Smelly Quotes

We've searched our database for all the quotes and captions related to Smelly. Here they are! All 100 of them:

You're ten years old now, you have to take a shower every day...I don't give a shit if you hate it. People hate smelly fuckers. I will not have a smelly fucker for a son.
Justin Halpern (Sh*t My Dad Says)
I'd address his way of trying to discourage Ian later. After all, he could have come up with something other than saying I was a whiny, smelly, trumpet-snoring bad lay.
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
It is not mysterious to be home on a Saturday night, reading a novel in a pile of smelly golden retrievers.
E. Lockhart (We Were Liars)
Go away. I'm smelly. And you bother me enormously.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
So Henry," Puck said as he kicked off his shoes and propped his smelly feet on the kitchen table. "I was wondering what you can tell me about puberty." Henry turned pale and stammered. Sabrina wanted to crawl under the table and die.
Michael Buckley
I need to talk to Clarisse," Annabeth said. I stared at her as if she'd just said "I need to eat a large, smelly boot." "What for?
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
Most things, even the greatest movements on earth, have their beginnings in something small. An earthquake that shatters a city with a tremor, a tremble, a breath. Music begins with a vibration. The flood that rushed into Portland twenty years ago after nearly two months of straight rain, that hurtled up beyond the labs and damaged more than a thousand houses, swept up tire and trash bags and old, smelly shoes and floated them through the streets like prizes, that left a thin film of green mold behind, a stench of rotting and decay that didn't go away for months, began with a trickle of water, no wider than a finger, lapping up onto the docks. And God created the whole universe from an atom no bigger than a thought. Grace's life fell apart because of a single word: sympathizer. My world exploded because of a different word: suicide. Correction: That was the first time my world exploded. The second time my world exploded, it was also because of a word. A word that worked its way out of my throat and danced onto and out of my lips before I could think about it, or stop it. The question was: Will you meet me tomorrow? And the word was: Yes.
Lauren Oliver (Delirium (Delirium, #1))
Hackers are nerdy, pasty, tubby, little geeks with triple thick glasses and this is probably a demented otaku with smelly feet. So catching him will be a breeze!
Keiko Nobumoto (Cowboy Bebop Film Manga, Volume 1)
Because you wear a uniform, a smelly uniform...and so you think you can be rude to me.
Morrissey
No!” Kinkajou cried. “We’re eating together! You haven’t even finished your hairy smelly carcass thing! Sit!
Tui T. Sutherland (Moon Rising (Wings of Fire, #6))
I don't like the rain forest," Ragnor said sadly. "That's because you are not open to new experiences in the same way I am!" "No, it is because it is wetter than a boar's armpit and twice as smelly here." Magnus pushed a dripping frond out of his eyes. "I admit you make an excellent point and also paint a vivid picture with your words.
Cassandra Clare (The Bane Chronicles)
A woman's got one life: She's got to reach out and grab it with both hands, or it'll pass her by and leave nothing but a smelly old fart in her face.
Robin Schone (Scandalous Lovers (The Men and Women's Club, #1))
Not enough info makes for a lot of dead cats." "Dead cats?" "You know, 'Curiosity killed the cat.' And I have enough curiosity to start a feline genocide." "Feline genocide?" "Yeah. If you don't explain Apollo, the cat kingdom will crumble. Cats all over the world will suddenly plop down in unmoving masses of fur, their food will dry up in smelly chunks of fish, and when people call, 'Here, kitty kitty kitty,' no cats will come running; they'll just-" Walter suddenly stopped. "What's wrong?" Ashley asked. Walter stared straight ahead. "I just realized . . . if all those things happened, no one would notice the difference." ~Walter~
Bryan Davis
What is a lovely queen like you”—his nose wrinkles—“doing in a smelly place like this?
A.G. Howard (Unhinged (Splintered, #2))
Oh dear, is that a skunk?" Leonora asked. "No," Alessandro gasped in horror. "No the smelly cat!" "I've told you, Alessandro darling, they aren't cats." "They look like cats. Like the big fluffy cat she's been stepped on and flattened to a big fluffy pancake cat," Alessandro argued.
Lynsay Sands (The Reluctant Vampire (Argeneau, #15))
Next to her Percy coughed. " This place smells like my ex-stepfather.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
The others followed, and found themselves in a small, stuffy basement, which would have been damp, smelly, close, and dark, were it not, in fact, well-lit, which prevented it from being dark.
Steven Brust (The Phoenix Guards (Khaavren Romances, #1))
I swam through the thick, smelly, greyish ocean of pressure toward nowhere.
Darin C. Brown (The Taste of Despair (The Master of Perceptions, #3))
Let’s at least hope it’s not a gallu. Why? They’re not all bad, in a smelly, need-to-be-killed kind of way.
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
Humiliation is like mould: ignore it and the whole place will get smelly and green.
Beth O'Leary (The Flatshare)
I wish I knew how to turn the volume down on the sadness in this girl’s eyes. I wish I could take her out of this dark, smelly alley and tuck her away some place safe.
Cal Armistead (Being Henry David)
Stand back, akri-wolf! The Simi’s gonna huff and puff and melt that door down. And you might not want to be too close when I do it, ‘cause melted wolf is tough on the enamel and akra-Aimee might not like it if you turn into a puddle of bloody goo. Besides, burning wolf is kind of smelly to the Simi’s delicate nostrils. (Simi)
Sherrilyn Kenyon (Bad Moon Rising (Dark-Hunter, #18; Were-Hunter, #4; Hellchaser, #2))
My “Best Woman” speech Good evening everyone, my name is Rosie and as you can see Alex has decided to go down the non-traditional route of asking me to be his best woman for the day. Except we all know that today that title does not belong to me. It belongs to Sally, for she is clearly his best woman. I could call myself the “best friend” but I think we all know that today that title no longer refers to me either. That title too belongs to Sally. But what doesn’t belong to Sally is a lifetime of memories of Alex the child, Alex the teenager, and Alex the almost-a-man that I’m sure he would rather forget but that I will now fill you all in on. (Hopefully they all will laugh.) I have known Alex since he was five years old. I arrived on my first day of school teary-eyed and red-nosed and a half an hour late. (I am almost sure Alex will shout out “What’s new?”) I was ordered to sit down at the back of the class beside a smelly, snotty-nosed, messy-haired little boy who had the biggest sulk on his face and who refused to look at me or talk to me. I hated this little boy. I know that he hated me too, him kicking me in the shins under the table and telling the teacher that I was copying his schoolwork was a telltale sign. We sat beside each other every day for twelve years moaning about school, moaning about girlfriends and boyfriends, wishing we were older and wiser and out of school, dreaming for a life where we wouldn’t have double maths on a Monday morning. Now Alex has that life and I’m so proud of him. I’m so happy that he’s found his best woman and his best friend in perfect little brainy and annoying Sally. I ask you all to raise your glasses and toast my best friend Alex and his new best friend, best woman, and wife, Sally, and to wish them luck and happiness and divorce in the future. To Alex and Sally!
