“
The paradox of our time in history is that we have taller buildings but shorter tempers, wider Freeways, but narrower viewpoints. We spend more, but have less, we buy more, but enjoy less. We have bigger houses and smaller families, more conveniences, but less time. We have more degrees but less sense, more knowledge, but less judgment, more experts, yet more problems, more medicine, but less wellness.
We drink too much, smoke too much, spend too recklessly, laugh too little, drive too fast, get too angry, stay up too late, get up too tired, read too little, watch TV too much, and pray too seldom. We have multiplied our possessions, but reduced our values. We talk too much, love too seldom, and hate too often.
We've learned how to make a living, but not a life. We've added years to life not life to years. We've been all the way to the moon and back, but have trouble crossing the street to meet a new neighbor. We conquered outer space but not inner space. We've done larger things, but not better things.
We've cleaned up the air, but polluted the soul. We've conquered the atom, but not our prejudice. We write more, but learn less. We plan more, but accomplish less. We've learned to rush, but not to wait. We build more computers to hold more information, to produce more copies than ever, but we communicate less and less.
These are the times of fast foods and slow digestion, big men and small character, steep profits and shallow relationships.
These are the days of two incomes but more divorce, fancier houses, but broken homes. These are days of quick trips, disposable diapers, throwaway morality, one night stands, overweight bodies, and pills that do everything from cheer, to quiet, to kill. It is a time when there is much in the showroom window and nothing in the stockroom. A time when technology can bring this letter to you, and a time when you can choose either to share this insight, or to just hit delete...
Remember, to spend some time with your loved ones, because they are not going to be around forever. Remember, say a kind word to someone who looks up to you in awe, because that little person soon will grow up and leave your side.
Remember, to give a warm hug to the one next to you, because that is the only treasure you can give with your heart and it doesn't cost a cent.
Remember, to say, "I love you" to your partner and your loved ones, but most of all mean it. A kiss and an embrace will mend hurt when it comes from deep inside of you.
Remember to hold hands and cherish the moment for someday that person might not be there again. Give time to love, give time to speak! And give time to share the precious thoughts in your mind.
”
”
Bob Moorehead (Words Aptly Spoken)
“
I think you smoke them so you have something to do while thinking up your next witty line."
He choked on the smoke, caught between inhaling and laughing. "Rose Hathaway, I can't wait to see you again. If you're this charming while tired and annoyed and this gorgeous while bruised and in ski clothes, you must be devastating at your peak."
"If by 'devastating' you mean that you should fear for your life, then yeah. You're right." I jerked open the door. "Good night, Adrian."
"I'll see you soon."
"Not likely. I told you, I'm not into older guys."
I walked into the lodge. As the door closed, I just barely heard him call behind me, "Sure, you aren't.
”
”
Richelle Mead (Frostbite (Vampire Academy, #2))
“
We need to talk,” she said. “All of us. About what we‘re going to do now.”
“I was going to watch Project Runway,” said Jace. “Its on next.”
“No you‘re not,” said Magnus. He snapped his fingers and the TV went off, releasing a small puff of smoke as the picture died. “You need to deal with this.”
“Suddenly you‘re interested in solving my problems?”
“I‘m interested in getting my apartment back. I‘m tired of you cleaning all the time.” Magnus snapped his fingers again menacingly. “Get up.”
“Or you‘ll be the next one to go up in smoke,” said Simon with relish.
“There’s no need to clarify my snap,” said Magnus. “The implication was clear in the snap itself.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
I got tired, I told him. Not worn out, but worn through. Like one of those wives who wakes up one morning and says I can't bake any more bread.
You never bake bread, he wrote, and we were still joking.
Then it's like I woke up and baked bread, I said, and we were joking even then. I wondered will there come a time when we won't be joking? And what would it look like? And how would that feel?
When I was a girl, my life was music that was always getting louder. Everything moved me. A dog following a stranger. That made me feel so much. A calender that showed the wrong month. I could have cried over it. I did. Where the smoke from the chimney ended. How an overturned bottle rested at the edge of a table.
I spent my life learning to feel less.
Every day I felt less.
Is that growing old? Or is it something worse?
You cannot protect yourself from sadness without protecting yourself from happiness.
”
”
Jonathan Safran Foer
“
Just that you do the right thing. The rest doesn't matter. Cold or warm. Tired or well-rested. Despised or honored. Dying...or busy with other assignments. Because dying, too, is one of our assignments in life. There as well: "To do what needs doing." Look inward. Don't let the true nature of anything elude you. Before long, all existing things will be transformed, to rise like smoke (assuming all things become one), or be dispersed in fragments...to move from one unselfish act to another with God in mind. Only there, delight and stillness...when jarred, unavoidably, by circumstances, revert at once to yourself, and don't lose the rhythm more than you can help. You'll have a better grasp of the harmony if you keep going back to it.
”
”
Marcus Aurelius (Meditations)
“
I was going to watch Project Runway," said Jace. "It's on next."
"No, you're not," said Magnus. He snapped his fingers and the TV went off, releasing a small puff of smoke as the picture died. "You need to deal with this."
"Suddenly you're interested in solving my problems?"
"I'm interested in getting my apartment back. I'm tired of you cleaning all the time.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
It's late, I'm tired, and your cigarettes are giving me a headache," I growled.
"I suppose that's fair." He drew in on the cigarette and let out the smoke. "Some women think they make me look sexy."
"I think you smoke them so you have something to do while thinking up your next witty line."
He choked on the smoke, caught between inhaling and laughing. "Rose Hathaway, I can't wait to see you again. If you're this charming while tired and annoyed and this gorgeous while bruised and in ski clothes, you must be devastating at your peak.
”
”
Richelle Mead (Frostbite (Vampire Academy, #2))
“
I have realized that mystery is what keeps people away, and I’ve grown tired of smoke and mirrors. I yearn for the clean, well-lighted place. So let’s peek behind the curtain and hail the others like us. The open-faced sandwiches who take risks and live big and smile with all of their teeth. These are the people I want to be around. This is the honest way I want to live and love and write.
”
”
Amy Poehler (Yes Please)
“
What was wafting in the smoke of burning tires?
where had time
caught in the traffic jam
not reaching?
”
”
Suman Pokhrel
“
What is this thing you call substance abuse?
All I wanna do is forget and get loose.
Drinking and smoking over and over
What's so great about a life that's sober?
There's nothing cool about being young
When the monsters of night have stolen the sun.
I'm tired of searching for words in the sky.
All I wanna do is drink and die.
Nothing is real. It's all a big lie.
All I wanna do is drink and die.
There's nothing cool about being young
When the monsters of night have stolen the sun.
”
”
Benjamin Alire Sáenz (Last Night I Sang to the Monster)
“
Madness will push you anywhere it wants. It never tells you where you're going, or why. It tells you it doesn't matter. It persuades you. It dangles something sparkly before you, shimmering like that water patch on the road up ahead. You will drive until you find it, the treasure, the thing you most desire.
You will never find it. Madness may mock you so long you will die of the search. Or it will tire of you, turn its back, oblivious as you go flying. The car is beside you, smoking, belly-up, still spinning its wheels.
”
”
Marya Hornbacher (Madness: A Bipolar Life)
“
Clary saw the group of lycanthropes look up, alert as a group of hunting dogs senting game. She turned-
And saw Luke, tired and bloodstained, coming through the double doors of the Hall.
She ran toward him. Forgetting how upset she'd been when he'd left, and forgetting how angry he'd been with her for bringing them here, forgetting everything but how glad she was to see him. He looked surprised for a moment as she barreled toward him- then he smiled, and put his arms out, and picked her up as he hugged her, the way he'd done when she'd been very small. He smelled like blood and flannel and smoke, and for a moment she closed her eyes, thinking of the way Alec had grabbed onto Jace the moment he'd seen him in the Hall, because that was what you did with family when you'd been worried about them, you grabbed them and held on to them and told them how much they'd pissed you off, and it was okay, becaused no matter how angry you got, they still belonged to you. And what she had said to Valentine was true. Luke was her family.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
What was wafting in the smoke of burning tires? Where had time caught in the traffic jam not reaching?
”
”
Suman Pokhrel
“
Once lively peonies now
wind-weary, and ragged
at the edges, hang their heavy
crowns; rain on their backs,
one final act, before
detaching from the stem
and falling down.
”
”
Kristen Henderson
“
I locked the door, for what good it would do me, and went to bed. The Browning Hi-Power was in its second home, a modified holster strapped to the headboard of my bed. The crucifix was cool metal around my neck. I was as safe as I was going to be and almost too tired to care.
I took one more thing to bed with me, a stuffed toy penguin named Sigmund. I don't sleep with him often, just every once in a while after someone tries to kill me. Everyone has their weaknesses. Some people smoke. I collect stuffed penguins. If you won't tell, I won't.
”
”
Laurell K. Hamilton (Guilty Pleasures (Anita Blake, Vampire Hunter, #1))
“
TRAUMA STEALS YOUR VOICE
People get so tired of asking you what's wrong and you've run out of nothings to tell them.
You've tried and they've tried, but the words just turn to ashes every time they try to leave your mouth.
They start as fire in the pit of your stomach, but come out in a puff of smoke.
You are not you anymore.
And you don't know how to fix this.
The worst part is...you don't even know how to try.
”
”
nikitta gill
“
I opened the fire door
to four lips
none of which were mine
kissing
tightened my belt around my hips
where your hands were missing
and stepped out into the cold
collar high
under the slate grey sky
the air was smoking and the streets were dry
and I wasn't joking when I said
Good Bye
magazine quality men talking on the corner
French, no less much less of them then us
so why do I feel like something's been rearranged?
you know, taken out of context I must seem so strange
killed a cockroach so big
it left a puddle of pus on the wall
when you and I are lying in bed
you don't seem so tall
I'm singing now because my tear ducts are too tired
and my brain is disconnected but my heart is wired
I make such a good statistic
someone should study me now
somebody's got to be interested in how I feel
just 'cause I'm here
and I'm real
oh, how I miss
substituting the conclusion to confrontation with a kiss
and oh, how I miss
walking up to the edge and jumping in
like I could feel the future on your skin
I opened the fire door
to four lips
none of which were mine
kissing
I opened the fire door
”
”
Ani DiFranco
“
I was so tired of her getting upset for no reason. The way she would get sulky and make references to the freaking oppressive nature of tragedy or whatever but then never said what was wrong, never have any goddamned reason to be sad. And I just think you ought to have a reason. My girlfriend dumped me, so I'm sad. I got caught smoking, so I'm pissed off. My head hurts, so I'm cranky. She never had a reason, Pudge. I was just so tired of putting up with her drama. And I just let her go. Christ.
