Snakes In Family Quotes

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You show me a boy who brings a snake home to his mother and I'll show you an orphan.
Erma Bombeck (Family - The Ties That Bind...And Gag!)
Her brother has a disease, an illness with the shape and sound of a snake. It slithers through the branches of our family tree. It must have broken her heart, to know that I was next.
Nathan Filer (The Shock of the Fall)
She remembered the story from her childhood, about Adam and Eve in the garden, and the talking snake. Even as a little girl she had said - to the consternation of her family - What kind of idiot was Eve, to believe a snake? But now she understood, for she had heard the voice of the snake and had watched as a wise and powerful man had fallen under its spell. Eat the fruit and you can have the desires of your heart. It's not evil, it's noble and good. You'll be praised for it. And it's delicious.
Orson Scott Card (Shadow of the Hegemon (The Shadow Series, #2))
Without the threat of death, it wouldn’t have been much of a lesson,” said Dr. Gaul. “What happened in the arena? That’s humanity undressed. The tributes. And you, too. How quickly civilization disappears. All your fine manners, education, family background, everything you pride yourself on, stripped away in the blink of an eye, revealing everything you actually are. A boy with a club who beats another boy to death. That’s mankind in its natural state.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
And you didn’t have to like your family. The bond was a given.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
And somewhat as in blind night, on a mild sea, a sailor may be made aware of an iceberg, fanged and mortal, bearing invisibly near, by the unwarned charm of its breath, nothingness now revealed itself: that permanent night upon which the stars in their expiring generations are less than the glinting of gnats, and nebulae, more trivial than winter breath; that darkness in which eternity lies bent and pale, a dead snake in a jar, and infinity is the sparkling of a wren blown out to sea; that inconceivable chasm of invulnerable silence in which cataclysms of galaxies rave mute as amber.
James Agee (A Death in the Family)
For is it not said That Girl Knows No Fear, and Dammit, Fran, She's Going To Get Herself Et, and This Is From Your Side Of The Family, Jonathan, No One In My Family Has Ever Hugged A Basilisk Before?
Seanan McGuire (Snakes and Ladders (InCryptid, #0.12))
But when Tel Hasani wasn't looking, he cast a worried eye over the snake, just incase there were any family resemblances.
Darren Shan (The Thin Executioner)
It was particularly vexing because the bulk of the Snow family fortune had also been invested in munitions — but in District 13.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Is there a space for them?” There wasn’t. But there should be, he thought, given how fractured families were by the war. There should be a place for anyone who cared for you at all. In fact, maybe that should be the question to start with: Who cares about you? Or even better, Who can you count on?
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Each of us is a product of our family, environment, friends, education, culture, and society. These conditions lead to a certain way of seeing things and a certain way of responding to things. When we see this, we have compassion for everyone, including ourselves. We see that if we want something to change, we also have to help change his or her family, environment, friends, education, culture, and society. We are responsible, directly or indirectly, for each person's consciousness attitudes.
Thich Nhat Hanh (Thundering Silence: Sutra on Knowing the Better Way to Catch a Snake)
I wanted a settled life and a shocking one. Think of Van Gogh, cypress trees and church spires under a sky of writhing snakes. I was my father's daughter. I wanted to be loved by someone like my tough judicious mother and I wanted to run screaming through the headlights with a bottle in my hand. That was the family curse. We tended to nurse flocks of undisciplined wishes that collided and canceled each other out. The curse implied that if we didn't learn to train our desires in one direction or another we were likely to end up with nothing. Look at my father and mother today. I married in my early twenties. When that went to pieces I loved a woman. At both of those times and at other times, too, I believed I had focused my impulses and embarked on a long victory over my own confusion. Now, in my late thirties, I knew less than ever about what I wanted. In place of youth's belief in change I had begun to feel a nervous embarrassment that ticked inside me like a clock. I'd never meant to get this far in such an unfastened condition. (p.142)
Michael Cunningham (A Home at the End of the World)
The center was not holding. It was a country of bankruptcy notices and public-auction announcements and commonplace reports of casual killings and misplaced children and abandoned homes and vandals who misplaced even the four-letter words they scrawled. It was a country in which families routinely disappeared, trailing bad checks and repossession papers. Adolescents drifted from city to torn city, sloughing off both the past and the future as snakes shed their skins, children who were never taught and would never now learn the games that had held the society together. People were missing. Children were missing. Parents were missing. Those left behind filed desultory missing- persons reports, then moved on themselves.
Joan Didion
He told me about his slow realization that when one person in a family was sick, the whole family was sick. In Jason's case, the sick person was his father, who was nice enough when he was sober, but mean as a snake when he was drunk.
Lauren Myracle (Shine)
There wasn’t. But there should be, he thought, given how fractured families were by the war. There should be a place for anyone who cared for you at all. In fact, maybe that should be the question to start with: Who cares about you? Or even better, Who can you count on?
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
The Claudians," I observed, "are a family of insane hereditary criminals.
John Maddox Roberts
The gift has never kept our family safe, Grandmother had warned. A reassuring thought as Frank hunted poisonous fire-breathing devil snakes.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
In short, the physician swears to be discrete, worthy of confidence, admissible (without subsequent jeopardy or public embarrassment) into the privacy of one’s home and familial life.
T.A. Cavanaugh (Hippocrates' Oath and Asclepius' Snake: The Birth of a Medical Profession)
Pegasus's dad was poseidon, the god of the sea, and his mom was Medusa, and evil Gorgon who had fangs and lizard skin and living snakes for hair. And you thought your family was weird.
Evan Kuhlman (The Last Invisible Boy)
Low ceiling, stone walls, a dirt floor stamped with paw prints. I never go in without announcing myself. 'Hyaa!' I yell. 'Hyaa. Hyaa!' It's the sound my father makes when entering his toolshed, the cry of cowboys as they round up dogies, and it suggests a certain degree of authority. Snakes, bats, weasels --it's time to head up and move on out.
David Sedaris (Dress Your Family in Corduroy and Denim)
I stood as she straightened and snaked my arms around her, pulling her close to me, savoring the feel of every delicate curve. For three weeks, I spent my time convincing myself that our breakup was the right choice. But being this close to her, hearing her laugh, listening to her voice, I knew I had been telling myself lies. Her eyes widened when I lowered my head to hers. “It doesn’t have to be this way. We can find a way to make us work.” She tilted her head and licked her lips, whispering through shallow breaths, “You’re not playing fair.” “No, I’m not.” Echo thought too much. I threaded my fingers into her hair and kissed her, leaving her no opportunity to think about what we were doing. I wanted her to feel what I felt. To revel in the pull, the attraction. Dammit, I wanted her to undeniably love me. Her pack hit the floor with a resounding thud and her magical fingers explored my back, neck and head. Echo’s tongue danced manically with mine, hungry and excited. Her muscles stiffened when her mind caught up. I held her tighter to me, refusing to let her leave so easily again. Echo pulled her lips away, but was unable to step back from my body. “We can’t, Noah.” “Why not?” I shook her without meaning to, but if it snapped something into place, I’d shake her again. “Because everything has changed. Because nothing has changed. You have a family to save. I …” She looked away, shaking her head. “I can’t live here anymore. When I leave town, I can sleep. Do you understand what I’m saying?” I did. I understood all too well, as much as I hated it. This was why we ignored each other. When she walked away the first time, my damn heart ruptured and I swore I’d never let it happen again. Like an idiot, here I was setting off explosives. Both of my hands wove into her hair again and clutched at the soft curls. No matter how I tightened my grip, the strands kept falling from my fingers, a shower of water from the sky. I rested my forehead against hers. “I want you to be happy.” “You, too,” she whispered. I let go of her and left the main office. When I first connected with Echo, I’d promised her I would help her find her answers. I was a man of my word and Echo would soon know that.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
They arrived home again to a most peculiar sight. The small garden at the front of the Banana House had been transformed. A tidal wave of cushions, beanbags, quilts, hearth rugs, and sleeping bags appeared to have swept up the lawn and broken at the wall. From Indigo's window a multicolored rope of knotted bedsheets came snaking out and ended among the cushions. As Micheal and Caddy watched, a mattress emerged and fell to the ground, followed by a rain of pillows. "Indigo!" shouted Caddy, jumping out of the car. Indigo's and Rose's heads appeared in the window above. "It's all right, Caddy!" Indigo called cheerfully. "We've been doing it all the time you've been gone." "We keep finding more stuff to land on!" added Rose. "Look!
Hilary McKay (Saffy's Angel (Casson Family, #1))
The Whites always mean well when they take human fish out of the ocean and try to make them dry and warm and happy and comfortable in a chicken coop; but the kindest-hearted white man can always be depended on to prove himself inadequate when he deals with savages. He cannot turn the situation around and imagine how he would like it to have a well-meaning savage transfer him from his house and his church and his clothes and his books and his choice food to a hideous wilderness of sand and rocks and snow, and ice and sleet and storm and blistering sun, with no shelter, no bed, no covering for his and his family's naked bodies, and nothing to eat but snakes and grubs and offal. This would be a hell to him; and if he had any wisdom he would know that his own civilization is a hell to the savage - but he hasn't any, and has never had any; and for lack of it he shut up those poor natives in the unimaginable perdition of his civilization, committing his crime with the very best intentions, and saw those poor creatures waste away under his tortures; and gazed at it, vaguely troubled and sorrowful, and wondered what could be the matter with them.
Mark Twain (Following the Equator: A Journey Around the World)
While dragging herself up she had to hang onto the rail. Her twisted progress was that of a cripple. Once on the open deck she felt the solid impact of the black night, and the mobility of the accidental home she was about to leave. Although Lucette had never died before—no, dived before, Violet—from such a height, in such a disorder of shadows and snaking reflections, she went with hardly a splash through the wave that humped to welcome her. That perfect end was spoiled by her instinctively surfacing in an immediate sweep — instead of surrendering under water to her drugged lassitude as she had planned to do on her last night ashore if it ever did come to this. The silly girl had not rehearsed the technique of suicide as, say, free-fall parachutists do every day in the element of another chapter. Owing to the tumultuous swell and her not being sure which way to peer through the spray and the darkness and her own tentaclinging hair—t,a,c,l—she could not make out the lights of the liner, an easily imagined many-eyed bulk mightily receding in heartless triumph. Now I’ve lost my next note. Got it. The sky was also heartless and dark, and her body, her head,and particularly those damned thirsty trousers, felt clogged with Oceanus Nox, n,o,x. At every slap and splash of cold wild salt, she heaved with anise-flavored nausea and there was an increasing number, okay, or numbness, in her neck and arms. As she began losing track of herself, she thought it proper to inform a series of receding Lucettes—telling them to pass it on and on in a trick-crystal regression—that what death amounted to was only a more complete assortment of the infinite fractions of solitude. She did not see her whole life flash before her as we all were afraid she might have done; the red rubber of a favorite doll remained safely decomposed among the myosotes of an un-analyzable brook; but she did see a few odds and ends as she swam like a dilettante Tobakoff in a circle of brief panic and merciful torpor. She saw a pair of new vairfurred bedroom slippers, which Brigitte had forgotten to pack; she saw Van wiping his mouth before answering, and then, still withholding the answer, throwing his napkin on the table as they both got up; and she saw a girl with long black hair quickly bend in passing to clap her hands over a dackel in a half-tom wreath. A brilliantly illumined motorboat was launched from the not-too-distant ship with Van and the swimming coach and the oilskin-hooded Toby among the would-be saviors; but by that time a lot of sea had rolled by and Lucette was too tired to wait. Then the night was filled with the rattle of an old but still strong helicopter. Its diligent beam could spot only the dark head of Van, who, having been propelled out of the boat when it shied from its own sudden shadow, kept bobbing and bawling the drowned girl’s name in the black, foam-veined, complicated waters.