Cecelia Ahern (Love, Rosie)
An old man sat down beside her. "Well, aren't you a pretty little peach?" His breath smelled near as foul as the dead men in the cages, and his little pig eyes were crawling up and down her. "Does my sweet peach have a name?" For half a heartbeat she forgot who she was supposed to be. She wasn't any peach, but she couldn't be Arya Stark either, not here with some smelly drunk she did not know. "I'm . . ." "She's my sister." Gendry put a heavy hand on the old man's shoulder, and squeezed. "Leave her be." The man turned, spoiling for a quarrel, but when he saw Gendry's size he thought better of it. "You sister, is she? What kind of brother are you? I'd never bring no sister of mine to the Peach, that I wouldn't." He got up from the bench and moved off muttering, in search of a new friend. "Why did you say that?" Arya hopped to her feet, "You're not my brother." "That's right," he said angrily. "I'm too bloody lowborn to be kin to m'lady high." Arya was taken aback by the fury in his voice. "That's not the way I mean it." "Yes it is." He sat down on the bench, cradling a cup of wine between his hands. "Go away. I want to drink this wine in peace. Then maybe I'll go find that black-haired girl and ring her bell for her." "But . . ." "I said, go away. M'lady." Arya whirled and left him there. A stupid bullheaded bastard boy, that's all he is. He could ring all the bells he wanted, it was nothing to her.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
One of the secrets of life is to find joy in the journey." But Grandma, you weren't on *this* journey. It was just crazy--" Grandma held up her hand. "You have six brothers. You got to spend a whole day in the car with them. You're all healthy, well fed, happy... Someday, when you're a little older, I'll bet you'd give anything to be back in that van of yours with all of your brothers, smelly diapers and all." I mulled that over. Well what about Dad?" I pointed out. "He didn't find any joy in the journey. He was yelling at trees." Grandma sat back, "Your father and mother are masters at finding joy in the journey." I didn't understand. Grandma continued, "Do you really think your parents would have had seven kids if they couldn't find joy in the journey?... I would be willing to wager that he'll be laughing about this trip on Monday morning with his friends at work." Grandma took my hands into hers. "There are a lot of people in this life that will try to convince you that they're selling something that will bring you joy. The simple fact of the matter is that *things* don't bring you joy. You have to find joy in life experience. And if you take along somebody you love, then that journey is going to be all the more enjoyable. I can promise you right now that both good and bad things are going to happen to you in your life. Good and bad things happen to everybody. Some people are good at finding the miserable things in life, and some are good at finding the joy. No matter what happens to you, what you remember is up to you.
Matthew Buckley (Chickens in the Headlights)
Most of us know that the media tell us our bodies are imperfect - too fat, to smelly, too wrinkled, or too soft. And, even though we may know it’s horseshit, these messages still seep into our brains and mess with our self-esteem. In a media-saturated country where most images of women and men have been photoshopped to perfection, it’s hard to find a living supermodel (much less a computer programmer), who doesn’t wish she had sexier earlobes or a tighter ass. So, buck up, even the prettiest bombshell has body insecurities. You can spend your life thinking your butt’s too big (or your cock’s too small) or feeling sexy as hell. Make the choice to appreciate your body as it is.
Victoria Vantoch (The Threesome Handbook: Make the Most of Your Favorite Fantasy - the Ultimate Guide for Tri-Curious Singles and Couples)
Four p.m. is like a basement. Wholly innocent in theory. But if you really think about a basement, it is cement poured over restless earth. It has smelly, unfinished spaces, and wooden beams that cast too-sharp shadows. It is something that says almost, but not quite. Four p.m. feels that way, too. Almost, but not quite afternoon anymore. Almost, but not quite evening yet. And it is the way of magic and nightmares to choose those almost-but-not-quite moments and wait.
Roshani Chokshi (Aru Shah and the End of Time (Pandava, #1))
Oh no, that’s for you. Presents make people happy. The Simi wants you to be happy. (Simi) Thank you, Simi. (Gallagher) No need to thank me. See, that’s what families do. They take care of each other. (Simi) I no longer have a family. I had to give them up. (Gallagher) Of course you have a family. Everyone has family. I’m your family. Akri your family. Even that smelly old goddess is your family. She’s that creepy old aunt who comes around but nobody likes her so they make fun of her when she’s gone. (Simi)
Sherrilyn Kenyon (A Dark-Hunter Christmas (Dark-Hunter #2.5; Were-Hunters, #0.6))
Get us into Azmodea. (Jericho) Why in the name of smelly feet would you want to go there again?! (Asmodeus)
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
It's the story of my life. You see, the quality of any advice anybody has to offer has to be judged against the quality of life they actually lead. Now, as you look through this document you'll see that I've underlined all the major decisions I ever made to make the stand out. They're all indexed and cross-referenced. See? All I can suggest is that if you take decisions that are exactly opposite to the sort of decisions that I've taken, then maybe you won't finish up at the end of your life" --she paused, and filled her lungs for a good should--"in a smelly old cave like this!
Douglas Adams (The Ultimate Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1-5))
I am not surprised by the cruelty, Mama," I said. "I am surprised we are expected to ignore it, to never mention it, to swim in it as if it's the oily, smelly harbor water the boys dive into by the wharves.
Kaitlyn Greenidge (Libertie)
I look at you. I know what you are. You are sloppy-bodied, smelly and wet. A woman who was born to sit trapped in a chair while a man tells her how much she excites him.
Don DeLillo (Cosmopolis)
Put yourself into anothers shoes. But is it enough for you to put yourself into another smelly shoes after you realise the smell of your own shoes is different from anothers shoes.
Sun
once, if you told people you were self-published, they'd look at you like you were a smelly old jobless hobo just come off a dusty boxcar with soupcan shoes and a hat made from a coyote skull.
Chuck Wendig (500 Ways to Write Harder)
Fuck, what he’d give to be the one to run her a bath at the end of the day with all that smelly gunk chicks liked to dump in the water and then carry her naked to the bathroom and submerge her weary body into the water and then maybe he’d—grow a new set of balls, since the ones he had between his legs had turned him into a royal, fucking pussy.
V. Theia (Filthy Love (Renegade Souls MC Romance Saga #4))
We have certain demons who are motivated by the smell of food. They tend to get rather violent whenever they smell it. I personally wouldn’t be caught eating anything because I would end up dead. You might not. But you’d still have to fight them, and since some of them are rather ugly and really, really smelly, it might spoil your appetite. Then again, maybe not. Doesn’t spoil Noir’s. I think it makes him hungrier, especially when he guts them. Sick, but true. (Asmodeus)
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
My husband claims I have an unhealthy obsession with secondhand bookshops. That I spend too much time daydreaming altogether. But either you intrinsically understand the attraction of searching for hidden treasure amongst rows of dusty shelves or you don't; it's a passion, bordering on a spiritual illness, which cannot be explained to the unaffected. True, they're not for the faint of heart. Wild and chaotic, capricious and frustrating, there are certain physical laws that govern secondhand bookstores and like gravity, they're pretty much nonnegotiable. Paperback editions of D. H. Lawrence must constitute no less than 55 percent of all stock in any shop. Natural law also dictates that the remaining 45 percent consist of at least two shelves worth of literary criticism on Paradise Lost and there should always be an entire room in the basement devoted to military history which, by sheer coincidence, will be haunted by a man in his seventies. (Personal studies prove it's the same man. No matter how quickly you move from one bookshop to the next, he's always there. He's forgotten something about the war that no book can contain, but like a figure in Greek mythology, is doomed to spend his days wandering from basement room to basement room, searching through memoirs of the best/worst days of his life.) Modern booksellers can't really compare with these eccentric charms. They keep regular hours, have central heating, and are staffed by freshly scrubbed young people in black T-shirts. They're devoid of both basement rooms and fallen Greek heroes in smelly tweeds. You'll find no dogs or cats curled up next to ancient space heathers like familiars nor the intoxicating smell of mold and mildew that could emanate equally from the unevenly stacked volumes or from the owner himself. People visit Waterstone's and leave. But secondhand bookshops have pilgrims. The words out of print are a call to arms for those who seek a Holy Grail made of paper and ink.
Kathleen Tessaro (Elegance)
There were large and small ones too. And some quite in-between. But all of equal nastiness. And smelliness and ghastliness. For they would eat a fellow up, as one might fish and chips
Robert Rankin (The Japanese Devil Fish Girl and Other Unnatural Attractions (Japanese Devil Fish Girl #1))
I started to crawl off; then I remembered my leftover pizza, and I peeled off the salami, pepperoni, and anchovies and placed them on the CD tray (whicn no one used these days with flash drives around)on Boone's computer. I hit the close button and watched the smelly part of my delicious dinner slide away. Boone would have a great time wondering 'where's that smell coming from?
Duffy Brown (Iced Chiffon (Consignment Shop Mystery, #1))
I don't know how often opportunity knocks, but temptations to make foul decisions bang on my door all day long. And smelly decisions make for smelly problems later on. A few little decisions, good or bad, can make a big difference in a life. Better to run from those skunks than with them.
