulling strings to cause him to suffer consequences for his actions when he thinks there shouldn’t be any? This absurd leap occurs for two reasons. One is that he already has wellentrenched habits of blaming women for his own behavior. So when society sends him the message that he is responsible for what he does, he just widens the scope of his blame-projecting machine to target all women. The second is that if he didn’t blame women, he would have to accept the fact that a large proportion of men are opposed to what he is doing. Cultural values are changing, slowly but surely, and abusers cannot always count on other men to back them up anymore—a fact that makes them feel betrayed so they close their eyes to it.
”
”
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
“
476. Children do not learn that books exist, that armchairs exist, etc.,etc. - they learn to fetch books, sit in armchairs, etc.,etc.
Later, questions about the existence of things do of course arise, "Is there such a thing as a unicorn?" and so on. But such a question is possible only because as a rule no corresponding question presents itself. For how does one know how to set about satisfying oneself of the existence of unicorns? How did one learn the method for determining whether something exists or not?
477. "So one must know that the objects whose names one teaches a child by an ostensive definition exist." - Why must one know they do? Isn't it enough that experience doesn't later show the opposite?
For why should the language-game rest on some kind of knowledge?
478. Does a child believe that milk exists? Or does it know that milk exists? Does a cat know that a mouse exists?
479. Are we to say that the knowledge that there are physical objects comes very early or very late?
”
”
Ludwig Wittgenstein (On Certainty)
“
Nothing is simple if your mind is a fetch-and-carry wanderer from sliced perilous outer world to secret safe inner world; if when night comes your thought creeps out like a furred animal concealed in the dark, to find, seize, and kill its food and drag it back to the secret house in the secret world, only to discover that the secret world has disappeared or has so enlarged that it's a public nightmare.
”
”
Janet Frame (Towards Another Summer)
“
Take an instance: the removal of the motto [In God We Trust] fetched out a clamor from the pulpit; little groups and small conventions of clergymen gathered themselves together all over the country, and one of these little groups, consisting of twenty-two ministers, put up a prodigious assertion unbacked by any quoted statistics and passed it unanimously in the form of a resolution: the assertion, to wit, that this is a Christian country. Why, Carnegie, so is hell. Those clergymen know that, inasmuch as "Strait is the way and narrow is the gate, and few — few — are they that enter in thereat" has had the natural effect of making hell the only really prominent Christian community in any of the worlds; but we don't brag of this and certainly it is not proper to brag and boast that America is a Christian country when we all know that certainly five-sixths of our population could not enter in at the narrow gate.
”
”
Mark Twain
“
striking, like a model or a member of a boy band. And it all reminds me of that very particular feeling in your tummy. You know. So I am not at all surprised or in the least bit disapproving when the men stand up and the good-looking one then leans over the top of the dividing seats, wondering if he might fetch the girls something from the buffet, ‘. . . seeing as I’m going?’ Next there are name swaps and quite
”
”
Teresa Driscoll (I Am Watching You)
“
Why are you here?"
"To fetch the woman I cut from the veil of the rock."
“Why did you cut?"
"To send her spirit out, so that she would come to make the child, for me to teach to dance and sing and dream, to free the beasts within the rock to fill the world."
“Have you found her?"
"She is not here. There are only people horrible to see."
“Where are your stories?" said the other.
"I cannot tell them. My head is a cloud.
”
”
Alan Garner (Boneland (Tales of Alderley, #3))
“
I couldn’t articulate how the name made me feel. Shawn had meant it to humiliate me, to lock me in time, into an old idea of myself. But far from fixing me in place, that word transported me. Every time he said it—“Hey Nigger, raise the boom” or “Fetch me a level, Nigger”—I returned to the university, to that auditorium, where I had watched human history unfold and wondered at my place in it. The stories of Emmett Till, Rosa Parks and Martin Luther King were called to my mind every time Shawn shouted, “Nigger, move to the next row.” I saw their faces superimposed on every purlin Shawn welded into place that summer, so that by the end of it, I had finally begun to grasp something that should have been immediately apparent: that someone had opposed the great march toward equality; someone had been the person from whom freedom had to be wrested.
I did not think of my brother as that person; I doubt I will ever think of him that way. But something had shifted nonetheless. I had started on a path of awareness, had perceived something elemental about my brother, my father, myself. I had discerned the ways in which we had been sculpted by a tradition given to us by others, a tradition of which we were either willfully or accidentally ignorant. I had begun to understand that we had lent our voices to a discourse whose sole purpose was to dehumanize and brutalize others—because nurturing that discourse was easier, because retaining power always feels like the way forward.
”
”
Tara Westover (Educated)
“
After all, why is it that we can so readily imagine growing heart cells in a lab, but not growing empathy for other human beings in our everyday lives? For many, the idea that we can defy politics as usual and channel human ingenuity towards more egalitarian forms of social organization is far-fetched. Our collective imaginations tend to shrink when confronted with entrenched inequality and injustice when what we need is just as much investment and innovation in our social reality as we pour into transforming our material lives.
”
”
Ruha Benjamin
“
Whiteness, like race, may not be true—it’s not a biologically heritable characteristic that has roots in physiological structures or in genes or chromosomes. But it is real, in the sense that societies and rights and goods and resources and privileges have been built on its foundation. DiAngelo brilliantly names a whiteness that doesn’t want to be named, disrobes a whiteness that dresses in camouflage as humanity, unmasks a whiteness costumed as American, and fetches to center stage a whiteness that would rather hide in visible invisibility.
”
”
Robin DiAngelo (White Fragility: Why It's So Hard for White People to Talk About Racism)
“
And so went the rest of our conversation, with me having to constantly stop and explain what I’d just said. Each time, Dorian had some gentry equivalent for whatever I described. Some were more far-fetched than others, like when he said he was certain gorging on cake all day would achieve the same results as a blood-sugar test. He also had a very complicated explanation about how balancing a chicken in a tree was a well-established gentry method of determining gender. I was almost certain he knew there was no real equivalent to half the things I told him about and that he was making most of this up on the spot. He was simply trying to entertain me with the outlandish.
”
”
Richelle Mead (Shadow Heir (Dark Swan, #4))
“
My God!" Amaury glared resentfully at the armed men surrounding his own as Castle Eberhart came into view. "See you the gall of the woman?"
Blake hid a smile an shrugged. "'Twould seem your bride would have you safely delivered."
"Safely delivered?" Grimacing,he shook his head. "She sends her man out to fetch me as if I am a stray cow."
"Surely she would not send so many for a cow?"
Amaury glared at his laughing friend.
Blake shrugged. "Well,I have said it afore and-"
"If you say once more that I should refuse to marry her,I will strike you down right here."
"You may try," Blake allowed with a small smile.
