Deep Rooted Tree Quotes

But it is the same with man as with the tree. The more he seeks to rise into the height and light, the more vigorously do his roots struggle earthword, downword, into the dark, the deep - into evil.

The stone is strong. Bran told himself, the roots of the trees go deep, and under the ground the Kings of Winter sit their thrones. So long as those remained, Winterfell remained. It was not dead, just broken. Like me, he thought. I'm not dead either.

Oh, yeah, insanity ran deep in the roots of that family tree.’ (Talon)

I read once about a kind of fungus that grows in trees. The fungus begins to encroach on the systems that carry water and nutrients up from the roots to the branches. It disables them one by one―it crowds them out. Soon, the fungus―and only the fungus―is carrying the water, and the chemicals, and everything else the tree needs to survive. At the same time it is decaying the tree slowly from within, turning it minute by minute to rot. That is what hatred is. It will feed you and at the same time turn you to rot. It is hard and deep and angular, a system of blockades. It is everything and total.

I think of the trees and how simply they let go, let fall the riches of a season, how without grief (it seems) they can let go and go deep into their roots for renewal and sleep ... Imitate the trees. Learn to lose in order to recover, and remember that nothing stays the same for long, not even pain, psychic pain. Sit it out. Let it all pass.

Confession is the act of inviting God to walk the acreage of our hearts. “There is a rock of greed over here, Father. I can’t budge it. And that tree of guilt near the fence? Its roots are long and deep. And may I show you some dry soil, too crusty for seed?” God’s seed grows better if the soil of the heart is cleared.

For love is like a tree; it grows of itself; it send its roots deep into our being, and often continues to grow green over a heart in ruins.

it is the way that all girls who only know one boy move. Centered as if the love that boy feels for them anchors them deep as a tree's roots, holds them still as the oaks, which don't uproot in hurricane wind. Love as certainty.

Ours is only a little power, seems like, next to theirs," Moss said. "But it goes down deep. It's all roots. It's like an old blackberry thicket. And a wizard's power's like a fir tree, maybe, great and tall and grand, but it'll blow right down in a storm. Nothing kills a blackberry bramble.

Like the magnolia tree, She bends with the wind, Trials and tribulation may weather her, Yet, after the storm her beauty blooms, See her standing there, like steel, With her roots forever buried, Deep in her Southern soil.

I used to picture us as two leaves, blowing miles apart in the wind yet bound by the deep tangled roots of the tree from which we had both fallen.

A tree all alone may grow hatred in its bark and moth-eaten leaves, but an entire forest can weave malice so deep and well-rooted that no safe passage can be made through such a place

My family tree has many branches, both living and dead... but all equally important. I cherish the memories that make its roots run deep.

When I die, she said, I am coming back as a tree with deep roots and I'll wave my leaves to the children every morning on their way to school & whisper tree songs at night in their dreams. Trees with deep roots know about the things that children need.

She was forcing it with her scorn, the kiss she gave me, the hard curl of her lips, the mockery of her eyes, until I was like a man made of wood and there was no feeling within me except terror and a fear of her, a sense that her beauty was too much, that she was so much more beautiful than I, deeper rooted than I. She made me a stranger unto myself, she was all of those calm nights and tall eucalyptus trees, the desert stars, that land and sky, that fog outside, and I had come there with no purpose save to be a mere writer, to get money, to make a name for myself and all that piffle. She was so much finer than I, so much more honest, that I was sick of myself and I could not look at her warm eyes, I suppressed the shiver brought on by her brown arms around my neck and the long fingers in my hair. I did not kiss her. She kissed me, author of The Little Dog Laughed. Then she took my wrist with her two hands. She pressed her lips into the palm of my hand. She placed my hand upon her bosom between her breasts. She turned her lips towards my face and waited. And Arturo Bandini, the great author dipped deep into his colourful imagination, romantic Arturo Bandini, just chock-full of clever phrases, and he said, weakly, kittenishly, 'Hello.

I’ll tell you something,' he said, as if he had said nothing that day. 'You’re walking on gallows ground, and there’s a rope around your neck and a raven-bird on each shoulder waiting for your eyes, and the gallows tree has deep roots, for it stretches from heaven to hell, and our world is only the branch from which the rope is swinging.

Resilient trees can weather a violent storm because their roots are deep and firm.

What Do the Trees Know? What do the trees know? To bend when all the wild winds blow. Roots are deep and time is slow. All we grasp we must let go. What do the trees know? Buds can weather ice and snow. Dark gives way to sunlight's glow. Strength and stillness help us grow.

In the vessel of your body, you yourself are the world tree, deep roots in the Earth and a crown of stars. Your essence bridges dimensions.

I wish I were a giant gingko tree hundreds of years old, with the deep roots it takes to stand strong against mighty winds. Instead, I feel like a sapling in a typhoon, desperately trying to hang on.

Like the trees, his roots went deep, and I daydreamed that if he wrapped me in his arms, he could safely tuck me away within his branches and hide me from the world. He was shaken by nothing. He feared noting.

The trees bathed their great heads in the waves of the morning, while their roots were planted deep in gloom; save where on the borders of the sunshine broke against their stems, or swept in long streams through their avenues, washing with brighter hue all the leaves over which it flowed; revealing the rich brown of the dacayed leaves and fallen pine-cones, and the delicate greens of the long grasses and tiny forests of moss that covered the channel over which it passed in the motionless rivers of light.

Jivan: You think when you have love that love is easy to find, that everyone has it. It's not true. It's very hard to find. Nedra: I haven't been looking for it. Jivan: It's like a tree...It takes a long time to grow. It has roots very deep, and these roots stretch out a long way, farther than you know. You can't cut it, just like that.

Lord, if I thought you were listening, I'd pray for this above all: that any church set up in your name should remain poor, and powerless, and modest. That it should wield no authority except that of love. That it should never cast anyone out. That it should own no property and make no laws. That it should not condemn, but only forgive. That it should be not like a palace with marble walls and polished floors, and guards standing at the door, but like a tree with its roots deep in the soil, that shelters every kind of bird and beast and gives blossom in the spring and shade in the hot sun and fruit in the season, and in time gives up its good sound wood for the carpenter; but that sheds many thousands of seeds so that new trees can grow in its place. Does the tree say to the sparrow, 'Get out, you don't belong here?' Does the tree say to the hungry man, 'This fruit is not for you?' Does the tree test the loyalty of the beasts before it allows them into the shade?

Stranger, think long before you enter, For these corridors amuse not passing travellers. But if you enter, keep your voice to yourself. Nor should you tinkle and toll your tongue. These columns rose not, for the such as you. But for those urgent pilgrim feet that wander On lonely ways, seeking the roots of rootless trees. The earth has many flowery roads; choose one That pleases your whim, and gods be with you. But now leave! - leave me to my dark green solitude Which like the deep dream world of the sea Has its moving shapes; corals; ancient coins; Carved urns and ruins of ancient ships and gods; And mermaids, with flowing golden hair That charm a patch of silent darkness Into singing sunlight.