Steve Goodier
As soon as we were inside, Edwart's family rushed to greet me. What seemed like thirty people circled me, chattering away. "Oh my god, you smell good." "Good smell, good smell." "(she really does smell good.)" "do you mind if I put my nose right on you? Right on your arm?" "More smelly smelly please." "If I could destroy every part of my brain except the part that smelled your smell, I would do it. I would do it in a second." "Let's go, Belle," Edwart whispered and grabbed my hand. We pushed through the ravenous vampires nad out the front door. "So that went well!" I said outside in the U-HAUL. I sniffed my hair. I did smell good. "No, no, that wasn't my house," Edwart said, starting the truck. "I don't even know those people! Sometimes I get addresses confused.
The Harvard Lampoon
I'm not feisty. But when you're as small as I am and female if you don't stand up for your rights, you're sure to be pushed around by big, hairy, smelly men with delusions about male superiority.
Robert A. Heinlein (The Cat Who Walks Through Walls)
It didn't take long. In that despondent changeless heat the entire human content of the ship congealed into a massive drunkenness. People moved flabbily about like squid in a tank of tepid smelly water. From that moment on we saw, rising to the surface, the terrifying nature of white men, exasperated, freed from constraint, absolutely unbuttoned, their true nature, same as in the war. That tropical steam bath called forth the instincts as August breeds toads and snakes on the fissured walls of prisons. In the European cold, under gray, puritanical northern skies, we seldom get to see our brothers' festering cruelty except in times of carnage, but when roused by the foul fevers of the tropics, their rottenness rises to the surface. That's when the frantic unbuttoning sets in, when filth triumphs and covers us entirely. It's a biological confession. Once work and cold weather cease to constrain us, once they relax their grip, the white man shows you the same spectacle as a beautiful beach when the tide goes out: the truth, fetid pools, crabs, carrion, and turds.
Louis-Ferdinand Céline (Journey to the End of the Night)
Hey, Tink," Reed called to his wife. He'd given up on the poker game and was cradling the little pink handle that was Mariah Savage in his arms. "Look how cute she is. I think I want one. S'pose we can stop by Walmart and pick up one just like her.?" Chrystal glanced up from her cards and gave her husband a look. "Three o'clock feedings. Smelly diapers. Responsability." "Oh. Right. I'd have to grow up.
Cindy Gerard (With No Remorse (Black Ops Inc., #6))
Because sometimes we fall in love with a face and not what’s behind it. My mother used to pour the grease off the meat when she cooked, and she stored it in a tin the cupboard. For a while, she used a tin that had once held those long, praline-covered cookies with hazelnut crème inside. The expensive ones? More than once I got that tin down thinking I’d found my mom’s secret stash, only to take off the lid and see smelly mounds of grease.” Elliott laughed, getting the point. “The container didn’t matter much at that point, huh?” “That’s right. It made me want cookies, but that container was major false advertising. I think sometimes a beautiful face is false advertising too, and too many of us don’t take the time to look beneath the lid. ….
Amy Harmon (Making Faces)
Get over yourself. You were saved by grace alone through faith alone. Therefore, God gets all the glory alone. And when you understand this one basic issue, you’ll stop going into you and start going into the Lord—just laying out all the smelly, rotten groceries, shaking all the stuff out of your pockets, bringing it all out into the open, and saying, “Here, would You please get rid of this for me?
Matt Chandler (Recovering Redemption: A Gospel Saturated Perspective on How to Change)
WHAT YOU WON’T FIND IN HER CLOSET * Three-inch heels. Why live life halfway? * Logos. You are not a billboard. * Nylon, polyester, viscose and vinyl will make you sweaty, smelly and shiny. * Sweatpants. No man should ever see you in those. Except your gym teacher – and even then. Leggings are tolerated. * Blingy jeans with embroidery and holes in them. They belong to Bollywood. * UGG boots. Enough said.
Anne Berest (How To Be Parisian: Wherever You Are)
Even if the shoe fits, that doesn't mean I'm going to wear it; I don't want to wear somebody else's smelly old shoe. I'd rather go barefoot.
Toni Sorenson
The other bad news: Polyphemus barreled toward me, a thousand smelly pounds of Cyclops that I would have to fight with a very small sword.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
MEN Ah cursed drab, what have you brought this water for? WOMEN What is your fire for then, you smelly corpse? Yourself to burn?
Aristophanes (Lysistrata)
How do you get on with your father ' Beleth asked. 'Very well ' Pyrgus answered loyally although it was far from the truth. 'I ate mine ' Beleth told him. 'He got old and feeble and useless but he wanted to hold on to power. So I took steps. Tasted disgusting - stringy tough smelly ... you know how fathers are - but it's the custom here. You're supposed to absorb the essence that way. Rank superstition of course but well ... tradition.
Herbie Brennan (Faerie Wars)
It was an excellent coat. It was long, grey, suspiciously blotched, smelt faintly of dust and old curries, went all the way down to my knees and overhung my wrists even when I stretched out my arms. It had big, smelly pockets, crunchy with crumbs, it boasted the remnants of a waterproof sheen, was missing a few buttons, and had once been beige. It was the coat that detectives down the ages had worn while trailing a beautiful, dangerous, presumably blond suspect in the rain, the coat that no one noticed, shapeless, bland and grey - it suited my purpose perfectly.
Kate Griffin (A Madness of Angels (Matthew Swift, #1))
One wants to live, of course, indeed one only stays alive by virtue of the fear of death, but I think now, as I thought then, that it's better to die violently and not too old. People talk about the horrors of war, but what weapon has man invented that even approaches in cruelty some of the commoner diseases? ‘Natural’ death, almost by definition, means something slow, smelly and painful
George Orwell
I sat down in a booth, and the waitress shoved a menu in front of me. There wasn’t anything on it that sounded good, and anyway, one look at her and my stomach turned flipflops… Every goddamned restaurant I go to, it’s always the same way… They’ll have some old bag on the payroll — I figure they keep her locked up in the mop closet until they see me coming. And they’ll doll her up in the dirtiest goddamned apron they can find and smear that crappy red polish all over her fingernails, and everything about her is smeary and sloppy and smelly. And she’s the dame that always waits on me.
Jim Thompson (A Hell of a Woman (Mulholland Classic))
On Showering with Regularity “You’re ten years old now, you have to take a shower every day…. I don’t give a shit if you hate it. People hate smelly fuckers. I will not have a smelly fucker for a son.
Justin Halpern
Scotties are smelly, even the best of them. You will recall how my Aunt Agatha’s McIntosh niffed to heaven while enjoying my hospitality. I frequently mentioned it to you.’ ‘Yes, sir.’ ‘And this one is even riper. He should obviously have been bedded out in the stables.
P.G. Wodehouse (The Code of the Woosters)
What were you doing to that cat, boy?” Myrcella asked again, sternly. To her brother she said, “He’s a ragged boy, isn’t he? Look at him.” She giggled. “A ragged dirty smelly boy,” Tommen agreed. They don’t know me, Arya realized. They don’t even know I’m a girl. Small wonder; she was barefoot and dirty, her hair tangled from the long run through the castle, clad in a jerkin ripped by cat claws and brown roughspun pants hacked off above her scabby knees. You don’t wear skirts and silks when you’re catching cats. Quickly she lowered her head and dropped to one knee. Maybe they wouldn’t recognize her. If they did, she would never hear the end of it. Septa Mordane would be mortified, and Sansa would never speak to her again from the shame.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
You know what I’m gonna do? I’m going to smoke two Marlboro Lights, brush my teeth, pull my hair into a chic/grungy little bun, put on my black shawl and a pair of Lanvin flats, walk down the hall to that smelly girl from Arizona’s room, steal ten Adderall from her stash, come back to my room, and write down all my life’s problems from start to finish.
Babe Walker (White Girl Problems)
I took the sleeper out of Glasgow, and as the smelly old train bumped out of Central Station and across the Jamaica Street Bridge, I stared out at the orange halogen streetlamps reflected in the black water of the river Clyde. I gazed at the crumbling Victorian buildings that would soon be sandblasted and renovated into yuppie hutches. I watched the revelers and rascals traverse the shiny wet streets. I thought of the thrill and danger of my youth and the fear and frustration of my adult life thus far. I thought of the failure of my marriage and my failures as a man. I saw all this through my reflection in the nighttime window. Down the tracks I went, hardly aware that I was going further south with every passing second.