”
”
John Green (Looking for Alaska)
“
How funny you are today New York
like Ginger Rogers in Swingtime
and St. Bridget’s steeple leaning a little to the left
here I have just jumped out of a bed full of V-days
(I got tired of D-days) and blue you there still
accepts me foolish and free
all I want is a room up there
and you in it
and even the traffic halt so thick is a way
for people to rub up against each other
and when their surgical appliances lock
they stay together
for the rest of the day (what a day)
I go by to check a slide and I say
that painting’s not so blue
where’s Lana Turner
she’s out eating
and Garbo’s backstage at the Met
everyone’s taking their coat off
so they can show a rib-cage to the rib-watchers
and the park’s full of dancers with their tights and shoes
in little bags
who are often mistaken for worker-outers at the West Side Y
why not
the Pittsburgh Pirates shout because they won
and in a sense we’re all winning
we’re alive
the apartment was vacated by a gay couple
who moved to the country for fun
they moved a day too soon
even the stabbings are helping the population explosion
though in the wrong country
and all those liars have left the UN
the Seagram Building’s no longer rivalled in interest
not that we need liquor (we just like it)
and the little box is out on the sidewalk
next to the delicatessen
so the old man can sit on it and drink beer
and get knocked off it by his wife later in the day
while the sun is still shining
oh god it’s wonderful
to get out of bed
and drink too much coffee
and smoke too many cigarettes
and love you so much
”
”
Frank O'Hara
“
Ever since, in the U.K. they banned smoking in public places, I've never enjoyed a drinks party ever again. And the reason, I only worked out just the other day, is when you go to a drinks party and you stand up and you hold a glass of red wine and you talk endlessly to people, you don't actually want to spend all the time talking. It's really, really tiring. Sometimes you just want to stand there silently, alone with your thoughts. Sometimes you just want to stand in the corner and stare out of the window. Now the problem is, when you can't smoke, if you stand and stare out of the window on your own, you're an antisocial, friendless idiot. If you stand and stare out of the window on your own with a cigarette, you're a fucking philosopher.
”
”
Rory Sutherland
“
It's late, I'm tired, and your cigarettes are giving me a headache," I growled.
"I suppose that's fair." He drew in on the cigarette and let out the smoke. "Some women think they make me look sexy."
"I think you smoke them so you have something to do while thinking up your next witty line."
He choked on the smoke, caught between inhaling and laughing. "Rose Hathaway, I can't wait to see you again. If you're this charming while tired and annoyed and this gorgeous while bruised and in ski clothes, you must be devastating at your peak.” "If by 'devastating' you mean that you should fear for your life, then yeah. You're right." I jerked open the door. "Good night, Adrian."
"I'll see you soon."
"Not likely. I told you, I'm not into older guys."
I walked into the lodge. As the door closed, I just barely heard him call behind me, "Sure, you aren't.
”
”
Richelle Mead (Frostbite (Vampire Academy, #2))
“
Slowly, even though I thought it would never happen, New York lost its charm for me. I remember arriving in the city for the first time, passing with my parents through the First World's Club bouncers at Immigration, getting into a massive cab that didn't have a moment to waste, and falling in love as soon as we shot onto the bridge and I saw Manhattan rise up through the looks of parental terror reflected in the window. I lost my virginity in New York, twice (the second one wanted to believe he was the first so badly). I had my mind blown open by the combination of a liberal arts education and a drug-popping international crowd. I became tough. I had fun. I learned so much.
But now New York was starting to feel empty, a great party that had gone on too long and was showing no sign of ending soon. I had a headache, and I was tired. I'd danced enough. I wanted a quiet conversation with someone who knew what load-shedding was.
”
”
Mohsin Hamid (Moth Smoke)
“
These vans were dented, had cracked windscreens, bald tires, holey exhaust pipes and blew more smoke than the volcano Mount Yasur on the island of Tanna. There were no seatbelts, there was no air-conditioning, and there was certainly no realistic expectation that the driver had any sort of license.
”
”
Matt Francis (Murder in the Pacific: Ifira Point (Murder in the Pacific #1))
“
If your life can hang from a chewing gum wrapper it can hang from anything in the book. It can hang from a bullet no bigger than a bean, or from a cigarette smoked in bed, or a bad breakfast that causes the doctor to sew the absorbent cotton inside you. From a slick tire tread or the hiccups or from kissing the wrong woman. Life is a rental proposition with no lease. For everybody, tall and short, muscles and fat, white and yellow, rich and poor. I know that now. And it is good to know at a time like this
”
”
Elliott Chaze (Black Wings Has My Angel)
“
He drove into the spewing smoke of acres of burning truck tires and the planes descended and the transit cranes stood in rows at the marine terminal and he saw billboards for Hertz and Avis and Chevy Blazer, for Marlboro, Continental and Goodyear, and he realized that all the things around him, the planes taking off and landing, the streaking cars, the tires on the cars, the cigarettes that the drivers of the cars were dousing in their ashtrays--all these were on the billboards around him, systematically linked in some self-referring relationship that had a kind of neurotic tightness, an inescapability, as if the billboards were generating reality...
”
”
Don DeLillo (Underworld)
“
We have taller buildings but shorter tempers; wider freeways but narrower viewpoints; we spend more but have less; we buy more but enjoy it less; we have bigger houses and smaller families; more conveniences, yet less time; we have more degrees but less sense; more knowledge but less judgment; more experts, yet more problems; we have more gadgets but less satisfaction; more medicine, yet less wellness; we take more vitamins but see fewer results. We drink too much; smoke too much; spend too recklessly; laugh too little; drive too fast, get too angry quickly; stay up too late; get up too tired; read too seldom; watch TV too much and pray too seldom. We have multiplied our possessions, but reduced our values; we fly in faster planes to arrive there quicker, to do less and return sooner; we sign more contracts only to realize fewer profits; we talk too much; love too seldom, and lie too often. We’ve learned how to make a living, but not a life; we’ve added years to life, not life to years.
”
”
Philip Yancey (Vanishing Grace: What Ever Happened to the Good News?)
“
Below his tired eyes there were deep smoke-colored shadows, and two wrinkles ran down his cheeks as if they were tracks made by tears.
”
”
Tove Ditlevsen (Trilogia de Copenhaguen (Catalan Edition))
“
I almost never like people, even in tiny doses. But I never get tired of being with you.
”
”
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
“
Outside I hopped into our vehicle, the taint of vampiric magic clinging to me like greasy smoke.
“I feel soiled.”
“Like walking into a room after a day of work, falling into bed, and realizing the sheets are covered in cold K-Y jelly,” Raphael said.
I just stared at him.
“With a funky smell,” he added.
My Order conditioning failed me. “Ew.”
Raphael grinned.
“I‟m not even going to ask if that‟s happened to you.”
I started the vehicle. “Has that happened to you?”
“Yes.”
Ew. “Where?”
“In the bouda house. I was really tired and you‟ve seen that place: everything smells like sex . . .”
“I don‟t want to know.” I peeled out of the parking lot.
"So where are we going?”
“To Spider Lynn‟s house. We‟re going to dig through her trash, and if that doesn‟t work, we‟ll do some breaking and entering.”
Raphael frowned. “Do you know where she lives?”
“Yes. I memorized the addresses of all the Masters of the Dead in the city. I have a lot of time on my hands.”
He squinted at me, looking remarkably like a gentleman pirate from my favorite romance
novels. “What else do you store in your head?”
“This and that. I remember the first thing you ever said to me. You know, when you carried me from the cart into the tub so your mother could fix me.”
“I imagine it was something very romantic,” he said. “Something along the lines of „I‟ve got you‟ or „I won‟t let you die.‟
“I was bleeding in the bathtub, trying to realign my bones, and my hyena glands voided from the pain. You said, „Don‟t worry, we have an excellent filtration system.‟”
The look on his face was priceless.
“That can‟t be the first thing.”
“It was.”
We drove in silence.
“About the K-Y,” Raphael said.
“I don‟t want to know!‟
“Once I washed it out of my hair—”
“Raphael, why are you doing this?”
“I want to make you go "Ew‟ again.”
“Why in the world would you want to do that?”
“It‟s an irrepressible male impulse. It just has to be done. As I was saying, once I washed it out—”
“Raphael!”
“No, wait, you‟ll like the next part.
”
”
Ilona Andrews (Must Love Hellhounds)
“
I'd like to be a wolf. Not all the time. Just sometimes. In the dark. I would run through the forests as a wolf at night," said Richard, mostly to himself. "I'd never hurt anyone. Not that kind of wolf. I'd just run and run forever in the moonlight, through the trees, and never get tired or out of breath, and never have to stop. That's what I want to be when I grow up...
”
”
Neil Gaiman (Smoke and Mirrors: Short Fiction and Illusions)
“
A war raged between my jokey and protective brain and my squishy and tender heart. I have realized that mystery is what keeps people away, and I've grown tired of smoke and mirrors. I yearn for the clean, well-lighted place. So let's peek behind the curtain and hail the others like us. The open-faced sandwiches who take risks and live big and smile with all of their teeth. These are the people I want to be around. This is the honest way I want to live and love and write.
”
”
Amy Poehler
“
And I’ve already spent too much time Doing things I didn’t want to So if I want to drink alone dressed like a pirate Or look like a dyke Or wear high heels and lipstick Or hide in a convent Or try to be mayor Or marry a writer Smoke crack and slash tires Make jokes you don’t like Or paint ducks and retire You can bet your black ass that I’m going to. —from An Evening With Neil Gaiman & Amanda Palmer, 2013
”
”
Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
“
Sirs, I am but a nameless man,
A rhymester without a home,
Yet since I come of the Wessex clay
And carry the cross of Rome,
I will even answer the mighty earl
That asked of Wessex men
Why they be meek and monkish folk,
And bow to the White Lord's broken yoke;
What sign have we save blood and smoke?
Here is my answer then.
That on you is fallen the shadow,
And not upon the Name;
That though we scatter and though we fly,
And you hang over us like the sky,
You are more tired of victory,
Than we are tired of shame.
That though you hunt the Christian man
Like a hare on the hill-side,
The hare has still more heart to run
Than you have heart to ride.
That though all lances split on you,
All swords be heaved in vain,
We have more lust again to lose
Than you to win again.
Your lord sits high in the saddle,
A broken-hearted king,
But our king Alfred, lost from fame,
Fallen among foes or bonds of shame,
In I know not what mean trade or name,
Has still some song to sing.
Our monks go robed in rain and snow,
But the heart of flame therein,
But you go clothed in feasts and flames,
When all is ice within;
Nor shall all iron dooms make dumb
Men wandering ceaselessly,
If it be not better to fast for joy
Than feast for misery.
Nor monkish order only
Slides down, as field to fen,
All things achieved and chosen pass,
As the White Horse fades in the grass,
No work of Christian men.