Oh Earth, Wait for Me Return me, oh sun, to my wild destiny, rain of the ancient wood, bring me back the aroma and the swords that fall from the sky, the solitary peace of pasture and rock, the damp at the river-margins, the smell of the larch tree, the wind alive like a heart beating in the crowded restlessness of the towering araucaria. Earth, give me back your pure gifts, the towers of silence which rose from the solemnity of their roots. I want to go back to being what I have not been, and learn to go back from such deeps that among all natural things I could live or not live; it does not matter to be one stone more, the dark stone, the pure stone which the river bears away.

I have a license,” says a voice behind us. I turn to find 17C scrolling through pictures on his camera, standing in the front yard like a deep-rooted tree, like he’s been there for years. Somehow, that black eye only makes him more desirable. “And you are . . . ?” asks Moses. A) Perfect B) The god of Devastating Attractiveness C) A flawless specimen, created in a lab by mad scientists in an effort to toy with the heart of Mary Iris Malone D) All of the above I circle D. Final effing answer.

But deep under the earth, where the corpse serpent gnaws at the roots of Yggdrasil, the tree of life, there are three spinners. Three women who make our fate. We might believe we make choices, but in truth our lives are in the spinners' fingers. They make our lives, and destiny is everything. The Danes know that, and even the Christians know it, Wyrd biõ ful araed, we Saxons say, fate is inexorable.

I went to the springs while the sun was still up, and sitting on a rocky outcrop above the cave mouth I watched the light grow reddish across the misty pools, and listened to the troubled voice of the water. After a while I moved farther up the hill, where I could hear birds singing near and far in the silence of the trees. The presence of the trees was very strong...The big oaks stood so many, so massive in their other life, in their deep, rooted silence: the awe of them came on me, the religion.

I think I'm beginning to understand how hearts fit together. Not like diseased carnations that lean against their crutches. Not like vines that twine tight, throttling their hosts. But like two trees: two systems of deep, untangled roots, two patterns of flowering branches, whose leaves drink their own sunlight and breathe their own air. Two trees with something slung between them, a hammock or a tapestry or a swing, some third, beautiful thing that neither would die without. Hearts fit together like hands. Not by necessity. By choice.

I have lived in this tree, in this same hollow," the owl said, "for more years than anyone can remember. But now, when the wind blows hard in winter and rocks the forest, I sit here in the dark, and from deep down in the bole, near the roots, I hear a new sound. It is the sound of strands of wood creaking in the cold and snapping one by one. The limbs are falling; the tree is old, and it is dying. Yet I cannot bring myself, after so many years, to leave, to find a new home and move into it, perhaps to fight for it. I, too, have grown old. One of these days, one of these years, the tree will fall, and when it does, if I am still alive, I will fall with it.

What I meant was, some people stand in front of a tree and the first thing they notice is the trunk. These are the ones who prioritize order, safety, rules, continuity. Then there are those who pick out the branches before anything else. They yearn for change, a sense of freedom. And then there are those who are drawn to the roots, though concealed under the ground. They have a deep emotional attachment to their heritage, identity, traditions …

The climate warmed. Wild grasses, flowers and trees took root in the land behind the huge rock. In time, their growing and dying made deep rich loam on which a magnificent forest grew. Into the forest came bear, deer, brightly colored birds, and the Pawtuxets, a tribe of the Wampanoag, The People of the Dawn.

No tree becomes deep-rooted and sturdy unless strong winds blow against it. This shaking and pulling is what makes the tree tighten its grip and plant its roots more securely; the fragile trees are those grown in a sunny valley.

I lean into him and I want him. He is solid. He reminds me of a tree—roots that run deep.

Hyacinth bean and papayas, long vines, deep roots. Palm trees outside the garden walls, with deep roots, stand a thousand years.

Always remember, you are not the flower, nor are you even the fruit. You are the tree. And your roots are deep, embedded in Me. I am the soil from which you have sprung, and both your blossoms and your fruit will return to Me, creating more rich soil. Thus, life begets life, and cannot know death, ever.

What makes the strength of the soldier isn't the energy he uses trying to intimidate the other guy by sending him a whole lot of signals, it's the strength he's able to concentrate within himself, by staying centered. That Maori player was like a tree, a great indestructible oak with deep roots and a powerful radiance- everyone could feel it. And yet you also got the impression that the great oak could fly, that it would be as quick as the wind, despite, or perhaps because of, its deep roots.

I think the roots of this antagonism to science run very deep. They're ancient. We see them in Genesis, this first story, this founding myth of ours, in which the first humans are doomed and cursed eternally for asking a question, for partaking of the fruit of the Tree of Knowledge. It's puzzling that Eden is synonymous with paradise when, if you think about it at all, it's more like a maximum-security prison with twenty-four hour surveillance. It's a horrible place. Adam and Eve have no childhood. They awaken full-grown. What is a human being without a childhood? Our long childhood is a critical feature of our species. It differentiates us, to a degree, from most other species. We take a longer time to mature. We depend upon these formative years and the social fabric to learn many of the things we need to know.

And the trees still hold strong. Their canopies drinking every soft grey sky and their roots spreading down deep in the dark, nuzzling clutches of old bones and fingering lost coins. They throw their branches up in wild dances whenever a storm comes in off the bay.

One Swaying Being Love is not condescension, never that, nor books, nor any marking on paper, nor what people say of each other. Love is a tree with branches reaching into eternity and roots set deep in eternity, and no trunk! Have you seen it? The mind cannot. Your desiring cannot. The longing you feel for this love comes from inside you. When you become the Friend, your longing will be as the man in the ocean who holds to a piece of wood. Eventually wood, man, and ocean become one swaying being, Shams Tabriz, the secret of God.

Desire For Thee" My desire to love thee is just like a tree, must have one root but several branches of fruit I want to make you feel as if you are horizon i steal you are as free as wind where my love flows in swing i see thee in glaze shadow around a graceful presence on passion ground that is "THEE" you spark everywhere Everywhere am far and near.

Morality is violence. An invisible violence at first. Love is a supreme violence, hidden deep in the darkness of our atoms. When a stream flows into a river, it’s love and it’s violence. When a cloud loses itself in the sky, it’s a marriage. When the roots of a tree split open a rock it’s the movement of life. When the sea rises and falls back only to rise again it’s the process of History. When a man and a woman find each other in the silence of the night, it’s the beginning of the end of the tribe’s power, and death itself becomes a challenge to the ascendancy of the group.

SUCH SILENCE As deep as I ever went into the forest I came upon an old stone bench, very, very old, and around it a clearing, and beyond that trees taller and older than I had ever seen. Such silence! It really wasn’t so far from a town, but it seemed all the clocks in the world had stopped counting. So it was hard to suppose the usual rules applied. Sometimes there’s only a hint, a possibility. What’s magical, sometimes, has deeper roots than reason. I hope everyone knows that. I sat on the bench, waiting for something. An angel, perhaps. Or dancers with the legs of goats. No, I didn’t see either. But only, I think, because I didn’t stay long enough.