”
”
Lynsay Sands (The Deed (Deed, #1))
“
Now the way that the book winds up is this: Tom and me found the money that the robbers hid in the cave, and it made us rich. We got six thousand dollars apiece—all gold. It was an awful sight of money when it was piled up. Well, Judge Thatcher he took it and put it out at interest, and it fetched us a dollar a day apiece all the year round— more than a body could tell what to do with. The Widow Douglas she took me for her son, and allowed she would sivilize me; but it was rough living in the house all the time, considering how dismal regular and decent the widow was in all her ways; and so when I couldn't stand it no longer I lit out. I got into my old rags and my sugar-hogshead again, and was free and satisfied. But Tom Sawyer he hunted me up and said he was going to start a band of robbers, and I might join if I would go back to the widow and be respectable. So I went back.
”
”
Mark Twain (Adventures of Huckleberry Finn)
“
Behind all this bad behaviour was an insecurity magnificent in scope, metaphysical in nature. Space was big, and the boys from Earth were awed despite themselves by the things they found there: but worse, their science was a mess. Every race they met on their way through the Core had a star drive based on a different theory. All those theories worked, even when they ruled out one another's basic assumptions. You could travel between the stars, it began to seem, by assuming anything [. . . .]
It was affronting to discover that. So when they fetched up on the edge of the Tract, looked it in the eye, and began to despatch their doomed entradas, the Earthlings were hoping to find, among other things, some answers. They wondered why the universe, which seemed so harsh on top, was underneath so pliable. Anything worked. Wherever you looked, you found. They were hoping to find out why.
”
”
M. John Harrison (Light (Kefahuchi Tract, #1))
“
Now journeys were not simple matters for Grace; nothing is simple if your mind is a fetch-and-carry wanderer from sliced perilous outer world to secret safe inner world; if when night comes your thought creeps out like a furred animal concealed in the dark, to fine, seize, and kill its food and drag it back to the secret house in the secret world, only to discover that the secret world has disappeared or has so enlarged that it's a public nightmare; if then strange beasts walk upside down like flies on the ceiling; crimson wings flap, the curtains fly; a sad man wearing a blue waistcoat with green buttons sits in the centre of the room, crying because he has swallowed the mirror and it hurts and he burps in flashes of glass and light; if crakes move and cry; the world is flipped, unrolled down in the vast marble stair; a stained threadbare carpet; the hollow silver dancing shoes, hunting-horns...
”
”
Janet Frame
“
Colonial, white supremacist organizational practices seem inevitable because they were so universally adopted over the next centuries, and they still govern the great majority of our institutions, but they were design choices. This means that other choices are available, even when they seem far-fetched. We know what spices and organizations look like, feel like, and function like when they are inspired by the colonizers’ principles of separation, competition and exploitation. How would they be different if they were based on principles like integration and interdependence, reciprocity and relationship?
”
”
Edgar Villanueva (Decolonizing Wealth: Indigenous Wisdom to Heal Divides and Restore Balance)
“
The story is that while a child named Servius Tullius lay sleeping, his head burst into flames in the sight of many. The general outcry which so great a miracle called forth brought the king and queen to the place. One of the servants fetched water to quench the fire, but was checked by the queen, who stilled the uproar and commanded that the boy should not be disturbed until he awoke of himself. Soon afterwards sleep left him, and with it disappeared the flames. Then, talking her husband aside, Tanaquil Said: 'Do you see this child whom we are bringing up in so humble a fashion? Be assured he will one day be a lamp to our dubious fortunes, and a protector to the royal house in the day of its distress. Let us therefore rear with all solicitude one who will lend high renowen to the state and to our family.' It is said that from that moment the boy began to be looked upon as a son, and to be trained in the studies by which men are inspired to bear themselves greatly.
”
”
Livy (The History of Rome, Books 1-5: The Early History of Rome)
“
Most of us are pseudo-scholars...for we are a very large and quite a powerful class, eminent in Church and State, we control the education of the Empire, we lend to the Press such distinction as it consents to receive, and we are a welcome asset at dinner-parties.
Pseudo-scholarship is, on its good side, the homage paid by ignorance to learning. It also has an economic side, on which we need not be hard. Most of us must get a job before thirty, or sponge on our relatives, and many jobs can only be got by passing an exam. The pseudo-scholar often does well in examination (real scholars are not much good), and even when he fails he appreciates their inner majesty. They are gateways to employment, they have power to ban and bless. A paper on King Lear may lead somewhere, unlike the rather far-fetched play of the same name. It may be a stepping-stone to the Local Government Board. He does not often put it to himself openly and say, "That's the use of knowing things, they help you to get on." The economic pressure he feels is more often subconscious, and he goes to his exam, merely feeling that a paper on King Lear is a very tempestuous and terrible experience but an intensely real one. ...As long as learning is connected with earning, as long as certain jobs can only be reached through exams, so long must we take the examination system seriously. If another ladder to employment were contrived, much so-called education would disappear, and no one be a penny the stupider.
”
”
E.M. Forster (جنبههای رمان)
“
The week passed by swiftly, like a dream....a dream where minutes flew as rapidly as heartbeats. Such a breathless week when something within her drove Scarlett with mingled pain and pleasure to pack and cram every minute with incidents to remember after he was gone, happenings which she could examine at leisure in the long months ahead, extracting every morsel of comfort from them - dance, sing, laugh, fetch and carry for Ashley, anticipate his wants, smile when he smiles, be silent when he talks, follow him with your eyes so that each line of his erect body, each lift of his eyebrows, each quirk of his mouth, will be indelibly printed on your mind - for a week goes by so fast and the war goes on forever.
”
”
Margaret Mitchell (Gone with the Wind)
“
IN the morning we went up to the village and bought a wire rat-trap and fetched it down, and unstopped the best rat-hole, and in about an hour we had fifteen of the bulliest kind of ones; and then we took it and put it in a safe place under Aunt Sally's bed. But while we was gone for spiders little Thomas Franklin Benjamin Jefferson Elexander Phelps found it there, and opened the door of it to see if the rats would come out, and they did; and Aunt Sally she come in, and when we got back she was a- standing on top of the bed raising Cain, and the rats was doing what they could to keep off the dull times for her. So she took and dusted us both with the hickry, and we was as much as two hours catching another fifteen or sixteen, drat that meddlesome cub, and they warn't the likeliest, nuther, because the first haul was the pick of the flock. I never see a likelier lot of rats than what that first haul was.
”
”
Mark Twain (The Adventures of Huckleberry Finn)
“
She was a widow, and he stripped himself naked while she went to fetch some of her husband's clothes. But before he could put them on, the police were hammering on the front door with their billy clubs. So the fugitive hid on top of a rafter. When the woman let in the police, though, his oversize testicles hung down in full view."
Trout paused again.
