Smells Worse Than Quotes

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For sweetest things turn sourest by their deeds; Lillies that fester smell far worse than weeds.
William Shakespeare (The Sonnets (The Pelican Shakespeare))
Mark my words, nothing smells worse than burned scorpion.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
I'm sure you have heard it said that appearance does not matter so much, and that it is what's on the inside that counts. This is, of course, utter nonsense, because if it were true then people who were good on this inside would would never have to comb their hair or take a bath, and the whole world would smell even worse than it already does.
Lemony Snicket (The Miserable Mill (A Series of Unfortunate Events, #4))
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
Sarah Kane (Crave)
Well, have you ever thought of bathing?' I asked, turning away. 'No one wants to hire a wizard who smells worse than their outhouse. And who knows what creatures are living in that hair?
Alexandra Bracken (Brightly Woven)
This is hurting me a lot more than it’s hurting you," he said. It was his standard line, but I knew that this time he was right. Worse than the boil was the stuff that came out of it. What got to me, and got to him even worse, was the stench, which was unbearable, and unlike anything I had come across before. It was, I thought, what evil must smell like—not an evil person but the wicked ideas that have made him that way. How could a person continue to live with something so rotten inside? And so much of it!
David Sedaris (When You Are Engulfed in Flames)
Zombies smell worse than anything you can imagine if you haven’t been hunting things on the dark side of the world. It’s a ripe, gassy odour, like rotting eggs and meat gone bad, crawling blind with maggots. It’s road kill and decayed food and body odour all rolled into one package and tied up with puke.
Lilith Saintcrow (Strange Angels (Strange Angels, #1))
Socrates: “The corruption of the best things are the worst things.” Or, “The best, when corrupted, become the worst.” As one of your English poets has said, “Lilies that fester smell far worse than weeds.
Peter Kreeft (The Best Things in Life: A Contemporary Socrates Looks at Power, Pleasure, Truth the Good Life)
There was a wicked ole witch once called Black Aliss. She was an unholy terror. There's never been one worse or more powerful. Until now. Because I could spit in her eye and steal her teeth, see. Because she didn't know Right from Wrong, so she got all twisted up, and that was the end of her. "The trouble is, you see, that if you do know Right from Wrong, you can't choose Wrong. You just can't do it and live. So.. if I was a bad witch I could make Mister Salzella's muscles turn against his bones and break them where he stood... if I was bad. I could do things inside his head, change the shape he thinks he is, and he'd be down on what had been his knees and begging to be turned into a frog... if I was bad. I could leave him with a mind like a scrambled egg, listening to colors and hearing smells...if I was bad. Oh yes." There was another sigh, deeper and more heartfelt. "But I can't do none of that stuff. That wouldn't be Right." She gave a deprecating little chuckle. And if Nanny Ogg had been listening, she would have resolved as follows: that no maddened cackle from Black Aliss of infamous memory, no evil little giggle from some crazed Vampyre whose morals were worse than his spelling, no side-splitting guffaw from the most inventive torturer, was quite so unnerving as a happy little chuckle from a Granny Weatherwax about to do what's best.
Terry Pratchett (Maskerade (Discworld, #18; Witches, #5))
For sweetest things turn sourest by their deeds; Lilies that fester smell far worse than weeds.
Philip Smith (100 Best-Loved Poems)
Dear friend…' The Witcher swore quietly, looking at the sharp, angular, even runes drawn with energetic sweeps of the pen, faultlessly reflecting the author’s mood. He felt once again the desire to try to bite his own backside in fury. When he was writing to the sorceress a month ago he had spent two nights in a row contemplating how best to begin. Finally, he had decided on “Dear friend.” Now he had his just deserts. 'Dear friend, your unexpected letter – which I received not quite three years after we last saw each other – has given me much joy. My joy is all the greater as various rumours have been circulating about your sudden and violent death. It is a good thing that you have decided to disclaim them by writing to me; it is a good thing, too, that you are doing so so soon. From your letter it appears that you have lived a peaceful, wonderfully boring life, devoid of all sensation. These days such a life is a real privilege, dear friend, and I am happy that you have managed to achieve it. I was touched by the sudden concern which you deigned to show as to my health, dear friend. I hasten with the news that, yes, I now feel well; the period of indisposition is behind me, I have dealt with the difficulties, the description of which I shall not bore you with. It worries and troubles me very much that the unexpected present you received from Fate brings you worries. Your supposition that this requires professional help is absolutely correct. Although your description of the difficulty – quite understandably – is enigmatic, I am sure I know the Source of the problem. And I agree with your opinion that the help of yet another magician is absolutely necessary. I feel honoured to be the second to whom you turn. What have I done to deserve to be so high on your list? Rest assured, my dear friend; and if you had the intention of supplicating the help of additional magicians, abandon it because there is no need. I leave without delay, and go to the place which you indicated in an oblique yet, to me, understandable way. It goes without saying that I leave in absolute secrecy and with great caution. I will surmise the nature of the trouble on the spot and will do all that is in my power to calm the gushing source. I shall try, in so doing, not to appear any worse than other ladies to whom you have turned, are turning or usually turn with your supplications. I am, after all, your dear friend. Your valuable friendship is too important to me to disappoint you, dear friend. Should you, in the next few years, wish to write to me, do not hesitate for a moment. Your letters invariably give me boundless pleasure. Your friend Yennefer' The letter smelled of lilac and gooseberries. Geralt cursed.
Andrzej Sapkowski (Krew elfów (Saga o Wiedźminie, #1))
I'm sure you have heard it said that appearance does not matter so much, and that it is what's on the inside that counts. This is, of course, utter nonsense, because if it were true then people who were good on the inside would never have to comb their hair or take a bath, and the whole world would smell even worse than it already does. Appearance matters a great deal, because you can often tell a lot about people by looking at how they present themselves.
Lemony Snicket (The Miserable Mill (A Series of Unfortunate Events, #4))
And considering I haven't showered in over a week, you really don't smell much worse than I do; maybe we'll cancel each other out.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
They that have power to hurt and will do none, That do not do the thing they most do show, Who, moving others, are themselves as stone, Unmoved, cold, and to temptation slow, They rightly do inherit Heaven's graces, And husband nature's riches from expense; They are the lords and owners of their faces, Others but stewards of their excellence. The summer's flow'r is to the summer sweet Though to itself it only live and die; But if that flow'r with base infection meet, The basest weed outbraves his dignity: For sweetest things turn sourest by their deeds; Lillies that fester smell far worse than weeds.
William Shakespeare (Shakespeare's Sonnets)
When people call it [depression] I always get pissed off because I always think depression sounds like you just get like really sad, you get quiet and melancholy and just like sit quietly by the window sighing or just lying around. A state of not caring about anything. A kind of blue kind of peaceful state … Well this - isn’t a state. This is a feeling. I feel it all over. In my arms and legs … All over. My head, throat, butt. In my stomach. It’s all over everywhere. I don’t know what to call it. It’s like I can’t get enough outside it to call it anything. It’s like horror more than sadness. It’s more like horror. It’s like something horrible is about to happen, the most horrible thing you imagine – no, worse than you can imagine because there’s the feeling that there’s something you have to do right away to stop it but you don’t know what it is you have to do, and then it’s happening, too, the whole horrible time, it’s about to happen and also it’s happening, all at the same time. … Everything gets horrible. Everything you see gets ugly. Lurid is the word. … That’s the right word for it. And everything sounds harsh, spiny and harsh-sounding, like every sound you hear all of a sudden has teeth. And smelling like I smell bad even after I just got out of the shower. It’s like what’s the point of washing if everything smells like I need another shower.
David Foster Wallace (Infinite Jest)
Cauldron save me," she began whispering, her voice lovely and even-like music. "Mother hold me," she went on, reciting a prayer similar to one I'd heard once before, when Tamlin eased the passing of that lesser faerie who'd died in the foyer. Another of Amarantha's victims. "Guide me to you." I was unable to raise my dagger, unable to take the step that would close the distance between us. "Let me pass through the gates; let me smell that immortal land of milk and honey." Silent tears slide down my face and neck, where they dampened the filthy collar of my tunic. As she spoke, I knew I would be forever barred from that immortal land. I knew that whatever Mother she meant would never embrace me. In saving Tamlin, I was to damn myself. I couldn't do this-couldn't lift that dagger again. "Let me fear no evil," she breathed, staring at me-into me, into the soul that was cleaving itself apart."Let me feel no pain." A sob broke from my lips. "I'm sorry," I moaned. "Let me enter eternity," She breathed. I wept as I understood. >i/i< she was saying. >ii/< Her bronze eyes were steady, if not sorrowful. Infinitely, infinitely worse than the pleading of the dead faerie beside her. I couldn't do it. But she held my gaze-held my gaze and nodded.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
All the people around Hester hate her and despise her and think she's a total freak. The kid's beyond human law and human consideration. How do you feel about yourself when every human being you hear and see and smell every day of your being thinks you're worse than garbage? Your conception of who you are has always, at least partially, depended on how the people around you behaved towards you... You don't know. How can you know anything? How can you know anything? You begin to go crazy.
Kathy Acker (Blood and Guts in High School)
Don’t get too close, mis amigos. Two reasons: I haven’t completely broken ’em in yet. And they smell worse than camel butt.
Mark Frost (Rogue (Paladin Prophecy #3))
Nothing smells worse than a mans restroom in a bar, well that's what the lady told me when I called her number from the wall.
Stanley Victor Paskavich
And then there is the sex, which is worse than he had imagined: he had forgottent just how painful it was, how debasing, how repulsive, how much he disliked it. He hates the postures, the positions it demands, each of them degrading because they leave him so helpless and weak; he hate the taste of it and the smells of it. But mostly, he hates the sounds of it: the meaty smack of flesh hitting flesh, the wounded-animal moans and grunts, the things said to him that were perhaps meant to be arousing but he can only interpret as diminishing.
Hanya Yanagihara (A Little Life)
Cauldron save me," she began whispering, her voice lovely and even-like music. "Mother hold me," she went on, reciting a prayer similar to one I'd heard once before, when Tamlin eased the passing of that lesser faerie who'd died in the foyer. Another of Amarantha's victims. "Guide me to you." I was unable to raise my dagger, unable to take the step that would close the distance between us. "Let me pass through the gates; let me smell that immortal land of milk and honey." Silent tears slide down my face and neck, where they dampened the filthy collar of my tunic. As she spoke, I knew I would be forever barred from that immortal land. I knew that whatever Mother she meant would never embrace me. In saving Tamlin, I was to damn myself. I couldn't do this-couldn't lift that dagger again. "Let me fear no evil," she breathed, staring at me-into me, into the soul that was cleaving itself apart."Let me feel no pain." A sob broke from my lips. "I'm sorry," I moaned. "Let me enter eternity," She breathed. I wept as I understood. Kill me now, she was saying. Do it fast. Don't make it hurt. Kill me now. Her bronze eyes were steady, if not sorrowful. Infinitely, infinitely worse than the pleading of the dead faerie beside her. I couldn't do it. But she held my gaze-held my gaze and nodded. As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face.” As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face. More faeries wailed now-her kinsmen and friends. The dagger was a weight in my hand-my hand, shining and coated with the blood of the first faerie. It would be more honorable to refuse-to die, rather than murder innocents. But... but... "Let me enter eternity," she repeated, lifting her chin. "Fear no evil," she whispered-just for me. "Feel no pain." I gripped her delicate, bony shoulder and drove the dagger into her heart. She gasped, and blood spilled onto the ground like a splattering of rain. Her eyes were closed when I looked at her face again. She slumped to the floor and didn't move. I went somewhere far, far away from myself.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
There are worse things than being robbed..." I could smell the sick old-meat stench on his breath, like he really had eaten my grandmother. "...worse things than dyin' even. You be a good boy, Little Red, and maybe you'll get to live awhile. Maybe you'll get to die in your own natural time.
Neal Shusterman (Red Rider's Hood (Dark Fusion, #2))
Evil smelled like nothing else, worse than a rotting corpse, worse than sewage and disease, more vile than the fumes that billowed from modern machinery, more cloying than the shame of drunken whores.
India Drummond (Blood Faerie (Caledonia Fae, #1))
One day on a ranging we brought down a fine big elk. We were skinning it when the smell of blood drew a shadowcat out of its lair. I drove it off, but not before it shredded my cloak to ribbons. Do you see? Here, here, and here?” He chuckled. “It shredded my arm and back as well, and I bled worse than the elk. My brothers feared I might die before they got me back to Maester Mullin at the Shadow Tower, so they carried me to a wildling village where we knew an old wisewoman did some healing. She was dead, as it happened, but her daughter saw to me. Cleaned my wounds, sewed me up, and fed me porridge and potions until I was strong enough to ride again. And she sewed up the rents in my cloak as well, with some scarlet silk from Asshai that her grandmother had pulled from the wreck of a cog washed up on the Frozen Shore. It was the greatest treasure she had, and her gift to me.” He swept the cloak back over his shoulders. “But at the Shadow Tower, I was given a new wool cloak from stores, black and black, and trimmed with black, to go with my black breeches and black boots, my black doublet and black mail. The new cloak had no frays nor rips nor tears … and most of all, no red. The men of the Night’s Watch dressed in black, Ser Denys Mallister reminded me sternly, as if I had forgotten. My old cloak was fit for burning now, he said. “I left the next morning … for a place where a kiss was not a crime, and a man could wear any cloak he chose.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
Though every instinct screamed against it, she closed her eyes. Took a breath. Then another. Her lungs opened, full of cool, soothing air, and she wondered if Rowan was helping with that, too. He was helping. And he was willing to meet a horrible fate in order to keep her alive. He hadn’t left her alone. She hadn’t been alone. There was a muffled curse, and Rowan slammed his body against hers, as if he could somehow shield her. No, not shield her. Cover her, the flash of light. She barely registered the pain—if only because the moment her Fae senses snapped into place, she had to shove a hand against her own mouth to keep from retching. Oh, gods, the festering smell of them, worse than any corpse she’d ever dealt with.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
I'm sure you have heard it said that appearance does not matter so much, and that it is what's on the inside that counts. This is, of course, utter nonsense, because if it were true then people who were good on the inside would never have to comb their hair or take a bath, and the whole world would smell even worse than it already does. Appearance matters a great deal, because you can often tell a lot about people by looking at how they present themselves.