Ere the sad gods that made your gods
Saw their sad sunrise pass,
The White Horse of the White Horse Vale,
That you have left to darken and fail,
Was cut out of the grass.
Therefore your end is on you,
Is on you and your kings,
Not for a fire in Ely fen,
Not that your gods are nine or ten,
But because it is only Christian men
Guard even heathen things.
For our God hath blessed creation,
Calling it good. I know
What spirit with whom you blindly band
Hath blessed destruction with his hand;
Yet by God's death the stars shall stand
And the small apples grow.
”
”
G.K. Chesterton (The Ballad of the White Horse)
“
I am mad again, he thought. Tears brimmed. He swallowed in a tightened throat. I don't want to be. I'm tired, I'm tired and horny, I'm so tired I can't make sense out of any of it and my mind won't work right half the time I try. I'm thirsty. My head's all filled with kapok coffee wouldn't clear. Still, I wish I had some. Where am I going, what am I doing, stumbling in this smoking graveyard? It's not the pain; only that the pain keeps going on. He tried to let all his muscles go and stepped aimlessly from sidewalk to gutter, his mouth dryer and dryer and dryer. Well, he thought, if it hurts, it hurts. It's only pain.
”
”
Samuel R. Delany
“
So here we go, you and me. Because what else are we going to do? Say no? Say no to an opportunity that may be slightly out of our comfort zone? Quiet our voice because we are worried it is not perfect? I believe great people do things before they are ready. This is America and I am allowed to have healthy self-esteem. This book comes straight from my feisty and freckled fingers. Know it was a battle. Blood was shed. A war raged between my jokey and protective brain and my squishy and tender heart. I have realized that mystery is what keeps people away, and I’ve grown tired of smoke and mirrors. I yearn for the clean, well-lighted place. So let’s peek behind the curtain and hail the others like us. The open-faced sandwiches who take risks and live big and smile with all of their teeth. These are the people I want to be around. This is the honest way I want to live and love and write.
”
”
Amy Poehler (Yes Please)
“
I tell me:
Let these words be footsteps, because I have a long way to travel. Let the words walk the dirty streets. Let them make their way across the crying grass. Let them stand and breathe and pant smoke in winter evenings. And when they're tired and have fallen down, let them buckle to their feet ad arc around me, watchful.
I want these words to be actions.
Give them flesh and bones, I say to me, and eyes of hunger and desire, so they can write and fight me through the night.
”
”
Markus Zusak (Getting the Girl (Wolfe Brothers, #3))
“
You used to be able to spot an ain't-shit man a lot easier. At pool halls and juke joints, speakeasies and rent parties and sometimes in church, snoring in the back pew. The type of man our brothers warned us about because he was going nowhere and he would treat us bad on the way to that nowhere. But nowadays? Most of these young men seem ain't-shit to us. Swaggering around downtown, drunk and swearing, fighting outside nightclubs, smoking reefer in their mamas' basements. When we were girls, a man who wanted to court us sipped coffee in the living room with our parents first. Nowadays, a young man fools around with any girl who's willing and if she gets in trouble - well, you just ask Luke Sheppard what these young men do next.
A girl nowadays has to get nice and close to tell if her man ain't shit and by then, it might be too late. We were girls once. It's exciting, loving someone who can never love you back. Freeing, in its own way. No shame in loving an ain't-shit man, long as you get it out of your system good and early. A tragic woman hooks into an ain't-shit man, or worse, lets him hook into her. He will drag her until he tires. He will climb atop her shoulders and her body will sag from the weight of loving him.
Yes, those are the ones we worry about.
”
”
Brit Bennett (The Mothers)
“
As they ate and played, and talked and told jokes, as they fished and wrestled, as they walked in the woods practicing Tatiana’s English and swam naked across the river and back, as he helped her with their laundry and the laundry of four old women, as he carried the water from the well for her and her milk pails, as he brushed her hair each morning and made love to her many times a day, never tiring, never ceasing to be aroused by her, Alexander knew that he was living the happiest days of his life. He held no illusions. Lazarevo was not going to come again, neither for him nor for her. Tatiana held those illusions. And he thought—it was better to have them. Look at him. And look at her. Tatiana so ceaselessly and happily did for him, so constantly smiled and touched him and laughed—even as their twenty-nine moon-cycle days spun faster around the loop of grief—that Alexander had to wonder if she ever even thought about the future. He knew she sometimes thought about the past. He knew she thought about Leningrad. She had a stony sadness around her edges that she had not had before. But for the future, Tatiana seemed to harbor a rosy hope, or at the very least a sense of humming unconcern. What are you doing? she would ask him when he was sitting on the bench and smoking. Nothing, Alexander would reply. Nothing but growing my pain. He smoked and wished for her.
”
”
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
“
Surely, whatever Lady O had hidden, it would peel off the skin of lies and reveal what lay within. I was tired of chasing after an elusive truth, tired of being surrounded by suspicion and speculations, tired of this investigation that seemed to choke up in smoke everything it touched.
”
”
June Hur (The Silence of Bones)
“
Later, at the sink in our van, Mama rinsed the blue stain and the odd spiders, caterpillars, and stems from the bucket.
"Not what we usually start with, but we can go again tomorrow. And this will set up nicely in about six, eight jars."
The berries were beginning to simmer in the big pot on the back burner. Mama pushed her dark wooden spoon into the foaming berries and cicrcled the wall of the pot slowly.
I leaned my hot arms on the table and said, "Iphy better not go tomorrow. She got tired today." I was smelling the berries and Mamaa's sweat, and watching the flex of the blue veins behind her knees.
"Does them good. The twins always loved picking berries, even more than eating them. Though Elly likes her jam."
"Elly doesn't like anything anymore."
The knees stiffened and I looked up. The spoon was motionless. Mama stared at the pot.
"Mama, Elly isn't there anymore. Iphy's changed. Everything's changed. This whole berry business, cooking big meals that nobody comes for, birthday cakes for Arty. It's dumb, Mama. Stop pretending. There isn't any family anymore, Mama."
Then she cracked me with the big spoon. It smacked wet and hard across my ear, and the purple-black juice spayed across the table. She started at me, terrified, her mouth and eyes gaping with fear. I stared gaping at her. I broke and ran.
I went to the generator truck and climbed up to sit by Grandpa. That's the only time Mama ever hit me and I knew I deserved it. I also knew that Mama was too far gone to understand why I deserved it. She'd swung that spoon in a tigerish reflex at blasphemy. But I believed that Arty had turned his back on us, that the twins were broken, that the Chick was lost, that Papa was weak and scared, that Mama was spinning fog, and that I was an adolescent crone sitting in the ruins, watching the beams crumble, and warming myself in the smoke from the funeral pyre. That was how I felt, and I wanted company. I hated Mama for refusing to see enough to be miserable with me. Maybe, too, enough of my child heart was still with me to think that if she would only open her eyes she could fix it all back up like a busted toy.
”
”
Katherine Dunn (Geek Love)
“
She found him on the back terrace,slouched on the balustrade,smoking a thin cigar.
"Why did you do that?"she asked as soon as the French doors closed behind her.
He shot her a tired,lazy look."Do what,darling?"
"Treat me as though I am a child-and I am not your darling."Oh,but she would like to be.
”
”
Kathryn Smith (Taken by the Night (Brotherhood of Blood, #3))
“
I'm tired of people using their cars as biographical information centers, informing the world of their sad-sack lives and boring interests. Keep that shit to yourself. I don't want to know what college you went to, who you intend to vote for or what your plan is for world peace. I don't care if you visited the Grand Canyon, Mount Rushmore or the birthplace of Wink Martindale. And I'm not interested in what radio station you listen to or what bands you like. In fact, I'm not interested in you in any way, except to see you in my rearview mirror.
Furthermore, I can do without your profession of faith in God, Allah, Jehova, Yahweh, Peter Cottonail or whoever the fuck it is you've turned your life over to; please keep your superstitions private. I can't tell how happy it would make me to someday drive up to a flaming auto wreck and see smoke curling up around one of those little fish symbols with Jesus written inside it. And as far as I'm concerned you can include the Darwin/fish-with-feet-evolution symbol too. Far too cute for my taste.
So keep the personal and autobiographical messages to yourself. Here's an idea: maybe you could paste them up inside your car, where you can see them and I can't.
”
”
George Carlin (When Will Jesus Bring the Pork Chops?)
“
I look desperately around us, my vision blurred with tears, and everything is a smear of blood and smoke, light and ash, and all I can hear is screaming and gunfire and hatred, and I am so tired of the fighting, so frustrated, angry, helpless.
Tell me there is still good in the world. Tell me there is still hope for all of us.
”
”
Marie Lu (Champion (Legend, #3))
“
José
What now, José?
The party’s over,
the lights are off,
the crowd’s gone,
the night’s gone cold,
what now, José?
what now, you?
you without a name,
who mocks the others,
you who write poetry
who love, protest?
what now, José?
You have no wife,
you have no speech
you have no affection,
you can’t drink,
you can’t smoke,
you can’t even spit,
the night’s gone cold,
the day didn’t come,
the tram didn’t come,
laughter didn’t come
utopia didn’t come
and everything ended
and everything fled
and everything rotted
what now, José?
what now, José?
Your sweet words,
your instance of fever,
your feasting and fasting,
your library,
your gold mine,
your glass suit,
your incoherence,
your hate—what now?
Key in hand
you want to open the door,
but no door exists;
you want to die in the sea,
but the sea has dried;
you want to go to Minas
but Minas is no longer there.
José, what now?
If you screamed,
if you moaned,
if you played
a Viennese waltz,
if you slept,
if you tired,
if you died…
But you don’t die,
you’re stubborn, José!
Alone in the dark
like a wild animal,
without tradition,
without a naked wall
to lean against,
without a black horse
that flees galloping,
you march, José!
José, where to?
”
”
Carlos Drummond de Andrade
“
Eventually everyone came out of the water and for hours and hours and hours we lay under the tree and talked and read and occasionally someone got up to throw a stick for the dogs and Piper played with Ding and made tiny woven wreaths of poppies and daisies to decorate his baby horns and Isaac whistled back and forth to a robin and Edmond just lay there smoking and telling me he loved me without saying anything out loud and if there ever was a more perfect day in the history of time it isn't one I've heard about.
The sun waited to go down longer than usual that day so we kept putting off the moment we had to leave and the boys and dogs swam in the river again and eventually we all headed back practically in the dark, dog-tired and too happy to talk much.
I guess there was a war going on somewhere in the world that night but it wasn't one that could touch us.
”
”
Meg Rosoff
“
She smelled of smoke and alcohol and tired perfume and something else, something feral, like hunger at the back door of a restaurant.
”
”
Jennifer Skutelsky (Grave of Hummingbirds)
“
I have realized that mystery is what keeps people away, and I’ve grown tired of smoke and mirrors. I yearn for the clean, well-lighted place.