The police asked the woman where the guy was. The woman said she didn't know what guy they were talking about," said Trout. "One of the cops saw the testicles hanging down from a rafter and asked what they were. She said they were Chinese temple bells. He believed her. He said he 'd always wanted to hear Chinese temple bells. "He gave them a whack with his billy club, but there was no sound. So he hit them again, a lot harder, a whole lot harder. Do you know what the guy on the rafter shrieked?" Trout asked me. I said I didn't. "He shrieked, 'TING-A-LING, YOU SON OF A BITCH!
”
”
Kurt Vonnegut Jr.
“
audience, not interrupting once, only darting a few disbelieving looks at him. ‘God Almighty,’ Painter said when Ryan finished. Davenport just stared poker-faced as he contemplated the possibility of examining a Soviet missile sub from the inside. Jack decided he’d be a formidable opponent over cards. Painter went on, ‘Do you really believe this?’ ‘Yes, sir, I do.’ Ryan poured himself another cup of coffee. He would have preferred a beer to go with his corned beef. It hadn’t been bad at all, and good kosher corned beef was something he’d been unable to find in London. Painter leaned back and looked at Davenport. ‘Charlie, you tell Greer to teach this lad a few lessons – like how a bureaucrat ain’t supposed to stick his neck this far out on the block. Don’t you think this is a little far-fetched?’ ‘Josh, Ryan here’s the guy who did the report last June on Soviet missile-sub patrol patterns.’ ‘Oh? That was a nice piece of work. It confirmed something I’ve been saying for two or three years.’ Painter rose and walked to the corner to look out at the stormy sea. ‘So, what are we supposed to do about all this?
”
”
Tom Clancy (The Hunt for Red October (Jack Ryan, #3))
“
Why do you do that?
Do what? Push the sceptic thing so hard!? I mean, it made sense at first, but now? After everything we’ve seen, after everything you’ve read! I hear you recording statements and y-you just dismiss them. You tear them to pieces like they’re wasting your time, but half of the “rational” explanations you give are actually more far-fetched than just accepting it was a, a ghost or something. I mean for god’s sake John, we’re literally hiding from some kind of worm… queen… thing, how, how could you possibly still not believe!?
Of course, I believe. Of course I do. Have you ever taken a look at the stuff we have in Artefact Storage? That’s enough to convince anyone. But, but even before that… Why do you think I started working here? It’s not exactly glamorous. I have… I’ve always believed in the supernatural. Within reason. I mean. I still think most of the statements down here aren’t real. Of the hundreds I’ve recorded, we’ve had maybe… thirty, forty that are… that go on tape. Now, those, I believe, at least for the most part.
Then why do you –
Because I’m scared, Martin!. Because when I record these statements it feels… it feels like I’m being watched. I… I lose myself a bit. And then when I come back, it’s like… like if I admit there may be any truth to it, whatever’s watching will… know somehow. The skepticism, feigning ignorance. It just felt safer.
”
”
Jonathan Sims (The Magnus Archives: Season 1 (Magnus Archives, #1))
“
Stop fussing,” Legna admonished her, tapping her finger against Isabella’s absently energetic hand.
“I’m getting married in a few minutes, Legna, I think I’ve a right to fuss.” Isabella felt her heart turn over as she spoke aloud, listening to herself talk about her impending marriage.
“Well, brides are supposed to be blushing, as I understand it. At the moment you are no less than five shades of gray.” Legna continued with her interrupted weaving of more ribbons in Isabella’s hair. “And as much as it matches the silver of your dress, I think you would look better with a little natural color.” Legna reached to smooth down a portion of the shimmering silver fabric that draped off of the bride’s shoulders in a Grecian fashion. “You know,” she pressed, “there are only two nights in a year when Demons perform a joining ceremony. Samhain and Beltane. If you pass out tonight, you will have to wait until next spring.”
“Thanks for the bulletin. You’re too kind,” Isabella retorted dryly.
“Actually, purely out of kindness, I will tell you that your future husband is just shy of tossing his cookies himself, so you can take comfort in knowing he is just as nervous as you are.”
“Legna!” Bella laughed. “You’re a wretch!” She turned to look at the female Demon, briefly admiring how pretty she looked in her soft white chiffon gown. “And how would you know? You’re standing too close to me to be able to sense his emotions.”
“Because when I went to fetch the ribbons, he was seated next to Noah with his head between his knees.” Legna giggled. “I have never seen anything rattle Jacob before. I cannot help but find it amusing.
”
”
Jacquelyn Frank (Jacob (Nightwalkers, #1))
“
Our living quarters were in the same compound as the Eastern District administration. Government offices were mostly housed in large mansions which had been confiscated from Kuomintang officials and wealthy landlords. All government employees, even senior officials, lived at their office. They were not allowed to cook at home, and all ate in canteens. The canteen was also where everyone got their boiled water, which was fetched in thermos flasks.
Saturday was the only day married couples were allowed to spend together. Among officials, the euphemism for making love was 'spending a Saturday." Gradually, this regimented life-style relaxed a bit and married couples were able to spend more time together, but almost all still lived and spent most of their time in their office compounds.
My mother's department ran a very broad field of activities, including primary education, health, entertainment, and sounding out public opinion. At the age of twenty-two, my mother was in charge of all these activities for about a quarter of a million people. She was so busy we hardly ever saw her. The government wanted to establish a monopoly (known as 'unified purchasing and marketing') over trade in the basic commodities grain, cotton, edible o'fi, and meat. The idea was to get the peasants to sell these exclusively to the government, which would then ration them out to the urban population and to parts of the country where they were in short supply.
”
”
Jung Chang (Wild Swans: Three Daughters of China)
“
I write this sitting in the kitchen sink. That is, my feet are in it; the rest of me is on the draining-board, which I have padded with our dog's blanket and the tea-cosy. I can't say that I am really comfortable, and there is a depressing smell of carbolic soap, but this is the only part of the kitchen where there is any daylight left. And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house. Though even that isn't a very good poem. I have decided my best poetry is so bad that I mustn't write any more of it.
Drips from the roof are plopping into the water-butt by the back door. The view through the windows above the sink is excessively drear. Beyond the dank garden in the courtyard are the ruined walls on the edge of the moat. Beyond the moat, the boggy ploughed fields stretch to the leaden sky. I tell myself that all the rain we have had lately is good for nature, and that at any moment spring will surge on us. I try to see leaves on the trees and the courtyard filled with sunlight. Unfortunately, the more my mind's eye sees green and gold, the more drained of all colour does the twilight seem.
It is comforting to look away from the windows and towards the kitchen fire, near which my sister Rose is ironing - though she obviously can't see properly, and it will be a pity if she scorches her only nightgown. (I have two, but one is minus its behind.) Rose looks particularly fetching by firelight because she is a pinkish person; her skin has a pink glow and her hair is pinkish gold, very light and feathery. Although I am rather used to her I know she is a beauty. She is nearly twenty-one and very bitter with life. I am seventeen, look younger, feel older. I am no beauty but I have a neatish face.
