Slyness Quotes

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Taren Ferry folk had a reputation for slyness and trickery. If you shook hands with a Taren Ferry man, people said, you counted your fingers afterwards.
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
Her sponge cakes had the aroma of crucifixion.Within them was the sap of slyness and the fragrant frenzy of the Vatican.
Isaac Babel (The Collected Stories of Isaac Babel)
With a leer of mingled sweetness and slyness; with one eye on the future, one on the bride, and an arch expression in her face, partly spiritual, partly spirituous, and wholly professional and peculiar to her art; Mrs Gamp rummaged in her pocket again [...]
Charles Dickens (Martin Chuzzlewit)
Little girls are the nicest things that can happen to people. They are born with a bit of angel-shine about them, and though it wears thin sometimes, there is always enough left to lasso your heart—even when they are sitting in the mud, or crying temperamental tears, or parading up the street in Mother’s best clothes. A little girl can be sweeter (and badder) oftener than anyone else in the world. She can jitter around, and stomp, and make funny noises that frazzle your nerves, yet just when you open your mouth, she stands there demure with that special look in her eyes. A girl is Innocence playing in the mud, Beauty standing on its head, and Motherhood dragging a doll by the foot. God borrows from many creatures to make a little girl. He uses the song of a bird, the squeal of a pig, the stubbornness of a mule, the antics of a monkey, the spryness of a grasshopper, the curiosity of a cat, the speed of a gazelle, the slyness of a fox, the softness of a kitten, and to top it all off He adds the mysterious mind of a woman. A little girl likes new shoes, party dresses, small animals, first grade, noisemakers, the girl next door, dolls, make-believe, dancing lessons, ice cream, kitchens, coloring books, make-up, cans of water, going visiting, tea parties, and one boy. She doesn’t care so much for visitors, boys in general, large dogs, hand-me-downs, straight chairs, vegetables, snowsuits, or staying in the front yard. She is loudest when you are thinking, the prettiest when she has provoked you, the busiest at bedtime, the quietest when you want to show her off, and the most flirtatious when she absolutely must not get the best of you again. Who else can cause you more grief, joy, irritation, satisfaction, embarrassment, and genuine delight than this combination of Eve, Salome, and Florence Nightingale. She can muss up your home, your hair, and your dignity—spend your money, your time, and your patience—and just when your temper is ready to crack, her sunshine peeks through and you’ve lost again. Yes, she is a nerve-wracking nuisance, just a noisy bundle of mischief. But when your dreams tumble down and the world is a mess—when it seems you are pretty much of a fool after all—she can make you a king when she climbs on your knee and whispers, "I love you best of all!
Alan Beck
There is a sweetness in being the sole source, the autocratic and irresponsible cause of the greatest joy and profoundest pain to another, and I was like wax in Zinaïda's hands; though, indeed, I was not the only one in love with her. All the men who visited the house were crazy over her, and she kept them all in leading-strings at her feet. It amused her to arouse their hopes and then their fears, to turn them round her finger (she used to call it knocking their heads together), while they never dreamed of offering resistance and eagerly submitted to her. About her whole being, so full of life and beauty, there was a peculiarly bewitching mixture of slyness and carelessness, of artificiality and simplicity, of composure and frolicsomeness; about everything she did or said, about every action of hers, there clung a delicate, fine charm, in which an individual power was manifest at work. And her face was ever changing, working too; it expressed, almost at the same time, irony, dreaminess, and passion. Various emotions, delicate and quick-changing as the shadows of clouds on a sunny day of wind, chased one another continually over her lips and eyes.
Ivan Turgenev (First Love)
I think it is because I have a habit, when I am bored or disgusted with people of stepping suddenly into my own world and shutting the door. People resent this -- I suppose it is only natural to resent a door being shut in your face. They call it slyness when it is only self-defense.