Craig Ferguson (American on Purpose: The Improbable Adventures of an Unlikely Patriot)
Most things, even the greatest movements on earth, have their beginnings in something small. An earthquake that shatters a city might begin with a tremor, a tremble, a breath. Music begins with a vibration. The flood that rushed into Portland twenty years ago after nearly two months of straight rain, that hurtled up beyond the labs and damaged more than a thousand houses, swept up tires and trash bags and old, smelly shoes and floated them through the streets like prizes, that left a thin film of green mold behind, a stench of rotting and decay that didn’t go away for months, began with a trickle of water, no wider than a finger, lapping up onto the docks. And God created the whole universe from an atom no bigger than a thought.
Lauren Oliver (Delirium (Delirium, #1))
Desmond ushered the man inside. He was stooped and ugly, with an unkempt beard and unwashed clothes, yet Father greeted him pleasantly and asked his name. “Yoren, as it please m’lord. My pardons for the hour.” He bowed to Arya. “And this must be your son. He has your look.” “I’m a girl,” Arya said, exasperated. If the old man was down from the Wall, he must have come by way of Winterfell. “Do you know my brothers?” she asked excitedly. “Robb and Bran are at Winterfell, and Jon’s on the Wall. Jon Snow, he’s in the Night’s Watch too, you must know him, he has a direwolf, a white one with red eyes. Is Jon a ranger yet? I’m Arya Stark.” The old man in his smelly black clothes was looking at her oddly, but Arya could not seem to stop talking. “When you ride back to the Wall, would you bring Jon a letter if I wrote one?” She wished Jon were here right now. He’d believe her about the dungeons and the fat man with the forked beard and the wizard in the steel cap.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
He hates chain stores and fast-food restaurants, mass-produced items and fashionable clothes - any instance of something that is repeated across the world regardless of local context. These things deny the uniqueness of each moment and each person. They function as if we were all printed out of plastic like egg boxes, and they try to make us function the same way. They are the intrusion of perfection into our grubby, smelly, sweaty living place.
Nick Harkaway (The Gone-Away World)
The trees were still green, the sky still blue, which counted for something. So they went ahead and plugged their smelly paradise - God's Own Country they called it in their brochures - because they knew, those clever Hotel People, that smelliness, like other peoples' poverty, was merely a matter of getting used to. A question of discipline. Of Rigor and Air-conditioning. Nothing more.
Arundhati Roy
[Dessie's] shop was a unique institution in Salinas. It was a woman's world. Here all the rules, and the fears that created the iron rules, went down. The door was closed to men. It was a sanctuary where women could be themselves- smelly, wanton, mystic, conceited, truthful, and interested. The whalebone corsets came off at Dessie's, the sacred corsets that moulded and warped woman-flesh into goddess-flesh. At Dessie's they were women who went to the toilet and overate and scratched and farted. And from this freedom came laughter, roars of laughter.
John Steinbeck (East of Eden)
Bitterblue took this information straight to the library. "Death?" she said. "Do we have birth records for the seven kingdoms for the year Leck would have been born? Will you review them for someone with a name that sounds like Eemkerr?" "A name that sounds like Eemkerr," Death repeated, peering up at her from his new desk, which was covered with smelly, scorched papers. "Lady Fire says that Leck told her that before his name was Leck, it was Eemkerr." "Which is a name she remembers from almost fifty years ago," Death said sarcastically, "spoken to her, not spelled, presumably not a name from her own language, and conveyed to you mentally fifty years later. And I'm to recall every instance of a name of that nature in all the birth records available to me from the relevant year for all seven kingdoms, on the extremely slim chance that we have the name right and a record exists?" "I know you're just as happy as I am," said Bitterblue. Death's mouth twitched. Then he said, "Give me some time to remember, Lady Queen.
Kristin Cashore (Bitterblue (Graceling Realm, #3))
What matters is that you do good work. What matters is that you produce things that are true and will stand. What matters is that the Flaming Lips’s new album is ravishing and I’ve listened to it a thousand times already, sometimes for days on end, and it enriches me and makes me want to save people. What matters is that it will stand forever, long after any narrow-hearted curmudgeons have forgotten their appearance on goddamn 90210. What matters is not the perception, nor the fashion, not who’s up and who’s down, but what someone has done and if they meant it. What matters is that you want to see and make and do, on as grand a scale as you want, regardless of what the tiny voices of tiny people say. Do not be critics, you people, I beg you. I was a critic and I wish I could take it all back because it came from a smelly and ignorant place in me, and spoke with a voice that was all rage and envy. Do not dismiss a book until you have written one, and do not dismiss a movie until you have made one, and do not dismiss a person until you have met them. It is a fuckload of work to be open-minded and generous and understanding and forgiving and accepting, but Christ, that is what matters. What matters is saying yes.
Dave Eggers
A steady recognition that the evils which prevent the fullness of moral development are precisely the elements which are also the source of the power that gives existence to whatever moral accomplishments we see about us may eventually lead us to a tolerance we grant to the internal-combustion engine: it is noisy and smelly, and occasionally, it refuses to start, but it is what gets us to wherever we get. We must somehow learn to understand and so to tolerate- not destroy- the free society.
Michael Polanyi (Meaning)
When the waiter brought the cheese-board, there was a large carrot carved in the shape of a mermaid sitting between the Dolcelatte and the Pecorino. Teo could have sworn that the carrot-mermaid flexed her tail and plunged her little hand inside a smelly Gorgonzola. 'Tyromancy, ye know,' remarked the mermaid. 'The Ancient Art of Divination by Cheese.' Then she pulled her tiny hand out and inspected the green cheese-mold on her tiny fingers. 'Lackaday!' she moaned. 'Stinking! It goes poorly for Venice and Teodora, it do!
Michelle Lovric (The Undrowned Child (The Undrowned Child, #1))
Tonglen practice (and all meditation practice) is not about later, when you get it all together and you’re this person you really respect. You may be the most violent person in the world—that’s a fine place to start. That’s a very rich place to start—juicy, smelly. You might be the most depressed person in the world, the most addicted person in the world, the most jealous person in the world. You might think that there are no others on the planet who hate themselves as much as you do. All of that is a good place to start. Just where you are—that’s the place to start.
Pema Chödrön (Start Where You Are: A Guide to Compassionate Living (Shambhala Classics))
Once, I discovered the skulls of two impala rams, their horns locked into an irreversible figure-of-eight; the two animals had been trapped in combat, latched to each other during the battle of the rut. The harder they had pulled to escape from each other, the more intractably stuck they were, until they had fallen exhausted, to their knees, in an embrace of hatred that had killed them both. When I picked up the skulls to add to my growing collection of what Vanessa called "Bobo's smelly pile," the hooked horns fell away from each other and the story of the impalas' death struggle was undone.
Alexandra Fuller (Don't Let's Go to the Dogs Tonight: An African Childhood)
There’s a saying that all roads lead to Ankh-Morpork, greatest of Discworld cities. At least, there’s a saying that there’s a saying that all roads lead to Ankh-Morpork. And it’s wrong. All roads lead away from Ankh-Morpork, but sometimes people just walk along them the wrong way. Poets long ago gave up trying to describe the city. Now the more cunning ones try to excuse it. They say, well, maybe it is smelly, maybe it is overcrowded, maybe it is a bit like Hell would be if they shut the fires off and stabled a herd of incontinent cows there for a year, but you must admit that it is full of sheer, vibrant, dynamic life. And this is true, even though it is poets that are saying it. But people who aren't poets say, so what? Mattresses tend to be full of life too, and no one writes odes to them. Citizens hate living there and, if they have to move away on business or adventure or, more usually, until some statute of limitations runs out, can’t wait to get back so they can enjoy hating living there some more. They put stickers on the backs of their carts saying "Anhk-Morpork—Loathe It or Leave It.
