Snap Streak Quotes

We've searched our database for all the quotes and captions related to Snap Streak. Here they are! All 32 of them:

Winter’s head snapped around, away from Scarlet. Scarlet’s pace slowed, dread pulsing through her as she, too, heard the footsteps. Pounding footsteps, like someone was running at full speed toward them. She reached for the knife Jacin had given her. A man barrelled around the corner, heading straight for the princess. Winter tensed half a second before he reached her. Grabbing Winter’s elbow, he yanked back the red hood. Scarlet gasped. Her knees weakened. The man stared at Winter with a mixture of confusion and disappointment and maybe even anger, all locked up in eyes so vividly green that Scarlet could see them glowing from here. She was the one hallucinating now. She took a stumbling, uncertain step forward. Wanting to run toward him, but terrified it was a trick. Her hand tightened around the knife handle as Wolf, ignoring how Winter was trying to pull away, grabbed her arm and smelled the filthy red sleeve of Scarlet’s hoodie, streaked with dirt and blood. He growled, ready to tear the princess apart. “Where did you get this?” So desperate, so determined, so him. The knife slipped out of Scarlet’s hand. Wolf’s attention snapped to her. “Wolf?” she whispered. His eyes brightened, wild and hopeful. Releasing Winter, he strode forward. His tumultuous eyes scooped over her. Devoured her. When he was in arm’s reach, Scarlet almost collapsed into him, but at the last moment she had the presence of mind to step back. She planted a hand on his chest. Wolf froze, hurt flickering across his face. “I’m sorry,” said Scarlet, her voice teetering with exhaustion. “It’s just…I smell so awful, I can hardly stand to be around myself right now, so I can’t even imagine what it’s like for you with your sense of sm-“ Batting her hand away, Wolf dug his fingers into Scarlet’s hair and crushed his mouth against hers. Her protests died with a muffled gasp. This time, she did collapse, her legs unable to hold her a second longer. Wolf fell with her, dropping his knees to break Scarlet’s fall and cradling her body against his. He was here. He was here.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
Brush snapped. The stag shambled forth from the outer darkness. It loomed above Scobie, its fur rank and steaming. Black blood oozed from gashes along its flanks. Beneath a great jagged crown of antlers its eyes were black, its teeth yellow and broken. Scobie fell to his knees, palms raised in supplication. The stag nuzzled his matted hair and its long tongue lapped at the muddy tears and the streaks of drying blood upon the man’s upturned face. Its muzzle unhinged. The teeth closed and there was a sound like a ripe cabbage cracking apart.
Laird Barron (The Beautiful Thing That Awaits Us All)
He took an aggressive step toward her. “I don’t need you to protect me. I don’t want you to protect me. I want you to live.” “Do I look like a fucking apparition to you? I am alive, asshole! And if you don’t want me to protect you, ask me if I give a shit! I’m your mate! That’s what mates do! And protecting the people I care about is who I am!” “And that protective streak makes you reckless,” he snapped. “Says the person who called on the flames of fucking hell and destroyed a house of dark practitioners to protect their mate! Yeah, you don’t get to judge me on this one, Thorne.
Suzanne Wright (Blaze (Dark in You, #2))
Cecilia appeared in our consciousness at odd moments, most often as we were just waking up, or staring out a car-pool window streaked with rain—she rose up in her wedding dress, muddy with the afterlife, but then a horn would honk, or our radio alarms would unleash a popular song, and we snapped back to reality.
Jeffrey Eugenides (The Virgin Suicides)
Then he spotted Willowpelt diving from the top of a rock to streak across the ground and shove Sootpaw out of the way with outstretched forepaws. The badger landed heavily on her back; her shriek was cut off with a sickening crunch as the huge creature snapped her neck. It scooped up her limp body with one paw and tossed it into the clearing. Sootpaw
Erin Hunter (Firestar's Quest (Warriors Super Edition, #1))
He let go of her hands and cut her off, placing a finger over her lips as he rubbed her arm. “The only thing I want tonight is you. The only thing you need to know tonight is I’m going to have you...as I wish...for as long as I wish.” He rolled his head in a circle to stretch before looking directly back into her eyes, and added as an afterthought, “Hmm... Hurt you? Your arousal will likely hurt you excruciatingly until I allow your release.” And as his sensual voice streaked through her, Kate’s mind shorted out like a tripped wire snapping, completely blank. Her whole body betrayed her yet again by flushing with unrestrainable heat. “Stay as you are, Kate.” He pushed the bunched-up nightgown at her waist, down to the floor to pool at her feet. Shivering hard, she moved her hands to cover her nakedness, dropping her head to her chest, avoiding his steady gaze. Grabbing her hands, he moved them back to her sides. He lifted her chin high to face him and said, “I told you to stay as you were, Kate. You will do good to listen to me.” His fingers pressed into her hair, curling a bit of it around her ear as he leaned in to the side of her head. His voice lowered seductively until it was a purr in her ear. “I know how to please a woman to the point her voice is hoarse from her screams of desire, her bed linens soaked, and her legs quivering for hours after I’m done.” His lips scantly apart from her ear, his voice dropping lower, he continued, “In the matter of choices, I know which sounds best to me. Do you, beautiful girl? I’ll prove I was worth the trouble of opening your door. Can you allow yourself this indulgence? It’s just one night.
