“
We were fools.”
“You were children. Was there no one to protect you?”
“Was there anyone to protect you?”
“My father. My mother. They would have done anything to keep me from being stolen.”
“And they would have been mowed down by slavers.”
“Then I guess I was lucky I didn’t have to see that.”
How could she still look at the world that way? “Sold into a brothel at age fourteen and you count yourself lucky.”
“They loved me. They love me. I believe that.” He saw her draw closer in the mirror. Her black hair was an ink splash against the white tile walls. She paused behind him. “You protected me, Kaz.”
“The fact that you’re bleeding through your bandages tells me otherwise.”
She glanced down. A red blossom of blood had spread on the bandage tied around her shoulder. She tugged awkwardly at the strip of towel. “I need Nina to fix this one.”
He didn’t mean to say it. He meant to let her go. “I can help you.”
Her gaze snapped to his in the mirror, wary as if gauging an opponent. I can help you. They were the first words she’d spoken to him, standing in the parlor of the Menagerie, draped in purple silk, eyes lined in kohl. She had helped him. And she’d nearly destroyed him. Maybe he should let her finish the job.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Death isn't empty like you say it is. Emptiness is life without freedom, Darrow. Emptiness is living chained by fear, fear of loss, of death. I say we break those chains. Break the chains of fear and you break the chains that bind us to the Golds, to the Society. Could you imagine it? Mars could be ours. It could belong to the colonists who slaved here, died here." Her face is easier to see as the night fades through the clear roof. It is alive, on fire. "If you led the others to freedom. The things you could do, Darrow. The things you could make happen." She pauses and I see her eyes are glistening. "It chills me. You have been given so, so much, but you set your sights so low."
"You repeat the same damn points," I say bitterly. "You think a dream is worth dying for. I say it isn't. You say it's better to die on your feet. I say it's better to live on our knees."
"You're not even listening!" she snaps. "We are machine men with machine minds, machine lives …"
"And machine hearts?" I ask. "That's what I am?"
"Darrow …"
"What do you live for?" I ask her suddenly. "Is it for me? Is it for family and love? Or is it just for some dream?"
"It's not just some dream, Darrow. I live for the dream that my children will be born free. That they will be what they like. That they will own the land their father gave them."
"I live for you," I say sadly.
She kisses my cheek. "Then you must live for more.
”
”
Pierce Brown (Red Rising (Red Rising Saga, #1))
“
do I have to snap the wine bottle inside him to get him to stop sending me sad emails? Do I have to cut his nipple off for him to realise he should probably ring the police? Do I have to cave his head in with my camera, rather than hit him the once? Do I have to crash his car? Do I have to smash a glass over the head of every single man I come into contact with, just so I leave a fucking mark?
”
”
Eliza Clark (Boy Parts)
“
I shot up,now as angry and frusterated as him.I had a feeling if i stayed, we'd both snap. In and undertone, I murmured,"this isnt over.i won't give up on you."
" I've given up on you,"he said back,voice also soft. "Love fades. Mine has.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
Don't ever think that what my Son chose to do didn't cost us dearly. Love always leaves a significant mark," she stated softly and gently. "We were there together."
Mack was surprised. "At the cross? Now wait. I thought you left him - you know - 'My God, my God, why hast thou forsaken me?'" It was a Scripture that had often haunted Mack in The Great Sadness.
"You misunderstand the mystery there. Regardless of what he felt at that moment, I never left him."
"How can you say that? You abandonded him just like you abandoned me!"
"Mackenzie, I never left him, and I have never left you."
"That makes no sense to me," he snapped.
"I know it doesn't, at least not yet. Will you at least consider this: when all you can see is your pain, perhaps then you lose sight of me?
”
”
William Paul Young (The Shack)
“
Children Are Like Kites
You spend years trying to get them off the ground.
You run with them until you are both breathless. They crash ... they hit the roof ... you patch, comfort and assure them that someday they will fly.
Finally, they are airborne.
They need more string, and you keep letting it out.
They tug, and with each twist of the twine, there is sadness that goes with joy.
The kite becomes more distant, and you know it won't be long before that beautiful creature will snap the lifeline that binds you together and will soar as meant to soar ... free and alone.
Only then do you know that you have done your job.
”
”
Erma Bombeck
“
It occurs to me how close happiness and sadness are. So closely knitted together. Such a thin line, a thread-like divide that in the midst of emotions, it trembles, blurring the territory of exact opposites ... how quickly a moment of love was snapped away to a moment of hate ... Of how love and war stand upon the very same foundations. How, in my darkest moments, my most fearful times, when faced, became my bravest. When feeling at your weakest you end up showing more strength, when at your lowest are suddenly lifted above higher than you've ever been. They all border one another, the opposites, and how we can be altered. Despair can be altered by one simple smile offered by a stranger; confidence can become fear by the arrival of one uneasy presence. ... How similar emotions are.
”
”
Cecelia Ahern (Thanks for the Memories)
“
Something snapped inside her. “Of course I’m afraid! Relationships do bad things to me.” He started to respond, but the pain had gone on long enough, and she didn’t want to hear it. “You know what I want? I want peace. I want a good job and a decent place to live. I want to read books and listen to music and have time to make some female friendships that are going to last. When I wake up in the morning, I want to know that I have a decent shot at being happy. And here’s what’s really sad. Until I met you, I was almost there.
”
”
Susan Elizabeth Phillips (Ain't She Sweet?)
“
I'd been making desicions for days.
I picked out the dress Bailey would wear forever-
a black slinky one- innapropriate- that she loved.
I chose a sweater to go over it, earrings, bracelet, necklace,
her most beloved strappy sandals.
I collected her makeup to give to the funeral director with a recent photo-
I thought it would be me that would dress her;
I didn't think a strange man should see her naked
touch her body
shave her legs
apply her lipstick
but that's what happened all the same.
I helped Gram pick out the casket,
the plot at the cemetery.
I changed a few lines
in the obituary that Big composed.
I wrote on a piece of paper what I thought
should go on the headstone.
I did all this without uttering a word.
Not one word, for days,
until I saw Bailey before the funeral
and lost my mind.
I hadn't realized that when people say so-and-so
snapped
that's what actually happens-
I started shaking her-
I thought I could wake her up
and get her the hell out of that box.
When she didn't wake,
I screamed: Talk to me.
Big swooped me up in his arms,
carried me out of the room, the church,
into the slamming rain,
and down to the creek
where we sobbed together
under the black coat he held over our heads
to protect us from the weather.
”
”
Jandy Nelson (The Sky Is Everywhere)
“
Halfway home, the sky goes from dark gray to almost black and a loud thunder snap accompanies the first few raindrops that fall. Heavy, warm, big drops, they drench me in seconds, like an overturned bucket from the sky dumping just on my head. I reach my hands up and out, as if that can stop my getting wetter, and open my mouth, trying to swallow the downpour, till it finally hits me how funny it is, my trying to stop the rain.
This is so funny to me, I laugh and laugh, as loud and free as I want. Instead of hurrying to higher ground, I jump lower, down off the curb, splashing through the puddles, playing and laughing all the way home. In all my life till now, rain has meant staying inside and not being able to go out to play. But now for the first time I realize that rain doesn't have to be bad. And what's more, I understand, sadness doesn't have to be bad, either. Come to think of it, I figure you need sadness, just as you need the rain.
Thoughts and ideas pour through my awareness. It feels to me that happiness is almost scary, like how I imagine being drunk might feel - real silly and not caring what anybody else says. Plus, that happy feeling always leaves so fast, and you know it's going to go before it even does. Sadness lasts longer, making it more familiar, and more comfortable. But maybe, I wonder, there's a way to find some happiness in the sadness. After all, it's like the rain, something you can't avoid. And so, it seems to me, if you're caught in it, you might as well try to make the best of it.
Getting caught in the warm, wet deluge that particular day in that terrible summer full of wars and fires that made no sense was a wonderful thing to have happen. It taught me to understand rain, not to dread it. There were going to be days, I knew, when it would pour without warning, days when I'd find myself without an umbrella. But my understanding would act as my all-purpose slicker and rubber boots. It was preparing me for stormy weather, arming me with the knowledge that no matter how hard it seemed, it couldn't rain forever. At some point, I knew, it would come to an end.
”
”
Antwone Quenton Fisher (Finding Fish)
“
LADIES AND GENTLEMEN! YOU'VE READ ABOUT IT IN THE NEWSPAPERS! NOW, SHUDDER AS YOU OBSERVE, BEFORE YOUR VERY EYES, THAT MOST RAREAND RAGIC OF NATURE'S MISTAKES!
I GIVE YOU...
THE AVERAGE MAN!
PHYSICALLY
UNREMARKABLE
, IT HAS
INSTEAD
A DEFORMED SET OF
VALUES.
NOTICE THE
HIDEOUSLY BLOATED
SENSE OF
HUMANITY'S IMPORTANCE.
THE CLUB-FOOTED
SOCIAL CONSCIENCE
AND THE
WITHERED OPTIMISM.
IT'S CERTAINLY NOT FOR THE
SQUEAMISH
IS IT?
MOST
REPULSIVE
OF
ALL
, ARE ITS
FRAIL
AND
USELESS
NOTIONS OF
ORDER
AND
SANITY.
IF TOO MUCH
WEIGHT
IS PLACED UPON THEM...
... THEY
SNAP.
HOW DOES IT
LIVE
, I HEAR YOU ASK?
HOW DOES THIS POOR, PATHETIC SPECIMEN
SURVIVE
IN TODAY'S
HARSH
AND
IRRATIONAL
WORLD?
THE SAD ANSWER
IS
'NOT VERY
WELL.
”
”
Alan Moore
“
Whenever Ingrid and I got out of the suburbs, into Berkeley or San Francisco, and saw how other people lived, Ingrid would cry at the smallest of things- a little boy walking home by himself, a discarded cardboard sign saying HUNGRY PLEASE HELP. She would snap a picture, and by the time she lowered her camera, tears would already be falling. I always felt kind of guilty that I didn't feel as sad as she did, but now, watching Dylan, I think that's probably a good thing. I mean, you see a million terrible things every day, on the news and in the paper, and in real life. I'm not saying that it's stupid to feel sad, just that it would be impossible to let everything get to you and still get some sleep at night.
”
”
Nina LaCour (Hold Still)
“
A thought struck me: maybe I wouldn't ever be the real me again. Because the only thing that would snap things back to the way they were, would be if he had't died.
”
”
Marian Keyes (Anybody Out There? (Walsh Family, #4))
“
It felt like being shot with an arrow, and Will jerked back. His wineglass crashed to the floor and shattered. He lurched to his feet, leaning both hands on the table. He was vaguely aware of stares, and the landlords anxious voice in his ear, but the pain was too great to think through, almost too great to breathe through. The tightness in his chest, the one he had thought of as one end of a cord tying him to Jem, had pulled so taut that it was strangling his heart. He stumbled away from his table, pushing through a knot of customers near the bar, and passed to the front door of the inn. All he could think of was air, getting air into his lungs to breathe. He pushed the doors open and half-tumbled out into the night. For a moment the pain in his chest eased, and he fell back against the wall of the inn. Rain was sheeting down, soaking his hair and clothes. He gasped, his heart stuttering with a misture of terror and desperation. Was this just the distance from Jem affecting him? He had never felt anything like this, even when Jem was at his worst, even when he'd been injured and Will had ached with sympathetic pain.
The cord snapped.
For a moment everything went white, the courtyard bleeching through as if with acid. Will jackknifed to his knees, vomiting up his supper into the mud. When the spasms had passed , he staggard to his feet and blindly away from the inn, as if trying to outpace his own pain. He fetched up against the wall of the stables, beside the horse trough. He dropped to his knees to plunge his hands into the icy water-and saw his own reflection. There was his face, as white as death, and his shirt, and a spreading stain of red across the front. With wet hands he siezed at his lapels and jerked the shirt open. In the dim light that spilled from the inn, he could see that his parabati rune, just over his heart, was bleeding. His hands were covered in blood, blood mixed with rain, the same ran that was washing the blood away from his chest, showing the rune as it began to fade from black to silver, changing all that had been sense in Will's life into nonsense.
Jem was dead.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Pick someplace that you could actually get to without building a spaceship.” Six asks
I think it over for a moment. “I don’t know. Disney World?”
Six and Sarah both exchange a look and then start laughing.
“Disney World?” exclaims Six. “You’re so cheesy, John.”
“No, it’s sweet,” says Sarah, patting my hand. “It’s the most magical place on Earth.”
“You know, I’ve never actually been on a roller coaster. Henri wasn’t down with the whole amusement-park thing. I used to see the commercials and I always wanted to go.”
“That’s so sad!” exclaims Sarah. “We’re definitely going to get you to Disney World. Or at least on a roller coaster. They’re amazing.”
Six snaps her fingers. “What’s that one ride? It’s supposed to be like a rocket ship?”
“Space Mountain,” answers Sarah.
“Yeah,” replies Six, and then hesitates as if she’s worried she’s about to divulge too much. “I actually remember looking that up online when I was little. I insisted to Katarina that it had something to do with us.”
The thought of a young Six investigating Disney World is priceless. The three of us share a laugh.
“Aliens,” mutters Sarah jokingly. “You need to get out more.
”
”
Pittacus Lore (The Fall of Five (Lorien Legacies, #4))
“
She was trying to say something else; she was trying to say that the inability to articulate what one feels in any satisfactory way is one of our enduring tragedies. It wouldn't have been much, and it wouldn't have been useful, but it would have been something that reflected the gravity and the sadness inside her. Instead, she had snapped at him for being a loser. It was as if she were trying to find a handhold on the boulder of her feelings, and had merely ended up with grit under her nails.
”
”
Nick Hornby (Juliet, Naked)
“
I'm going on a diet. (Crud, I know)
I am going to be cranky.
I am going to be irritable.
I am going to be moody and sad and mean.
And, yes, I am going to be hungry.
Please don't feed me, even if I try to bite you.
Please don't tease me, I may hurt you.
Please don't try to encourage me, I may growl and snap at you.