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
PRAYER IS AN EGG On Resurrection Day God will say, "What did you do with the strength and energy your food gave you on earth? How did you use your eyes? What did you make with your five senses while they were dimming and playing out? I gave you hands and feet as tools for preparing the ground for planting. Did you, in the health I gave, do the plowing?" You will not be able to stand when you hear those questions. You will bend double, and finally acknowledge the glory. God will say, "Lift your head and answer the questions." Your head will rise a little, then slump again. "Look at me! Tell what you've done." You try, but you fall back flat as a snake. "I want every detail. Say!" Eventually you will be able to get to a sitting position. "Be plain and clear. I have given you such gifts. What did you do with them?" You turn to the right looking to the prophet for help, as though to say, I am stuck in the mud of my life. Help me out of this! They will answer, those kings, "The time for helping is past. The plow stands there in the field. You should have used it. "Then you turn to the left, where your family is, and they will say, "Don't look at us! This conversation is between you and your creator." Then you pray the prayer that is the essence of every ritual: God, I have no hope. I am torn to shreds. You are my first and last and only refuge. Don't do daily prayers like a bird pecking, moving its head up and down. Prayer is an egg. Hatch out the total helplessness inside.
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
kill rats and mice. They call him the house snake. They keep a little mat for him by the fire, and at night he curl up there and sit with the family, just as friendly!
Willa Cather (The Song of the Lark)
We live in a society where every business has a huge scope. Even if you open a shop selling snakes people will buy it. Thinking they will direct them to their neighbors house.
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
He could not imagine what he and Sejanus had to discuss. Perhaps they’d found some mutual grievance — like how their families didn’t understand them — to whine about?
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
And you didn't have to like your family. The bond was a given.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
As part of the wealthy old guard of the Capitol, she was family. And you didn’t have to like your family. The bond was a given.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Well,” she said, “I hope you can prevail in the insane snake pit of the Oval Office and the crazy family as well.
Bob Woodward (Peril)
By Saturday, he almost looked forward to confronting Sejanus. He hoped it would come to blows. Someone should pay for the indignities of the Snow family, and who better than a Plinth?
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Coryo was a nickname for old friends. For family. For people Coriolanus loved. And this was the moment Sejanus decided to try it out? If he’d had the energy, Coriolanus would have reached over and strangled him.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Well, consider then, boy. Any man saves fingernail clippings is a fool. You ever see a snake bother to keep his peeled skin? That's about all you got here today in this bed is fingernails and snake skin. One good breath would send me up in flakes. Important thing is not the me that's lying here, but the me that's sitting on the edge of the bed looking back at me, and the me that's downstairs cooking supper, or out in the garage under the car, or in the library reading. All the new parts, they count. I'm not really dying today. No person ever died that had a family. I'll be around a long time. A thousand years from now a whole township of my offspring will be biting sour apples in the gumwood shade.
Ray Bradbury (Dandelion Wine)
Cece was all I had. Without her, I’d be totally alone in the world. Oh, God. I probed her gentle face, her receptive dream state. What would I do without you? Stop it, my brain screamed. She’s here with you now. Thats what matters. I took a deep breath to quell my anxiety. Try to. I needed her. Cece was a part of me now. The me that felt solid and sure and strong. She was the one thing in my life that kept me going, made me happy. And that happiness hadn't come without a price. I'd given up a lot to be with Cece: my home, friends, family. Maybe even my future family. Plus this sense of belonging I’d always had. The sense of fitting in, knowing where I stood. It might not be so bad if could be like her. Out. Proud. With a new place of belonging in the gay community. With new friends. A new family. But what I’d lost was insignificant compared to what I’d found. Me. The missing part of myself. And Cece. Knowing love. Being loved. “Please, God," I whispered into the night. “Let me be loved.” Beside me, Cece whimpered a little and rolled onto her side. She snaked an arm around my hip and pulled me close. Cece gave me life, she nurtured me, and I burrowed into the warm cocoon of her. –Ch.22
Julie Anne Peters (Keeping You a Secret)
Most people are honest, loyal, law-abiding citizens who focus their energy on making a living, raising a family, and contributing to society. Others are more selfish, concerned only about themselves, and appear to lack a moral compass. These individuals display little regard for others, allowing their need for power and prestige to override their sense of fairness and equity.1 Unfortunately, some individuals in the business world allow the responsibilities of leadership and the perquisites of power to override their moral sense.
Paul Babiak (Snakes in Suits, Revised Edition: Understanding and Surviving the Psychopaths in Your Office)
Snakes can lead to triumph, just as ladders can be descended: my grandfather, knowing I would die anyway, administered the cobra poison. The family stood and watched while poison spread through the child’s body … and six hours later, my temperature had returned to normal.
Salman Rushdie (Midnight’s Children)
There was a time—the year after leaving, even five years after when this homely street, with its old-fashioned high crown, its sidewalk blocks tugged up and down by maple roots, its retaining walls of sandstone and railings of painted iron and two-family brickfront houses whose siding imitates gray rocks, excited Rabbit with the magic of his own existence. These mundane surfaces had given witness to his life; this cup had held his blood; here the universe had centered, each downtwirling maple seed of more account than galaxies. No more. Jackson Road seems an ordinary street anywhere. Millions of such American streets hold millions of lives, and let them sift through, and neither notice nor mourn, and fall into decay, and do not even mourn their own passing but instead grimace at the wrecking ball with the same gaunt facades that have outweathered all their winters. However steadily Mom communes with these maples—the branches’ misty snake-shapes as inflexibly fixed in these two windows as the leading of stained glass—they will not hold back her fate by the space of a breath; nor, if they are cut down tomorrow to widen Jackson Road at last, will her staring, that planted them within herself, halt their vanishing. And the wash of new light will extinguish even her memory of them. Time is our element, not a mistaken invader. How stupid, it has taken him thirty-six years to begin to believe that.
John Updike (Rabbit Redux (Rabbit Angstrom, #2))
Not a single family finds itself exempt from that one haunted casualty who suffered irreparable damage in the crucible they entered at birth. Where some children can emerge from conditions of soul-killing abuse and manage to make their lives into something of worth and value, others can’t limp away from the hurts and gleanings time decanted for them in flawed beakers of memory. They carry the family cross up the hill toward Calvary and don’t mind letting every other member of their aggrieved tribe in on the source of their suffering. There is one crazy that belongs to each of us: the brother who kills the spirit of any room he enters; the sister who’s a drug addict in her teens and marries a series of psychopaths, always making sure she bears their children, who carry their genes of madness to the grave. There’s the neurotic mother who’s so demanding that the sound of her voice over the phone can cause instant nausea in her daughters. The variations are endless and fascinating. I’ve never attended a family reunion where I was not warned of a Venus flytrap holding court among the older women, or a pitcher plant glistening with drops of sweet poison trying to sell his version of the family maelstrom to his young male cousins. When the stories begin rolling out, as they always do, one learns of feuds that seem unbrokerable, or sexual abuse that darkens each tale with its intimation of ruin. That uncle hates that aunt and that cousin hates your mother and your sister won’t talk to your brother because of something he said to a date she later married and then divorced. In every room I enter I can sniff out unhappiness and rancor like a snake smelling the nest of a wren with its tongue. Without even realizing it, I pick up associations of distemper and aggravation. As far as I can tell, every family produces its solitary misfit, its psychotic mirror image of all the ghosts summoned out of the small or large hells of childhood, the spiller of the apple cart, the jack of spades, the black-hearted knight, the shit stirrer, the sibling with the uncontrollable tongue, the father brutal by habit, the uncle who tried to feel up his nieces, the aunt too neurotic ever to leave home. Talk to me all you want about happy families, but let me loose at a wedding or a funeral and I’ll bring you back the family crazy. They’re that easy to find.
Pat Conroy (The Death of Santini: The Story of a Father and His Son)
I ask him if he tried to rape Nyla. “Laws are silent in times of war,” Tactus drawls. “Don’t quote Cicero to me,” I say. “You are held to a higher standard than a marauding centurion.” “In that, you’re hitting the mark at least. I am a superior creature descended from proud stock and glorious heritage. Might makes right, Darrow. If I can take, I may take. If I do take, I deserve to have. This is what Peerless believe.” “The measure of a man is what he does when he has power,” I say loudly. “Just come off it, Reaper,” Tactus drawls, confident in himself as all like him are. “She’s a spoil of war. My power took her. And before the strong, bend the weak.” “I’m stronger than you, Tactus,” I say. “So I can do with you as I wish. No?” He’s silent, realizing he’s fallen into a trap. “You are from a superior family to mine, Tactus. My parents are dead. I am the sole member of my family. But I am a superior creature to you.” He smirks at that. “Do you disagree?” I toss a knife at his feet and pull my own out. “I beg you to voice your concerns.” He does not pick his blade up. “So, by right of power, I can do with you as I like.” I announce that rape will never be permitted, and then I ask Nyla the punishment she would give. As she told me before, she says she wants no punishment. I make sure they know this, so there are no recriminations against her. Tactus and his armed supporters stare at her in surprise. They don’t understand why she would not take vengeance, but that doesn’t stop them from smiling wolfishly at one another, thinking their chief has dodged punishment. Then I speak. “But I say you get twenty lashes from a leather switch, Tactus. You tried to take something beyond the bounds of the game. You gave in to your pathetic animal instincts. Here that is less forgivable than murder; I hope you feel shame when you look back at this moment fifty years from now and realize your weakness. I hope you fear your sons and daughters knowing what you did to a fellow Gold. Until then, twenty lashes will serve.” Some of the Diana soldiers step forward in anger, but Pax hefts his axe on his shoulder and they shrink back, glaring at me. They gave me a fortress and I’m going to whip their favorite warrior. I see my army dying as Mustang pulls off Tactus’s shirt. He stares at me like a snake. I know what evil thoughts he’s thinking. I thought them of my floggers too. I whip him twenty brutal times, holding nothing back. Blood runs down his back. Pax nearly has to hack down one of the Diana soldiers to keep them from charging to stop the punishment. Tactus barely manages to stagger to his feet, wrath burning in his eyes. “A mistake,” he whispers to me. “Such a mistake.” Then I surprise him. I shove the switch into his hand and bring him close by cupping my hand around the back of his head. “You deserve to have your balls off, you selfish bastard,” I whisper to him. “This is my army,” I say more loudly. “This is my army. Its evils are mine as much as yours, as much as they are Tactus’s. Every time any of you commit a crime like this, something gratuitous and perverse, you will own it and I will own it with you, because when you do something wicked, it hurts all of us.” Tactus stands there like a fool. He’s confused. I shove him hard in the chest. He stumbles back. I follow him, shoving. “What were you going to do?” I push his hand holding the leather switch back toward his chest. “I don’t know what you mean …” he murmurs as I shove him. “Come on, man! You were going to shove your prick inside someone in my army. Why not whip me while you’re at it? Why not hurt me too? It’ll be easier. Milia won’t even try to stab you. I promise.” I shove him again. He looks around. No one speaks. I strip off my shirt and go to my knees. The air is cold. Knees on stone and snow. My eyes lock with Mustang’s. She winks at me and I feel like I can do anything.