Elaine Barris (Master for Tonight (Master for Tonight, #1))
Elizabeth snapped awake in a terrified instant as the door to her bed chamber was flung open near dawn, and Ian stalked into the darkened room. “Do you want to go first, or shall I?” he said tightly, coming to stand at the side of her bed. “What do you mean?” she asked in a trembling voice. “I mean,” he said, “that either you go first and tell me why in hell you suddenly find my company repugnant, or I’ll go first and tell you how I feel when I don’t know where you are or why you want to be there!” “I’ve sent word to you both nights.” “You sent a damned note that arrived long after nightfall both times, informing me that you intended to sleep somewhere else. I want to know why!” He has men beaten like animals, she reminded herself. “Stop shouting at me,” Elizabeth said shakily, getting out of bed and dragging the covers with her to hide herself from him. His brows snapped together in an ominous frown. “Elizabeth?” he asked, reaching for her. “Don’t touch me!” she cried. Bentner’s voice came from the doorway. “Is aught amiss, my lady?” he asked, glaring bravely at Ian. “Get out of here and close that damned door behind you!” Ian snapped furiously. “Leave it open,” Elizabeth said nervously, and the brave butler did exactly as she said. In six long strides Ian was at the door, shoving it closed with a force that sent it crashing into its frame, and Elizabeth began to vibrate with terror. When he turned around and started toward her Elizabeth tried to back away, but she tripped on the coverlet and had to stay where she was. Ian saw the fear in her eyes and stopped short only inches in front of her. His hand lifted, and she winced, but it came to rest on her cheek. “Darling, what is it?” he asked. It was his voice that made her want to weep at his feet, that beautiful baritone voice; and his face-that harsh, handsome face she’d adored. She wanted to beg him to tell her what Robert and Wordsworth had said were lies-all lies. “My life depends on this, Elizabeth. So does yours. Don’t fail us,” Robert had pleaded. Yet, in that moment of weakness she actually considered telling Ian everything she knew and letting him kill her if he wanted to; she would have preferred death to the torment of living with the memory of the lie that had been their lives-to the torment of living without him. “Are you ill?” he asked, frowning and minutely studying her face. Snatching at the excuse he’d offered, she nodded hastily. “Yes. I haven’t been feeling well.” “Is that why you went to London? To see a physician?” She nodded a little wildly, and to her bewildered horror he started to smile-that lazy, tender smile that always made her senses leap. “Are you with child, darling? Is that why you’re acting so strangely?” Elizabeth was silent, trying to debate the wisdom of saying yes or no-she should say no, she realized. He’d hunt her to the ends of the earth if he believed she was carrying his babe. “No! He-the doctor said it is just-just-nerves.” “You’ve been working and playing too hard,” Ian said, looking like the picture of a worried, devoted husband. “You need more rest.” Elizabeth couldn’t bear any more of this-not his feigned tenderness or his concern or the memory of Robert’s battered back. “I’m going to sleep now,” she said in a strangled voice. “Alone,” she added, and his face whitened as if she had slapped him. During his entire adult life Ian had relied almost as much on his intuition as on his intellect, and at that moment he didn’t want to believe in the explanation they were both offering. His wife did not want him in her bed; she recoiled from his touch; she had been away for two consecutive nights; and-more alarming than any of that-guilt and fear were written all over her pale face. “Do you know what a man thinks,” he said in a calm voice that belied the pain streaking through him, “when his wife stays away at night and doesn’t want him in her bed when she does return?
Judith McNaught (Almost Heaven (Sequels, #3))
Outside, the floorboards creaked from the weight of a person walking, as if complete silence were a cloak the enemy could wear and discard at will. The treading of heavy boots came closer and closer. The doorway filled, blacking out the faint light from the hall, and a tall, incredibly tall, figure stepped inside. A thin line of blood trickled from its throat, as if it had been beheaded and glued back together. A dress of green silk billowed underneath the wound. Its face was a white mask, and its eyes were monstrous streaks of red. Trembling, Kuji raised his blade. He moved so slowly it felt like he was swimming through mud. The creature watched him swing his sword, its eyes on the metal, and somehow, he knew it was fully capable of putting a stop to the action. If it cared to. The edge of the dao bit into his opponent’s shoulder. There was a snapping noise, and a sudden pain lashed his cheek. The sword had broken, the top half bouncing back in Kuji’s face. It was a spirit. It had to be. It was a spirit that could pass through walls, a ghost that could float over floors, a beast impervious to blades. Kuji dropped the handle of the useless sword. His mother had told him once that invoking the Avatar could safeguard him from evil. He’d known as a child she was making up stories. But that didn’t mean he couldn’t decide to believe them right now. Right now, he believed harder than he believed anything in his life. “The Avatar protect me,” he whispered while he could still speak. He fell on his behind and scrambled to the corner of the room, blanketed completely by the spirit’s long shadow. “Yangchen protect me!” The spirit woman followed him and lowered her red-and-white face to his. A human would have passed some kind of judgment on Kuji as he cowered like this. The cold disregard in her eyes was worse than any pity or sadistic amusement. “Yangchen isn’t here right now,” she said in a rich, commanding voice that would have been beautiful had she not held such clear indifference for his life. “I am.
F.C. Yee (Avatar: The Shadow of Kyoshi (The Kyoshi Novels, #2))
She buys only the best couverture, from a fair trade supplier down near Marseille, and pays for it all in cash. A dozen blocks of each kind, to begin with, she says; but I already know from her eager response that a dozen blocks will not be enough. She used to make all her own stock, so she tells me, and though I'll admit I didn't quite believe it at first, the way she has thrown herself back into the business tells me that she was not exaggerating. The process is deft and peculiarly therapeutic to watch. First comes the melting and tempering of the raw couverture: the process that enables it to leave its crystalline state and take on the glossy, malleable form necessary to make the chocolate truffles. She does it all on a granite slab, spreading out the melted chocolate like silk and gathering it back toward her using a spatula. Then it goes back into the warm copper, the process to be repeated until she declares it done. She rarely uses the sugar thermometer. She has been making chocolates for so long, she tells me, that she can simply sense when the correct temperature has been reached. I believe her; certainly over the past three days I have been watching her, she has never produced a less than flawless batch. During that time I have learned to observe with a critical eye: to check for streaks in the finished product; for the unappealing pale bloom that denotes incorrectly tempered chocolate; for the high gloss and sharp snap that are the indicators of good-quality work.