It was not without a certain wild pleasure I ran before the wind, delivering my trouble of mind to the measureless air-torrent thundering through space. Descending the laurel walk, I faced the wreck of a chestnut-tree; it stood up, black and riven: the trunk, split down the centere, gasped ghastly. The cloven halves were not broken for each other, for the firm base and strong roots kept them unsundered below; through communtiy of vitality was destroyed -- the sap could flow no more: their great boughs on each side were dead, and next winter's tempests would be sure to fell one or both to earth: as yet, however, they might be said to form one tree -- a ruin, but and entire ruin. 'You did right to hold fast to each other,' I said: as if the monster splinters were living things, and could hear me. 'I think, scathed as you look, and charred and scorched, there must be a little sense of life in you yet, rising out of that adhesion at the faithful, honest roots: you will never have green leaves more -- never more see birds making nests and singing idylls in your boughs; the time of pleasure and love is over with you; but you are not desolate: each of you has a comrade to sympathize with him in his decay.' As I looked up at them, the moon appeared momentarily in that part of the sky which filled their fissure; her disc was blood-red and half overcast; she seemed to throw on me one bewildered, dreary glance, and buried herself again instantly in the deep drift of cloud. The wind fell, for a second, round Thornfield; but far away over wood and water poured a wild, melancholy wail: it was sad to listen to, and I ran off again.

How true! Life's problems are like trees. We see the trunk, we see the branches and the leaves. But we can't see the roots, hidden deep down under the ground. And yet it is their shape and nature and how far they dig into the slimy humus to search for water that we need to know. Then perhaps we would understand.

...children are birds, and a mother is the tree. No matter how far the birds fly, they always long for the tree to rest on. But a tree will fall... Even if it falls or dies, its roots delve deep into a child's heart and nourish it with her eternal thoughts.

Then the Unlight of Ungoliant rose up even to the roots of the trees, and Melkor sprang upon the mound; and with his black spear he smote each Tree to its core, wounded them deep, and their sap poured forth as it were their blood, and was spilled upon the ground. But Ungoliant sucked it up, and going then from Tree to Tree she set her black beak to their wounds, till they were drained; and the poison of Death that was in her went into their tissues and withered them, root, branch, and leaf; and they died. And still she thirsted, and going to the Wells of Varda she drank them dry; but Ungoliant belched forth black vapours as she drank, and swelled to a shape so vast and hideous that Melkor was afraid.

In that way my strength comes from love; at the roots of resilience – the ones that go deep in the earth and stop a tree getting blown over – is love.

Some families have secrets buried so deep, they're the only thing holding the roots in the ground. You dig up those secrets, you loosen the soil, weakening the tree.

Wild dreaming is what they desire most. Dreams that hold the scent of deep green moss, lichen, the place where the roots of a tree enter the earth, old stone, the dust of a moth's wings.

There are gigantic trees that have grown tall into the winds and the clouds over the thousands of years of their lives, their tops are rustled and tossed by the mists of the atmosphere! Then there are the short trees that don't live for long, they are young with no deep roots and only a few annual rings to tell their stories.The tall, ancient trees sway in the realm of freedom while the short young trees cannot even raise their branches into that direction of the sky! Now, you are the bird who needs a tree to live in; if you choose to live in the tree which thrives in the realm of freedom, that doesn't mean you are not committed to that tree. You are still committed to your tree, but together you and your tree live in freedom. Freedom is not the absence of commitment. If you are the bird who chooses to fly around amongst the short trees and live in them, that's because your wings are too short to make it any higher and your vision too near to see any further into the clouds. And if you move from one short tree to the next short tree, that doesn't mean you are free, you are still down there below, freedom is still nowhere near you.

The term ‘mycorrhiza’ is made from the Greek words for ‘fungus’ and ‘root’. It is itself a collaboration or entanglement; and as such a reminder of how language has its own sunken system of roots and hyphae, through which meaning is shared and traded. The relationship between mycorrhizal fungi and the plants they connect is ancient – around 450 million years old – and largely one of mutualism. In the case of the tree–fungi mutualism, the fungi siphon off carbon that has been produced in the form of glucose by the trees during photosynthesis, by means of chlorophyll that the fungi do not possess. In turn, the trees obtain nutrients such as phosphorus and nitrogen that the fungi have acquired from the soil through which they grow, by means of enzymes that the trees lack.

Lust is like a dark and dead tree. There is no point in fighting with the dead branches. Dig and see if there is any life left in the roots. Attend to the deep-rooted desires that might still be innocent.

As a child, I would place my back against one of our trees and feel its reassuring solidity, its immobility. It was not going to move, it would never go anywhere, it was rooted to its spot. For as long as they are alive, trees remain where they are. This is one of life's few certainties. The roots of trees go deep and take many directions, we cannot foresee their subterranean spread any more than we can predict how a child will grow. Beneath the earth, trees live their secret lives, at times going deeper into the ground than up into the sky, entwined below with other trees which appear in no way connected above the ground.

The face of everyone in mine, the oneness with every blade of grass, the flight with the flocks in the sky, the dance with the clouds across endless skies. The strength with every tree, rooting deep into mother earth, springing forth into the heavens, extending branches of gratitude and love.... Such a privilege, honor and grace, such a gift and joy.

In the lowest pools the Laminarias begin to appear, called variously the oarweeds, devil’s aprons, sea tangles, and kelps. The Laminarias belong to the brown algae, which flourish in the dimness of deep waters and polar seas. The horsetail kelp lives below the tidal zone with others of the group, but in deep pools also comes over the threshold, just above the line of the lowest tides. [...] To look into such a pool is to behold a dark forest, it’s foliage like the leaves of palm trees, the heavy stalks of the kelps also curiously like the trunks of palms. [...] One of these laminarian holdfasts is something like the roots of a forest tree, branching out, dividing, subdividing, in its very complexity a measure of the great seas that roar over this plant.

You see, Jarret?" she said softly. "It can't work. We want different things. You want to follow the wind where it leads, and I want to dig my roots deep. You're a river, and I'm a tree. The tree can never follow the river, and the river can never stay with the tree.

While the moon smoothly shifted the shadows from one side of Edgewood to the other, Daily Alice dreamed that she stood in a flower-starred field where on a hill there grew an oak tree and a thorn in deep embrace, their branches intertwined like fingers. Far down the hall, Sophie dreamed that there was a tiny door in her elbow, open a crack, through which the wind blew, blowing on her heart. Dr. Drinkwater dreamed he sat before his typewriter and wrote this: 'There is an aged, aged insect who lives in a hole in the ground. One June he puts on his summer straw, and takes his pipe and his staff and his lamp in half his hands, and follows the worm and the root to the stair that leads up to the door into blue summer.' This seemed immensely significant to him, but when he awoke he wouldn't be able to remember a word of it, try as he might. Mother beside him dreamed her husband wasn't in his study at all, but with her in the kitchen, where she drew tin cookie-sheets endlessly out of the oven; the baked things on them were brown and round, and when he asked her what they were, she said 'Years'.

Afterwards Mostly you look back and say, "Well, OK. Things might have been different, sure, and it's not too bad, but look - things happen like that, and you did what you could." You go back and pick up the pieces. There's tomorrow. There's that long bend in the river on the way home. Fluffy bursts of milkweed are floating through shafts of sunlight or disappearing where trees reach out from their deep dark roots. Maybe people have to go in and out of shadows till they learn that floating, that immensity waiting to receive whatever arrives with trust. Maybe somebody has to explore what happens when one of us wanders over near the edge and falls for awhile. Maybe it was your turn.