Pierce Brown (Red Rising (Red Rising Saga, #1))
What happened in the arena? That’s humanity undressed. The tributes. And you, too. How quickly civilization disappears. All your fine manners, education, family background, everything you pride yourself on, stripped away in the blink of an eye, revealing everything you actually are. A boy with a club who beats another boy to death. That’s mankind in its natural state.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Remember me. I will be with you in the grave on the night you leave behind your shop and your family. When you hear my soft voice echoing in your tomb, you will realize that you were never hidden from my eyes. I am the pure awareness within your heart, with you during joy and celebration, suffering and despair. On that strange and fateful night you will hear a familar voice -- you'll be rescued from the fangs of snakes and the searing sting of scorpions. The euphoria of love will sweep over your grave; it will bring wine and friends, candles and food. When the light of realization dawns, shouting and upheaval will rise up from the graves! The dust of ages will be stirred by the cities of ecstasy, by the banging of drums, by the clamor of revolt! Dead bodies will tear off their shrouds and stuff their ears in fright-- What use are the senses and the ears before the blast of that Trumpet? Look and you will see my form whether you are looking at yourself or toward that noise and confusion. Don't be blurry-eyed, See me clearly- See my beauty without the old eyes of delusion. Beware! Beware! Don't mistake me for this human form. The soul is not obscured by forms. Even if it were wrapped in a hundred folds of felt the rays of the soul's light would still shine through. Beat the drum, Follow the minstrels of the city. It's a day of renewal when every young man walks boldly on the path of love. Had everyone sought God Instead of crumbs and copper coins T'hey would not be sitting on the edge of the moat in darkness and regret. What kind of gossip-house have you opened in our city? Close your lips and shine on the world like loving sunlight. Shine like the Sun of Tabriz rising in the East. Shine like the star of victory. Shine like the whole universe is yours!
Jalal ad-Din Muhammad ar-Rumi (Rumi: In the Arms of the Beloved)
If you give the average teenager a choice to go to the Amazon to build a mud hut for the poor while fighting off hungry pythons or going to their school cafeteria and dropping the “J Bomb” on a group of their friends, most teenagers would pick the pythons. Why? Because the average teenager would rather risk getting choked by a giant snake than getting choked out of their social circle!
Chap Clark (Youth Ministry in the 21st Century (Youth, Family, and Culture): Five Views)
जटाटवीगलज्जलप्रवाहपावितस्थले गलेऽवलम्ब्य लम्बितां भुजङ्गतुङ्गमालिकाम्। डमड्डमड्डमड्डमन्निनादवड्डमर्वयं चकार चण्ड्ताण्डवं तनोतु नः शिवः शिवम्॥ १॥ His neck, with thick forest-like locks of hair, holy by water flowing, On his neck, as garland whom none pair, lofty snake is hanging, His `Damaru’ drum with its Damat Damat Damat in air echoing, Shiv - auspicious Tandava dances - may He prosperity be giving. 
Munindra Misra (Lord Shiv & Family: In English Rhyme)
his deep relief on winning the war, and the grim satisfaction of seeing the Capitol's enemies, who'd treated him so cruelly, who'd cost his family so much, brought to their knees. Hobbled. Impotent. Unable to hurt him anymore. He'd loved the unfamiliar sense of safety that their defeat had brought. The security that could only come with power. The ability to control things. Yes, that was what he'd loved best of all.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
President Theodore Roosevelt (after whom the Teddy Bear is named) was particularly fond of animals, having five guinea pigs called Dr. Johnson, Bishop Doane, Fighting Bob Evans, Admiral Dewey, and Father O’Grady. He also owned a small bear called Jonathan Edwards, a lizard by the name of Bill, Baron Spreckle (a hen), a badger called Josiah, Eli Yale the parrot and - brilliantly - a snake known to his family as Emily Spinach.
Jack Goldstein (101 Amazing Facts)
See that?” Rudy talked over her, puffing out his chest a bit. “I’m officially on guard duty, which proves that my family thinks I deserved an upgrade in responsibility. I mean, even I lost count of how many times I saved your lives on the last quest. My parents are calling me by my full title now: Prince Rudra of Naga-Loka, Heir of the Jewel-Strewn Seas. And I even have facial hair.” Rudy angled his face up and Aru saw a single sad hair beneath his nose. “Last time I saw you, your mom called you ‘Baby Snekky-Snake’ and carried you into a fountain,” said Mini with a little edge to her voice. Aru snickered. “Also, that is a hair,” said Aiden. That’s because I had to shave the rest! It was getting unruly!” Rudy scowled. “And my mom was using my DJ name then….” “DJ Baby Snekky-Snake?” asked Aiden. “The music industry is crowded—I need to distinguish myself,” grumbled Rudy.
Roshani Chokshi (Aru Shah and the City of Gold (Pandava, #4))
One of our most dangerous missions before hunting season is de-snaking our blinds. Because of the location of most of our blinds, they’re a hot spot for cottonmouth moccasins and other venomous snakes. During one cleaning we killed a couple of cottonmouths and a black widow spider. Phil walked out onto the shooting porch and said, “I think we got it.” As I looked at Phil, I saw a cottonmouth hanging from a button willow only inches from his head. After prompting my dad to duck, I shot the snake over his head.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
One night, as I cooked dinner in our home on the zoo grounds, I brooded over my troubles. I didn’t want to spend the evening feeling sorry for myself, so I thought about Steve out in the back, fire-gazing. He was a very lucky man, because for Steve, fire-gazing literally meant getting to build a roaring fire and sitting beside it, to contemplate life. Suddenly I heard him come thundering up the front stairs. He burst wild-eyed into the kitchen. He’s been nailed by a snake, I thought immediately. I didn’t know what was going on. “I know what we have to do!” he said, extremely excited. He pulled me into the living room, sat me down, and took my hands in his. Looking intensely into my eyes, he said, “Babe, we’ve got to have children.” Wow, I thought, that must have been some fire. “Ok-aaay,” I said. “You don’t understand, you don’t understand!” he said, trying to catch me up to his thoughts. “Everything we’ve been working for, the zoo that we’ve been building up, all of our efforts to protect wildlife, it will all stop with us!” As with every good idea that came into his head, Steve wanted to act on it immediately. Just take it in stride, I said to myself. But he was so sincere. We’d talked about having children before, but for some reason it hit him that the time was now. “We have got to have children,” he said. “I know that if we have kids, they will carry on when we’re gone.” “Great,” I said. “Let’s get right on that.” Steve kept pacing around the living room, talking about all the advantages of having kids--how I’d been so passionate about carrying on with the family business back in Oregon, and how he felt the same way about the zoo. He just knew our kids would feel the same too. I said, “You know, there’s no guarantee that we won’t have a son who grows up to be a shoe salesman in Malaysia.” “Come off the grass,” Steve said. “Any kid of ours is going to be a wildlife warrior.” I thought of the whale calves following their mamas below the cliffs of the Great Australian Bight and prepared myself for a new adventure with Steve, maybe the greatest adventure of all.
Terri Irwin (Steve & Me)
I have a capital story which is quite new to me. The hero is a certain Professor Alexander, a philosopher, at Leeds, but I have no doubt that the story is older than he. He is said to have entered a railway carriage with a large perforated cardboard box which he placed on his knees. The only other occupant was an inquisitive woman. She stood it as long as she could, and at last, having forced him into conversation and worked the talk round (you can fill in that part of the story yourself) ventured to ask him directly what was in the box. ‘A mongoose madam.’ The poor woman counted the telegraph posts going past for a while and again could bear her curiosity no further. ‘And what are you going to do with the mongoose?’ she asked. ‘I am taking it to a friend who is unfortunately suffering from delirium tremens.’ ‘And what use will a mongoose be to him?’ ‘Why, Madam, as you know, the people who suffer from that disease find themselves surrounded with snakes: and of course a mongoose eats snakes.’ ‘Good Heavens!’ cried the lady, ‘but you don’t mean that the snakes are real?’ ‘Oh dear me, no said the Professor with imperturbable gravity. ‘But then neither is the mongoose!
C.S. Lewis (The Collected Letters of C.S. Lewis, Volume 1: Family Letters, 1905-1931)
I was naturally drawn to those like me. “The person I talk to most,” I wrote to my family in my first letter home, “is from Leslie County, Kentucky. He talks like he’s from Jackson. I was telling him how much bullshit it was that Catholics got all the free time they did. They get it because of the way the church schedule works. He is definitely a country kid, ’cause he said, ‘What’s a Catholic?’ And I told him that it was just another form of Christianity, and he said, ‘I might have to try that out.’” Mamaw understood precisely where he came from. “Down in that part of Kentucky, everybody’s a snake handler,” she wrote back, only partially joking.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Grandparents For many peoples of black Africa, ancestors are the spirits that live in the tree beside your house or in the cow grazing in the field. The great-grandfather of your great-great-grandfather is now that stream snaking down the mountainside. Your ancestor could also be any spirit that decides to accompany you on your voyage through the world, even if he or she was never a relative or an acquaintance. The family has no borders, explains Soboufu Somé of the Dagara people: “Our children have many mothers and many fathers. As many as they wish.” And the ancestral spirits, the ones that help you make your way, are the many grandparents that each of you has. As many as you wish.
Eduardo Galeano (Mirrors: Stories of Almost Everyone)
Forgive me,” he said tightly. “That was uncalled for.” “It certainly was,” Maria said. “She was saying nice things about you.” His gaze shot to her. “She was pointing out, yet again, how I’ve failed my family.” “If you don’t like it,” Maria countered, “why don’t you stop failing them?” “Touche, Maria,” Minerva said softly. Gritting his teeth, Oliver turned his gaze out the window, no doubt wishing he could be well away from them all. And as he retreated into himself, Minerva began to tell one story after another about Oliver as a boy. Maria didn’t want to be enchanted by them, but she couldn’t help herself. She laughed at the tale of how he’d fallen into the pond in front of Halstead Hall while trying to “charm” fish into the boat the way Indians charmed snakes out of their baskets. She tried not to laugh at the one where he coaxed Gabe into sharing Gabe’s piece of cake by claiming that it might have been poisoned, requiring Oliver to “taste it and make sure it was safe.” But the tale about some lad pulling five-year-old Minerva’s hair, and Oliver jumping to her rescue by punching Minerva’s attacker, made Maria want to cry. The Oliver who’d defended his sister still existed-she glimpsed him from time to time. So where had the other, carefree Oliver gone? His siblings didn’t seem nearly as bitter over the tragedy of their parents’ deaths as he. Was it simply because he’d been older? Or did something else about it plague him?