L.M. Montgomery
Yurii Andreievich kept trying to get up and go. The commissar's naïveté embarrassed him, but the sly sophistication of the commandant and his aide—two sneering and dissembling opportunists—was no better. The foolishness of the one was matched by the slyness of the others. And all this was expressed itself in a torrent of words, superfluous, utterly false, murky, profoundly alien to life itself. Oh, how one wishes sometimes to escape from the meaningless dullness of human eloquence, from all those sublime phrases, to take refuge in nature, apparently so inarticulate, or in the wordlessness of long, grinding labor, of sound sleep, of true music, or of a human understanding rendered speechless by emotion!
Boris Pasternak (Doctor Zhivago)
In my view, Roman Catholicism is not even a faith, but is decidedly a continuation of the Western Roman Empire, and in it everything, beginning with faith, is subordinated to that idea. The Pope seized the earth, an earthly throne, and took up the sword; ever since then it has all gone like that, except that to the sword they’ve added lies, slyness, deception, fanaticism, superstition and evil-doing, and played with the people’s most sacred, truthful, simple, fiery emotions, exchanging everything, everything for money, for base, earthly power. And isn’t that the teaching of the Antichrist?
Fyodor Dostoevsky (The Idiot)
His understanding and opinions all please me; he wants nothing but a little more liveliness, and that, if he marry prudently, his wife may teach him. I thought him very sly;—he hardly ever mentioned your name. But slyness seems the fashion.
Jane Austen (Pride and Prejudice)
There is no true scholar who has not the instincts of a true soldier in his veins. To be able to command and to be able to obey in a proud fashion; to keep one's place in rank and file, and yet to be ready at any moment to lead; to prefer danger to comfort; not to weigh what is permitted and what is forbidden in a tradesman's balance; to be more hostile to pettiness, slyness, and parasitism than to wickedness. What is is that one learns in a hard school? To obey and to command.
Friedrich Nietzsche (The Will to Power)
He had not stopped looking into her eyes, and she showed no signs of faltering. He gave a deep sigh and recited: "O sweet treasures, discovered to my sorrow." She did not understand. "It is a verse by the grandfather of my great-great-grandmother," he explained. "He wrote three eclogues, two elegies, five songs, and forty sonnets. Most of them for a Portuguese lady of very ordinary charms who was never his, first because he was married, and then because she married another man and died before he did." "Was he a priest too?" "A soldier," he said. Something stirred in the heart of Sierva María, for she wanted to hear the verse again. He repeated it, and this time he continued, in an intense, well-articulated voice, until he had recited the last of the forty sonnets by the cavalier of amours and arms Don Garcilaso de la Vega, killed in his prime by a stone hurled in battle.When he had finished, Cayetano took Sierva María's hand and placed it over his heart. She felt the internal clamor of his suffering. "I am always in this state," he said. And without giving his panic an opportunity, he unburdened himself of the dark truth that did not permit him to live. He confessed that every moment was filled with thoughts of her, that everything he ate and drank tasted of her, that she was his life, always and everywhere, as only God had the right and power to be, and that the supreme joy of his heart would be to die with her. He continued to speak without looking at her, with the same fluidity and passion as when he recited poetry, until it seemed to him that Sierva María was sleeping. But she was awake, her eyes, like those of a startled deer, fixed on him. She almost did not dare to ask: "And now?" "And now nothing," he said. "It is enough for me that you know." He could not go on. Weeping in silence, he slipped his arm beneath her head to serve as a pillow, and she curled up at his side. And so they remained, not sleeping, not talking, until the roosters began to crow and he had to hurry to arrive in time for five-o'clock Mass. Before he left, Sierva María gave him the beautiful necklace of Oddúa: eighteen inches of mother-of-pearl and coral beads. Panic had been replaced by the yearning in his heart. Delaura knew no peace, he carried out his tasks in a haphazard way, he floated until the joyous hour when he escaped the hospital to see Sierva María. He would reach the cell gasping for breath, soaked by the perpetual rains, and she would wait for him with so much longing that only his smile allowed her to breathe again. One night she took the initiative with the verses she had learned after hearing them so often. 'When I stand and contemplate my fate and see the path along which you have led me," she recited. And asked with a certain slyness: "What's the rest of it?" "I reach my end, for artless I surrendered to one who is my undoing and my end," he said. She repeated the lines with the same tenderness, and so they continued until the end of the book, omitting verses, corrupting and twisting the sonnets to suit themselves, toying with them with the skill of masters. They fell asleep exhausted. At five the warder brought in breakfast, to the uproarious crowing of the roosters, and they awoke in alarm. Life stopped for them.