Biologists often talk about the “ecology” of an organism: the tallest oak in the forest is the tallest not just because it grew from the hardiest acorn; it is the tallest also because no other trees blocked its sunlight, the soil around it was deep and rich, no rabbit chewed through its bark as a sapling, and no lumberjack cut it down before it matured. We all know that successful people come from hardy seeds. But do we know enough about the sunlight that warmed them, the soil in which they put down the roots, and the rabbits and lumberjacks they were lucky enough to avoid?

Everything we do produces karma in the mind. In fact, it is in the mind rather than the world that karma’s seeds are planted. Aptly, Indian philosophy compares a thought to a seed: very tiny, but it can grow into a huge, deep-rooted, wide-spreading tree. I have seen places where a seed in a crack of a pavement grew into a tree that tore up the sidewalk. It is difficult to remove such a tree, and terribly difficult to undo the effects of a lifetime of negative thinking, which can extend into many other people’s lives. But it can be done, and the purpose of the Gita is to show how.

Sometimes, in moments like this, there was so much I wanted to say to Max that the prospect of forcing all of that emotion into mere syllables seemed laughable. I had spent my entire life being ripped from what I loved. My heart never could grow roots, because every few years they would be hacked away. You learn to live without them. You learn to find love where it doesn’t exist, like in the superficial kindnesses of a cruel man. You learn to accept the loss as a part of you, and pretend you don’t mourn every severed connection. I had forgotten that it was possible for the roots of someone’s affection to run so deep, so solid. I could build a life in the branches of this tree. I could cradle a generation’s future nestled in its leaves.

Did you know the trees speak to each other?” She wrinkled her brow. “No.” “They do. They tell secrets in their roots, those deep, dark places that can’t be seen. I think we’re like that too. We know things deep, deep down, secret things, ancient things, that whisper through us, one to the other. You whispered to me. And I whispered back. You heard, didn’t you?” Her heart beat with love for him, at the sweetness of what he’d said. She nodded. “Yes, I heard.

Religion is concerned not with genuine history, but with sacred history, which does not course through time like a river. Rather, sacred history is like a hallowed tree whose roots dig deep into primordial time and whose branches weave in and out of genuine history with little concern for the boundaries of space and time.

Outsong in the Jungle [Baloo:] For the sake of him who showed One wise Frog the Jungle-Road, Keep the Law the Man-Pack make For thy blind old Baloo's sake! Clean or tainted, hot or stale, Hold it as it were the Trail, Through the day and through the night, Questing neither left nor right. For the sake of him who loves Thee beyond all else that moves, When thy Pack would make thee pain, Say: "Tabaqui sings again." When thy Pack would work thee ill, Say: "Shere Khan is yet to kill." When the knife is drawn to slay, Keep the Law and go thy way. (Root and honey, palm and spathe, Guard a cub from harm and scathe!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [Kaa:] Anger is the egg of Fear-- Only lidless eyes see clear. Cobra-poison none may leech-- Even so with Cobra-speech. Open talk shall call to thee Strength, whose mate is Courtesy. Send no lunge beyond thy length. Lend no rotten bough thy strength. Gauge thy gape with buck or goat, Lest thine eye should choke thy throat. After gorging, wouldst thou sleep ? Look thy den be hid and deep, Lest a wrong, by thee forgot, Draw thy killer to the spot. East and West and North and South, Wash thy hide and close thy mouth. (Pit and rift and blue pool-brim, Middle-Jungle follow him!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [Bagheera:] In the cage my life began; Well I know the worth of Man. By the Broken Lock that freed-- Man-cub, ware the Man-cub's breed! Scenting-dew or starlight pale, Choose no tangled tree-cat trail. Pack or council, hunt or den, Cry no truce with Jackal-Men. Feed them silence when they say: "Come with us an easy way." Feed them silence when they seek Help of thine to hurt the weak. Make no bandar's boast of skill; Hold thy peace above the kill. Let nor call nor song nor sign Turn thee from thy hunting-line. (Morning mist or twilight clear, Serve him, Wardens of the Deer!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [The Three:] On the trail that thou must tread To the threshold of our dread, Where the Flower blossoms red; Through the nights when thou shalt lie Prisoned from our Mother-sky, Hearing us, thy loves, go by; In the dawns when thou shalt wake To the toil thou canst not break, Heartsick for the Jungle's sake; Wood and Water, Wind air Tree, Wisdom, Strength, and Courtesy, Jungle-Favour go with thee!

I’ll tell you something,” he said, as if he had said nothing that day. “You’re walking on gallows ground, and there’s a hempen rope around your neck and a raven-bird on each shoulder, waiting for your eyes, and the gallows tree has deep roots, for it stretches from heaven to hell, and our world is only the branch from which the rope is swinging.

If T. S. Eliot had stayed in St Louis, he would never have held that April was the cruelest month. Well, unless he was a Browns fan. At this moment, in the ragged middle of February, it begins: beneath the snow, roots quicken. In the Deep South, already trees begin to bud. And all over the land – indeed, all over the world, in Japan, in the Caribbean, in Australia – a certain class of mammal, fubsy, amiable, sweet-natured, begins to twitch and wake from hibernation: the baseball fan. Is it the lengthening of the days? Is it some subtle signal that causes them to begin to emerge from a stupor only lightly disturbed by meetings of the Hot Stove League? Naw. It is the magic phrase, ‘pitchers and catchers to report….

It's like this, Bunny Boy, if you walk up to an oak tree or a bloody elm or something - you know, one of those big bastards - one with a thick, heavy trunk with giant roots that grow deep in the soil and great branches that are covered in leaves, right, and you walk up to it and give the tree a shake, well, what happens?' (...) 'I really don't know, Dad,' (...) 'Well, nothing bloody happens, of course!' (...) 'You can stand there shaking it till the cows come home and all that will happen is your arms will get tired. Right?' (...) 'Right, Dad,' he says. (...) 'But if you go up to a skinny, dry, fucked-up little tree, with a withered trunk and a few leaves clinging on for dear life, and you put your hands around it and shake the shit out of it - as we say in the trade - those bloody leaves will come flying off! Yeah?' 'OK, Dad,' says the boy (...) 'Now, the big oak tree is the rich bastard, right, and the skinny tree is the poor cunt who hasn't got any money. Are you with me?' Bunny Junior nods. 'Now, that sounds easier than it actually is, Bunny Boy. Do you want to know why?' 'OK, Dad.' 'Because every fucking bastard and his dog has got hold of the little tree and is shaking it for all that it's worth - the government, the bloody landlord, the lottery they don't have a chance in hell of winning, the council, their bloody exes, their hundred snotty-nosed brats running around because they are too bloody stupid to exercise a bit of self-control, all the useless shit they see on TV, fucking Tesco, parking fines, insurance on this and insurance on that, the boozer, the fruit machines, the bookies - every bastard and his three-legged, one-eyed, pox-riden dog are shaking this little tree,' says Bunny, clamping his hands together and making like he is throttling someone. 'So what do you go and do, Dad?' says Bunny Junior. 'Well, you've got to have something they think they need, you know, above all else.' 'And what's that, Dad?' 'Hope... you know... the dream. You've got to sell them the dream.