Please don't help me, I may blame you for everything aggravating in the known universe.
Please don't be offended by my scowl, I cannot smile.
But most importantly, please keep your distance until this trial is over to prevent any unnecessary casualties.
Thank you for your understanding.
”
”
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
“
But, if you've decided to go out on a limb and kill one, for goodness' sake, be prepared. We all read, with dismay, the sad story of a good woman wronged in south Mississippi who took that option and made a complete mess of the entire thing. See, first she shot him. Well, she saw right off the bat that that was a mistake because then she had this enormous dead body to deal with. He was every bit as much trouble to her dead as he ever had been alive, and was getting more so all the time. So then, she made another snap decision to cut him up in pieces and dispose of him a hunk at a time. More poor planning. First, she didn't have the proper carving utensils on hand and hacking him up proved to be just a major chore, plus it made just this colossal mess on her off-white shag living room carpet. It's getting to be like the Cat in the Hat now, only Thing Two ain't showing up to help with the clean-up. She finally gets him into portable-size portions, and wouldn't you know it? Cheap trash bags. Can anything else possible go wrong for this poor woman? So, the lesson here is obvious--for want of a small chain saw, a roll of Visqueen and some genuine Hefty bags, she is in Parchman Penitentiary today instead of New Orleans, where she'd planned to go with her new boyfriend. Preparation is everything.
”
”
Jill Conner Browne (The Sweet Potato Queens' Book of Love: A Fallen Southern Belle's Look at Love, Life, Men, Marriage, and Being Prepared)
“
We both had done the math. Kelly added it all up and... knew she had to let me go. I added it up, and knew that I had... lost her. 'cos I was never gonna get off that island. I was gonna die there, totally alone. I was gonna get sick, or get injured or something. The only choice I had, the only thing I could control was when, and how, and where it was going to happen. So... I made a rope and I went up to the summit, to hang myself. I had to test it, you know? Of course. You know me. And the weight of the log, snapped the limb of the tree, so I-I - , I couldn't even kill myself the way I wanted to. I had power over *nothing*. And that's when this feeling came over me like a warm blanket. I knew, somehow, that I had to stay alive. Somehow. I had to keep breathing. Even though there was no reason to hope. And all my logic said that I would never see this place again. So that's what I did. I stayed alive. I kept breathing. And one day my logic was proven all wrong because the tide came in, and gave me a sail. And now, here I am. I'm back. In Memphis, talking to you. I have ice in my glass... And I've lost her all over again. I'm so sad that I don't have Kelly. But I'm so grateful that she was with me on that island. And I know what I have to do now. I gotta keep breathing. Because tomorrow the sun will rise. Who knows what the tide could bring?
”
”
William Broyles Jr. (Cast Away: The Shooting Script)
“
Just as a balloon too full of air eventually bursts, a person too full of sadness eventually breaks. Fractures like a cracked bone. Shatters like glass. Snaps like a rubber band.
”
”
Anoosha Lalani (The Keepers)
“
He gazed sadly at the threatening sky, at the burned-out remnants of a locust-plagued summer, and suddenly saw on the twig of an acacia, as in a vision, the progress of spring, summer, fall and winter, as if the whole of time were a frivolous interlude in the much greater spaces of eternity, a brilliant conjuring trick to produce something apparently orderly out of chaos, to establish a vantage point from which chance might begin to look like necessity . . . and he saw himself nailed to the cross of his own cradle and coffin, painfully trying to tear his body away, only, eventually, to deliver himself — utterly naked, without identifying mark, stripped down to essentials — into the care of the people whose duty it was to wash the corpses, people obeying an order snapped out in the dry air against a background loud with torturers and flayers of skin, where he was obliged to regard the human condition without a trace of pity, without a single possibility of any way back to life, because by then he would know for certain that all his life he had been playing with cheaters who had marked the cards and who would, in the end, strip him even of his last means of defense, of that hope of someday finding his way back home.
”
”
László Krasznahorkai (Satantango)
“
Most people in our culture deny their grief. A few days or weeks to feel sad is considered socially acceptable, and then we are expected to snap back to "normal", as though nothing has happened. We are not taught that grieving is a natural part of life, that feelings of loss are to be honored, and that, yes it takes time.
”
”
Laurie McConnachie
“
The way the strings snap back into place when she lets them go washes me in sadness. Like nothing you do ever really makes a difference.
”
”
Sarah Dooley (Free Verse)
“
My dear man, what has happened to you?"
"Well, that I can bear it no longer. That's simply what has happened. Something has snapped, has broken in me, and here I am. It's as I am that you must have me.
”
”
Henry James (The Wings of the Dove)
“
You win.” He sighs.
My head snaps up.
“I’ll loan you the lights.”
“Loan them to me?” Hope blooms in my chest.
“Yes, loan them. Just stop making that sad face.” He reaches over the table and brushes his thumb across my bottom lip.
I sit there shocked by the action.
“Your pout is adorable but it’s also effective.
”
”
Mink (Snow Angel)
“
He sighed. “Why are you sitting out here? If you came this far, why don’t you go in and see her? She knows you’re here, after all.”
My head snapped up. “She’s awake?”
I watched Darren turn to look at me, a sad smile on his lips. “No, not yet.”
“Then how do you know she knows?”
“Her heart rate’s been steady all day. It picked up about fifteen minutes ago,” he said, then quirked his brow. “How long have you been sitting out here?”
I stared up at him in wide-eyed shock. “About fifteen minutes.”
“That’s what I thought.
”
”
K.I. Lynn (Dissolution (Breach, #1.5))
“
He [Neil] didn’t realize he’d fallen asleep until a gunshot jarred him awake. Neil bolted upright so fast he sent his pile of textbooks crashing to the ground. Too late he realized the crack he’d heard wasn’t a gun but the lock snapping undone on the suite door.
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
Petri. My monkey. They boiled him."
Her voice sounded strange, even to her own ears. She'd been quiet in the town car Luke had summoned, but once it had dropped them off a block from his apartment , she couldn't seem to stop talking. Luke's grip tightened on her wrist at the words. "Yes. The dead monkey is gone, and we're very sad. I got it the first ten fucking times you mentioned it." He snapped
”
”
Leah Clifford (A Touch Menacing (The Touch Trilogy #3))
“
It is a measure of a nation their cunning! It is a measure of a nation their strength! And it is a measure of a nation," I leaned forward and screeched, "their mercy!" I leaned back and surveyed the crowd and for some bizarre reason kept right on shouting. The condemned you see before you have been tried justly and meet their sentence fairly. They have done wrong and they will pay for it. But I am not the Winter Princess of a nation who does not see that even the condemned deserve to be treated with respect as they face death. You may think they do not deserve it but it is your duty as Lunwynians to rise above their actions
not
fall to their depths. They will hang for their crimes and you will watch this sentence carried out.How could that not be enough for you?"
I tore my eyes away from the now whispering crowd as those close sent my words far,feeling Frey’s arm still tight around my middle but I ignored it and looked down at the scaffold.
Bring her to her feet,” I ordered the guardstanding around Viola and they shifted andstared up at me in stupefaction so I snapped,“
Bring her to her feet!
”They jumped toward Viola who I avoidedlooking at as they helped her up and movedher to her noose. Instead, I looked back tothe crowd and, yep, you guessed it, kept right on shouting.
"Today, you witness something infinitely sad. Three people who have gone wrong somewhere in their lives, done wrong be-cause of it and therefore are paying the ulti-mate price. Do not stand there shouting and jeering, demonstrating that they were right to move against this great nation, those for-tunate enough to inhabit her ice-bound earth and those privileged to wear her crowns.Stand there and, as the Lunwynians I know you to be, stand strong, stand proud and stand filled with mercy.
”
”
Kristen Ashley (Wildest Dreams (Fantasyland, #1))
“
You can't cure people of their character,' she read.
After this he had crossed something out then gone on, 'You can't even change yourself. Experiments in that direction soon deteriorate into bitter, infuriated struggles. You haul yourself over the wall and glimpse new country. Good! You can never again be what you were! But even as you are congratulating yourself you discover tied to one leg the string of Christmas cards, gas bills, air letters and family snaps which will never allow you to be anyone else. A forty-year-old woman holds up a doll she has kept in a cardboard box under a bed since she was a child. She touches its clothes, which are falling to pieces; works tenderly its loose arm. The expression that trembles on the edge of realizing itself in the slackening muscles of her lips and jaw is indescribably sad. How are you to explain to her that she has lost nothing by living the intervening years of her life? How is she to explain that to you?
”
”
M. John Harrison (Things That Never Happen)
“
You asked what my intentions are, Mrs. Brenner, and I would like to answer your question.” Dibs opened his mouth as if preparing to argue and she glared at him from across the table. Did he really think not to let her state her case in front of his family? He snapped his mouth shut and briskly rubbed a palm across his forehead before tossing that same hand in the air. “My intentions are these.” She gathered her thoughts, folding her hands in her lap. “When David is sad, I intend to make him happy. When he is ill, I intend to make him well. When he is angry or upset, I intend to listen and find the words to make him feel better. When he is depressed, I intend to bring him joy, and when he is hurt, I intend to find the source of his pain and take it away from him.” She bridged the distance to Dibs’s devoted gaze, and radiant love crested the last barricade surrounding her heart. “You see, Mr. and Mrs. Brenner, I’m in love with your son. But I don’t want anything from him. You don’t need to worry because my only intention is to give to him. That’s the way it’s supposed to be when you love someone, isn’t it? To think only of their needs, instead of your own?” She broke off from Dibs and faced his mother. “Those are my intentions, Mrs. Brenner. I hope you find them satisfactory.
”
”
A.J. Nuest
“
She struggled to find words, and then all the anger she had been damming up for the last few minutes broke out. It made no difference that none of what had happened was his fault. Nor did the fact that he’d saved her, or what he had sacrificed to do it. He was a Carnevare. He was one of them. And he was preventing her from going to her sister’s aid when Zoe needed her.
“The girl that Cesare killed … ,” she snapped, “her name was Lilia. She … she loved my sister. Do you understand that? Zoe has just lost the person who probably meant more to her than anything else. And Lilia sacrificed herself for me. How can you think that—”
“I’d have done the same thing,” he interrupted her calmly. “I’d have died for you up on that mountain.”
That took her breath away. For a moment it deprived her not only of her self-control, but of the ability to utter another syllable.
After endless seconds, she stammered, “That—that’s nonsense.”
“It’s the truth.” He turned his head and looked at her. “I’m in love with you, Rosa.”
She hesitated, fighting for composure.
“Oh, hell,” she whispered.
He smiled sadly.
Then neither of them said anything, until finally she took his cell phone and called Zoe.
”
”
Kai Meyer (Arcadia Awakens (Arcadia, #1))
“
Sophie removed the tiny marble from her pocket. As soon as the light hit the glass, Iggy zipped off her shoulder and snatched the cache in his tiny paws. “Give that back!” Sophie shouted as he flitted to the top of the waterfall. Iggy’s eyes narrowed and he dragged his teeth along the cache with a cringe-worthy scraaaaaaaaaaaaaaaaaaaape. Edaline snapped her fingers and the cache popped back into Sophie’s palm. When Iggy dove to steal it back, Edaline snapped again, bringing his cage from Havenfield and dropping it right in his flight path. The startled imp crashed inside, and Edaline slammed the cage shut behind him. “Well,” Mr. Forkle said, clutching his chest. “Perhaps we should send that infernal creature home, before it does any permanent damage.” “Aw, we can’t send him away,” Biana said. “He looks so sad. Can’t he stay here?” “You want to keep him?” Dex asked. “You don’t think he’s gross and stinky?” “Uh, I grew up with two older brothers—and Keefe. I’m an expert on gross and stinky—and troublemakers,
”
”
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
“
The numbness snapped. Snapped with such a violent crack that she was surprised they didn't hear it.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
I’m sorry.”
“What for?”
“For making you sad.”
With a weak smile, he says, “You make my heart too full to be sad.
”
”
McCaid Paul (Sweet Tea & Snap Peas)
“
Sad truth is. . . we all end up alone on some death bed. Yeah? No way to take anybody else's place and no way we can be lying on the same one.”
I was at the edge of the white-wed cloth. My shoes filled with concrete, as did my head, looking at the empty shell of what was once a woman full of wonder.
“Any way to make someone feel not so alone?” she asked.
“The only thing anyone can ever do is help someone feel a little less lonely before they get there.”
“How does someone do that?”
“Memories. Help create memories. Better ones. Ones to replace the old.
”
”
S.D. Lawendowski (Snapped)
“
He also loved the city itself. Coming to and leaving Cousin Joe’s, he would gorge himself on hot dogs and cafeteria pie, price cigarette lighters and snap-brim hats in store windows, follow the pushboys with their rustling racks of furs and trousers. There were sailors and prizefighters; there were bums, sad and menacing, and ladies in piped jackets with dogs in their handbags. Tommy would feel the sidewalks hum and shudder as the trains rolled past beneath him. He heard men swearing and singing opera. On a sunny day, his peripheral vision would be spangled with light winking off the chrome headlights of taxicabs, the buckles on ladies’ shoes, the badges of policemen, the handles of pushcart lunch-wagons, the bulldog ornaments on the hoods of irate moving vans. This was Gotham City, Empire City, Metropolis. Its skies and rooftops were alive with men in capes and costumes, on the lookout for wrongdoers, saboteurs, and Communists. Tommy
”
”
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
“
Dear Pen Pal,
I know it’s been a few years since I last wrote you. I hope you’re still there. I’m not sure you ever were. I never got any letters back from you when I was a kid. But in a way it was always therapeutic. Everyone else judges everything I say. And here you are: some anonymous person who never says “boo.” Maybe you just read my letters and laughed or maybe you didn’t read my letters or maybe you don’t even exist. It was pretty frustrating when I was young, but now I’m glad that you won’t respond. Just listen. That’s what I want.