Lemony Snicket (The Miserable Mill (A Series of Unfortunate Events, #4))
I’m sure you have heard it said that appearance does not matter so much, and that it is what’s on the inside that counts. This is, of course, utter nonsense, because if it were true then people who were good on the inside would never have to comb their hair or take a bath, and the whole world would smell even worse than it already does.
Lemony Snicket (The Miserable Mill (A Series of Unfortunate Events #4))
If I had a copper for every fly that swarms on you, beast, I’d buy the Spanish Empire! You smell worse than Vera Cruz in the springtime, and there is more filth clinging to your body than most animals shit in a year. Truly you must have sprung fully formed from a heap of manure, as flies and Popes do—may God have mercy on my soul for saying that!
Neal Stephenson (The Confusion (The Baroque Cycle, #2))
Long black hair and deep clean blue eyes and skin pale white and lips blood red she's small and thin and worn and damaged. She is standing there. What are you doing here? I was taking a walk and I saw you and I followed you. What do you want. I want you to stop. I breathe hard, stare hard, tense and coiled. There is still more tree for me to destroy I want that fucking tree. She smiles and she steps towards me, toward toward toward me, and she opens he r arms and I'm breathing hard staring hard tense and coiled she puts her arms around me with one hand not he back of my head and she pulls me into her arms and she holds me and she speaks. It's okay. I breathe hard, close my eyes, let myself be held. It's okay. Her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and my heart slows and I stop shaking an the Fury melts into her safety an she holds me and she says. Okay. Okay. Okay. Something else comes and it makes me feel weak and scared and fragile and I don't want to be hurt and this feeling is the feeling I have when I know I can be hurt and hurt deeper and more terribly than anything physical and I always fight it and control it and stop it but her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and if she let me go right now I would fall and the need and confusion and fear and regret and horror and shame and weakness and fragility are exposed to the soft strength of her open arms and her simple word okay and I start to cry. I start to cry. I want to cry. It comes in waves. THe waves roll deep and from deep the deep within me and I hold her and she holds me tighter and i let her and I let it and I let this and I have not felt this way this vulnerability or allowed myself to feel this way this vulnerability since I was ten years old and I don't know why I haven't and I don't know why I am now and I only know that I am and that it is scary terrifying frightening worse and better than anything I've ever felt crying in her arms just crying in her ams just crying. She guides me to the ground, but she doesn't let me go. THe Gates are open and thirteen years of addiction, violence, hell and their accompaniments are manifesting themselves in dense tears and heavy sobs and a shortness of breath and a profound sense of loss. THe loss inhabits, fills and overwhelms me. It is the loss of a childhood of being a Teeenager of normalcy of happiness of love of trust anon reason of God of Family of friends of future of potential of dignity of humanity of sanity f myself of everything everything everything. I lost everything and I am lost reduced to a mass of mourning, sadness, grief, anguish and heartache. I am lost. I have lost. Everything. Everything. It's wet and Lilly cradles me like a broken Child. My face and her shoulder and her shirt and her hair are wet with my tears. I slow down and I start to breathe slowly and deeply and her hair smells clean and I open my eyes because I want to see it an it is all that I can see. It is jet black almost blue and radiant with moisture. I want to touch it and I reach with one of my hands and I run my hand from the crown along her neck and her back to the base of her rib and it is a thin perfect sheer and I let it slowly drop from the tips of my fingers and when it is gone I miss it. I do it again and again and she lets me do it and she doesn't speak she just cradles me because I am broken. I am broken. Broken. THere is noise and voices and Lilly pulls me in tighter and tighter and I know I pull her in tighter and tighter and I can feel her heart beating and I know she can feel my heart beating and they are speaking our hearts are speaking a language wordless old unknowable and true and we're pulling and holding and the noise is closer and the voices louder and Lilly whispers. You're okay. You're okay. You're okay.
James Frey
This fifty-years-gone world smelled worse than I ever would have expected, but it tasted a whole hell of a lot better.
Stephen King (11/22/63)
Lo, ye shall know them by their deeds; Fest'ring lilies smell worse than weeds.
William Tyndale/Shakespeare
The only thing worse than the smell of burning plastic grass was the smell of burning man bun mixed with burning plastic grass.
Gretchen McNeil (#Murdertrending)
The boy had a good whiff of his dog, who, in spite of his partial bath, smelled awful, worse than pigshit mixed with buzzard vomit, how could he stand himself?
John Farris (Fiends)
I feel him beside me, hear the even sound of his breathing, smell the delicious saltiness of his skin. I have missed him. I move to face him, and that’s when the pain reminds me that I’ve recently been stabbed. I bury my face in the pillow, but it doesn’t quite muffle my yelp. “Emma?” Galen says groggily. I feel his hand in my hair, stroking the length of it. “Don’t move, angelfish. Stay on your stomach. I’ll go tell Rachel you’re ready for more pain medicine.” Immediately I disobey and turn my face up to him. He shakes his head. “I’ve recently learned where your stubbornness comes from.” I grimace/smile. “My mom?” “Worse. King Antonis. The resemblance is uncanny.” He leans down and presses his lips to mine and all too quickly springs back up. “Now, be a good little deviant and stay put while I go get more pain meds.” “Galen,” I say. “Hmmm?” “How bad am I hurt?” He caresses the outline of my cheek. His touch could disintegrate me. “Hurt at all is bad enough for me.” “Yeah, but you’ve always been a baby about this stuff.” I grin at his faux offense. “Your mother says it’s only a flesh wound. She’s been treating it.” “Mom is here?” “She’s downstairs. Uh…You should know that Grom is here, too.” Grom left the tribunal and headed for land? Did that mean it all ended badly? Well, even worse than my getting impaled? An urgent need to know everything about everything shimmies through me. “Whoa. Sit. Talk. Now.” He laughs. “I will, I promise. But I want to make you comfortable first.” “Well, then, you need to come over here and switch places with the bed.” A blush fills my cheeks, but I don’t care. I need him. All of him. It feels like forever since we’ve talked like this, just me and him. But talking usually doesn’t last long. Lips were made for other things, too. And Galen is especially good at the other things. He walks back and squats by the bed. “You have no idea how tempting that is.” It seems like the violet of his eyes gets darker. It’s the color they get when he has to pull away from me, when we’re about to violate a bunch of Syrena laws if we don’t stop. “But you’re not well enough to…” He runs a hand through his hair. “I’ll go get Rachel. Then we can talk.” I’m a little surprised that his argument didn’t begin with “But the law…” That is what has stopped us in the past. Now the only thing that appears to be stopping us is my stabby condition. What’s changed? And why am I not excited about it? I used to get so frustrated when he would pull away. But a small part of me loved that about him, his respect for the law and for the tradition of his people. His respect for me. Respect is a hard thing to come by when picking from among human boys. Is that respect gone? And is it my fault?
Anna Banks (Of Triton (The Syrena Legacy, #2))
Lilies that fester smell far worse than weeds.’ The higher the pretensions of our rulers are, the more meddlesome and impertinent their rule is likely to be and the more the thing in whose name they rule will be defiled.
C.S. Lewis (The World's Last Night: And Other Essays)
It needs to be in person.” I can’t take this tension between us anymore. Avoiding him is only making this worse, and I hate feeling like I’m hiding. With Libby, the way to get to the heart of things might be a slow, cautious obstacle course, but this is Charlie, and Charlie’s like me. We need to bulldoze through the awkwardness. I miss him. His teasing, his challenges, his competitiveness, his care for my overpriced shoes, his smell, and— Shit, I didn’t expect the list to be so long. I’m in deeper than I realized.
Emily Henry (Book Lovers)
If you cross the Sahara, and you fall, by and by vultures circle around you, smelling, sensing, your death. They circle lower and lower: they wait. They know. They know exactly when the flesh is ready, when the spirit cannot fight back. The poor are always crossing the Sahara. And the lawyers and bondsmen and all that crowd circle around the poor, exactly like vultures. Of course, they're not any richer than the poor, really, that's why they've turned into vultures, scavengers, indecent garbage men, and I'm talking about the black cats, too, who, in so many ways, are worse.
James Baldwin (If Beale Street Could Talk)
Wake up and smell the shit, folks. This is our reality, now. Things will not be going back to normal. We’ll be lucky, if they don’t get worse too soon. Who knows what tomorrow will bring? I think it’s better to be safe than sorry, but if you want to go home, be my guest. No one is going to stop you.
Jason Medina (The Manhattanville Incident: An Undead Novel)
Some part of me . . . had been waiting, since Kelp's death, for certainty that God . . . was either dead or malicious. On the cot, now, in the rain-shadowed room with the medicine smells, I knew it was worse than that. They were a challenge, a dare: you must look at the horrors of the world and find a way back to faith in spite of what you saw. I had a glimpse of what the purer version of myself might be capable of: enduring the loss, keeping the rage and disgust down, finding meaning through suffering. But it was only a glimpse. There was so much shame, and the shame made me angry at the thought of getting better.
Glen Duncan
I'm sure you have heard it said that appearance does not matter so much, and that it is what's on the inside that counts. This is, of course, utter nonsense, because if it were true then people who were good on this inside would never have to comb their hair or take a bath, and the whole world would smell even worse than it already does.
Lemony Snicket (The Miserable Mill (A Series of Unfortunate Events, #4))
I hurried over to Conrad, walking so fast I kicked up sand behind me. “Hey, I’m gonna get a ride,” I said breathlessly. The blond Red Sox girl looked me up and down. “Hello,” she said. Conrad said, “With who?” I pointed at Cam. “Him.” “You’re not riding with someone you don’t even know,” he said flatly. “I do so know him. He’s Sextus.” He narrowed his eyes. “Sex what?” “Never mind. His name is Cam, he’s studying whales, and you don’t get to decide who I ride home with. I was just letting you know, as a courtesy. I wasn’t asking for your permission.” I started to walk away, but he grabbed my elbow. “I don’t care what he’s studying. It’s not gonna happen,” he said casually, but his grip was tight. “If you want to go, I’ll take you.” I took a deep breath. I had to keep cool. I wasn’t going to let him goad me into being a baby, not in front of all these people. “No, thanks,” I said, trying to walk away again. But he didn’t let go. “I thought you already had a boyfriend?” His tone was mocking, and I knew he’d seen through my lie the night before. I wanted so badly to throw a handful of sand in his face. I tried to twist out of his grip. “Let go of me! That hurts!” He let go immediately, his face red. It didn’t really hurt, but I wanted to embarrass him the way he was embarrassing me. I said loudly, “I’d rather ride with a stranger than with someone who’s been drinking!” “I’ve had one beer,” he snapped. “I weigh a hundred and seventy-five pounds. Wait half an hour and I’ll take you. Stop being such a brat.” I could feel tears starting to spark my eyelids. I looked over my shoulder to see if Cam was watching. He was. “You’re an asshole,” I said. He looked me dead in the eyes and said, “And you’re a four-year-old.” As I walked away, I heard the girl ask, “Is she your girlfriend?” I whirled around, and we both said “No!” at the same time. Confused, she said, “Well, is she your little sister?” like I wasn’t standing right there. Her perfume was heavy. It felt like it filled all the air around us, like we were breathing her in. “No, I’m not his little sister.” I hated this girl for being a witness to all this. It was humiliating. And she was pretty, in the same kind of way Taylor was pretty, which somehow made things worse. Conrad said, “Her mom is best friends with my mom.” So that was all I was to him? His mom’s friend’s daughter? I took a deep breath, and without even thinking, I said to the girl, “I’ve known Conrad my whole life. So let me be the one to tell you you’re barking up the wrong tree. Conrad will never love anyone as much as he loves himself, if you know what I mean-“ I lifted up my hand and wiggled my fingers. “Shut up, Belly,” Conrad warned. The tops of his ears were turning bright red. It was a low blow, but I didn’t care. He deserved it. Red Sox girl frowned. “What is she talking about, Conrad?” To her I blurted out, “Oh, I’m sorry, do you not know what the idiom ‘barking up the wrong tree’ means?” Her pretty face twisted. “You little skank,” she hissed. I could feel myself shrinking. I wished I could take it back. I’d never gotten into a fight with a girl before, or with anyone for that matter. Thankfully, Conrad broke in then and pointed to the bonfire. “Belly, go back over there, and wait for me to come get you,” he said harshly. That’s when Jeremiah ambled over. “Hey, hey, what’s going on?” he asked, smiling in his easy, goofy way. “Your brother is a jerk,” I said. “That’s what’s going on.” Jeremiah put his arm around me. He smelled like beer. “You guys play nice, you hear?” I shrugged out of his hold and said, “I am playing nice. Tell your brother to play nice.” “Wait, are you guys brother and sister too?” the girl asked. Conrad said, “Don’t even think about leaving with that guy.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
Outer space is fucking terrifying. I’m thankful for the ozone layer and the gravitational pull of the moon and whatnot, but they’d have to tie me like a spit-roasted pig to send me out there. The universe keeps expanding and getting colder, chunks of our galaxy are sucked away, black holes hurl through space at millions of miles per hour, and solar superstorms flare up at the drop of a hat. Meanwhile NASA astronauts are out there in their frankly inadequate suits, drinking liters of their own recycled urine, getting alligator skin on the top of their feet, and shitting rubber balls that float around at eye level. Their cerebrospinal fluid expands and presses on their eyeballs to the point that their eyesight deteriorates, their gut bacteria are a shitshow—no pun intended—and gamma rays that could literally pulverize them in less than a second wander around. But you know what’s even worse? The smell. Space smells like a toilet full of rotten eggs, and there’s no escape. You’re just stuck there until Houston allows you to come back home. So believe me when I say: I’m grateful every damn day for those two extra inches.