”
”
Amy Poehler
“
There are empires upon which the sun will never set, railways that cross continents, rivers of wealth that will never run dry, machines that never grow tired. It’s a system too vast and ravenous to ever be dismantled, like a deity or an engine, which swallows men and women whole and belches black smoke into the sky. Its name is Modernity, I am told, and it carries Progress and Prosperity in its coal-fired belly—but I see only rigidity, repression, a chilling resistance to change. I believe I already know what happens to a world without doors.
”
”
Alix E. Harrow (The Ten Thousand Doors of January)
“
Frankly, I am quite tired of those who tout Christianity as a way to stop smoking or drinking or break wild habits of the world. Is that all Christianity is, to keep us from some bad habit? Of course, regeneration will clean us up, and the new birth will make a man right. If that is what Christianity is all about, what about the person whose life is not that bad? The purpose of God in redemption is to restore us again to the divine imperative of worship. We were created to worship, but sin destroyed that ability. Jesus Christ, on the cross, redeemed us and brought us back to the place where we now can worship and have fellowship with God Almighty. My clean life is a by-product of my conversion. My life may have pointed out to me that I needed a drastic change, but that is not the purpose for which I was converted. The essence of conversion is to bring me into a right relationship with God and have fellowship with Him.
”
”
A.W. Tozer (My Daily Pursuit: Devotions for Every Day)
“
We drink too much, smoke too much, spend too recklessly, laugh too little, drive too fast, get too angry, stay up too late, get up too tired, read too little, watch TV too much. We have multiplied out possessions but reduced our values. We talk too much, love too seldom, and hate too often. We've learned how to make a living but not a life. We've added years to life, not life to years.
”
”
George Carlin
“
And the cavern of fire was enormous, labyrinthine, that received the man. He branched and flamed, glowed and increased, and was suddenly extinguished in the little puffs of smoke and tired thoughts.
”
”
Patrick White (The Tree of Man)
“
She’s always been beautiful. But her by my side while I battle my demons? It’s a look that can’t compare. “Focus on the damn road!” “I’m confused. Did you expect me to go slow?” I push against the accelerator, surging past Noah’s car and cutting him off. I press my foot on the brake and smoke billows from the tires. “Oh, God. I’m sorry I don’t pray to you enough, but now is the best time. Please don’t let me die.” She presses her palms together. I chuckle, switching gears to match the curves and straights of the track. “You’ll only die when my tongue is fucking you into oblivion. I promise.
”
”
Lauren Asher (Redeemed (Dirty Air, #4))
“
Whenever we ate breakfast, and wherever we walked, when we got home we were always too tired to sleep right away. We made coffee and sometimes drank cognac with it; we sat on the bed and talked and smoked.
”
”
James Baldwin (Giovanni’s Room)
“
Through the clouds of smoke I seemed to see all old Asia before me, and the adventures of past years behind me. A carnival of old camp-scenes danced before my mind’s eye, expiring like shooting-stars in the night—merry songs which came to an end among other mountains and the dying sound of strings and flutes. And I was surprised that I had not had enough of these things and that I was not tired of the light of camp-fires.
”
”
Sven Hedin (Trans-Himalaya, Discoveries and Adventures in Tibet Volume 2)
“
He drew in on the cigarette and let out the smoke. "Some women think they make me look sexy."
"I think you smoke them so you have something to do while thinking up your next witty line."
He choked on the smoke, caught between inhaling and laughing. "Rose Hathaway, I can't wait to see you again. If you're this charming while tired and annoyed and this gorgeous while bruised and in ski clothes, you must be devastating at your peak.
”
”
Richelle Mead (Frostbite (Vampire Academy, #2))
“
DEAR MISS MANNERS:
Should you tell your mother something if it is important when she is talking to company? I am six.
GENTLE READER:
Yes, you should (after saying "Excuse me"). Here are some of the things that are important to tell your mother, even though she is talking to company:
"Mommy, the kitchen is full of smoke."
"Daddy's calling from Tokyo."
"Kristen fell out of her crib and I can't put her back."
"There's a policeman at the door and he says he wants to talk to you."
"I was just reaching for my ball, and the goldfish bowl fell over."
Now, here are some things that are not important, so they can wait until your mother's company has gone home:
"Mommy, I'm tired of playing blocks. What do I do now?"
"The ice-cream truck is coming down the street."
"Can I give Kristen the rest of my applesauce?"
"I can't find my crayons."
"When are we going to have lunch? I'm hungry.
”
”
Judith Martin
“
Clank, crash, clank. Ramona forgot about her father being out of a job, she forgot how cross he had been since he gave up smoking, she forgot about her mother coming home tired from work and about Beezus being grouchy lately. She was filled with joy.
”
”
Beverly Cleary (Ramona and Her Father (Ramona, #4))
“
I smoked my first pipe with Seth. I knew the stuff was bad, but I was so tired of being the cop, begging and ragging at him, throwing Pampers in his face when he walked in the door. I wanted to be on the same side again. So I smoked with Seth one afternoon when the girls were napping, and oh my God, I can only think about this for a minute or every part of me will turn into a mouth wanting more: the sexiness of it, fucking Seth like wild for the first time in months, going on even when the girls started to whimper and bang on the door. Then looking out the window and seeing the world shake itself to life: the heavy trees, the sky. And I was back on top. We were going to make it, Seth and I. The voice in my head was back again, telling me stories, too many to write down or even tell one from another.
”
”
Jennifer Egan (The Keep)
“
As soon as he touched the pavement, as soon as he felt out of danger, he was no longer tired, or cold, or trembling. The terrible things he had been through vanished like smoke, all that strange and ferocious intelligence reawakened, found itself free, up and ready to go.
”
”
Victor Hugo (The Wretched)
“
So what do I do? What do we do? How do we move forward when we are tired and afraid? What do we do when the voice in our head is yelling that WE ARE NEVER GONNA MAKE IT? How do we drag ourselves through the muck when our brain is telling us youaredumbandyouwillneverfinishandnoonecaresanditistimeyoustop?
Well, the first thing we do is take our brain out and put it in a drawer. Stick it somewhere and let it tantrum until it wears itself out. You may still hear the brain and all the shitty things it is saying to you, but it will be muffled, and just the fact that it is not in your head anymore will make things seem clearer. And then you just do it. You just dig in and write it. You use your body. you lean over the computer and stretch and pace. You write and then cook something and write some more. you put your hand on your heart and feel it beating and decide if what you wrote feels true. You do it because the doing of it is the thing. The doing is the thing. The talking and worrying and thinking is not the thing. That is what I know. Writing the book is about writing the book.
So here we go, you and me. Because what else are we going to do? Say no? Say no to an opportunity that may be slightly out of our comfort zone? Quiet our voice because we are worried it is not perfect? I believe great people do things before they are ready. This is America and I am allowed to have healthy self-esteem. This book comes straight from my feisty and freckled fingers. Know it was a battle. Blood was shed. A war raged between my jokey and protective brain and my squishy and tender heart. I have realized that mystery is what keeps people away, and I've grown tired of smoke and mirrors. I yearn for the clean, well-lighted place. So let's peek behind the curtain and hail the others like us. The open-faced sandwiches who take risks and live big and smile with all of their teeth. These are the people I want to be around. This is the honest way I want to live and love and write.
”
”
Amy Poehler (Yes Please)
“
Why would the Prime Minister make such an order, Mr. Chaudhry?” the General leaned forward to put out the barely smoked cigarette. “Would you advise him to do such a foolish thing? Are you tired of being in government already?” A barely noticeable sneer crept across his battle-worn face.
”
”
Khalid Muhammad (Agency Rules - Never an Easy Day at the Office)
“
Well, if it isn’t Nucking Futs Nïx,” he muttered to himself as she parked the wheezing car. Never had Cade seen such an abused Bentley. There were dings in the body, mud all over the tires, smoke tendrils rising from the hood, and at least two bullet holes. A Garfield doll was stuck to the rear window.
”
”
Kresley Cole (Dark Desires After Dusk (Immortals After Dark, #6))
“
For a moment, there was the scream of tires and the mad chime of broken glass, the soft petals of white lilies, and a clod of dirt breaking apart in Feyi’s hand, but she brushed it all aside like smoke. “Single,” she’d said in return, stepping right into his personal space. He smelled of rain and bergamot.
”
”
Akwaeke Emezi (You Made a Fool of Death with Your Beauty)
“
Brentwood stands on that fine and wealthy slope of country, one of the richest in Scotland, which lies between the Pentland Hills and the Firth. In clear weather you could see the blue gleam-like a bent bow, embracing the wealthy fields and scattered houses of the great estuary on one side of you; and on the other the blue heights, not gigantic like those we had been used to, but just high enough for all the glories of the atmosphere, the play of clouds, and sweet reflections, which give to a hilly country an interest and a charm which nothing else can emulate. Edinburgh, with its two lesser heights - the Castle and the Calton Hill - its spires and towers piercing through the smoke, and Arthur's Seat lying crouched behind, like a guardian no longer very needful, taking his repose beside the well-beloved charge, which is now, so to speak, able to take care of itself without him - lay at our right hand. From the lawn and drawing-room windows we could see all these varieties of landscape. The colour was sometimes a little chilly, but sometimes, also, as animated and full of vicissitude as a drama. I was never tired of it. Its colour and freshness revived the eyes which had grown weary of arid plains and blazing skies. It was always cheery, and fresh, and full of repose. ("The Open Door")
”
”
Mrs. Oliphant (The Gentlewomen of Evil: An Anthology of Rare Supernatural Stories from the Pens of Victorian Ladies)
“
I have realized that mystery is what keeps people away, and I’ve grown tired of smoke and mirrors. I yearn for the clean, well-lighted place. So let’s peek behind the curtain and hail the others like us. The open-faced sandwiches who take risks and live big and smile with all of their teeth. These are the people I want to be around.
”
”
Amy Poehler (Yes Please)
“
Sometimes I think spirit’s dead and gone, but sometimes I think it’s still there, just resting its eyes. A lot of those here are sons and daughters of men that worked with me up at pit. So many passed away before their time. They drank too much and smoked too much and ate too much of this meat. We all did. But I do see something here of that old word. People are as poor now as they ever were, and as tired. And bringing people together of an evening is easier than keeping them apart. And by that same token, bringing a community back together is easier than setting people and families at odds. It’s just that that’s where all effort’s been this last ten years and more.