Terry Pratchett (Moving Pictures (Discworld, #10; Industrial Revolution, #1))
When we get him,” Eve continued, “it’s going to come out that she—this symbol—knocked him around or boo-hoo broke his heart or made him feel weak and helpless. So his defense lawyers will come along saying: Oh, he was damaged, poor sick son of a bitch. He’s not responsible. And that’s a pile of shit, that’s a big, smelly pile of bullshit. Because nobody’s responsible for choking the life out of Elisa Maplewood but him. Nobody.
J.D. Robb (Visions in Death (In Death, #19))
There was no Disney World then, just rows of orange trees. Millions of them. Stretching for miles And somewhere near the middle was the Citrus Tower, which the tourists climbed to see even more orange trees. Every month an eighty-year-old couple became lost in the groves, driving up and down identical rows for days until they were spotted by helicopter or another tourist on top of the Citrus Tower. They had lived on nothing but oranges and come out of the trees drilled on vitamin C and checked into the honeymoon suite at the nearest bed-and-breakfast. "The Miami Seaquarium put in a monorail and rockets started going off at Cape Canaveral, making us feel like we were on the frontier of the future. Disney bought up everything north of Lake Okeechobee, preparing to shove the future down our throats sideways. "Things evolved rapidly! Missile silos in Cuba. Bales on the beach. Alligators are almost extinct and then they aren't. Juntas hanging shingles in Boca Raton. Richard Nixon and Bebe Rebozo skinny-dipping off Key Biscayne. We atone for atrocities against the INdians by playing Bingo. Shark fetuses in formaldehyde jars, roadside gecko farms, tourists waddling around waffle houses like flocks of flightless birds. And before we know it, we have The New Florida, underplanned, overbuilt and ripe for a killer hurricane that'll knock that giant geodesic dome at Epcot down the trunpike like a golf ball, a solid one-wood by Buckminster Fuller. "I am the native and this is my home. Faded pastels, and Spanish tiles constantly slipping off roofs, shattering on the sidewalk. Dogs with mange and skateboard punks with mange roaming through yards, knocking over garbage cans. Lunatics wandering the streets at night, talking about spaceships. Bail bondsmen wake me up at three A.M. looking for the last tenant. Next door, a mail-order bride is clubbed by a smelly ma in a mechanic's shirt. Cats violently mate under my windows and rats break-dance in the drop ceiling. And I'm lying in bed with a broken air conditioner, sweating and sipping lemonade through a straw. And I'm thinking, geez, this used to be a great state. "You wanna come to Florida? You get a discount on theme-park tickets and find out you just bough a time share. Or maybe you end up at Cape Canaveral, sitting in a field for a week as a space shuttle launch is canceled six times. And suddenly vacation is over, you have to catch a plane, and you see the shuttle take off on TV at the airport. But you keep coming back, year after year, and one day you find you're eighty years old driving through an orange grove.
Tim Dorsey (Florida Roadkill (Serge Storms, #1))
But Urdda stood firm. 'Where do you come from, sir?' 'I come' - the littlee-man stalked towards her in a way that might have been menacing, had he been full-sized - 'from Smelly-bumhole Land. You may call me Mister Odiferous. Up through the arse of the world I come here, and when I'm finished I will squeeze myself back out it.
Margo Lanagan (Tender Morsels)
Except for not that Jim.” After a while, I started to get a little bit thirsty. That’s what happens when chalk sprinkles get in your throat.
Barbara Park (Junie B. Jones and the Stupid Smelly Bus (Junie B. Jones, #1))
I have sometimes wondered why Jesus so frequently touched the people he healed, many of whom must have been unattractive, obviously diseased, unsanitary, smelly. With his power, he easily could have waved a magic wand. In fact, a wand would have reached more people than a touch. He could have divided the crowd into affinity groups and organized his miracles--paralyzed people over there, feverish people here, people with leprosy there--raising his hands to heal each group efficiently, en masse. But he chose not to. Jesus' mission was not chiefly a crusade against disease (if so, why did he leave so many unhealed in the world and tell followers to hush up details of healings?), but rather a ministry to individual people, some of whom happened to have a disease. He wanted those people, one by one, to feel his love and warmth and his full identification with them. Jesus knew he could not readily demonstrate love to a crowd, for love usually involves touching.
Paul Brand (Fearfully and Wonderfully Made)
My body made it impossible for me to succeed at being a girl. The universe had presented me with some very obvious rules for female-ness: Be small and quiet and wispy and stoic and light and smooth and don't fart or sweat or bleed or bloat or tire or hunger or yearn. But the universe had also already issued me this lumpy, loud, smelly, hungry, longing body --- making it impossible to follow the rules. Being human in a world with no tolerance for humanity felt like a setup, a game I couldn't win. But instead of understanding that there might be something wrong with the world, I decided that there was something wrong with me.
Glennon Doyle Melton (Love Warrior)
And the vampires. You used to know where you stood with them – smelly, evil, undead – but now there are virtuous vampires and disreputable vampires, and sexy vampires and glittery vampires, and none of the old rules about them are true any more. Once you could depend on garlic, and on the rising sun, and on crucifixes. You could get rid of the vampires once and for all. But not any more.
Margaret Atwood (Stone Mattress: Nine Tales)
even a scientist can’t help thinking of the Periodic Table as a zoo of one-of-a-kind animals conceived by Dr. Seuss. How else could we believe that sodium is a poisonous, reactive metal that you can cut with a butter-knife, while pure chlorine is a smelly, deadly gas, yet when added together make sodium chloride, a harmless, biologically essential compound better known as table salt? Or how about hydrogen and oxygen? One is an explosive gas, and the other promotes violent combustion, yet the two combined make liquid water, which puts out fires.
Neil deGrasse Tyson (Astrophysics for People in a Hurry)
You and McNab sat around talking about women and sports." "I don't believe we got to sports. He had a woman on his mind." Eve's sneer vanished. "You talked to him about Peabody? Damn it, Roarke." "I could hardly slap him back. He's so pitifully smitten." "Oh." She winced. "Don't use that word." "It fits. In fact, if he took my advice ..." He turned his wrist, glanced at the unit fastened there. "They should be well into their first date by now." "Date? Date? Why did you do that? Why did you go and do something like that? Couldn't you leave it alone? They'd have had sex until they burned out on it, and everything would go back to normal." He angled his head. "That didn't work for us, did it?" "We don't work together." Then, when his eyes brightened with pure amusement, she showed her teeth. "Officially. You start mixing cops and romance and case files and gooey looks at briefings, you've got nothing but a mess. Next thing you know, Peabody will be wearing lip dye and smelly girl stuff and dragging body skimmers under her uniform." She dropped her head in her hands. "Then they'll have tiffs and misunderstandings that have nothing whatsoever to do with the job. They'll come at me from both sides, and before you know it, they'll be telling me things I absolutely do not want to know. And when they break it off and decide they hate each other down to the guts, I'll have to hear about that, too, and why they can't possibly work together, or breathe the same air, until I have no choice, absolutely no choice, but to kick both of their asses." "Eve, your sunny view on life never fails to lift my spirits." "And -- " She poked him in the chest. "It's all your fault." He grabbed her finger, nipped it, not so gently. "If that's the case, I'm going to insist they name their first child after me.
