Smoky Weather Quotes

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Ornamentation, festoons, carvings, cartouches, bas-reliefs, countless surprises among the sculptures - and the tones of the facades weathered by time and rain, the pinks of fading twilight, smoky blues, misty greys, a richness of mildew, brickwork ripened by the years, the hues of a ruddy or anaemic complexion.
Georges Rodenbach (The Bells of Bruges)
When dusk at last comes it comes from the corners, where it’s been waiting all day and seeps through Slough House the way ink seeps through water; first casting tendrils, then becoming smoky black cloud and at last being everywhere, the way it always wants to be. Its older brother night has broader footfall, louder voice, but dusk is the family sneak, a hoarder of secrets. In each of the offices it prowls by the walls, licking the skirting boards, testing the pipes and out on the landings it fondles doorknobs, slips through keyholes, and is content. It leans hard against the front door – which never opens, never closes –and pushes softly on the back, which james in all weathers; it presses down on every stair at once, making none of them creak, and peers through both sides of each window. In locked drawers it hunts for its infant siblings, and with everyone it finds it grows a little darker. Dusk is a temporary creature, and always has been. The faster it feeds, the sooner it yields to the night.
Mick Herron (London Rules (Slough House, #5))
It was my first inkling of mountain reality - that a man's herd was an extension of his family, especially if he only had a few animals. His life revolved around his animals and his sustenance depended on them. He grew to love each one of them, name them, to learn their peculiarities and habits. He could read them - and the weather - better than you or I could read the newspaper.
Walt Larimore (Bryson City Tales: Stories of a Doctor's First Year of Practice in the Smoky Mountains)
Zane awakened them both early. By the time Chase stirred, he had both their tents down and was on his third cup of coffee. Phoebe had promised she could act completely normal, but looking at her from across the fire, he wasn’t so sure. There was no way anyone could see her dreamy expression and not know something was different. She tucked a strand of hair behind her ear. “What? You keep looking at me. I know my makeup can’t be smudged. I’m not wearing any.” It didn’t matter; she was still beautiful. “You look different,” he told her. “Satisfied?” Color flared on her cheeks. “You’re only saying that because you know the truth.” “Uh-huh.” He doubted that, but maybe she was right. Or maybe the weather would be enough of a distraction to keep everyone from figuring out the truth. “How long is it going to rain?” she asked as she fingered a pole holding up the canvas sheet they put up to protect the fire and the seating area around it. “It sure got cold and damp in a hurry.” Zane shrugged. “No way to tell. The storm is supposed to hang around for a few days, but maybe it will blow over.” He hoped it would. Traveling in the rain wouldn’t be fun for anyone. And he couldn’t simply turn them around, head to the ranch and be there in time for lunch. They were at the farthest point from his house. It was a full two-day ride back. Phoebe finished her coffee. “I’m going to check and see if my things are dry,” she said as she stood. He nodded, then watched her go. Cookie had started a second campfire on the far side of camp. Phoebe’s clothes and sleeping bag were getting a dose of smoky warm air in an attempt to get them dry before they headed out. Zane knew the old man wouldn’t tease Phoebe. Instead he would save his comments for Zane.
Susan Mallery (Kiss Me (Fool's Gold, #17))
Into the dark, smoky restaurant, smelling of rich raw foods on the buffet, slid Nicole's sky-blue suit like a stray segment of the weather outside.
F. Scott Fitzgerald
THE ECONOMIC barometer at Harvard University had consistently pointed to bad weather. But even its precise readings could not have predicted such a swift deepening of the crisis. Wars and the elements had turned the earth into a waster of its own energies. Oil wells were running dry. Black, white, and brown coals were producing less and less power every year. An unprecedented drought had swaddled the sere earth in what felt like a dozen equators. Crops burned to their roots. Forests caught fire in the infernal heat. The selvas of South America and the jungles of India blazed with smoky flames. Agrarian countries were ravaged first. True, forests reduced to ashes had given place to ashy boles of factory smoke. But their days too were numbered. Fuellessness was threatening machines with motionlessness. Even glacier snowcaps melted by the perennial summer could not provide an adequate supply of waterpower; the beds of shrinking rivers lay exposed, and soon the turbine generators would stop. The earth had a fever. Flogged mercilessly by the sun’s yellow whips, it whirled around like a dervish dancing his last delirious dance.
Sigizmund Krzhizhanovsky (Autobiography of a Corpse)