”
”
Fiona Mozley (Elmet)
“
~Enueg II
world world world
and the face grave
cloud against the evening
de moriturus nihil nisi
and the face crumbling shyly
too late to darken the sky
blushing away into the evening
shuddering away like a gaffe
veronica mundi
veronica munda
give us a wipe for the love of Jesus
sweating like Judas
tired of dying
tired of policemen
feet in marmalade
perspiring profusely
heart in marmalade
smoke more fruit
the old heart the old heart
breaking outside congress
doch I assure thee
lying on O'Connell Bridge
gogglin at the tulips of the evening
the green tulips
shining round the corner like an anthrax
shining on Guinness's barges
the overtone the face
too late to brighten the sky
doch doch I assure thee
”
”
Samuel Beckett
“
I smoke. It's expensive. It's also the best option. You see, I am always, always exhausted. It's a stimulant. When I am too tired to walk one more step, I can smoke and go for another hour. When I am enraged and beaten down and incapable of accomplishing one more thing, I can smoke and feel a little better, just for a minute. It is the only relaxation I am allowed.
”
”
Barbara Ehrenreich (Natural Causes: An Epidemic of Wellness, the Certainty of Dying, and Killing Ourselves to Live Longer)
“
Sleep, honey. We can play later.” And if she hadn't seen it with her own tired eyes, she never would've believed it. Like the snuffing of a candle, he was asleep in seconds. Burning red hot one moment, a ghost of dissipating smoke the next.
Hope inventoried his unguarded face, softer and so much younger in sleep, his enviably long lashes hiding the ever present jadedness. Fatigue pulled at her and she fought it, forcing her eyes open when they drifted shut.
“I'm not gonna fall in love with you, Beck. I'm gonna leave you in August.”
She whispered the vow to a man in deep sleep. To a room cast in shadow. To a house steeped in tradition. To a woman mired in denial.
Sleep took her quickly, quicker than she wanted, and with it came the mocking sound of her surely spoken promise, echoing in her dreams like a school yard taunt.
”
”
Jodi Watters (Wrong then Right (Love Happens, #2))
“
Harry, you are dreadful! I don't know why I like you so much." "You will always like me, Dorian," he replied. "Will you have some coffee, you fellows? Waiter, bring coffee, and fine-champagne, and some cigarettes. No, don't mind the cigarettes--I have some. Basil, I can't allow you to smoke cigars. You must have a cigarette. A cigarette is the perfect type of a perfect pleasure. It is exquisite, and it leaves one unsatisfied. What more can one want? Yes, Dorian, you will always be fond of me. I represent to you all the sins you have never had the courage to commit." "What nonsense you talk, Harry!" cried the lad, taking a light from a fire-breathing silver dragon that the waiter had placed on the table. "Let us go down to the theatre. When Sibyl comes on the stage you will have a new ideal of life. She will represent something to you that you have never known." "I have known everything," said Lord Henry, with a tired look in his eyes, "but I am always ready for a new emotion. I am afraid, however, that, for me at any rate, there is no such thing. Still, your wonderful girl may thrill me. I love acting. It is so much more real than life. Let us go. Dorian, you will come with me. I am so sorry, Basil, but there is only room for two in the brougham. You must follow us in a hansom.
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
The train? Pulled off on a spur in the warming grass, it was old, yes, and welded tight with rust, but it looked like a titanic magnet that had collected to itself, from locomotive boneyards across three continents, drive shafts, fly-wheels, smoke stacks, and hand-me-down second-rate nightmares. It did not cut a black and mortuary silhouette. It asked permission but to lie dead in autumn strewings, so much tired steam and iron gunpowder blowing away.
”
”
Ray Bradbury (Something Wicked This Way Comes (Green Town, #2))
“
The Sinsar Dubh popped up on my radar, and it was moving straight toward us.
At an extremely high rate of speed.
I whipped the Viper around, tires smoking on the pavement. There was nothing else I could do.
Barrons looked at me sharply. “What? Do you sense it?”
Oh, how ironic, he thought I’d turned us toward it. “No,” I lied, “I just realized I forgot my spear tonight. I left it back at the bookstore. Can you believe it? I never forget my spear. I can’t imagine what I was thinking. I guess I wasn’t. I was talking to my dad while I was getting dressed and I totally spaced it.” I worked the pedals, ripping through the gears.
He didn’t even try to pat me down. He just said, “Liar.”
I sped up, pasting a blushing, uncomfortable look on my face. “All right, Barrons. You got me. But I do need to go back to the bookstore. It’s . . . well . . . it’s personal.” The bloody, stupid Sinsar Dubh was gaining on me. I was being chased by the thing I was supposed to be chasing. There was something very wrong with that. “It’s . . . a woman thing . . . you know.”
“No, I don’t know, Ms. Lane. Why don’t you enlighten me?”
A stream of pubs whizzed by. I was grateful it was too cold for much pedestrian traffic. If I had to slow down, the Book would gain on me, and I already had a headache the size of Texas that was threatening to absorb New Mexico and Oklahoma. “It’s that time. You know. Of the month.” I swallowed a moan of pain.
“That time?” he echoed softly. “You mean time to stop at one of the multiple convenience stores we just whizzed past so you can buy tampons? Is that what you’re telling me?”
I was going to throw up. It was too close. Saliva was pooling in my mouth. How far behind me was it? Two blocks? Less? “Yes,” I cried. “That’s it! But I use a special kind and they don’t carry it.”
“I can smell you, Ms. Lane,” he said, even more softly. “The only blood on you is from your veins, not your womb.”
My head whipped to the left and I stared at him. Okay, that was one of the more disturbing things he’d ever said to me. “Ahhh!” I cried, letting go of both the wheel and the gearshift to clutch my head. The Viper ran up on the sidewalk and took out two newspaper stands and a streetlamp before crashing to a stop against a fire hydrant.
And the blasted, idiotic Book was still coming. I began foaming at the mouth, wondering what would happen if it passed within a few feet of me. Would I die? Would my head really explode?
”
”
Karen Marie Moning (Faefever (Fever, #3))
“
No, when the stresses are too great for the tired metal, when the ground mechanic who checks the de-icing equipment is crossed in love and skimps his job, way back in London, Idlewild, Gander, Montreal; when those or many things happen, then the little warm room with propellers in front falls straight down out of the sky into the sea or on to the land, heavier than air, fallible, vain. And the forty little heavier-than-air people, fallible within the plane's fallibility, vain within its larger vanity, fall down with it and make little holes in the land or little splashes in the sea. Which is anyway their destiny, so why worry? You are linked to the ground mechanic's careless fingers in Nassau just as you are linked to the weak head of the little man in the family saloon who mistakes the red light for the green and meets you head-on, for the first and last time, as you are motoring quietly home from some private sin. There's nothing to do about it. You start to die the moment you are born. The whole of life is cutting through the pack with death. So take it easy. Light a cigarette and be grateful you are still alive as you suck the smoke deep into your lungs. Your stars have already let you come quite a long way since you left your mother's womb and whimpered at the cold air of the world. Perhaps they'll even let you go to Jamaica tonight. Can't you hear those cheerful voices in the control tower that have said quietly all day long, 'Come in BOAC. Come in Panam. Come in KLM'? Can't you hear them calling you down too: 'Come in Transcarib. Come in Transcarib'? Don't lose faith in your stars. Remember that hot stitch of time when you faced death from the Robber's gun last night. You're still alive, aren't you? There, we're out of it already. It was just to remind you that being quick with a gun doesn't mean you're really tough. Just don't forget it. This happy landing at Palisadoes Airport comes to you courtesy of your stars. Better thank them.
”
”
Ian Fleming (Live and Let Die (James Bond, #2))
“
I didn’t know it then, but my father and his fickle follower had practically predicted my future…
A few years after he gave that speech, he must’ve figured he’d obliged his “reason” in me and my mom’s life because he left us both. Several years after that, my mother decided her “season” of motherhood was done, and decided that she was tired of being a mom—that her real calling could be found in smoke bars and casinos. As far as for “a lifetime,” I could only think of one person who ever came close…
”
”
Whitney G. (Sincerely, Carter (Sincerely Yours, #1))
“
The me that looked my “best” was a me that smoked, was underfed, ran high with anxiety, didn’t get enough sleep, and still never felt good enough. And gradually, whatever that machine was and whatever adrenaline was fueling it began to break down, and I just couldn’t do it anymore. Sometimes when I hear someone say something about how a person “let herself go,” I wonder if she just got tired of the pressure and wanted a break, and instead of passively letting herself go, began to actively choose to leave herself alone.
”
”
Lauren Graham (Have I Told You This Already?: Stories I Don’t Want to Forget to Remember)
“
I looked up at the dark sky and prayed to God for a better break in life and a better chance to do something for the little people I loved. Nobody was paying any attention to me up there. I should have known better. It was Terry who brought my soul back; on the tent stove she warmed up the food, and it was one of the greatest meals of my life, I was so hungry and tired. Sighing like an old Negro cotton-picker, I reclined on the bed and smoked a cigarette. Dogs barked in the cool night. Rickey and Ponzo had given up calling
”
”
Jack Kerouac (On the Road)
“
She realized at once that he expected trouble and that he was used to handling deadly situations. It was the first time she’d actually seen him do it, despite their long history. It gave her a new, adult perspective on his lifestyle. No wonder he couldn’t settle down and become a family man. She’d been crazy to expect it, even in her fantasies. He was used to danger and he enjoyed the challenges it presented. It would be like housing a tiger in an apartment. She sighed as she saw the last tattered dream of a future with him going up in smoke.
Tate looked through the tiny peephole and took his hand away from the pistol. He glanced at Cecily with an expression she couldn’t define before he abruptly opened the door.
Colby Lane walked in, eyebrows raised, new scars on his face and bone weariness making new lines in it.
“Colby!” Cecily exclaimed with exaggerated delight. “Welcome home!”
Tate’s face contracted as if he’d been hit.
Colby noticed that, and smiled at Cecily. “Am I interrupting something?” he asked, looking from one tense face to the other.
“No,” Tate said coolly as he reholstered his pistol. “We were discussing security options, but if you’re going to be around, they won’t be necessary.”
“What?”
“I’m fairly certain that the gambling syndicate tried to kill her,” Tate said somberly, nodding toward Cecily. “A car almost ran her down in her own parking lot. She ended up in the hospital. And decided not to tell anyone about it,” he added with a vicious glare in her direction.
“Way to go, Cecily,” Colby said glumly. “You could have ended up floating in the Potomac. I told you before I left to be careful. Didn’t you listen?”
She shot him a glare. “I’m not an idiot. I can call 911,” she said, insulted.
Colby was still staring at Tate. “You’ve cut your hair.”
“I got tired of braids,” came the short reply. “I have to get back to work. If you need me, I’ll be around.” He paused at the doorway. “Keep an eye on her,” Tate told Colby. “She takes risks.”
“I don’t need a big strong man to look out for me. I can keep myself out of trouble, thank you very much,” she informed Tate.
He gave her a long, pained last look and closed the door behind him.