Joanne Harris (The Girl with No Shadow (Chocolat, #2))
For a split second, the space around Werner tears in half, as though the last molecules of oxygen have been ripped out of it. Then shards of stone and wood and metal streak past, ringing against his helmet, sizzling into the wall behind them, and Volkheimer’s barricade collapses, and everywhere in the darkness, things scuttle and slide, and he cannot find any air to breathe. But the detonation creates some tectonic shift in the building’s rubble, and there is a snap followed by multiple cascades in the darkness. When Werner stops coughing and pushes the debris off his chest, he finds Volkheimer staring up at a single sheared hole of purple light. Sky. Night sky. A shaft of starlight slices through the dust and drops along the edge of a mound of rubble to the floor. For a moment Werner inhales it. Then Volkheimer urges him back and climbs halfway up the ruined staircase and begins whaling away at the edges of the hole with a piece of rebar. The iron clangs and his hands lacerate and his six-day beard glows white with dust, but Werner can see that Volkheimer makes quick progress: the sliver of light becomes a violet wedge, wider across than two of Werner’s hands. With one more blow, Volkheimer manages to pulverize a big slab of debris, much of it crashing onto his helmet and shoulders, and then it is simply a matter of scrabbling and climbing. He squeezes his upper body through the hole, his shoulders scraping on the edges, his jacket tearing, hips twisting, and then he’s through.
Anthony Doerr (All the Light We Cannot See)
Holland was sitting on the cot with his back to the wall, his head resting on his drawn-up knees. One hand was cuffed to the wall, the chain hanging like a leash. His skin had taken on a greyish pallor—the sea clearly wasn’t agreeing with him—and his black hair, Kell realized, was streaked with new bright silver, as if shedding Osaron had cost him something vital. But what surprised Kell most was the simple fact that Holland was asleep. Kell had never seen Holland lower his guard, never seen him relaxed, let alone unconscious. And yet, he wasn’t entirely still. The muscles in the other Antari’s arms twitched, his breath hitching, as though he were trapped in a bad dream. Kell held his breath as he lifted the chair out of the way and stepped into the room. Holland didn’t stir when Kell neared, nor when he knelt in front of the bed. “Holland?” said Kell quietly, but the man didn’t shift. It wasn’t until Kell’s hand touched Holland’s arm that the man woke. His head snapped up and he pulled suddenly away, or tried to, his shoulders hitting the cabin wall. For a moment his gaze was wide and empty, his body coiled, his mind somewhere else. It lasted only a second, but in that sliver of time, Kell saw fear. A deep, trained fear, the kind beaten into animals who’d once bitten their masters, Holland’s careful composure slipping to reveal the tension beneath. And then he blinked, once, twice, eyes focusing. “Kell.” He exhaled sharply, his posture shifting back into a mimicry of calm, control, as he wrestled with whatever demons haunted his sleep. “Vos och?” he demanded brusquely in his own tongue. What is it?
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
A BLESSING FROM MY SIXTEEN YEARS’ SON I have this son who assembled inside me during Hurricane Gloria. In a flash, he appeared, in a tiny blaze. Outside, pines toppled. Phone lines snapped and hissed like cobras. Inside, he was a raw pearl: microscopic, luminous. Look at the muscled obelisk of him now pawing through the icebox for more grapes. Sixteen years and not a bone broken, not a single stitch. By his age, I was marked more ways, and small. He’s a slouching six foot two, with implausible blue eyes, which settle on the pages of Emerson’s “Self Reliance” with profound belligerence. A girl with a navel ring could make his cell phone buzz, or an Afro’d boy leaning on a mop at Taco Bell— creatures strange as dragons or eels. Balanced on a kitchen stool, each gives counsel arcane as any oracle’s. Dante claims school is harshing my mellow. Rodney longs to date a tattooed girl, because he wants a woman willing to do stuff she’ll regret. They’ve come to lead my son into his broadening spiral. Someday soon, the tether will snap. I birthed my own mom into oblivion. The night my son smashed the car fender, then rode home in the rain-streaked cop cruiser, he asked, Did you and Dad screw up so much? He’d let me tuck him in, my grandmother’s wedding quilt from 1912 drawn to his goateed chin. Don’t blame us, I said. You’re your own idiot now. At which he grinned. The cop said the girl in the crimped Chevy took it hard. He’d found my son awkwardly holding her in the canted headlights, where he’d draped his own coat over her shaking shoulders. My fault, he’d confessed right off. Nice kid, said the cop.