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Lucy Gray drew back a bit. “That’s what you think people would do?” “I do. Unless there’s law, and someone enforcing it, I think we might as well be animals,” he said with more assurance. “Like it or not, the Capitol is the only thing keeping anyone safe.” “Hm. So they keep me safe. And what do I give up for that?” she asked. Coriolanus poked at the fire with a stick. “Give up? Why, nothing.” “The Covey did,” she said. “Can’t travel. Can’t perform without their say-so. Can only sing certain types of songs. Fight getting round up, and you get shot dead like my daddy. Try to keep your family together, and you get your head broken like my mama. What if I think that price is too high to pay? Maybe my freedom’s worth the risk.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Shockers take six months of training and still occasionally kill their users. Why did you implant them in the first place?” “Because you kidnapped me.” “That’s the stupidest thing I’ve ever heard.” “Mr. Rogan.” My voice frosted over. “What I put into my body is my business.” Okay, that didn’t sound right. I gave up and marched out the doors into the sunlight. That was so dumb. Sure, try your magic sex touch on me, what could happen? My whole body was still keyed up, wrapped up in want and anticipation. I had completely embarrassed myself. If I could fall through the floor, I would. “Nevada,” he said behind me. His voice rolled over me, tinted with command and enticing, promising things I really wanted. You’re a professional. Act like one. I gathered all of my will and made myself sound calm. “Yes?” He caught up with me. “We need to talk about this.” “There is nothing to discuss,” I told him. “My body had an involuntary response to your magic.” I nodded at the poster for Crash and Burn II on the wall of the mall, with Leif Magnusson flexing with two guns while wrapped in flames. “If Leif showed up in the middle of this parking lot, my body would have an involuntary response to his presence as well. It doesn’t mean I would act on it.” Mad Rogan gave Leif a dismissive glance and turned back to me. “They say admitting that you have a problem is the first step toward recovery.” He was changing his tactics. Not going to work. “You know what my problem is? My problem is a homicidal pyrokinetic Prime whom I have to bring back to his narcissistic family.” We crossed the road to the long parking lot. Grassy dividers punctuated by small trees sectioned the lot into lanes, and Mad Rogan had parked toward the end of the lane, by the exit ramp. “One school of thought says the best way to handle an issue like this is exposure therapy,” Mad Rogan said. “For example, if you’re terrified of snakes, repeated handling of them will cure it.” Aha. “I’m not handling your snake.” He grinned. “Baby, you couldn’t handle my snake.” It finally sank in. Mad Rogan, the Huracan, had just made a pass at me. After he casually almost strangled a woman in public. I texted to Bern, “Need pickup at Galeria IV.” Getting into Rogan’s car was out of the question.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
When the water rose on the Ouachita River, creatures without fins and gills climbed to higher ground, and the first place they seemed to go was our houses. The culprits that caused us the most misery were ants, rats, and snakes. One particular day, when I was only a kid, I heard shotgun blasts near my grandmother’s house, and I went next door to investigate. Then another shot rang out! I looked a little more closely and saw a big fish snake in the water, and whoever was shooting at it had done so with a surgical strike. As my grandparents’ porch came into view, I saw that my grandmother was the one doing the shooting! She chuckled and asked me, “Did you see that shot?” I couldn’t help thinking that maybe the reason my dad is such a good shot had something to do with what I’d just witnessed.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
Catching frogs can take a toll on your body. I have repeatedly been battered and actually was knocked out cold when I dove headfirst into a cypress tree. One time, I jumped out of a boat to catch a frog in a thicket, and as I lunged to grab the frog, a purple poisonous thorn stuck me behind the ear. I vomited for three days and my face was badly swollen. If it had stuck me in the temple, I probably would have died. My greatest frog catch occurred after our boat ran aground. I saw the biggest bullfrog I’ve ever seen! The problem was, there were three snakes in between the frog and me: a cottonmouth water moccasin, a nonvenomous water snake, and then a bigger fish snake. Undeterred, I triple-jumped the three snakes and grabbed the frog in one swoop. Then I triple-jumped back the other way without getting bit. It probably wasn’t the smartest thing I’ve ever done, but, hey, I got the frog!
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
Our life together was filled with contrasts. One week we were croc hunting with Dateline in Cape York. Only a short time after that, Steve and I found ourselves out of our element entirely, at the CableACE Award banquet in Los Angeles. Steve was up for an award as host of the documentary Ten Deadliest Snakes in the World. He lost out to the legendary Walter Cronkite. Any time you lose to Walter Cronkite, you can’t complain too much. After the awards ceremony, we got roped into an after-party that was not our cup of tea. Everyone wore tuxedos. Steve wore khaki. Everyone drank, smoked, and made small talk, none of which Steve did at all. We got separated, and I saw him across the room looking quite claustrophobic. I sidled over. “Why don’t we just go back up to our room?” I whispered into his ear. This proved to be a terrific idea. It fit in nicely with our plans for starting a family, and it was quite possibly the best seven minutes of my life! After our stay in Los Angeles, Steve flew directly back to the zoo, while I went home by way of one my favorite places in the world, Fiji. We were very interested in working there with crested iguanas, a species under threat. I did some filming for the local TV station and checked out a population of the brilliantly patterned lizards on the Fijian island of Yadua Taba. When I got back to Queensland, I discovered that I was, in fact, expecting. Steve and I were over the moon. I couldn’t believe how thrilled he was. Then, mid-celebration, he suddenly pulled up short. He eyed me sideways. “Wait a minute,” he said. “You were just in Fiji for two weeks.” “Remember the CableACE Awards? Where you got bored in that room full of tuxedos?” He gave me a sly grin. “Ah, yes,” he said, satisfied with his paternity (as if there was ever any doubt!). We had ourselves an L.A. baby.
Terri Irwin (Steve & Me)
I was a bird. I lived a bird's life from birth to death. I was born the thirty-second chick in the Jipu family. I remember everything in detail. I remember breaking out of the shell at birth. But I learned later that my mother had gently cracked the shell first to ease my way. I dozed under my mother's chest for the first few days. Her feathers were so warm and soft! I was strong, so I kicked away my siblings to keep the cozy spot. Just 10 days after I was born, I was given flying lessons. We all had to learn quickly because there were snakes and owls and hawks. My little brothers and sisters, who didn't practice enough, all died. My little sister looked so unhappy when she got caught. I can still see her face. Before I could fly, I hadn't known that our nest was on the second-lowest branch of a big tree. My parents chose the location wisely. Snakes could reach the lowest branch and eagles and hawks could attack us if we lived at the top. We soared through the sky, above mountains and forests. But it wasn't just for fun! We always had to watch out for enemies, and to hunt for food. Death was always nearby. You could easily starve or freeze to death. Life wasn't easy. Once, I got caught in a monsoon. I smacked into a tree and lay bleeding for days. Many of my family and friends died, one after another. To help rebuild our clan, I found myself a female and married her. She was so sweet. She laid many eggs, but one day, a human cut down the tree we lived in, crushing all the eggs and my beloved. A bird's life is an endless battle against death. I survived for many years before I finally met my end. I found a worm at some harvest festival. I came fluttering down. It was a bad mistake. Some big guy was waiting to ambush hungry little birdies like me. I heard my own guts pop. It was clear to me that I was going to die at last. And I wanted to know where I'd go when I died.
Osamu Tezuka (Buddha, Vol. 2: The Four Encounters (Buddha #2))
The way you see the change in a person you've been away from for a long time, where somebody who sees him every day, day in, day out, wouldn't notice because the change is gradual. All up the coast I could see the signs of what the Combine had accomplished since I was last through this country, things like, for example a train stopping at a station and laying a string of full-grown men in mirrored suits and machined hats, laying them like a hatch of identical insects, half-life things coming pht-pht-pht out of the last car, then hooting its electric whistle and moving on down the spoiled land to deposit another hatch. Or things like five thousand houses punched out identical by a machine and strung across the hills outside of town, so fresh from the factory theyre still linked together like sausages, a sign saying NEST IN THE WEST HOMES NO DWN. PAYMENT FOR VETS, a playground down the hill from the houses, behind a checker-wire fence and another sign that read ST. LUKE'S SCHOOL FOR BOYS there were five thousand kids in green corduroy pants and white shirts under green pullover sweaters playing crack-the-whip across an acre of crushed gravel. The line popped and twisted and jerked like a snake, and every crack popped a little kid off the end, sent him rolling up against the fence like a tumbleweed. Every crack. And it was always the same little kid, over and over. All that five thousand kids lived in those five thousand houses, owned by those guys that got off the train. The houses looked so much alike that, time and time again, the kids went home by mistake to different houses and different families. Nobody ever noticed. They ate and went to bed. The only one they noticed was the little kid at the end of the whip. He'd always be so scuffed and bruised that he'd show up out of place wherever he went. He wasn't able to open up and laugh either. It's a hard thing to laugh if you can feel the pressure of those beams coming from every new car that passes, or every new house you pass.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
There were six hundred thousand Indian troops in Kashmir but the pogrom of the pandits was not prevented, why was that. Three and a half lakhs of human beings arrived in Jammu as displaced persons and for many months the government did not provide shelters or relief or even register their names, why was that. When the government finally built camps it only allowed for six thousand families to remain in the state, dispersing the others around the country where they would be invisible and impotent, why was that. The camps at Purkhoo, Muthi, Mishriwallah, Nagrota were built on the banks and beds of nullahas, dry seasonal waterways, and when the water came the camps were flooded, why was that. The ministers of the government made speeches about ethnic cleansing but the civil servants wrote one another memos saying that the pandits were simply internal migrants whose displacement had been self-imposed, why was that. The tents provided for the refugees to live in were often uninspected and leaking and the monsoon rains came through, why was that. When the one-room tenements called ORTs were built to replace the tents they too leaked profusely, why was that. There was one bathroom per three hundred persons in many camps why was that and the medical dispensaries lacked basic first-aid materials why was that and thousands of the displaced died because of inadequate food and shelter why was that maybe five thousand deaths because of intense heat and humidity because of snake bites and gastroenteritis and dengue fever and stress diabetes and kidney ailments and tuberculosis and psychoneurosis and there was not a single health survey conducted by the government why was that and the pandits of Kashmir were left to rot in their slum camps, to rot while the army and the insurgency fought over the bloodied and broken valley, to dream of return, to die while dreaming of return, to die after the dream of return died so that they could not even die dreaming of it, why was that why was that why was that why was that why was that.
Salman Rushdie (Shalimar the Clown)
and, amongst others, my breviary with the gold corners, which I beg he will preserve in remembrance of his affectionate uncle.' "The heirs sought everywhere, admired the breviary, laid hands on the furniture, and were greatly astonished that Spada, the rich man, was really the most miserable of uncles — no treasures — unless they were those of science, contained in the library and laboratories. That was all. Caesar and his father searched, examined, scrutinized, but found nothing, or at least very little; not exceeding a few thousand crowns in plate, and about the same in ready money; but the nephew had time to say to his wife before he expired: `Look well among my uncle's papers; there is a will.' "They sought even more thoroughly than the august heirs had done, but it was fruitless. There were two palaces and a vineyard behind the Palatine Hill; but in these days landed property had not much value, and the two palaces and the vineyard remained to the family since they were beneath the rapacity of the pope and his son. Months and years rolled on. Alexander VI. died, poisoned, — you know by what mistake. Caesar, poisoned at the same time, escaped by shedding his skin like a snake; but the new skin was spotted by the poison till it looked like a tiger's. Then, compelled to quit Rome, he went and got himself obscurely killed in a night skirmish, scarcely noticed in history. After the pope's death and his son's exile, it was supposed that the Spada family would resume the splendid position they had held before the cardinal's time; but this was not the case. The Spadas remained in doubtful ease, a mystery hung over this dark affair, and the public rumor was, that Caesar, a better politician than his father, had carried off from the pope the fortune of the two cardinals. I say the two, because Cardinal Rospigliosi, who had not taken any precaution, was completely despoiled. "Up to this point," said Faria, interrupting the thread of his narrative, "this seems to you very meaningless, no doubt, eh?" "Oh, my friend," cried Dantes, "on the contrary, it seems as if I were
Alexandre Dumas (The Count Of Monte Cristo)
Correct me if I’m wrong. I’d love to be wrong. Ages ago, Loki had an affair with a giantess. They had three monstrous kids.’ ‘I was not one of them,’ Sam muttered. ‘I’ve heard all the jokes.’ Hearthstone winced, like he’d been wondering about that. ‘One,’ I said, ‘was a huge snake.’ ‘Jormungand,’ Sam said. ‘The World Serpent, which Odin threw into the sea.’ ‘The second was Hel,’ I continued. ‘She became, like, the goddess of the dishonourable dead.’ ‘And the third,’ Blitzen said, ‘was Fenris Wolf.’ His tone was bitter, full of pain. ‘Blitz,’ I said, ‘you sound like you know him.’ ‘Every dwarf knows of Fenris. That was the first time the Aesir came to us for help. Fenris grew so savage he would’ve devoured the gods. They tried to tie him up, but he broke every chain.’ ‘I remember,’ I said. ‘Finally the dwarves made a rope strong enough to hold him.’ ‘Ever since,’ Blitzen said, ‘the children of Fenris have been enemies of the dwarves.’ He looked up, his dark shades reflecting my face. ‘You’re not the only one who’s lost family to wolves, kid.’ I had a strange urge to hug him.