I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it. The house itself was built in the time of Charles II, but it was grafted on to a fourteenth-century castle that had been damaged by Cromwell. The whole of our east wall was part of the castle; there are two round towers in it. The gatehouse is intact and a stretch of the old walls at their full height joins it to the house. And Belmotte Tower, all that remains of an even older castle, still stands on its mound close by. But I won't attempt to describe our peculiar home fully until I can see more time ahead of me than I do now.
I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how to write a novel - I intend to capture all our characters and put in conversations. It ought to be good for my style to dash along without much thought, as up to now my stories have been very stiff and self-conscious. The only time father obliged me by reading one of them, he said I combined stateliness with a desperate effort to be funny. He told me to relax and let the words flow out of me.
”
”
Dodie Smith (I Capture the Castle)
“
In October of 1973, when the Arab sneak attack almost drove us into the Mediterranean, we had all the intelligence in front of us, all the warning signs, and we had simply “dropped the ball.” We never considered the possibility of an all-out, coordinated, conventional assault from several nations, certainly not on our holiest of holidays. Call it stagnation, call it rigidity, call it an unforgivable herd mentality. Imagine a group of people all staring at writing on a wall, everyone congratulating one another on reading the words correctly. But behind that group is a mirror whose image shows the writing’s true message. No one looks at the mirror. No one thinks it’s necessary. Well, after almost allowing the Arabs to finish what Hitler started, we realized that not only was that mirror image necessary, but it must forever be our national policy. From 1973 onward, if nine intelligence analysts came to the same conclusion, it was the duty of the tenth to disagree. No matter how unlikely or far-fetched a possibility might be, one must always dig deeper. If a neighbor’s nuclear power plant might be used to make weapons-grade plutonium, you dig; if a dictator was rumored to be building a cannon so big it could fire anthrax shells across whole countries, you dig; and if there was even the slightest chance that dead bodies were being reanimated as ravenous killing machines, you dig and dig until you stike the absolute truth.
”
”
Max Brooks (World War Z: An Oral History of the Zombie War)
“
Baghra,” Nikolai said, “how are you this evening?”
“Still old and blind,” she snarled.
“And charming,” Nikolai drawled. “Never forget charming.”
“Whelp.”
“Hag.”
“What do you want, pest?”
“I’ve brought someone to visit,” Nikolai said, giving me a push.
Why was I so nervous?
“Hello, Baghra,” I managed.
She paused, motionless. “The little Saint,” she murmured, “returned to save us all.”
“Well, she did almost die trying to rid us of your cursed spawn,” Nikolai said lightly. I blinked. So Nikolai knew Baghra was the Darkling’s mother.
“Couldn’t even manage martyrdom right, could you?” Baghra waved me in. “Come in and shut the door, girl. You’re letting the heat out.” I grinned at this familiar refrain. “And you,” she spat in Nikolai’s direction. “Go somewhere you’re wanted.”
“That’s hardly limiting,” he said. “Alina, I’ll be back to fetch you for dinner, but should you grow restless, do feel free to run screaming from the room or take a dagger to her. Whatever seems most fitting at the time.”
“Are you still here?” snapped Baghra.
“I go but hope to remain in your heart,” he said solemnly. Then he winked and disappeared.
“Wretched boy.”
“You like him,” I said in disbelief.
Baghra scowled. “Greedy. Arrogant. Takes too many risks.”
“You almost sound concerned.”
“You like him too, little Saint,” she said with a leer in her voice.
“I do,” I admitted. “He’s been kind when he might have been cruel. It’s refreshing.”
“He laughs too much.”
“There are worse traits.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
But, by a curious twist, it is not the leadership that is old and decorous that fetches him, but the leadership that is new and extravagant. He will resist dictation out of the past, but he will follow a new messiah with almost Russian willingness, and into the wildest vagaries of economics, religion, morals and speech. A new fallacy in politics spreads faster in the United States than anywhere else on earth, and so does a new fashion in hats, or a new revelation of God, or a new means of killing time, or a new metaphor or piece of slang. Thus the American, on his linguistic side, likes to make his language as he goes along, and not all the hard work of his grammar teachers can hold the business back. A novelty loses nothing by the fact that it is a novelty; it rather gains something, and particularly if it meet the national fancy for the terse, the vivid, and, above all, the bold and imaginative. The characteristic American habit of reducing complex concepts to the starkest abbreviations was already noticeable in colonial times, [Pg023] and such highly typical Americanisms as O. K., N. G., and P. D. Q., have been traced back to the first days of the republic. Nor are the influences that shaped these early tendencies invisible
”
”
H.L. Mencken (The American Language)
“
My recommendation is to keep up the good work. I’m changing your title to senior executive assistant, and giving you a three percent raise effective next payday. Congratulations.”
Wow, three percent. I could move up that early retirement plan to age seventy-five now, instead of eighty. Lucky me.
Thank you,” I said. “That’s very generous.”
You’re quite welcome.” Ms. Saunders nodded and grabbed a gold-plated letter opener to begin attacking her stack of mail.
I turned to leave. Didn’t want to outstay my welcome.
Damn it!” she exclaimed, and I turned back around. She winced and nodded at the letter opener that she’d dropped to her desktop. “Damn thing slipped. I’m probably going to need stitches now. Can you be a dear and fetch the first-aid kit for me?”
She held her left index finger and frowned at the steady flow of blood oozing out. A few small drops of red splashed onto the other letters spread out on the desk.
I felt woozy. And suddenly dizzy.
I blinked.
When I opened my eyes, I was no longer standing by the door about to leave. I was crouched down next to Ms. Saunders’s imported black leather chair, grasping her wrist tightly…… and sucking noisily on her fingertip.
I shrieked and let go of her, staggering backward. I grabbed at her desk to keep from falling, but I dropped on my butt, anyhow, taking most of the contents of the top of her desk with me.
She held her injured finger far away from her and stared at me, wide-eyed, with a mixture of shock and disgust.
I scrambled to my feet and wiped my mouth with the back of my hand.
What in the holy hell just happened?
I… I… uh… I’m so sorry,” I managed. “I don’t know what… I wouldn’t normally do something… I just…”
Ms. Saunders pulled her hand close to her chest, perhaps to protect it from further abuse.
Get out,” she said quietly.
Yeah, I’ll get back to work. Again, I’m so, so sorry. Would you like me to bring you a cup of coffee?”
No, not to your desk,” she said evenly, but her volume increased with every word. “Get out of here, you freak. I don’t care what you’ve heard, I’m not into women. You’re fired. Now get out of here before I call security.”
But… my job review—”
Get out!” she yelled.
”
”
Michelle Rowen (Bitten & Smitten (Immortality Bites, #1))
“
Shubha let me sleep for a few moments in your violent silvery uterus
Give me peace, Shubha, let me have peace
Let my sin-driven skeleton be washed anew in your seasonal bloodstream
Let me create myself in your womb with my own sperm
Would I have been like this if I had different parents?