Mary Karr (Now Go Out There (and Get Curious))
CONGRUENCE Have you ever felt stuck? Maybe you haven’t recruited anyone in a while, and you just can’t seem to break the streak of no success. This causes you to not feel like picking up the phone and getting any more rejection. You don’t feel like talking about the business that day, so you don’t. Can you relate? This is critical for you to always remember. You cannot avoid rejection. Ninety percent of people are always going to tell you that your business is not for them. You have to go through the no’s to get to the yeses. There is no other way around it. You may not like making calls and accepting no’s, but you will like the results and income you will get by doing it consistently enough. Bank on it. So here’s what happens to everyone, myself included. You have a bad day, where everyone says no. You wake up the next day and you just cannot get yourself to make some calls. The whole day goes by and you did nothing to grow your business. The next day, you have a nagging little feeling of guilt about doing nothing the day before, so you start to internalize it. You question whether you know what you are doing. Does the business work? Is it worth the effort? You know the answer is yes, so you don’t quit — but you also do no activity. The next day, that little guilt feeling has mushroomed even bigger. And as time goes on, the guilt turns into self-loathing. You get down on yourself for not performing like you know you could and should. You begin to beat yourself up and even compare yourself to others. Sadly, this can become a downward spiral that is self-inflicted and hard to break out of. Without being wise enough to seek direct help from an upline expert, some people never recover. Instead of fixing their mindset and bringing their goals and the actions back into alignment — getting congruent — they quit the business. These are the blamers who walk the Earth claiming the business didn’t work. No! They stopped working! Don’t be a blamer. Be congruent. Make your activity match up with your WHY in the business. Pick up the phone and snap back into action. Don’t allow yourself to be depressed, because it is a form of depression. Your upline can help you snap out of it. How
Brian Carruthers (Building an Empire:The Most Complete Blueprint to Building a Massive Network Marketing Business)
Elizabeth’s breakfast had cured Ian’s hunger, in fact, the idea of ever eating again made his stomach churn as he started for the barn to check on Mayhem’s injury. He was partway there when he saw her off to the left, sitting on the hillside amid the bluebells, her arms wrapped around her knees, her forehead resting atop them. Even with her hair shining like newly minted gold in the sun, she looked like a picture of heartbreaking dejection. He started to turn away and leave her to moody privacy; then, with a sigh of irritation, he changed his mind and started down the hill toward her. A few yards away he realized her shoulders were shaking with sobs, and he frowned in surprise. Obviously there was no point in pretending the meal had been good, so he injected a note of amusement into his voice and said, “I applaud your ingenuity-shooting me yesterday would have been too quick.” Elizabeth started violently at the sound of his voice. Snapping her head up, she stared off to the left, keeping her tear-streaked face averted from him. “Did you want something?” “Dessert?” Ian suggested wryly, leaning slightly forward, trying to see her face. He thought he saw a morose smile touch her lips, and he added, “I thought we could whip up a batch of cream and put it on the biscuit. Afterward we can take whatever is left, mix it with the leftover eggs, and use it to patch the roof.” A teary chuckle escaped her, and she drew a shaky breath but still refused to look at him as she said, “I’m surprised you’re being so pleasant about it.” “There’s no sense crying over burnt bacon.” “I wasn’t crying over that,” she said, feeling sheepish and bewildered. A snowy handkerchief appeared before her face, and Elizabeth accepted it, dabbing at her wet cheeks. “Then why were you crying?” She gazed straight ahead, her eyes focused on the surrounding hills splashed with bluebells and hawthorn, the handkerchief clenched in her hand. “I was crying for my own ineptitude, and for my inability to control my life,” she admitted. The word “ineptitude” startled Ian, and it occurred to him that for the shallow little flirt he supposed her to be she had an exceptionally fine vocabulary. She glanced up at him then, and Ian found himself gazing into a pair of green eyes the amazing color of wet leaves. With tears still sparkling on her long russet lashes, her long hair tied back in a girlish bow, her full breasts thrusting against the bodice of her gown, she was a picture of alluring innocence and intoxicating sensuality. Ian jerked his gaze from her breasts and said abruptly, “I’m going to cut some wood so we’ll have it for a fire tonight. Afterward I’m going to do some fishing for our supper. I trust you’ll find a way to amuse yourself in the meantime.” Startled by his sudden brusqueness, Elizabeth nodded and stood up, dimly aware that he did not offer his hand to assist her.
Judith McNaught (Almost Heaven (Sequels, #3))
I try to crane my neck to see the top of the building from the ground, but all I can see is sky. “Bet you it’s one of my Dauntless-borns,” she says. “It’s always a Dauntless-born. No bet.” They have an unfair advantage, the Dauntless-born. They usually know what’s at the bottom of the jump, though we try to keep it from them as much as possible--the only time we use this entrance to headquarters is on Choosing Day, but the Dauntless are curious, they explore the compound when they think no one is watching. They also grow up cultivating in themselves the desire to make bold moves, to take drastic action, to commit themselves fully to whatever they decide to do. It would take a strange kind of transfer to know how to do that without having been taught. Then I see her. Not a black streak like I was expecting, but gray, tumbling through the air. I hear a snap of the net pulling taught around the metal supporters, and it shifts to cradle her. For a second I stare, amazed, at the familiar clothing that she wears. Then I put my hand out, into the net, so she can reach it. She wraps her fingers around mine, and I pull her across. As she tumbles over the side, I grab her arms to steady her. She’s small, and thin--fragile-looking, like the impact with the net should have shattered her. Her eyes are wide and bright blue. “Thank you,” she says. She may look fragile, but her voice is steady. “Can’t believe it,” Lauren says, with more Dauntless swagger than usual. “A Stiff, the first to jump? Unheard of.” She’s right. It is unheard of. It’s unheard of for a Stiff to join Dauntless, even. There were no Abnegation transfers last year. And before that, for a long time, there was only me.
Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
During World War II trolley tracks ran down Central Avenue, the main street of the Jersey City Heights, before traveling off of the cliffs and continuing down to Hoboken on a high wooden trestle. At best, it was a hairy ride as it jostled around, nearly coming off of the rails. For some of us kids, it was exciting to hop onto the back of the trolley for a free ride, and then snap the cord to the electrical rod, which provided power from an overhead wire, when I wanted to get off. This would leave the conductor spewing a streak of profanity, as his trolley ground to a standstill. Departing the scene in haste, I would run and quickly disappear into the darkness, leaving him with the daunting task of getting the rod back onto the overhead wire in the dark.