Gabriel García Márquez (Of Love and Other Demons)
He’s awake and listening to us,” said the old woman. “Sly little rascal.” She chuckled. “But royalty has need of slyness. And if he’s really the Kwisatz Haderach…well….
Frank Herbert (Dune)
Distance belongs to it, slyness belongs to it, quarest things on earth belongs to it. There, ’tmay as well come early as late s’far as I know. The sooner begun, the sooner over; for come it will.
Thomas Hardy (Under the Greenwood Tree)
Looking out over the world from above, he could never remember feeling so alive as he did in that moment. There was a slyness to the sky and a nowness to the world that he had never seen or felt or realized before.
Neil Gaiman (Stardust)
But here she did injustice to the fire and independence of his character, for it led him to escape out of Longbourn House the next morning with admirable slyness, and hasten to Lucas Lodge to throw himself at her feet.
Jane Austen (Pride and Prejudice)
In the summer you could take out ten books at a time, instead of three, and keep them a month, instead of two weeks. Of course you could take only four of the fiction books, which were the best, but Jane liked plays and they were nonfiction, and Katharine liked poetry and that was nonfiction, and Martha was still the age for picture books, and they didn’t count as fiction but were often nearly as good. Mark hadn’t found out yet what kind of nonfiction he liked, but he was still trying. Each month he would carry home his ten books and read the four good fiction ones in the first four days, and then read one page each from the other six, and then give up. Next month he would take them back and try again. The nonfiction books he tried were mostly called things like “When I was a Boy in Greece,” or “Happy Days on the Prairie”—things that made them sound like stories, only they weren’t. They made Mark furious. “It’s being made to learn things not on purpose. It’s unfair,” he said. “It’s sly.” Unfairness and slyness the four children hated above all.
Edward Eager (Half Magic (Tales of Magic, #1))
Barrett is a bigger guy, not fat (not yet) but ursine, crimson of eye and lip; ginger-furred, possessed (he likes to think) of an enchanted sensual slyness, the prince transformed into wolf or lion, all slumbering large-pawed docility, awaiting, with avid yellow eyes, love’s first kiss.
Michael Cunningham (The Snow Queen)
Our favorite film is Vertigo. Amy Eleni and I must watch it seventeen or eighteen times a year, and with each viewing our raptness grows looser and looser; we don't need the visuals anymore--one or the other of us can go into the kitchen halfway through and call out the dialogue while making up two cups of Horlicks. From the minute you see empty, beautiful, blond Madeleine Elster, you know she is doomed because she exists in a way that Scottie, the male lead, just doesn't. You know that Madeleine is in big trouble, because she's a vast wound in a landscape where wounds aren't allowed to stay open--people have to shut up and heal up. She's in trouble because the film works to a plan that makes trauma speak itself out, speak itself to excess until it dies; this film at the peak of its slyness, when people sweat and lick their lips excessively and pound their chests and grab their hair and twist their heads from side to side, performing this unspeakable torment.
Helen Oyeyemi
Since a ruler has to be able to act the beast, he should take on the traits of the fox and the lion; the lion can’t defend itself against snares and the fox can’t defend itself from wolves. So you have to play the fox to see the snares and the lion to scare off the wolves. A ruler who just plays the lion and forgets the fox doesn’t know what he’s doing. Hence a sensible leader cannot and must not keep his word if by doing so he puts himself at risk, and if the reasons that made him give his word in the first place are no longer valid. If all men were good, this would be bad advice, but since they are a sad lot and won’t be keeping their promises to you, you hardly need to keep yours to them. Anyway, a ruler will never be short of good reasons to explain away a broken promise. It would be easy to cite any number of examples from modern times to show just how many peace treaties and other commitments have been rendered null and void by rulers not keeping their word. Those best at playing the fox have done better than the others. But you have to know how to disguise your slyness, how to pretend one thing and cover up another. People are so gullible and so caught up with immediate concerns that a con man will always find someone ready to be conned.