Ali Hazelwood (Love on the Brain)
The room I got is best described as being a glorified closet. It was like four times worse than what they gave you here at Burnstone Grove. The twin bed looked like some little kid had died on it. It was made up with these totally sad, urine-yellow sheets, a moth eaten comforter, and a pillow that was about as fluffy as a folded dishrag. The mattress was lumpy and smelled like pets and weather.
Adam Rapp (Under the Wolf, Under the Dog)
Fall, though, is the worst. Few things are worse than fall in New York. Some of the things that live in the lower intestines of rats would disagree, but most of the things that live in the lower intestines of rats are highly disagreeable anyway, so their opinion can and should be discounted. When it’s fall in New York, the air smells as if someone’s been frying goats in it, and if you are keen to breathe, the best plan is to open a window and stick your head in a building.
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
She's amazing." Galen turns to Dr. Milligan, who's standing beside him and staring at Emma as if she were floating in midair. "Yes, she is," Galen says. Dr. Milligan looks at Galen, a knowing smile plastered on his face. "Looks like she's enchanted more than just the little fish. In fact, looks like you're worse off than any of them, my boy." Galen shrugs. He's got nothing to hide from Dr. Milligan. Dr. Milligan lets out his breath in a whistle. "What does Rayna say?" "She likes her." The good doctor raises a thin gray brow. Galen sighs. "She likes her enough.." "Well, can't ask for more than that, I suppose. Shall we, then?" Galen nods. "Emma. Dr. Milligan is here." Emma turns. And freezes. "You!" she chokes out. "You're Dr. Milligan?" The older man bows his head. "Yes, young lady, I am. You remember me, then." She nods, walking slowly toward them as if she smells a trap. "You tried to give me free season passes. You talked to me at the petting tank." "Yes," he says. "Of course I offered you season passes. How else could I study your fascinating interaction with the specimens?" She crosses her arms. "I didn't know I could talk to fish at the time. How did you?" "At first I didn't," he says, closing the distance between them and gently taking her hand. "But when I saw your eye color, I knew you had to be Syrena. I remembered Galen telling me about that gift, but I never really believed it. Which is silly, I suppose. I mean, if I believe in mermaids-ahem, excuse me Galen, Syrena-then why not a gift like that?" "And what do you think now, Dr. Milligan?" Galen says, a little perturbed at the revelation that his friend thought he lied. Also, "mermaids" was uncalled for.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Did I regret Cyrus’s whiteness? Truth be told, sometimes I did. If Cyrus was Bengali, I wouldn’t have to explain why chewing on the end of a drumstick was perhaps the best part of a meal, or why there were outside clothes and inside clothes and in-between clothes that you wore when you got home but weren’t ready for bed. I wouldn’t have to explain all the complicated rules about where you can and can’t put your feet, and that he could maybe kiss me in front of my parents but not on the mouth and certainly never with tongue. But what I found infinitely worse was trying to gauge whether a man had just the right amount of brown in him. He had to know about drumsticks and shoes and not hate himself, but he also couldn’t be too in love with his mother or imagine that I would change more diapers than him or ever, ever be charmed by the thought of me in a hijab. He had to be three parts Tagore, one part Drake, one part e e cummings, and that’s not even getting into whether I got a rise from smelling his face. So no, I didn’t want to ponder Cyrus’s whiteness, I just wanted to enjoy his scent and his perfectly sized dick and the fact that, of all the people I had ever met in my whole life, he felt the most like home.
Tahmima Anam (The Startup Wife)
I still can't quite grasp what you are telling me. I find it impossible to believe that there would be such unreasoning feeling against harmless people." Amaryl said bitterly, "That's because you've never had any occasion to interest yourself in such things. It can all pass right under your nose and you wouldn't smell a thing because it doesn't affect you." Dors said, “Mr. Amaryl, Dr. Seldon is a mathematician like you and his head can sometimes be in the clouds. You must understand that. I am a historian, however. I know that it isn’t unusual to have one group of people look down upon another group. There are peculiar and almost ritualistic hatreds that have no rational justification and that can have their serious historical influence. It’s too bad.” Saying something is ‘too bad’ is easy. You say you disapprove, which makes you a nice person, and then you can go about your own business and not be interested anymore. It’s a lot worse than ‘too bad.’ It’s against everything decent and natural. We’re all of us the same, yellow-hairs and black-hairs, tall and short, Easterners, Westerners, Southerners, and Outworlders. We’re all of us, you and I and even the Emperor, descended from the people of Earth, aren’t we?
Isaac Asimov (Prelude to Foundation)
However strange my circumstances, and however out of place I might be, it was somehow very comforting to realize that these were truly other people. Warm-fleshed and hairy, with hearts that could be felt beating and lungs that breathed audibly. Bad-smelling, louse-ridden, and filthy, some of them, but that was nothing new to me. Certainly no worse than conditions in a field hospital, and the injuries were so far reassuringly minor. It was immensely satisfying to be able once again to relieve a pain, reset a joint, repair damage. To take responsibility for the welfare of others made me feel less victimized by the whims of whatever impossible fate had brought me here, and I was grateful to Colum for suggesting it.
Diana Gabaldon (Outlander (Outlander, #1))
Sometimes you hear the voices of people whose every cadence you think you know by heart. By heart. But then sounds emerge from their throats, sounds that you want to believe cannot belong to them, but it’s worse than that because you know that they do; you hear the sound and you know that this grating cacophony belongs to them as much as does the music in their voices when they call you by nicknames that should sound utterly silly but instead are transformed by affection into something to cherish. I heard Aunty Maheen turn on my father, and I knew that one day, not today perhaps, not even next year, but one day people more familiar to me than the smell of sea air would become strangers and I would become a stranger to them.
Kamila Shamsie (Kartography)
God bless her, but the child is wild. It’s not her fault. But she’ll never be normal. At least let her enjoy her childhood. You read the report, didn’t you? There was rotten food in the fridge, clothes all over the floor. She came here wearing one of her father’s T-shirts and his baseball cap. You just wanted to throw out all the things that she had in her suitcase and give her a chance to start all over again. And the child’s fingernails were long. Who ever heard of long fingernails on a twelve-year-old? And she smelled!’ ‘Is she worse than Rodney?’ ‘Rodney? No, God no. She doesn’t need psychiatric help. I’m just saying that she needs a couple extra things like a sweater or some new toys of her own.’ Later that afternoon, Isabelle came into my room with a box filled with girls’ toys. I pulled out a blue pony with long yellow hair and pink seashells on its butt. ‘Who was Rodney?’ I asked her. A little boy who lived here and used to wear swimming goggles all the time. Who’s been talking to you about Rodney?’ ‘You mentioned him to the social worker.’ ‘Lord! Don’t worry what I say to the social worker. I have to make you sound like a real sorrowful case to be able to get you more things. See, I got you a pretty pony, didn’t I?’ I guess it was worth having your self-esteem destroyed if there was a free toy involved. Isabelle told me that she was trying to get us a subscription to Ranger Rick magazine. I didn’t want to hear what she was going to say about me to get it.
Heather O'Neill (Lullabies for Little Criminals)
Peter sits with his back to the wall in the hallway. He looks up at me when I lean over him, his dark hair stuck to his forehead from the melted snow. “Did you reset her?” he says. “No,” I say. “Didn’t think you would have the nerve.” “It’s not about nerve. You know what? Whatever.” I shake my head and hold up the vial of memory serum. “Are you still set on this?” He nods. “You could just do the work, you know,” I say. “You could make better decisions, make a better life.” “Yeah, I could,” he says. “But I won’t. We both know that.” I do know that. I know that change is difficult, and comes slowly, and that it is the work of many days strung together in a long line until the origin of them is forgotten. He is afraid that he will not be able to put in that work, that he will squander those days, and that they will leave him worse off than he is now. And I understand that feeling--I understand being afraid of yourself. So I have him sit on one of the couches, and I ask him what he wants me to tell him about himself, after his memories disappear like smoke. He just shakes his head. Nothing. He wants to retain nothing. Peter takes the vial with a shaking hand and twists off the cap. The liquid trembles inside it, almost spilling over the lip. He holds it under his nose to smell it. “How much should I drink?” he says, and I think I hear his teeth chattering. “I don’t think it makes a difference,” I say. “Okay. Well…here goes.” He lifts the vial up to the light like he is toasting me. When he touches it to his mouth, I say, “Be brave.” Then he swallows. And I watch Peter disappear.
Veronica Roth (Allegiant (Divergent, #3))
The rest of the sonnet is more straightforward. Metaphorically it says that beauty ('the summer's flower') is sweet even if it does not propagate itself ('Though to itself it only live and die'), but if it becomes infected it is worth no more than `The basest weed'. What is the tenor of the metaphor? And the couplet appears to be trying to make a link with the octave: `For sweetest things turn sourest by their deeds. I Lilies that fester smell far worse than weeds'. (This last line is found also in the anonymous play, attributed at least in part to Shakespeare, Edward III. Though proverbial in tone, it has not been found elsewhere.) But what exactly is the link? The poem struggles to give an impression of profundity but its excessive use of generalization and metaphor inhibits communication.
Paul Edmondson (Shakespeare's Sonnets (Oxford Shakespeare Topics))
I’m so sorry I called you a coward,” she said. “I feel worse about that than anything I’ve ever said to you in our whole marriage.” “Even the time when we went camping and you called me Old Stinky Sam?” I asked, and then we laughed and had a kiss or two and it was better again between us. She was so beautiful, my Janice, and I still dream of her. Old and tired of living as I am, I’ll dream that she walks into my room in this lonely, forgotten place where the hallways all smell of piss and old boiled cabbage, I dream she’s young and beautiful with her blue eyes and her fine high breasts that I couldn’t hardly keep my hands off of, and she’ll say, Why, honey, I wasn’t in that bus crash. You made a mistake, that’s all. Even now I dream that, and sometimes when I wake up and know it was a dream, I cry. I, who hardly ever cried at all when I was young.
Stephen King (The Green Mile)
Lancelot spoke lightly, her low, rich voice carefully even. "How did you get past the guard inside? Did you use magic?" Guinevere snorted, lowering her face to Lancelot's shoulder and resting it there. "You do not want to know." "Well, now I want to know more than I have ever wanted to know anything." "I will spare you the details," Guinevere said, breathing deeply of the leather scent of Lancelot's patchwork armor. It cut through the river smell, helping Guinevere combat the fear. "But it involved a full chamber pot." Lancelot laughed, her hands tightening around Guinevere's thighs. "You did not!" "He deserved worse. I only wish it had been Maleagant's face on the receiving end." "I am proud of you. A true warrior can make a weapon of anything. I will have to remember that trick." "I doubt a bowl of piss will be one of the weapon offerings at the next tournament.
Kiersten White (The Guinevere Deception (Camelot Rising, #1))
Then at last, when he could stand it no longer, he would peel back a tiny bit of the paper wrapping at one corner to expose a tiny bit of chocolate, and then he would take a tiny nibble – just enough to allow the lovely sweet taste to spread out slowly over his tongue. The next day, he would take another tiny nibble, and so on, and so on. And in this way, Charlie would make his sixpenny bar of birthday chocolate last him for more than a month. But I haven’t yet told you about the one awful thing that tortured little Charlie, the lover of chocolate, more than anything else. This thing, for him, was far, far worse than seeing slabs of chocolate in the shop windows or watching other children munching bars of creamy chocolate right in front of him. It was the most terrible torturing thing you could imagine, and it was this: In the town itself, actually within sight of the house in which Charlie lived, there was an ENORMOUS CHOCOLATE FACTORY! Just imagine that! And it wasn’t simply an ordinary enormous chocolate factory, either. It was the largest and most famous in the whole world! It was WONKA’S FACTORY, owned by a man called Mr Willy Wonka, the greatest inventor and maker of chocolates that there has ever been. And what a tremendous, marvellous place it was! It had huge iron gates leading into it, and a high wall surrounding it, and smoke belching from its chimneys, and strange whizzing sounds coming from deep inside it. And outside the walls, for half a mile around in every direction, the air was scented with the heavy rich smell of melting chocolate! Twice a day, on his way to and from school, little Charlie Bucket had to walk right past the gates of the factory. And every time he went by, he would begin to walk very, very slowly, and he would hold his nose high in the air and take long deep sniffs of the gorgeous chocolatey smell all around him. Oh, how he loved that smell! And oh, how he wished he could go inside the factory and see what it was like!