Hank Bracker
I think he’s read my mind, because after a brief pause, he asks, “You have a nice time at the party?” There’s only one answer to this. “Lovely,” I say, and I actually toss my head as if I were a heroine in an old film, being coquettish with an admirer. “I danced and danced,” I add airily. “With lots of people. I didn’t see you at all.” “I see you,” he says, “with Sebastiano. You dance a lot with him.” I answer lightly, “Oh yes! He’s very nice. I really liked him.” Luca’s feet shift on the gravel. “He has lots of friends,” he says rather snappily. “Lots of girls.” “Like you,” I snap back. “Elisa says you have lots of girl friends too. Foreign girls.” Luca sighs heavily, and reaches up to run a hand through his hair. “Elisa--” he starts, and then halts, as if he’s choosing his words very carefully. He sighs again. “Elisa,” he finally continues, “can sometimes be not very nice. Even to her mother, she is not very nice. It is maybe better not to listen to what she tells you.” “This just in,” I mutter. “Breaking news revelation.” “Come?” Luca stares down at me, fine streaks of black hair now tumbling over his forehead. “Non capisco.” “Elisa,” I say in Italian as careful as his English, “è una stronza.” He bursts out laughing. “Brava,” he says. “Complimenti.” And he’s very clever, because he uses the laughter to carry him toward me somehow, on a quick step forward, and the next thing I know he’s taken my hands and is holding them in his. I don’t know what to do. I look at our clasped hands. It feels as if he’s cleared the ground, swept away Sebastiano and Elisa; has tried to tell me that he saw me dancing with Sebastiano and was too jealous to come over, and that he doesn’t like Elisa that way. Of course, he might just be telling me what I want to hear. “Violetta--” he starts, and I look up at him, which is a huge mistake. Because he promptly kisses me, and I’m not ready.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
What the f**k is this?” Trevor didn’t rise to the bait, as he hadn’t for the last several days. Calmly, he asked, “What?” “This.” Edgard threw the pristine, custom-made saddle on the ground within Trevor’s peripheral view. Shit. How had Edgard found it? And why in the hell had that bastard gone snooping around instead of figuring out what was wrong with Meridian like he’d promised? “Trev? I asked you a question.” “You know damn good and well what it is, Ed.” “I figured you would’ve gotten rid of it by now.” “Well, I didn’t.” Edgard practically growled, “That don’t tell me why you still have it. That don’t tell me nothin’.” Trevor turned his face toward the opposite fence to gaze across to the mountains. His reasons for keeping the saddle seemed sentimental, sloppy and stupid now, but he’d be damned if he’d share those reasons with anyone, least of all Edgard, the man responsible for those feelings. Bootsteps made a sucking sound in the muck of the corral as Edgard closed the short distance between them. “I ain’t gonna drop it. Answer me.” “Fine. You said I could do whatever I wanted with it. So I kept it.” “You didn’t use it at all, did you?” Trevor shook his head, keeping his eyes averted. “Why not?” “I have plenty of other saddles, saddles I like better.” “That’s a piss-poor excuse. Try again.” He stayed mum, wishing the damn mud would open up and swallow him like a sinkhole. “Were you hoping if you kept it I’d come back?” Trevor’s heart said yes but his mouth stayed tight as a rusty hinge. “Answer the f**king question, Trevor.” Edgard’s arrogant streak snapped Trevor’s forced patience. “What do you want me to say? It’s obvious I saved the goddamn saddle.” “Why?” “Because it reminded me of you, all right?” He kicked a chunk of mud and stalked away. “Fuck this and f**k you.” Edgard rattled off something in Portuguese, something Trevor vaguely remembered as being a plea. Or was it a threat? Dammit. His feet stopped. Trevor’s gaze zeroed in on Edgard, who’d circled him until they were standing less than a foot apart. “Tell me why.” Be cruel, that’ll nip this in the bud once and for all. “I didn’t keep the f**kin’ thing because I had some girlish goddamn hope you’d come back lookin’ for it like Cinderella’s lost glass slipper, and we’d pick up where we left off after you left me.” He locked his eyes to the liquid heat in Edgard’s, not allowing the man to look away. “Especially after you made it crystal clear you weren’t ever comin’ back.” Angry puffs of breath distorted the air between them. Several beats passed before Edgard retorted, “But I am here now, aren’t I?” “What? Am I supposed to be flippin’ cartwheels about that fact? I don’t know what you want from me, Ed. Take the saddle back if that’ll make you happy. I’ve got no use for it. I never did.” Angry, disgusted with himself, Edgard, and the whole uncomfortable situation, Trevor spun and walked toward the barn. Edgard laughed—the taunting, soft laughter that was guaranteed to raise Trevor’s hackles and his ire. “It’s that easy for you? To get pissed off and walk away?” “Yep. You’ve got no right to act so goddamned surprised since it’s a trick I learned from you, amigo.” Not two seconds later, the air left Trevor’s lungs as Edgard tackled him to the ground. Trevor rolled to dislodge the man from his back; Edgard countered, took a swing and missed. Trevor bucked and twisted his shoulders, but Edgard anticipated the move and used the momentum against Trevor to try and shove Trevor’s face against the fence. Before Edgard cornered him and held him down completely to land a punch, Trevor rolled again and pushed to his feet. A noise echoed behind him, but he ignored it as he fisted his hands in Edgard’s shearling coat, dragging him upright until they were nose to nose.