My dog died. I don’t know if you remember, but I had a beagle. He was a good dog. My best friend. I’d had him as far back as I could remember, but one day last month he didn’t come bounding out of his red doghouse like usual. I called his name. But no response. I knelt down and called out his name. Still nothing. I looked in his doghouse. There was blood everywhere. Cowering in the corner was my dog. His eyes were wild and there was an excessive amount of saliva coming out of his mouth. He was unrecognizable. Both frightened and frightening at the same time. The blood belonged to a little yellow bird that had always been around. My dog and the bird used to play together. In a strange way, it was almost like they were best friends. I know that sounds stupid, but… Anyway, the bird had been mangled. Ripped apart. By my dog. When he saw that I could see what he’d done, his face changed to sadness and he let out a sound that felt like the word ‘help.’ I reached my hand into his doghouse. I know it was a dumb thing to do, but he looked like he needed me. His jaws snapped. I jerked my hand away before he could bite me.
My parents called a center and they came and took him away. Later that day, they put him to sleep. They gave me his corpse in a cardboard box. When my dog died, that was when the rain cloud came back and everything went to hell…
”
”
Bert V. Royal (Dog Sees God: Confessions of a Teenage Blockhead)
“
How much do I love our family? This much. When any kind of emergency strikes, good or bad, we snap together like parts in a machine, like a submarine crew at war in the tin-can clutter of our home, none of the usual debate, character assassination, woeful monologues, and turgid hand-wringing. I've learned to love crises for this reason, how they make us pull together and forget our separateness and sadness; this was the second great gift of the moonfish.
”
”
Shaun Tan (Tales from the Inner City)
“
Up ahead, Bastille glared back at us. “Would you two like to chat a little more?” she snapped. “Perhaps sing a little tune? If there are any Librarians in front of us, we wouldn’t want them to miss out on hearing us coming.” Sing looked at his feet sheepishly, and we fell silent—though a part of me wanted to yell something like, “What did you say, Bastille?” as loudly as I could. You see, that is the sad, sorry, terrible thing about sarcasm. It’s really funny.
”
”
Brandon Sanderson (Alcatraz vs. the Evil Librarians (Alcatraz, #1))
“
Let it hurt. Pick those flowers on your lungs and let it wither. Let your heart stop beating for someone who doesn’t deserves it. Let yourself be burn to your worst degree. Fall right down on your knees and scream the damn pain inside you. You’ve let the love to do its work, let it hurt. That’s part of its work.
Let it bleed. Let the tears roll down your face. For once, allow yourself to be an artist. Let your mouth bleed with the unspoken feelings you’ve been wanting to say and be the author of your own story. Let the abstract in you be seen by the people who are doubting you. Do not cut your wrist, blood and scar might ruin your skin. I know, your heart was cut by the words they’ve stabbed on you, let it bleed with poetry and speak for yourself.
Let it heal. For how many times people could’ve told you that time heals. Let me now tell you that it’s you, and you only, who could heal yourself. You could pick your broken pieces and build a better and stronger you. Let it heal, not for anyone. Let it heal for yourself. Even for once, let it be for yourself.
And let it go. Snap out of the darkness you’re in right now. Let go of the pain that’s stopping you from moving forward. Let the toxic people go, you could’ve been better without them. Stop holding on to the anchor. Stop drowning yourself from sadness. You could always be happy. Just learn to let go of the things that keep you away from that possibility, just let go.
”
”
Angela Diloy
“
Doc was collecting marine animals in the Great Tide Pool on the tip of the Peninsula. It is a fabulous place: when the tide is in, a wave-churned basin, creamy with foam, whipped by the combers that roll in from the whistling buoy on the reef. But when the tide goes out the little water world becomes quiet and lovely. The sea is very clear and the bottom becomes fantastic with hurrying, fighting, feeding, breeding animals. Crabs rush from frond to frond of the waving algae. Starfish squat over mussels and limpets, attach their million little suckers and then slowly lift with incredible power until the prey is broken from the rock. And then the starfish stomach comes out and envelops its food. Orange and speckled and fluted nudibranchs slide gracefully over the rocks, their skirts waving like the dresses of Spanish dancers. And black eels poke their heads out of crevices and wait for prey. The snapping shrimps with their trigger claws pop loudly. The lovely, colored world is glassed over. Hermit crabs like frantic children scamper on the bottom sand. And now one, finding an empty snail shell he likes better than his own, creeps out, exposing his soft body to the enemy for a moment, and then pops into the new shell. A wave breaks over the barrier, and churns the glassy water for a moment and mixes bubbles into the pool, and then it clears and is tranquil and lovely and murderous again. Here a crab tears a leg from his brother. The anemones expand like soft and brilliant flowers, inviting any tired and perplexed animal to lie for a moment in their arms, and when some small crab or little tide-pool Johnnie accepts the green and purple invitation, the petals whip in, the stinging cells shoot tiny narcotic needles into the prey and it grows weak and perhaps sleepy while the searing caustic digestive acids melt its body down.
Then the creeping murderer, the octopus, steals out, slowly, softly, moving like a gray mist, pretending now to be a bit of weed, now a rock, now a lump of decaying meat while its evil goat eyes watch coldly. It oozes and flows toward a feeding crab, and as it comes close its yellow eyes burn and its body turns rosy with the pulsing color of anticipation and rage. Then suddenly it runs lightly on the tips of its arms, as ferociously as a charging cat. It leaps savagely on the crab, there is a puff of black fluid, and the struggling mass is obscured in the sepia cloud while the octopus murders the crab. On the exposed rocks out of water, the barnacles bubble behind their closed doors and the limpets dry out. And down to the rocks come the black flies to eat anything they can find. The sharp smell of iodine from the algae, and the lime smell of calcareous bodies and the smell of powerful protean, smell of sperm and ova fill the air. On the exposed rocks the starfish emit semen and eggs from between their rays. The smells of life and richness, of death and digestion, of decay and birth, burden the air. And salt spray blows in from the barrier where the ocean waits for its rising-tide strength to permit it back into the Great Tide Pool again. And on the reef the whistling buoy bellows like a sad and patient bull.
”
”
John Steinbeck (Cannery Row (Cannery Row, #1))
“
Once let down, I never fully recovered. I could never forget, and the break never mended. Like a glass vase that you place on the edge of a table, once broken, the pieces never quite fit again. However the problem wasn’t with the vase, or even that the vases kept breaking. The problem was that I kept putting them on the edge of tables. Through my attachments, I was dependent on my relationships to fulfill my needs. I allowed those relationships to define my happiness or my sadness, my fulfillment or my emptiness, my security, and even my self-worth. And so, like the vase placed where it will inevitably fall, through those dependencies I set myself up for disappointment. I set myself up to be broken. And that’s exactly what I found: one disappointment, one break after another. Yet the people who broke me were not to blame any more than gravity can be blamed for breaking the vase. We can’t blame the laws of physics when a twig snaps because we leaned on it for support. The twig was never created to carry us. Our weight was only meant to be carried by God. We are told in the Qur’an: "…whoever rejects evil and believes in God hath grasped the most trustworthy hand-hold that never breaks. And God hears and knows all things." (Qur’an, 2: 256) There is a crucial lesson in this verse: that there is only one hand-hold that never breaks. There is only one place where we can lay our dependencies. There is only one relationship that should define our self-worth and only one source from which to seek our ultimate happiness, fulfillment, and security. That place is God. However,
”
”
Yasmin Mogahed (Reclaim Your Heart: Personal insights on breaking free from life's shackles)
“
When he spoke, it was to ask her the sort of questions that didn’t demand much.
She liked his deep voice and the strangeness of his eyes, so pale a gray that they seemed barely a color at all. She appreciated that he hadn’t hit on her. And he wasn’t bad looking. Objectively, he was far hotter than the guys to whom she usually was attracted—pretty, sad, skinny, whippet-faced fast-talkers. Objectively, he looked like he could snap them in half.
Maybe she needed something different. A nicotine patch of a man. Something to draw off her worst impulses, at least for one night.
”
”
Holly Black (Book of Night (Book of Night, #1))
“
I start to wonder how many people in your lifetime do you get to love how I love her? Can't be that many. How many loves do you get? Tell me it's two.
Fuck.
Please, tell me it's two.
Jo pulls me backwards and away from her and I think the ties that bind us, I think I hear them snap. It's not two.
”
”
Jessa Hastings (Magnolia Parks (Magnolia Parks Universe, #1))
“
They had found out.
Before I could panic, I made myself stretch my fingers wide and take a calming breath. You already knew this was bound to happen. At least that’s what I told myself.
The more I thought about it, the more I should have been appreciative that the people at the chapel in Las Vegas hadn’t recognized him. Or that people on the street had been oblivious and hadn’t seen us going in and out of there. Or that the receptionist at the acupuncturist hadn’t snapped a picture on her phone and posted it online.
Because I might not understand all people, much less most of them, but I understood nosey folks. And nosey folks would do something like that without a second thought. Yet, I reminded myself that there was nothing to be embarrassed about.
It would be fine. So, one gossip site posted about us getting married. Whoop-de-do. There was probably a thousand sites just like it.
I briefly thought about Diana hearing about it, but I’d deal with that later. There was no use in getting scared now. She was the only one whose reaction I cared about. My mom and sisters’ opinions and feelings weren’t exactly registering at the top of my list now… or ever. I made myself shove them to the back of my thoughts. I was tired of being mad and upset; it affected my work. Plus, they’d made me sad and mad enough times in my life. I wasn’t going to let them ruin another day.
Picking my phone up again, I quickly texted Aiden back, swallowing my nausea at the same time.
Me: Who told you?
Not even two minutes passed before my phone dinged with a response.
Miranda: Trevor’s blowing up my phone.
Eww. Trevor.
Me: We knew it was going to happen eventually, right? Good luck with Trev. I’m glad he doesn’t have my number.
And I was even gladder there wasn’t a home phone; otherwise, I’m positive he would have been blowing it up too.
I managed to get back to looking at images on the screen for a few more minutes—a bit more distracted than usual—when the phone beeped again.
It was Aiden/Miranda. I should really change his contact name.
Miranda: Good luck? I’m not answering his calls.
What?
Me: That psycho will come visit if you don’t.
Was that me being selfish? Yes. Did I care? No.
Aiden: I know.
Uh.
Me: You’re always at practice…
Aiden: Have fun.
This asshole! I almost laughed, but before I could, he sent me another message.
Aiden: I’ll get back to him in a couple days. Don’t worry.
Snorting, I texted back.
Me: I’m not worried. If he drops by, I’ll set him up in your room.
Aiden: You genuinely scare me.
Me: You don’t know how many times you barely made it through the day alive, for the record.
He didn’t text me back after that
”
”
Mariana Zapata (The Wall of Winnipeg and Me)
“
On the TV screen in Harry's is The Patty Winters Show, which is now on in the afternoon and is up against Geraldo Rivera, Phil Donahue and Oprah Winfrey. Today's topic is Does Economic Success Equal Happiness? The answer, in Harry's this afternoon, is a roar of resounding "Definitely," followed by much hooting, the guys all cheering together in a friendly way. On the screen now are scenes from President Bush's inauguration early this year, then a speech from former President Reagan, while Patty delivers a hard-to-hear commentary. Soon a tiresome debate forms over whether he's lying or not, even though we don't, can't, hear the words. The first and really only one to complain is Price, who, though I think he's bothered by something else, uses this opportunity to vent his frustration, looks inappropriately stunned, asks, "How can he lie like that? How can he pull that shit?"
"Oh Christ," I moan. "What shit? Now where do we have reservations at? I mean I'm not really hungry but I would like to have reservations somewhere. How about 220?" An afterthought: "McDermott, how did that rate in the new Zagat's?"
"No way," Farrell complains before Craig can answer. "The coke I scored there last time was cut with so much laxative I actually had to take a shit in M.K."
"Yeah, yeah, life sucks and then you die."
"Low point of the night," Farrell mutters.
"Weren't you with Kyria the last time you were there?" Goodrich asks. "Wasn't that the low point?"
"She caught me on call waiting. What could I do?" Farrell shrugs. "I apologize."
"Caught him on call waiting." McDermott nudges me, dubious.
"Shut up, McDermott," Farrell says, snapping Craig's suspenders. "Date a beggar."
"You forgot something, Farrell," Preston mentions. "McDermott is a beggar."
"How's Courtney?" Farrell asks Craig, leering.
"Just say no." Someone laughs.
Price looks away from the television screen, then at Craig, and he tries to hide his displeasure by asking me, waving at the TV, "I don't believe it. He looks so... normal. He seems so... out of it. So... un dangerous."
"Bimbo, bimbo," someone says. "Bypass, bypass."
"He is totally harmless, you geek. Was totally harmless. Just like you are totally harmless. But he did do all that shit and you have failed to get us into 150, so, you know, what can I say?" McDermott shrugs.
"I just don't get how someone, anyone, can appear that way yet be involved in such total shit," Price says, ignoring Craig, averting his eyes from Farrell. He takes out a cigar and studies it sadly. To me it still looks like there's a smudge on Price's forehead.
"Because Nancy was right behind him?" Farrell guesses, looking up from the Quotrek. "Because Nancy did it?"
"How can you be so fucking, I don't know, cool about it?" Price, to whom something really eerie has obviously happened, sounds genuinely perplexed. Rumor has it that he was in rehab.
”
”
Bret Easton Ellis (American Psycho)
“
Time went by and there wasn’t even sadness.
“You know how another patient put it? She said this feeling inside her was . . . it was anti-feeling. Like a black hole in space, and everything—happiness, anger, hope, meaning—it would all get sucked in, tipped over the event horizon, and she couldn’t feel any of it. That’s the way it was for me. I walked around like everyone else, and had this wonderful opportunity at the museum, and came home to this brilliant guy who loved me and was nothing but sweet. Your father tried so hard. But I felt . . . empty. If I could’ve filled that space up with anything, I would’ve. If somebody had turned to me and said, ‘It’s easy, just pour some dry cement in there and you’ll be a normal human girl,’ I would’ve done it like that.” She snaps her fingers. “But I couldn’t. And your father couldn’t do it for me.