As he walked down the staircase from her apartment, he couldn’t shake off the way she looked and acted. Something was definitely wrong with her, and he was going to find out what.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
A t magic hour, when the sun has gone but the light has not, armies of flying foxes unhinge themselves from the Banyan trees in the old graveyard and drift across the city like smoke. When the bats leave, the crows come home.
Not all the din of their homecoming fills the silence left by the sparrows that have gone missing, and the old white-backed vultures, custodians of the dead for more than a hundred
million years, that have been wiped out. The vultures died of diclofenac poisoning. Diclofenac, cow-aspirin, given to cattle
as a muscle relaxant, to ease pain and increase the production of milk, works – worked – like nerve gas on white-backed vultures. Each chemically relaxed, milk-producing cow or
buffalo that died became poisoned vulture-bait. As cattle turned into better dairy machines, as the city ate more ice cream, butterscotch-crunch, nutty-buddy and chocolatechip, as it drank more mango milkshake, vultures’ necks
began to droop as though they were tired and simply couldn’t stay awake. Silver beards of saliva dripped from their beaks, and one by one they tumbled off their branches, dead.
Not many noticed the passing of the friendly old birds. There was so much else to look forward to.
”
”
Arundhati Roy (The Ministry of Utmost Happiness)
“
She wanted to say, I am made of smoke. My mind is smoke, my thoughts are smoke, I am all smoke and only smoke. This body is a garment I put on, which by my magic art I have made capable of functioning as a human body functions, it's so biologically perfect that it can conceive children and pop them out in threes, fours and fives. Yet I am not of this body and could, if I chose, inhabit another woman, or an antelope, or a gnat. Aristotle was wrong, for I have lived for aeons, and altered by body when I chose, like a garment of which I had grown tired. The mind and the body are two, she wanted to say, but she knew it would disappoint him to be disagreed with, so she held her tongue.
”
”
Salman Rushdie (Two Years Eight Months and Twenty-Eight Nights)
“
Pumblechook made out, after carefully surveying the premises, that he had first got upon the roof of the forge, and had then got upon the roof of the house, and had then let himself down the kitchen chimney by a rope made of his bedding cut into strips; and as Mr. Pumblechook was very positive and drove his own chaise-cart — over Everybody — it was agreed that it must be so. Mr. Wopsle, indeed, wildly cried out, “No!” with the feeble malice of a tired man; but, as he had no theory, and no coat on, he was unanimously set at naught,— not to mention his smoking hard behind, as he stood with his back to the kitchen fire to draw the damp out: which was not calculated to inspire confidence.
”
”
Charles Dickens (Charles Dickens: The Complete Novels)
“
Moses threw the spent cigarette butt to the ground. It bounced once then lay still. A lazy wisp of smoke drifted towards the reaching shadows. He pushed himself to his feet and brushed flakes of grit from the seat of his jeans. Stuffing his hands in his pockets, he moved away from the pipe and began to negotiate a route down the alley. A rivulet of cans, wrappers and remnants of kebabs dotted the ground like flotsam; the waste of nights past, discarded by the nameless, faceless masses marking their territories with futile gestures. Oh, sure, the trash was still emptied these days – there were still garbage men around, but it just delayed the inevitable, prolonging the agony of a tired and dying world.
”
”
Scott Kaelen (Moses Garrett)
“
Livia decided she loved watching things go into him. Food, water, love—all these things she could give him.
“You look tired. Would you like to nap?” he asked. Blake was definitely back. There was less rasp and more smoke in his silky voice.
“No, Blake. I never want to sleep again. Just this.” Livia touched his face. “Only this.”
The pride in his eyes almost changed their color. He turned his face to her palm, kissed it, and said, “Come, my love, put your head on my shoulder. Your burdens have been heavy.”
In that moment, Livia realized her eyelids were drooping, and the crook of Blake’s arm seemed perfect for her head. His lips stayed on her forehead as he hummed a serene song. Livia fell into a deep, dreamless slumber.
”
”
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
“
How long have you known about him?” I asked Jesse, using my free hand to gesture toward his guest.
“Forever. Nearly as long as I did about you.”
“God, Jesse. Why didn’t you say anything?”
“He was a shadow of you.” Jesse shrugged. “His background is diluted, his dragon blood les strong. Even with you in his proximity, I wasn’t certain any of his drakon traits would emerge. He hasn’t anywhere near your potential.”
“Pardon me,” Armand said, freezingly polite, “but he is still right here with you in this room.”
“Do you mean…I did it?” I asked. “I made him figure it out? What he is?”
Jesse gave me an assessing look. “Like is drawn to like. We’re all three of us thick with magic now, even if it’s different kinds. It’s inevitable that we’ll feed off one another. The only way to prevent that would be to separate. And even then it might not be enough. Too much has already begun.”
“I don’t want to separate from you,” I said.
“No.” Jesse lifted our hands and gave mine a kiss. “Don’t worry about that.”
Armand practically rolled his eyes. “If you two are quite done, might we talk some sense tonight? It’s late, I’m tired, and your ruddy chair, Holms, is about as comfortable as sitting on a tack. I want to…”
But his voice only faded into silence. He closed his eyes and raised a hand to his face and squeezed the bridge of his nose. I noted again those shining nails. The elegance of his bones beneath his flawless skin.
Skin that was marble-pale, I realized. Just like mine.
“Yes?” I said, more gently than I’d intended.
“Excuse me. I’m finding this all a bit…impossible to process. I’m beginning to believe that this is the most profoundly unpleasant dream I’ve ever been caught in.”
“Allow me to assure you that you’re awake, Lord Armand,” I retorted, all gentleness gone. “To wit: You hear music no one else does. Distinctive music from gemstones and all sorts of metals. That day I played the piano at Tranquility, I was playing your father’s ruby song, one you must have heard exactly as I did. Exactly as your mother would have. You also have, perhaps, something like a voice inside you. Something specific and base, stronger than instinct, hopeless to ignore. Animals distrust you. You might even dream of smoke or flying.”
He dropped his arm. “You got that from the diary.”
“No, I got that from my own life. And damned lucky you are to have been brought into this world as a pampered little prince instead of spending your childhood being like this and still having to fend for yourself, as I did.”
“Right. Lucky me.” Armand looked at Jesse, his eyes glittering. “And what are you? Another dragon? A gargoyle, perchance, or a werecat?”
“Jesse is a star.”
The hand went up to conceal his face again. “Of course he is. The. Most. Unpleasant. Dream. Ever.”
I separated my hand from Jesse’s, angling for more bread. “I think you’re going to have to show him.”
“Aye.”
A single blue eye blinked open between Armand’s fingers. “Show me what?
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
At that time, a number of myths were created by the young people of the smoking carriages and forests of hallucinogenic mushrooms, the hungry for the thirst of lysergic acid, who were too tired of the suffering they grew up in and needed to take refuge in dreams. In these children's universe there were unbelievable stories about places in the mountains that women sought to retreat to, places where people were united by music and love for a mutual spiritual growth. For Aunt Jeanine, who had grown up with the image of her father, an amputee due to the war, feeding on such stories was like a haven, one she would later try to turn into her home. And one of those stories, one particular one, stood in her memory until the last stage of her life, when she passed away at eighty-one, burned with fire. (...) At that time, kid, they said that if we searched enough, we would find a place where the world wouldn't end. Men would never know what hell of a place that was, totally unconquerable! A place where the dirty hands of men would never arrive. A place men would never know about . Don't you think I could find it? To have my body disappearing in the woods, as I saw happening to kids in Japan, in that forest that swallows them to its core. Flesh turned to powder, my essence disappearing in the middle of life. They said that, when you die at a place, you'll stay at that place forever. That was why everyone was afraid to go to war. They weren't afraid of dying, kid, they were afraid of dying there.
”
”
Pat R (Os Homens Nunca Saberão Nada Disto)
“
Do you ever get tired of being so funny? It's a nice little smoke screen, but I know you. Confident people do stuff. They get stuff done. They make things, even if it's just making money. You know what you're making?"
"It doesn't matter."
"You're making our couch sag. That's about it. You're making your mom sad because you're not trying. You're making your siblings miserable because you're acting like you're miserable."
"I am. I'm depressed and on a bunch of drugs. I want to take more of them every day just to feel different."
"This isn't depression and that's not their fault. But I don't want to fight. I think what we're about to do is going to give you a way to make some progress."
"There's nothing important about lifting weights."
"There's nothing insignificant about progress. Let's just give it a try.
”
”
Josh Hanagarne (The World's Strongest Librarian: A Memoir of Tourette's, Faith, Strength, and the Power of Family)
“
and yet nobody of course was more dependent upon others (he buttoned his waistcoat); it had been his undoing. He could not keep out of smoking-rooms, liked colonels, liked golf, liked bridge, and above all women’s society, and the fineness of their companionship, and their faithfulness and audacity and greatness in loving which though it had its drawbacks seemed to him (and the dark, adorably pretty face was on top of the envelopes) so wholly admirable, so splendid a flower to grow on the crest of human life, and yet he could not come up to the scratch, being always apt to see round things (Clarissa had sapped something in him permanently), and to tire very easily of mute devotion and to want variety in love, though it would make him furious if Daisy loved anybody else, furious! for he was jealous, uncontrollably jealous by temperament. He suffered tortures!
”
”
Virginia Woolf (Complete Works of Virginia Woolf)
“
I would have my room,' Cardan said, narrowing his eyes and assuming his most superior pose. 'Perhaps you two might take whatever this is elsewhere.'
Part of him thought she would laugh, having known him before he perfected his sneer, but she shrank under his gaze.
Locke stood up, putting on his pants. 'Oh, don't be like that. We're all friends here.'
Cardan's practiced demeanour went up in smoke. He became the snarling feral child that had prowled the palace, stealing from tables, unkempt and unloved. Launching himself at Locke, he bore him to the floor. They collapsed in a heap. Cardan punched, hitting Locke somewhere between the eye and the cheekbone.
'Stop telling me who I am,' he snarled, teeth bared. 'I am tired of your stories.'
Locke tried to knock Cardan off him. But Cardan had the advantage, and he used it to wrap his hands around Locke's throat.
Maybe he really was still drunk. He felt giddy and dizzy all at once.
'You're going to really hurt him!' Nicasia shouted, hitting Cardan's shoulder and then, when that didn't work, trying to haul him off the other boy.
Locke made a wordless sound, and Cardan realised he was pressing so tightly on his windpipe that he couldn't speak.
Cardan dropped his hands away.
Locke choked, gasping for air.
'Create some tale about this,' Cardan shouted, adrenaline still fizzing through his bloodstream.
'Fine,' Locke finally managed, his voice strange. 'Fine, you made, hedge-born coxcomb. But you were only together out of habit; otherwise, it wouldn't have been so easy to make her love me.'
Cardan punched him. This time, Locke swung back, catching Cardan on the side of the head. They rolled around, hitting each other, until Locke scuttled back and made it to his feet. He ran for the door, Cardan right behind.