Rick Riordan (Magnus Chase: The Complete Series #1-3)
Mario “The Screwdriver” Tetragna—respected patriarch of his immediate blood family, much-feared don of the broader Tetragna Family that controlled drug traffic, gambling, prostitution, loan-sharking, pornography, and other organized criminal activity in San Francisco—was a five-foot-seven-inch, three-hundred-pound tub with a face as plump and greasy and smooth as an overstuffed sausage casing. It was hard to believe that this rotund specimen could have built an infamous criminal operation. True, Tetragna had been young once, but even then he would have been short, and he had the look of a man who’d been fat all his life. His pudgy, stubby-fingered hands reminded Vince of a baby’s hands. But they were the hands that ruled the Family’s empire. When Vince had looked into Mario Tetragna’s eyes, he instantly realized that the don’s stature and his all too evident decadence were of no importance. The eyes were those of a reptile: flat, cold, hard, watchful. If you weren’t careful, if you displeased him, he would hypnotize you with those eyes and take you the way a snake would take a mesmerized mouse; he would choke you down whole and digest you.
Dean Koontz (Watchers)
We lived in a safe, family-friendly area, but parts of London were rough, as you’d expect from any large city. Mark had a knack for attracting muggers. One time, we were in a train station and a little kid--no more than about eight years old--came up to him: “Oi, mate, give me your phone.” We always carried the cool Nokia phones with the Snake game on them, and they were the hot item. It was like inviting trouble carrying one around, but we didn’t care. Mark thought the mini-mugger was crazy: “Are you kidding me? No way.” Then he looked over his shoulder and realized the kid wasn’t alone; he had a whole gang with him. So Mark handed over his phone and the kid ran off. I never let him live down the fact that an eight-year-old had mugged him. I had my own incident as well, but I handled it a little differently. I got off the train at Herne Hill station and noticed that two guys were following me. I could hear their footsteps getting closer and closer. “Give us your backpack,” they threatened me. “Why? All I have is my homework in here,” I tried to reason with them. They had seen me on the train with my minidisc player and they knew I was holding out on them. “Give it,” they threatened. My bag was covered with key chains and buttons, and as I took it off my shoulder, pretending to give it to them, I swung it hard in their faces. All that hardware knocked one of them to the ground and stunned the other. With my bag in my hand, I ran the mile home without ever looking back. Not bad for a skinny kid in a school uniform.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
They found Tharion on the couch with Ithan, the tv blasting the latest sports stats. Tharion munched on a piece of pizza, long legs sprawled out in front of him, bare feet on the coffee table. Ruhn might have stepped inside to grab a piece of that pizza had Bryce not gone still. A Fae sort of stillness, sizing up a threat. His instinct went to high alert, bellowing at him to defend, to attack, to slaughter any threat to his family. Ruhn suppressed it, held back by the shadows begging to be unleashed, to hide Bryce from sight. Ithan called over to them, “Pizza’s on the counter if you want some.” Bryce remained silent as fear washed over her scent. Ruhn’s fingers grazed the cool metal of the gun strapped to his thigh. “Your cat’s a sweetheart, by the way,” Ithan went on, not taking his focus from the TV as he stroked the white cat curled on his lap. Bryce slowly shut the door behind her. “He scared the shit out of me when he leapt onto the counter a few minutes ago, the bastard.” The wolf ran his fingers through the luxurious coat, earning a deep purr in response. The cat had stunning blue eyes. They seemed keenly aware as they fixed on Bryce. Ruhn’s shadows gathered at his shoulders, snakes waiting to strike. He subtly drew his gun. Behind her, a familiar ripple of ether-laced power kissed over her skin. A small reassurance as Bryce croaked, “That’s not a cat.” Hunt arrived at the apartment just in time to hear Bryce’s words through the shut front door. He was inside in a moment, lightning gathered at his fingers. “Oh, calm yourself,” the Prince of the Chasm said, leaping into the coffee table.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
A soup dumpling is a little marvel of engineering. Called xiao long bao in Chinese, shōronpō in Japanese, and "soupies" by Iris, soup dumplings consist of silky dough wrapped around a minced pork or crab filling. The filling is mixed with chilled gelatinous broth which turns back into soup when the dumplings are steamed. Eating a soup dumpling requires practice. Pop the whole thing in your mouth and fry your tongue; bite it in the wrong place and watch the soup dribble onto your lap. The reason I thought about chocolate baklava is because Mago-chan pan-fries its soup dumplings. A steamed soup dumpling is perfect just the way it is. Must we pan-fry everything? Based on the available evidence, the answer is yes. Pan-fried soup dumplings are bigger and heartier than the steamed variety and more plump with hot soup. No, that's too understated. I'm exploding with love and soup and I have to tell the world: pan-fried soupies are amazing. The dumplings are served in groups of four, just enough for lunch for one adult or a growing eight-year-old. They're topped with a sprinkle of sesame and scallion. You can mix up a dipping sauce from the dispensers of soy sauce, black vinegar, and chile oil at the table, but I found it unnecessary. Like a slice of pizza, a pan-fried soup dumpling is a complete experience wrapped in dough. Lift a dumpling with your spoon, poke it with a chopstick, press your lips to the puncture wound, and slurp out the soup. (This will come in handy if I'm ever bitten by a soup snake.) No matter how much you extract, there always seems to be a little more broth pooling within as you eat your way through the meaty filling and crispy underside. Then you get to start again, until, too soon, your dumplings are gone.
Matthew Amster-Burton (Pretty Good Number One: An American Family Eats Tokyo)
It was true. They’d been close enough to recognize him. But they’d hunted down him and Sejanus — Sejanus, who’d treated the tributes so well, fed them, defended them, given them last rites! — even though they could have used that opportunity to kill one another. “I think I underestimated how much they hate us,” said Coriolanus. “And when you realized that, what was your response?” she asked. He thought back to Bobbin, to the escape, to the tributes’ bloodlust even after he’d cleared the bars. “I wanted them dead. I wanted every one of them dead.” Dr. Gaul nodded. “Well, mission accomplished with that little one from Eight. You beat him to a pulp. Have to make up some story for that buffoon Flickerman to tell in the morning. But what a wonderful opportunity for you. Transformative.” “Was it?” Coriolanus remembered the sickening thuds of his board against Bobbin. So he had what? Murdered the boy? No, not that. It was an open-and-shut case of self-defense. But what, then? He had killed him, certainly. There would never be any erasing that. No regaining that innocence. He had taken human life. “Wasn’t it? More than I could’ve hoped. I needed you to get Sejanus out of the arena, of course, but I wanted you to taste that as well,” she said. “Even if it killed me?” asked Coriolanus. “Without the threat of death, it wouldn’t have been much of a lesson,” said Dr. Gaul. “What happened in the arena? That’s humanity undressed. The tributes. And you, too. How quickly civilization disappears. All your fine manners, education, family background, everything you pride yourself on, stripped away in the blink of an eye, revealing everything you actually are. A boy with a club who beats another boy to death. That’s mankind in its natural state.” The idea, laid out as such, shocked him, but he attempted a laugh. “Are we really as bad as all that?” “I would say yes, absolutely. But it’s a matter of personal opinion.” Dr. Gaul pulled a roll of gauze from the pocket of her lab coat. “What do you think?” “I think I wouldn’t have beaten anyone to death if you hadn’t stuck me in that arena!” he retorted. “You can blame it on the circumstances, the environment, but you made the choices you made, no one else. It’s a lot to take in all at once, but it’s essential that you make an effort to answer that question. Who are human beings? Because who we are determines the type of governing we need. Later on, I hope you can reflect and be honest with yourself about what you learned tonight.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
cotton wool, decided that it was not good to eat, ran all round the table, sat up and put his fur in order, scratched himself, and jumped on the small boy’s shoulder. “Don’t be frightened, Teddy,” said his father. “That’s his way of making friends.” “Ouch! He’s tickling under my chin,” said Teddy. Rikki-tikki looked down between the boy’s collar and neck, snuffed at his ear, and climbed down to the floor, where he sat rubbing his nose. “Good gracious,” said Teddy’s mother, “and that’s a wild creature! I suppose he’s so tame because we’ve been kind to him.” “All mongooses are like that,” said her husband. “If Teddy doesn’t pick him up by the tail, or try to put him in a cage, he’ll run in and out of the house all day long. Let’s give him something to eat.” They gave him a little piece of raw meat. Rikki-tikki liked it immensely, and when it was finished he went out into the veranda and sat in the sunshine and fluffed up his fur to make it dry to the roots. Then he felt better. “There are more things to find out about in this house,” he said to himself, “than all my family could find out in all their lives. I shall certainly stay and find out.” He spent all that day roaming over the house. He nearly drowned himself in the bathtubs, put his nose into the ink on a writing table, and burned it on the end of the big man’s cigar, for he climbed up in the big man’s lap to see how writing was done. At nightfall he ran into Teddy’s nursery to watch how kerosene lamps were lighted, and when Teddy went to bed Rikki-tikki climbed up too. But he was a restless companion, because he had to get up and attend to every noise all through the night, and find out what made it. Teddy’s mother and father came in, the last thing, to look at their boy, and Rikki-tikki was awake on the pillow. “I don’t like that,” said Teddy’s mother. “He may bite the child.” “He’ll do no such thing,” said the father. “Teddy’s safer with that little beast than if he had a bloodhound to watch him. If a snake came into the nursery now–” But Teddy’s mother wouldn’t think of anything so awful. · · · Early in the morning Rikki-tikki came to early breakfast in the veranda riding on Teddy’s shoulder, and they gave him banana and some boiled egg. He sat on all their laps one after the other, because every well-brought-up mongoose always hopes to be a house mongoose some day and have rooms to run about in; and Rikki-tikki’s mother (she used to live in the general’s house at Segowlee) had carefully told Rikki what to do if ever he came across white men.