”
”
Rebecca Podos (The Mystery of Hollow Places)
“
Perhaps it’s time you stopped sulking over an engagement three years broken and bore yourself like a man!” The duke’s voice snaps like a whip. “Zeus and Hera, how did I beget such an unruly son?”
“If you’ve forgotten, perhaps you could summon up the dead and ask my lady mother.”
The duke barks a laugh. “You got that tongue from her, that’s for certain. But she was obedient to me for all her carping.”
“Obedient?” says Lord Anax. The desk creaks and shifts; I think he is leaning against it. “We must remember her very differently.”
“Always when it counted, my boy, which is more than can be said of you. I wanted that girl for my daughter, you know.”
“Adopt her, then. I believe it’s legal.”
“First I’d have to kill her parents,” says the duke, “and I am given to understand that’s frowned upon these days.”
“It’s gone the same sad way as the right of a father to execute his sons.
”
”
Rosamund Hodge (Gilded Ashes)
“
It's a sad fact that most people can't even spot a story when they see one. Most people don't know that stories aren't confined by the covers of books or by half-hour slots on TV. The world is made of stories. The world is driven by stories. When a sunburned-friend tells you about their holiday, it's not a straight list of everything that happened to them - it's a story, an anecdote with a plot, a beginning, a middle and an end. Each one of their holiday snaps is a story too. When you're making a decision, and you imagine the possible outcomes - what are you doing if not telling yourself a story? History is a story. Society is a story. Countries are stories. Your plans are stories. Your desires are stories. Your own memories are stories - narratives selected, trimmed and packaged by the hidden machinery in your mind. Human beings are story engines. We have to be - to understand stories is to understand the world.
”
”
Steven Hall (The Unwritten, Vol. 3: Dead Man's Knock)
“
They had such a good meet-cute,” I croak.
“What’s a meet-cute?” Peter’s lying on his side now, his head propped up on his elbow. He looks so adorable I could pinch his cheeks, but I refrain from saying so. His head is big enough as it is.
“A meet-cute is when the hero and heroine meet for the very first time, and it’s always in a charming way. It’s how you know they’re going to end up together. The cuter the better.”
“Like in Terminator, when Reese saves Sarah Connor from the Terminator and he says, ‘Come with me if you want to live.’ Freaking amazing line.”
“I mean, sure, I guess that’s technically a meet-cute…I was thinking more like It Happened One Night. We should add that to our list.”
“Is that in color or black-and-white?”
“Black-and-white.”
Peter groans and falls back against the couch cushions.
“It’s too bad we don’t have a meet-cute,” I muse.
“You jumped me in the hallway at school. I think that’s pretty cute.”
“But we already knew each other, so it doesn’t really count.” I frown. “We don’t even remember how we met. How sad.”
“I remember meeting you for the first time.”
“Nuh-uh. Liar!”
“Hey just because you don’t remember something doesn’t mean I don’t. I remember a lot of things.”
“Okay, so how did we meet?” I challenge. I’m sure that whatever comes out of his mouth next will be a lie.
Peter opens his mouth, then snaps it shut. “I’m not telling.”
“See! You just can’t think of anything.”
“No, you don’t deserve to know, because you don’t believe me.”
I roll my eyes. “So full of it.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
What did I do now?” He reluctantly pulled the car the curb.
I needed to get out of this car – like now. I couldn’t breathe.
I unbuckled and flung open the door.
“Thanks for the ride. Bye.”
I slammed the door shut and began down the sidewalk. Behind me, I heard the engine turn off and his door open and shut. I quickened my stride as James jogged up to me. I slowed down knowing I couldn’t escape his long legs anyway. Plus, I didn’t want to get home all sweaty and have to explain myself.
“What happened?” James asked, matching my pace.
“Leave me alone!” I snapped back. I felt his hand grab my elbow, halting me easily.
“Stop,” he ordered.
Damn it, he’s strong!
“What are you pissed about now?” He towered over me. I was trapped in front of him, if he tugged a bit, I’d be in his embrace.
“It’s so funny huh? I’m that bad? I’m a clown, I’m so funny!” I jerked my arm, trying to break free of his grip. “Let me go!”
“No!” He squeezed tighter, pulling me closer.
“Leave me alone!” I spit the words like venom, pulling my arm with all my might.
“What’s your problem?” James demanded loudly. His hand tightened on my arm with each attempt to pull away. My energy was dwindling and I was mentally exhausted. I stopped jerking my arm back, deciding it was pointless because he was too strong; there was no way I could pull my arm back without first kneeing him in the balls.
We were alone, standing in the dark of night in a neighborhood that didn’t see much traffic.
“Fireball?” he murmured softly.
“What?” I replied quietly, defeated.
Hesitantly, he asked, “Did I say something to make you sad?”
I wasn’t going to mention the boyfriend thing; there was no way.
“Yes,” I whimpered.
That’s just great, way to sound strong there, now he’ll have no reason not to pity you!
“I’m sorry,” came his quiet reply.
Well maybe ‘I’m sorry’ just isn’t good enough. The damage is already done!
“Whatever.”
“What can I do to make it all better?”
“There’s nothing you could–” I began but was interrupted by him pulling me against his body. His arms encircled my waist, holding me tight. My arms instinctively bent upwards, hands firmly planted against his solid chest. Any resentment I had swiftly melted away as something brand new took its place: pleasure.
Jesus!
“What do you think you’re doing?” I asked him softly; his face was only a few inches from mine.
“What do you think you’re doing?” James asked back, looking down at my hands on his chest. I slowly slid my arms up around his neck.
I can’t believe I just did that!
“That’s better.”
Our bodies were plastered against one another; I felt a new kind of nervousness touch every single inch of my body, it prickled electrically.
“James,” I murmured softly.
“Fireball,” he whispered back.
“What do you think you’re doing?” I repeated; my brain felt frozen. My heart had stopped beating a mile a minute instead issuing slow, heavy beats.
James uncurled one of his arms from my waist and trailed it along my back to the base of my neck, holding it firmly yet delicately. Blood rushed to the very spot he was holding, heat filled my eyes as I stared at him.
“What are you doing?” My bewilderment was audible in the hush.
I wasn’t sure I had the capacity to speak anymore. That function had fled along with the bitch. Her replacement was a delicate flower that yearned to be touched and taken care of. I felt his hand shift on my neck, ever so slightly, causing my head to tilt up to him. Slowly, inch by inch, his face descended on mine, stopping just a breath away from my trembling lips.
I wanted it. Badly. My lips parted a fraction, letting a thread of air escape.
“Can I?” His breath was warm on my lips.
Fuck it!
“Yeah,” I whispered back. He closed the distance until his lush lips covered mine.
My first kiss…damn!
His lips moved softly over mine. I felt his grip on my neck squeeze as his lips pressed deeper into
”
”
Sarah Tork (Young Annabelle (Y.A #1))
“
He ran from the terror of his own laughter.
It snapped at his heels like a cur and simultaneously seemed a thing alive inside him; curdled in his belly, ready to come boiling out at any instant.
He ran from the awful sadness of his wife's expression, in that last pathetic instant as she hammered at him uselessly; shattered wrists making empty mittens of her hands.
And he ran from the voice at the base of his skull; new like shining steel yet ancient as a dagger, that smirking hiss that made the things it bade him do feel like their own reward.
He ran from it, but he thought he knew its name.
”
”
Garth Ennis (Crossed: Badlands #50)
“
Mom?” Then again, louder. “Mom?”
She turned around so quickly, she knocked the pan off the stove and nearly dropped the gray paper into the open flame there. I saw her reach back and slap her hand against the knobs, twisting a dial until the smell of gas disappeared.
“I don’t feel good. Can I stay home today?”
No response, not even a blink. Her jaw was working, grinding, but it took me walking over to the table and sitting down for her to find her voice. “How—how did you get in here?”
“I have a bad headache and my stomach hurts,” I told her, putting my elbows up on the table. I knew she hated when I whined, but I didn’t think she hated it enough to come over and grab me by the arm again.
“I asked you how you got in here, young lady. What’s your name?” Her voice sounded strange. “Where do you live?”
Her grip on my skin only tightened the longer I waited to answer. It had to have been a joke, right? Was she sick, too? Sometimes cold medicine did funny things to her.
Funny things, though. Not scary things.
“Can you tell me your name?” she repeated.
“Ouch!” I yelped, trying to pull my arm away. “Mom, what’s wrong?”
She yanked me up from the table, forcing me onto my feet. “Where are your parents? How did you get in this house?”
Something tightened in my chest to the point of snapping.
“Mom, Mommy, why—”
“Stop it,” she hissed, “stop calling me that!”
“What are you—?” I think I must have tried to say something else, but she dragged me over to the door that led out into the garage. My feet slid against the wood, skin burning. “Wh-what’s wrong with you?” I cried. I tried twisting out of her grasp, but she wouldn’t even look at me. Not until we were at the door to the garage and she pushed my back up against it.
“We can do this the easy way or the hard way. I know you’re confused, but I promise that I’m not your mother. I don’t know how you got into this house, and, frankly, I’m not sure I want to know—”
“I live here!” I told her. “I live here! I’m Ruby!”
When she looked at me again, I saw none of the things that made Mom my mother. The lines that formed around her eyes when she smiled were smoothed out, and her jaw was clenched around whatever she wanted to say next. When she looked at me, she didn’t see me. I wasn’t invisible, but I wasn’t Ruby.
“Mom.” I started to cry. “I’m sorry, I didn’t mean to be bad. I’m so sorry, I’m so sorry! Please, I promise I’ll be good—I’ll go to school today and won’t be sick, and I’ll pick up my room. I’m sorry. Please remember. Please!”
She put one hand on my shoulder and the other on the door handle. “My husband is a police officer. He’ll be able to help you get home. Wait in here—and don’t touch anything.”
The door opened and I was pushed into a wall of freezing January air. I stumbled down onto the dirty, oil-stained concrete, just managing to catch myself before I slammed into the side of her car. I heard the door shut behind me, and the lock click into place; heard her call Dad’s name as clearly as I heard the birds in the bushes outside the dark garage.
She hadn’t even turned on the light for me.
I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over.
The door was locked.
“I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!”
Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
Okay.First things first. Three things you don't want me to know about you."
"What?" I gaped at him.
"You're the one who says we don't know each other.So let's cut to the chase."
Oh,but this was too easy:
1. I am wearing my oldest, ugliest underwear.
2.I think your girlfriend is evil and should be destroyed.
3.I am a lying, larcenous creature who talks to dead people and thinks she should be your girlfriend once the aforementioned one is out of the picture.
I figured that was just about everything. "I don't think so-"
"Doesn't have to be embarrassing or major," Alex interrupted me, "but it has to be something that costs a little to share." When I opened my mouth to object again, he pointed a long finger at the center of my chest. "You opened the box,Pandora.So sit."
There was a funny-shaped velour chair near my knees. I sat. The chair promptly molded itself to my butt. I assumed that meant it was expensive, and not dangerous. Alex flopped onto the bed,settling on his side with his elbow bent and his head propped on his hand.
"Can't you go first?" I asked.
"You opened the box..."
"Okay,okay. I'm thinking."
He gave me about thirty seconds. Then, "Time."
I took a breath. "I'm on full scholarship to Willing." One thing Truth or Dare has taught me is that you can't be too proud and still expect to get anything valuable out of the process.
"Next."
"I'm terrified of a lot things, including lightning, driving a stick shift, and swimming in the ocean."
His expression didn't change at all. He just took in my answers. "Last one."
"I am not telling you about my underwear," I muttered.
He laughed. "I am sorry to hear that. Not even the color?"
I wanted to scowl. I couldn't. "No.But I will tell you that I like anchovies on my pizza."
"That's supposed to be consolation for withholding lingeries info?"
"Not my concern.But you tell me-is it something you would broadcast around the lunchroom?"
"Probably not," he agreed.
"Didn't think so." I settled back more deeply into my chair. It didn't escape my notice that, yet again, I was feeling very relaxed around this boy. Yet again, it didn't make me especially happy. "Your turn."
I thought about my promise to Frankie. I quietly hoped Alex would tell me something to make me like him even a little less.
He was ready. "I cried so much during my first time at camp that my parents had to come get me four days early."
I never went to camp. It always seemed a little bit idyllic to me. "How old were you?"
"Six.Why?"
"Why?" I imagined a very small Alex in a Spider-Man shirt, cuddling the threadbare bunny now sitting on the shelf over his computer. I sighed. "Oh,no reason. Next."
"I hated Titanic, The Notebook, and Twilight."
"What did you think of Ten Things I Hate About You?"
"Hey," he snapped. "I didn't ask questions during your turn."
"No,you didn't," I agreed pleasantly. "Anser,please."
"Fine.I liked Ten Things. Satisfied?"
No,actually. "Alex," I said sadly, "either you are mind-bogglingly clueless about what I wouldn't want to know, or your next revelation is going to be that you have an unpleasant reaction to kryptonite."
He was looking at me like I'd spoken Swahili. "What are you talking about?"
Just call me Lois. I shook my head. "Never mind. Carry on."
"I have been known to dance in front of the mirror-" he cringed a little- "to 'Thriller.'"
And there it was. Alex now knew that I was a penniless coward with a penchant for stinky fish.I knew he was officially adorable.
He pushed himself up off his elbow and swung his legs around until he was sitting on the edge of the bed. "And on that humiliating note, I will now make you translate bathroom words into French." He picked up a sheaf of papers from the floor. "I have these worksheets. They're great for the irregular verbs...
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
You can sit,” Maggot said in a small, shy voice.
Mia did as she was bid, holding her throbbing hand to her chest. Maggot toddled across the room, fishing about in a series of chests. She returned with a handful of wooden splints and a ball of woven brown cotton.
“Hold out your hand,” the girl commanded.
Mia’s shadow swelled, Mister Kindly drinking her fear at the thought of what was to come. Maggot looked her digits over, stroking her chin. And gentle as falling leaves, she took hold of Mia’s smallest finger.
“It won’t hurt,” she promised. “I’m very good at this.”