Was Malay alias me possible from an absolutely different sperm?
Would I have been Malay in the womb of other women of my father?
Would I have made a professional gentleman of me like my dead brother without Shubha?
Oh, answer, let somebody answer these
Shubha, ah, Shubha
Let me see the earth through your cellophane hymen
Come back on the green mattress again
As cathode rays are sucked up with the warmth of magnet's brilliance
I remember the letter of the final decesion of 1956
The surroundings of your clitoris were being embellished with coon at that time
Fine rib-smashing roots were descending into your bosom
Stupid relationship inflted in the bypass of senseless neglect
Aaaaaaaaaaaaaaaaaaaah
I do not know whether I am going to die
Squandering was roaring within heart's exhaustive impatience
I'll disrupt and destroy
I'll split all into pieces for the sake of Art
There isn't any other way out for poetry except suicide
Shubha
Let me enter into the immemorial incontinence of your labia majora
Into the absurdity of woeless effort
In the golden chlorophyll of the drunken heart
Why wasn't I lost in my mother's urethra?
Why wasn't I driven away in my father's urine after his self-coition?
Why wasn't I mixed in the ovum-flux or in the phlegm?
With her eyes shut supine beneath me
I felt terribly distressed when I saw comfort seize Shubha
Women could be treacherous even after unfolding a helpless appeareance
Today it seems there is nothing so treacherous as Women and Art
Now my ferocious heart is rinning towards an impossible death
Vertigoes of water are coming up to my neck from the pierced earth
I will die
Oh what are these happening within me?
I am failing to fetch out my hand and my palm
From the dried sperms on my trousers spreading wings
300000 children are gliding toward the district of Shubha's bosom
Millions of needles are now running from my blood into Poetry
Now the smuggling of my obstinate leg is trying to plunge
Into the death killer sex-wig entangled in the hypnotic kingdom of words
In violent mirrors on each wall of the room I am observing
After letting loose a few naked Malay, his unestablished scramblings.
”
”
Malay Roy Choudhury (Selected Poems)
“
When I go musing all alone
Thinking of divers things fore-known.
When I build castles in the air,
Void of sorrow and void of fear,
Pleasing myself with phantasms sweet,
Methinks the time runs very fleet.
All my joys to this are folly,
Naught so sweet as melancholy.
When I lie waking all alone,
Recounting what I have ill done,
My thoughts on me then tyrannise,
Fear and sorrow me surprise,
Whether I tarry still or go,
Methinks the time moves very slow.
All my griefs to this are jolly,
Naught so mad as melancholy.
When to myself I act and smile,
With pleasing thoughts the time beguile,
By a brook side or wood so green,
Unheard, unsought for, or unseen,
A thousand pleasures do me bless,
And crown my soul with happiness.
All my joys besides are folly,
None so sweet as melancholy.
When I lie, sit, or walk alone,
I sigh, I grieve, making great moan,
In a dark grove, or irksome den,
With discontents and Furies then,
A thousand miseries at once
Mine heavy heart and soul ensconce,
All my griefs to this are jolly,
None so sour as melancholy.
Methinks I hear, methinks I see,
Sweet music, wondrous melody,
Towns, palaces, and cities fine;
Here now, then there; the world is mine,
Rare beauties, gallant ladies shine,
Whate'er is lovely or divine.
All other joys to this are folly,
None so sweet as melancholy.
Methinks I hear, methinks I see
Ghosts, goblins, fiends; my phantasy
Presents a thousand ugly shapes,
Headless bears, black men, and apes,
Doleful outcries, and fearful sights,
My sad and dismal soul affrights.
All my griefs to this are jolly,
None so damn'd as melancholy.
Methinks I court, methinks I kiss,
Methinks I now embrace my mistress.
O blessed days, O sweet content,
In Paradise my time is spent.
Such thoughts may still my fancy move,
So may I ever be in love.
All my joys to this are folly,
Naught so sweet as melancholy.
When I recount love's many frights,
My sighs and tears, my waking nights,
My jealous fits; O mine hard fate
I now repent, but 'tis too late.
No torment is so bad as love,
So bitter to my soul can prove.
All my griefs to this are jolly,
Naught so harsh as melancholy.
Friends and companions get you gone,
'Tis my desire to be alone;
Ne'er well but when my thoughts and I
Do domineer in privacy.
No Gem, no treasure like to this,
'Tis my delight, my crown, my bliss.
All my joys to this are folly,
Naught so sweet as melancholy.
'Tis my sole plague to be alone,
I am a beast, a monster grown,
I will no light nor company,
I find it now my misery.
The scene is turn'd, my joys are gone,
Fear, discontent, and sorrows come.
All my griefs to this are jolly,
Naught so fierce as melancholy.
I'll not change life with any king,
I ravisht am: can the world bring
More joy, than still to laugh and smile,
In pleasant toys time to beguile?
Do not, O do not trouble me,
So sweet content I feel and see.
All my joys to this are folly,
None so divine as melancholy.
I'll change my state with any wretch,
Thou canst from gaol or dunghill fetch;
My pain's past cure, another hell,
I may not in this torment dwell!
Now desperate I hate my life,
Lend me a halter or a knife;
All my griefs to this are jolly,
Naught so damn'd as melancholy.
”
”
Robert Burton (The Anatomy of Melancholy: What It Is, With All the Kinds, Causes, Symptoms, Prognostics, and Several Cures of It ; in Three Partitions; With Their ... Historically Opened and Cut Up, V)
“
I rose on still unsteady legs to walk over and shake Mr. Grave’s hand.
The doctor simply stared over my head, seeming to notice neither my hand, nor me standing there in front of him.
This was explained when Frank said to me scornfully, a second later, “He can’t see you. He’s blind.”
“Oh,” I said, feeling mortified. I hadn’t noticed until that point that Mr. Grave’s eyes had a milky-white sheen to them, and that he’d never once looked directly at anyone who was speaking. “I’m so sorry.”
“Don’t be,” Mr. Graves said, managing to find my hand anyway and give it a squeeze. “It’s not your fault.”
“Actually, it could have been,” Frank said. “It was a Fury that-“
“Frank, the young lady said she’d like to see the captain. Why don’t you go fetch him?” Mr. Graves snapped. To me, he said, “Miss Oliviera, I do apologize. It’s been quite some time since these fellows have been in the company of a young lady.”
“Speak for yourself, old man,” Frank said. He came to his feet with sudden alacrity. “Why don’t I just take her to the captain?”
“I hardly think that’s a good idea,” Mr. Liu muttered, into his teacup.
“His orders were if she showed up, we were to bring her straight to him,” Frank said.
Mr. Graves’s face expressed the exact dismay I felt upon being reminded of this. “Just go and fetch the captain, Frank. Or young Henry can do it.”