Lorelei James (Rough, Raw and Ready (Rough Riders, #5))
I’m that same David Crockett, fresh from the backwoods, half horse, half alligator, a little touched with the snapping turtle; can wade the Mississippi, leap the Ohio, ride upon a streak of lightning and slip without a scratch down a honey locust; can whip my weight in wildcats and, if any gentleman pleases, for a ten dollar bill he may throw in a panther …
Bill O'Reilly (Bill O'Reilly's Legends and Lies: The Real West)
Tell me who the guy is who did this to you.” Her head snapped up and her eyes widened before she could look away. “I don’t know what you’re talking about.” Her body started shaking again and she pulled her knees up to her chest like earlier. Oh fuck. No, Rach . . . God, no. Swallowing the lump in my throat, I kept going. “When did it happen?” “I don’t know what you’re talking about,” she repeated. “What’s his name?” “Whose?” “Do you know him, or was it a stranger?” She paused before answering. “I don’t know what you’re talking about, Kash.” “You know him. Does Candice know about this?” “Why are you doing this?” she whispered. God, baby, trust me, I don’t want to be. “When did it happen?” We continued to go in circles as I asked the same questions over and over, and then asked somewhat different variations of the same questions, every now and then throwing in an assumption, and after almost ten minutes, the tears started falling down her face. It killed me, but I couldn’t stop. I kept my voice monotone and forced myself to stay in my spot on the couch as her body tried hopelessly to curl in on itself while it vibrated almost forcefully. When I finally had her on the edge, I softened my voice and asked the question I didn’t want to know the answer to but needed to. “When were you raped, Rachel?” “I wasn’t raped!” she yelled, and her hands flew up to her face as a sob left her. Her shoulders began shaking harder with the sobs that were now coming, and I ground my jaw as I waited for her. “He didn’t—he wasn’t able to finish—Candice came back!” she cried. “He tried . . . he started to, but she came back. I tried to get him off me! He was choking me, I couldn’t breathe.” “So, Candice knows?” Her head shook furiously back and forth. “I tried—tried to tell her. She wouldn’t listen, and she won’t believe me. She . . . everyone thinks he can do no wrong. But he’s crazy, Logan.” She looked at me, her tear-streaked face breaking my heart as she willed me to understand. “He told me no one would believe me, he said I was his and he wouldn’t let anyone touch me. H-he’s crazy, I swear!” “What’s his name?” She shook her head again and I wanted to shake her. “I need to know his name, Rach. What’s his name?” “He works at the school. I have to see him every day because of my major. Candice too. But no one will believe you. Everyone loves him.” This sick fuck is a professor? “Name. What’s his name?” When she didn’t respond, I went back to my earlier questions. “Did this happen last night?” She jerked back and stared at me. “N-no! I haven’t seen him since that night. It was the week before school let out.” “This morning?” “I had another nightmare about him. He showed up at the door. This time—” She broke off on a sob. “No one was there to stop him before he finished this time.” Rachel. I wanted nothing more than to hold her, but with how she’d flinched away from us earlier, that would have been anything but helpful. My heart continued to break as she mumbled, “It felt so real,” over and over again. Giving
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
With a snarl of pain, she forced herself to sit up, her head spinning with the sudden movement. One hand touched her temple, sticky with dried blood. She winced, feeling a gash along her eyebrow. It was long but shallow, and already scabbing over. She clenched her jaw, teeth grinding, as she surveyed the beach with squinting eyes. The ocean stared back at her, empty and endless, a wall of iron blue. Then she noticed shapes along the beach, some half-buried in the sand, others caught in the rhythmic pull of the tide. She narrowed her eyes and the shapes solidified. A torn length of sail floated, tangled up with rope. A shattered piece of the mast angled out of the sand like a pike. Smashed crates littered the beach, along with other debris from the ship. Bits of hull. Rigging. Oars snapped in half. The bodies moved with the waves. Her steady breathing lost its rhythm, coming in shorter and shorter gasps until she feared her throat might close. Her thoughts scattered, impossible to grasp. All thoughts but one. “DOMACRIDHAN!” Her shout echoed, desperate and ragged. “DOMACRIDHAN!” Only the waves answered, crashing endless against the shore. She forgot her training and forced herself to stand, nearly falling over with dizziness. Her limbs aches but she ignored it, lunging toward the waterline. Her lips moved, her voice shouting his name again, though she couldn’t hear it above the pummel of her own heart. Sorasa Sarn was no stranger to corpses. She splashed into the waves with abandon, even as her head spun. Sailor, sailor, sailor, she noted, her desperation rising with every Tyri uniform and head of black hair. One of them looked ripped in half, missing everything from the waist down. His entrails floated with the rear of him, like a length of bleached rope. She suspected a shark got the best of him. Then her memories returned with a crash like the waves. The Tyri ship. Nightfall. The sea serpent slithering up out of the deep. The breaking of a lantern. Fire across the deck, slick scales running over my hands. The swing of a greatsword, Elder-made. Dom silhouetted against a sky awash with lightning. And then the cold, drowning darkness of the ocean. A wave splashed up against her and Sorasa stumbled back to the shore, shivering. She had not waded more than waist deep, but her face felt wet, water she could not understand streaking her cheeks. Her knees buckled and she fell, exhausted. She heaved a breath, then two. And screamed. Somehow the pain in her head paled in comparison to the pain in her heart. It dismayed and destroyed her in equal measure. The wind blew, stirring salt-crusted hair across her face, sending a chill down to her soul. It was like the wilderness all over again, the bodies of her Amhara kin splayed around her. No, she realized, her throat raw. This is worse. There is not even a body to mourn. She contemplated the emptiness for awhile, the beach and the waves, and the bodies gently pressing into the shore. If she squinted, they could only be debris from the ship, bits of wood instead of bloated flesh and bone. The sun glimmered on the water. Sorasa hated it. Nothing but clouds since Orisi, and now you choose to shine.
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
Slowly but surely, Yue began to believe that he was someone she could trust again. Smiling, Dienleed whispered, “Come, Aletia. Together, we can—” However, before he could finish, a loud boom interrupted him, and a flash of light streaked toward his skull. He didn’t even have time to react before Hajime’s bullet pierced through his brain and made his neck snap back. Everyone stared in disbelief as Dienleed’s body slumped to the ground. He wasn’t even twitching. A strained silence spread through the throne room as comprehension dawned on the onlookers. The sound of a revolver cocking finally snapped everyone out of their reverie.