“All riiiiiaaaaaaaaaaaaAAAGHH!” Mia howled as Maggot popped her finger back into place, quick as silver. She rose from the slab and bent double, clutching her hand.
“That HURT!” she yelled.
Maggot gave a solemn nod. “Yes.”
“You promised it wouldn’t!”
“And you believed me.” The girl smiled sweet as sugarfloss. “I told you, I’m very good at this.” She motioned to the slab again. “Sit back down.”
Mia blinked back hot tears, hand throbbing in agony. But looking at her finger, she could see Maggot had worked it right, popping the dislocated joint back into place neat as could be. Breathing deep, she sat back down and dutifully proffered her hand.
The little girl took hold of Mia’s ring finger, looked up at her with big, dark eyes.
“I’m going to count three,” she said.
“All riiiiiaaaaaaaaaaaaFUCK!” Mia roared as Maggot snapped the joint back into place. She rose and half-danced, half-hopped about the room, wounded hand between her legs. “Shit cock twat fucking fuckitall!”
“You swear an awful lot,” Maggot frowned.
“You said you were going to count three!”
Maggot nodded sadly. “You believed me again, didn’t you?”
Mia winced, teeth gritted, looking the girl up and down.
“ . . . You are very good at this,” she realized.
Maggot smiled, patted the bench. “Last one.”
Sighing, Mia sat back down, hand shaking with pain as Maggot gently took hold of her middle finger. She looked at Mia solemnly.
“Now this one is really going to hurt,” she warned.
“Wa—” The Blade flinched as Maggot popped the finger back in.
Mia blinked.
“Ow?” she said.
“All done,” Maggot smiled.
“But that was the easiest of the lot?” Mia protested.
“I know,” Maggot replied. “I’m—”
“—very good at this,” they both finished.
Maggot began splinting Mia’s fingers, binding them tight to limit their movement. The three circles branded into the little girl’s cheek weren’t so much of a mystery anymore . . .
”
”
Jay Kristoff (Godsgrave (The Nevernight Chronicle, #2))
“
Lucien cleared his throat. 'She meant no harm, Tam.'
'I know she meant no harm,' he snapped.
Lucien held his gaze. 'Worse things have happened, worse things can happen. Just relax.'
Tamlin's emerald eyes were feral as he snarled at Lucien, 'Did I ask for your opinion?'
Those words, the look he gave Lucien and the way Lucien lowered his head- my temper was a burning river in my veins. Look up, I silently beseeched him. Push back. He's wrong, and we're right. Lucien's jaw tightened. That force thrummed in me again, seeping out, spearing for Lucien. Do not back down-
Then I was gone.
Still there, still seeing through my eyes, but also half looking through another angle in the room, another person's vantage point-
Thoughts slammed into me, images and memories, a pattern of thinking and feeling that was old, and clever, and sad, so endlessly sad and guilt-ridden, hopeless-
Then I was back, blinking, no more than a heartbeat passing as I gaped at Lucien.
His head. I had been inside his head, had slid through his mental walls-
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
CONGRUENCE Have you ever felt stuck? Maybe you haven’t recruited anyone in a while, and you just can’t seem to break the streak of no success. This causes you to not feel like picking up the phone and getting any more rejection. You don’t feel like talking about the business that day, so you don’t. Can you relate? This is critical for you to always remember. You cannot avoid rejection. Ninety percent of people are always going to tell you that your business is not for them. You have to go through the no’s to get to the yeses. There is no other way around it. You may not like making calls and accepting no’s, but you will like the results and income you will get by doing it consistently enough. Bank on it. So here’s what happens to everyone, myself included. You have a bad day, where everyone says no. You wake up the next day and you just cannot get yourself to make some calls. The whole day goes by and you did nothing to grow your business. The next day, you have a nagging little feeling of guilt about doing nothing the day before, so you start to internalize it. You question whether you know what you are doing. Does the business work? Is it worth the effort? You know the answer is yes, so you don’t quit — but you also do no activity. The next day, that little guilt feeling has mushroomed even bigger. And as time goes on, the guilt turns into self-loathing. You get down on yourself for not performing like you know you could and should. You begin to beat yourself up and even compare yourself to others. Sadly, this can become a downward spiral that is self-inflicted and hard to break out of. Without being wise enough to seek direct help from an upline expert, some people never recover. Instead of fixing their mindset and bringing their goals and the actions back into alignment — getting congruent — they quit the business. These are the blamers who walk the Earth claiming the business didn’t work. No! They stopped working! Don’t be a blamer. Be congruent. Make your activity match up with your WHY in the business. Pick up the phone and snap back into action. Don’t allow yourself to be depressed, because it is a form of depression. Your upline can help you snap out of it. How
”
”
Brian Carruthers (Building an Empire:The Most Complete Blueprint to Building a Massive Network Marketing Business)
“
You’re not meant to be a martyr.” Sighing, she lies back in disappointment. “You wouldn’t see the point to it.”
“Oh? Well then, tell me, Eo. What is the point to dying? I’m only a martyr’s son. So tell me what that man accomplished by robbing me of a father. Tell me what good comes of all that bloodydamn sadness. Tell me why it’s better I learned to dance from my uncle than my father.” I go on. “Did his death put food on your table? Did it make any of our lives any better? Dying for a cause doesn’t do a bloodydamn thing. It just robbed us of his laughter.” I feel the tears burning my eyes. “It just stole away a father and a husband. So what if life isn’t fair? If we have family, that is all that should matter.”
She licks her lips and takes her time in replying.
“Death isn’t empty like you say it is. Emptiness is life without freedom, Darrow. Emptiness is living enchained by fear, fear of loss, of death. I say we break those chains. Break the chains of fear and you break the chains that bind us to the Golds, to the Society. Could you imagine it? Mars could be ours. It could belong to the colonists who slaved here, died here.” Her face is easier to see as night fades through the clear roof. It is alive, on fire. “If you led the others to freedom. The things you could do, Darrow. The things you could make happen.” She pauses and I see her eyes are glistening. “It chills me when I think of the things you could do. You have been given so, so much, but you set your sights so low.”
“You repeat the same damn points,” I say bitterly. “You think a dream is worth dying for. I say it isn’t. You say it’s better to die on your feet. I say it’s better to live on our knees.”
“You’re not even living!” she snaps. “We are machine men with machine minds, machine lives.…”
“And machine hearts?” I ask. “That’s what I am?”
“Darrow …”
“What do you live for?” I ask her suddenly. “Is it for me? Is it for family and love? Or is it for some dream?”
“It’s not just some dream, Darrow. I live for the dream that my children will be born free. That they will be what they like. That they will own the land their father gave them.”
“I live for you,” I say sadly.
She kisses my cheek. “Then you must live for more.”
There’s a long, terrible silence that stretches between us. She does not understand how her words wrench my heart, how she can twist me so easily. Because she does not love me like I love her. Her mind is too high. Mine too low. Am I not enough for her?
”
”
Pierce Brown (Red Rising (Red Rising Saga, #1))
“
What in the sodding Dark happened back there on Aarden? What did you find?"
He stared at her hand for a long moment. His cheek muscle bunched rhythmically, a tell she had learned meant he was struggling over some internal debate. Sigel's Wives burned down from above; Sherp went on snoring away, and Scow appeared to be giving chase again. Mung, Voth and Rantham hadn't moved from where they lay in some time, either, and Biiko was at his post. This was about as alone as they could ever hope to be.
She reached up with her other hand, feather-soft, touched his cheek, his chin. It was rough with stubble, the same fiery copper-and-chestnut as his hair. His jaw stopped twitching and he closed his eyes, but did not resist as she gently turned his head to face her. She could hear the subtle trembling in his breathing and leaned closer, licked her cracked lips.
"Triistan, please...tell me what terrible secret you are guarding..." she whispered, barely a breath really, but his eyes snapped open as if she'd struck him. He looked so sad.
"I'm sorry," he mumbled. Then he was standing, gently disengaging himself from her, and moving towards Biiko where he stood his watch on the other side of the launch. He paused a moment at the mainmast and she thought he might come back, but he only turned his head, speaking over his shoulder without looking at her. His voice was heavy with sorrow.
"Please don't take my journal again." Without bothering to wait for a response, he slipped around the mainmast and left her by herself.
Dreysha sat there brooding for a long time. She was angry with him for rejecting her, and with herself for mishandling both him and his Dark-damned journal. Most of all, though, she was angry with herself for what she had felt when he'd looked at her.
After awhile Scow snorted himself awake. He groaned and stretched, then grumbled a greeting at her, getting barely a grunt in reply for his trouble. The Mattock stood and stretched some more, his massive frame providing some welcome shade, and she sensed him watching her, could imagine him glancing across the deck at Triistan. He knew his men almost as well as his ship, which is why he stood there silently for awhile.
Thunder rumbled again, great boulders of sound rolling across the sea, and this time there could be no doubt it was closer. She rose and leaned over the rail. The southern horizon was lost in a dark shadow beneath towering columns of bruised, sullen clouds. She could smell the rain, though the air was as still as death. Beside her, Scow hawked and spat over the side.
"Storm's comin' ".
"Aye," she answered softly. "Been coming for some time now."
- from the upcoming "RUINE" series.
”
”
T.B. Schmid
“
I thought you didn’t trust animus magic and wearing this was a terrible idea,” Snowfall said accusingly. “I’m still right about that,” Lynx said, “but as long as you’re stuck with it, we should figure out what it’s trying to tell us.” “It’s not trying to tell me anything!” Snowfall protested. “It’s a ring! An inanimate object! With no agenda or feelings! Except maybe smugness. You’re very smug,” she snapped at the opal. “Arrgh, Snowfall, tell me what you saw!” Lynx lashed her tail, sending up gusts of sand. “Something happening back in the Ice Kingdom? Something that’s going to happen?” “No!” Snowfall barked. “Nothing useful! Nothing about my tribe or my problems! Nothing important at all! If this is stupid MAGIC, then it’s REALLY STUPID magic! Why would I, queen of the IceWings, need to know about all the inner emotions of a bunch of rainbow dragons from a completely irrelevant continent that I’ll never see?” “Inner emotions?” Lynx asked. “Like — you could feel what the SilkWings were feeling?” “First I was one of those sad-snouts,” Snowfall said, pointing up the beach. “Her name is Atala. Total tragedy face. And then last night I was some RANDOM dragon named Tau who is stuck back over there and freaking out. Why would I need to see that? It’s not like I can do anything to help her!” Not that she would have, even if she could! She wasn’t going to invite MORE invasive, strange-looking dragons here!
”
”
Tui T. Sutherland (The Dangerous Gift (Wings of Fire #14))
“
Dear, What’s the Point of it All?
What is the point of being nice? When you do not know what you are going to get from it? Knowing eventually sooner rather than later someone and maybe that person you are being nice to will turn their back on you. I always have to stay grounded and focused. When I am there for people, I feel like I am always punished for it. I am always treated as if I committed a crime. I was there for my mom; however, she was killing me slowly but surely. Like my mom, I noticed that when people get themselves in some shit, they get stuck in their own mess. They are confident that they do not have to deal with the consequences—because they know the ‘kind’ person will bail them out. What’s the point of being kind? Like my mom and the officer, there are so many people in the world who are judgmental and tainted because of their selfish needs.
What’s the point of my life? Here I am in a library filled with many books. I can read them and go anywhere I want to in my mind, but after I close the book, I will have to snap out of my fantasy world and welcome the cruel cold world, which is reality. If I was a book, I would be better off left on the shelf. There is no excitement in my life—only struggles.
What’s the point of living and loving life when the only thing I do is read between the lines and tread carefully? Come to think about it, I am a book that nobody can understand or read. They think they know what is best for me, but if they only take the time to listen, I would be so happy to tell them about me and my needs and wants. My actions scream for attention, but time after time, I am ignored. Sadly, without a care, they were quick to rip out the pages. Yet, once again, nobody noticed me.
What’s the point of it all when I never had an opportunity to make a mistake? If I did one thing wrong, they would give up on me and send me to one home after another. I’ve always been fully exposed and had to walk in a line filled with sharp curves from disappointment to disappointment. Sorrow is my aura, and sadness hugs me tightly. It is hard to cry when my eyes are closed shut by the barbed wire fence of my eyelashes as they prohibit tears from falling.
What’s the point of complicating my life? I am always back to where I started, and then ... I relive the same patterns, but on a more difficult journey. I believe when you put yourself in your own mess that you should clean it up and start over. What’s wrong with that? Nothing. However, when someone else puts you in their mess, you do not know how to clean up the mess they’ve made. You do not know how to start over because you do not know where to begin. I look at it this way; it is like telling a dead person he/she can start over. How so, when that person’s life no longer exists? I know my life isn’t over. However, I am lost in a maze my mom set up for herself—and she too is lost in her own maze. When a person gets lost in their own maze, they are really fucked up. However, this maze shouldn’t be left for me to figure out. Unfortunately, I am in it, and I have to find my way out one way or another.
What’s the point of taking Kace from me? He was safe and in good hands. Now he is worse off with people who are abusing him. He didn’t ask for this—I didn’t either. He deserves so much better. Again, what is the point of it all?
What’s the point of making me suffer? Do you get a kick out of it? What are you trying to accomplish? I am trying to understand; what is the point of it all? What is the point?
I don’t know why I am here.