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket #1))
Body parts really don’t like to be cut, stabbed or hacked into sections, and they express their anger by leaking all over the fuck. Jesus, we’re, like, seventy percent water or something? And you learn that’s so fucking true when you go to a fresh scene. Pools of it. Drips of it. Speckles of it. Then you got the stained clothes, rugs, bedsheets, walls, flooring—or if it’s outside, the ground cover, the concrete, the asphalt. And then there’s the smell. Blood, sweat, urine, other shit. That juicy bouquet will get in your sinuses and stay there for hours afterward.” He shook his head again. “The older cases . . . the smell is worse than the mess. Water deaths, with the bloating, are just ugly—and if that gas that’s built up gets out? The stench will knock you on your ass. And I don’t know, I wasn’t too crazy for the burn deaths either. I mean, you’d think we’d realize we’re not different than any other mammal—cooked meat is cooked meat, period. But I’ve never seen a grown man puke up his coffee and donuts over a medium rare T-bone.
J.R. Ward (Blood Kiss (Black Dagger Legacy, #1))
Too much magic about here. The sooner we’re back on board the better.” “Depend upon it,” said Reepicheep, “it was from eating this food that these three lords came by a seven years’ sleep.” “I wouldn’t touch it to save my life,” said Drinian. “The light’s going uncommon quick,” said Rynelf. “Back to ship, back to ship,” muttered the men. “I really think,” said Edmund, “they’re right. We can decide what to do with the three sleepers tomorrow. We daren’t eat the food and there’s no point in staying here for the night. The whole place smells of magic--and danger.” “I am entirely of King Edmund’s opinion,” said Reepicheep, “as far as concerns the ship’s company in general. But I myself will sit at this table till sunrise.” “Why on earth?” said Eustace. “Because,” said the Mouse, “this is a very great adventure, and no danger seems to me so great as that of knowing when I get back to Narnia that I left a mystery behind me through fear.” “I’ll stay with you, Reep,” said Edmund. “And I too,” said Caspian. “And me,” said Lucy. And then Eustace volunteered also. This was very brave of him because never having read of such things or even heard of them till he joined the Dawn Treader made it worse for him than for the others.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
screeched. “Dirty, rotten pigs!” The smell was overpowering. Sammy just stood there, hidden under his raincoats. Mrs. Jewls wrote Sammy’s name under the word DISCIPLINE. “Send him home on the kindergarten bus,” said Joy. “Not with me,” said Todd. Mrs. Jewls held her nose, walked up to Sammy, and removed his raincoat. She threw it out the window. But he had on still another one. Sammy hissed. “Hey, old windbag, watch where you throw my good clothes!” Mrs. Jewls put a check next to Sammy’s name on the blackboard. Then she took off another raincoat and threw it out the window. The smell got worse, for he had on still another one. Sammy began to laugh. His horrible laugh was even worse than his horrible voice. When Sammy first came into the room, he was four feet tall. But after Mrs. Jewls removed six of his raincoats, he was only three feet tall. And there were still more raincoats to go. Mrs. Jewls circled his name and removed another coat. She threw it out the window. Then she put a triangle around the circle and threw another one of his coats outside. She kept doing this until Sammy was only one-and-a-half feet high. With every coat she took off, Sammy’s laugh got louder and the smell got worse. Some of the children held their ears. Others could hold only one ear because they were holding their nose with the other hand. It was hard to say which was worse, the laugh or the smell.
Louis Sachar (Sideways Stories from Wayside School (Wayside School, #1))
In the wintertime the temperature falls well below the legal minimum, or rather it would do if anybody had the common sense to set a legal minimum. The last time anybody made a list of the top hundred character attributes of New Yorkers, common sense snuck in at number 79. In the summer it's too darn hot. It's one thing to be the sort of life form that thrives on heat and finds, as the Frastrans do, that the temperature ranger between 40,000 and 40,004 is very equable, but it's quite another to be the sort of animal that has to wrap itself up in lots of other animals at one point in your planet's orbit, and then find, ha;f an orbit later, that your skin's bubbling. Spring is overrated. A lot of the inhabitants of New York will honk on mightily about the pleasures of spring, but if they actually knew the first think about pleasures of spring they would know of at least 5,983 better places to spent it than New York, and that's just on the same latitude. Fall, though, is the worst. Few things are worse than fall in New York. Some of the things that live in the lower intestines of rats would disagree, but most of the things that live in the lower intestines of fats are highly disagreeable anyway, so their opinion can and should be discounted. When its fall in New York, the air smells as if someone's been frying goats in it, and if you are keen to breathe, the best plan is to open a window and a stick your head in a building.
Douglas Adams (The Ultimate Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1-5))
The summer king customarily delivers a brief poem or statement before he convenes the special sessions. Enki gives them quite a bit more than that. “In the verde,” says Enki, as serious as I’ve ever seen him, “we love the storms. Sometimes, when we see one come in, the blocos will set up in the terraces and play until the rain drives us inside.” He pauses here, as though considering his next words, though I can tell he’s just savoring the moment. My last present from the verde must have gone through. Everyone in the audience shuffles uncomfortably. Nostrils flair, discreet coughs echo through the chamber. Some look at Enki, others at one another or the doorways. Enki takes a deep breath, as though he doesn’t notice a thing. “We have a saying,” he says as murmurs from his audience rise to a wave, “you can’t smell the catinga until it comes back home.” In the background, I can just make out several guards hurrying through the doors. Enki surveys his work and smiles, a sun breaking through clouds. “I hereby convene parliament.” As he saunters back to his seat, Auntie Isa rushes the podium with a handkerchief covering her nose and murder in her eyes. People stand up and hurry to the doors. They don’t know the smell will be even worse in the hallway. Our transport pods are all connected to the ventilation system. It’s meant to help refresh the air supply in the tunnels, but it can go the other direction. It can carry the fetid stink of the verde straight to the noses of people who pretend it doesn’t exist.
Alaya Dawn Johnson (The Summer Prince)
Honestly, sir,” I said, “I don’t see why you’re making such a fuss.” We had excused ourselves to speak privately for a moment, leaving poor Charlie politely rocking on his heels in the foyer. The office was warm and smelled of sage and witch hazel, and the desk was littered with bits of twine and herbs where Jackaby had been preparing fresh wards. Douglas had burrowed into a nest of old receipts on the bookshelf behind us and was sound asleep with his bill tucked back into his wing. I had given up trying to get him to stop napping on the paperwork. “You’re the one who told me that I shouldn’t have to choose between profession and romance,” I said. “I’m not the one making a fuss. I don’t care the least bit about your little foray into . . . romance.” Jackaby pushed the word out of his mouth as though it had been reluctantly clinging to the back of his throat. “If anything, I am concerned that you are choosing to make precisely the choice that I told you you should not make!” “What? Wait a moment. Are you . . . jealous?” “Don’t be asinine! I am not jealous! I am merely . . . protective. And perhaps troubled by your lack of fidelity to your position.” “That is literally the definition of jealous, sir. Oh, for goodness’ sake. I’m not choosing Charlie over you! I’m not going to suddenly stop being your assistant just because I spend time working on another case!” “You might!” he blurted out. He sank down into the chair at his desk. “You just might.” “Why are you acting like this?” He pinched the bridge of his nose. “Because things change. Because people change. Because . . . because Charlie Barker is going to propose,” he said. He let his hand drop and looked me in the eyes. “Marriage,” he added. “To you.” I blinked. “I miss a social cue or two from time to time, but even I’m not thick enough to believe all that was about analyzing bloodstains together. He has the ring. It’s in his breast pocket right now. He’s attached an absurd level of emotional investment to the thing—I’m surprised it hasn’t burned a hole right through the front of his jacket, the way its aura is glowing. He’s nervous about it. He’s going to propose. Soon, I would guess.” I blinked. The air in front of me wavered like a mirage, and in another moment Jenny had rematerialized. “And if he does,” she said softly, “it will be Abigail’s decision to face, not yours. There are worse fates than to receive a proposal from a handsome young suitor.” She added, turning to me with a grin, “Charlie is a good man.” “Yes, fine! But she has such prodigious potential!” Jackaby lamented. “Having feelings is one thing—I can grudgingly tolerate feelings—but actually getting married? The next thing you know they’ll be wanting to do something rash, like live together ! Miss Rook, you have started something here that I am loath to see you leave unfinished. You’ve started becoming someone here whom I truly want to meet when she is done. Choosing to leave everything you have here to go be a good man’s wife would be such a wretched waste of that promise.” He faltered, looking to Jenny, and then to the floorboards. “On the other hand, you should never have chosen to work for me in the first place. It remains one of your most ill-conceived and reckless decisions to date—and that is saying something, because you also chose to blow up a dragon once.” He sighed. “Jenny is right. You could make a real life with that young man, and you shouldn’t throw that away just to hang about with a fractious bastard and a belligerent duck.” He sagged until his forehead was resting on his desk.
William Ritter (The Dire King (Jackaby, #4))
She felt the electric tickle of Finn behind her. He must have come from the hallway. She turned. Standing on the first step, she was almost eye level with him. He’d carried the irresistible smell of the morning in with him, caught in his hair and clothes. “Good morning, beautiful,” he said. Teagan leaned closer. “What are you doing?” Aiden asked. Sniffing Finn. How weird would that sound? She changed the sniff into a kiss on the cheek, but Finn turned just before her lips met his face. She felt a shock as their lips touched, the wild inside her exploding like fireworks, rocketing through her to Finn. He swayed, and she managed to get her arms around him before his knees gave way. “Wa,” he gasped. “Could you steer me toward the couch, girl?” “Oh, my god,” Abby said from behind her. “The couch? Are you going to let them do that in your living room, Mr. Wylltson?” “Do what?” Finn flushed red. “Oh. I just meant . . . I need to sit down. The girl’s that good a kisser.” Thomas and Mr. Wylltson were staring. Aiden’s mouth was hanging open. “What are you doing, Tea?” Abby asked. “You totally lunged at him.” “I did not lunge.” I was just sniffing him. That would sound worse than lunging. “I just . . . caught him.” “Then why don’t you let him go?” Because he wasn’t steady on his feet yet. Finn’s electronics had gone haywire. “Well played.” Thomas winked at Finn and grinned at Teagan. “And well caught.” Finn groped for the banister. “I’m telling you I never meant to kiss her. Not in front of her da, that is—” “Unhand the young man, Teagan, and step away,” Mr. Wylltson said. “You are befuddling him.” “By that”—Finn found the banister and Teagan let go and backed up a stair—“I did not mean that I intended to carry on behind your back. This whole thing isn’t what it looks like”—his eyes lifted to Teagan. “Is it?
Kersten Hamilton (When the Stars Threw Down Their Spears (Goblin Wars, #3))
One of the extraordinary things about life is the sort of places it’s prepared to put up with living. Anywhere it can get some kind of a grip, whether it’s the intoxicating seas of Santraginus V, where the fish never seem to care whatever the heck kind of direction they swim in, the fire storms of Frastra, where, they say, life begins at 40,000 degrees, or just burrowing around in the lower intestine of a rat for the sheer unadulterated hell of it, life will always find a way of hanging on in somewhere. It will even live in New York, though it’s hard to know why. In the wintertime the temperature falls well below the legal minimum, or rather it would do if anybody had the common sense to set a legal minimum. The last time anybody made a list of the top hundred character attributes of New Yorkers, common sense snuck in at number 79. In the summer it’s too darn hot. It’s one thing to be the sort of life form that thrives on heat and finds, as the Frastrans do, that the temperature range between 40,000 and 40,004 is very equable, but it’s quite another to be the sort of animal that has to wrap itself up in lots of other animals at one point in your planet’s orbit, and then find, half an orbit later, that your skin’s bubbling. Spring is overrated. A lot of the inhabitants of New York will honk on mightily about the pleasures of spring, but if they actually knew the first thing about the pleasures of spring they would know of at least 5,983 better places to spend it than New York, and that’s just on the same latitude. Fall, though, is the worst. Few things are worse than fall in New York. Some of the things that live in the lower intestines of rats would disagree, but most of the things that live in the lower intestines of rats are highly disagreeable anyway, so their opinion can and should be discounted. When it’s fall in New York, the air smells as if someone’s been frying goats in it, and if you are keen to breathe, the best plan is to open a window and stick your head in a building.