Ryo Shirakome (Arifureta: From Commonplace to World’s Strongest, Volume 11)
Hogwarts before you can say ‘Quidditch.’ Come on, dear.” Neville, his face tear-streaked, clutching his wrist, hobbled off with Madam Hooch, who had her arm around him. No sooner were they out of earshot than Malfoy burst into laughter. “Did you see his face, the great lump?” The other Slytherins joined in. “Shut up, Malfoy,” snapped Parvati Patil. “Ooh, sticking up for Longbottom?” said Pansy Parkinson, a hard-faced Slytherin girl. “Never thought you’d like fat little crybabies, Parvati.” “Look!” said Malfoy, darting forward and snatching something out of the grass. “It’s that stupid thing Longbottom’s gran sent him.” The Remembrall glittered in the sun as he held it up.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
Please,' I breathed. 'My father-' 'Your father?' He lifted his stare to the gates behind me, and his growl rumbled through me as he bared his teeth. 'Why don't you look again?' He released me. I staggered back a step, whirling, sucking in a breath to tell my father to run, but- But he wasn't there. Only a pale bow and a quiver of pale arrows remained, propped up against the gates. Mountain ash. They hadn't been there moments before, hadn't- They rippled, as if they were nothing but water- and then the bow and quiver became a large pack, laden with supplies. Another ripple- and there were my sisters, huddled together, weeping. My knees buckled. 'What is...' I didn't finish the question. My father now stood there, still hunched and beckoning. A flawless rendering. 'Weren't you warned to keep your wits about you?' Tamlin snapped. 'That your human senses would betray you?' He stepped beyond me and let out a snarl so vicious that whatever the thing was by the gates shimmered with light and darted out as fast as lightning streaking through the dark. 'Fool,' he said to me, turning. 'If you're ever going to run away, at least do it in the daytime.' He stared me down, and the fangs slowly retracted. The claws remained. 'There are worse things than the Bogge prowling these woods at night. That thing at the gates isn't one of them- and it would have taken a good while devouring you.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Then a deep, satisfied chuckle overcame me as the upper branches of the oak began snapping off, and when they crashed to the ground, the charred wood crumbled into a dense gray ash. “How the hell ye’ do that?” Haragh suddenly croaked out from behind me, and I abruptly stopped chuckling to myself like a lunatic as I looked over my shoulder. “New rune I’m testing out,” I said with a lethal grin. “It don’t make a sound,” the half-ogre breathed as he stared at the smoldering oak like he couldn’t believe his eyes. “Is it burnin’ or… ?” “It’s burning,” I assured him. “No light, no sound, and hardly any smoke, but it spreads rapidly and is capable of burning any substance, even metal. The only give away is the smell, and safe to say, it’s already too late by the time anyone notices. The ultimate stealth weapon.” “I worry about you sometimes,” Haragh muttered. “You’re one take-over plan away from a real villainous streak, you know that?” I shrugged as I sent the half-ogre a careless smirk. “Don’t worry, I’m not the one pulling the trigger anyways.” Then I turned around, and as Stan saluted Haragh with his tiny rifle proudly propped up on his shoulder, the half-ogre’s expression shifted to terror as he looked between the mini metal man and the destruction he’d caused. “Have ye’ lost your fuckin’ mind?” the half-ogre scoffed.
Eric Vall (Metal Mage 14 (Metal Mage, #14))
They’re a lot bigger than the last ones,” I say. “Yeah, they must be four weeks old. She must have dropped this litter early. Can you sit with your legs out to hold them?” Without a subterranean den, we had to coral them somehow. Inside the copse, there is barely room to move. I drop down to a sitting position with my legs splayed out, and the pups wiggle en masse against my thigh. Their noses press against my pant leg. They calm down and begin to nuzzle into each other. Dirt streaks their coats, which range from coal to warm gray. Their heads are covered in dense auburn fur, and all of them have now closed their milky-gray eyes. I stare at them in disbelief at the thought that, not so long ago, settlers threw dynamite into wolf puppy dens. Their muzzles appear foreshortened and out of proportion to the long and wide jaws they will grow into one day. Something compels one pup to move closer and closer to me until the little wolf wedges its nose firmly into my groin. The other pups trail behind it, tunneling between each other and pawing their way over one another until all four are piled together between my legs. I try not to think about the fact that suddenly I am a temporary nursemaid to some of the world’s rarest wolves while their mother likely paces a few dozen yards away. Adjusting the puppies is futile, as they seem hardwired to nuzzle their way into the warmest, tightest spot they can find. The brambles, while thick on the outside, form a natural opening in the middle that is just large enough for a wolf to circle around in. The mother had dug a very shallow earthen dish - only a few inches deep - to keep her babies in. “Doesn’t seem like much of a den,” I remark. “I thought we’d find another big hole in the ground.” “It varies,” Ryan says. “Sometimes we find them in these bowl depressions, usually where the woods are thicker and the ground is flatter, like here. But sometimes they’re in holes. When the ground is sloped, they’ll dig back into the slope. That’s the most typical kind of den. But we’ve found them in storm culverts, too. It’s all over the map.” Ryan sets to work pulling out rubber gloves, blood-sample supplies and ID chips. Chris snaps and cracks his way to us. He crawls through the copse and curses at the dense vegetation. Finally, he reaches the inner sanctum, where there is barely enough room to sit Indian style jammed up against Ryan’s legs and mine. Roomy for a wolf, maybe, but cramped for three human adults. “What a sorry little den,” Chris remarks. He glances at the scratched-out dirt bed and porous brush overhead. Rain drips through, wetting our heads. “Is she nearby?” “Somewhere over there.” Ryan gestures behind us. “She’s not going far, though, you can be sure of that. These guys squealed their guts out.