”
”
Charlena E. Jackson (Pinwheels and Dandelions)
“
I’ve long wanted to meet you. Only it’s too bad we’ve met so sadly …” Kolya would have liked very much to say something even more ardent, more expansive, but something seemed to cramp him. Alyosha noticed it, smiled, and pressed his hand. “I’ve long learned to respect the rare person in you,” Kolya muttered again, faltering and becoming confused. “I’ve heard you are a mystic and were in the monastery. I know you are a mystic, but … that didn’t stop me. The touch of reality will cure you … With natures like yours, it can’t be otherwise.” “What do you mean by ‘a mystic’? Cure me of what?” Alyosha was a little surprised. “Well, God and all that.” “What, don’t you believe in God?” “On the contrary, I have nothing against God. Of course God is only a hypothesis … but … I admit, he is necessary, for the sake of order … for the order of the world and so on … and if there were no God, he would have to be invented,”1 Kolya added, beginning to blush. He suddenly fancied that Alyosha might be thinking he wanted to show off his knowledge and prove how “adult” he was. “And I don’t want to show off my knowledge at all,” Kolya thought indignantly. And he suddenly became quite vexed. “I’ll admit, I can’t stand entering into all these debates,” he snapped. “It’s possible to love mankind even without believing in God, don’t you think? Voltaire did not believe in God, but he loved mankind, didn’t he?” (“Again, again!” he thought to himself.) “Voltaire believed in God, but very little, it seems, and it seems he also loved mankind very little,” Alyosha said softly, restrainedly, and quite naturally, as if he were talking to someone of the same age or even older than himself. Kolya was struck precisely by Alyosha’s uncertainty, as it were, in his opinion of Voltaire, and that he seemed to leave it precisely up to him, little Kolya, to resolve the question.
”
”
Fyodor Dostoevsky (The Brothers Karamazov: A Novel in Four Parts With Epilogue)
“
Mr. Morales sidles up to the bar and says, “May I have this dance, Lara Jean?”
“You may,” I say. To John I warn, “Don’t you dare come close to me.”
He throws his hands out like he’s warding me off. “Don’t you come close to me!”
As Mr. Morales leads me in a slow dance, I press my face against his shoulder to hide my smile. I’m really quite good at this espionage thing. John McClaren is sitting on a love seat now, watching Stormy play and chatting with Alicia. I’ve got him right where I want him. I can’t even believe how lucky I am. I’d been planning on showing up at his next Model UN meeting, but this is so much better.
I’m thinking I’ll come up from behind him, take him by surprise, when Stormy stands up and declares she needs a piano break, she wants to dance with her grandson. I go turn on the stereo and cue up the CD we decided on for her break.
John is protesting: “Stormy, I told you I don’t dance.” He used to try and fake sick during the square-dancing unit in gym--that’s how much he hates dancing.
Stormy doesn’t listen, of course. She pulls him off the love seat and starts trying to teach him how to fox-trot. “Put your hand on my waist,” she orders. “I didn’t wear heels to sit behind a piano all night.” Stormy’s trying to teach him the steps, and he keeps stepping on her feet. “Ouch!” she snaps.
I can’t stop giggling. Mr. Morales is too. He dances us over closer. “May I cut in?” he asks.
“Please!” John practically pushes Stormy into Mr. Morales’s arms.
“Johnny, be a gentleman and ask Lara Jean to dance,” Stormy says as Mr. Morales twirls her.
John gives me a searching look, and I have a feeling he’s still suspicious of me and whether or not I have his name.
“Ask her to dance,” Mr. Morales urges, grinning at me. “She wants to dance, don’t you, Lara Jean?”
I shrug a sad kind of shrug. Wistful. The very picture of a girl who is waiting to be asked to dance.
“I want to see the young people dance!” Normal yells.
John McClaren looks at me, one eyebrow raised. “If we’re just swaying back and forth, I probably won’t step on your feet.”
I feign hesitation and then nod. My pulse is racing. Target acquired.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
Well, Doctor Dillamond seemed to think they were in questionable taste, given the Banns on Animals Mobility."
"Doctor Dillamond, alas," said Madame Morrible, "is a doctor. He is not a poet. He is also a God, and I might ask you girls if we have ever had a great Goat sonneteer or balladeer? Alas, dear Miss Elphaba, Doctor Dillamond doesn't understand the poetic convention of irony. Would you like to define irony for the class, please?"
"I don't believe I can, Madame."
"Irony, some say, is the art of juxtaposing incongruous parts. One needs a knowing distance. Irony presupposes detachment, which, alas, in the case of Animal Rights, we may forgive Doctor Dillamond for being without."
"So that phrase that he objected to - Animals should be seen and not heard - that was ironic?" continued Elphaba, studying her papers and not looking at Madame Morrible. Galinda and her classmates were enthralled, for it was clear that each of the females at opposite ends of the room would have enjoyed seeing the other crumble in a sudden attack of the spleen.
"One could consider it in an ironic mode if one chose," said Madame Morrible.
"How do you choose?" said Elphaba.
"How impertinent!" said Madame Morrible.
"Well, but I don't mean impertinence. I'm trying to learn. If you - if anyone - thought that statement was true, then it isn't in conflict with the boring bossy bit that preceded it. It's just argument and conclusion, and I don't see the irony."
"You don't see much, Miss Elphaba," said Madame Morrible. "You must learn to put yourself in the shoes of someone wiser than you are, and look from that angle. To be stuck in ignorance, to be circumscribed by the walls of one's own modest acumen, well, it is very sad in one so young and bright." She spit out the last word, and it seemed to Galinda, somehow, a low comment on Elphaba's skin color, which today was indeed lustrous with the effort of public speaking.
"But I was trying to put myself in the shoes of Doctor Dillamond," said Elphaba, almost whining, but not giving up.
"In the case of poetic interpretation, I venture to suggest, it may indeed be true. Animal should not be heard," snapped Madame Morrible.
"Do you mean that ironically?" said Elphaba, but she sat down with her hands over her face and did not look up again for the rest of the session.
”
”
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
“
joke around—nothing serious—as I work to get my leg back to where it was. Two weeks later, I’m in an ankle-to-hip leg brace and hobbling around on crutches. The brace can’t come off for another six weeks, so my parents lend me their townhouse in New York City and Lucien hires me an assistant to help me out around the house. Some guy named Trevor. He’s okay, but I don’t give him much to do. I want to regain my independence as fast as I can and get back out there for Planet X. Yuri, my editor, is griping that he needs me back and I’m more than happy to oblige. But I still need to recuperate, and I’m bored as hell cooped up in the townhouse. Some buddies of mine from PX stop by and we head out to a brunch place on Amsterdam Street my assistant sometimes orders from. Deacon, Logan, Polly, Jonesy and I take a table in Annabelle’s Bistro, and settle in for a good two hours, running our waitress ragged. She’s a cute little brunette doing her best to stay cheerful for us while we give her a hard time with endless coffee refills, loud laughter, swearing, and general obnoxiousness. Her nametag says Charlotte, and Deacon calls her “Sweet Charlotte” and ogles and teases her, sometimes inappropriately. She has pretty eyes, I muse, but otherwise pay her no mind. I have my leg up on a chair in the corner, leaning back, as if I haven’t a care in the world. And I don’t. I’m going to make a full recovery and pick up my life right where I left off. Finally, a manager with a severe hairdo and too much makeup, politely, yet pointedly, inquires if there’s anything else we need, and we take the hint. We gather our shit and Deacon picks up the tab. We file out, through the maze of tables, and I’m last, hobbling slowly on crutches. I’m halfway out when I realize I left my Yankees baseball cap on the table. I return to get it and find the waitress staring at the check with tears in her eyes. She snaps the black leather book shut when she sees me and hurriedly turns away. “Forget something?” she asks with false cheer and a shaky smile. “My hat,” I say. She’s short and I’m tall. I tower over her. “Did Deacon leave a shitty tip? He does that.” “Oh no, no, I mean…it’s fine,” she says, turning away to wipe her eyes. “I’m so sorry. I just…um, kind of a rough month. You know how it is.” She glances me up and down in my expensive jeans and designer shirt. “Or maybe you don’t.” The waitress realizes what she said, and another round of apologies bursts out of her as she begins stacking our dirty dishes. “Oh my god, I’m so sorry. Really. I have this bad habit…blurting. I don’t know why I said that. Anyway, um…” I laugh, and fish into my back pocket for my wallet. “Don’t worry about it. And take this. For your trouble.” I offer her forty dollars and her eyes widen. Up close, her eyes are even prettier—large and luminous, but sad too. A blush turns her skin scarlet “Oh, no, I couldn’t. No, please. It’s fine, really.” She bustles even faster now, not looking at me. I shrug and drop the twenties on the table. “I hope your month improves.” She stops and stares at the money, at war with herself. “Okay. Thank you,” she says finally, her voice cracking. She takes the money and stuffs it into her apron. I feel sorta bad, poor girl. “Have a nice day, Charlotte,” I say, and start to hobble away. She calls after me, “I hope your leg gets better soon.” That was big of her, considering what ginormous bastards we’d been to her all morning. Or maybe she’s just doing her job. I wave a hand to her without looking back, and leave Annabelle’s. Time heals me. I go back to work. To Planet X. To the world and all its thrills and beauty. I don’t go back to my parents’ townhouse; hell I’m hardly in NYC anymore. I don’t go back to Annabelle’s and I never see—or think about—that cute waitress with the sad eyes ever again. “Fucking hell,” I whisper as the machine reads the last line of
”
”
Emma Scott (Endless Possibility (Rush, #1.5))
“
And hope, Lauren thought, kept life moving. Hope that things would improve, that sadness would pass, that you'd live feeling you'd love and live. Hope that the few fragile threads of this new life won't be snapped before they can strengthen.
”
”
Sarah Morgan (How to Keep a Secret)
“
Late in the night, there was a tap on my shoulder. Glancing up, I saw Truska, smiling, holding out a slice of cake. "I know you feeling low, but I'm thinking you might like this," she said. Truska was still learning to speak English and often mangled her words.
"Thanks, but I'm not hungry," I said. "Good to see you again. How have you been?" Truska didn't answer. She stared at me a moment — then thrust the slice of cake into my face! "What the hell!" I roared, leaping to my feet.
"That what you get for being big moody-guts," Truska laughed. "I know you sad, Darren, but you can't sit round like grumpy bear all time."
"You don't know anything about it," I snapped. "You don't know what I'm feeling. Nobody does!"
She looked at me archly. "You think you the only one to lose somebody close? I had husband and daughter. They get killed by evil fishermen."
I blinked stupidly. "I'm sorry. I didn't know.
”
”
Darren Shan (The Lake of Souls (Cirque du Freak, #10))
“
But for Chase, for the brave boy who loved him when he had no reason to, for the boy who wrapped himself in magic and runes and a world that he didn’t belong to, who ran with Lucas in his dreams... And for Tyler, who smiles now—small, sad, and shy—who watches the world like he’s afraid it will hurt him, who glares and snaps because he would rather drive someone away than be left behind... For them, he would wash his hands in blood, stain them red until they were never clean, would murder the world to keep them safe.
”
”
Nazarea Andrews (Slow Shift)
“
They’re coming!” Josh yelled.
Like a whirlwind the twins rushed downstairs, where Peter was waiting. With Wally bringing up the rear they all went outside.
The two older Malloy sisters, wearing jeans and long shirts down to their knees, were walking arm in arm across the swinging bridge, leaning on each other, like two girls who had more sadness than they could possibly bear, Wally thought.
As they came closer, the Hatford brothers pretended to be looking down the road, at the sky, anywhere, in fact, except at the Malloys.
“Ask!” Jake whispered to Josh.
“You ask!” said Josh. “You always try to make me do it.”
“Wally, you do it,” said Jake.
“Why me? What the heck am I supposed to say?”
The girls had reached the middle of the narrow bridge now and, still walking side by side, held on to the cable handrails as the bridge bounced slightly beneath their weight.
“If one of us doesn’t ask, Peter will,” Josh warned. “He’ll say something dumb, like ‘Have you buried anyone lately?’”
“I will not!” snapped Peter.
”
”
Phyllis Reynolds Naylor (The Boys Start the War (Boy/Girl Battle, #1))
“
I’m sorry I snapped at you. Thank you for making her breakfast. You didn’t have to do that.” He shrugged his shoulders. “Had to do something. She was wasting away in front of me. I thought she was gonna eat that nasty dog she carries around.” Lora snorted, amused in spite of herself. “That nasty dog is actually a nasty bear.” He turned and gave her a weird cringe. “Really?” She nodded. Chad shook his head sadly. “And thank you for my breakfast, too. It was very good.” He widened his eyes at her. “You ate my eggs? I just wanted you to hold the plate for me.” Lora’s mouth dropped open in disbelief, and she started to sputter out an apology, until he held up a hand, grinning. “I’m kidding. I made those eggs for you.” His eyes drifted down her body. “You need some meat on your bones.” Lora
”
”
J.M. Madden (Embattled Home (Lost and Found, #3))
“
As I snapped pictures, Nina gave me a dirty look. I just laughed, acting as though I didn’t care. But inside I felt sort of differently. She used to be my good friend. It made me feel funny. Sad. Now she gave me dirty looks and did mean things to my house. To tell you the truth, it hurt. Later,
”
”
Melanie Marks (Slumber Party Wars)
“
ANGER: Eyebrows squeezed together, brows knitted, eyes squinty, pupils flared, lowered head, nostrils flared, looking upward through a scrunched brow, tight facial muscles, flat lips, flaring nostrils, or an penetrating gaze. CONTEMPT: Squinty eyes, mouth snapped shut, mouth set in a hard line, or lips pressed together, grinding teeth, muscle in jaw twitching, face turns crimson, ears red or hot, or hardened expression. EXCITEMENT: Smile shows teeth, eyes wide, flushed cheeks, eyebrows high, twinkle in eyes, tears in eyes, dimples showing, or raised eyebrows. FEAR: Pale skin, eyebrows are drawn together, trembling mouth, brows furrowed creased forehead, eyes wide and huge, blinking rapidly, mouth opening and closing, or tense, white lips. FRUSTRATION: Slanting eyebrows, jaw tightened, face reddened, chin raised, deep frowning, gnashed teeth, tense eyebrows, squinty eyes, lips pulled back, or mouth twisted to one side. REVULSION: Frowning, gritted teeth, lips drew back in a snarl, lowered head, tense lips, eyebrows drawn together, wrinkled forehead, or pursed lips. SURPRISE: Wide eyes, mouth hanging open, huge smile, flushed face, gaping, raised eyebrows, pupils are huge, and head held back, intense gaze, and eyebrows lifted. SADNESS: Pale face, lower lip quivered, tears shimmered in eyes, frowning of lips, head hangs low, pouty expression, or gaze downcast. HAPPINESS: Smiling big with teeth visible, flushed cheeks, crinkle at corners of the eyes, the corners of mouth turned upward, eyes lit up, tears shone in eyes, face glowing. ***
”
”
Sherry J. Soule (The Writer's Guide to Character Expression: 2022 Second-Edition (Fiction Writing Tools Book 2))
“
She brushes a lock of hair back from her face and winces when she tugs through a snag. “Oh, my gosh. I must look like I’ve been tumbled in a dryer, right? Is it bad?” She starts to sweep through her hair and her hand sticks in another knot. “You wouldn’t happen to have a brush, would you? Crap,” she swears as she encounters a huge snarl. “Wait,” I say. “I’ll get it.” I start to work through the tangle with my fingers and she sits still while I work out every last one. When I’m done, her hair is silky and smooth and I am not ready to stop running my fingers through it, but I probably should. “Don’t stop,” she says quietly. “That feels really good.” She pulls her feet from the water. “Wait,” she says, and she adjusts so that she’s lying over my lap. “You don’t mind, do you?” Hell, at this point, I’d be sad if she made me stop. “It’s fine,” I tell her. She relaxes against me and says, “Talk to me, will you?” Her eyes close and I’m pretty sure if she got any more relaxed, she’d fall asleep. My insides settle in a way they never have before. Usually, I have a roiling, boiling sensation in my chest, like something is fighting to get out of me and I must work to contain it at all times. But now… Now I am at peace. My soul and my heart connect like tumblers lining up in a lock. Snap! It opens up. And it scares the hell out of me. I pull my hands from her hair, thinking that her proximity is the problem. But the tumblers don’t realign. They don’t lock her out. They let her in. They invite her in and offer her a fucking apple pie so she’ll sit and stay for a while. “Are you all right?” she asks. “Why wouldn’t I be?” “You stopped rubbing my hair.” I lift her off my lap and set her beside me. “All the tangles are out.” “Oh.” She sighs. “That’s good.” She suddenly looks uncomfortable and it kills me that I caused it. “Thank you for fixing my hair,” she says quietly.