J.D. Robb (Witness in Death (In Death, #10))
Nowadays, in Japan, when mother, or baby, or mother and baby die in childbirth, people say, ‘Ah…they die because gods decide so.’ Or, ‘They die because bad karma.’ Or, ‘They die because o-mamori—magic from temple—too cheap.’ Mr. de Zoet understand, it is same as bridge. True reason of many,. Many death of ignoration. I wish to build bridge from ignoration,” her tapering hands form a bridge, “to knowledge. This,” she lifts, with reverence, Dr. Smellie’s text, “is piece of bridge. One day, I teach this knowledge…make school…students who teach other students…and in future, in Japan, many less mothers die of ignoration.” She surveys her daydream for just a moment before lowering her eyes. “A foolish plan.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
History and elegy are akin. The word “history” comes from an ancient Greek verb ίστωρειν meaning “to ask.” One who asks about things—about their dimensions, weight, location, moods, names, holiness, smell—is an historian. But the asking is not idle. It is when you are asking about something that you realize you yourself have survived it, and so you must carry it, or fashion it into a thing that carries itself. —Anne Carson
Amanda Gorman (Call Us What We Carry)
Maybe he used to like me, but I doubt he does anymore, now that I’ve insulted his bird fetish.” Peter smiled.   “He’s not going to stop liking you over one little argument.   I don’t think he’s the type to just fall for someone and then hate them the next day.   We don’t live in that kind of world anymore, anyway.” “What do you mean?”   “Well, when there were thousands of possible mates to choose from, it was like being a huge candy store with a billion types of sugary things to choose from.   You could sample one of everything and not worry about whether you’d like it much or whatever, because there was always another jar of candy nearby.   But now, there’s no candy store.   There’s a single jawbreaker that you found in the gutter.   And there are no more jawbreaker factories.   No more candy stores.   No more refined sugar.   That one jawbreaker you found could be the only one you’ll ever have again.   You aren’t going to just eat it and say goodbye.” His analogy wasn’t perfect but I saw where he was going with it.   “So I’m like a jawbreaker.   A dirty one you find in the gutter.” “Yeah.   And he likes that candy.   It’s his favorite.   So he doesn’t care that it has smelly feet.” I scowled at him.   “How do you know he likes jawbreakers so much?” “I just know.   I can tell a good match when I see one.   He needs someone spunky and tough, someone different than other girls.   That’s you.” I smiled, liking how Peter had described me.   “But what if he just decides to eat it real quick and then move on?   I mean, there are other jawbreakers out there.   They’re just more rare.” “That’s not how he is.   He’s methodical.   A thinking person.   He’s not rash. And he knows his odds of finding a jawbreaker of this flavor?   Are pretty slim.” “I’ve seen him do some stupid, rash things … like going after the candy at the Cracker Barrel.” “That was all a very carefully-crafted way of making sure he had a good grip on his jawbreaker.   He wants to keep the candy happy.   Keep it sweet.” I rolled my eyes.   “Ugh.   Your analogy is making me want to eye gouge you right now.
Elle Casey (Kahayatle (Apocalypsis, #1))
I'm not sayin', I'm just sayin'"- You use it when you are trying to explain yourself. For example, if someone was wearing a smelly shirt and you said, "Hey, that's a smelly shirt and they gave you a look, like, hey what are you talking about. Then you could say, "I'm not saying it stinks super bad, like it is hurting my nose, or I can hardly breathe when I stand even kind of close to you, or it might even be an ugly shirt, but my eyes are watering so bad because of the stench that I can't tell if it just smells super bad or if it is ugly too…I'm just saying, you might want to change you shirt before someone else smells it. To use the quote, you could shorten your reply by saying, "I'm not saying, I'm just saying you might want to change your shirt before someone else smells it. Just trying to be a friend.
Jeff Vaughn
Salt Lake City has a monument to the seagulls, which in 1848 swooped down from the sky to devour a swarm of locusts, thereby saving Utah crops. They were known affectionately as the “Mormon Air Force.” Someday New Orleans should likewise honor the dragonfly. With their large multifaceted eyes, two pairs of strong transparent wings, and outstretched bodies, dragonflies frighten most people. On Tuesday dragonflies blanketed New Orleans, hovering just inches above the smelly floodwater, eating every mosquito in sight.
Douglas Brinkley (The Great Deluge)
Calypso took pity on him in some ways. She sent her invisible servants to leave bowls of stew and goblets of apple cider at the edge of the garden. She even sent him a few new sets of clothes—simple, undyed cotton pants and shirts that she must have made on her loom. They fit him so well, Leo wondered how she’d gotten his measurements. Maybe she just used her generic pattern for SCRAWNY MALE. Anyway, he was glad to have new threads, since his old ones were pretty smelly and burned up. Usually Leo could keep his clothes from burning when he caught fire, but it took concentration. Sometimes back at camp, if he wasn’t thinking about it, he’d be working on some metal project at the hot forge, look down, and realize his clothes had burned away, except for his magic tool belt and a smoking pair of underwear. Kind of embarrassing. Despite the gifts, Calypso obviously didn’t want to see him. One time he poked his head inside the cave and she freaked out, yelling and throwing pots at his head. Yeah, she was definitely on Team Leo. He ended up pitching a more permanent camp near the footpath, where the beach met the hills. That way he was close enough to pick up his meals, but Calypso didn’t have to see him and go into a pot-throwing rage.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
I stared at the floor, my mind racing. Did I . . . did I look like the kind of person who ought to be avoided in a game of bus seat selection? I could only conclude, in the face of the evidence, that I did. But why? I would have to reason my way to the answer. I wasn’t overweight. I didn’t smell—I showered daily, and I laundered my clothes regularly. That left madness, then. Was I mad? No. No, I wasn’t. I was suffering from clinical depression, but that was an illness. It wasn’t madness. Did I look mad, then? Act mad? I didn’t think so. But then, how would I know? Was it my scar? My eczema? My jerkin? Was it a sign of madness even to think you might be mad? I rested my elbows on my knees and placed my head in my hands. Oh God oh God oh God.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
When Geoffrey was away, the goat often took himself off. He had soon got the goats at Granny’s cottage doing his bidding, and Nanny Ogg said once that she had seen what she called ‘that devil goat’ sitting in the middle of a circle of feral goats up in the hills. She named him ‘The Mince of Darkness’ because of his small and twinkling hooves, and added, ‘Not that I don’t like him, stinky as he is. I’ve always been one for the horns, as you might say. Goats is clever. Sheep ain’t. No offence, my dear.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
When one reads any strongly individual piece of writing, one has the impression of seeing a face somewhere behind the page. It is not necessarily the actual face of the writer. I feel this very strongly with Swift, with Defoe, with Fielding, Stendhal, Thackeray, Flaubert, though in several cases I do not know what these people looked like and do not want to know. What one sees is the face that the writer ought to have. Well, in the case of Dickens I see a face that is not quite the face of Dickens's photographs, though it resembles it. It is the face of a man of about forty, with a small beard and a high colour. He is laughing, with a touch of anger in his laughter, but no triumph, no malignity. It is the face of a man who is always fighting against something, but who fights in the open and is not frightened, the face of a man who is generously angry — in other words, of a nineteenth-century liberal, a free intelligence, a type hated with equal hatred by all the smelly little orthodoxies which are now contending for our souls.
George Orwell (Charles Dickens)
Stevie tucked her hands up into the arms of Poirot's jacket to keep from being cut and numbly felt her way along, taking half-sized steps, and right into David's back. "That's you, right?" he said. "I'm afraid of monsters. Also, it stinks down here." This was true. There was a low-lying funk in the air. "The drone would work better," she said. "You know, if that's a leaking gas line or something." "Did you just say leaking gas line?" Nate said from above. "Smells more like ass than gas," David replied. "Tight, dark, smelly. This tunnel has it all! Five out of five stars." "It's really okay to leave him to die," Nate said.
Maureen Johnson (The Vanishing Stair (Truly Devious, #2))
...He talks and talks and talks. And if he isn't talking, he's smoking his smelly cigars all over the house. I'm so sick of the smell of cigar smoke I could just roll over and die." "The cigars are ballast, sweetheart. Sheer ballast. If he didn't hold on to a cigar, his feet would leave the ground. We'd never see our Zooey again." There were several experienced verbal stunt pilots in the Glass family, but this last little remark perhaps Zooey alone was coordinated well enough to bring in safely over a telephone. Or so this narrator suggests. And Franny may have felt so, too. In any case, she suddenly knew that it was Zooey at the other end of the phone.
J.D. Salinger (Franny and Zooey)
Why is it the most unoriginal thing we can say to one another is still the thing we long to hear? 'I love you' is always a quotation. You did not say it first and neither did I, yet when you say it and when I say we speak like savages who have found three words and worship them. It's the cliches that cause the trouble. A precise emotion seeks a precise expression. If what I feel is not precise then should I call it love? It is so terrifying, love, that all I can do is shove it under a dump bin of pink cuddly toys and send myself a greetings card saying 'Congratulations on your engagement.' But I am not engaged I am deeply distracted. I am desperately looking the other way so that love won't see me. I want the diluted version, the happy language, the insignificant gestures. The saggy armchair of cliches. It's all right, millions of bottoms have sat here before me. The springs are well worn, the fabric smelly and familiar. I don't have to be frightened, look, my grandma and grandad did it, he in a stiff collar and club tie, she in white muslin straining a little at the life underneath. They did it, my parents did it, now I will do it won't I, arms outstretched, not to hold you, just to keep my balance, sleepwalking to that armchair. How happy we will be. How happy everyone will be. And they all lived happily ever after.