'You are both fools,' Nicasia shouted after them.
”
”
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
“
It was a lovely night, so warm that he threw his coat over his arm, and did not even put his silk scarf round his throat. As he strolled home, smoking his cigarette, two young men in evening dress passed him. He heard one of them whisper to the other, ‘That is Dorian Gray.’ He remembered how pleased he used to be when we was pointed out, or stared at, or talked about. He was tired of hearing his own name now. Half the charm of the little village where he had been so often lately was that no one knew who he was. He had often told the girl whom he had lured to love him that he was poor, and she had believed him. He had told her once that he was wicked, and she had laughed at him, and answered that wicked people were always very old and very ugly. What a laugh she had! – just like a thrush singing. And how pretty she had been in her cotton dresses and her large hats! She knew nothing, but she had everything that he had lost.
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
As for denying the existence of fairies, good and bad, you have to be blind not to see them. They are everywhere, and naturally I have links of affection or dislike with all of them. The wealthy, spendthrift ones squander fortunes in Venice or Monte Carlo: fabulous, ageless women whose birthdays and incomes and origins nobody knows, putting charms on roulette wheels for the dubious pleasure of seeing the same number come up more often than it ought. There they sit, puffing smoke from long cigarette-holders, raking in the chips, and looking bored. Others spend the hours of darkness hanging their apartments in Paris or New York with Gothic tapestries, hitherto unrecorded, that drive the art-dealers demented-gorgeous tapestries kept hidden away in massive chests beneath deserted abbeys and castles since their own belle epoque in the Middle Ages. Some stick to their original line of country, agitating tables at seances or organizing the excitement in haunted houses; some perform kind deeds, but in a capricious and uncertain manner that frequently goes wrong, And then there are the amorous fairies, who never give up. They were to be seen fluttering through the Val Sans Retour in the forest of Broceliande, where Morgan la Fee concealed the handsome knight Guyomar and many lost lovers besides, or over the Isle of Avallon where the young knight Lanval lived happily with a fairy who had stolen him away. Now wrinkled with age, the amorous ones contrive to lure young men on the make who, immaculately tailored and bedecked with baubles from Cartier, escort them through the vestibules of international hotels. Yet other fairies, more studious and respectable, devote themselves to science, whirring and breathing above tired inventors and inspiring original ideas-though lately the unimaginable numbers,the formulae and the electronics, tend to overwhelm them. The scarcely comprehensible discoveries multiply around them and shake a world that is not theirs any more, that slips through their immaterial fingers. And so it goes on-all sorts and conditions of fairies, whispering together, purring to themselves, unnoticed on the impercipient earth. And I am one of them.
”
”
Manuel Mujica Lainez (The Wandering Unicorn)
“
Rice is sacred to the Japanese people," he says. "We eat it at every meal, yet we never get tired of it." He points out that the word for rice in Japanese, gohan, is the same as the word for meal.
When he finally lifts the lid of the first rice cooker, releasing a dramatic gasp of starchy steam, the entire restaurant looks ready to wave their white napkins in exuberant applause.
The rice is served with a single anchovy painstakingly smoked over a charcoal fire. Below the rice, a nest of lightly grilled matsutake mushrooms; on top, an orange slice of compressed fish roe. Together, an intense wave of umami to fortify the tender grains of rice.
Next comes okoge, the crispy rice from the bottom of the pan, served with crunchy flakes of sea salt and oil made from the outside kernel of the rice, spiked with spicy sansho pepper. For the finale, an island of crisp rice with wild herbs and broth from the cooked rice, a moving rendition of chazuke, Japanese rice-and-tea soup. It's a husk-to-heart exposé on rice, striking in both its simplicity and its soul-warming deliciousness- the standard by which all rice I ever eat will be judged.
”
”
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
“
Okay, then. Let’s win you a wish.” He takes out his phone and pulls up Google Maps. “I looked up Gen’s address before I came over here. I think you’re right--we should take our time, assess the situation. Not go in half-cocked.”
“Mm-hm.” I’m in a sort of dream state; it’s hard to concentrate. John Ambrose McClaren wants to make it unequivocally clear.
I snap out of it when Kitty jostles her way back into the living room, balancing a glass of orange soda, the tub of red pepper hummus, and a bag of pita chips. She makes her way over to the couch and plonks down right between us. Holding out the bag, she asks, “Do you guys want some?”
“Sure,” John says, taking a chip. “Hey, I hear you’re pretty good at schemes. Is that true?”
Warily she says, “What makes you say that?”
“You’re the one who sent out Lara Jean’s letters, aren’t you?” Kitty nods. “Then I’d say you’re pretty good at schemes.”
“I mean, yeah. I guess.”
“Awesome. We need your help.”
Kitty’s ideas are a bit too extreme--like slashing Genevieve’s tires, or throwing a stink bomb in her house to smoke her out, but John writes down every one of Kitty’s suggestions, which does not go unnoticed by Kitty. Very little does.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
them—or something like it. They even got the Doctor some tobacco one day, when he had finished what he had brought with him and wanted to smoke. At night they slept in tents made of palm leaves, on thick, soft beds of dried grass. And after a while they got used to walking such a lot and did not get so tired and enjoyed the life of travel very much. But they were always glad when the night came and they stopped for their resting time. Then the Doctor used to make a little fire of sticks; and after they had had their supper, they would sit round it in a ring, listening to Polynesia singing songs about the sea, or to Chee-Chee telling stories of the jungle. And many of the tales that Chee-Chee told were very interesting. Because although the monkeys had no history books of their own before Doctor Dolittle came to write them for them, they remember everything that happens by telling stories to their children. And Chee-Chee spoke of many things his grandmother had told him—tales of long, long, long ago, before Noah and the Flood—of the days when men dressed in bearskins and lived in holes in the rock and ate their mutton raw because they did not know what cooking was, never having seen a fire. And he told them of the great mammoths, and lizards as long as a train, that wandered over the mountains in those times, nibbling from the treetops. And often they got so interested listening that when he had finished they found their fire had gone right out, and they had to scurry around to get more sticks and build a new one. Now, when the King’s army had gone back and told the King that they couldn’t find the Doctor, the King sent them out again and told them they must stay in the jungle till they caught him. So all this time, while the Doctor and his animals were going along toward the Land of the Monkeys, thinking themselves quite safe, they were still being followed by the King’s men. If Chee-Chee had known this, he would most likely have hidden them again. But he didn’t know it. One day Chee-Chee climbed up a high rock and looked out over the treetops. And when he came down he said they were now quite close to the Land of the Monkeys and would soon be there. And that same evening, sure enough, they saw Chee-Chee’s cousin and a lot of other monkeys, who had not yet gotten sick, sitting in the trees by the edge of a swamp, looking and waiting for them. And when they saw the famous doctor really come, these monkeys made a tremendous noise, cheering and waving leaves and swinging out of the branches to greet him. They wanted to carry his bag and his trunk and everything he had. And one of the bigger ones even carried Gub-Gub, who had gotten
”
”
Hugh Lofting (The Story of Doctor Dolittle (Doctor Dolittle Series))
“
It was at night,” I say. “What was?” “What happened. The car wreck. We were driving along the Storm King Highway.” “Where’s that?” “Oh, it’s one of the most scenic drives in the whole state,” I say, somewhat sarcastically. “Route 218. The road that connects West Point and Cornwall up in the Highlands on the west side of the Hudson River. It’s narrow and curvy and hangs off the cliffs on the side of Storm King Mountain. An extremely twisty two-lane road. With a lookout point and a picturesque stone wall to stop you from tumbling off into the river. Motorcycle guys love Route 218.” We stop moving forward and pause under a streetlamp. “But if you ask me, they shouldn’t let trucks use that road.” Cool Girl looks at me. “Go on, Jamie,” she says gently. And so I do. “Like I said, it was night. And it was raining. We’d gone to West Point to take the tour, have a picnic. It was a beautiful day. Not a cloud in the sky until the tour was over, and then it started pouring. Guess we stayed too late. Me, my mom, my dad.” Now I bite back the tears. “My little sister. Jenny. You would’ve liked Jenny. She was always happy. Always laughing. “We were on a curve. All of a sudden, this truck comes around the side of the cliff. It’s halfway in our lane and fishtailing on account of the slick road. My dad slams on the brakes. Swerves right. We smash into a stone fence and bounce off it like we’re playing wall ball. The hood of our car slides under the truck, right in front of its rear tires—tires that are smoking and screaming and trying to stop spinning.” I see it all again. In slow motion. The detail never goes away. “They all died,” I finally say. “My mother, my father, my little sister. I was the lucky one. I was the only one who survived.
”
”
James Patterson (I Funny: A Middle School Story)
“
I would have my room,' Cardan said, narrowing his eyes and assuming his most superior pose. 'Perhaps you two might take whatever this is elsewhere.'
Part of him thought she would laugh, having known him before he perfected his sneer, but she shrank under his gaze.
Locke stood up, putting on his pants. 'Oh, don't be like that. We're all friends here.'
Cardan's practiced demeanour went up in smoke. He became the snarling feral child that had prowled the palace, stealing from tables, unkempt and unloved. Launching himself at Locke, he bore him to the floor. They collapsed in a heap. Cardan punched, hitting Locke somewhere between the eye and the cheekbone.
'Stop telling me who I am,' he snarled, teeth bared. 'I am tired of your stories.'
Locke tried to knock Cardan off him. But Cardan had the advantage, and he used it to wrap his hands around Locke's throat.
Maybe he really was still drunk. He felt giddy and dizzy all at once.
'You're going to really hurt him!' Nicasia shouted, hitting Cardan's shoulder and then, when that didn't work, trying to haul him off the other boy.
Locke made a wordless sound, and Cardan realised he was pressing so tightly on his windpipe that he couldn't speak.
Cardan dropped his hands away.
Locke choked, gasping for air.
'Create some tale about this,' Cardan shouted, adrenaline still fizzing through his bloodstream.
'Fine,' Locke finally managed, his voice strange. 'Fine, you mad, hedge-born coxcomb. But you were only together out of habit; otherwise, it wouldn't have been so easy to make her love me.'
Cardan punched him. This time, Locke swung back, catching Cardan on the side of the head. They rolled around, hitting each other, until Locke scuttled back and made it to his feet. He ran for the door, Cardan right behind.
'You are both fools,' Nicasia shouted after them.
”
”
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
“
Katie!” he yelled, gripping my shoulder and leaning in to look into my eyes. “Stay with me.”
The distant sound of sirens filled the air, and I knew within minutes the place would be swarming with police officers and firefighters. It was minutes I wouldn’t have had. If Holt hadn’t gotten here when he did, I would likely be dead right now.
That had me looking up.
“What are you doing here?” I asked.