”
”
Tammy Falkner (Yes You (The Reed Brothers #9.5))
“
She was trying to say something else; she was trying to say that the inability to articulate what one feels in any satisfactory was is one of our enduring tragedies. It wouldn't have been much, and it wouldn't have been useful, but it would have been something that reflected the gravity and the sadness inside her. Instead, she snapped at him for being a loser. It was as if she were trying to find a handhold on the boulder of her feelings, and had merely ended up with grit under her nails.
”
”
Nick Hornby (Juliet, Naked)
“
If you’ve ever found yourself snapping at someone you dearly love, or sitting down to complete a work project only to spend five hours shopping for home tattoo kits online, it’s probably because you’re internally divided. You’re trying to act in ways that don’t feel right to you at the deepest level. Whenever we do this, our lives begin to go pear-shaped. Emotionally, we feel grumpy, sad, or numb. Physically, our immune systems and muscles weaken; we might get sick, and even if we don’t, our energy flattens. Mentally, we lose focus and clarity. That’s how it feels to be out of integrity.
”
”
Martha Beck (The Way of Integrity: Finding the Path to Your True Self)
“
And Odo the hero, they bore him back home To the place that he’d known as a lad, sang Slughorn plaintively. They laid him to rest with his hat inside out And his wand snapped in two, which was sad.
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
I whistle so loud that you can hear it over everything. I whistle so loud that Rhett’s head snaps up in my direction. And when he sees me in the crowd, grinning back at him, the sad look on his face washes away.
”
”
Elsie Silver (Flawless (Chestnut Springs, #1))
“
I wanted you to listen," she snapped, "but you wouldn't. Yet now that I fit some acceptably sad female backstory, you're willing to hear me out.
”
”
Sarah J. Maas, House of Flame and Shadow
“
So what else did you find?” she asked and he smiled sadly, looking back to the book. “Well, once I gave up on examining this page, I decided to go back to the spell King has been using for their sacrifices.” He flipped through the pages then paused on one with the image of the four Elemental triangles surrounded by symbols which were impossible to read. “The answer to undoing King’s power is here.” Orion pointed to a piece of text at the bottom of the page which had always been undecipherable regardless of the spyglass. “But…” He sighed. “It requires a sacrifice to read it.” “No one’s giving blood,” I said immediately. That thing could take a piece of someone’s soul if we gave it the chance, and I was not risking that with anyone in this room. “No, it’s not blood it wants,” Orion said, but his eyes were still dark. “It’s the pain of a woman suffering under the power of the four Elements. I used a couple of dark spells to reveal that much, but I couldn’t go any further.” “That’s horrifically specific,” Leon muttered. “I’ll do it,” Elise said simply, getting to her feet. “No,” I snapped the same time as Leon and Dante did. “It’s not an option,” Elise snarled. “I’ll do anything to defeat King, and I’ve faced far worse pain in my life. This will be a small sacrifice to make.” She looked me in the eyes, willing me to back down, but how could I? I couldn’t cast my power against her. I wouldn’t.
”
”
Caroline Peckham (Warrior Fae (Ruthless Boys of the Zodiac, #5))
“
Sadness weaves its way through me, and although it's hard, it feels oddly cathartic, too, as if deep underground chains are snapping from my body, freeing me from the constraint the blood in my veins in my last name has always caused.
”
”
Emily McIntire (Wretched (Never After, #3))
“
Some people are very uncomfortable with the idea of disappointing anyone. They think that if you are kind, you’ll never disappoint anyone. They think that if you try hard enough, if you manage your time well enough, if you’re selfless enough, prayerful enough, godly enough, you’ll never disappoint anyone. I fear these people are headed for a rude awakening. I know this, because I was one of those people. For so many years, I was deeply invested in people knowing that I was a very competent, capable, responsible person. I needed them to know that about me, because if that was true about me, I believed, I would be safe and happy. If I was responsible and hardworking, I would be safe and happy. Fast forward to a deeply exhausted and resentful woman, disconnected from her best friends, trying so darned hard to keep being responsible, but all at once, unable. Something snapped, and my anger outweighed my precious competence. Something fundamental had to change. This is what I know for sure: along the way you will disappoint someone. You will not meet someone’s needs or expectations. You will not be able to fulfill their request. You will leave something undone or poorly done. Possibly, this person will be angry with you, or sad. You’ve left them holding the bag. Or maybe instead of sadness or anger, they’ll belittle you or push all your shame buttons—maybe they’ll say things like, “I guess you’re just not a hard worker.” Or, “I guess you’re just a low-capacity person.” Or, “I thought I could count on you.” These are basically sharp blades straight into the hearts of people like me, people who depend very heavily on meeting people’s expectations. But here’s the good news: you get to decide who you’re going to disappoint, who you’re going to say no to. And it gets easier over time, the disappointing. What you need along the way: a sense of God’s deep, unconditional love, and a strong sense of your own purpose. Without those two, you’ll need from people what is only God’s to give, and you’ll give up on your larger purpose in order to fulfill smaller purposes or other people’s purposes. To be sure, finding your purpose can take a long time to figure out, and along the way it is tempting to opt instead for the immediate gratification, the immediate fix, of someone’s approval. But the sweet rush of approval, the pat on the head, can often derail us from real love, and real purpose.
”
”
Shauna Niequist (Present Over Perfect: Leaving Behind Frantic for a Simpler, More Soulful Way of Living)
“
There'd been only three hundred students in the whole school, which made it a tiny, gossipy hellhole, a bucket of crabs snapping at each other and falling over themselves.
”
”
Julia Phillips (Bear)
“
Today, many “conservatives” and “Christians” openly embrace gay marriage, when just a few years ago those same people were repulsed by the very thought. What changed? Not the Christian faith or the Bible. Not common sense and basic morality. Not the core realities of biology and pathology. What changed is that for several decades the American public has been subjected to relentless pressure to embrace homosexuality and same-sex marriage. In fact, here’s the whole sad tale in just two words: pressure converts. Or as Sargant put it, applying pressure in a sufficiently “strong and prolonged enough” way will eventually “bring about the desired collapse.” In the age of Obama, of course, the “collapse” is better known as “fundamental transformation.
”
”
David Kupelian (The Snapping of the American Mind: Healing a Nation Broken by a Lawless Government and Godless Culture)
“
You could’ve offered the girl a warm place to sleep,” Jack said. “It’s pretty clear Hope didn’t get that old cabin straight for her.” “Don’t feel up to company,” he said. Then Doc lifted his gaze to Jack’s face. “Seems you’re more interested than me, anyway.” “Didn’t really look like she’d trust anyone around here at the moment,” Jack said. “Cute little thing, though, huh?” “Can’t say I noticed,” he said. He took a sip and then said, “Didn’t look like she had the muscle for the job, anyway.” Jack laughed. “Thought you didn’t notice?” But he had noticed. She was maybe five-three. Hundred and ten pounds. Soft, curling blond hair that, when damp, curled even more. Eyes that could go from kind of sad to feisty in an instant. He enjoyed that little spark when she had snapped at him that she didn’t feel particularly humorous. And when she took on Doc, there was a light that suggested she could handle all kinds of things just fine. But the best part was that mouth—that little pink heart-shaped mouth. Or maybe it was the fanny. “Yeah,” Jack said. “You could’ve cut a guy a break and been a little friendlier. Improve the scenery around here.
”
”
Robyn Carr (Virgin River (Virgin River #1))
“
If I could snap my fingers and vanish from this earth as if I'd never existed - no one to be sad or miss me - I'd do it.
”
”
A.B. Shepherd
“
You need to give me a clue here, Nic. Please tell me what I can do to make this right. Look, I know the phone call hurt you and—” “I don’t want to talk about it.” “Let me say this,” he snapped. “You’ve dodged talking about this with me for more than a week. It’s surprised me, Nic. I didn’t take you for a coward.” Her jaw went tight and she stared straight ahead, but she remained silent, so he pressed on. “I’m sorry you overheard my conversation with Jennifer’s sister. I’m sorry I embarrassed you in front of your friends. But this is no way to start a marriage. Where do we go from here, Nicole? I need a little help here. I don’t know what you want.” She was quiet for a long time before she replied. “That’s part of the problem. I’m not sure what I want. I’ll be honest with you, Gabe. I feel like my world has been turned upside down and I don’t know which way is up. Sarah says it’s hormones, but that seems like an excuse. I’m … sad. I think I need a little time to adjust to everything.” He spied a herd of bighorn sheep in the road ahead, braked, and honked his horn. He didn’t know what to say to her. “Nic, I’ll say it again. I’m sorry.” “No. Don’t.” She shook her head. “I understand, Gabe. Truly, I do. And I’m the one who is sorry. I know I’m being a pain. You’re not responsible for my feelings or emotions or neurosis. I think I simply need a little time to … well … let go of my dreams.” Great.
”
”
Emily March (Angel's Rest (Eternity Springs, #1))
“
Why won’t you give up this silly idea of homesteading?” Gertrude went on. Her tone of voice was moderate, but her blue eyes were snapping. “I can’t help thinking you’re just being stubborn, Lily. Caleb is well able to provide for you, I assure you. He comes from one of the finest families in Pennsylvania—I’ve known the Hallidays a long time.” Lily looked down at the floor for a moment, gathering her courage. “You wouldn’t understand,” she said softly. Gertrude sighed. “Do sit down,” she told Lily kindly, taking a chair herself. “Now what is it that I would find so difficult to understand?” “I love Caleb very much,” Lily began in a shaky voice, “but I’m not the woman for him.” Mrs. Tibbet raised her eyebrows. “Oh? And why not?” Lily leaned forward in her chair and lowered her voice to a whisper. “I think I may be like my mother.” “How so?” Mrs. Tibbet asked, smoothing her skirts. “She was—she drank. And there were men. Lots of men.” “Oh, dear,” said Mrs. Tibbet seriously. “And you drink?” Lily swallowed. “Well—no.” “Then there are men.” “Only Caleb,” Lily said quietly. “But he can make me do and say the most shameful things. I’m so afraid it’s because I’m—er—hot-blooded.” Mrs. Tibbet looked as though she might be trying to suppress a smile. “You wouldn’t be the first girl who’d given herself to a man before marriage, Lily. It isn’t a wise course of action, but it happens often enough.” Lily drew in a deep breath. “I suppose the drinking would come later,” she said, discounting Mrs. Tibbet’s remarks as mere kindness. “And then the men. No, I’m sure I’m better off going on with my life just as I’ve planned.” There was a rap at the door, and then Velvet put her head inside. “Pardon, missus, but dinner’s ready, and the men say they’re going to eat without you if you don’t hurry.” “We’ll be there in a moment,” Mrs. Tibbet answered. “And tell the men that if they don’t wait, they’ll have me to deal with.” “Yes, ma’am,” Velvet replied with a hint of laughter in her voice. The door closed with a click. Mrs. Tibbet turned back to her guest. “If you were my own daughter, Lily, I would tell you the same thing. You couldn’t do better than Caleb Halliday if you searched the world over for a man. Don’t throw away a chance at real happiness—it might be the only one you get.” Lily pushed herself out of her chair and went to stand at the window. From there she could see the moon rising above the roof of the house next door; it looked as though it had just squeezed out of the chimney. “Sometimes I think I know what I want. I’ll decide that I want to marry Caleb and forget all about having a homestead. But then I remember what Mama was like.” “Lily, you’re not your mother.” “No,” Lily agreed sadly, turning to face Mrs. Tibbet, her hands clasped in front of her. “But Mama was young and happy once, and she must have thought she was in love with my father. She married him, she had his children. And then something changed, and she began to drink. Papa went away—I don’t even remember him—and the men started coming around, one after the other …” Gertrude came to take Lily’s hands in her own. “Things will be different for you,” she said quietly. “You’re strong, and so is Caleb. Oh, Lily, don’t be afraid to take a chance.” At that moment the colonel thundered from the hallway that he was going to have his supper right then whether the women cared to come to the table or not, and Lily smiled. “I promise I’ll think things through very carefully, Mrs. Tibbet.” “Don’t take too long,” Gertrude answered, ushering her toward the door of the study. “Fate can take the strangest twists and turns, sealing us off from someone when we least expect it.” At
”
”
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
“
No! Please no," she feels the cool metal
of the handcuffs again. "Please, I'm
Madison, I'm Madison!"