Jeanette Winterson (Written on the Body)
Something creaked beneath me! A soft step on rotting wood! I jumped startled, scared, and turned, expecting to see-God knows what! Then I sighed, for it was only Chris standing in the gloom, silently staring at me. Why? Did I look prettier than usual? Was it the moonlight, shining through my airy clothes? All random doubts were cleared when he said in a voice gritty and low, "You look beautiful sitting there like that." He cleared the frog in his throat. "The moonlight is etching you with silver-blue, and I can see the shape of your body through your clothes." Then, bewilderingly, he seized me by the shoulders, digging in his fingers, hard! They hurt. "Damn you, Cathy! You kissed that man! He could have awakened and seen you, and demanded to know who you were! And not thought you only a part of his dream!" Scary the way he acted, the fright I felt for no reason at all. "How do you know what I did? You weren't there; you were sick that night." He shook me, glaring his eyes, and again I thought he seemed a stranger. "He saw you, Cathy-he wasn't soundly asleep!" "He saw me?" I cried, disbelieving. It wasn't possible . . . wasn't! "Yes!" he yelled. This was Chris, who was usually in such control of his emotions. "He thought you a part of his dream! But don't you know Momma can guess who it was, just by putting two and two together-just as I have? Damn you and your romantic notions! Now they're on to us! They won't leave money casually about as they did before. He's counting, she's counting, and we don't have enough-not yet!" He yanked me down from the widow sill! He appeared wild and furious enough to slap my face-and not once in all our lives had he ever struck me, though I'd given him reason to when I was younger. But he shook me until my eyes rolled, until I was dizzy and crying out: "Stop! Momma knows we can't pass through a looked door!" This wasn't Chris . . . this was someone I'd never seen before . . . primitive, savage. He yelled out something like, "You're mine, Cathy! Mine! You'll always be mine! No matter who comes into your future, you'll always belong to me! I'll make you mine . . . tonight . . . now!" I didn't believe it, not Chris! And I did not fully understand what he had in mind, nor, if I am to give him credit, do I think he really meant what he said, but passion has a way of taking over. We fell to the floor, both of us. I tried to fight him off. We wrestled, turning over and over, writhing, silent, a frantic strug- gle of his strength against mine. It wasn't much of a battle. I had the strong dancer's legs; he had the biceps, the greater weight and height . . . and he had much more determination than i to use something hot, swollen and demanding, so much it stile reasoning and sanity from him. And I loved him. I wanted what he wanted-if he wanted it that much, right and wrong. Somehow we ended up on that old mattress-that filthy, smelly, stained mattress that must have known lovers long before this night. And that is where he took me, and forced in that swollen, rigid male sex part of him that had to be satisfied. It drove into my tight and resisting flesh which tore and bled. Now we had done what we both swore we'd never do.
V.C. Andrews (Flowers in the Attic/Petals on the Wind (Dollganger, #1-2))
Many things in this period have been hard to bear, or hard to take seriously. My own profession went into a protracted swoon during the Reagan-Bush-Thatcher decade, and shows scant sign of recovering a critical faculty—or indeed any faculty whatever, unless it is one of induced enthusiasm for a plausible consensus President. (We shall see whether it counts as progress for the same parrots to learn a new word.) And my own cohort, the left, shared in the general dispiriting move towards apolitical, atonal postmodernism. Regarding something magnificent, like the long-overdue and still endangered South African revolution (a jagged fit in the supposedly smooth pattern of axiomatic progress), one could see that Ariadne’s thread had a robust reddish tinge, and that potential citizens had not all deconstructed themselves into Xhosa, Zulu, Cape Coloured or ‘Eurocentric’; had in other words resisted the sectarian lesson that the masters of apartheid tried to teach them. Elsewhere, though, it seemed all at once as if competitive solipsism was the signifier of the ‘radical’; a stress on the salience not even of the individual, but of the trait, and from that atomization into the lump of the category. Surely one thing to be learned from the lapsed totalitarian system was the unwholesome relationship between the cult of the masses and the adoration of the supreme personality. Yet introspective voyaging seemed to coexist with dull group-think wherever one peered about among the formerly ‘committed’. Traditionally then, or tediously as some will think, I saw no reason to discard the Orwellian standard in considering modern literature. While a sort of etiolation, tricked out as playfulness, had its way among the non-judgemental, much good work was still done by those who weighed words as if they meant what they said. Some authors, indeed, stood by their works as if they had composed them in solitude and out of conviction. Of these, an encouraging number spoke for the ironic against the literal mind; for the generously interpreted interest of all against the renewal of what Orwell termed the ‘smelly little orthodoxies’—tribe and Faith, monotheist and polytheist, being most conspicuous among these new/old disfigurements. In the course of making a film about the decaffeinated hedonism of modern Los Angeles, I visited the house where Thomas Mann, in another time of torment, wrote Dr Faustus. My German friends were filling the streets of Munich and Berlin to combat the recrudescence of the same old shit as I read: This old, folkish layer survives in us all, and to speak as I really think, I do. not consider religion the most adequate means of keeping it under lock and key. For that, literature alone avails, humanistic science, the ideal of the free and beautiful human being. [italics mine] The path to this concept of enlightenment is not to be found in the pursuit of self-pity, or of self-love. Of course to be merely a political animal is to miss Mann’s point; while, as ever, to be an apolitical animal is to leave fellow-citizens at the mercy of Ideolo’. For the sake of argument, then, one must never let a euphemism or a false consolation pass uncontested. The truth seldom lies, but when it does lie it lies somewhere in between.
Christopher Hitchens (For the Sake of Argument: Essays and Minority Reports)
Can that be a human life, not to feel that one is moving on, toward the end? My life till now seems to have been fairly empty, and the certainty that it will remain empty gives a feeling of endlessness, a feeling which tells one to go to sleep, and to do only the most unavoidable things. So that is just what I do: I only pretend to work industriously when I detect behind me the smelly breath of my boss, creeping up to surprise me in my slothfulness. The breath which streams from him is his betrayer. The good man always provides me with a little distraction, so I really like him quite a lot. But what causes me to respect my duty and instructions so little? I am a small, pale, timid, weak, elegant, silly little fellow, full of unworldly feelings, and would not be able to endure the rigor of life if things ever went against me. Can the thought of losing my job, if I go on like this, inspire no fear in me? As it seems, it cannot; yet again, as it seems, it can. I am a bit afraid and a bit not afraid, too.
Robert Walser (Selected Stories)
The cross that my Lord calls me to carry may assume many different shapes. I may have to be content with mundane tasks in a limited area of service, when I may balieve my abilities are suited for much greater work. I may be required to continually cultivate the same field year after year, even though it yields no harvest whatsoever. I may be asked of God to nurture kind and loving thoughts about the very person who has wronged me and to speak gently to him, take his side when others oppose him, and bestow sympathy and comfort to him. I may have to openly testify of my Master before those who do not want to be reminded of Him or His claims. And I may be called to walk through this world with a bright, smiling face while my heart is breaking... "I grow under the load." -Alexander Smellie
Lettie B. Cowman (Streams in the Desert®)
This is the heart of it, the scared woman who does not want to go alone to the man any longer, because when she does, when she takes of her baggy dress, displaying to him rancid breasts each almost as big as his own head, or no breasts, or mammectomized scar tissues taped over with old tennis balls to give her the right curves; when, vending her flesh, she stands or squats waiting, congealing the air firstly with her greasy cheesey stench of unwashed feet confined in week-old socks, secondly with her perfume of leotards and panties also a week old, crusted with semen and urine, brown-greased with the filth of alleys; thirdly with the odor of her dress also worn for a week, emblazoned with beer-spills and cigarette-ash and salted with the smelly sweat of sex, dread, fever, addiction—when she goes to the man, and is accepted by him, when all these stinking skins of hers have come off (either quickly, to get it over with, or slowly like a big truck pulling into a weigh station because she is tired), when she nakedly presents her soul’s ageing soul, exhaling from every pore physical and ectoplasmic her fourth and supreme smell which makes eyes water more than any queen of red onions—rotten waxy smell from between her breasts, I said, bloody pissy shitty smell from between her legs, sweat-smell and underarm-smell, all blended into her halo, generalized sweetish smell of unwashed flesh; when she hunkers painfully down with her customer on bed or a floor or in an alley, then she expects her own death. Her smell is enough to keep him from knowing the heart of her, and the heart of her is not the heart of it. The heart of it is that she is scared.