“What?” Henry cried, looking stricken. “I don’t want to go down there. All those dead people. And I’m the one who always gets stuck handing out the blankets-“
“It’s not important,” I said quickly. Blankets? What blankets? What on earth as Henry talking about? “I’ll just wait until John comes back-“
“See?” Henry looked triumphant. “I told you. She’s not the one.”
“It doesn’t matter,” Frank said, impatiently. “Either way, we’re stick with her.”
This wasn’t a very nice thing to hear about yourself-that people thought of you as someone they were stuck with. Not that I hadn’t been thinking the very same thing about them…and not that I didn’t share Henry’s fear that I wasn’t Queen-of-the-Underworld material.
”
”
Meg Cabot (Underworld (Abandon, #2))
“
A morning-flowered dalliance
demured and dulcet-sweet
with ebullience and efflorescence
admiring, cozy cottages
and elixirs of eloquence
lie waiting at our feet -
We'll dance through fetching pleasantries
as we walk ephemeral roads
evocative epiphanies
ethereal, though we know
our hearts are linked with gossamer
halcyon our day
a harbinger of pretty things
infused with whispers longing still
and gamboling in sultry ways
to feelings, all ineffable
screaming with insouciance
masking labyrinthine paths
where, in our nonchalance, we walk
through the lilt of love’s new morning rays.
Mellifluous murmurings
from a babbling brook
that soothes our heated passion-songs
and panoplies perplexed with thought
of shadows carried off with clouds
in stormy summer rains…
My dear, and that I can call you 'dear'
after ripples turned to crashing waves
after pyrrhic wins, emotions drained
we find our palace sunned and rayed
with quintessential moments lit
with wildflower lanterns arrayed
on verandahs lush with mutual love,
the softest love – our preferred décor
of life's lilly-blossom gate
in white-fenced serendipity…
Twilight sunlit heavens cross
our gardens, graced with perseverance,
bliss, and thee, and thou, so splendid, delicate
as a morning dove of charm and mirth –
at least with me; our misty mornings
glide through air...
So with whippoorwill’d sweet poetry -
of moonstones, triumphs, wonder-woven
in chandliers of winglet cherubs
wrought with time immemorial,
crafted with innocence, stowed away
and brought to light upon our day
in hallelujah tapestries
of ocean-windswept galleries
in breaths of ballet kisses, light,
skipping to the breakfast room
cascading chrysalis's love
in diaphanous imaginings
delightful, fleeting, celestial-viewed
as in our eyes which come to rest
evocative, exuberant
on one another’s moon-stowed dreams
idyllic, in quiescent ways,
peaceful in their radiance
resplendent with a myriad of thought
soothing muse, rhapsodic song
until the somnolence of night
spreads out again its shaded truss
of luminescent fantasies
waiting to be loved by us…
Oh, love! Your sincerest pardons begged!
I’ve gone too long, I’ve rambled, dear,
and on and on and on and on -
as if our hours were endless here…
A morning toast, with orange-juiced lips
exalting transcendent minds
suffused with sunrise symphonies
organic-born tranquilities
sublimed sonorous assemblages
with scintillas of eternity beating
at our breasts – their embraces but
a blushing, longing glance away…
I’ll end my charms this enraptured morn'
before cacophony and chafe
coarse in crude and rough abrade
when cynical distrust is laid
by hoarse and leeching parasites,
distaste fraught with smug disgust
by hairy, smelly maladroit
mediocrities born of poisoned wells
grotesque with selfish lies -
shrill and shrieking, biting, creeping
around our love, as if they rose
from Edgar Allen’s own immortal
rumpled decomposing clothes…
Oh me, oh my! I am so sorry!
can you forgive me? I gone and kissed you
for so long, in my morning imaginings,
through these words, through this song -
‘twas supposed to be "a trifle treat,"
but little treats do sometimes last
a little longer; and, oh, but oh,
but if I could, I surly would
keep you just a little longer tarrying here,
tarrying here with me this pleasant morn
”
”
Numi Who
“
The idea of you lynching anybody! It’s amusing. The idea of you thinking you had pluck enough to lynch a man! Because you’re brave enough to tar and feather poor friendless cast-out women that come along here, did that make you think you had grit enough to lay your hands on a man? Why, a man’s safe in the hands of ten thousand of your kind—as long as it’s day-time and you’re not behind him.
“Do I know you? I know you clear through. I was born and raised in the South, and I’ve lived in the North; so I know the average all around. The average man’s a coward. In the North he lets anybody walk over him that wants to, and goes home and prays for a humble spirit to bear it. In the South one man, all by himself, has stopped a stage full of men, in the day-time, and robbed the lot. Your newspapers call you a brave people so much that you think you are braver than any other people—whereas you’re just as brave, and no braver. Why don’t your juries hang murderers? Because they’re afraid the man’s friends will shoot them in the back, in the dark—and it’s just what they would do.
“So they always acquit; and then a man goes in the night, with a hundred masked cowards at his back, and lynches the rascal. Your mistake is, that you didn’t bring a man with you; that’s one mistake, and the other is that you didn’t come in the dark, and fetch your masks. You brought part of a man—Buck Harkness, there—and if you hadn’t had him to start you, you’d a taken it out in blowing.
“You didn’t want to come. The average man don’t like trouble and danger. You don’t like trouble and danger. But if only half a man—like Buck Harkness, there—shouts ‘Lynch him, lynch him!’ you’re afraid to back down—afraid you’ll be found out to be what you are—cowards—and so you raise a yell, and hang yourselves onto that half-a-man’s coat tail, and come raging up here, swearing what big things you’re going to do. The pitifulest thing out is a mob; that’s what an army is—a mob; they don’t fight with courage that’s born in them, but with courage that’s borrowed from their mass, and from their officers. But a mob without any man at the head of it, is beneath pitifulness. Now the thing for you to do, is to droop your tails and go home and crawl in a hole. If any real lynching’s going to be done, it will be done in the dark, Southern fashion; and when they come they’ll bring their masks, and fetch a man along. Now leave—and take your half-a-man with you...
”
”
Mark Twain (The Adventures of Huckleberry Finn)
“
On this way, they reached the roof. Christine tripped over it as lightly as a swallow. Their eyes swept the empty space between the three domes and the triangular pediment. She breathed freely over Paris, the whole valley of which was seen at work below. She called Raoul to come quite close to her and they walked side by side along the zinc streets, in the leaden avenues; they looked at their twin shapes in the huge tanks, full of stagnant water, where, in the hot weather, the little boys of the ballet, a score or so, learn to swim and dive.
The shadow had followed behind them clinging to their steps; and the two children little suspected its presence when they at last sat down, trustingly, under the mighty protection of Apollo, who, with a great bronze gesture, lifted his huge lyre to the heart of a crimson sky.