“I came by to check on you. I was worried.”
“How did you know where I was?” I said, suspicion leaking into my tone.
He crouched down in front of me, my feet between his legs. “I saw your car in the lot,” he explained. “I knew you worked at the library nearby, so I thought you might pick somewhere close to stay.”
My shoulders sagged.
He put a hand under my chin and lifted my face. “Look at me,” he demanded. I looked up. “Do you think this was me?”
“No,” I said, ashamed of the catch in my voice. I really didn’t think he did this, but I was scared and I was so very tired.
“Can I touch you?” he asked, his voice calm.
I looked up, surprised that he didn’t sound angry. I nodded.
He yanked me forward, folding his arms around me and standing up, bringing me with him. My feet touched the ground, but they didn’t support me. His arms, his body kept me up. He wrapped himself around me like I was a hand and he was a glove. I clung to the front of his shirt, praying he wouldn’t let me go. When his grip tightened, I sighed in relief. His clean scent encompassed me, pushing away some of the smoke, and tears prickled my eyes.
When the emergency trucks swerved into the lot, my muscles tensed at the thought he would release me, that he would push me away and deal with the fire.
But he didn’t.
He didn’t let go. Not once.
Even when some of the men he must work with came running up—addressing him by his last name and exclaiming over what happened.
He spoke calmly over my head, telling them everything he knew and telling them I wasn’t ready to talk. He didn’t seem embarrassed to be holding me so close in the center of a parking lot. He didn’t act like being seen in a vulnerable position like this wounded his pride at all.
”
”
Cambria Hebert (Torch (Take It Off, #1))
“
Oil
“Soviet Russia cannot survive without Baku’s oil,” told comrade Vladimir Lenin.
One of the plans was to drain the Caspian Sea:
“Is it possible? Can you drain the Caspian Sea?” said the powerful Stalin. It was more an order than a question.”
(- Angelika Regossi, “Russian Colonial Food”. Chapter: Azerbaijan - Oil Country).
Mafia
“With his wife Victoria, they reigned here for nineteen years. This period Georgians called ironically the Victorian Era, and his wife got the name Queen Victoria.
Victoria created the system when all was for sale: state documents ten times the price; 5,000 roubles to enter the Communist party; 50,000 for the judge job, … “
(- Angelika Regossi, “Russian Colonial Food”. Chapter: Gruzia - Where Soviet Mafia Was Born).
Smoking
“Smoking breaks in the USSR were long and often—and became an official excuse not to work, causing huge damage to the already failing state economy. But on the other hand, with zero unemployment and prison terms, if you are not on a payroll, the state could not provide enough work for everybody.
People had to show up every day in the workplace. Boredom from nothing-to-do turned into massive laziness and Soviet workers spent long hours in the smoke rooms. For some, it was a place to relax, for others, to provoke a frank conversation—because … Well, let’s talk about it later.”
(- Angelika Regossi, “Russian Colonial Food”. Chapter: Litva - Friends and Rebels).
God
“The bus was driving slowly, just forty km an hour on the slippery winter road. Outside was a spectacular view of the Caucasus mountains. Here and there appeared churches: nearby and far away, but always on the top of the hill:
“Closer to God, as high as possible,” crossed His mind.
The bus stopped with a creaking sound, and He slowly got off:
“For me, Khor Virap Monastery will be the resting place: from the Soviet life … from the communist lies … I shall spend here the rest of my life. And from here … I shall go to eternity …” these were His last thoughts before He entered the monastery gate. He was dead tired from all that happened, walking uphill closer to God.”
(- Angelika Regossi, “Russian Colonial Food”. Chapter: Armenia - Road in the First Christian State).
”
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Angelika Regossi (Russian Colonial Food: Journey through the dissolved Communist Empire)
“
Lesson one: Pack light unless you want to hump the eight around the mountains all day and night.
By the time we reached Snowdonia National Park on Friday night it was dark, and with one young teacher as our escort, we all headed up into the mist. And in true Welsh fashion, it soon started to rain.
When we reached where we were going to camp, by the edge of a small lake halfway up, it was past midnight and raining hard. We were all tired (from dragging the ridiculously overweight packs), and we put up the tents as quickly as we could. They were the old-style A-frame pegged tents, not known for their robustness in a Welsh winter gale, and sure enough by 3:00 A.M. the inevitable happened.
Pop.
One of the A-frame pegs supporting the apex of my tent broke, and half the tent sagged down onto us.
Hmm, I thought.
But both Watty and I were just too tired to get out and repair the first break, and instead we blindly hoped it would somehow just sort itself out.
Lesson two: Tents don’t repair themselves, however tired you are, however much you wish they just would.
Inevitably, the next peg broke, and before we knew it we were lying in a wet puddle of canvas, drenched to the skin, shivering, and truly miserable.
The final key lesson learned that night was that when it comes to camping, a stitch in time saves nine; and time spent preparing a good camp is never wasted.
The next day, we reached the top of Snowdon, wet, cold but exhilarated. My best memory was of lighting a pipe that I had borrowed off my grandfather, and smoking it with Watty, in a gale, behind the summit cairn, with the teacher joining in as well.
It is part of what I learned from a young age to love about the mountains: They are great levelers.
For me to be able to smoke a pipe with a teacher was priceless in my book, and was a firm indicator that mountains, and the bonds you create with people in the wild, are great things to seek in life.
(Even better was the fact that the tobacco was homemade by Watty, and soaked in apple juice for aroma. This same apple juice was later brewed into cider by us, and it subsequently sent Chipper, one of the guys in our house, blind for twenty-four hours. Oops.)
If people ask me today what I love about climbing mountains, the real answer isn’t adrenaline or personal achievement. Mountains are all about experiencing a shared bond that is hard to find in normal life. I love the fact that mountains make everyone’s clothes and hair go messy; I love the fact that they demand that you give of yourself, that they make you fight and struggle. They also induce people to loosen up, to belly laugh at silly things, and to be able to sit and be content staring at a sunset or a log fire.
That sort of camaraderie creates wonderful bonds between people, and where there are bonds I have found that there is almost always strength.
”
”
Bear Grylls (Mud, Sweat and Tears)
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With a twist of her neck, Saphira tossed the snail into the air, opened her mouth as wide as it would go, and swallowed the creature whole, bobbing her head twice as she did, like a robin eating an earthworm.
Lowering his gaze, Eragon saw four more giant snails farther down upon the rise. One of the creatures had retreated within its shell; the others were hurrying away upon their undulating, skirtlike bellies.
“Over there!” shouted Eragon.
Saphira leaped forward. Her entire body left the ground for a moment, and then she landed upon all fours and snapped up first one, then two, then three of the snails. She did not eat the last snail, the one hiding in its shell, but drew back her head and bathed it in a stream of blue and yellow flame that lit up the land for hundreds of feet in every direction.
She maintained the flame for no more than a second or two; then she picked up the smoking, steaming snail between her jaws--as gently as a mother cat picking up a kitten--carried it over to Eragon, and dropped it at his feet. He eyed it with distrust, but it appeared well and truly dead.
Now you can have a proper breakfeast, said Saphira.
He stared at her, then began to laugh--and he kept laughing until he was doubled over, resting his hands on his knees and heaving for breath.
What is so amusing? she asked, and sniffed the soot-blackened shell.
Yes, why do you laugh, Eragon? asked Glaedr.
He shook his head and continued to wheeze. At last he was able to say, “Because--” And then he shifted to speaking with his mind so that Glaedr would hear as well. Because…snail and eggs! And he began to giggle again, feeling very silly. Because, snail steaks!...Hungry? Have a stalk! Feeling tired? Eat an eyeball! Who needs mead when you have slime?! I could put the stalks in a cup, like a bunch of flowers, and they would… He was laughing so hard, he found it impossible to continue, and he dropped to one knee while he gasped for air, tears of mirth streaming from his eyes.
Saphira parted her jaws in a toothy approximation of a smile, and she made a soft choking sound in her throat. You are very odd sometimes, Eragon. He could feel his merriment infecting her. She sniffed the shell again. Some mead would be nice.
“At least you ate,” he said, both with his mind and his tongue.
Not enough, but enough to return to the Varden.
As his laughter subsided, Eragon poked at the snail with the tip of his boot. It’s been so long since there were dragons on Vroengard, it must not have realized what you were and thought to make an easy meal of me…That would have been a sorry death indeed, to end up as dinner for a snail.
But memorable, said Saphira.
But memorable, he agreed, feeling his mirth return.
And what did I say is the first law of hunting, younglings? asked Glaedr.
Together Eragon and Saphira replied, Do not stalk your prey until you are sure that it is prey.
Very good, said Glaedr.
”
”
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
“
I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets
returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted
stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one
eye on the black-and-white television in the distance; of the old booksellers who lurch from
one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of
the barbers who complain that men don’t shave as much after an economic crisis; of the
children who play ball between the cars on cobblestoned streets; of the covered women
who stand at remote bus stops clutching plastic shopping bags and speak to no one as they
wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of
the teahouses packed to the rafters with unemployed men; of the patient pimps striding up
and down the city’s greatest square on summer evenings in search of one last drunken
tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of
the wooden buildings whose every board creaked even when they were pashas’ mansions,
all the more now that they have become municipal headquarters; of the women peeking
through their curtains as they wait for husbands who never manage to come home in the
evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in
the courtyards of mosques; of the tens of thousands of identical apartment house entrances,
their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries
on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the
markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled;
of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the
pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold
mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of
the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the
smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings,
now porn cinemas frequented by shamefaced men; of the avenues where you never see a
woman alone after sunset; of the crowds gathering around the doors of the state-controlled
brothels on one of those hot blustery days when the wind is coming from the south; of the
young girls who queue at the doors of establishments selling cut-rate meat; of the holy
messages spelled out in lights between the minarets of mosques on holidays that are
missing letters where the bulbs have burned out; of the walls covered with frayed and
blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces
in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow
alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose
lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like
gateways to a second world, and of their cypress trees; of the dim lights that you see of an
evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets
who try to sell the same packet of tissues to every passerby; of the clock towers no one ever
notices; of the history books in which children read about the victories of the Ottoman
Empire and of the beatings these same children receive at home; of the days when
everyone has to stay home so the electoral roll can be compiled or the census can be taken;
of the days when a sudden curfew is announced to facilitate the search for terrorists and
everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE
”
”
Orhan Pamuk (Istanbul: Memories and the City)
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I have realized that mystery is what keeps people away, and I’ve grown tired of smoke and mirrors. I yearn for the clean, well-lighted place. So let’s peek behind the curtain and hail the others like us. The open-faced sandwiches who take risks and live big and smile with all of their teeth. These are the people I want to be around. This is the honest way I want to live and love and write. Except
”
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Amy Poehler (Yes Please)