William T. Vollmann (The Royal Family)
A morning-flowered dalliance demured and dulcet-sweet with ebullience and efflorescence admiring, cozy cottages and elixirs of eloquence lie waiting at our feet - We'll dance through fetching pleasantries as we walk ephemeral roads evocative epiphanies ethereal, though we know our hearts are linked with gossamer halcyon our day a harbinger of pretty things infused with whispers longing still and gamboling in sultry ways to feelings, all ineffable screaming with insouciance masking labyrinthine paths where, in our nonchalance, we walk through the lilt of love’s new morning rays. Mellifluous murmurings from a babbling brook that soothes our heated passion-songs and panoplies perplexed with thought of shadows carried off with clouds in stormy summer rains… My dear, and that I can call you 'dear' after ripples turned to crashing waves after pyrrhic wins, emotions drained we find our palace sunned and rayed with quintessential moments lit with wildflower lanterns arrayed on verandahs lush with mutual love, the softest love – our preferred décor of life's lilly-blossom gate in white-fenced serendipity… Twilight sunlit heavens cross our gardens, graced with perseverance, bliss, and thee, and thou, so splendid, delicate as a morning dove of charm and mirth – at least with me; our misty mornings glide through air... So with whippoorwill’d sweet poetry - of moonstones, triumphs, wonder-woven in chandliers of winglet cherubs wrought with time immemorial, crafted with innocence, stowed away and brought to light upon our day in hallelujah tapestries of ocean-windswept galleries in breaths of ballet kisses, light, skipping to the breakfast room cascading chrysalis's love in diaphanous imaginings delightful, fleeting, celestial-viewed as in our eyes which come to rest evocative, exuberant on one another’s moon-stowed dreams idyllic, in quiescent ways, peaceful in their radiance resplendent with a myriad of thought soothing muse, rhapsodic song until the somnolence of night spreads out again its shaded truss of luminescent fantasies waiting to be loved by us… Oh, love! Your sincerest pardons begged! I’ve gone too long, I’ve rambled, dear, and on and on and on and on - as if our hours were endless here… A morning toast, with orange-juiced lips exalting transcendent minds suffused with sunrise symphonies organic-born tranquilities sublimed sonorous assemblages with scintillas of eternity beating at our breasts – their embraces but a blushing, longing glance away… I’ll end my charms this enraptured morn' before cacophony and chafe coarse in crude and rough abrade when cynical distrust is laid by hoarse and leeching parasites, distaste fraught with smug disgust by hairy, smelly maladroit mediocrities born of poisoned wells grotesque with selfish lies - shrill and shrieking, biting, creeping around our love, as if they rose from Edgar Allen’s own immortal rumpled decomposing clothes… Oh me, oh my! I am so sorry! can you forgive me? I gone and kissed you for so long, in my morning imaginings, through these words, through this song - ‘twas supposed to be "a trifle treat," but little treats do sometimes last a little longer; and, oh, but oh, but if I could, I surly would keep you just a little longer tarrying here, tarrying here with me this pleasant morn
Numi Who
Then Israel Finch got to his feet and pointed the light at Dolly. He told Tommy to hold her arms, and Tommy roared as if they were the funniest words in his reduced language. Realizing his cut wasn’t mortal, Israel slapped Dolly across the mouth, told her she was in for deep regret now, boy, and reaching forth his strong smelly hands rent open the front of her sweater. That, Dolly said, is when she would’ve started to give up inside, had she not looked over Israel’s shoulder and seen Dad coming. Keep in mind he ought not’ve been visible at all; there were no lights on but the flashlight, which was aimed at Dolly. She said Dad’s face coming toward them was luminous of itself, glowing and serene, the way you’d suppose an angel’s would be, that it rose up behind Israel Finch like a sudden moon, and when Tommy Basca saw it he was so startled he dropped her right down on her bottom. She said Dad was as silent, those next moments, as he was incandescent; he made no sound except a strange whistling, which turned out, of course, to be the broom handle, en route to any number of painful destinations. What was odd, she said, was how the boys weren’t even up to the job of running away—Tommy went screeching to his knees before the first blow landed, and Israel prostrated himself and moaned as though the devil had hold of his liver. The two of them just lost their minds, Dolly said, while her own reaction was nearly as insensible; she suddenly could not stop laughing. Here was Dad, his face still lit though now even the flashlight had gone out, smiling (Dolly said) though his eyes looked terribly melancholy, whacking Finch and Basca every second or two while the pair of them shrieked in no English you’d recognize—Dolly said the laughter just flooded through her and came not only from relief, as you might surmise, but from a reckless and holy sort of joy she had never felt before, not even while cheerleading.
Leif Enger (Peace Like a River)
Cannery Row in Monterey in California is a poem, a stink, a grating noise, a quality of light, a tone, a habit, a nostalgia, a dream. Cannery Row is the gathered and scattered, tin and iron and rust and splintered wood, chipped pavement and weedy lots and junk heaps, sardine canneries of corrugated iron, honky-tonks, restaurants and whore-houses, and little crowded groceries, and laboratories and flop-houses. Its inhabitants are, as the man once said, "whores, pimps, gamblers, and sons of bitches," by which he meant Everybody. Had the man looked through another peep-hole he might have said: "Saints and angels and martyrs and holy men," and he would have meant the same thing. In the morning when the sardine fleet has made a catch, the purse-seiners waddle heavily into the bay blowing their whistles. The deep-laden boats pull in against the coast where the canneries dip their tails into the bay. The figure is advisedly chosen, for if the canneries dipped their mouths into the bay the canned sardines which emerge from the other end would be metaphorically, at least, even more horrifying. Then cannery whistles scream and all over the town men and women scramble into their clothes and come running down to the Row to go to work. Then shining cars bring the upper classes down: superintendents, accountants, owners who disappear into offices. Then from the town pour Wops and Chinamen and Polaks, men and women in trousers and rubber coats and oilcloth aprons. They come running to clean and cut and pack and cook and can the fish. The whole street rumbles and groans and screams and rattles while the silver rivers of fish pour in out of the boats and the boats rise higher and higher in the water until they are empty. The canneries rumble and rattle and squeak until the last fish is cleaned and cut and cooked and canned and then the whistles scream again and the dripping, smelly, tired Wops and Chinamen and Polaks, men and women, straggle out and droop their ways up the hill into the town and Cannery Row becomes itself again-quiet and magical. Its normal life returns. The bums who retired in disgust under the black cypress-tree come out to sit on the rusty pipes in the vacant lot. The girls from Dora's emerge for a bit of sun if there is any. Doc strolls from the Western Biological Laboratory and crosses the street to Lee Chong's grocery for two quarts of beer. Henri the painter noses like an Airedale through the junk in the grass-grown lot for some pan or piece of wood or metal he needs for the boat he is building. Then the darkness edges in and the street light comes on in front of Dora's-- the lamp which makes perpetual moonlight in Cannery Row. Callers arrive at Western Biological to see Doc, and he crosses the street to Lee Chong's for five quarts of beer. How can the poem and the stink and the grating noise-- the quality of light, the tone, the habit and the dream-- be set down alive? When you collect marine animals there are certain flat worms so delicate that they are almost impossible to capture whole, for they break and tatter under the touch. You must let them ooze and crawl of their own will on to a knife blade and then lift them gently into your bottle of sea water. And perhaps that might be the way to write this book-- to open the page and to let the stories crawl in by themselves.
John Steinbeck