T. DeLene Beeland (The Secret World of Red Wolves: The Fight to Save North America's Other Wolf)
Shawn was crying. “The bitch didn’t even fucking stop.” “Keep it together,” Javier said calmly. “Look at me, Shawn. He’s a patient. He can be your buddy when this call is over. Right now he’s a patient. Do your job and he’ll be okay.” Shawn nodded, trying to collect himself. Javier snapped the cervical collar on Brandon’s neck and we all put our hands on him, ready to flip him. “On the count of three,” Javier said, not looking up, sweat beading on his forehead. “One, two, three!” And in one fluid motion we turned him onto the backboard. Brandon always wore heavy-duty pants when he rode. But he was in a T-shirt. It was eighty today. His bare left arm was torn to shreds by the asphalt. He looked like he’d been through a lemon zester. Blood oozed from the white streaks of the under layer of his skin. And this was the least of his worries. Shawn, Javier, and an EMT lifted him onto the gurney while I felt his chest and stomach. He had rib fractures and rigidity in his abdomen. “A possible liver laceration,” I said, a lump bolting to my throat. Javier mumbled a curse word, and Shawn shook his head, his eyes red and glassy. We needed to get him to the hospital.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
With a snap of her fingers, she sent out a streak of blinding light. The owl hopped backward, surprised. Iridessa snapped another shower of sparks. The owl blinked twice. Then it flew away. Iridessa stayed in the bush for several long minutes. She listened for the sound of beating wings. Finally, she poked her head out of the bush. The owl seemed to be gone. Not looking back, Iridessa flew as fast as she could. She didn’t stop—she didn’t even slow down—until she reached the warm, familiar lights of the Home Tree.
Lisa Papademetriou (Iridessa, Lost at Sea (Tales of Pixie Hollow, #15))
I sit with the ponderosa pine, next to Big Stump. As the angle and quality of light vary through the day and through the seasons, the hue and luminance of the colors change, animated by the touch of the Sun. Before the volcanic flow, this redwood was seventy meters tall and more than seven hundred years old. Now it is fragmented stone column three meters tall and ten meters around. For such a long dead creature, the stump is an acoustically lively character. In the summer violet-green swallows wheel around the exposed trunk, chattering as they ambush insects. Mountain bluebirds gather on the stump to feed their squalling youngsters, to purr at mates, and to snap their bills at rivals. A hummingbird buzzes face first against the stump, investigating a streak of flower like orange in the rock. Fewer animal sounds enliven winter’s air. The wail of ponderosa needles dominates, interspersed with the kok-kok of passing ravens. Wind bends spent grass stems to the ground, as they move, their sharp tips etch curved lines on the snow’s surface, the scratch of a pen on rough paper. Snows falls in clumps from pine needles, a hiss, then a muffled blow.
David George Haskell (The Songs of Trees: Stories from Nature's Great Connectors)
Go away! All of you! Just get the hell away from me!” I turned on my heel, the sodden folds of my nightgown clinging to my legs like wet spider webs. “Regina! Don’t be an idiot!” Konner growled, his boots and cane raggedly thumping behind me. I walked faster, lengthening my stride no matter how much my thighs screamed in protest, until a hand latched on my shoulder. “No! You don’t get to say anything!” Using my finger like a sword, I jabbed my finger in the center of his chest. Freya’s jaws snapping closed with a loud pop, barely missing my fingertip by seconds as her long neck stretched out towards my hand. “You could have avoided all this by seeing it! You have that magic, if you wouldn’t be so stupid and use it!” The seeping rain slowed, turning into a fine shower of mist straight from the heavens above, and it dripped off the tightly carved lines of his face pulled sharp with tension. He was silent, still as stone, with nothing but the slight heave of his shoulders even proof that he was alive. His eyes dropped from my face, the uneven shadow of blonde hair hiding them from my sight. Part of his neck bobbed with the effort of a heavy swallow, like he had something stuck, and the tentative flicker of something else across face made me take a step back. A flash of anger, chilled by fear, a few tiny cracks started to appear in his stoic mask. Ones that I’m not sure why, but they made a strange ache start to stab deep in my heart. “Do you love him?” So soft that it was nearly lost in the rolling thunder, I would have missed it if I hadn’t seen his lips move. “Yes. No! I don’t know!” I shook my head in disbelief. I didn’t love Ivo, not like that. But I couldn’t lose him either. “He’s my friend! My best friend! Why does it matter?” “I see. It matters more than you know.” Konner drawled slowly, the thick muscles of his shoulders rolling in a shrug that sent rivers of rainwater coursing down his chest. Mixing with the streaks of bloody red and ash grey in a ghoulish highlight to his muscles, the water slowly pooled in the ruined fabric of his shirt, further pulling it down his shoulders. He led out a heavy sigh, then suddenly straightened to the full length of his imposing height. Shoulders back and spine stiff. Then he straightened, drawing himself up to his full imposing height, and clasped his right arm across his chest. With his clenched fist resting right over his heart, he slowly lowered himself down to one knee at my feet, bowing his head over until it nearly touched my thighs. “Then I’ll get him back for you. I swear it on my life!
Clair Gardenwell (Foxgloves Are For Deception (Stand With Me #1))
That’s the trouble round here,’ snapped Larry. ‘Nobody counts! And before you know where you are you’re knee deep in animals. It’s like the bloody creation all over again, only worse. One owl turns into a battalion before you know where you are; sex-mad pigeons defying Marie Stopes in every room of the house; the place is so full of birds it’s like a bloody poulterer’s shop, to say nothing of snakes and toads and enough small fry to keep Macbeth’s witches in provender for years. And on top of all that you go and get twelve more dogs. It’s a perfect example of the streak of lunacy that runs in this family.’ ‘Nonsense, Larry, you do exaggerate,’ said Mother. ‘Such a lot of fuss over a few puppies.’ ‘You call eleven puppies a few? The place will look like the Greek branch of Crufts’ Dog Show and they’ll probably all turn out to be bitches and come into season simultaneously. Life will deteriorate into one long canine sexual orgy.
Gerald Durrell (The Corfu Trilogy)
Things were looking so bleak for the Red Sox that, following their 10th straight loss on May 11, a Boston radio station flew a genuine Salem witch to Cleveland in an attempt to snap the losing streak. Laurie Cabot, a 42-year-old teacher of “Witchcraft as a Science” at Massachusetts’s Salem State College, had been similarly pressed
Dan Epstein (Stars and Strikes: Baseball and America in the Bicentennial Summer of '76)