Niccolò Machiavelli (The Prince)
The poulterers' shops were still half open, and the fruiterers' were radiant in their glory. There were great, round, pot-bellied baskets of chestnuts, shaped like the waistcoats of jolly old gentleman, lolling at the doors, and tumbling out into the street in their apoplectic opulence. There were ruddy, brown-faced broad-girthed Spanish onions, shining in the fatness of their growth like Spanish friars, and winking from their shelves in wanton slyness at the girls as they went by, and glanced demurely at the hung-up mistletoe. There were pears and apples, clustered high in blooming pyramids; there were bunches of grapes, made, in the shopkeepers' benevolence, to dangle from conspicuous hooks, that people's mouths might water gratis as they passed; there were piles of filberts, mossy and brown, recalling, in their fragrance, ancient walks among the woods, and pleasant shufflings ankle deep through withered lanes; there were Norfolk Biffins, squab and swarthy, setting off the yellow of the oranges and lemons, and, in the great compactness of their juicy persons, urgently entreating and beseeching to be carried home in paper bags and eaten after dinner.
Charles Dickens (A Christmas Carol)
I did not of course realize it then, but I know now that there was a disarming frankness in her manner that put one at one’s ease. She talked with a kind of eagerness, like a child bubbling over with the zest of life, and her eyes were lit all the time by her engaging smile. I did not know why I liked it. I should say it was a little sly, if slyness were not a displeasing quality; it was too innocent to be sly. It was mischievous rather, like that of a child who has done something that he thinks funny, but is quite well aware that you will think rather naughty; he knows all the same that you won’t be really cross and if you don’t find out about it quickly he’ll come and tell you himself. But of course then I only knew that her smile made me feel at home.
W. Somerset Maugham (Cakes and Ale)
A beautiful child sat playing in the sand And finger-writing: Who? Where from? Where to? I answered, O beautiful child, tell me, is Interrupting me: I am two children, hand in hand, I wanted to know: O beautiful child who finds it so easy to talk, tell me, where does the grass-tree grow, where does the grass flower, the wind and the breath of the wind, the strawberry, the leaf of grass, the rose? Again, it broke in: I am not at one with myself, I am full of contraries, I talk about anything, I am a boy and a girl, one and two, and you, are you night and day? I said: I am a poor robber, a productive consumer looking for honest labour, I want to go back to where I was born, either/or or and/or the board-panelling of the outside walls either horizontal or vertical or/or not, I want to be silent, there. It shouted: But first you have to calm down the wind, the walking wind, the dense tree-growing wind! And l: O syntax, that has only a few exceptions. You, slyness of sincerity, you rule. It wanted to know: Why are you praising the language that rules? I would like to teach this poem a lesson, I said, I can' t get rid of it, this breath has grown trees. . . I came from there, I took the road through the forest, but oh, it was stormy weather, autumn weather... That child then said: But, if it gives way why shouldn't you try to be free, to walk through the night. and look for someone whom it would fit, . that uninhabited breath?
Paavo Haavikko (Selected poems)
O dear, soft people, full of meat and blood, with white beds and airy rooms waiting you each night, how can I make you know what it is to suffer as you would suffer if you spent a weary night on London's streets? Believe me, you would think a thousand centuries had come and gone before the east paled into dawn; you would shiver till you were ready to cry aloud with the pain of each aching muscle; and you would marvel that you could endure so much and live. Should you rest upon a bench, and your tired eyes close, depend upon it the policeman would rouse you and gruffly order you to 'move on.' You may rest upon the bench, and benches are few and far between; but if rest means sleep, on you must go, dragging your tired body through the endless streets. Should you, in desperate slyness, seek some forlorn alley or dark passageway and lie down, the omnipresent policeman will rout you out just the same. It is his business to rout you out. It is a law of the powers that be that you shall be routed out. But when the dawn came, the nightmare over, you would hale you home to refresh yourself, and until you died you would tell the story of your adventure to groups of admiring friends. It would grow into a mighty story. Your little eight-hour night would become an Odyssey and you a Homer. Not so with these homeless ones who walked Poplar Workhouse with me. And there are thirty-five thousand of them, men and women, in “London Town this night. Please don't remember it as you go to bed; if you are as soft as you ought to be, you may not rest so well as usual. But for old men of sixty, seventy, and eighty, ill-fed, with neither meat nor blood, to greet the dawn unrefreshed, and to stagger through the day in mad search for crusts, with relentless night rushing down upon them again, and to do this nights and days- O dear, soft people, full of meat and blood, how can you ever understand?