It was a gorgeous spring evening. Clouds, which had just received their gossamer robe of gold and purple from the setting sun, drifted slowly by; and Christine said to Raoul:
“Soon we shall go farther and faster than the clouds, to the end of the world, and then you will leave me, Raoul. But, if, when the moment comes for you to take me away, I refuse to go with you—well you must carry me off by force!”
“Are you afraid that you will change your mind, Christine?”
“I don’t know,” she said, shaking her head in an odd fashion. “He is a demon!” And she shivered and nestled in his arms with a moan. “I am afraid now of going back to live with him … in the ground!”
“What compels you to go back, Christine?”
“If I do not go back to him, terrible misfortunes may happen! … But I can’t do it, I can’t do it! … I know one ought to be sorry for people who live underground … But he is too horrible! And yet the time is at hand; I have only a day left; and, if I do not go, he will come and fetch me with his voice. And he will drag me with him, underground, and go on his knees before me, with his death’s head. And he will tell me that he loves me! And he will cry! Oh, those tears, Raoul, those tears in the two black eye-sockets of the death’s head! I can not see those tears flow again!”
She wrung her hands in anguish, while Raoul pressed her to his heart.
“No, no, you shall never again hear him tell you that he loves you! You shall not see his tears! Let us fly, Christine, let us fly at once!”
And he tried to drag her away, then and there. But she stopped him.
“No, no,” she said, shaking her head sadly. “Not now! … It would be too cruel … let him hear me sing to-morrow evening … and then we will go away. You must come and fetch me in my dressing-room at midnight exactly. He will then be waiting for me in the dining-room by the lake … we shall be free and you shall take me away … You must promise me that, Raoul, even if I refuse; for I feel that, if I go back this time, I shall perhaps never return.”
And she gave a sigh to which it seemed to her that another sigh, behind her, replied.
“Didn’t you hear?”
Her teeth chattered.
“No,” said Raoul, “I heard nothing.”
- Chapter 12: Apollo’s Lyre
”
”
Gaston Leroux (The Phantom of the Opera)
“
It was astonishing how loudly one laughed at tales of gruesome things, of war’s brutality-I with the rest of them. I think at the bottom of it was a sense of the ironical contrast between the normal ways of civilian life and this hark-back to the caveman code. It made all our old philosophy of life monstrously ridiculous. It played the “hat trick” with the gentility of modern manners. Men who had been brought up to Christian virtues, who had prattled their little prayers at mothers’ knees, who had grown up to a love of poetry, painting, music, the gentle arts, over-sensitized to the subtleties of half-tones, delicate scales of emotion, fastidious in their choice of words, in their sense of beauty, found themselves compelled to live and act like ape-men; and it was abominably funny. They laughed at the most frightful episodes, which revealed this contrast between civilized ethics and the old beast law. The more revolting it was the more, sometimes, they shouted with laughter, especially in reminiscence, when the tale was told in the gilded salon of a French chateau, or at a mess-table.
It was, I think, the laughter of mortals at the trick which had been played on them by an ironical fate. They had been taught to believe that the whole object of life was to reach out to beauty and love, and that mankind, in its progress to perfection, had killed the beast instinct, cruelty, blood-lust, the primitive, savage law of survival by tooth and claw and club and ax. All poetry, all art, all religion had preached this gospel and this promise.
Now that ideal had broken like a china vase dashed to hard ground. The contrast between That and This was devastating. It was, in an enormous world-shaking way, like a highly dignified man in a silk hat, morning coat, creased trousers, spats, and patent boots suddenly slipping on a piece of orange-peel and sitting, all of a heap, with silk hat flying, in a filthy gutter. The war-time humor of the soul roared with mirth at the sight of all that dignity and elegance despoiled.
So we laughed merrily, I remember, when a military chaplain (Eton, Christ Church, and Christian service) described how an English sergeant stood round the traverse of a German trench, in a night raid, and as the Germans came his way, thinking to escape, he cleft one skull after another with a steel-studded bludgeon a weapon which he had made with loving craftsmanship on the model of Blunderbore’s club in the pictures of a fairy-tale.
So we laughed at the adventures of a young barrister (a brilliant fellow in the Oxford “Union”) whose pleasure it was to creep out o’ nights into No Man’s Land and lie doggo in a shell-hole close to the enemy’s barbed wire, until presently, after an hour’s waiting or two, a German soldier would crawl out to fetch in a corpse. The English barrister lay with his rifle ready. Where there had been one corpse there were two. Each night he made a notch on his rifle three notches one night to check the number of his victims. Then he came back to breakfast in his dugout with a hearty appetite.
”
”
Phillip Gibbs
“
There was a note on the table.”
“Bring it here,” Van Eck barked. The boy strode down the aisle, and Van Eck snatched the note from his hand.
“What does it … what does it say?” asked Bajan. His voice was tremulous. Maybe Inej had been right about Alys and the music teacher.
Van Eck backhanded him. “If I find out you knew anything about this—”
“I didn’t!” Bajan cried. “I knew nothing. I followed your orders to the letter!”
Van Eck crumpled the note in his fist, but not before Inej made out the words in Kaz’s jagged, unmistakable hand: Noon tomorrow. Goedmedbridge. With her knives.
“The note was weighted down with this.” The boy reached into his pocket and drew out a tie pin—a fat ruby surrounded by golden laurel leaves. Kaz had stolen it from Van Eck back when they’d first been hired for the Ice Court job. Inej hadn’t had the chance to fence it before they left Ketterdam. Somehow Kaz must have gotten hold of it again.
“Brekker,” Van Eck snarled, his voice taut with rage.
Inej couldn’t help it. She started to laugh.
Van Eck slapped her hard. He grabbed her tunic and shook her so that her bones rattled. “Brekker thinks we’re still playing a game, does he? She is my wife. She carries my heir.”
Inej laughed even harder, all the horrors of the past week rising from her chest in giddy peals. She wasn’t sure she could have stopped if she wanted to. “And you were foolish enough to tell Kaz all of that on Vellgeluk.”
“Shall I have Franke fetch the mallet and show you just how serious I am?”
“Mister Van Eck,” Bajan pleaded.
But Inej was done being frightened of this man. Before Van Eck could take another breath, she slammed her forehead upward, shattering his nose. He screamed and released her as blood gushed over his fine mercher suit. Instantly, his guards were on her, pulling her back.
“You little wretch,” Van Eck said, holding a monogrammed handkerchief to his face. “You little whore. I’ll take a hammer to both your legs myself—”
“Go on, Van Eck, threaten me. Tell me all the little things I am. You lay a finger on me and Kaz Brekker will cut the baby from your pretty wife’s stomach and hang its body from a balcony at the Exchange.” Ugly words, speech that pricked her conscience, but Van Eck deserved the images she’d planted in his mind. Though she didn’t believe Kaz would do such a thing, she felt grateful for each nasty, vicious thing Dirtyhands had done to earn his reputation—a reputation that would haunt Van Eck every second until his wife was returned.
