Diddy Quotes

We've searched our database for all the quotes and captions related to Diddy. Here they are! All 22 of them:

That's right. Uh-huh. Uh-huh," Nick said arrogantly. "You might know karate, boy, but I know gorilla, and I'm a level 40 champion in it. Let's hear it for Diddy Kong! Ew! Ew! Ew! Ew! Ew!" He mimicked the sound of a gorilla as he held on for dear life.
Sherrilyn Kenyon
What makes you think I’d know this woman?’ Hunter knew what he was trying to do. ‘Listen, P-Diddy . . .’ ‘D-King . . .’ ‘Whatever.
Chris Carter (The Crucifix Killer (Robert Hunter, #1))
Liv! The perpetrator has probably not returned to the scene of the crime. Pee Diddy is long gone by now.
Jesse Andrews (Me and Earl and the Dying Girl)
had been keeping Diddy, his pet tarantula, in an empty terra-cotta pot Helmut used to grow tulips. Hanna’s parents nervously stood up and walked over to the doctor. “Your daughter is still unconscious,” Dr. Geist said quietly. “Not much has changed.
Sara Shepard (Unbelievable (Pretty Little Liars, #4))
...for all that people have tried to abuse it and disown it. "feminism" is still the word we need. No other word will do. And let's face it, there has been no other word, save "Girl Power" -- which makes you sound like you're into some branch of Scientology owned by Geri Halliwell. That "Girl Power" has been the sole rival to the word "feminism" in the last 50 years is a cause for much sorrow on behalf of the women. After all, P. Diddy has had four different names, and he's just one man.
Caitlin Moran (How to Be a Woman)
What did he do to you, Diddy?’ Aunt Petunia said in a quavering voice, now sponging sick from the front of Dudley’s leather jacket. ‘Was it – was it you-know-what, darling? Did he use – his thing?’ Slowly, tremulously, Dudley nodded.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
my diddy said it was something wrong with any man that’ll sit down in a chair and read a book.
Donna Tartt (The Little Friend (Vintage Contemporaries))
And my dad, who was somehow still dead, did what he sometimes did―died again, seconds after my waking.
Jeannie Vanasco (The Glass Eye: A Memoir)
The conversation drifted to Puffy aka Sean aka P. Diddy, who had recently left Uptown Records, where he’d started as an intern, eventually becoming head of A&R. Now he already had his own record label, Bad Boy, and his star artist, the Notorious B.I.G., was all over the radio and beginning to spread all over a generation.
Mariah Carey (The Meaning of Mariah Carey)
In an interview I can’t seem to find, they asked Diddy, “when did you know you were successful?” He responded, “the first time I flew without luggage.” I always believed this would be incredible if we did this in our -ships (friendships, partnerships, intimate relationships, etc.). Imagine showing up with none of that STUFF weighing us down. We’d be free to move about the land and discover things new that’d cover us.
Darnell Lamont Walker
Perhaps we should wait outside in the hall, Dedalus,” murmured Hestia. She clearly felt that it would be tactless for them to remain in the room while Harry and the Dursleys exchanged loving, possibly tearful farewells. “There’s no need,” Harry muttered, but Uncle Vernon made any further explanation unnecessary by saying loudly, “Well, this is good-bye, then, boy.” He swung his right arm upward to shake Harry’s hand, but at the last moment seemed unable to face it, and merely closed his fist and began swinging it backward and forward like a metronome. “Ready, Diddy?” asked Aunt Petunia, fussily checking the clasp of her handbag so as to avoid looking at Harry altogether. Dudley did not answer, but stood there with his mouth slightly ajar, reminding Harry a little of the giant, Grawp. “Come along, then,” said Uncle Vernon. He had already reached the living room door when Dudley mumbled, “I don’t understand.” “What don’t you understand, popkin?” asked Aunt Petunia, looking up at her son. Dudley raised a large, hamlike hand to point at Harry. “Why isn’t he coming with us?” Uncle Vernon and Aunt Petunia froze where they stood, staring at Dudley as though he had just expressed a desire to become a ballerina. “What?” said Uncle Vernon loudly. “Why isn’t he coming too?” asked Dudley. “Well, he--he doesn’t want to,” said Uncle Vernon, turning to glare at Harry and adding, “You don’t want to, do you?” “Not in the slightest,” said Harry. “There you are,” Uncle Vernon told Dudley. “Now come on, we’re off.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Diddy, not really alive, had a life. Hardly the same. Some people are their lives. Others, like Diddy, merely inhabit their lives. Like insecure tenants, never knowing exactly the extent of their property or when the lease will expire. Like unskilled cartographers, drawing and redrawing erroneous maps of an exotic continent. Eventually, for such a person, everything is bound to run dow. The walls sag. Empty spaces bulge between objects. The surfaces of objects sweat, thin out, buckle. The hysterical fluids of fear deposited at the core of objects ooze out along the seams. Deploying things and navigating through space becomes laborious. Too much effort to amble from kitchen to living room, serving drinks, turning on the hi-fi, pretending to be cheerful . . . Everything running down: suffusing the whole of Diddy's well-tended life. Like a house powered by one large generator in the basement. Diddy has an almost palpable sense of the decline of the generator's energy. Or, of the monstrous malfunctioning of that generator, gone amok. Sending forth a torrent of refuse that climbs up into Diddy's life, cluttering all his floor space and overwhelming his pleasant furnishings, so that he's forced to take refuge. Huddle in a narrow corner. But however small the space Diddy means to keep free for himself, it won't remain safe. If solid material can't invade it, then the offensive discharge of the failing or rebellious generator will liquefy; so that it can travel everywhere, spread like a skin. The generator will spew forth a stream of crude oil, grimy and malodorous, that coats all things and persons and objects, the vulgar as well as the precious, the ugly as well as what little still remains beautiful. Befouling Diddy's world and rendering it unusable. Uninhabitable. This deliquescent running-down of everything becomes coexistent with Diddy's entire span of consciousness, undermines his most minimal acts. Getting out of bed is an agony unpromising as the struggles of a fish cast up on the beach, trying to extract life from the meaningless air. Persons who merely have a life customarily move in a dense fluid. That's how they're able to conduct their lives at all. Their living depends on not seeing. But when this fluid evaporates, an uncensored, fetid, appalling underlife is disclosed. Lost continents are brought to view, bearing the ruins of doomed cities, the sparsely fleshed skeletons of ancient creatures immobilized in their death throes, a landscape of unparalleled savagery.