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
Again she heard that crackling hiss, and her nose filled with the smell of burning sugar. It was stronger this time, a sweet, dense cloud of perfume. Suddenly, she was back at the Menagerie, a thick hand grasping her wrist, demanding. Inej had gotten good at anticipating when a memory might seize her, bracing for it, but this time she wasn’t prepared. It came at her, more insistent than the wind on the wire, sending her mind sprawling. Though he smelled of vanilla, beneath it, she could smell garlic. She felt the slither of silk all around her as if the bed itself were a living thing. Inej didn’t remember all of them. As the nights at the Menagerie had strung together, she had become better at numbing herself, vanishing so completely that she almost didn’t care what was done to the body she left behind. She learned that the men who came to the house never looked too closely, never asked too many questions. They wanted an illusion, and they were willing to ignore anything to preserve that illusion. Tears, of course, were forbidden. She had cried the first night. Tante Heleen had used the switch on her, then the cane, then choked her until she’d passed out. The next time, Inej’s fear was greater than her sorrow. She learned to smile, to whisper, to arch her back and make the sounds Tante Heleen’s customers required. She still wept, but the tears were never shed. They filled the empty place inside her, a well of sadness where, each night, she sank like a stone. The Menagerie was one of the most expensive pleasure houses in the Barrel, but its customers were no kinder than those who frequented the dollar houses and alley girls. In some ways, Inej came to understand, they were worse. When a man spends that much coin, said the Kaelish girl, Caera, he thinks he’s earned the right to do whatever he wants. There were young men, old men, handsome men, ugly men. There was the man who cried and struck her when he could not perform. The man who wanted her to pretend it was their wedding night and tell him that she loved him. The man with sharp teeth like a kitten who had bitten at her breasts until she’d bled. Tante Heleen added the price of the blood-speckled sheets and the days of work Inej missed to her indenture. But he hadn’t been the worst.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I have been all over the world cooking and eating and training under extraordinary chefs. And the two food guys I would most like to go on a road trip with are Anthony Bourdain and Michael Ruhlmann, both of whom I have met, and who are genuinely awesome guys, hysterically funny and easy to be with. But as much as I want to be the Batgirl in that trio, I fear that I would be woefully unprepared. Because an essential part of the food experience that those two enjoy the most is stuff that, quite frankly, would make me ralph. I don't feel overly bad about the offal thing. After all, variety meats seem to be the one area that people can get a pass on. With the possible exception of foie gras, which I wish like heckfire I liked, but I simply cannot get behind it, and nothing is worse than the look on a fellow foodie's face when you pass on the pate. I do love tongue, and off cuts like oxtails and cheeks, but please, no innards. Blue or overly stinky cheeses, cannot do it. Not a fan of raw tomatoes or tomato juice- again I can eat them, but choose not to if I can help it. Ditto, raw onions of every variety (pickled is fine, and I cannot get enough of them cooked), but I bonded with Scott Conant at the James Beard Awards dinner, when we both went on a rant about the evils of raw onion. I know he is often sort of douchey on television, but he was nice to me, very funny, and the man makes the best freaking spaghetti in tomato sauce on the planet. I have issues with bell peppers. Green, red, yellow, white, purple, orange. Roasted or raw. Idk. If I eat them raw I burp them up for days, and cooked they smell to me like old armpit. I have an appreciation for many of the other pepper varieties, and cook with them, but the bell pepper? Not my friend. Spicy isn't so much a preference as a physical necessity. In addition to my chronic and severe gastric reflux, I also have no gallbladder. When my gallbladder and I divorced several years ago, it got custody of anything spicier than my own fairly mild chili, Emily's sesame noodles, and that plastic Velveeta-Ro-Tel dip that I probably shouldn't admit to liking. I'm allowed very occasional visitation rights, but only at my own risk. I like a gentle back-of-the-throat heat to things, but I'm never going to meet you for all-you-can-eat buffalo wings. Mayonnaise squicks me out, except as an ingredient in other things. Avocado's bland oiliness, okra's slickery slime, and don't even get me started on runny eggs. I know. It's mortifying.
Stacey Ballis (Off the Menu)
The first time he’d cut off ears because he was there and it was being done, but that was it. He wasn’t one of those who once they were in all that lawlessness couldn’t wait to get going, the ones who weren’t too well put together or were pretty aggressive to start off with and only needed the slightest opportunity to go ape-shit. One guy in his unit, guy they called Big Man, he wasn’t there one or two days when he’d slashed some pregnant woman’s belly open. Farley was himself only beginning to get good at it at the end of his first tour. But the second time, in this unit where there are a lot of other guys who’d also come back and who hadn’t come back just to kill time or to make a couple extra bucks, this second time, in with these guys who are always looking to be put out in front, ape-shit guys who recognize the horror but know it is the very best moment of their lives, he is ape-shit too. In a firefight, running from danger, blasting with guns, you can’t not be frightened, but you can go berserk and get the rush, and so the second time he goes berserk. The second time he fucking wreaks havoc. Living right out there on the edge, full throttle, the excitement and the fear, and there’s nothing in civilian life that can match it. Door gunning. They’re losing helicopters and they need door gunners. They ask at some point for door gunners and he jumps at it, he volunteers. Up there above the action, and everything looks small from above, and he just guns down huge. Whatever moves. Death and destruction, that is what door gunning is all about. With the added attraction that you don’t have to be down in the jungle the whole time. But then he comes home and it’s not better than the first time, it’s worse. Not like the guys in World War II: they had the ship, they got to relax, someone took care of them, asked them how they were. There’s no transition. One day he’s door gunning in Vietnam, seeing choppers explode, in midair seeing his buddies explode, down so low he smells skin cooking, hears the cries, sees whole villages going up in flames, and the next day he’s back in the Berkshires. And now he really doesn’t belong, and, besides, he’s got fears now about things going over his head. He doesn’t want to be around other people, he can’t laugh or joke, he feels that he is no longer a part of their world, that he has seen and done things so outside what these people know about that he cannot connect to them and they cannot connect to him. They told him he could go home? How could he go home?
Philip Roth (The Human Stain (The American Trilogy, #3))
I could see the road ahead of me. I was poor and I was going to stay poor. But I didn't particularly want money. I didn't know what I wanted. Yes, I did. I wanted someplace to hide out, someplace where one didn't have to do anything. The thought of being something didn't only appall me, it sickened me. The thought of being a lawyer or a councilman or an engineer, anything like that, seemed impossible to me. To get married, to have children, to get trapped in the family structure. To go someplace to work every day and to return. It was impossible. To do things, simple things, to be part of family picnics, Christmas, the 4th of July, Labor, Mother's Day . . . was a man born just to endure those things and then die? I would rather be a dishwasher, return alone to a tiny room and drink myself to sleep. My father had a master plan. He told me, "My son, each man during his lifetime should buy a house. Finally he dies and leaves that house to his son. Then his son gets his own house and dies, leaves both houses to his son. That's two houses. That son gets his own house, that's three houses . . ." The family structure. Victory over adversity through the family. He believed in it. Take the family, mix with God and Country, add the ten-hour day and you had what was needed. I looked at my father, at his hands, his face, his eyebrows, and I knew that this man had nothing to do with me. He was a stranger. My mother was non-existent. I was cursed. Looking at my father I saw nothing but indecent dullness. Worse, he was even more afraid to fail than most others. Centuries of peasant blood and peasant training. The Chinaski bloodline had been thinned by a series of peasant-servants who had surrendered their real lives for fractional and illusionary gains. Not a man in line who said, "I don't want a house, I want a thousand houses, now!" He had sent me to that rich high school hoping that the ruler's attitude would rub off on me as I watched the rich boys screech up in their cream-colored coupes and pick up the girls in bright dresses. Instead I learned that the poor usually stay poor. That the young rich smell the stink of the poor and learn to find it a bit amusing. They had to laugh, otherwise it would be too terrifying. They'd learned that, through the centuries. I would never forgive the girls for getting into those cream-colored coupes with the laughing boys. They couldn't help it, of course, yet you always think, maybe . . . But no, there weren't any maybes. Wealth meant victory and victory was the only reality. What woman chooses to live with a dishwasher?
Charles Bukowski (Ham On Rye)
In Classical mythology, righteous wrath was the province of old women. Three very specific old women, in fact: the Furies (or the Erinyes, in Greek). Fragments of myth featuring the Furies are found in the earliest records of ancient Greek culture. These sisters were much more ancient than any of the Olympian deities, indicating the persistence of an older, female-dominated tradition which endured here and there even when later, more patriarchal, mythologies set in. The role of the Furies was to preside over complaints brought to them by humans about behavior that was thought to be intolerable: from lesser misdemeanors such as the insolence of the young to the aged, of children to parents, of hosts to guests — to crimes that were very much worse. It was their role to punish such crimes by relentlessly hounding their perpetrators. The Greek poet Hesiod names the three sisters as Alecto — “unceasing in anger,” the punisher of moral crimes; Megaera — “jealous one,” the punisher of infidelity, oath-breaking, and theft; and Tisiphone — “avenger of murder.” They were, he said, the daughters of Gaea (the goddess who personified the Earth), who conceived them from the blood of her spouse, Uranus, after he had been castrated by his son, Cronos. They lived in the Underworld, and like other chthonic deities, like seeds that lie buried beneath the Earth, they were also identified with its fertility. The wrath of the Furies manifested itself in a number of ways: a tormenting madness would be inflicted on the perpetrator of a patricide or matricide; murderers usually suffered a dire disease, and nations which harbored such criminals could be stricken with famine and plague. The Furies could only be placated with ritual purification, and the completion of a task specifically assigned by them for atonement. It’s important to understand that although the Furies were feared, they were also respected and perceived to be necessary: they represented justice, and were seen to be defenders of moral and legal order. The Furies were portrayed as the foul-smelling, decidedly haggish possessors of bat-like wings, with black snakes adorning their hair, arms, and waists, and blood dripping from their eyes. And they carried brass-studded scourges in their hands. In my menopausal years, I certainly had days when I could have gone with that look. I’m happy to admit that the existence of seriously not-to-be-messed-with elder women like the Furies in our oldest European mythology gives me great pleasure. And it’s difficult not to see them as the perfect menopausal role models, because sudden upwellings of (mostly righteous) anger are a feature of many women’s experience of menopause
Sharon Blackie (Hagitude: Reimagining the Second Half of Life)
Jenks and I stood there like statues watching him twitch, his eyes rolling up in his head. He clutched at his clothes pulling the wooden pole they hung from down on top of him. Slowly his right hand came scrambling out away from his body to clutch at my left leg. Without thinking I shoved my crucifix at him and he pulled his hand back with a hiss, shielding his face again. As quickly as I could, I dug my tubes of Holy Water out of my coat pocket and emptied them on his head. He shrieked again and clawed at his face. Jenks followed suit, pouring his two vials on Skorzeny's body and legs. Skorzeny started to foam and bubble before our eyes. I was paralyzed. I couldn't quite believe what was happening. Those books hadn't described any of this. I was feeling dizzy and sick. The shrieks turned to groans and a gurgling deep in his throat. He pulled his hands away from his face and it looked like the disintegrating Portrait of Dorian Gray. I looked over to Jenks who had an odd expression on his face. I looked over to Jenks who had on odd expression on his face. He motioned to me and reached for my left hand which, I noticed, was still clutching the airline hag with the stake and hammer in it. I dropped it and he grabbed it off the floor, moving over to the smoking form still squirming in the closet which smelled even more foul than before, and oozing a greenish yellow pus from the crumpled clothing on his scarecrow frame. Jenks looked back at me and handed me the stake and hammer. 'Go ahead. This was your idea. Finish it.' I declined, turning away. Jenks spun me around violently and thrust the stake into my left hand. He pushed me toward what was left of Skorzeny and forced me to my knees. He forced my hand toward Skorzeny, positioning the stake over the man's chest. Then he stuck the hammer in my right hand. 'Do it, you gutless sonofabitch. Finish it... now!' And he stepped away. I looked at him and back at Skorzeny. Then I gave one vicious swing and hit the stake dead center. The thing made a gurgling grunt, like a pig snuffling for food, and started to regurgitate a blackish fluid from its mouth. I closed my eyes, took a deep breath and hit the stake three more times. Then I fell back and threw up. When I looked back, Skorzeny's hands, or what was left of them, clutched at the stake trying to pull it out. Suddenly, he emitted a kind of moaning, sucking sound, gagged and more bile-colored liquid flecked with black and red came coiling up in a viscous rope like some evil worm from his mouth. And he stopped moving, his hands still clutching the stake. Then a sort of gaseous mist started to rise from his body and it was so much worse than the original smell that I pushed Jenks aside and ran from the house. I ran all the way to a patrol car where I slumped against the left front wheel as Jenks slowly strolled toward me. He walked past me, ignoring me, and opened his trunk, taking out a couple of small gas cans, and headed back to the house. I wasn't paying much attention until he left the house again and I saw it was aflame.