Rudyard Kipling (Rikki-Tikki-Tavi)
Neoliberal ideology has radically altered our working lives, leaving us isolated and exposed. The ‘freedom and independence’ of the gig economy it celebrates, in which regular jobs are replaced by an illusion of self-employment, often translates into no job security, no unions, no health benefits, no overtime compensation, no safety net and no sense of community. In 1987, Margaret Thatcher said the following in a magazine interview: I think we have gone through a period when too many children and people have been given to understand ‘I have a problem, it is the Government’s job to cope with it!’ or ‘I have a problem, I will go and get a grant to cope with it!’, ‘I am homeless, the Government must house me!’ And so they are casting their problems on society, and who is society? There is no such thing! There are individual men and women and there are families, and no government can do anything except through people and people look to themselves first.8 As always, Thatcher was faithfully repeating the snake-oil remedies of neoliberalism. Precious few of the ideas attributed to her were her own. They were formulated by men like Hayek and Friedman, then spun by the think tanks and academic departments of the Neoliberal International. In this short quote, we see three of the ideology’s core tenets distilled: First, everyone is responsible for their own destiny, and if you fall through the cracks, the fault is yours and yours alone. Second, the state has no responsibility for those in economic distress, even those without a home. Third, there is no legitimate form of social organization beyond the individual and the family. There is genuine belief here. There is a long philosophical tradition, dating back to Thomas Hobbes,9 which sees humankind as engaged in a war of ‘every man against every man’. Hayek believed that this frantic competition delivered social benefits, generating the wealth which would eventually enrich us all. But there is also political calculation. Together we are powerful, alone we are powerless. As individual consumers, we can do almost nothing to change social or environmental outcomes. But as citizens, combining effectively with others to form political movements, there is almost nothing we cannot do. Those who govern on behalf of the rich have an incentive to persuade us we are alone in our struggle for survival, and that any attempts to solve our problems collectively – through trade unions, protest movements or even the mutual obligations of society – are illegitimate or even immoral. The strategy of political leaders such as Thatcher
George Monbiot (The Invisible Doctrine: The Secret History of Neoliberalism (& How It Came to Control Your Life))
lived in the house. There were aunts, uncles, cousins, grandparents, and friends. A grill was set up on the patio, and delicious smells wafted from platters of burgers on picnic tables in the yard. It was the perfect sort of day for Munchy to get her fill of people blood. Who would have thought that giving a person one tiny bite could result in such a delightful snack? Munchy was aware that most people thought she was a pest. They tried to swat her whenever she got near, but Munchy was fast and an expert at dodging humans’ flailing fingers. I don’t want to hurt anyone, Munchy thought. But a mosquito bite just takes a second, and then I fly off to find the next person. Satisfied at last, Munchy buzzed back to the garden where she lived with her best friends Wiggly Worm, Rattles Snake, and Snarky Snail. “I’m full!” she announced. “I don’t think I’ll eat for a week!” “There’s some kind of celebration going on over there,” remarked Wiggly, who was playing in the dirt. “I know!” smiled Munchy. “The family has so many guests over—so many guests with delicious blood.” Snarky made a face. “I think it’s the Fourth of July or something—but, Munchy, do you really have to do that to people? Mosquito bites make them awfully uncomfortable.” “Only for a second,” Munchy replied. “It’s just an itty-bitty sting.” “No, it isn’t,” protested Snarky, who ventured into the backyard more than any of his friends. “Mosquito bites are itchy and uncomfortable for a long time—sometimes several days. I’ve seen those two little kids scratching and complaining about bites you’ve given them.” “I think that’s true,” agreed Rattles, who also went into the yard more often, now that the humans knew he was a friendly rattlesnake. “Oh, no,” murmured Munchy. Mosquito bites hadn’t seemed like a big deal before—but they did now. She didn’t want to be responsible for making people feel itchy all the time! With a sigh, Munchy said, “I guess I’ve got to quit. From now on, I’ll stick to sugar-water shakes at the Garden Town soda fountain—but it isn’t going to be easy!” With some help from her friends, Munchy was able to stop biting people once and for all. And, when the other mosquitoes that lived in the garden heard about her new lifestyle, they decided to give it a shot, as well. In no time, the backyard was practically a mosquito-safe zone! The kids and their friends could now play in the yard for hours with no worries about being bitten. They had no more itchy skin and no more discomfort. Munchy felt like she had done a wonderful thing. And no one ever tried to swat her away again! Just for Fun Activity Make itty-bitty bugs using circles of Fun Foam for bodies, tissue paper cut-outs for wings, googly eyes (you can find them at craft stores), and shortened pipe cleaners for long, skinny noses and legs. Have fun!
Arnie Lightning (Wiggly the Worm)
The madness surged around him, and Rhy tore himself away from the breaking city and turned his sights again to his quest for the captain of the Night Spire. There were only two places Alucard Emery would go: his family estate or his ship. Logic said he’d go to the house, but something in Rhy’s gut sent him in the opposite direction, toward the docks. He found the captain on his cabin floor. One of the chairs by the hearth had been toppled, a table knocked clean of glasses, their glittering shards scattered in the rug and across the wooden floor. Alucard—decisive, strong, beautiful Alucard—lay curled on his side, shivering with fever, his warm brown hair matted to his cheeks with sweat. He was clutching his head, breath escaping in ragged gasps as he spoke to ghosts. “Stop … please …” His voice—that even, clear voice, always brimming with laughter—broke. “Don’t make me …” Rhy was on his knees beside him. “Luc,” he said, touching the man’s shoulder. Alucard’s eyes flashed open, and Rhy recoiled when he saw them filled with shadows. Not the even black of Kell’s gaze, but instead menacing streaks of darkness that writhed and coiled like snakes through his vision, storm blue irises flashing and vanishing behind the fog. “Stop,” snarled the captain suddenly. He struggled up, limbs shaking, only to fall back against the floor. Rhy hovered over him, helpless, unsure whether to hold him down or try to help him up. Alucard’s eyes found his, but looked straight through him. He was somewhere else. “Please,” the captain pleaded with the ghosts. “Don’t make me go.” “I won’t,” said Rhy, wondering who Alucard saw. What he saw. How to free him. The captain’s veins stood out like ropes against his skin. “He’ll never forgive me.” “Who?” asked Rhy, and Alucard’s brow furrowed, as if he were trying to see through the fog, the fever. “Rhy—” The sickness tightened its hold, the shadows in his eyes streaking with lines of light like lightning. The captain bit back a scream. Rhy ran his fingers over Alucard’s hair, took his face in his hands. “Fight it,” he ordered. “Whatever’s holding you, fight it.” Alucard folded in on himself, shuddering. “I can’t….” “Focus on me.” “Rhy …” he sobbed. “I’m here.” Rhy Maresh lowered himself onto the glass-strewn floor, lay on his side so they were face-to-face. “I’m here.” He remembered, then. Like a dream flickering back to the surface, he remembered Alucard’s hands on his shoulders, his voice cutting through the pain, reaching out to him, even in the dark. I’m here now, he’d said, so you can’t die. “I’m here now,” echoed Rhy, twining his fingers through Alucard’s. “And I’m not letting go, so don’t you dare.” Another scream tore from Alucard’s throat, his grip tightening as the lines of black on his skin began to glow. First red, then white. Burning. He was burning from the inside out. And it hurt—hurt to watch, hurt to feel so helpless. But Rhy kept his word. He didn’t let go.
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
Once a little boy went to school. One morning, when the little boy had been in school a while, his teacher said: “Today we are going to make a picture.” “Good!” thought the little boy. He liked to make pictures. He could make all kinds. Lions and tigers, Chickens and cows, trains and boats, and he took out his box of crayons and began to draw. But the teacher said: “Wait! It is not time to begin!” And she waited until everyone looked ready. “Now,” said the teacher, “We are going to make flowers.” “Good!” thought the little boy, he liked to make flowers, and he began to make beautiful ones with his pink and orange and blue crayons. But the teacher said “Wait! And I will show you how.” And it was red with a green stem. “There,” said the teacher, “Now you may begin.” The little boy looked at the teacher’s. Then he looked at this own flower. He liked his flower better than the teacher’s. But he did not say this. He just turned his paper over. And made a flower like the teacher’s. It was red with a green stem. On another day, when the little boy had opened the door from the outside all by himself, the teacher said: “Today we are going to make something with clay.” “Good!” thought the little boy. Snakes and snowmen, elephants and mice, cars, and trucks, and he began to pull and pinch his ball of clay. But the teacher said: “Wait!” It is not time to begin!” And she waited until everyone looked ready. “Now,” said the teacher, “We are going to make a dish.” He liked to make dishes. And he began to make some that were all shapes and sizes. But the teacher said, “Wait! And I will show you how.” And she showed everyone how to make a deep dish. “There,” said the teacher. “Now you may begin.” The little boy looked at the teacher’s dish, then he looked at his own. He liked his dish better than the teacher’s. But he did not say this. He just rolled his clay into a big ball again. And made a dish like the teacher’s. It was a deep dish. And pretty soon the little boy learned to wait, and to watch and to make things just like the teacher. And pretty soon he didn’t make things of his own anymore. Then it happened that the little boy and his family moved to another house, in another city, and the little boy had to go to another school. And the very first day he was there the teacher said: “Today we are going to make a picture.” “Good!” Thought the little boy and he waited for the teacher to tell him what to do. But the teacher didn’t say anything. She just walked around the room. When she came to the little boy she said, “Don’t you want to make a picture?” “Yes,” said the little boy. “What are we going to make?” “I don’t know until you make it,” said the teacher. “How shall I make it?” asked the little boy. “Why, any way you like,” said the teacher. “Any color?” asked the little boy. “Any color,” said the teacher. “If everyone made the same picture, and the used the same colors, how would I know who made what?” “I don’t know,” said the little boy. And he began to make a red flower with a green stem.
Helen E. Buckley
Billy sipped the last of his coffee from the mug and shut down his laptop. 1,000 words wasn’t great but it also wasn’t as bad as no words at all. It hadn’t exactly been a great couple of years and the royalties from his first few books were only going to hold out so much longer. Even if he didn’t have anything else to worry about there was always Sara to consider. Sara with her big blue eyes so like her mother’s. He sat for a moment longer thinking about his daughter and all they’d been through since Wendy had passed. Then he picked up his mug with a long sigh and carried it to the kitchen to rinse it in the sink. When he came back into his little living room and the quiet of 1 AM he wasn’t surprised to find her there over to the side of the bookshelf hovering close to the floor just beyond the couch. Wendy. Her eyes were cold and intense in death, angry and spiteful in a way he’d never seen them when she was alive. What once had been beautiful was now a horror and a threat, one that he’d known far too well in the years since she’d died. He and Sara both. He stood where he was looking at her as she glared up at him. Part of her smaller vantage point was caused by kneeling next to the shelf but he knew from the many times she’d walked or run through a room that death had also reduced her, made her no higher than 4 or 4 and half feet when she’d been 6 in life. She was like a child trapped there on the cusp between youth and coming adulthood. Crushed and broken down into a husk, an entity with no more love for them than a snake. Familiar tears stung his eyes but he blinked them away letting his anger and frustration rise in place of his grief. “Fuck you! What right do you have to be here? Why won’t you let Sara and I be? We loved you! We still love you!” She doesn’t respond, she never does. It’s as if she used up all of her words before she died and now all that’s left is the pain and the anger of her death. The empty lack of true life in her eyes leaves him cold. He doesn’t say anything else to her. It’s all a waste and he knows it. She frightens him as much as she makes him angry. Spite lives in every corner of her body and he’s reached his limit on how long he can see this perversion, this nightmare of what once meant so much to him. He walks past the bookshelf and through the doorway there. He and Sara’s rooms are up above. With an effort he resists the urge to look back down the hall to see if she’s followed. He refuses to treat his wife like a boogeyman no matter how much she has come to fit that mold. He can feel her eyes burning into him from somewhere back at the edge of the living room. The sensation leaves a cold trail of fear up his back as he walks the last four feet to the stairs and then up. He can hear her feet rush across the floor behind him and the rustle of fabric as she darts up the stairs after him. His pulse and his feet speed up as she grows closer but he’s never as fast as she is. Soon she slips up the steps under his foot shoving him aside as she crawls on her hands and feet through his legs and up the last few stairs above. As she passes through his legs, her presence never more clear than when it’s shoving right against him, he smells the clean and medicinal smells of the operating room and the cloying stench of blood. For a moment he’s back in that room with her, listening to her grunt and keen as she works so hard at pushing Sara into the world and then he’s back looking up at her as she slowly considers the landing and where to go from there. His voice is a whisper, one that pleads. “Wendy?
Amanda M. Lyons (Wendy Won't Go)
Wisconsin,'" Twiss said. "That's my word." "The word or the state?" Milly said. "Both," Twiss said. Twiss knew every dip and rise on their land, every anthill and every snake hole. She knew what kind of grass grew where. You could blindfold her and she'd be able to tell you what kind of bark belonged to what kind of tree. Pines were her favorite; she liked how they looked so different from the other trees n the woods, yet relied on the same underground springs to stay alive. Instead of a cotton-filled pillow like the rest of the family slept on, Twiss slept on a pillow stuffed with pine needles. She envied the birds that lived in the actual trees.
Rebecca Rasmussen (The Bird Sisters)
No such snake as family criticism had ever reared its head among the Lockwoods before.