The world is full of folly and confusion, the lack of freedom has deep roots, the hope for justice and equality is dwindling, the odds against us are too great, it seems. We should be glad to be as well off as we are, people say, most people are worse off. Then they take a pill for insomnia. Or depression. Or life. When will a new generation come, one that understands the importance of equality, a generation of gardeners and foresters who can fell the big trees that block the light for all the lesser ones, and who can remove the suckers from the tree of knowledge.

My thoughts on the descent of our moral prejudices – for that is what this polemic is about – were first set out in a sketchy and provisional way in the collection of aphorisms entitled Human, All Too Human. A Book for Free Spirits, which I began to write in Sorrento during a winter that enabled me to pause, like a wanderer pauses, to take in the vast and dangerous land through which my mind had hitherto travelled. This was in the winter of 1876–7; the thoughts themselves go back further. They were mainly the same thoughts which I shall be taking up again in the present essays – let us hope that the long interval has done them good, that they have become riper, brighter, stronger and more perfect! The fact that I still stick to them today, and that they themselves in the meantime have stuck together increasingly firmly, even growing into one another and growing into one, makes me all the more blithely confident that from the first, they did not arise in me individually, randomly or sporadically but as stemming from a single root, from a fundamental will to knowledge deep inside me which took control, speaking more and more clearly and making ever clearer demands. And this is the only thing proper for a philosopher. We have no right to stand out individually: we must not either make mistakes or hit on the truth individually. Instead, our thoughts, values, every ‘yes’, ‘no’, ‘if ’ and ‘but’ grow from us with the same inevitability as fruits borne on the tree – all related and referring to one another and a testimonial to one will, one health, one earth, one sun. – Do you like the taste of our fruit? – But of what concern is that to the trees? And of what concern is it to us philosophers? . . .

On an energetic level, humans are a lot like trees. A well-balanced tree has deep, grounded roots that go into the earth like a grounding rod. A tree's roots are both its stability and its source of nutrition. The deeper and wider the roots, the more resilient and anchored the tree will be, and the more likely it is to survive changes in the environment, such as high winds or drought.

She gets a glint in her eye like she’s imagining she can repot us, all of us, onto a new planet where we can grow with deep & understanding roots, where we will rise & flourish into tree houses &

I Know Love I know love now because I am in love. Because of how long I’ve loved. Because of the man I love. Love used to be a beautiful mirage, a moonbeam on the water I tried to cup in my hands. Now it is a grand oak tree, tried and tested, roots driving deep down into the earth. I have a love that takes me across oceans. A love that tells me I am home, no matter where I am in the world.

There are times when you need the extremity of rock, the hardness of an old, cold place against which you can measure yourself. There are times when you need to retreat to the wilderness. But there are times when you need the subtle flow of a river, the song of a waterfall and the deep, slow presence of trees. Times when you need to Return. There are times for holding on, and times for letting go.

I would like there to exist spaces that are stable, unmoving, intangible, untouched and almost untouchable, unchanging, deep-rooted; places that might be points of reference, of departure, of origin: My birthpalce, the cradle of my family, the house where I may have been born, the tree I may have seen grow (that my father may have planted the day I was born), the attic of my childhood filled with intact memories . . . Such places don't exist, and it's because they do'nt exist that space becomes a question, ceases to be self-evident, ceases to be incorporated, ceases to be appropriated. Space is a doubt: I have constantly to mark it, to designate it, It is never mine, never given to me, I have to conquer it. My spaces are fragile: time is going to wear them away, to destroy them. Nothing will any longer reseble waht was, my memories will betray me, oblivion will infiltrate my memory, I shall look at a few old yellowing photographs with broken edges without recognising them. The words 'Phone directory available within' or 'Snacks served at any hour' will no longer be written up in a semi-circle in white porcelain letter on the window of the little café in the Rue Coquillière. Space melts like sand running through one's fingers. Time bears it away and leaves me only Shapeless shreds: To write: to try meticulously to retain something, to cause something to survive; to wrest a few precise scraps from the void as it grows, to leave somewhere a furrow, a trace, a mark or a few signs. Paris 1973-1974

the tallest oak in the forest is the tallest not just because it grew from the hardiest acorn; it is the tallest also because no other trees blocked its sunlight, the soil around it was deep and rich, no rabbit chewed through its bark as a sapling, and no lumberjack cut it down before it matured. We all know that successful people come from hardy seeds. But do we know enough about the sunlight that warmed them, the soil in which they put down the roots, and the rabbits and lumberjacks they were lucky enough to avoid? This

At the edge of the wolfswood, Bran turned in his basket for one last glimpse of the castle that had been his life. Wisps of smoke still rose into the grey sky, but no more than might have risen from Winterfell’s chimneys on a cold autumn afternoon. Soot stains marked some of the arrow loops, and here and there a crack or a missing merlon could be seen in the curtain wall, but it seemed little enough from this distance. Beyond, the tops of the keeps and towers still stood as they had for hundreds of years, and it was hard to tell that the castle had been sacked and burned at all. The stone is strong, Bran told himself, the roots of the trees go deep, and under the ground the Kings of Winter sit their thrones. So long as those remained, Winterfell remained. It was not dead, just broken. Like me, he thought. I’m not dead either.

Ahead in the distance, scattered clusters of pink-trees waved in the wind. They stuck out of the yellow sea, towering thirty or forty meters high. The pink-trees are very thin, they don’t have low branches, only high ones with broad leaves of orange and red, sometimes shading all the way down to deep purple, sometimes so dark they look black. But their long necks are mostly pink that is why they are called pink- trees. They aren’t really trees. Even though they are rooted, they’re part animal, and instead of bark they have layers of pale skin, thin as paper.

But that tree that grew up between them was just a gnarly old thing with thick roots that ran deep and wild and tore at the ground until it opened up, and, once it did, Julie found herself clear across a great divide from Ben, so far apart that they couldn’t even see each other from where they stood.

I would like there to exist places that are stable, unmoving, intangible, untouched and almost untouchable, unchanging, deep-rooted; places that might be points of reference, of departure, of origin: My birthplace, the cradle of my family, the house where I may have been born, the tree I may have seen grow (that my father may have planted the day I was born), the attic of my childhood filled with intact memories… My spaces are fragile: time is going to wear them away, to destroy them. Nothing will any longer resemble what was, my memories will betray me, oblivion will infiltrate my memory, I shall look at a few old yellowing photographs with broken edges without recognising them… Space melts like sand running through one’s fingers. Time bears it away and leaves me only shapeless shreds: To write: To try meticulously to retain something, to cause something to survive; to wrest a few precise scraps from the void as it grows, to leave somewhere a furrow, a trace, a mark or a few signs.