Jeff Rice (The Night Stalker)
When Oliver called time a few moments later, she’d beaten them all. But she’d beaten Mr. Pinter by only one bird. “It appears, Lady Celia, that you’ve won a new rifle,” the duke said graciously. “No,” she answered. They all stared at her. “It doesn’t seem sporting to win a challenge only because one of my opponents had a faulty firearm. Which we provided to him, by the way.” “Don’t worry,” Mr. Pinter drawled. “I won’t hold the fault firearm against you and your brothers.” “That’s not the point. This should be fair, and it isn’t.” “Then we’ll move forward,” Oliver said, “and let the servants flush the grouse again. Pinter can take one more shot. That’s probably all that the misfire delayed him by. If he misses, then you’ve won squarely. If he hits his target then it’s a tie, and we’ll decide a tie breaker.” “That seems fair.” She glanced over at Mr. Pinter. “What do you say, sir?” “Whatever my lady wishes.” His eyes met hers in a heated glance. She had the unsettling feeling that he referred to more than just the shooting. “Well, then,” she said lightly. “Let’s get on with it.” The beaters headed forward to flush the grouse, but either because of where the grouse had last settled or because of the beaters’ position, the birds rose farther away than was practical. “Damn it all,” Gabe uttered. “He won’t make a shot from here.” “You can ignore this one, and we’ll have them flushed again,” Celia said. But Mr. Pinter raised his gun to follow their flight. With a flash and the repugnant smell of black powder igniting, the gun fired and white smoke filled the air. She saw a bird fall. No, not one bird. He’d hit two birds with an impossible shot. Her breath lodged in her throat. She’d hit two with one shot a few times, due to how they clustered and how well the birdshot scattered, but to do it at such a distance… She glanced at him, astonished. No one had ever beaten her-and certainly not with such an amazing shot. Mr. Pinter gazed at her steadily as he handed off the gun to a servant. “It appears that I’ve won, my lady.” Her mouth went dry. “It does indeed.” Gabe hooted pleased at having escaped buying her a rifle. The duke and the viscount scowled, while Devonmont just looked amused as usual. All of that fell away as Mr. Pinter’s gaze dropped to her mouth. “Well done, Pinter,” Oliver said, clapping him on the shoulder. “You obviously more than earned a kiss.” For a moment, raw hunger flickered in his eyes. Then it was as if a veil descended over his face, for his features turned blank. He walked up to her, bent his head… And kissed her on the forehead. Hot color flooded her cheeks. How dared he kiss her last night as if she were a woman, and then treat her like a child in front of her suitors! Or worse, a woman beneath his notice! “Thank heavens that’s done,” she said loftily, trying to retain some dignity. The men all laughed-except Mr. Pinter, who watched her with a shuttered expression. As the other gentleman crowded round to congratulate him on his fine shot, she plotted. She would make him answer for every remark, every embarrassment of this day, as soon as she had the chance to get him alone. Because no man made a fool of her and got away with it.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Almost a decade ago, I was browsing in a Barnes & Noble when I came across a book called Route 666: On the Road to Nirvana. It was a music book about a band I liked, so I started paging through it immediately. What I remember are two sentences on the fourth page which discussed how awesome it was that 'Smells Like Teen Spirit' was on the radio, and how this was almost akin to America electing a new president: 'It's not that everything will change at once,' wrote the author, 'it's that at least the people have voted for better principles. Nirvana's being on the radio means my own values are winning: I'm no longer in the opposition.' I have never forgotten those two sentences, and there are two reasons why this memory has stuck with me. The first reason is that this was just about the craziest, scariest idea I'd ever stumbled across. The second reason, however, is way worse; what I have slowly come to realize is that most people think this way all the time. They don't merely want to hold their values; they want their values to win. And I suspect this is why people so often feel 'betrayed' by art and consumerism, and by the way the world works. I'm sure the author of Route 666 felt completely 'betrayed' when Limp Bizkit and Matchbox 20 became superfamous five years after Cobain's death and she was forced to return to 'the opposition' ...If you feel betrayed by culture, it's not because you're right and the universe is fucked; it's only because you're not like most other people. But this should make you happy, because—in all likelihood—you hate those other people, anyway. You are being betrayed by a culture that has no relationship to who you are or how you live... Do you want to be happy? I suspect that you do. Well, here’s the first step to happiness: Don’t get pissed off that people who aren’t you happen to think Paris Hilton is interesting and deserves to be on TV every other day; the fame surrounding Paris Hilton is not a reflection on your life (unless you want it to be). Don’t get pissed off because the Yeah Yeah Yeahs aren’t on the radio enough; you can buy the goddamn record and play “Maps” all goddamn day (if that’s what you want). Don’t get pissed off because people didn’t vote the way you voted. You knew that the country was polarized, and you knew that half of America is more upset by gay people getting married than it is about starting a war under false pretenses. You always knew that many Americans worry more about God than they worry about the economy, and you always knew those same Americans assume you’re insane for feeling otherwise (just as you find them insane for supporting a theocracy). You knew this was a democracy when you agreed to participate, so you knew this was how things might work out. So don’t get pissed off over the fact that the way you feel about culture isn’t some kind of universal consensus. Because if you do, you will end up feeling betrayed. And it will be your own fault. You will feel bad, and you will deserve it. Now it’s quite possible you disagree with me on this issue. And if you do, I know what your argument is: you’re thinking, But I’m idealistic. This is what people who want to inflict their values on other people always think; they think that there is some kind of romantic, respectable aura that insulates the inflexible, and that their disappointment with culture latently proves that they’re tragically trapped by their own intellect and good taste. Somehow, they think their sense of betrayal gives them integrity. It does not. If you really have integrity—if you truly live by your ideals, and those ideals dictate how you engage with the world at large—you will never feel betrayed by culture. You will simply enjoy culture more.
Chuck Klosterman (Chuck Klosterman IV: A Decade of Curious People and Dangerous Ideas)
It was like a page out of the telephone book. Alphabetically, numerically, statistically, it made sense. But when you looked at it up close, when you examined the pages separately, or the parts separately, when you examined one lone individual and what constituted him, examined the air he breathed, the life he led, the chances he risked, you saw something so foul and degrading, so low, so miserable, so utterly hopeless and senseless, that it was worse than looking into a volcano. Outwardly it seems to be a beautiful honeycomb, with all the drones crawling over each other in a frenzy of work; inwardly it’s a slaughterhouse, each man killing off his neighbor and sucking the juice from his bones. Superficially it looks like a bold, masculine world; actually it’s a whorehouse run by women, with the native sons acting as pimps and the bloody foreigners selling their flesh... The whole continent is sound asleep and in that sleep a grand nightmare is taking place… At night the streets of New York reflect the crucifixion and death of Christ. When the snow is on the ground and there is the utmost silence there comes out of the hideous buildings of New York a music of such sullen despair and bankruptcy as to make the flesh shrivel. No stone was laid upon another with love or reverence; no street was laid for dance or joy. One thing has been added to another in a mad scramble to fill the belly, and the streets smell of empty bellies and full bellies and bellies half full. The streets smell of a hunger which has nothing to do with love; they smell of the belly which is insatiable and of the creations of the empty belly which are null and void. Just as the city itself had become a huge tomb in which men struggled to earn a decent death so my own life came to resemble a tomb which I was constructing out of my own death. I was walking around in a stone forest the center of which was chaos; sometimes in the dead center, in the very heart of chaos, I danced or drank myself silly, or I made love, or I befriended some one, or I planned a new life, but it was all chaos, all stone, and all hopeless and bewildering. Until the time when I would encounter a force strong enough to whirl me out of this mad stone forest no life would be possible for me nor could one page be written which would have meaning… Everybody and everything is a part of life... As an individual, as flesh and blood, I am leveled down each day to make the fleshless, bloodless city whose perfection is the sum of all logic and death to the dream. I am struggling against an oceanic death in which my own death is but a drop of water evaporating. To raise my own individual life but a fraction of an inch above this sinking sea of death I must have a faith greater than Christ’s, a wisdom deeper than that of the greatest seer. I must have the ability and the patience to formulate what is not contained in the language of our time, for what is now intelligible is meaningless. My eyes are useless, for they render back only the image of the known. My whole body must become a constant beam of light, moving with an ever greater rapidity, never arrested, never looking back, never dwindling. The city grows like a cancer; I must grow like a sun. The city eats deeper and deeper into the red; it is an insatiable white louse which must die eventually of inanition. I am going to starve the white louse which is eating me up. I am going to die as a city in order to become again a man. Therefore I close my ears, my eyes, my mouth. Infinitely better, as life moves toward a deathly perfection, to be just a bit of breathing space, a stretch of green, a little fresh air, a pool of water. Better also to receive men silently and to enfold them, for there is no answer to make while they are still frantically rushing to turn the corner.
Henry Miller (Tropic of Capricorn (Tropic, #2))
Kotov looked like an abandoned statue on the beach in the Plaza de Cataluna. The spring was at is height and the warm un bathed the city. The adviser, with his face slightly raised, was receiving the heat like a lizard slothful from the rays that were injecting him with life. He had even taken off his jacket and the printed kerchief he regularly wore after Ramon sat down at his side. 'What a marvelous country!' he said at last, and smiled. 'I could live here for the rest of my life.' 'Despite the Spaniards?' 'Precisely because of you. Where I come from, the people are like stones. You are all flowers. My country smells like smoked herring and hops; here it smells of olive oil and wine.' 'Your pals say we're primitive and practically dumb.' 'Don't pay too much attention to those lunatics. They confuse ideology with mysticism, and they are no more than walking machines - worse still, they're fanatics. Here they make themselves look tough, but you should see them when Moscow calls for them... Na khuy. They shit themselves. Don't look to them as an example; you don't want to be like them. You can be so much more.' p. 162
Leonardo Padura (El hombre que amaba a los perros)
She fell asleep within minutes, unaware that the rain that had been falling since evening had turned to sleet, or that the roads were becoming impassable. As she slept, she began to dream, but instead of a continuous scene, it consisted of images flashing through her mind, like looking at old pictures in an album. Cat was sitting at the kitchen table. Her mother was standing beside her, laughing as she set a birthday cake in front of her. There were four candles on her cake, and her daddy was taking a picture. “Smile,” he’d said. She looked up just as the flash went off. She was still blinking from the flash when the image shifted. It was cold. The blowing wind burned her skin. She was at a cemetery, staring down at a small, flat marker. Cat couldn’t read, but somehow she knew it bore hermother’s name. She could hear her father crying. It scared her worse than the fact that her mother had gone away. “Daddy…where did she go?” “Heaven.” “Is it far?” “Yes.” “Can we go, too?” She never heard his answer, because the image shifted again. This time, she was being led through a long series of hallways. The smell of orange oil from wood polish burned her nose. The sound of her footsteps echoed on the tiled floors. Yesterday she’d been in the hospital. She’d asked to go home. But someone had told her she couldn’t go home because there was no one left to take care of her. The horror of that knowledge had frightened her so much that she’d been afraid to ask what came next. She walked through an open door as a woman said her name. The woman took her by the hand, and they walked away. She couldn’t see the woman’s face. She never remembered the faces, and it didn’t matter, because they never stayed the same.
Sharon Sala (Nine Lives (Cat Dupree, #1))
Do you, Damon Chroi, sovereign of the Goblin Kingdom, take this woman, Diana Piper, to be your queen and wife, to have and to hold from this day forward, for better or for worse, in times of angry gods and rogue goblins, in true name-induced death and in health, because she resurrected you - you lucky bastard - to love and to cherish even when she's more powerful than you and kicking your ass at everything you do, from this day forward until she can no longer stand the smell of rain? - Roman D'Angelo
Heather Killough-Walden (The Goblin King (The Kings, #4))
Was Zeb asking if Silver wanted to come home with him? He had to squeeze the pad hard against his scrape so the pain would shut away the idea of climbing into Zeb’s bed. The most horrible part was realizing the longing wasn’t centered in Silver’s dick, but higher. Something hollow right below his ribs, like the constant gnaw of hunger he remembered from when he’d been living on the street. The thought of being pressed up close to Zeb’s skin, the familiar arms around him, the brush of hair against his neck. The idea hurt worse than when Silver had smelled fried food back then. Because there was no way he was ever going to be able to feed this rumble of want. “Oh. Back to Quinn’s. I’m still staying with them.
K.A. Mitchell (Bad Influence (Bad in Baltimore, #4))
She doesn’t stick around long before trudging back to her room and slamming the door behind her. Snatching a new cigarette and her lighter, she lights it up, the glow illuminating her face. She sits on the couch and stares at the ceiling, legs crossed. I wonder if I’m somewhere worse than the Plant. Gray tendrils cloud her vision and she falls asleep to the smell of nicotine and water.
Taylor O'Donnell (Blue Memories)
Cup check," she heard Bradley Grayson, an arrogant freshman lacrosse player, yell as he slammed his forearm, without warning, into Sam Wolfe's groin. Sam, naked, bent over and clutched himself, thrusting his large, pale, Sasquatch-like hairy, pimply ass right in her face. This was every girl's greatest fear come to life. The Gates of Hell had opened. She would never, she thought, be allowed to enjoy a moment's pleasure without an eternity of pain in exchange. For little Damen, she'd have to endure a LOT of Sam. The metaphor was not lost of Charlotte. And it got worse. As Same clenched, a tiny involuntary puff of sulfurous gas escaped. For the first time ever, she was glad to be dead, for no other reason than his butt smelled as bad as it looked..... Was it even possible to die twice?
Tonya Hurley (Ghostgirl (Ghostgirl, #1))
Nothing smelled worse than the death of another human being. Not horses or cattle or rotten whales washed onto a beach. Human death was the smell of what hid in the future, waiting for you.
Robert Crais (The Watchman (Elvis Cole, #11; Joe Pike, #1))
Tissue gas was an embalmer’s worst nightmare - a highly infectious form of bacteria that thrived on dead tissue and released a noxious gas inside the body. Smell was usually the easiest way to detect it, but sometimes, as with this body, the smell was buried under other chemicals, and the only way to identify it was the ‘skin-slip’ Mom had found on the back, where interior gas bubbles separated the skin from the muscle. The gas itself was bad enough, because the stink would soon become so foul it would be all but impossible to cover up; that didn’t reflect well on us when people showed up for the viewing. Even worse than the gas though, were the bacteria that made it. Once they got into your workspace, you might never get them out again. If we didn’t put a stop to this right now, every body we embalmed would catch the same bacteria from our tools and table. It could destroy the entire business.