Dorothy Whipple (Because of the Lockwoods)
We took a short ride on the Oedo line and surfaced near a sashimi-oriented izakaya called Uoshin. The upstairs counter snaked through the room so everyone could have a seat at the bar, and tucked into nooks at various parts of the arrangement were white-coated chefs, each with a knife and a wooden board full of freshly sliced sashimi. We ordered a few selections from the board, and then Mark, who is apparently one of those wiry guys with a boundless appetite, started calling for cooked food; gesoyaki (grilled squid tentacles, one of my favorites), tamagoyaki (seasoned rolled omelet, and yellow-tail teriyaki, all of which were exceptionally good, especially the meaty broiled yellowtail with its sweet and salty glaze.
Matthew Amster-Burton (Pretty Good Number One: An American Family Eats Tokyo)
Secrets, like invisible snakes, can slither, coil and entwine themselves leaving a serpentine trail throughout our souls. We can mentally ignore the small garden-variety secrets, with ease into our daily lives. While some are like cobras, their venom poisoning every daily thought and interaction with friends and family. They are spirit crushers that suck the joy out of us until we contemplate suicide or turn inward to madness. Secrets kept with the best of intentions, can resurface and become lethal to those they were meant to protect. Family secrets are the most venomous of all.
Deborah Mitton (Seven Secrets Never To Be Told (A Murder Of Crows Book 2))
in Plutarch’s account of the birth of Alexander the Great, mother Olympias got pregnant from a snake; it was announced by a bolt of lightning that sealed her womb so that her husband Philip could not have sex with her.
James D. Tabor (The Jesus Dynasty: The Hidden History of Jesus, His Royal Family, and the Birth of Christianity)
as everyday occurrences. The two girls talked all the way to Brighton, and then on the coach that took them to the school. They stood together in line as the girls all snaked past the teaching staff who were, as school custom dictated, lined up to shake the hand of every girl in the school, and then Francesca, who told Saffron that her family all called her Chessi, showed her around. Both girls now knew that they had at least one person they could always sit next to and at the start of any school term that made all the difference. Leon walked back across Green Park to the Ritz, glad of the chance to stretch his legs. He felt as though he had a lot of nervous energy to work off. By God, I feel like a bloody schoolboy, he thought to himself. Get a grip of yourself, man! Earlier in the day, while Saffron was busy packing, he had sent a messenger round to the Daniel Neal store, with a note addressed to Miss Halfpenny
Wilbur Smith (War Cry)
My heart wasn’t where Mike Seaver’s was—or the bulk of the male population’s. I never got a DUI because I didn’t drink. The only thing I ever smoked was a ham for Thanksgiving. Maybe I would have had more free time to get into trouble with girls if I wasn’t so busy killing rats to feed my snakes. All I wanted was to find one girl and be with her for life. July 25, 1987 I really wish that I will meet someone that is so special, and wants to be with me as much as I want to be with her and who will be excited for me about my career and will not be interested in Kirk Cameron the actor, star of Growing Pains. I’m looking for someone who could be my best friend. Someone who is not the least bit phony but who is just so honest and open about her feelings and who genuinely cares about mine and wants to share her feelings with me. Not too long after I wrote that journal entry, I met a girl on the set. She came in for a quick guest role, and we began seeing each other off set. I grew very fond of her and her family—especially her father, who later became very instrumental in answering my questions about God. Within a year, my immaturity had made a royal mess of that relationship and left that sweet girl heartbroken and confused. She was the last girl I went out with until the most breathtaking woman in the world entered my life.
Kirk Cameron (Still Growing: An Autobiography)
My heart was pounding as I drove up the coast again a few days later. There was the familiar little sign, the modest entrance. And here he was again, as large as life--six feet tall, broad shoulders, a big grin, and a warm and welcome handshake. Our first real touch. “Well, I’m back,” I said lamely. “Good on you, mate,” Steve said. I thought, I’ve got what on me? Right away, I was extremely self-conscious about a hurdle I felt that we had to get over. I wasn’t entirely sure about Steve’s marital status. I looked for a ring, but he didn’t wear one. That doesn’t mean anything, I told myself. He probably can’t wear one because of his work. I think he figured out what I was hinting at as I started asking him questions about his friends and family. He lived right there at the zoo, he told me, with his parents and his sister Mandy. His sister Joy was married and had moved away. I was trying to figure out how to say, “So, do you have a girlfriend?” when suddenly he volunteered the information. “Would you like to meet my girlfriend?” he asked. Ah, I felt my whole spirit sink into the ground. I was devastated. But I didn’t want to show that to Steve. I stood up straight and tall, smiled, and said, “Yes, I’d love to.” “Sue,” he called out. “Hey, Sue.” Bounding around the corner came this little brindle girl, Sui, his dog. “Here’s my girlfriend,” he said with a smile. This is it, I thought. There’s no turning back. We spent a wonderful weekend together. I worked alongside him at the zoo from sunup to sunset. During the day it was raking the entire zoo, gathering up the leaves, cleaning up every last bit of kangaroo poo, washing out lizard enclosures, keeping the snakes clean. But it was the croc work that was most exciting. The first afternoon of that visit, Steve took me in with the alligators. They came out of their ponds like sweet little puppies--puppies with big, sharp teeth and frog eyes. I didn’t know what to expect, but with Steve there, I felt a sense of confidence and security. The next thing I knew, I was feeding the alligators big pieces of meat, as if I’d done it all my life.
Terri Irwin (Steve & Me)
Watching Steve around the camp was witnessing a man at one with his environment. Steve had spent all his life perfecting his bush skills, first learning them at his father’s side when he was a boy. He hero-worshiped Bob and finally became like his dad and then some. Steve took all the knowledge he’d acquired over the years and added his own experience. Nothing seemed to daunt him, from green ants, mozzies, sand flies, and leeches, to constant wet weather. On Cape York we faced the obvious wildlife hazards, including feral pigs, venomous snakes, and huge crocodiles. I never saw Steve afraid of anything, except the chance of harm coming to someone he loved. He learned how to take care of himself over the years he spent alone in the bush. But as his life took a sharp turn, into the unknown territory of celebrity-naturalist, he suddenly found himself with a whole film crew to watch out for. Filming wildlife documentaries couldn’t have happened without John Stainton, our producer. Steve always referred to John as the genius behind the camera, and that was true. The music orchestration, the editing, the knowledge of what would make good television and what wouldn’t--these were all areas of John’s clear expertise. But on the ground, under the water, or in the bush, while we were actually filming, it was 100 percent Steve. He took care of the crew and eventually his family as well, while filming in some of the most remote, inaccessible, and dangerous areas on earth. Steve kept the cameraman alive by telling him exactly when to shoot and when to run. He orchestrated what to film and where to film, and then located the wildlife. Steve’s first rule, which he repeated to the crew over and over, was a simple one: Film everything, no matter what happens. “If something goes wrong,” he told the crew, “you are not going to be of any use to me lugging a camera and waving your other arm around trying to help. Just keep rolling. Whatever the sticky situation is, I will get out of it.” Just keep rolling. Steve’s mantra.
Terri Irwin (Steve & Me)
There was plenty of wildlife to film: water pythons, venomous snakes, numerous beautiful birds, koalas, possums, and all kinds of lizards. But the big croc remained elusive. Finally we found him. But something was wrong. As we approached, he failed to submerge. We were horrified to discover that the poachers had beaten us--and shot him. It was likely that he had been killed some time ago. Crocs often take a long while to die. They have the astonishing ability to shut off blood supply to an injured part of their body. The big croc had shut down and gone to the bottom of the river, at last, to succumb to his wound. He was huge, some fifteen feet long, fat and in good shape. Steve was beside himself; he felt as if the croc’s death was a personal failure. We filmed the croc and talked about what had happened. But eventually, Steve simply had to walk away. When I went to him, there were tears in his eyes. Steve had a genuine love for crocodiles and appreciated each individual animal. This croc could have been fifty years old, with mates, a family, and a history as king of this river. His death wasn’t abstract to Steve. It was personal, as though he had lost a friend, and it fueled his anger toward the poacher who had killed such a magnificent animal. Steve knew there was another croc in the area that was also in potential danger. “Maybe if we save that one,” Steve said, with resolve, “we can salvage something out of this trip.” He didn’t give up. That night we cruised Cattle Creek again to film the trap sites. It seemed that wherever we went, Steve had an uncanny ability as a wildlife magnet.
Terri Irwin (Steve & Me)
During a cricket match one afternoon, Steve was called up to bat on the second drop, but he was out for a duck. He became bored during the subsequent stretch of inactivity and investigated a nearby creek. Beneath an abandoned sheet of corrugated iron, Steve encountered a red-belied black snake. Red-bellies are venomous. Steve knew this, but he thought that his father would prize a red-bellied black snake to add to the family’s menagerie. So a very young Steve tailed the red-belly. Steve instinctively dodged each of the snake’s strikes, but he was now stuck for something to put the snake in, and it was becoming more aggressive by the second. “Finally one of me mates brought over our bus driver’s esky,” he said. “I dumped out all his sandwiches and managed to get him in. He was one cranky snake!” To the cheers and wonderment of his cricket teammates, Steve caught another half-dozen red-bellies that afternoon. The bus driver didn’t realize that there were snakes on the bus, but when he found out, he made a point of telling Steve’s dad. Bob was less than pleased. Steve, expecting to be praised, got a harsh reprimand instead. “Dad sunk a boot up my bum,” was how Steve explained the aftermath of the snakes-in-the-esky incident. Bob railed against Steve’s thoughtfulness for endangering his mates and the bus driver by bringing live venomous snakes into their midst.
Terri Irwin (Steve & Me)
We were in the Crocodile Environmental Park at the zoo when Steve first told me the story of Acco’s capture. I just had to revisit him after hearing his story. There he was, the black ghost himself, magnificently sunning on the bank of his billabong. Standing there next to this impressive animal, I tried to wrap my mind around the idea that people had wanted him dead. His huge, intimidating teeth made him look primeval, and his osteodermal plates gleamed black in the sun--a dinosaur, living here among us. I felt so emotional, contemplating the fear-based cruelty that prompted humans to hate these animals. For his part, Acco still remembered his capture, even though it had happened nearly a decade before. Whenever Steve went into his enclosure, Acco would stalk him and strike, exploding out of the water with the intent to catch Steve unaware. Despite the conflict in Steve’s soul over whether he had done the right thing, I decided that Acco’s capture had to be. In the zoo, Acco had his own territory to patrol and a beautiful female crocodile, Connie, who loved him dearly. Left in the wild, somebody would have eventually shot him. If the choice is between a bullet and living in the Crocodile Environmental Park, I think his new territory was much more preferable. When I met Steve in 1991, he had just emerged from a solid decade in the bush, either with Bob or on his own, with just his dog Chilli, and later Sui. Those years had been like a test of fire. As a boy all Steve wanted to do was to be like his dad. At twenty-nine he’d become like Bob and then some. He had done so much more than catch crocs. In the western deserts, he and Bob helped researchers from the Queensland Museum understand the intricacies of fierce snake behavior. Steve also embarked on a behavioral study of a rare and little-understood type of arboreal lizard, the canopy goanna, scrambling up into trees in the rain forests of Cape York Peninsula in pursuit of herpetological knowledge. As much as Steve had become a natural for television, over the course of the 1980s he had become a serious naturalist as well. His hands-on experience, gleaned from years in the bush, meshed well with the more abstract knowledge of the academics. No one had ever accomplished what he had, tracking and trapping crocodiles for months at a time on his own. He would hand Bindi and Robert his knowledge of nature and the bush, just as Bob and Lyn had handed it down to him. This is what few people understood about Steve--his relationship with his family, and the tradition of passion and commitment and understanding that passed from generation to generation. Later on, that Irwin family tradition would bring Steve untold grief, when outsiders misjudged his effort to educate his children and crucified him for it.