Our garden was large and beautiful as that garden in the Bible - the tree of life grew there. But it had gone wild. The paths were overgrown and a smell of dead flowers mixed with the fresh living smell. Underneath the tree ferns, tall as forest tree ferns, the light was green. Orchids flourished out of reach or for some reason not to be touched. One was snaky looking, another like an octopus with long thing brown tentacles bare of leaves hanging from a twisted root. Twice a year the octopus orchid flowered - then not an inch of tentacle showed. It was a bell-shaped mass of white, mauve, deep purples, wonderful to see. The sent was very sweet and strong. I never went near it.

With bare feet in the dirt, fulmia, ten times with conviction, will shake the earth to its roots, if you have the strength, Jaga’s book had told me, and the Dragon had believed it enough not to let me try it anywhere near the tower. I had felt doubtful, anyway, about conviction: I hadn’t believed I had any business shaking the earth to its roots. But now I fell to the ground and dug away the snow and the fallen leaves and rot and moss until I came to the hard-frozen dirt. I pried up a large stone and began to smash at the earth, again and again, breaking up the dirt and breathing on it to make it softer, pounding in the snow that melted around my hands, pounding in the hot tears that dripped from my eyes as I worked. Kasia was above me with her head flung up, her mouth open in its soundless cry like a statue in a church. “Fulmia,” I said, my fingers deep in the dirt, crushing the solid clods between my fingers. “Fulmia, fulmia,” I chanted over and over, bleeding from broken nails, and I felt the earth hear me, uneasily. Even the earth was tainted here, poisoned, but I spat on the dirt and screamed, “Fulmia,” and imagined my magic running into the ground like water, finding cracks and weaknesses, spreading out beneath my hands, beneath my cold wet knees: and the earth shuddered and turned over. A low trembling began where my hands drove into the ground, and it followed me as I started prying at the roots of the tree. The frozen dirt began to break up into small chunks all around them, the tremors going on and on like waves. The branches above me were waving wildly as if in alarm, the whispering of the leaves becoming a muted roaring. I straightened up on my knees. “Let her out!” I screamed at the tree: I beat on its trunk with my muddy fists. “Let her out, or I’ll bring you down! Fulmia!” I cried out in rage, and threw myself back down at the ground, and where my fists hit, the ground rose and swelled like a river rising with the rain. Magic was pouring out of me, a torrent: every warning the Dragon had ever given me forgotten and ignored. I would have spent every drop of myself and died there, just to bring that horrible tree down: I couldn’t imagine a world where I lived, where I left this behind me, Kasia’s life and heart feeding this corrupt monstrous thing. I would rather have died, crushed in my own earthquake, and brought it down with me. I tore at the ground ready to break open a pit to swallow us all.

In other words, a believer who chooses to delight in the Word of God in the midst of adversity will avoid being offended. That person will be like a tree whose roots search deep to where the Spirit provides strength and nourishment. He will draw from the well of God deep within his spirit. This will mature him to the point where adversity will now be the catalyst for fruit. Hallelujah!

That night he had dreamed of an orchard under the moonlight, of skeletal white trees, their branches ending in bony hands, their roots going deep down into the graves. There was fruit that grew upon the trees in the bone orchard, in his dream, and there was something very disturbing about the fruit in the dream, but on waking he could no longer remember what strange fruit grew on the trees, or why he found it so repellent.

Do you know what it means to be discontented? It is very difficult to understand discontent, because most of us canalize discontent in a certain direction and thereby smother it. That is, our only concern is to establish ourselves in a secure position with well-established interests and prestige, so as not to be disturbed. It happens in homes and in schools too. The teachers don't want to be disturbed, and that is why they follow the old routine; because the moment one is really discontented and begins to inquire, to question, there is bound to be disturbance. But it is only through real discontent that one has initiative. Do you know what initiative is? You have initiative when you initiate or start something without being prompted. It need not be anything very great or extraordinary - that may come later; but there is the spark of initiative when you plant a tree on your own, when you are spontaneously kind, when you smile at a man who is carrying a heavy load, when you remove a stone from the path, or pat an animal along the way. That is a small beginning of the tremendous initiative you must have if you are to know this extraordinary thing called creativeness. Creativeness has its roots in the initiative which comes into being only when there is deep discontent.

grave monsters of fable in deeps of the ferny forest danced minuets that witches had made of their whims and their laughter, long ago long ago in their youth before cities had come to the world. And the trees of the forest heavily lifted slow roots out of the ground and swayed upon them uncouthly and then danced as on monstrous claws, and the insects danced on the huge waving leaves. And in the dark of long caverns weird things in enchanted seclusion rose out of their age-long sleep and danced in the damp

-The Wonderer's Dream- Upon one lucky night I had a vision A vision of a tree whose roots grew Wide Deep and Long And I followed it down until it lead me to another world And in this world I learned there were worlds upon worlds A world in which there was no slave or free As there was nothing to be free from This world was made of pure light A light that radiates In you In me And on the rare occasion it finds itself travelled and distant and somehow, as luck may have it, in our world. A poem for the Nalia Books

But trees have their own personalities, and if we would be their friends, we must meet them on their own terms. No matter where I live, I always try to make friends with a tree. I find them so much like us in so many ways. They have their feet on the ground, their heads in the sky. They respond to the movements of the wind, the changes of the season. They have moods, aridities, joys. They like company. In their scale they are perhaps our most intimate companions: their lives are understandable in years, not aeons; their size in feet, not miles. We can watch them grow, give forth their fruit, send forth their young. We can touch them without feeling alien, or as if we are violating their wildness. We sense their private courage. And they have so much to teach. Like us, their roots are unseen, and no matter how glorious the front they put up for the world, their true strength lies in the hard work that takes place unnoticed beneath the surface. They have good years and bad years, and yet they endure. They know how to withstand all seasons, to be patient with adversity, to store up strength for the hard times. They are nourished by the land. When the wind blows, they understand the power of the unseen, and bow their heads before it. They hold on to their children as long as they must, then let them go where they will. And they have about them a deep compassion. They provide rest for the traveler, food for the hungry. They will even give up their own lives to provide shelter and warmth for others. They welcome weaker creatures without asserting their power. It

Sometimes, in moments like this, there was so much I wanted to say to Max that the prospect of forcing all of that emotion into mere syllables seemed laughable. I had spent my entire life being ripped from what I loved. My heart never could grow roots, because every few years they would be hacked away. You learn to live without them. You learn to find love where it doesn’t exist, like in the superficial kindnesses of a cruel man. You learn to accept the loss as a part of you, and pretend you don’t mourn every severed connection. I had forgotten that it was possible for the roots of someone’s affection to run so deep, so solid. I could build a life in the branches of this tree. I could cradle a generation’s future nestled in its leaves. But I still had so many scars. And it’s hard to dream when you’re surrounded by the ashes of loss. Hard not to wonder if whatever scraps you have left over are even worth offering someone who deserves so much. I squeezed my eyes shut. They prickled. “I love you,” I choked out. Love. The word was all I had. Still, it didn’t feel like enough.