Dan Wells (Mr. Monster (John Cleaver, #2))
Keri answered the door, looking frazzled and not having the best hair day he’d ever seen. “Hi, Sean. I was just thinking, gee, I need more Kowalskis in my life right now.” He laughed and stepped into the big foyer. “Baby acting up?” “I thought the Kowalski men were royal pains in the ass—no offense—but you guys have nothing on the girls.” “Joe writing?” She blew out a sharp breath and put her hands on her hips. “No. Joe is pretending to write so I won’t dump Brianna in his lap, but he’s probably playing some stupid game.” From the other room came a pissed-off howl that Sean hoped was their daughter and not a wild animal foraging for table scraps. “So he’s in his office?” Keri nodded and waved a hand in that direction before making a growling sound and heading off to appease her daughter. Welcome to the jungle, he mused before heading to Joe’s office. He rapped twice on the door, then let himself in. Joe looked up with a guilty start and Sean knew his wife had him all figured out. “She knows you’re only pretending to write so you don’t have to deal with the kid.” “You know what really sucks? Everybody keeps saying to just wait till she’s older. Like it gets worse. How can it get worse?” Sean lifted his hands in a “don’t ask me” gesture. “For years I’ve been writing about boogeymen and the evil that lurks in the hearts of men. I had no idea there’s nothing scarier than a baby girl.” Sean laughed. “She can’t be that bad. What does she weigh? Ten pounds?” “Fifteen. But it’s fifteen pounds of foul temper and fouler smells. Trust me.” “I’ll take your word for it.” Joe leaned back in his leather office chair and sighed. “Let’s talk about your life. She still on the couch?” “Yes, she is.” “Good. I said you’d last three weeks.” Maybe, but Sean wouldn’t bet on it. Or he shouldn’t have bet on it, anyway. Especially a whole month. His balls ached just thinking about it. “You guys come up with a plan for the kids for Saturday yet?” “Yeah, but it’s going to cost you.” “Not a problem. I’ll just take it out of all the money I’m going to collect from you idiots at the end of the month.” Joe grinned. “You keep telling yourself that, buddy.” He was. With as much oomph as he could muster. And he’d probably keep telling himself that up to the minute he got Emma naked.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
He took this door differently, turning the knob slowly, easing the door open, standing off to the side. The smell intensified, but even worse than that, he heard a soft, unpleasant noise, something he couldn’t identify but he instantly hated. He didn’t want to hear it, wanted to run away from it. It was a kind of card-shuffling sound, real low, lots of little sounds joined together, one after the other, but it wasn’t hard-edged like with cards. It was wetter, softer around the edges, and constant. Jordan peeked inside, his heart hammering worse than it had even when he was on the firing step, waiting for the word, for the whistles, to go over and up into the shrieking, machine-gun-drumming terror of an assault… There was a body on the narrow bed. A woman. Probably. She had been wearing a nightdress, which had been white, and was now uniformly a faded pink, and shredded into fragments. Things moved on the body. Insects, Jordan thought. Or worms. Or something…his eyes and brain couldn’t process what he was seeing. Lots of tiny things roiling across what was now just a lump of meat, the skin long since gone, half the flesh, too, and even the bones diminished, foreshortened… Eaten. Jordan choked back the bile in his throat as he worked out what he was seeing.
Ellen Datlow (Final Cuts: New Tales of Hollywood Horror and Other Spectacles)
It began to rain, but the sound didn’t soothe him. The rain wasn’t for him; it was for other people in this foreign country. The sky wasn’t so dark any more, and that sent a disagreeable chill through him. Because he was unable to go on, his disgust, his exasperation, suddenly struck him as LAZINESS, and because his laziness made feel guilty, his nausea became worse than ever, but he was longer convinced, as he had been, that it was justified. (…. )THINGS, at least, were comforting that morning: the hot water of the shower on his belly, he wished he could stay under it forever; the soft towel, in which he suddenly smelled the vinegar his hair had been rinsed in years before in another country. He decided not to shave. That was a decision and it relieved him. Then he shaved after all and strode through the apartment, proud of this second decision.
Peter Handke (A Moment of True Feeling)
Seriously, I only had two bags to last me a whole term in this place. This lame place had even lamer rules about our clothes. Apparently, we were only allowed to wear what we wanted after lessons on weekdays and on a Sunday after church. Even worse than the fact I had to wear a hideous uniform and go to church…was the fact that they had school lessons on a Saturday!!! I left dad lugging the suitcases and followed mom into the high ceilinged, musty smelling entrance. Portraits of stern-faced looking men and women filled the walls. “Jeez.” I rolled my eyes. It was official, this place was more like a prison than a school.
Katrina Kahler (The Initiation (WILD CHILD #1))
no man was permitted to smell worse than his horse
Jonathan Renshaw (Dawn of Wonder (The Wakening, #1))
I’m sure you have heard it said that appearance does not matter so much, and that it is what’s on the inside that counts. This is, of course, utter nonsense, because if it were true then people who were good on the inside would never have to comb their hair or take a bath, and the whole world would smell even worse than it already does. Appearance matters a great deal, because you can often tell a lot about people by looking at how they present themselves.
Lemony Snicket (The Miserable Mill (A Series of Unfortunate Events, #4))
Misty stopped first. I took a couple more steps before turning to face her. "Come on." I'd seen that look in her eyes twice today. Instantly, knots welled up in my stomach. "Miss, what's up?" "Aaahh!" Her voice shook. "What the—" I spun back around, thinking I knew what to expect. It had to be the guy who killed the dog. Even the mayor wouldn't freak Misty out like that. The fur dangling from his bloody lips told me I was right, except it wasn't a guy. Whatever he or it was, one thing was sure, it was way past its expiration date. I stepped into the shadow of a tall building so I could see the thing. Skinless, every inch covered in a sticky grayish-brown slime, like charcoal mixed with molasses. And the smell—burnt hair and rotten mayonnaise—even worse than the dumpster behind Harry's Indian and Sushi Hut. I stood looking at it, completely freaked out. Then it dawned on me that it might be a good idea to get the heck out of there.
M.J.A. Ware (Super Zombie Juice Mega Bomb (A Zombie Apocalypse Novel Book 1))
leaders.’ Nebe snorted and went back round his desk. ‘You’re going to have to watch your mouth, Bernie,’ he said, half-amused. ‘Get to the funny bit.’ ‘Well, it’s this. A number of recent reports, complaints if you like, made to Kripo by those related to institutionalized people leads me to suspect that some sort of mercy-killing is already being unofficially practised.’ I leant forward and grasped the bridge of my nose. ‘Do you ever get headaches? I get headaches. It’s smell that really sets them off. Paint smells pretty bad. So does formaldehyde in the mortuary. But the worst are those rotten pissing places you get where the dozers and rum-sweats sleep rough. That’s a smell I can recall in my worst nightmares. You know, Arthur, I thought I knew every bad smell there was in this city. But that’s last month’s shit fried with last year’s eggs.’ Nebe pulled open a drawer and took out a bottle and two glasses. He said nothing as he poured a couple of large ones. I threw it back and waited for the fiery spirit to seek out what was left of my heart and stomach. I nodded and let him pour me another. I said: ‘Just when you thought that things couldn’t get any worse, you find out that they’ve always been a lot worse than you thought they were. And then they get worse.’ I drained the second glass and then surveyed its empty shape. ‘Thanks for telling me straight, Arthur.’ I dragged myself to my feet. ‘And thanks for the warmer.’ ‘Please keep me informed about your suspect,’ he said. ‘You might consider letting a couple of your men work a friend-and-foe shift on him. No rough stuff, just a bit of the old-fashioned psychological pressure. You know the sort of thing I mean. Incidentally, how are you getting on with your team? Everything working out there? No resentments, or anything like that?’ I could have sat down again and given him a list of
Philip Kerr (Berlin Noir: March Violets / The Pale Criminal / A German Requiem)
This visual of two different worlds and planes of existence converging on a mountain top was actually quite amazing and eye opening to witness. The “haves” and the “have nots.”  It gave me a new perspective. More perspective than I feel I’d gained on the journey so far. People simply don’t know how good they have it, even when things seem terrible or difficult. Although I’d chosen to do this hike and live this way temporarily, I understood there were people out there who lived like this permanently, without any choice, while in much worse conditions and circumstances. Any Dick and Jane can say, “Yeah, I know there are people out there who live like that, and I understand and feel sorry for them.” I’m sure some people reading this are thinking that same thing. I’ll tell you right now, I’ve been to third world countries and you can see it, sympathize with it, and think you understand it; but in reality, you may not. Not until you’ve experienced and lived it for yourself. I thought I understood it simply by seeing it, but it wasn’t until I’d lived parts of that “have not” experience, that I realized just how much I didn’t understand it. Defecating outside and maybe not having toilet paper. Sleeping outside, not having running water or hot water, not having showers, and being miles from the nearest help. Not having whatever you want to eat every day or possibly running out of food, or not finding water. Not having electricity, not having climate control, and having your feet as your only means of transportation. Dealing with any and all elements whenever they should arise, as well as having limited hygiene products and smelling terrible every day. This only scratches the surface. I won’t pretend to know exactly what it’s like for people who are stuck in this lifestyle permanently, but in making this journey I certainly gained a much better understanding. I knew that even though it was the life I’d chosen to live at that time, I still had it better than probably half the people on the planet. I could get a reprieve (for a price) anytime I went into town. I could end any suffering, discomfort, and pain I experienced on any day I chose... but I didn’t.  I was enjoying the experience and perspective I was gaining on an almost daily basis. The time for personal reflection and the thousands of moments I had each day that belonged to me and only me was intoxicating. The whole experience was surreal, yet at the same time more real than anything in the modern world. Everything around you out there “is what it is” and isn’t trying to be anything else. It’s simple and honest, which is more than can be said for the “modern” world, where many things are never as they seem, and most everybody wants something from you. 
Kyle Rohrig (Lost on the Appalachian Trail (Triple Crown Trilogy (AT, PCT, CDT) Book 1))
- Joey, no situation is entirely unworkable. People have gone through worse bad-rapping than that, and come up smelling like roses. The Shaggy Average American Man Story
Robert Sheckley
The worst part about wearing the salvaged CBRN suit from the dead soldier wasn’t the blood. No, it was the stench of the man’s cologne. The musky scent was worse than the rotten smell of Variants. Who fucking wears cologne in the apocalypse, anyway?
Nicholas Sansbury Smith (Extinction Aftermath (The Extinction Cycle #6))
Still feel sick?” Cullyn said. “I don’t. I didn’t think blood would smell like that.” “Well, it does, and it runs like that, too. Why do you think I didn’t want you riding with us?” “Did you know someone would get killed?” “I was hoping I could stop it, but I was ready for it. I always am, because I have to be. I truly did think those lads would break sooner than they did, you see, but there was one young wolf in the pack of rabbits. Poor bastard. That’s what he gets for his honor.” “Da? Are you sorry for him?” “I am. I’ll tell you something, my sweet, that no other man in Deverry would admit: I’m sorry for every man I ever killed, somewhere deep in my heart. But it was his Wyrd, and there’s nothing a man can do about his own Wyrd, much less someone else’s. Someday my own Wyrd will take me, and I’ve no doubt it’ll be the same one I’ve brought to many a man. It’s like a bargain with the gods. Every warrior makes it. Do you understand?” “Sort of. Your life for theirs, you mean?” “Just that. There’s nothing else a man can do.” Jill began to feel better. Thinking of it as Wyrd made it seem clean again. “It’s the only honor left to me, my bargain with my Wyrd,” Cullyn went on. “I told you once, never dishonor yourself. If ever you’re tempted to do the slightest bit of a dishonorable thing, you remember your father, and what one dishonor brought him—the long road and shame in the eyes of every honest man.” “But wasn’t it your Wyrd to have the dagger?” “It wasn’t.” Cullyn allowed himself a brief smile. “A man can’t make his Wyrd better, but it’s in his hands to make it worse.
Katharine Kerr
But the thing that I remember most about our first meeting was the discussion about marijuana and the changing attitudes about its use and regulation. We speculated about why there hadn’t been appreciable movement toward legalizing recreational cannabis in the southern portion of the United States. At the start of 2016, weed was legal for adult use in four states: Alaska, Colorado, Oregon, and Washington. By the end of that year, four more states had legalized the drug: California, Maine, Massachusetts, and Nevada. None of these states had a black population as high as the national average of 12 percent. By contrast, the proportion of black citizens living in many southern states is larger than the national average, and cops in these regions routinely cite the smell of cannabis as justification for stopping, searching, or detaining black people. Judge Schneider speculated that the law-enforcement community and their supporters would vigorously oppose any legislation seeking to liberalize cannabis laws because they were acutely aware that claiming to detect the weed’s odor is one of the easiest ways for officers to establish probable cause, and judges almost never question the testimony of cops. What’s worse, there have been countless cases during which officers cited the fictitious dangers posed by cannabis to justify their deadly actions. On July 6, 2016, in St. Anthony, Minnesota, officer Jeronimo Yanez shot and killed Philando Castile, a defenseless black motorist, as his girlfriend and young daughter watched helplessly. Castile informed the officer that he had a firearm on him, for which he had a permit. But within a matter of seconds, Yanez had fired seven slugs into Castile for no apparent reason. The smell of weed, Yanez claimed, constituted an apparent imminent danger. He was acquitted of manslaughter.