Susan Sontag (Death Kit)
Feels good to be home, baby! Feels good to be home!
P. Diddy
That “Girl Power” has been the sole rival to the word “feminism” in the last 50 years is a cause for much sorrow on behalf of the women. After all, P. Diddy has had four different names, and he’s just one man.
Caitlin Moran (How To Be A Woman)
Unless I'm working for Diddy, holding that umbrella, I ain't no one's assistant....
Marvelyn Brown (The Naked Truth: Young, Beautiful, and (HIV) Positive)
basically, the one-eyed leader of the Norse gods had more handles than P. Diddy.
Shayne Silvers (Brimstone Kiss (The Phantom Queen Diaries, #10))
The Travelling People, the final radio ballad, broadcast in 1964, was the most ambitious of all, grappling with the vilified nomadic population of Britain. The programme did not flinch from including the negative sentiments of the ‘not in my backyard’ brigade: one gentleman is heard to call them ‘misfits … the maggots of society’. The soundworld is particularly rich and evocative of difference: the travellers’ words are surrounded by the outdoor ambience in which they dwell – birdsong, horses’ hooves, the rush of road traffic. The voices of ‘respectable’ society speak in the dead air of cushioned interiors. Parker’s editing skills reach a new level of finesse, so a succession of phrases like ‘They call us the wild ones/ The pilgrims of the mist/ Romanies, Gypsies, diddikais, mumpers, travellers/ Nomads of the road/Blackfaced diddies/ … In Carlisle, they call you porters, dirty porters this, dirty porters that …’ whizz past in a kaleidoscope of lexicographic plurality and regional accents. Its conclusion – comparing Britain’s treatment of its nomads to the Nazi pogroms – is shocking, but is borne out by the words of Labour councillor Harry Watton, who is heard to say, ‘One must exterminate the impossibles.’ It is a bitter, troubling conclusion to the radio ballads.
Rob Young (Electric Eden: Unearthing Britain's Visionary Music)
The African night was absolute darkness. One of the houseboys went ahead of us, carrying a lantern. Even so there were rustlings and strange noises that filled the night air. I think I heard the distant roar of a lion. I was glad I was with a group of people, even though I told myself I was safely on Diddy's estate.
Rhys Bowen
Among Amex’s rivals in the luxury space is Quintessentially Group, a members-only concierge network with offices in fifty countries. Quintessentially promises incredible access for its global clientele, which includes, its founders have claimed, hundreds of billionaires and thousands of hundred-millionaires. (Virgin Atlantic’s Richard Branson, rapper P. Diddy, Madonna, and author J. K. Rowling have reportedly been among its clients.) Want a last-minute table at Noma in Copenhagen on a Saturday night? No problem. A private performance by Elton John? Done that. A safe driver to pick up your kids from boarding school in a clutch and deliver them to your vacation home on Martha’s Vineyard? Say the word. Polo lessons from an actual pro? Ask Catherine Mills, head of equestrian services, whose duties have ranged from sourcing a top-notch steed for an international competition to showing up at a children’s garden party in central London with a bunch of ponies “and walking them through the front door.
Michael Mechanic (Jackpot: How the Super-Rich Really Live—and How Their Wealth Harms Us All)
There you are, Diddy darling,
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
Toby looked so miserable the soldiers gathered around him for support. They sang a revised version of their company song: Buckle for your dust, boys, no flakey diddy-bopping. Stay tight, and fight the Grimhilda Red Alert. The second line was adaptable to any situation: the day before it had included references to grizzly bears.
Mike Crowl (Grimhilda! - a fantasy for children - and their parents)
Thir no fuckin swaggerin aroond Leith, fuckin well surein thair no. A bunch ay fuckin sheepshaggers wi thair diddy European Cup Winner's Cup, comin doon here, drinkin in oor pubs, chattin up oor... Franco hesitates, looks at Tommy. Tommy can't resist it. — Sheep?
Irvine Welsh (Skagboys (Mark Renton, #1))