What if even then, God had plans for a second garden? Another tree, and another chance to reach out and accept the abundance of life? What if in Eden, God was planning Gethsemane?" The question echoed through Lucy, growing in power with each reverberation within her soul. She held a flower in her hands. The sweet, exotic perfume floated deep into Lucy's heart---carrying Ms. Beth's words right along beside it. Lucy hesitated, allowing the words to take effect. "Are you circling a closed Eden, or have you chosen to step into Gethsemane, through the open gate?" Lucy blinked. She had never thought of it like that. "Maybe what you thought was a closed gate meant to punish you is actually God's way of protecting you from remaining in a place where you won't and can't receive His life." The truth washed Lucy's heart with color. As it brushed over the harsh edges with water, watercolor blooms began to blend one into the other, filling her with understanding. Lucy's heart swelled as the long-dry soil soaked up this water. "Where you're preoccupied with your failures and your fears and the desire to preserve all you might lose, God has a plan to preserve something else. To root you in a place where life can grow within you once more, freely and abundantly. A garden of death for a garden of life, where through His own resurrection Jesus returns all that was stolen.

There is a deep stillness in the Fakahatchee, but there is not a moment of physical peace. Something is always brushing against you or lapping at you or snagging at you or tangling in your legs, and the sun is always pummeling your skin, and the wetness in the air makes your hair coil like a phone cord. You never smell plain air in a swamp - you smell the tang of mud and the sourness of rotting leaves and the cool musk of new leaves and the perfumes of a million different flowers floating by, each distinct but transparent, like soap bubbles. The biggest number in the universe would not be big enough to count the things your eyes see. Every inch of land holds up a thatch of tall grass or a bush or a tree, and every bush or tree is girdled with another plant’s roots, and every root is topped with a flower or a fern or a swollen bulb, and every one of those flowers and ferns is the pivot around which a world of bees and gnats and spiders and dragonflies revolve. The sounds you hear are twigs cracking underfoot and branches whistling past you and leaves murmuring and leaves slopping over the trunks of old dead trees and every imaginable and unimaginable insect noise and every kind of bird peep and screech and tootle, and then all those unclaimed sounds of something moving in a hurry, something low to the ground and heavy, maybe the size of a horse in the shape of a lizard, or maybe the size, shape and essential character of a snake. In the swamp you feel as if someone had plugged all of your senses into a light socket. A swamp is logy and slow-moving about at the same time highly overstimulating. Even in the dim, sultry places deep within it, it is easy to stay awake.

THE BOOK OF A MONK’S LIFE I live my life in circles that grow wide And endlessly unroll, I may not reach the last, but on I glide Strong pinioned toward my goal. About the old tower, dark against the sky, The beat of my wings hums, I circle about God, sweep far and high On through milleniums. Am I a bird that skims the clouds along, Or am I a wild storm, or a great song? Many have painted her. But there was one Who drew his radiant colours from the sun. My God is dark- like woven texture flowing, A hundred drinking roots, all intertwined; I only know that from His warmth I'm growing. More I know not: my roots lie hidden deep My branches only are swayed by the wind. Dost thou not see, before thee stands my soul In silence wrapt my Springtime's prayer to pray? But when thy glance rests on me then my whole Being quickens and blooms like trees in May. When thou art dreaming then I am thy Dream, But when thou art awake I am thy Will Potent with splendour, radiant and sublime, Expanding like far space star-lit and still Into the distant mystic realm of Time. I love my life's dark hours In which my senses quicken and grow deep, While, as from faint incense of faded flowers Or letters old, I magically steep Myself in days gone by: again I give Myself unto the past:- again I live. Out of my dark hours wisdom dawns apace, Infinite Life unrolls its boundless space ... Then I am shaken as a sweeping storm Shakes a ripe tree that grows above a grave ' Round whose cold clay the roots twine fast and warm- And Youth's fair visions that glowed bright and brave, Dreams that were closely cherished and for long, Are lost once more in sadness and in song.

That's my little piece of heaven. Go ahead." Ciro followed Remo through the open door to a small enclosed garden. Terra-cotta pots positioned along the top of the stone wall spilled over with red geraniums and orange impatiens. An elm tree with a wide trunk and deep roots filled the center of the garden. Its green leaves and thick branches reached past the roof of Remo's building, creating a canopy over the garden. There was a small white marble birdbath, gray with soot, flanked by two deep wicker armchairs. Remo fished a cigarette out of his pocket, offering another to Ciro as both men took a seat. "This is where I come to think." "Va bene," Ciro said as he looked up into the tree. He remembered the thousands of trees that blanketed the Alps; here on Mulberry Street, one tree with peeling gray bark and holes in its leaves was cause for celebration.

Stability Along those lines, a tree that is repeatedly uprooted and transplanted will be hard pressed to produce healthy fruit. So it is with people and their spiritual lives. Rootlessness is not a new problem. In the first chapter of the Rule, Saint Benedict denounced the kind of monk he called a “gyrovague.” “They spend their whole lives tramping from province to province,” he wrote, adding that “they are always on the move, with no stability, they indulge their own wills”—and are even worse, the saint said, than the hedonistic monks whose only law is desire. If you are going to put down spiritual roots, taught Benedict, you need to stay in one place long enough for them to go deep. The Rule requires monks to take a vow of “stability”—meaning that barring unusual circumstances, including being sent out as a missionary, the monk will remain for the rest of his life in the monastery where he took his vows.

When he struck the icy water, he feared his heart might stop. He wasn’t sure what he’d expected, but the force of the river was terrifying, flowing fast and hard as an avalanche. The noise was deafening even beneath the water, but with fear also came a kind of giddy vindication. He’d been right. The Voice of God. There was always truth in legend. Kaz had spent enough time building his own myth to know. He’d wondered where the water that fed the Ice Court’s moat and fountains came from, why the river gorge was so very deep and wide. As soon as Nina had described the drüskelle initiation ritual, he’d known: The Fjerdan stronghold hadn’t been built around a great tree but around a spring. Djel, the wellspring, who fed the seas and rains, and the roots of the sacred ash. Water had a voice. It was something every canal rat knew, anyone who had slept beneath a bridge or weathered a winter storm in an overturned boat—water could speak with the voice of a lover, a long-lost brother, even a god.

She knows she should feel excited about her acceptance to Emory and the promise of spring break. She should feel infinite and hopeful, like the growing earth around her. Like the sunlight, which stretches longer each day, asking for one more minute, one more oak tree to shimmer on. Like the late March mornings, which arrive carrying a gentle heat, rocking it back and forth over the pavement in the parking lot, letting it crawl forth over the grass and the tree roots, nurturing it while it is still nascent and tender, before it turns into swollen summer. But while the whole earth prepares for spring, Hannah feels a great anxiety in her heart, for something dangerous has grown in her, something she never planted or even wanted to plant. It’s there. She knows it’s there. If she’s truthful with herself, she’s probably known it all along. But now, as the days grow longer and the Garden District grows greener, she can actually see it. It has sprung up at last, and it refuses to be unseen. She tells herself it’s passing. It’s temporary. It’s intensified only because she’s a senior and all of her emotions are heightened. It’s innocent. It’s typical for a girl her age. It’s no more or less of a feeling than everyone else has had at 17. But deep down, deep below the topsoil of her heart, she knows it’s not. Still, she pushes it down inside of her, buries it as far as it can go, suffocates it in the space between her stomach and her heart. She tells herself that she is stronger, that she can fight it, that she has control. That no one else has to know. I can ignore it, she thinks. I can refuse to look at it. I can stomp on it every time it springs up within me. So she lies to herself that everything is normal. That she is normal. She carries herself through the end of the school week by refusing to acknowledge it. By refusing to align her heart with the growing sunlight and the nurturing heat and the flowering plants and the tall, proud trees. ‘You alright?’ Baker asks, when Hannah says goodbye to her after school on Friday. Hannah stomps, buries, suffocates, wishes for death. ‘Yeah,’ she says. ‘I’m good.