Jack London (The People of the Abyss)
This is precisely the opposite of what the disciples had been hoping to hear. Jesus further dampens their spirits by predicting His betrayal at the hand of one of those reclining with Him at the table (Mark 14:18). He wants Judas to know that cleverness, slyness, and secrecy will have nothing to do with His death.
Timothy J. Stoner (Crucify!: Why the Crowd Killed Jesus)
The Waiting Wall,” he said with a flourish. “It’s been waiting the past two thousand years to be rebuilt. Or maybe,” he said with a certain slyness, “because it’s been waiting centuries for you and you and you”—his finger swung from person to person—“to leave your fancy homes in Scarsdale and Paris to come pray at her side!” He
Ruchama King Feuerman (In the Courtyard of the Kabbalist)
Close to, he looked uncannily like the portrait of Khaster that hung in the long gallery. But the resemblance was only physical, Varencienne felt. Merlan was neither melancholy nor despairing, but quite the opposite. There was also a certain slyness to his expression. Light brown hair fell over his face, which was corded with muscle as if his features were in constant motion. Varencienne had heard all the stories about Merlan; he now held quite a prestigious position as assistant to the governor of Mewt. He was not a soldier but an administrator, safe from combat. His skin had been tanned to dark brown by the hot sun of Mewt, and gold highlights shone in his hair. He wore gold Mewtish earrings in his ears, hoops wound with tiny enameled snakes.
Storm Constantine (Sea Dragon Heir (The Chronicles of Magravandias, #1))
This is the slyness of art: If you tell enough lies, you’re bound to say something true. —The Paris Review, Issue 95, Spring 1985
William Meredith
They said that the devil was insensitive, that he was cruel, heartless, had lost his soul. This was not true for me. All the devil owns are emotions, passions, he is their master. He who is burned in them can be reborn in the same fire. He must be the rational one, but he was not. He was cruel, merciless to anything devoid of love, to anything that robbed us of our humanity. Yes, he was human and despised those who lived without love, who wasted life, for he knew the value of every moment. He hated all those who reviled love and chained it to satisfy their basic needs. Those who preached love, and behind their sermons, there was a slyness...
Iliyan Kuzmanov (The Devil I Know Him)
To add to our challenge of validating our experience, the average person isn’t typically well educated or aware of emotional abuse, even when it is happening directly to him or her. Unless we have done the work to educate ourselves on emotional abuse, we cannot and will not be able to explain our situation. This allows the abusive treatment of our toxic family members to continue without interruption. Our toxic family members are experts at concealing their abusive behaviors just slightly under public radar so that when we complain about the hurt they have made us feel, our complaints fall on deaf ears. This level of slyness allows our toxic family members to walk away looking innocent and unfairly accused while we appear emotionally unstable. This is the most infuriating part for us.
Sherrie Campbell (But It's Your Family . . .: Cutting Ties with Toxic Family Members and Loving Yourself in the Aftermath)
He had known that emotions could change a person's perception of facts, but he had never imagined them capable of such slyness. It was important to keep an eye on them--to remain alert to their secret workings.
Trenton Lee Stewart (The Extraordinary Education of Nicholas Benedict (The Mysterious Benedict Society, #0))
Morality is an invention of the powerful to impose their will on the subordinates with ease and nearly as much slyness.
Tomichan Matheikal (Autumn Shadows)