“Be silent,” he shouted, spittle flying from his mouth.
“You think he won’t?” Inej taunted. She could feel the heat in her cheek from where his hand had struck her, could see the mallet still resting in the guard’s hand. Van Eck had given her fear and she was happy to return it to him. “Vile, ruthless, amoral. Isn’t that why you hired Kaz in the first place? Because he does the things that no one else dares? Go on, Van Eck. Break my legs and see what happens. Dare him.”
Had she really believed a merch could outthink Kaz Brekker? Kaz would get her free and then they’d show this man exactly what whores and canal rats could do.
“Console yourself,” she said as Van Eck clutched the ragged corner of the table for support. “Even better men can be bested.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Moving on, while he wondered, the dark through which Mr. Lecky's light cut grew more beautiful with scents. Particles of solid matter so minute, gases so subtle, that they filtered through stopping and sealing, hung on the unstirred air. Drawn in with Mr. Lecky's breath came impalpable dews cooked out of disintegrating coal. Distilled, chemically split and reformed, they ended in flawless simulation of the aromas of gums, the scent of woods and the world's flowers. The chemists who made them could do more than that. Loose on the gloom were perfumes of flowers which might possibly have bloomed but never had, and the strong-smelling saps of trees either lost or not yet evolved.
Mixed in the mucus of the pituitary membrane, these volatile essences meant more than synthetic chemistry to Mr. Lecky. Their microscopic slime coated the bushed-out ends of the olfactory nerve; their presence was signaled to the anterior of the brain's temporal lobe. At once, thought waited on them, tossing down from the great storehouse of old images, neglected ideas - sandalwood and roses, musk and lavender. Mr. Lecky stood still, wrung by pangs as insistent and unanswerable as hunger. He was prodded by the unrest of things desired, not had; the surfeit of things had, not desired. More than anything he could see, or words, or sounds, these odors made him stupidly aware of the past. Unable to remember it, whence he was, or where he had previously been, all that was sweet, impermanent and gone came back not spoiled by too much truth or exact memory. Volatile as the perfumes, the past stirred him with longing for what was not - the only beloved beauty which you will have to see but which you may not keep.
Mr. Lecky's beam of light went through glass top and side of a counter, displayed bottles of colored liquid - straw, amber, topaz - threw shadows behind their diverse shapes. He had no use for perfume. All the distraction, all the sense of loss and implausible sweetness which he felt was in memory of women.
Behind the counter, Mr. Lecky, curious, took out bottles, sniffed them, examined their elaborately varied forms - transparent squares, triangles, cones, flattened ovals. Some were opaque, jet or blue, rough with embedded metals in intricate design. This great and needless decoration of the flasks which contained it was one strange way to express the inexpressible. Another way was tried in the names put on the bottles. Here words ran the suggestive or symbolic gamut of idealized passion, or festive night, of desired caresses, or of abstractions of the painful allure yet farther fetched.
Not even in the hopeful, miracle-raving fancy of those who used the perfumes could a bottle of liquid have any actual magic. Since the buyers at the counters must be human beings, nine of every ten were beyond this or other help. Women, young, but unlovely and unloved, women, whatever they had been, now at the end of it and ruined by years or thickened to caricature by fat, ought to be the ones called to mind by perfume. But they were not. Mr. Lecky held the bottle in his hand a long while, aware of the tenth woman.
”
”
James Gould Cozzens
“
Through the dimness she could just make him out, stretched on his back, his arms crossed behind his head. He might have been silent, but he hadn't been asleep. She could feel his frown as he looked at her.
"What are you doing?"
"Moving closer to you." Dropping her gowns, she shook out her cloak and laid it next to his.
"Why?"
"Mice."
He let a heartbeat pass, then asked, carefully, "You're afraid of mice?"
She nodded. "Rodents. I don't discriminate." Swinging around, she sat on her cloak, then picked up her gowns and wriggled back and closer to him. "If I'm next to you, then either they'll give us both a wide berth, or if they decide to take a nibble, there's at least an even chance they'll nibble you first."
His chest shook. He was struggling not to laugh. But at least he was trying.
"Besides," she said, lying down and snuggling under her massed gowns, "I'm cold."
A moment ticked past, then he sighed.
He shifted in the hay beside her. She didn't know what he did, but suddenly she was sliding the last inches down a slope that hadn't been there before. She fetched up against him, against his side-hard, muscled, and wonderfully warm.
Her senses leapt greedily, pleasantly shocked, delightedly surprised; she caught her breath and slapped them down. Desperately; this was Breckenridge-this was definitely not the time.
His arm shifted and came around her, cradling her shoulders and gathering her against him.
"This doesn't mean anything." The whispered words drifted down to her.
Comfort, safety, warmth-it meant all those things.
"I know," she murmured back. Her senses weren't listening. Her body now lay alongside his. Her breast brushed his side; through various layers her thighs grazed his. Her heartbeat deepened, sped up a little, too. Yet despite the sensual awareness, she could feel reassurance along with his warmth stealing through her, relaxing her tensed muscles bit by bit as, greatly daring, she settled her cheek on his chest.
This doesn't mean anything. She knew what he meant. This was just for now, for this strange moment out of their usual lives in which he and she were just two people finding ways to weather a difficult situation.
She quieted. Listened.
The sound of his heartbeat, steady and sure, blocked out any rustlings.
Thinking of the strange moment, of what made it so, she murmured, "We're fugitives, aren't we?"
"Yes."
"In a strange country, one not really our own, with no way to prove who we are."
"Yes."
"And a stranger, a very likely dangerous highlander, is pursuing us."
"Hmm."
She should feel frightened. She should be seriously worried. Instead, she closed her eyes, and with her cheek pillowed on Breckenridge's chest, his arm like warm steel around her, smoothly and serenely fell asleep.
Breckenridge held her against him, and through senses far more attuned than he wished, followed the incremental falling away of her tension...until she slept.
Softly, silently, in his arms, with the gentle huff of her breathing ruffling his senses, the seductive weight of her slender body stretched out against his the subtlest of tortures.
Why had he done it? She might have slept close to him, but she would never have pushed to sleep in his arms. That had been entirely his doing, and he hadn't even stopped to think.
What worried him most was that even if he had thought, had reasoned and debated, the result would have been the same.
When it came to her, whatever the situation, there never was any question, no doubt in his mind as to what he should do.
Her protection, her safety-caring for her. From the first instant he'd laid eyes on her four years ago, that had been his mind's fixation. Its decision. Nothing he'd done, nothing she'd done, had ever succeeded in altering that.
But as to the why of that, the reason behind it...even now he didn't, was quite certain and absolutely sure he didn't, need to consciously know.
”
”
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))