(from Lady of the Lake) The western waves of ebbing day Rolled o’er the glen their level way; Each purple peak, each flinty spire, Was bathed in floods of living fire. But not a setting beam could glow Within the dark ravines below, Where twined the path in shadow hid, Round many a rocky pyramid, Shooting abruptly from the dell Its thunder-splintered pinnacle; Round many an insulated mass, The native bulwarks of the pass, Huge as the tower which builders vain Presumptuous piled on Shinar’s plain. The rocky summits, split and rent, Formed turret, dome, or battlement, Or seemed fantastically set With cupola or minaret, Wild crests as pagod ever decked, Or mosque of Eastern architect. Nor were these earth-born castles bare, Nor lacked they many a banner fair; For, from their shivered brows displayed, Far o’er the unfathomable glade, All twinkling with the dewdrop sheen, The brier-rose fell in streamers green, And creeping shrubs, of thousand dyes, Waved in the west-wind’s summer sighs. Boon nature scattered, free and wild, Each plant or flower, the mountain’s child. Here eglantine embalmed the air, Hawthorn and hazel mingled there; The primrose pale, and violet flower, Found in each cliff a narrow bower; Fox-glove and night-shade, side by side, Emblems of punishment and pride, Grouped their dark hues with every stain The weather-beaten crags retain. With boughs that quaked at every breath, Gray birch and aspen wept beneath; Aloft, the ash and warrior oak Cast anchor in the rifted rock; And, higher yet, the pine-tree hung His shattered trunk, and frequent flung, Where seemed the cliffs to meet on high, His boughs athwart the narrowed sky. Highest of all, where white peaks glanced, Where glist’ning streamers waved and danced, The wanderer’s eye could barely view The summer heaven’s delicious blue; So wondrous wild, the whole might seem The scenery of a fairy dream. Onward, amid the copse ’gan peep A narrow inlet, still and deep, Affording scarce such breadth of brim As served the wild duck’s brood to swim. Lost for a space, through thickets veering, But broader when again appearing, Tall rocks and tufted knolls their face Could on the dark-blue mirror trace; And farther as the hunter strayed, Still broader sweep its channels made. The shaggy mounds no longer stood, Emerging from entangled wood, But, wave-encircled, seemed to float, Like castle girdled with its moat; Yet broader floods extending still Divide them from their parent hill, Till each, retiring, claims to be An islet in an inland sea. And now, to issue from the glen, No pathway meets the wanderer’s ken, Unless he climb, with footing nice A far projecting precipice. The broom’s tough roots his ladder made, The hazel saplings lent their aid; And thus an airy point he won, Where, gleaming with the setting sun, One burnished sheet of living gold, Loch Katrine lay beneath him rolled, In all her length far winding lay, With promontory, creek, and bay, And islands that, empurpled bright, Floated amid the livelier light, And mountains, that like giants stand, To sentinel enchanted land. High on the south, huge Benvenue Down to the lake in masses threw Crags, knolls, and mountains, confusedly hurled, The fragments of an earlier world; A wildering forest feathered o’er His ruined sides and summit hoar, While on the north, through middle air, Ben-an heaved high his forehead bare.

She hadn’t always been obsessed with babies. There was a time she believed she would change the world, lead a movement, follow Dolores Huerta and Sylvia Mendez, Ellen Ochoa and Sonia Sotomayor. Where her bisabuela had picked pecans and oranges in the orchards, climbing the tallest trees with her small girlbody, dropping the fruit to the baskets below where her tías and tíos and primos stooped to pick those that had fallen on the ground, where her abuela had sewn in the garment district in downtown Los Angeles with her bisabuela, both women taking the bus each morning and evening, making the beautiful dresses to be sold in Beverly Hills and maybe worn by a movie star, and where her mother had cared for the ill, had gone to their crumbling homes, those diabetic elderly dying in the heat in the Valley—Bianca would grow and tend to the broken world, would find where it ached and heal it, would locate its source of ugliness and make it beautiful. Only, since she’d met Gabe and become La Llorona, she’d been growing the ugliness inside her. She could sense it warping the roots from within. The cactus flower had dropped from her when she should have been having a quinceañera, blooming across the dance floor in a bright, sequined dress, not spending the night at her boyfriend’s nana’s across town so that her mama wouldn’t know what she’d done, not taking a Tylenol for the cramping and eating the caldo de rez they’d made for her. They’d taken such good care of her. Had they done it for her? Or for their son’s chance at a football scholarship? She’d never know. What she did know: She was blessed with a safe procedure. She was blessed with women to check her for bleeding. She was blessed with choice. Only, she hadn’t chosen for herself. She hadn’t. Awareness must come. And it did. Too late. If she’d chosen for herself, she would have chosen the cactus spines. She would’ve chosen the one night a year the night-blooming cereus uncoils its moon-white skirt, opens its opalescent throat, and allows the bats who’ve flown hundreds of miles with their young clutching to their fur as they swim through the air, half-starved from waiting, to drink their fill and feed their next generation of creatures who can see through the dark. She’d have been a Queen of the Night and taught her daughter to give her body to no Gabe. She knew that, deep inside. Where Anzaldúa and Castillo dwelled, where she fed on the nectar of their toughest blossoms. These truths would moonstone in her palm and she would grasp her hand shut, hold it tight to her heart, and try to carry it with her toward the front door, out onto the walkway, into the world. Until Gabe would bend her over. And call her gordita or cochina. Chubby girl. Dirty girl. She’d open her palm, and the stone had turned to dust. She swept it away on her jeans. A daughter doesn’t solve anything; she needed her mama to tell her this. But she makes the world a lot less lonely. A lot less ugly.  

Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep blank space high up above many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived. It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of dots. At length I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at that very moment with great emotion, in intricate, detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which wholly worlds of feeling and energy were wrapped in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.” And I began to remember our time. I recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water. I saw white-faced cattle lowing and wading in creeks. I saw May apples in forests, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided, and apples grew spotted and striped in the fall. Mountains kept their cool caves and squirrels raced home to their nests through sunlight and shade. I remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wild ducks flew with outstretched necks, and called, one by one, and flew on. All these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remember the life of my time with increasing feeling. At last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “yes, that’s how it was then, that part there was called France.” I was filled with the deep affection of nostalgia- and then I opened my eyes. We all ought to be able to conjure up sights like these at will, so that we can keep in mind the scope of texture’s motion in time.