Her arms lock into place above her head.
She jerks her body, pain snapping at her
muscles.
"You can stay like this for the day." He
rises from the bed, bends down, and
blows out the candles on her birthday
cake. "Night, night, Rosie."
"No!"
He opens the door, letting a stream of
sunlight into the room.
"Please don't leave me here, please!"
And then the door closes, and the
sunlight is gone.
”
”
Kay Botha (Hush)
“
No, really. You and Charles are — were — two different people, and I should never have compared you to him." "Whyever not?" He tried to laugh it off, but his anger showed in his voice, and the words were out before he could stop them. "Everyone else always did." Immediately, her eyes darkened with sympathy, with understanding, with pity. She took a step forward. Gareth raised his hand, stopping her. "I told you when we first met that if there's anything I'm good at, it's making a mess of things. And I've made a fine mess of this, haven't I?" Her heart in her eyes, she took another step forward, slowly reaching out to lay her hand on his sleeve. "You didn't make this mess, Gareth." "No. Charles did, didn't he? My brother the saint, who never put a foot wrong, never gave anyone cause to blush for him, never made a mistake, never earned himself a caning, a whipping, a bad reputation. By God! Who would've thought." She merely stood there, her hand burning a hole through his sleeve. He glanced sullenly at her, expecting — maybe even wanting — her to react, to snap back at him, so they could have it out right then and there and start their marriage with the air cleared between them. But she did not. "Aren't you even going to defend him?" he asked hotly. "Start proclaiming his virtue, his perfection, his god-awful sinless glory?" She flinched, sadness filling her eyes. "No." Then, softly, she added, "Besides, he wasn't perfect." "Wasn't he?" "Of course not. As my grandmother always said, there was only one perfect person to ever walk this earth, and God took him back." Gareth
”
”
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
“
Charles? What is wrong?" That rueful little smile still in place, he bent his head, looking down as though he could see the beautiful animal whose broad forehead was pressed to his chest, and whose ears were only a few inches from his nose. "I cannot ride him," he said softly, with one of his long, slow, blinks that lent him an air of studied sadness. "As much as he means to me, as much as I've missed him, he is nothing more to me than a pet, now —" He never finished the sentence. As though he'd taken violent offense at his master's words, the stallion flung up his head, the blow catching Charles squarely beneath the jaw, snapping his head back and sending him reeling backwards into Amy's arms. She staggered under his weight. "Will, help me!" Her brother rushed forward, and together they eased the captain down onto his back in the straw. He lay unmoving, his lashes still against his cheeks. Blood gushed from his nose. "Charles!" Amy slid a hand beneath his nape and lifted his head just as his eyes fluttered open. "Oh-h-h-h," he moaned, covering his nose with one hand and trying to stop the bleeding. "Damn." "Will, get some cold water, quick!" Amy urged. As her brother ran out of the barn toward the well, Amy helped Charles to sit up. Cradling him against her body and tipping his head back over her arm, she tore off her neckerchief and pressed it to his nose. "You silly man," she said, in gentle admonishment. "I would've thought you knew your horse well enough to realize he doesn't take kindly to insults, either to himself or to his master." "I didn't insult him. " His voice sounded nasally and thick. "You insulted yourself." "I did not." "You did. You said you couldn't ride him." "I damn well can't." "You damn well will. My brother didn't go to all the trouble of bringing him back just so you could do nothing more than groom and feed him." "My dear Amy, please be realistic. I cannot ride him." "Why not?" "Because I can't see." "So you can't. But there's nothing wrong with your legs —" she blushed hotly, remembering the feel of them hard and strong against her own — "or your balance, or anything else about you. You simply can't see where you're going. But Contender can." "I shall not be able to guide him where I wish to go, pull him up when he needs pulling up, anticipate possible dangers to both himself and I." "Then you can go out riding with Mira and me, and we'll anticipate those things for you." "But I shall look the fool, up there on his back." "You shall look splendid." "Amy," he said in a patient, controlled voice, "you do not understand. If something cannot be done the proper way, it should not be done at all. Since I cannot ride him the proper way, I should not —" "No, Charles, you don't understand. Sometimes there is no right way to do something, but a whole parcel of varying ways. So you can't ride him the way you used to. You find a different way." "But —" "You're doing it again," she scolded. "Doing what?" "Trying to be perfect. And taking yourself far too seriously. Stop it." He began to protest, then grinned and gave her a half-hearted salute. "Yes, ma'm." At
”
”
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
“
I’m trying to make a profit. I’m using batteries, toilet paper, and paper towels as currency. Each is something that will eventually be in short supply.”
“You’re trying to get all the toilet paper in town?” Astrid shrilled. “Are you kidding?”
“No, Astrid, I’m not kidding,” Albert said. “Look, right now, kids are playing with the stuff. I saw little kids throwing rolls of it around on their lawns like it was a toy. So—”
“So your solution is to try and take it all away from people?”
“You’d rather see it wasted?”
“Yeah, actually,” Astrid huffed. “Rather than you getting it all for yourself. You’re acting like a jerk.”
Albert’s eyes flared. “Look, Astrid, now kids know they can buy their way into the club with it. So they’re not going to waste it anymore.”
“No, they’re going to give it all to you,” she shot back. “And what happens when they need some?”
“Then there will still be some left because I made it valuable.”
“Valuable to you.”
“Valuable to everyone, Astrid.”
“It’s you taking advantage of kids dumb enough not to know any better. Sam, you have to put a stop to this.”
Sam had drifted away from the conversation, his head full of the music. He snapped back. “She’s right, Albert, this isn’t okay. You didn’t get permission—”
“I didn’t think I needed permission to give kids what they want. I mean, I’m not threatening anyone, saying, ‘Give me your toilet paper, give me your batteries.’ I’m just playing some music and saying, ‘If you want to come in and dance, then it’ll cost you.’”
“Dude, I respect you being ambitious and all,” Sam said. “But I have to shut this down. You never got permission, even, let alone asked us if it was okay to charge people.”
Albert said, “Sam, I respect you more than I can even say. And Astrid, you are way smarter than me. But I don’t see how you have the right to shut me down.”
That was it for Sam. “Okay, I tried to be nice. But I am the mayor. I was elected, as you probably remember, since I think you voted for me.”
“I did. I’d do it again, man. But Sam, Astrid, you guys are wrong here. This club is about all these kids have that can get them together for a good time. They’re sitting in their homes starving and feeling sad and scared. When they’re dancing, they forget how hungry and sad they are. This is a good thing I’m doing.”
Sam stared hard at Albert, a stare that kids in Perdido Beach took seriously. But Albert did not back down.
“Sam, how many cantaloupes did Edilio manage to bring back with kids who were rounded up and forced to work?” Albert asked.
“Not many,” Sam admitted.
“Orc picked a whole truckload of cabbage. Before the zekes figured out how to get at him. Because we paid Orc to work.”
“He did it because he’s the world’s youngest alcoholic and you paid him with beer,” Astrid snapped. “I know what you want, Albert. You want to get everything for yourself and be this big, important guy. But you know what? This is a whole new world. We have a chance to make it a better world. It doesn’t have to be about some people getting over on everyone else. It can be fair to everyone.”
Albert laughed. “Everyone can be equally hungry. In a week or so, everyone can starve.
”
”
Michael Grant (Hunger (Gone, #2))
“
You’re in love with him,” Sandra said in a delighted whisper. Lily thought of her half-section of land, of the corn crops and fruit trees that would one day grow there. She forced herself to remember that Caleb wanted to keep her, not marry her. And, of course, there was the fact that he was a soldier. “No!” she protested, guarding her dreams. Sandra folded her hands in her lap. Her amethyst eyes sparkled with mischief. “I don’t believe you.” “I don’t care,” Lily snapped, out of patience. Sandra laughed. “You needn’t be so testy about it. Caleb never loved me, Lily—I’m no worry to you.” “If he didn’t love you, why did the two of you get married?” Lily asked reasonably. Sandra’s slender shoulders moved in a pretty shrug. “My aunt and uncle are among Caleb’s oldest friends. I suppose we were sort of thrown together.” Lily found the courage to ask, “Did you love him?” Sandra thought carefully. “I don’t think I knew what love was until it was too late and I’d lost him.” A terrible sadness swept through Lily. “But you love him now?” “Yes,” Sandra said with a small, resigned sigh. “For all the good it does me. I had hoped Caleb might see things differently if I came back, but I was too late. You’re here.” Lily was sitting on the very edge of her chair. Not since her years with the Sommers family had she felt like such an intruder. “I’ll go back to Tylerville,” she promised. “If only the stage hasn’t left.” Sandra reached out and closed her hand over Lily’s. “You mustn’t go—you belong here, with Caleb.” “You seem to think this is much more serious than it is,” Lily hastened to explain. “I hardly know Caleb. We sat together in church, and he came to supper one night, but—” “His eyes glowed when he told me about the picnic,” Sandra interrupted. Lily wondered if he’d mentioned kissing her. “He—he told you?” “We talk about everything,” Sandra said. “Caleb regards me as a friend.” These
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Linda Lael Miller (Lily and the Major (Orphan Train, #1))
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For the first part of the journey Maia kept her eyes on the side of the road. Now that she was really leaving her friends it was hard to hold back her tears.
She had reached the gulping stage when she heard a loud snapping noise and turned her head. Miss Minton had opened the metal clasp of her large black handbag and was handing her a clean handkerchief, embroidered with the initial A.
“Myself,” said the governess in her deep gruff voice, “I would think how lucky I was. How fortunate.”
“To go to the Amazon, you mean?”
“To have so many friends who were sad to see me go.”
“Didn’t you have friends who minded you leaving?”
Miss Minton’s thin lips twitched for a moment.
“My sister’s canary, perhaps. If he had understood what was happening. Which is extremely doubtful.
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Eva Ibbotson (Journey to the River Sea)
“
Ten minutes later, the locks on the door that led to the cells snapped open and another guard ushered Mandy Kerrigan into the room. Robin thought that Mandy looked sad and defeated. Her shoulders slumped, and the ferocity that had unnerved Robin when they fought was nowhere to be found.
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Phillip Margolin (Betrayal (Robin Lockwood #7))
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Dad lets out a sigh. “You’re right. I’m sorry. Well, did you ask Billy to explain what’s going on?” “He said it’s not what I think it is. That he would never cheat on me. But he was so cagey and weird, and when I asked him to prove it by showing me the messages on his phone, he looked like a deer in headlights. It was like dating Ezra all over again.” I freeze when my father’s eyes snap to mine. Oh, shit. I slap my hand over my mouth and frantically shake my head. “No. Forget I said that last part.” He braces his arms on the table and looks down. We sit in silence for several minutes. “I wondered if Ezra was Marley’s father. She has his dark hair. And Billy punched him in the face. The better I got to know Billy, the more I realized he wasn’t just a loose cannon, that he must’ve had a good reason for doing that, but I didn’t want to believe the kid I treated like my own son would get you pregnant and then bail on you.” Finally, he looks at me. “I’m assuming you told Ezra the truth?” It’s a sad day when my father wonders whether I told the father of my baby I was pregnant. After how I behaved back then, I guess I deserve that doubt. “Of course.” “And he didn’t want to be involved?” “His response was basically, ‘Fuck no, I don’t want a baby.’” I take a deep breath. “Swear to me you won’t say anything. Because I promised Ezra I wouldn’t tell you the truth if he dropped the charges against Billy.
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Lex Martin (Heartbreaker Handoff (Varsity Dads #5))
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What’s it about, then?” the mob queen snapped back.
Io’s mouth opened─but she couldn’t think of an answer. Sadness? Sorrow for the family she’d thought she had, the love she had lost? Ah, there was the right word─
“Loss,” Io whispered.
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Kika Hatzopoulou (Hearts That Cut (Threads That Bind, #2))
“
I'm like a butterfly that you held on to too tight
Who's wings you snapped before they could take flight
Who's spirit you crushed because you loved to harshly
And I blamed you so much for my sadness oddly
When you were just afraid... too afraid to lose me
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Sharnice Miles (You're welcome)
“
I'm like a butterfly that you held on to too tight
Who's wings you snapped before they could take flight
Who's spirit you crushed because you loved too harshly
And I blamed you so much for my sadness oddly
When you were just afraid... too afraid to lose me
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Sharnice Miles (You're welcome)
“
What was that about the family investment project?” she asks. “Just that without your cooperation your family will likely go the way of the bird,” her mother cuts in before Sirhan can muster a reply. “Not that I expect you to care.” Boris butts in. “Core worlds are teeming with corporates. Is bad business for us, good business for them. If you are seeing what we are seen—” “Don’t remember you being there,” Pierre says grumpily. “In any event,” Sirhan says smoothly, “the core isn’t healthy for us one-time fleshbodies anymore. There are still lots of people there, but the ones who uploaded expecting a boom economy were sadly disappointed. Originality is at a premium, and the human neural architecture isn’t optimized for it—we are, by disposition, a conservative species, because in a static ecosystem that provides the best return on sunk reproductive investment costs. Yes, we change over time—we’re more flexible than almost any other animal species to arise on Earth—but we’re like granite statues compared to organisms adapted to life under Economics 2.0.” “You tell ’em, boy,” Pamela chirps, almost mockingly. “It wasn’t that bloodless when I lived through it.” Amber casts her a cool stare. “Where was I?” Sirhan snaps his fingers, and a glass of fizzy grape juice appears between them. “Early upload entrepreneurs forked repeatedly, discovered they could scale linearly to occupy processor capacity proportional to the mass of computronium available, and that computationally trivial tasks became tractable. They could also run faster, or slower, than real time. But they were still human, and unable to operate effectively outside human constraints. Take
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Charles Stross (Accelerando)