Carl L. Hart (Drug Use for Grown-Ups: Chasing Liberty in the Land of Fear)
Nor did he smell any worse, even now, to these humans, than many humans had smelled to Lad’s tormented senses, again and again, with their sickening perfumes and tobacco and booze! Lad had borne all that—though he loathed it—for the sake of being near those he loved. Yet when, through no desire of his own, he chanced to be malodorous, they ordered him from them in disgust!
Albert Payson Terhune (Lad of Sunnybank)
She curls tightly to me kissing me on the lips and cheeks, her body skin to skin to mine, she’s kind of- like- a hyper puppy… you know- wet nose, big sad eyes, giving you lots of unwanted wet kisses, and can’t sit in one place for too long. Now she is pulling on my necklace, the one I am always wearing has my dad’s wedding ring hanging from it-a thin silver chain and the gold band hanging from it, a gift dad gives me- saying- ‘He loves me more than mom, that I am the love of his life.’ Yet sis tugs gently to get my full attention. I ask here- ‘Why are you not wearing your undies?’ And she baby- talks without missing a beat- ‘Be- because you don’t at night so-o why should I’s.’ I knew not too long from now she would be running around the house stark-naked like always, saying it’s because I sleep this way. I am sure mom will say I am a bad role model, but yet there are far worse things she has done, things that mom and dad never need to know about, things that I can even remember right now. If she wants to be in my bad nude, will- I guess that’s okay…? She is just trying to be like me, and that’s sweet. I have saved her butt many times when she has done bad things. I have been like a mom to her, ever since she was born if I wanted to be or not. And she has been there for me when I was a nobody. Yeah, she’s the best pain in the butt a girl can have. ‘Mommy says you have to get up soon, her hand covering her eyes as she walks my room and sees both of us.’ Her breath smells like toothpaste, as she kisses us good morning, and she stumbles over all the stuff lying on the floor and it’s not until I push sis off me that I realize how badly I’m shaking. Mom, she has one of those green face masks sped up, which is some scary-looking crap, pulls she has curlers in her hair. Yet that’s not what’s got me traumatized. ‘It’s Friday,’ I say confused. I thought we were going to the rusty anchor today? Mom said- ‘I thought you didn’t like doing that Karly that you’re too grown up to be with your mommy and Daddy and sissy… always- yes we are all going this upcoming weekend, glad to see you want to go.’ I said- ‘Oh- okay?’ Mom- ‘Karly are you feeling, okay? Are you not your usual descent and moody self? Me- ‘Yah I am a fine mom.’ I have no idea how I got home last night, or what I did or didn’t do. It’s like it never happened, yet I think it did… didn’t it? Maybe I drink too much? Mom said- ‘Um-hum- come on you two bare cuddle bugs it’s getting late.’ Then- I remember getting in the car, with the girls and the fighting it was all coming back to me, as I see my sis run into her room, leaving her nighty behind on my bed. I knew that something looked different about her when I looked her over, I am starting to remember what Ray did to her last night. Yet she seems to be taking it so well- so strange. I have no idea what happened to Jenny or Maddie or Liv, and just thinking about it makes me awful sick, pissed, and yet so worried. I put my feet on the ground, first on my fuzzy shaggy throw rug, and then I step forward feeling the hard would under my feet. The cold wood reminds me. When I was younger, I would lie on the floor all summer wishing I have some friends to spend my time with. Back then my only friend was my sis and my horse, I’m curious to do the same thing now, and reflect a bit on what the heck is going on- and also on how things have changed, I know my sis will be another half hour getting ready. And with me, all I have to do is jump in my outfit laying there on the floor. My skin feels so cold yet, yet on the inside, I feel scorching. Like- photos on Instagram, all these snapshots start scrolling, row after row in my mind. Seeing bits and pieces of what went down last night. My, I- phone starts vibrating on top of my bed until it falls off the edge hitting me square in the face making me jump two feet in the air. I reach for it and slide my finger over the cracked screen.
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
For Dads Helping Ease Her Quease Morning sickness is one pregnancy symptom that definitely doesn’t live up to its name. It’s a 24/7 experience that can send your spouse running to the bathroom morning, noon, and night—and hugging the toilet far more than she’ll be hugging you. So take steps to help her feel better—or at least not worse. Lose the aftershave that she suddenly finds repulsive, and get your onion ring fix out of her sniffing range (thanks to her hormones, her sense of smell is supersized). Fill her gas tank so she doesn’t have to come nose-to-nozzle with the fumes at the pump. Fetch her foods that quell her queasies and don’t provoke another run to the toilet. Good choices include ginger ale, soothing smoothies, and crackers (but ask first—what spells r-e-l-i-e-f for one queasy woman spells v-o-m-i-t for another). Encourage her to eat small meals throughout the day instead of 3 large ones (spreading out the load and keeping her tummy filled may ease her nausea), but don’t chide her for her food choices (now’s not the time to nag her about eating her broccoli). Be there for support when she’s throwing up—hold back her hair, bring her some ice water, rub her back. And remember, no jokes. If you were throwing up for weeks, you wouldn’t find it amusing. Not surprisingly, neither does she.
Heidi Murkoff (What to Expect When You're Expecting: (Updated in 2024))
OMG! What happened to Bob’s house? Did a hurricane come through here and take his house away? I was worried for Bob, but before I could deal with that issue, I needed to see Cindy first. The harsh, stinky smell filled the air. It reeked even worse now than ever before. It was the kind of smell where when it goes up your nose, it just brings tears to your eyes. Cough! Gag! Cough! Gah!
Steve the Noob (Diary of Steve the Noob 5 (An Unofficial Minecraft Book))
You said we’re not kids fumbling around in the back of a wagon, and you’re right. We’re in charge of our own gods-damned lives no matter how hard we’ve been kicked around. We can set the clock back however many years we like. It’s ours to set!” “This is crazy.” “No. Two weeks ago I was begging to die. That’s crazy. Two weeks ago I came this close, this close.” He held up a thumb and forefinger with no space at all between them. “I hit the black wall between this life and the next, believe me. I am through fucking around. Maybe this is going to complicate the hell out of things. So what? You’re the complication I want more than anything else. You’re my favorite complication. No matter what sort of holes you poke in my trust.” “You know, self-pity is the only thing that smells worse than four days of road sweat.” “Self-pity is about the only straw left to cling to after YOU happen to a fellow,” said Locke. “We can have this if we both want it. But you have to want it, too. This isn’t me trying to convince you of anything, unless …” “Unless?” “Unless some part of you is already convinced.” “Dinner,” she said softly. “And a contractual option for … subsequent complications. At your discretion.
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
Rhys smiled a bit, but the amusement died as he said, 'Tamlin was younger than me- born when the War started. But after the War, when he'd matured, we got to know each other at various court functions. He...' Rhys clenched his jaw. 'He seemed decent for a High Lord's son. Better than Beron's brood at the Autumn Court. Tamlin's brothers were equally as bad, though. Worse. And they knew Tamlin would take the title one day. And to a half-breed Illyrian who'd have to prove himself, defend his power, I saw what Tamlin went through... I befriended him. Sought him out whenever I was able to get away from the war camps or court. Maybe it was pity, but... I taught him some Illyrian techniques.' 'Did anyone know?' ... 'Cassian and Azriel knew,' Rhys went on. 'My family knew. And disapproved.' His eyes were chips of ice. 'But Tamlin's father was threatened by it. By me. And because he was weaker than both me and Tamlin, he wanted to prove to the world that he wasn't. My mother and sister were to travel to the Illyrian war-camp to see me. I was supposed to meet them halfway, but I was busy training a new unit and decided to stay.' My stomach turned over and over and over, and I wished I had something to lean against as Rhys said, 'Tamlin's father, brothers, and Tamlin himself set out into the Illyrian wilderness, having heard from Tamlin- from me- where my mother and sister would be, that I had plans to see them. I was supposed to be there. I wasn't. And they slaughtered my mother and sister anyway.' I began shaking my head, eyes burning. I didn't know what I was trying to deny, or erase, or condemn. 'It should have been me,' he said, and I understood- understood what he'd said that day I'd wept before Cassian in the training pit. 'They put their heads in boxes and sent them down the river- to the nearest camp. Tamlin's father kept their wings as trophies. I'm surprised you didn't see them pinned in the study.' I was going to vomit; I was going to fall to my knees and weep. ... Rhys merely continued. 'When I heard, when my father heard... I wasn't wholly truthful to you when I told you Under the Mountain that my father killed Tamlin's father and brothers, I went with him. Helped him. We winnowed to the edge of the Spring Court that night, then went the rest of the way on foot- tot he manor. I slew Tamlin's brothers on sight. I held their minds, and rendered them helpless while I cut them into pieces, then melted their brains inside their skulls. And when I got to the High Lord's bedroom- he was dead. And my father... my father had killed Tamlin's mother as well.' I couldn't stop shaking my head. 'My father had promised not to touch her. That we weren't the kind of males who would do that. But he lied to me, and he did it, anyway. And then he went for Tamlin's room.' I couldn't breathe- couldn't breathe as Rhys said, 'I tried to stop him. He didn't listen. He was going to kill him, too. And I couldn't... After all the death, I was done. I didn't care that Tamlin had been there, had allowed them to kill my mother and sister, that he'd come to kill me because he didn't want to risk standing against them. I was done with death. So I stopped my father before the door. He tried to go through me. Tamlin opened the door, saw us- smelled the blood already leaking into the hallway. And I didn't even get to say a word before Tamlin killed my father in one blow.' 'I felt the power shift to me, even as I saw it shift to him. And we just looked at each other, as we were both suddenly crowned High Lord- and then I ran.' He'd murdered Rhysand's family. The High Lord I'd loved- he'd murdered his friend's family, and when I'd asked how his family died, he'd merely told me a rival court had done it. Rhysand had done it, and- 'He didn't tell you any of that.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Rhys smiled a bit, but the amusement died as he said, 'Tamlin was younger than me- born when the War started. But after the War, when he'd matured, we got to know each other at various court functions. He...' Rhys clenched his jaw. 'He seemed decent for a High Lord's son. Better than Beron's brood at the Autumn Court. Tamlin's brothers were equally as bad, though. Worse. And they knew Tamlin would take the title one day. And to a half-breed Illyrian who'd had to prove himself, defend his power, I saw what Tamlin went through... I befriended him. Sought him out whenever I was able to get away from the war camps or court. Maybe it was pity, but... I taught him some Illyrian techniques.' 'Did anyone know?' ... 'Cassian and Azriel knew,' Rhys went on. 'My family knew. And disapproved.' His eyes were chips of ice. 'But Tamlin's father was threatened by it. By me. And because he was weaker than both me and Tamlin, he wanted to prove to the world that he wasn't. My mother and sister were to travel to the Illyrian war-camp to see me. I was supposed to meet them halfway, but I was busy training a new unit and decided to stay.' My stomach turned over and over and over, and I wished I had something to lean against as Rhys said, 'Tamlin's father, brothers, and Tamlin himself set out into the Illyrian wilderness, having heard from Tamlin- from me- where my mother and sister would be, that I had plans to see them. I was supposed to be there. I wasn't. And they slaughtered my mother and sister anyway.' I began shaking my head, eyes burning. I didn't know what I was trying to deny, or erase, or condemn. 'It should have been me,' he said, and I understood- understood what he'd said that day I'd wept before Cassian in the training pit. 'They put their heads in boxes and sent them down the river- to the nearest camp. Tamlin's father kept their wings as trophies. I'm surprised you didn't see them pinned in the study.' I was going to vomit; I was going to fall to my knees and weep. ... Rhys merely continued. 'When I heard, when my father heard... I wasn't wholly truthful to you when I told you Under the Mountain that my father killed Tamlin's father and brothers, I went with him. Helped him. We winnowed to the edge of the Spring Court that night, then went the rest of the way on foot- to the manor. I slew Tamlin's brothers on sight. I held their minds, and rendered them helpless while I cut them into pieces, then melted their brains inside their skulls. And when I got to the High Lord's bedroom- he was dead. And my father... my father had killed Tamlin's mother as well.' I couldn't stop shaking my head. 'My father had promised not to touch her. That we weren't the kind of males who would do that. But he lied to me, and he did it, anyway. And then he went for Tamlin's room.' I couldn't breathe- couldn't breathe as Rhys said, 'I tried to stop him. He didn't listen. He was going to kill him, too. And I couldn't... After all the death, I was done. I didn't care that Tamlin had been there, had allowed them to kill my mother and sister, that he'd come to kill me because he didn't want to risk standing against them. I was done with death. So I stopped my father before the door. He tried to go through me. Tamlin opened the door, saw us- smelled the blood already leaking into the hallway. And I didn't even get to say a word before Tamlin killed my father in one blow.' 'I felt the power shift to me, even as I saw it shift to him. And we just looked at each other, as we were both suddenly crowned High Lord- and then I ran.' He'd murdered Rhysand's family. The High Lord I'd loved- he'd murdered his friend's family, and when I'd asked how his family died, he'd merely told me a rival court had done it. Rhysand had done it, and- 'He didn't tell you any of that.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))