Terri Irwin (Steve & Me)
When I met Steve in 1991, he had just emerged from a solid decade in the bush, either with Bob or on his own, with just his dog Chilli, and later Sui. Those years had been like a test of fire. As a boy all Steve wanted to do was to be like his dad. At twenty-nine he’d become like Bob and then some. He had done so much more than catch crocs. In the western deserts, he and Bob helped researchers from the Queensland Museum understand the intricacies of fierce snake behavior. Steve also embarked on a behavioral study of a rare and little-understood type of arboreal lizard, the canopy goanna, scrambling up into trees in the rain forests of Cape York Peninsula in pursuit of herpetological knowledge. As much as Steve had become a natural for television, over the course of the 1980s he had become a serious naturalist as well. His hands-on experience, gleaned from years in the bush, meshed well with the more abstract knowledge of the academics. No one had ever accomplished what he had, tracking and trapping crocodiles for months at a time on his own. He would hand Bindi and Robert his knowledge of nature and the bush, just as Bob and Lyn had handed it down to him. This is what few people understood about Steve--his relationship with his family, and the tradition of passion and commitment and understanding that passed from generation to generation. Later on, that Irwin family tradition would bring Steve untold grief, when outsiders misjudged his effort to educate his children and crucified him for it.
Terri Irwin (Steve & Me)
It felt fantastic to be back filming again, and it made me realize how much I missed it. The crew represented our extended family. I never once caught a feeling of annoyance or impatience at the prospect of having a six-day-old baby on set. To the contrary, the atmosphere was one of joy. I can mark precisely Bindi Irwin’s introduction to the wonderful world of wildlife documentary filming: Thursday, July 30, 1998, in the spectacular subtropics of the Queensland coast, where the brilliant white sand meets the turquoise water. This is where the sea turtles navigate the rolling surf each year to come ashore and lay their eggs. Next stop: America, baby on board. Bindi was so tiny she fit on an airplane pillow. Steve watched over her almost obsessively, fussing with her and guarding to see if anything would fall out of the overhead bins whenever they were opened. Such a protective daddy. Our first shoot in California focused on rattlesnakes and spiders. We got a cute photo of baby Bindi with a little hat on and a brown tarantula on her head. In Texas she got to meet toads and Trans-Pecos rat snakes. Steve found two stunning specimens of the nonvenomous snakes in an abandoned house. I watched as two-week-old Bindi reacted to their presence. She gazed up at the snakes and her small, shaky arms reached out toward them. I laughed with delight at her eagerness. Steve looked over at me, as if to say, See? Our own little wildlife warrior!
Terri Irwin (Steve & Me)
On Bindi’s first birthday in July 1999, we began a tradition of our own. We threw open the doors of the zoo with free admission to all children. We offered free birthday cake and invited cockatoos, camels, snakes, and lizards to party with us. It poured rain all day, but it didn’t matter. Steve placed a giant birthday cake in front of his daughter. It could have served one hundred people, and we’d ordered up several of them for the celebration. Bindi had never had sugar before, or any kind of dessert or lolly. She carefully took a frosting flower off the top and tasted it. Puzzlement and then joy transformed her face. She dove in headfirst. Cheers and laughter erupted from the crowd of three hundred, all of whom had shown up to celebrate. Steve’s mother, Lyn, looked on that day with a proud smile. I thought back to what it must have been like when Lyn first started the zoo. It was just a small wildlife park, with admission only forty cents for adults and twenty cents for kids. Now it was an expanding enterprise, part of an ambitious conservation effort and a complement to our wildlife documentaries. But her son’s favorite job was still the humble one of being Dad. I could read on Lyn’s face how important it was to her that Steve had started a family. And Bindi had a great day wearing a small pink sweater that her gran had made for her.
Terri Irwin (Steve & Me)
RETURN BAD FRUIT Thus, by their fruit you will recognize them. Matthew 7:20 This Scripture applies to politicians as well as anyone. What really amazes me, though, is how little this wisdom ever gets applied. Liberal policies in this country can be linked directly to an almost unbelievable breakdown of the traditional family, to a corruption of our culture to the point that it’s often unwise to leave a child at home with the television remote control (that wasn’t a problem when I was a kid), to a national debt of astronomical proportions that will burden Americans for generations to come, to a heightening of racial division and racial politics, to rising crime and attacks on police, to welfare dependency, to bureaucrats who snip away at our freedom, to attempts to weaken our military . . . really, the list of evils that can legitimately be linked to liberal policies is endless. And yet liberals keep pushing the same snake oil of big government, high taxes, foreign policy weakness, an apparently endless sexual revolution, and cowardly political correctness, and all too often they get elected. Part of that is because too many people like us don’t pay enough attention. We don’t look at the fruits of feel-good, sound-good policies. And a lot of the time we don’t even vote. The Left wants to fundamentally transform America—that means to take us away from our Christian and constitutional principles. I don’t know about you, but I like the fruits of our Founding Fathers’ ideals that are based on time-tested truths and have proved to be infinitely better than the fruits of modern liberalism. SWEET FREEDOM IN Action Today, resolve to vote elected representatives bearing bad fruit out of office. That’s your right!
Sarah Palin (Sweet Freedom: A Devotional)
This was a media beat-up at its very worst. All those officials reacting to what the media labeled “The Baby Bob Incident” failed to understand the Irwin family. This is what we did--teach our children about wildlife, from a very early age. It wasn’t unnatural and it wasn’t a stunt. It was, on the contrary, an old and valued family tradition, and one that I embraced wholeheartedly. It was who we were. To have the press fasten on the practice as irresponsible made us feel that our very ability as parents was being attacked. It didn’t make any sense. This is why Steve never publicly apologized. For him to say “I’m sorry” would mean that he was sorry that Bob and Lyn raised him the way they did, and that was simply impossible. The best he could do was to sincerely apologize if he had worried anyone. The reality was that he would have been remiss as a parent if he didn’t teach his kids how to coexist with wildlife. After all, his kids didn’t just have busy roads and hot stoves to contend with. They literally had to learn how to live with crocodiles and venomous snakes in their backyard. Through it all, the plight of the Tibetan nuns was completely and totally ignored. The world media had not a word to spare about a dry well that hundreds of people depended on. For months, any time Steve encountered the press, Tibetan nuns were about the furthest thing from the reporter’s mind. The questions would always be the same: “Hey, Stevo, what about the Baby Bob Incident?” “If I could relive Friday, mate, I’d go surfing,” Steve said on a hugely publicized national television appearance in the United States. “I can’t go back to Friday, but you know what, mate? Don’t think for one second I would ever endanger my children, mate, because they’re the most important thing in my life, just like I was with my mum and dad.” Steve and I struggled to get back to a point where we felt normal again. Sponsors spoke about terminating contracts. Members of our own documentary crew sought to distance themselves from us, and our relationship with Discovery was on shaky ground. But gradually we were able to tune out the static and hear what people were saying. Not the press, but the people. We read the e-mails that had been pouring in, as well as faxes, letters, and phone messages. Real people helped to get us back on track. Their kids were growing up with them on cattle ranches and could already drive tractors, or lived on horse farms and helped handle skittish stallions. Other children were learning to be gymnasts, a sport which was physically rigorous and held out the chance of injury. The parents had sent us messages of support. “Don’t feel bad, Steve,” wrote one eleven-year-old from Sydney. “It’s not the wildlife that’s dangerous.” A mother wrote us, “I have a new little baby, and if you want to take him in on the croc show it is okay with me.” So many parents employed the same phrase: “I’d trust my kids with Steve any day.
Terri Irwin (Steve & Me)
Members of highly reactive families, therefore, wind up constantly focused on the latest, most immediate crisis, and they remain almost totally incapable of gaining the distance that would enable them to see the emotional processes in which they are engulfed. The emotionally regressed family will stay fixed on its symptoms, and family thinking processes will become stuck on the content of specific issues rather than on the emotional processes that are driving those matters to become “issues.” The systemic anxiety thus locks everyone into a pessimistic focus on the pathology within the family, and it becomes almost impossible for such systems to reorient themselves to a focus on their inherent strengths. What also contributes to this loss of perspective is the disappearance of playfulness, an attribute that originally evolved with mammals and which is an ingredient in both intimacy and the ability to maintain distance. You can, after all, play with your pet cat, horse, or dog, but it is absolutely impossible to develop a playful relationship with a reptile, whether it is your pet salamander, no matter how cute, or your pet turtle, snake, or alligator. They are deadly serious (that is, purposive) creatures. Chronically anxious families (including institutions and whole societies) tend to mimic the reptilian response: Lacking the capacity to be playful, their perspective is narrow. Lacking perspective, their repertoire of responses is thin. Neither apology nor forgiveness is within their ken. When they try to work things out, their meetings wind up as brain-stem storming sessions. Indeed, in any family or organization, seriousness is so commonly an attribute of the most anxious (read “difficult”) members that they can quite appropriately be considered to be functioning out of a reptilian regression. Broadening the perspective, the relationship between anxiety and seriousness is so predictable that the absence of playfulness in any institution is almost always a clue to the degree of its emotional regression. In
Edwin H. Friedman (A Failure of Nerve: Leadership in the Age of the Quick Fix)
Nolan said his mother had got a bit better about things and that she had agreed to go away next summer for a holiday by the sea. Nolan’s whole family had been wanting to do this for ages but his mother had always said the seaside was full of rats and beetles and sea snakes. St. Patrick had only got rid of the land snakes according to Nolan’s mother, but he had no power over the huge snakes calling themselves eels which came in on beaches all over the country.
Maeve Binchy (Echoes)
Granada is a wicked, sinister place. It was bad enough during the war—but it’s getting worse. Much worse.” “Where do they take the babies?” Rose pulled her shawl tight around her. It wasn’t cold. But what Lola had described chilled her to the core. She pictured Juanita, tucking cloves of garlic under the mattress of Rafaelito’s cradle. Clearly there was something much worse than snakes lurking out there. “They send them to families the government approves of so they’ll grow up as payos, not Gypsies. To save the race. That’s what General Franco says.” It was horribly familiar. Like Hitler all over again. Rose was only too aware of Franco’s Nazi sympathies. But she had never imagined that the evil doctrine of racial purity would outlive Hitler; that in a time of supposed peace, babies would be snatched from their mothers because of their kawlo rat. Their dark blood. “It’s not only the babies they’re
Lindsay Jayne Ashford (The Snow Gypsy)
The gift has never kept our family safe, Grandmother had warned. A reassuring thought as Frank hunted poisonous fire-breathing devil snakes.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
The nice ending to this crazy snake surveillance fact is that in order to facilitate the camera monitoring the government laid super-fast broadband to remote areas in the country. So, there are now Chinese farmers surfing the internet for the best snake videos on YouTube.
James Warwood (Truth or Poop? Amazing Animals: the true or false quiz book for the whole family (Truth or Poop: true or false quiz book 1))
What’s long, green, and goes “hith”? A snake that bit their tongue!
Smiley Beagle (You Laugh You Lose Challenge: 300 Jokes for Kids that are Funny, Silly, and Interactive Fun the Whole Family Will Love - With Illustrations ... for Kids)
Be careful who you let sit at your table, they might want to eat your food and your whole plate and smile about… snake style”…
Jennifer Pierre (Traveling Souls)
Be careful who you let sit at your table, they might want to eat your food and your whole plate and smile about it… snake style”…
Jennifer Pierre (Traveling Souls)
When I was 18 I gifted my 11-year-old step cousin a copy of Rancid's "...And Out Come the Wolves." Because of this her side of the family blamed me for many things. Caught her smoking at 15? Rancid. Disappeared for a long weekend? The Girl's a Time Bomb. Posed nude for a magazine 3 days after turning 18? They just disowned me. I'm a bad influence it seems. I've been a bad influence for a long time.
Damon Thomas (More Snakes Than People: A Rural Gloom Graphic Novel)